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Sparse desert vegetation is faintly visible on the ground, and more cacti can be seen in the distance.",{"_297":439,"_299":440,"_301":441},"https://img.ochreeditions.com/m/1677.jpg?dl=1","/art/new-moon-and-evening-star-nga-146847","/galleries/style/early-modernism/new-moon-and-evening-star-nga-146847",{"_293":437,"_295":438},{"_227":427,"_125":428,"_287":429},{"_278":423,"_280":424,"_282":425,"_283":426},43.82248520710059,49,19.82248520710059,25,{"_289":227,"_123":435,"_154":436,"_140":99},{"_289":125,"_123":433,"_154":434,"_140":75},{"_289":287,"_123":430,"_154":431,"_140":432},"era/20-united-states","20th-century United States",124,"style/print-20","More prints of the 20th century","artist/george-elbert-burr","More by George Elbert Burr","white","snow","https://img.ochreeditions.com/a/1677/480.jpg","https://img.ochreeditions.com/a/1677/960.jpg","https://img.ochreeditions.com/a/1677/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":459,"_315":460},{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},"#a5a196",0.0971,"#e1e1d5",0.1036,"#605c57",0.1403,"#46423f",0.1691,"#7f7b71",0.4899,"George Elbert Burr","george-elbert-burr","American, 1859–1939","American",1859,1939,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","in-the-desert-si-saam-1981-155-3","In the Desert",{"_42":521,"_224":522,"_327":523,"_329":-5,"_331":524,"_333":525,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1915-1925","oil on canvas","26 3/4 x 33 in. (68.0 x 83.8 cm)",83.8,1.3180778032036613,[506,507,508,509,510],{"_223":503,"_224":504,"_42":505,"_306":445},"Courtesy of the Smithsonian American Art Museum","1981.155.3","H. Siddons Mowbray painted this in 1915-1925, aged about 57. It is now at the Smithsonian American Art Museum in Washington, DC.","In the Desert, by H. Siddons Mowbray, 1915-1925",{"_297":500,"_299":501,"_301":502},"https://img.ochreeditions.com/m/1960.jpg?dl=1","/art/in-the-desert-si-saam-1981-155-3","/galleries/style/early-modernism/in-the-desert-si-saam-1981-155-3",{"_293":294,"_295":296},{"_227":492,"_125":493,"_287":494},{"_278":489,"_280":490,"_282":474,"_283":491},98.8,78.57743055555555,63.57743055555555,{"_289":227,"_123":498,"_154":499,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"era/20","The 20th century",189,"artist/contemporaries-of-h-siddons-mowbray","H. Siddons Mowbray's contemporaries","https://img.ochreeditions.com/a/1960/480.jpg","https://img.ochreeditions.com/a/1960/960.jpg","https://img.ochreeditions.com/a/1960/1920.jpg","si","smithsonian","Smithsonian Institution",{"_313":519,"_315":520},{"_313":517,"_315":518},{"_313":515,"_315":516},{"_313":513,"_315":514},{"_313":511,"_315":512},"#7d796a",0.0459,"#465f78",0.1917,"#84723c",0.2402,"#ab7d39",0.2523,"#c49d50",0.2699,"H. Siddons Mowbray","h-siddons-mowbray","born Alexandria, Egypt 1858-died Washington, CT 1928",1858,1928,"woman-in-black-si-hmsg-66-3503","Woman in Black",{"_42":539,"_224":573,"_327":574,"_329":-5,"_331":575,"_333":576,"_335":-5,"_336":-5,"_337":-5,"_140":103},"(c. 1904)","36 1/8 × 29 in. (91.6 × 73.7 cm)",73.7,91.6,0.8082026537997588,[558,559,560,561,562],{"_223":503,"_224":504,"_42":505,"_306":445},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.3503","Alfred Henry Maurer painted this ((c. 1904)), aged 36. