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It is now at the Cleveland Museum of Art.",{"_118":436,"_302":303},"Fight Between a Tiger and a Buffalo, by Henri Rousseau, 1908",{"_295":433,"_297":434,"_299":435},"https://img.ochreeditions.com/m/583.jpg?dl=1","/art/fight-between-a-tiger-and-a-buffalo-cma-126769","/galleries/style/early-modernism/fight-between-a-tiger-and-a-buffalo-cma-126769",{"_291":292,"_293":294},{"_224":426,"_125":427,"_285":428},{"_276":423,"_278":424,"_280":407,"_281":425},204.5,184.76970588235292,169.76970588235292,{"_287":224,"_123":431,"_154":432,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":429,"_154":430,"_140":81},"era/20-france","20th-century France","artist/henri-rousseau","More by Henri Rousseau","https://img.ochreeditions.com/a/583/480.jpg","https://img.ochreeditions.com/a/583/960.jpg","https://img.ochreeditions.com/a/583/1920.jpg","Having never ventured outside France, Henri Rousseau derived his jungle scenes from reading travel books and visiting the Paris botanical garden.",{"_314":450,"_316":451},{"_314":448,"_316":449},{"_314":446,"_316":447},{"_314":444,"_316":445},{"_314":442,"_316":443},"#73837a",0.0573,"#776a3e",0.0666,"#322d1e",0.1445,"#454d2f",0.3479,"#2d3a22",0.3837,"Henri Rousseau","henri-rousseau","French, 1844–1910","French",1910,"Laval","Paris","Rousseau worked for years as a clerk in the Paris toll service, which earned him the nickname “le Douanier”, and taught himself to paint, exhibiting from 1886 at the jury-free Salon des Indépendants.","october-morning-si-saam-1910-9-15","October Morning",{"_42":509,"_221":510,"_328":511,"_330":-5,"_332":512,"_334":513,"_336":-5,"_337":-5,"_338":-5,"_140":103},"ca. 1910","32 1/8 x 39 3/8 in. (81.5 x 99.9 cm.)",99.9,81.5,1.231827111984283,[494,495,496,497,498],{"_220":376,"_221":377,"_42":378,"_307":379},"1910.9.15","Frank A. Bicknell painted this in about 1910, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":492,"_302":493},"October Morning, by Frank A. Bicknell, ca. 1910",{"_295":489,"_297":490,"_299":491},"https://img.ochreeditions.com/m/1865.jpg?dl=1","/art/october-morning-si-saam-1910-9-15","/galleries/style/early-modernism/october-morning-si-saam-1910-9-15",{"_291":292,"_293":294},{"_224":484,"_125":485,"_285":486},{"_276":481,"_278":482,"_280":465,"_281":483},114.9,96.09904306220096,81.09904306220096,{"_287":224,"_123":487,"_154":488,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-frank-a-bicknell","Frank A. Bicknell's contemporaries","https://img.ochreeditions.com/a/1865/480.jpg","https://img.ochreeditions.com/a/1865/960.jpg","https://img.ochreeditions.com/a/1865/1920.jpg","Frank Bicknell may have painted October Morning during one of his many stays at the artists' colony in Old Lyme, Connecticut.","Text from the Smithsonian American Art Museum.",{"_314":507,"_316":508},{"_314":505,"_316":506},{"_314":503,"_316":504},{"_314":501,"_316":502},{"_314":499,"_316":500},"#ba967f",0.1262,"#bba8b1",0.1917,"#766c7e",0.2115,"#a38688",0.2242,"#e1ced0",0.2464,"Frank A. Bicknell","frank-a-bicknell","born Augusta, ME 1866-died Essex, CT 1943",1866,1943,"rhine-at-the-lurlei-si-saam-1983-83-171","Rhine at the Lurlei",{"_42":573,"_221":574,"_328":575,"_330":331,"_332":576,"_334":577,"_336":-5,"_337":-5,"_338":578,"_140":99},"1900",19,"germany","drawing","Drawing","pencil on paper","sheet: 4 7/8 x 7 7/8 in. (12.4 x 20.1 cm)",20.1,12.4,1.6137708445400754,[558,559,560,561,562],{"_220":376,"_221":377,"_42":378,"_307":379},"1983.83.171","George Elbert Burr drew this in 1900, aged 