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She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. 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Surrounding elements include a blue sky with abstract cloud forms, an angular tree on the left, and patches of brown, white, and green on the ground, with one red flower. A tan rectangle under a red triangle on the right edge suggests a building.",{"_295":431,"_297":432,"_228":433},"https://img.ochreeditions.com/m/1641.jpg?dl=1","/art/the-bathers-nga-108617","/galleries/style/early-modernism/the-bathers-nga-108617",{"_291":292,"_293":294},{"_224":426,"_125":427,"_285":428},{"_276":423,"_278":424,"_280":425,"_282":409},144.4892578125,177,129.4892578125,{"_287":224,"_123":429,"_154":430,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":366,"_154":367,"_140":81},"artist/contemporaries-of-roger-de-la-fresnaye","Roger de La Fresnaye's contemporaries","https://img.ochreeditions.com/a/1641/480.jpg","https://img.ochreeditions.com/a/1641/960.jpg","https://img.ochreeditions.com/a/1641/1920.jpg",{"_310":447,"_312":448},{"_310":445,"_312":446},{"_310":443,"_312":444},{"_310":441,"_312":442},{"_310":439,"_312":440},"#386242",0.1161,"#7d9098",0.2126,"#c2a795",0.2215,"#534945",0.224,"#956c5e",0.2258,"Roger de La Fresnaye","roger-de-la-fresnaye","French, 1885–1925",1885,"a-florida-park-si-saam-1970-320","A Florida Park",{"_42":507,"_221":508,"_324":509,"_326":-5,"_328":510,"_330":511,"_332":-5,"_333":-5,"_334":-5,"_140":103},"before 1935","oil on canvas mounted on paperboard","15 7/8 x 11 3/4 in. (40.4 x 29.9 cm.)",29.9,40.4,0.7446666666666667,[492,493,494,495,496],{"_220":489,"_221":490,"_42":491,"_303":304},"Courtesy of the Smithsonian American Art Museum","1970.320","Joseph C. Claghorn painted this (before 1935), aged 66. It is now at the Smithsonian American Art Museum in Washington, DC.","A Florida Park, by Joseph C. Claghorn, before 1935",{"_295":486,"_297":487,"_228":488},"https://img.ochreeditions.com/m/1941.jpg?dl=1","/art/a-florida-park-si-saam-1970-320","/galleries/style/early-modernism/a-florida-park-si-saam-1970-320",{"_291":292,"_293":294},{"_224":478,"_125":479,"_285":480},{"_276":475,"_278":476,"_280":477,"_282":460},45.08453333333333,55.4,30.084533333333333,{"_287":224,"_123":484,"_154":485,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"era/20","The 20th century",189,"artist/contemporaries-of-joseph-c-claghorn","Joseph C. Claghorn's contemporaries","https://img.ochreeditions.com/a/1941/480.jpg","https://img.ochreeditions.com/a/1941/960.jpg","https://img.ochreeditions.com/a/1941/1920.jpg","si","smithsonian","Smithsonian Institution",{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},{"_310":497,"_312":498},"#29211d",0.1396,"#967540",0.1443,"#4a4939",0.2088,"#726d48",0.2101,"#c4b67f",0.2972,"Joseph C. Claghorn","joseph-c-claghorn","born Philadelphia, PA 1869-died Bethesda, MD 1947",1869,1947,"in-the-desert-si-saam-1981-155-3","In the Desert",{"_42":557,"_221":558,"_324":559,"_326":-5,"_328":560,"_330":561,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1915-1925","26 3/4 x 33 in. (68.0 x 83.8 cm)",83.8,1.3180778032036613,[542,543,544,545,546],{"_220":489,"_221":490,"_42":491,"_303":304},"1981.155.3","H. Siddons Mowbray painted this in 1915-1925, aged about 57. It is now at the Smithsonian American Art Museum in Washington, DC.","In the Desert, by H. Siddons Mowbray, 1915-1925",{"_295":539,"_297":540,"_228":541},"https://img.ochreeditions.com/m/1960.jpg?dl=1","/art/in-the-desert-si-saam-1981-155-3","/galleries/style/early-modernism/in-the-desert-si-saam-1981-155-3",{"_291":292,"_293":294},{"_224":534,"_125":535,"_285":536},{"_276":531,"_278":532,"_280":517,"_282":533},98.8,78.57743055555555,63.57743055555555,{"_287":224,"_123":537,"_154":538,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"artist/contemporaries-of-h-siddons-mowbray","H. Siddons Mowbray's contemporaries","https://img.ochreeditions.com/a/1960/480.jpg","https://img.ochreeditions.com/a/1960/960.jpg","https://img.ochreeditions.com/a/1960/1920.jpg",{"_310":555,"_312":556},{"_310":553,"_312":554},{"_310":551,"_312":552},{"_310":549,"_312":550},{"_310":547,"_312":548},"#7d796a",0.0459,"#465f78",0.1917,"#84723c",0.2402,"#ab7d39",0.2523,"#c49d50",0.2699,"H. Siddons Mowbray","h-siddons-mowbray","born Alexandria, Egypt 1858-died Washington, CT 1928",1858,1928,"october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","October (cover illustration for Harper's Magazine)",{"_42":608,"_221":609,"_324":610,"_326":-5,"_328":611,"_330":561,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1903","21 1/8 x 19 1/8 in. (53.5 x 48.5 