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Alfred Henry Maurer",{"_297":555,"_299":556,"_301":557},"https://img.ochreeditions.com/m/1825.jpg?dl=1","/art/woman-in-black-si-hmsg-66-3503","/galleries/style/early-modernism/woman-in-black-si-hmsg-66-3503",{"_293":294,"_295":296},{"_227":550,"_125":551,"_287":552},{"_278":547,"_280":548,"_282":549,"_283":532},89.0313630880579,106.6,74.0313630880579,{"_289":227,"_123":553,"_154":554,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-alfred-henry-maurer","Alfred Henry Maurer's contemporaries","https://img.ochreeditions.com/a/1825/480.jpg","https://img.ochreeditions.com/a/1825/960.jpg","https://img.ochreeditions.com/a/1825/1920.jpg",{"_313":571,"_315":572},{"_313":569,"_315":570},{"_313":567,"_315":568},{"_313":565,"_315":566},{"_313":563,"_315":564},"#54706e",0.0316,"#b09871",0.0689,"#52422a",0.1268,"#201915",0.3094,"#76653f",0.4633,"alfred-henry-maurer","1868–1932",1868,1932,"october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","October (cover illustration for Harper's Magazine)",{"_42":623,"_224":624,"_327":625,"_329":-5,"_331":626,"_333":525,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1903","21 1/8 x 19 1/8 in. (53.5 x 48.5 cm)",48.5,53.5,0.908,[608,609,610,611,612],{"_223":503,"_224":504,"_42":505,"_306":445},"1977.99.2","William Clarke Rice painted this in 1903, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.","October (cover illustration for Harper's Magazine), by William Clarke Rice, 1903",{"_297":605,"_299":606,"_301":607},"https://img.ochreeditions.com/m/1954.jpg?dl=1","/art/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","/galleries/style/early-modernism/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2",{"_293":294,"_295":296},{"_227":600,"_125":601,"_287":602},{"_278":597,"_280":598,"_282":599,"_283":583},63.578,68.5,48.578,{"_289":227,"_123":603,"_154":604,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-william-clarke-rice","William Clarke Rice's contemporaries","https://img.ochreeditions.com/a/1954/480.jpg","https://img.ochreeditions.com/a/1954/960.jpg","https://img.ochreeditions.com/a/1954/1920.jpg",{"_313":621,"_315":622},{"_313":619,"_315":620},{"_313":617,"_315":618},{"_313":615,"_315":616},{"_313":613,"_315":614},"#e59749",0.0641,"#432d21",0.1533,"#ae2b0e",0.156,"#6d3d21",0.2446,"#8a643d",0.382,"William Clarke Rice","william-clarke-rice","born Brooklyn, NY 1875-died New York City 1928",1875,"frank-brett-noyes-si-npg-s-npg-66-67","Frank Brett Noyes",{"_42":674,"_224":675,"_327":676,"_329":-5,"_331":677,"_333":678,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1917","Accurate: 167.7 x 122.6 cm (66 x 48 1/4\")",122.6,167.7,0.7288332472896232,[659,660,661,662,663],{"_223":503,"_224":504,"_42":505,"_306":445},"Courtesy of the National Portrait Gallery, Smithsonian Institution","S/NPG.66.67","Ossip Perelma painted this in 1917, aged 41. It is now at the National Portrait Gallery in Washington, DC.","Artist: Ossip Perelma, Sitter: Frank Brett Noyes, Current owner: National Portrait Gallery, Smithsonian Institution",{"_297":656,"_299":657,"_301":658},"https://img.ochreeditions.com/m/1857.jpg?dl=1","/art/frank-brett-noyes-si-npg-s-npg-66-67","/galleries/style/early-modernism/frank-brett-noyes-si-npg-s-npg-66-67",{"_293":294,"_295":296},{"_227":651,"_125":652,"_287":653},{"_278":648,"_280":649,"_282":650,"_283":633},137.22533557046978,182.7,122.2253355704698,{"_289":227,"_123":654,"_154":655,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-ossip-perelma","Ossip Perelma's contemporaries","https://img.ochreeditions.com/a/1857/480.jpg","https://img.ochreeditions.com/a/1857/960.jpg","https://img.ochreeditions.com/a/1857/1920.jpg",{"_313":672,"_315":673},{"_313":670,"_315":671},{"_313":668,"_315":669},{"_313":666,"_315":667},{"_313":664,"_315":665},"#998d5d",0.1267,"#70795b",0.1476,"#6e633e",0.1938,"#465743",0.2301,"#2c3e34",0.3018,"Ossip Perelma","ossip-perelma","1876 - 23 May 1949",1876,1949,"lozenge-composition-with-yellow-black-blue-red-and-gray-aic-109819","Lozenge