41. It is now at the Smithsonian American Art Museum in Washington, DC.","Rhine at the Lurlei, by George Elbert Burr, 1900",{"_295":555,"_297":556,"_299":557},"https://img.ochreeditions.com/m/1968.jpg?dl=1","/art/rhine-at-the-lurlei-si-saam-1983-83-171","/galleries/style/early-modernism/rhine-at-the-lurlei-si-saam-1983-83-171",{"_291":553,"_293":554},{"_224":543,"_125":544,"_285":545},{"_276":539,"_278":540,"_280":541,"_281":542},49,39.49166666666667,25,15.491666666666665,{"_287":224,"_123":551,"_154":552,"_140":99},{"_287":125,"_123":548,"_154":549,"_140":550},{"_287":285,"_123":546,"_154":547,"_140":77},"era/19-germany","19th-century Germany","style/drawing-19","More drawings of the 19th century",92,"artist/george-elbert-burr","More by George Elbert Burr","white","snow","https://img.ochreeditions.com/a/1968/480.jpg","https://img.ochreeditions.com/a/1968/960.jpg","https://img.ochreeditions.com/a/1968/1920.jpg",{"_314":571,"_316":572},{"_314":569,"_316":570},{"_314":567,"_316":568},{"_314":565,"_316":566},{"_314":563,"_316":564},"#baaba2",0.0203,"#cec1b7",0.0535,"#dad8d1",0.1184,"#e9e8e0",0.2895,"#f2f1eb",0.5183,"George Elbert Burr","george-elbert-burr","American, 1859–1939",1859,1939,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","eddyville-cma-173316","Eddyville",{"_42":625,"_221":626,"_328":627,"_330":331,"_332":628,"_334":629,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1917","Unframed: 63.5 x 76.2 cm (25 x 30 in.)",76.2,63.5,1.2073863636363635,[610,611,612,613,614],{"_220":304,"_221":305,"_42":306,"_307":308},"1925.1408","Samuel Halpert painted this in 1917, aged 33. It is now at the Cleveland Museum of Art.","Eddyville, by Samuel Halpert, 1917",{"_295":607,"_297":608,"_299":609},"https://img.ochreeditions.com/m/783.jpg?dl=1","/art/eddyville-cma-173316","/galleries/style/early-modernism/eddyville-cma-173316",{"_291":292,"_293":294},{"_224":602,"_125":603,"_285":604},{"_276":599,"_278":600,"_280":584,"_281":601},91.2,78.1115294117647,63.111529411764714,{"_287":224,"_123":605,"_154":606,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-samuel-halpert","Samuel Halpert's contemporaries","https://img.ochreeditions.com/a/783/480.jpg","https://img.ochreeditions.com/a/783/960.jpg","https://img.ochreeditions.com/a/783/1920.jpg",{"_314":623,"_316":624},{"_314":621,"_316":622},{"_314":619,"_316":620},{"_314":617,"_316":618},{"_314":615,"_316":616},"#808469",0.0781,"#b0b0a9",0.1271,"#6b6860",0.1981,"#4b4e4c",0.293,"#363a3b",0.3037,"Samuel Halpert","samuel-halpert","American, born Russian Empire [now Poland], 1884–1930",1884,1930,"theresa-helburn-si-npg-npg-73-30","Theresa Helburn",{"_42":678,"_221":679,"_328":680,"_330":-5,"_332":681,"_334":682,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1922","Oil on canvas","Accurate: 64 × 60.8 cm (25 3/16 × 23 15/16\")",60.8,64,0.95675,[663,664,665,666,667],{"_220":376,"_221":377,"_42":378,"_307":379},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.73.30","Marion H. Beckett painted this in 1922, aged 36. It is now at the National Portrait Gallery in Washington, DC.","Artist: Marion H. Beckett, Sitter: Theresa Helburn, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":660,"_297":661,"_299":662},"https://img.ochreeditions.com/m/1844.jpg?dl=1","/art/theresa-helburn-si-npg-npg-73-30","/galleries/style/early-modernism/theresa-helburn-si-npg-npg-73-30",{"_291":292,"_293":294},{"_224":655,"_125":656,"_285":657},{"_276":652,"_278":653,"_280":654,"_281":637},76.232,79,61.232,{"_287":224,"_123":658,"_154":659,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-marion-h-beckett","Marion H. Beckett's contemporaries","https://img.ochreeditions.com/a/1844/480.jpg","https://img.ochreeditions.com/a/1844/960.jpg","https://img.ochreeditions.com/a/1844/1920.jpg",{"_314":676,"_316":677},{"_314":674,"_316":675},{"_314":672,"_316":673},{"_314":670,"_316":671},{"_314":668,"_316":669},"#c1b79f",0.0574,"#7b7278",0.1142,"#995243",0.2441,"#6c393c",0.2815,"#252a43",0.3028,"Marion H. Beckett","marion-h-beckett","1886–1949",1886,1949,"nude-nga-46550","Nude",{"_42":734,"_221":735,"_328":736,"_330":455,"_332":737,"_334":738,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1910","oil on cardboard","overall: 87.2 x 62 cm (34 5/16 x 24 7/16 in.) framed: 104.4 x 78.2 x 7.3 cm (41 1/8 x 30 13/16 x 2 7/8 in.)",62,87.2,0.69970703125,[719,720,721,722,723],{"_220":716,"_221":717,"_42":718,"_307":379},"Courtesy National Gallery of Art, Washington","1963.10.75","Roger de La Fresnaye painted this in 1910, aged 25. It is now at the National Gallery of Art in Washington, DC.","The image is a painting of a woman's nude upper body extending from her head down to her hips, depicted in a standing position with her head slightly tilted to one side. Her facial features are distinct with a strong brow, prominent nose, and full lips, and her long dark hair cascades down to her shoulders. The background features abstract brushstrokes in dark blues and browns, blending into the lighter brown tone of the canvas, enhancing the figure's prominence in the composition. The woman appears naturalistic, with no jewelry or other objects visible in the painting.",{"_295":713,"_297":714,"_299":715},"https://img.ochreeditions.com/m/1519.jpg?dl=1","/art/nude-nga-46550","/galleries/style/early-modernism/nude-nga-46550",{"_291":292,"_293":294},{"_224":708,"_125":709,"_285":710},{"_276":705,"_278":706,"_280":707,"_281":690},76.014453125,102.2,61.014453125,{"_287":224,"_123":711,"_154":712,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":429,"_154":430,"_140":81},"artist/contemporaries-of-roger-de-la-fresnaye","Roger de La Fresnaye's contemporaries","https://img.ochreeditions.com/a/1519/480.jpg","https://img.ochreeditions.com/a/1519/960.jpg","https://img.ochreeditions.com/a/1519/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},{"_314":726,"_316":727},{"_314":724,"_316":725},"#d2c3b7",0.0205,"#9d7556",0.2274,"#483e45",0.2285,"#765c54",0.2458,"#c9a175",0.2778,"Roger de La Fresnaye","roger-de-la-fresnaye","French, 1885–1925",1885,1925,"footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","Footpaths and Pavilion in the Dresden Grosser Garten",{"_42":791,"_221":792,"_328":793,"_330":794,"_332":203,"_334":795,"_336":-5,"_337":-5,"_338":796,"_140":99},"c. 1909","black crayon on brown wove paper","overall: 33.1 x 43.6 cm (13 1/16 x 17 3/16 in.)",43.6,33.1,1.3086261980830671,[777,778,779,780,781],{"_220":716,"_221":717,"_42":718,"_307":379},"1982.71.1","Ernst Ludwig Kirchner drew this in about 1909, aged 29. It is now at the National Gallery of Art in Washington, DC.","Paths curve between trees towards a pavilion in Dresden’s Grosser Garten, the city’s great public park, set down in rapid strokes of black crayon on brown paper.","The image shows a landscape drawing with buildings, trees, and a winding path or water feature. The drawing is done in black charcoal on brownish background paper, creating a monochromatic color