Composition with Yellow, Black, Blue, Red, and Gray",{"_42":725,"_224":726,"_327":727,"_329":728,"_331":729,"_333":730,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1921","netherlands","60 × 60 cm (23 5/8 × 23 5/8 in.)",60,[710,711,712,713,714],{"_223":374,"_224":375,"_42":376,"_306":377},"1957.307","Piet Mondrian painted this in 1921, aged 49. It is now at the Art Institute of Chicago.",{"_118":707,"_708":709},"A square white tile, rotated 90 degrees, crossed by black lines intersecting at 90-degree angles. A few of the shapes thus formed—some partial squares, some rectangles—are colored in a single shade of yellow, blue, black, or red.",{"_297":704,"_299":705,"_301":706},"https://img.ochreeditions.com/m/272.jpg?dl=1","/art/lozenge-composition-with-yellow-black-blue-red-and-gray-aic-109819","/galleries/style/early-modernism/lozenge-composition-with-yellow-black-blue-red-and-gray-aic-109819",{"_293":294,"_295":296},{"_227":699,"_125":700,"_287":701},{"_278":292,"_280":292,"_282":685,"_283":685},{"_289":227,"_123":702,"_154":703,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-piet-mondrian","Piet Mondrian's contemporaries","https://img.ochreeditions.com/a/272/480.jpg","https://img.ochreeditions.com/a/272/960.jpg","https://img.ochreeditions.com/a/272/1920.jpg","Piet Mondrian, a founding member of the international movement De Stijl (the Style), said “the straight line tells the truth.” Deceptively simple, his works are the result of continual tinkering to achieve absolute balance and harmony.","source","Text from the Art Institute of Chicago.",{"_313":723,"_315":724},{"_313":721,"_315":722},{"_313":719,"_315":720},{"_313":717,"_315":718},{"_313":715,"_315":716},"#012178",0.0188,"#0b0a0c",0.0359,"#75767a",0.0427,"#d4be54",0.0513,"#e4e5e5",0.8513,"Piet Mondrian","piet-mondrian","Dutch, 1872–1944","Dutch",1872,1944,"hillside-si-saam-1909-7-25","Hillside",{"_42":776,"_224":777,"_327":778,"_329":-5,"_331":779,"_333":525,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1908","33 x 43 in. (83.8 x 109.2 cm)",109.2,1.2979683972911964,[761,762,763,764,765],{"_223":503,"_224":504,"_42":505,"_306":445},"1909.7.25","Edward Gay painted this in 1908, aged 71. It is now at the Smithsonian American Art Museum in Washington, DC.","Hillside, by Edward Gay, 1908",{"_297":758,"_299":759,"_301":760},"https://img.ochreeditions.com/m/1862.jpg?dl=1","/art/hillside-si-saam-1909-7-25","/galleries/style/early-modernism/hillside-si-saam-1909-7-25",{"_293":294,"_295":296},{"_227":753,"_125":754,"_287":755},{"_278":750,"_280":751,"_282":736,"_283":752},124.2,99.13147826086957,84.13147826086957,{"_289":227,"_123":756,"_154":757,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-edward-gay","Edward Gay's contemporaries","https://img.ochreeditions.com/a/1862/480.jpg","https://img.ochreeditions.com/a/1862/960.jpg","https://img.ochreeditions.com/a/1862/1920.jpg",{"_313":774,"_315":775},{"_313":772,"_315":773},{"_313":770,"_315":771},{"_313":768,"_315":769},{"_313":766,"_315":767},"#756d4a",0.1113,"#413921",0.14,"#1d170e",0.1534,"#887c31",0.2357,"#dbdad3",0.3596,"Edward Gay","edward-gay","born Mulligar, Ireland 1837-died Albany, NY 1928",1837,"farm-near-duivendrecht-aic-144467","Farm near Duivendrecht",{"_42":725,"_224":726,"_327":727,"_329":728,"_331":729,"_333":730,"_335":-5,"_336":-5,"_337":-5,"_140":101},"c. 1916","86.3 × 107.9 cm (34 × 42 1/2 in.)",107,86,1.2587074692973625,[811,812,813,814,815],{"_223":374,"_224":375,"_42":376,"_306":377},"2001.479","Piet Mondrian painted this in about 1916, aged about 39. It is now at the Art Institute of Chicago.",{"_118":810,"_708":709},"A work made of oil on canvas.",{"_297":807,"_299":808,"_301":809},"https://img.ochreeditions.com/m/324.jpg?dl=1","/art/farm-near-duivendrecht-aic-144467","/galleries/style/early-modernism/farm-near-duivendrecht-aic-144467",{"_293":294,"_295":296},{"_227":804,"_125":805,"_287":806},{"_278":801,"_280":802,"_282":785,"_283":803},122,100.00783749200257,85.00783749200257,{"_289":227,"_123":702,"_154":703,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"https://img.ochreeditions.com/a/324/480.jpg","https://img.ochreeditions.com/a/324/960.jpg","https://img.ochreeditions.com/a/324/1920.jpg","Though Piet Mondrian is best known for his nonrepresentational paintings, his basic vision was rooted in landscape. He was particularly inspired by the flat topography of his native Holland, a subject he returned to even after he had begun working in an abstract style. Mondrian first sketched this farm around 1905.",{"_313":824,"_315":825},{"_313":822,"_315":823},{"_313":820,"_315":821},{"_313":818,"_315":819},{"_313":816,"_315":817},"#8f6b57",0.1489,"#817671",0.2007,"#625753",0.2016,"#c6ad9c",0.2047,"#b28e76",0.2441,"eddyville-cma-173316","Eddyville",{"_42":871,"_224":872,"_327":873,"_329":464,"_331":874,"_333":875,"_335":-5,"_336":-5,"_337":-5,"_140":103},"Unframed: 63.5 x 76.2 cm (25 x 30 in.)",76.2,63.5,1.2073863636363635,[856,857,858,859,860],{"_223":303,"_224":304,"_42":305,"_306":307},"1925.1408","Samuel Halpert painted this in 1917, aged 33. It is now at the Cleveland Museum of Art.","Eddyville, by Samuel Halpert, 1917",{"_297":853,"_299":854,"_301":855},"https://img.ochreeditions.com/m/783.jpg?dl=1","/art/eddyville-cma-173316","/galleries/style/early-modernism/eddyville-cma-173316",{"_293":294,"_295":296},{"_227":848,"_125":849,"_287":850},{"_278":845,"_280":846,"_282":830,"_283":847},91.2,78.1115294117647,63.111529411764714,{"_289":227,"_123":851,"_154":852,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":430,"_154":431,"_140":432},"artist/contemporaries-of-samuel-halpert","Samuel Halpert's contemporaries","https://img.ochreeditions.com/a/783/480.jpg","https://img.ochreeditions.com/a/783/960.jpg","https://img.ochreeditions.com/a/783/1920.jpg",{"_313":869,"_315":870},{"_313":867,"_315":868},{"_313":865,"_315":866},{"_313":863,"_315":864},{"_313":861,"_315":862},"#808469",0.0781,"#b0b0a9",0.1271,"#6b6860",0.1981,"#4b4e4c",0.293,"#363a3b",0.3037,"Samuel Halpert","samuel-halpert","American, born Russian Empire [now Poland], 1884–1930",1884,1930,"theresa-helburn-si-npg-npg-73-30","Theresa Helburn",{"_42":921,"_224":922,"_327":923,"_329":-5,"_331":924,"_333":678,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1922","Accurate: 64 × 60.8 cm (25 3/16 × 23 15/16\")",60.8,64,0.95675,[907,908,909,910,911],{"_223":503,"_224":504,"_42":505,"_306":445},"NPG.73.30","Marion H. Beckett painted this in 1922, aged 36. It is now at the National Portrait Gallery in Washington, DC.","Artist: Marion H. Beckett, Sitter: Theresa Helburn, Current owner: National Portrait Gallery, Smithsonian Institution",{"_297":904,"_299":905,"_301":906},"https://img.ochreeditions.com/m/1844.jpg?dl=1","/art/theresa-helburn-si-npg-npg-73-30","/galleries/style/early-modernism/theresa-helburn-si-npg-npg-73-30",{"_293":294,"_295":296},{"_227":899,"_125":900,"_287":901},{"_278":896,"_280":897,"_282":898,"_283":882},76.232,79,61.232,{"_289":227,"_123":902,"_154":903,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-marion-h-beckett","Marion H. Beckett's contemporaries","https://img.ochreeditions.com/a/1844/480.jpg","https://img.ochreeditions.com/a/1844/960.jpg","https://img.ochreeditions.com/a/1844/1920.jpg",{"_313":919,"_315":920},{"_313":917,"_315":918},{"_313":916,"_315":825},{"_313":914,"_315":915},{"_313":912,"_315":913},"#c1b79f",0.0574,"#7b7278",0.1142,"#995243","#6c393c",0.2815,"#252a43",0.3028,"Marion