palette.",{"_295":774,"_297":775,"_299":776},"https://img.ochreeditions.com/m/1604.jpg?dl=1","/art/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","/galleries/style/early-modernism/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242",{"_291":553,"_293":554},{"_224":764,"_125":765,"_285":766},{"_276":761,"_278":762,"_280":745,"_281":763},67.6,57.3173828125,33.3173828125,{"_287":224,"_123":772,"_154":773,"_140":99},{"_287":125,"_123":769,"_154":770,"_140":771},{"_287":285,"_123":767,"_154":768,"_140":93},"era/20-germany","20th-century Germany","style/drawing-20","More drawings of the 20th century",98,"artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","https://img.ochreeditions.com/a/1604/480.jpg","https://img.ochreeditions.com/a/1604/960.jpg","https://img.ochreeditions.com/a/1604/1920.jpg",{"_314":789,"_316":790},{"_314":787,"_316":788},{"_314":786,"_316":671},{"_314":784,"_316":785},{"_314":782,"_316":783},"#695b4c",0.0195,"#d5c3a8",0.0402,"#988166","#ad9272",0.272,"#be9f7c",0.5541,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","my-day-at-home-si-saam-1909-7-30","My Day at Home",{"_42":845,"_221":846,"_328":847,"_330":-5,"_332":848,"_334":849,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1906","24 1/8 x 30 1/8 in. (61.3 x 76.6 cm)",76.6,61.3,1.246684350132626,[830,831,832,833,834],{"_220":376,"_221":377,"_42":378,"_307":379},"1909.7.30","William H. Howe painted this in 1906, aged 60. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":829,"_302":493},"My Day at Home, by William H. Howe, 1906",{"_295":826,"_297":827,"_299":828},"https://img.ochreeditions.com/m/1863.jpg?dl=1","/art/my-day-at-home-si-saam-1909-7-30","/galleries/style/early-modernism/my-day-at-home-si-saam-1909-7-30",{"_291":292,"_293":294},{"_224":821,"_125":822,"_285":823},{"_276":818,"_278":819,"_280":802,"_281":820},91.6,76.44297872340425,61.44297872340425,{"_287":224,"_123":824,"_154":825,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-william-h-howe","William H. Howe's contemporaries","https://img.ochreeditions.com/a/1863/480.jpg","https://img.ochreeditions.com/a/1863/960.jpg","https://img.ochreeditions.com/a/1863/1920.jpg","William Henry Howe made a name for himself in France and the United States as a painter of animals. His farm scenes provided patrons with an antidote to the unnerving changes in American society brought about by industrialization.",{"_314":843,"_316":844},{"_314":841,"_316":842},{"_314":839,"_316":840},{"_314":837,"_316":838},{"_314":835,"_316":836},"#d6ac6a",0.0913,"#a47235",0.1768,"#764c20",0.1998,"#4a3318",0.2592,"#2a2213",0.2729,"William H. Howe","william-h-howe","born Ravenna, OH 1846-died Bronxville, NY 1929",1846,1929,"the-river-cma-150508","The River",{"_42":896,"_221":897,"_328":898,"_330":455,"_332":899,"_334":900,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1902","Unframed: 54.5 x 65.7 cm (21 7/16 x 25 7/8 in.)",65.7,54.5,1.2069577564785232,[881,882,883,884,885],{"_220":304,"_221":305,"_42":306,"_307":308},"1981.64","Maxime Maufra painted this in 1902, aged 41. It is now at the Cleveland Museum of Art.","The River, by Maxime Maufra, 1902",{"_295":878,"_297":879,"_299":880},"https://img.ochreeditions.com/m/717.jpg?dl=1","/art/the-river-cma-150508","/galleries/style/early-modernism/the-river-cma-150508",{"_291":292,"_293":294},{"_224":873,"_125":874,"_285":875},{"_276":870,"_278":871,"_280":855,"_281":872},80.7,69.43438235294118,54.43438235294118,{"_287":224,"_123":876,"_154":877,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":429,"_154":430,"_140":81},"artist/contemporaries-of-maxime-maufra","Maxime Maufra's contemporaries","https://img.ochreeditions.com/a/717/480.jpg","https://img.ochreeditions.com/a/717/960.jpg","https://img.ochreeditions.com/a/717/1920.jpg",{"_314":894,"_316":895},{"_314":892,"_316":893},{"_314":890,"_316":891},{"_314":888,"_316":889},{"_314":886,"_316":887},"#606d5a",0.1545,"#6f7845",0.1565,"#b4b298",0.1627,"#8c9c94",0.2524,"#364730",0.2739,"Maxime Maufra","maxime-maufra","French, 1861–1918",1861,1918,"madame-helleu-cradling-paulette-in-her-arms-nga-144395","Madame Helleu Cradling Paulette in Her Arms",{"_42":948,"_221":949,"_328":950,"_330":455,"_332":576,"_334":951,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1904/1905","black, red, and white chalk on buff paper","sheet: 48.9 x 42.7 cm (19 1/4 x 16 13/16 in.)",42.7,48.9,0.8722981366459628,[933,934,935,936,937],{"_220":716,"_221":717,"_42":718,"_307":379},"2009.74.2","Paul-César Helleu drew this in 1904/1905, aged about 45. It is now at the National Gallery of Art in Washington, DC.","Madame Helleu Cradling Paulette in Her Arms, by Paul-César Helleu, 1904/1905",{"_295":930,"_297":931,"_299":932},"https://img.ochreeditions.com/m/1674.jpg?dl=1","/art/madame-helleu-cradling-paulette-in-her-arms-nga-144395","/galleries/style/early-modernism/madame-helleu-cradling-paulette-in-her-arms-nga-144395",{"_291":553,"_293":554},{"_224":925,"_125":926,"_285":927},{"_276":922,"_278":923,"_280":924,"_281":908},66.65537888198759,72.9,42.65537888198758,{"_287":224,"_123":928,"_154":929,"_140":89},{"_287":125,"_123":769,"_154":770,"_140":771},{"_287":285,"_123":429,"_154":430,"_140":81},"artist/contemporaries-of-paul-cesar-helleu","Paul-César Helleu's contemporaries","https://img.ochreeditions.com/a/1674/480.jpg","https://img.ochreeditions.com/a/1674/960.jpg","https://img.ochreeditions.com/a/1674/1920.jpg",{"_314":946,"_316":947},{"_314":944,"_316":945},{"_314":942,"_316":943},{"_314":940,"_316":941},{"_314":938,"_316":939},"#99876d",0.0193,"#df9e7a",0.0363,"#ebd5b1",0.1116,"#debc8f",0.2813,"#e9ca9b",0.5515,"Paul-César Helleu","paul-cesar-helleu","French, 1859–1927",1927,"farm-near-duivendrecht-aic-144467","Farm near Duivendrecht",{"_42":1006,"_221":1007,"_328":1008,"_330":1009,"_332":1010,"_334":1011,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1916","netherlands","86.3 × 107.9 cm (34 × 42 1/2 in.)",107,86,1.2587074692973625,[992,993,994,995,996],{"_220":988,"_221":989,"_42":990,"_307":991},"Courtesy of the Art Institute of Chicago","2001.479","Piet Mondrian painted this in about 1916, aged about 39. It is now at the Art Institute of Chicago.",{"_118":986,"_302":987},"A work made of oil on canvas.",{"_295":983,"_297":984,"_299":985},"https://img.ochreeditions.com/m/324.jpg?dl=1","/art/farm-near-duivendrecht-aic-144467","/galleries/style/early-modernism/farm-near-duivendrecht-aic-144467",{"_291":292,"_293":294},{"_224":978,"_125":979,"_285":980},{"_276":975,"_278":976,"_280":958,"_281":977},122,100.00783749200257,85.00783749200257,{"_287":224,"_123":981,"_154":982,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-piet-mondrian","Piet Mondrian's contemporaries","https://img.ochreeditions.com/a/324/480.jpg","https://img.ochreeditions.com/a/324/960.jpg","https://img.ochreeditions.com/a/324/1920.jpg","Though Piet Mondrian is best known for his nonrepresentational paintings, his basic vision was rooted in landscape. He was particularly inspired by the flat topography of his native Holland, a subject he returned to even after he had begun working in an abstract style. Mondrian first sketched this farm around 1905.