H. Beckett","marion-h-beckett","1886–1949",1886,"calligraphic-interior-si-saam-1968-19-12","Calligraphic Interior",{"_42":972,"_224":973,"_327":974,"_329":-5,"_331":626,"_333":334,"_335":-5,"_336":-5,"_337":975,"_140":99},"ca. 1915","watercolor on paper mounted on paperboard","sheet: 10 x 14 in. (25.5 x 35.5 cm)",35.5,25.5,1.4204545454545454,[957,958,959,960,961],{"_223":503,"_224":504,"_42":505,"_306":445},"1968.19.12","H. Lyman Saÿen painted this in about 1915, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Calligraphic Interior, by H. Lyman Saÿen, ca. 1915",{"_297":954,"_299":955,"_301":956},"https://img.ochreeditions.com/m/1937.jpg?dl=1","/art/calligraphic-interior-si-saam-1968-19-12","/galleries/style/early-modernism/calligraphic-interior-si-saam-1968-19-12",{"_293":294,"_295":296},{"_227":949,"_125":950,"_287":951},{"_278":946,"_280":947,"_282":931,"_283":948},50.5,39.992000000000004,24.992,{"_289":227,"_123":952,"_154":953,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/h-lyman-sayen","More by H. Lyman Saÿen","https://img.ochreeditions.com/a/1937/480.jpg","https://img.ochreeditions.com/a/1937/960.jpg","https://img.ochreeditions.com/a/1937/1920.jpg",{"_313":970,"_315":971},{"_313":968,"_315":969},{"_313":966,"_315":967},{"_313":964,"_315":965},{"_313":962,"_315":963},"#5272ba",0.0448,"#332a25",0.1167,"#e98b3f",0.1625,"#9a7c68",0.1993,"#dec6b0",0.4767,"H. Lyman Saÿen","h-lyman-sayen","born Philadelphia, PA 1875-died Philadelphia, PA 1918","Saÿen trained at the Pennsylvania Academy of the Fine Arts while working as an electrical engineer, patenting improvements to X-ray tubes. In Paris from 1906 he joined Henri Matisse’s classes and absorbed the bold colour of Fauvism.","october-morning-si-saam-1910-9-15","October Morning",{"_42":1024,"_224":1025,"_327":1026,"_329":-5,"_331":1027,"_333":1028,"_335":-5,"_336":-5,"_337":-5,"_140":103},"ca. 1910","32 1/8 x 39 3/8 in. (81.5 x 99.9 cm.)",99.9,81.5,1.231827111984283,[1010,1011,1012,1013,1014],{"_223":503,"_224":504,"_42":505,"_306":445},"1910.9.15","Frank A. Bicknell painted this in about 1910, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1008,"_708":1009},"October Morning, by Frank A. Bicknell, ca. 1910",{"_297":1005,"_299":1006,"_301":1007},"https://img.ochreeditions.com/m/1865.jpg?dl=1","/art/october-morning-si-saam-1910-9-15","/galleries/style/early-modernism/october-morning-si-saam-1910-9-15",{"_293":294,"_295":296},{"_227":1000,"_125":1001,"_287":1002},{"_278":997,"_280":998,"_282":981,"_283":999},114.9,96.09904306220096,81.09904306220096,{"_289":227,"_123":1003,"_154":1004,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-frank-a-bicknell","Frank A. Bicknell's contemporaries","https://img.ochreeditions.com/a/1865/480.jpg","https://img.ochreeditions.com/a/1865/960.jpg","https://img.ochreeditions.com/a/1865/1920.jpg","Frank Bicknell may have painted October Morning during one of his many stays at the artists' colony in Old Lyme, Connecticut.","Text from the Smithsonian American Art Museum.",{"_313":1022,"_315":1023},{"_313":1020,"_315":1021},{"_313":1018,"_315":1019},{"_313":1017,"_315":514},{"_313":1015,"_315":1016},"#ba967f",0.1262,"#bba8b1","#766c7e",0.2115,"#a38688",0.2242,"#e1ced0",0.2464,"Frank A. Bicknell","frank-a-bicknell","born Augusta, ME 1866-died Essex, CT 1943",1866,1943,"old-woman-cma-154286","Old Woman",{"_42":1079,"_224":1080,"_327":1081,"_329":1082,"_331":1083,"_333":1028,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1923–24","russia","Framed: 88.9 x 78.7 x 8.6 cm (35 x 31 x 3 3/8 