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":1005,"_316":673},{"_314":1003,"_316":1004},{"_314":1001,"_316":1002},{"_314":999,"_316":1000},{"_314":997,"_316":998},"#8f6b57",0.1489,"#817671",0.2007,"#625753",0.2016,"#c6ad9c",0.2047,"#b28e76","Piet Mondrian","piet-mondrian","Dutch, 1872–1944","Dutch",1872,1944,"head-of-a-young-girl-si-saam-1929-6-46","Head of a Young Girl",{"_42":1067,"_221":1068,"_328":1069,"_330":-5,"_332":1070,"_334":1071,"_336":-5,"_337":-5,"_338":-5,"_140":103},"ca. 1900","miniature","Painting-Miniature","watercolor on ivory","sight 3 1/4 x 2 3/8 in. (8.3 x 5.9 cm) rectangle",5.9,8.3,0.847457627118644,[1052,1053,1054,1055,1056],{"_220":376,"_221":377,"_42":378,"_307":379},"1929.6.46","Lucia Fairchild Fuller painted this in about 1900, aged 30. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1051,"_302":493},"Head of a Young Girl, by Lucia Fairchild Fuller, ca. 1900",{"_295":1048,"_297":1049,"_299":1050},"https://img.ochreeditions.com/m/1880.jpg?dl=1","/art/head-of-a-young-girl-si-saam-1929-6-46","/galleries/style/early-modernism/head-of-a-young-girl-si-saam-1929-6-46",{"_291":553,"_293":554},{"_224":1038,"_125":1039,"_285":1040},{"_276":1036,"_278":539,"_280":1037,"_281":541},45.186440677966104,21.1864406779661,{"_287":224,"_123":1046,"_154":1047,"_140":89},{"_287":125,"_123":1044,"_154":1045,"_140":89},{"_287":285,"_123":1041,"_154":1042,"_140":1043},"era/19","The 19th century",731,"style/miniature-19","More miniatures of the 19th century","artist/contemporaries-of-lucia-fairchild-fuller","Lucia Fairchild Fuller's contemporaries","https://img.ochreeditions.com/a/1880/480.jpg","https://img.ochreeditions.com/a/1880/960.jpg","https://img.ochreeditions.com/a/1880/1920.jpg","The artist chose to place this unknown young lady against an “Oriental” background of tall grass, birds, and a large setting sun. The sitter’s vast puffed sleeves were known as gigot or leg-of-mutton sleeves, which grew to fantastic proportions during the last decade of the nineteenth century.",{"_314":1065,"_316":1066},{"_314":1063,"_316":1064},{"_314":1061,"_316":1062},{"_314":1059,"_316":1060},{"_314":1057,"_316":1058},"#acac82",0.0524,"#0e0c08",0.0822,"#524c37",0.1047,"#86867e",0.2471,"#aeb3ae",0.5136,"Lucia Fairchild Fuller","lucia-fairchild-fuller","born Boston, MA 1870-died Madison, WI 1924",1870,1924,"girl-in-a-green-blouse-nga-46520","Girl in a Green Blouse",{"_42":1121,"_221":1122,"_328":1123,"_330":1124,"_332":628,"_334":1125,"_336":-5,"_337":-5,"_338":1126,"_140":97},"italy","overall: 81.3 x 46 cm (32 x 18 1/8 in.) framed: 95.9 x 60 cm (37 3/4 x 23 5/8 in.)",46,81.3,0.552734375,[1106,1107,1108,1109,1110],{"_220":716,"_221":717,"_42":718,"_307":379},"1963.10.45","Amedeo Modigliani painted this in 1917, aged 33. It is now at the National Gallery of Art in Washington, DC.","A young woman with golden-orange hair piled high sits facing us, her pale, almost white-irised eyes giving her a calm, unreadable look. Modigliani builds the figure from his familiar elements: an elongated oval face, a long neck, sloping shoulders and dark contour lines enclosing areas of mottled colour.","Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines. Her body faces us, and she looks out with pale blue eyes, the irises almost white. Her thin eyebrows slope down the sides and her small, dark peach lips are closed. Golden-orange hair is piled atop her head and a few bangs fall onto her high forehead. Black oval earrings hang from her lobes. Her shoulders also slope unnaturally down. Her mint-green shirt has a scooped neckline and