in.); Unframed: 65 x 54 cm (25 9/16 x 21 1/4 in.)",54,65,0.8297058823529412,[1064,1065,1066,1067,1068],{"_223":303,"_224":304,"_42":305,"_306":307},"1988.94","Chaïm Soutine painted this in about 1923–24, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":1062,"_708":1063},"Old Woman, by Chaïm Soutine, c. 1923–24",{"_297":1059,"_299":1060,"_301":1061},"https://img.ochreeditions.com/m/746.jpg?dl=1","/art/old-woman-cma-154286","/galleries/style/early-modernism/old-woman-cma-154286",{"_293":294,"_295":296},{"_227":1054,"_125":1055,"_287":1056},{"_278":1051,"_280":1052,"_282":1053,"_283":1036},68.93088235294118,80,53.930882352941175,{"_289":227,"_123":1057,"_154":1058,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-chaim-soutine","Chaïm Soutine's contemporaries","https://img.ochreeditions.com/a/746/480.jpg","https://img.ochreeditions.com/a/746/960.jpg","https://img.ochreeditions.com/a/746/1920.jpg","In the nearly 200 portraits Chaïm Soutine painted, he was remarkably consistent in his approach:he almost always painted solitary, unidentified models, seated in half- or three-quarter-length poses facing frontally with hands placed on the hips or folded in the lap, as seen here.","Text from the Cleveland Museum of Art.",{"_313":1077,"_315":1078},{"_313":1075,"_315":1076},{"_313":1073,"_315":1074},{"_313":1071,"_315":1072},{"_313":1069,"_315":1070},"#834d2e",0.1383,"#58533f",0.1798,"#6c4c37",0.2046,"#956e46",0.2246,"#373630",0.2527,"Chaïm Soutine","chaim-soutine","Russian, 1893–1943","Russian",1893,"mary-si-saam-1991-102","Mary",{"_42":1132,"_224":1133,"_327":1134,"_329":-5,"_331":465,"_333":199,"_335":-5,"_336":-5,"_337":-5,"_140":103},"ca. 1914","45 1/2 x 34 3/4 in. (115.5 x 88.2 cm.)",88.2,115.5,0.753,[1117,1118,1119,1120,1121],{"_223":503,"_224":504,"_42":505,"_306":445},"1991.102","Henry Ossawa Tanner painted this in about 1914, aged 55. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1116,"_708":1009},"Mary, by Henry Ossawa Tanner, ca. 1914",{"_297":1113,"_299":1114,"_301":1115},"https://img.ochreeditions.com/m/1986.jpg?dl=1","/art/mary-si-saam-1991-102","/galleries/style/early-modernism/mary-si-saam-1991-102",{"_293":294,"_295":296},{"_227":1108,"_125":1109,"_287":1110},{"_278":1105,"_280":1106,"_282":1107,"_283":1090},101.9715,130.5,86.9715,{"_289":227,"_123":1111,"_154":1112,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-henry-ossawa-tanner","Henry Ossawa Tanner's contemporaries","https://img.ochreeditions.com/a/1986/480.jpg","https://img.ochreeditions.com/a/1986/960.jpg","https://img.ochreeditions.com/a/1986/1920.jpg","Henry Ossawa Tanner saw Mary, mother of Jesus, as a symbol of faith and fortitude. He painted many images of her and created this particular work during a difficult and trying time in his life. In 1914, the year his mother died, the outbreak of World War I forced his family to flee France for England.",{"_313":1130,"_315":1131},{"_313":1128,"_315":1129},{"_313":1126,"_315":1127},{"_313":1124,"_315":1125},{"_313":1122,"_315":1123},"#746347",0.0238,"#474e4f",0.082,"#2f3943",0.1419,"#20252d",0.304,"#16181f",0.4483,"Henry Ossawa Tanner","henry-ossawa-tanner","born Pittsburgh, PA 1859-died Paris, France 1937",{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","c5e05b57f700c5913c99dcd99dccf52075c4e88c","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_224":1179,"_20":1180},{"_224":1177,"_20":1178},{"_224":1175,"_20":1176},{"_224":1173,"_20":1174},{"_224":1171,"_20":1172},{"_224":1169,"_20":1170},{"_224":1167,"_20":1168},{"_224":1165,"_20":1166},{"_224":1163,"_20":1164},{"_224":1161,"_20":1162},{"_224":1159,"_20":1160},{"_224":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]