elbow-length sleeves, and it appears to be tucked into a brown skirt or pants. The background is honey orange in the top left quadrant, amber brown in the lower left, and a russet brown door with windows across the top fills the right half. The artist signed the top right corner, “modigliani.”",{"_295":1103,"_297":1104,"_299":1105},"https://img.ochreeditions.com/m/1515.jpg?dl=1","/art/girl-in-a-green-blouse-nga-46520","/galleries/style/early-modernism/girl-in-a-green-blouse-nga-46520",{"_291":292,"_293":294},{"_224":1096,"_125":1097,"_285":1098},{"_276":1093,"_278":1094,"_280":1095,"_281":1078},59.937304687499996,96.3,44.937304687499996,{"_287":224,"_123":1101,"_154":1102,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":1099,"_154":1100,"_140":97},"era/20-italy","20th-century Italy","artist/amedeo-modigliani","More by Amedeo Modigliani","https://img.ochreeditions.com/a/1515/480.jpg","https://img.ochreeditions.com/a/1515/960.jpg","https://img.ochreeditions.com/a/1515/1920.jpg",{"_314":1119,"_316":1120},{"_314":1117,"_316":1118},{"_314":1115,"_316":1116},{"_314":1113,"_316":1114},{"_314":1111,"_316":1112},"#482c22",0.1232,"#c9ab92",0.142,"#7b321f",0.1741,"#ab6d35",0.2625,"#8c9474",0.2982,"Amedeo Modigliani","amedeo-modigliani","Italian, 1884–1920","Italian",1920,"Modigliani trained in Italy before moving to Paris in 1906, where he lived the precarious life of Montmartre and Montparnasse.","on-the-beach-no-3-cma-93234","On the Beach, No. 3",{"_42":1175,"_221":1176,"_328":1177,"_330":331,"_332":1178,"_334":1071,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1915–18","Framed: 81 x 103 x 6.5 cm (31 7/8 x 40 9/16 x 2 9/16 in.); Unframed: 66 x 85.1 cm (26 x 33 1/2 in.)",85.1,66,1.31731886865556,[1160,1161,1162,1163,1164],{"_220":304,"_221":305,"_42":306,"_307":308},"1926.1653","Maurice Prendergast painted this in about 1915–18, aged 57. It is now at the Cleveland Museum of Art.",{"_118":1159,"_302":303},"On the Beach, No. 3, by Maurice Prendergast, c. 1915–18",{"_295":1156,"_297":1157,"_299":1158},"https://img.ochreeditions.com/m/461.jpg?dl=1","/art/on-the-beach-no-3-cma-93234","/galleries/style/early-modernism/on-the-beach-no-3-cma-93234",{"_291":292,"_293":294},{"_224":1151,"_125":1152,"_285":1153},{"_276":1148,"_278":1149,"_280":1132,"_281":1150},100.1,79.60091176470587,64.60091176470587,{"_287":224,"_123":1154,"_154":1155,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/461/480.jpg","https://img.ochreeditions.com/a/461/960.jpg","https://img.ochreeditions.com/a/461/1920.jpg","Prendergast developed a distinctive painting style featuring rounded patches of thickly applied color. Like many of his works, On the Beach, No. 3 visually approximates a densely woven tapestry.",{"_314":1173,"_316":1174},{"_314":1171,"_316":1172},{"_314":1169,"_316":1170},{"_314":1167,"_316":1168},{"_314":1165,"_316":1166},"#9e967b",0.1387,"#94705e",0.1419,"#7d8777",0.206,"#6c6256",0.2258,"#7b7a57",0.2876,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,{"_1180":-5,"_1181":1182,"_1183":1184,"_1185":8,"_1186":1187,"_1188":8},"user","csrf","e07e41262e6063e02caf8d9d84408d369329bb87","cartCount",0,"dropLive","legal",[1189,1190,1191,1192,1193,1194,1195,1196,1197,1198,1199,1200],"uploadsEnabled",{"_221":1223,"_20":1224},{"_221":1221,"_20":1222},{"_221":1219,"_20":1220},{"_221":1217,"_20":1218},{"_221":1215,"_20":1216},{"_221":1213,"_20":1214},{"_221":1211,"_20":1212},{"_221":1209,"_20":1210},{"_221":1207,"_20":1208},{"_221":1205,"_20":1206},{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]