cm)",48.5,53.5,0.908,[593,594,595,596,597],{"_220":489,"_221":490,"_42":491,"_303":304},"1977.99.2","William Clarke Rice painted this in 1903, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.","October (cover illustration for Harper's Magazine), by William Clarke Rice, 1903",{"_295":590,"_297":591,"_228":592},"https://img.ochreeditions.com/m/1954.jpg?dl=1","/art/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","/galleries/style/early-modernism/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2",{"_291":292,"_293":294},{"_224":585,"_125":586,"_285":587},{"_276":582,"_278":583,"_280":584,"_282":568},63.578,68.5,48.578,{"_287":224,"_123":588,"_154":589,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"artist/contemporaries-of-william-clarke-rice","William Clarke Rice's contemporaries","https://img.ochreeditions.com/a/1954/480.jpg","https://img.ochreeditions.com/a/1954/960.jpg","https://img.ochreeditions.com/a/1954/1920.jpg",{"_310":606,"_312":607},{"_310":604,"_312":605},{"_310":602,"_312":603},{"_310":600,"_312":601},{"_310":598,"_312":599},"#e59749",0.0641,"#432d21",0.1533,"#ae2b0e",0.156,"#6d3d21",0.2446,"#8a643d",0.382,"William Clarke Rice","william-clarke-rice","born Brooklyn, NY 1875-died New York City 1928",1875,"self-portrait-cma-144976","Self-Portrait",{"_42":660,"_221":661,"_324":662,"_326":327,"_328":663,"_330":664,"_332":-5,"_333":-5,"_334":-5,"_140":103},"oil on wood","Unframed: 88.9 x 70.9 cm (35 x 27 15/16 in.)",70.9,88.9,0.8029411764705883,[645,646,647,648,649],{"_220":376,"_221":377,"_42":378,"_303":379},"1970.17","Abbott Handerson Thayer painted this in 1920, aged 71. It is now at the Cleveland Museum of Art.",{"_118":644,"_374":375},"Self-Portrait, by Abbott Handerson Thayer, 1920",{"_295":641,"_297":642,"_228":643},"https://img.ochreeditions.com/m/675.jpg?dl=1","/art/self-portrait-cma-144976","/galleries/style/early-modernism/self-portrait-cma-144976",{"_291":292,"_293":294},{"_224":636,"_125":637,"_285":638},{"_276":633,"_278":634,"_280":635,"_282":618},86.3814705882353,103.9,71.3814705882353,{"_287":224,"_123":639,"_154":640,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abbott-handerson-thayer","Abbott Handerson Thayer's contemporaries","https://img.ochreeditions.com/a/675/480.jpg","https://img.ochreeditions.com/a/675/960.jpg","https://img.ochreeditions.com/a/675/1920.jpg","In 1919, an art commentator described Abbott Handerson Thayer as \"a man of slight build and of a nervous temperament, with a glance so intense and clear and penetrating; with a mind so keen and logical and which acts with such precision that the impression received of the man's personality is enduring.\"",{"_310":658,"_312":659},{"_310":656,"_312":657},{"_310":654,"_312":655},{"_310":652,"_312":653},{"_310":650,"_312":651},"#ad8b6f",0.0362,"#7e6856",0.1906,"#604e3f",0.2433,"#4d4139",0.2475,"#383028",0.2824,"Abbott Handerson Thayer","abbott-handerson-thayer","American, 1849–1921",1849,1921,"woman-in-black-si-hmsg-66-3503","Woman in Black",{"_42":679,"_221":713,"_324":714,"_326":-5,"_328":715,"_330":716,"_332":-5,"_333":-5,"_334":-5,"_140":103},"(c. 1904)","Oil on canvas","36 1/8 × 29 in. (91.6 × 73.7 cm)",73.7,91.6,0.8082026537997588,[698,699,700,701,702],{"_220":489,"_221":490,"_42":491,"_303":304},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.3503","Alfred Henry Maurer painted this ((c. 1904)), aged 36. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Alfred Henry Maurer",{"_295":695,"_297":696,"_228":697},"https://img.ochreeditions.com/m/1825.jpg?dl=1","/art/woman-in-black-si-hmsg-66-3503","/galleries/style/early-modernism/woman-in-black-si-hmsg-66-3503",{"_291":292,"_293":294},{"_224":690,"_125":691,"_285":692},{"_276":687,"_278":688,"_280":689,"_282":672},89.0313630880579,106.6,74.0313630880579,{"_287":224,"_123":693,"_154":694,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"artist/contemporaries-of-alfred-henry-maurer","Alfred Henry Maurer's contemporaries","https://img.ochreeditions.com/a/1825/480.jpg","https://img.ochreeditions.com/a/1825/960.jpg","https://img.ochreeditions.com/a/1825/1920.jpg",{"_310":711,"_312":712},{"_310":709,"_312":710},{"_310":707,"_312":708},{"_310":705,"_312":706},{"_310":703,"_312":704},"#54706e",0.0316,"#b09871",0.0689,"#52422a",0.1268,"#201915",0.3094,"#76653f",0.4633,"alfred-henry-maurer","1868–1932",1868,1932,"child-reading-si-saam-1968-19-11","Child Reading",{"_42":763,"_221":764,"_324":765,"_326":-5,"_328":611,"_330":766,"_332":-5,"_333":-5,"_334":767,"_140":99},"1915-1918","watercolor on paper mounted on paperboard","sheet: 9 3/8 x 10 in. (23.9 x 25.4 cm) irregular",25.4,23.9,1.1026767878545745,[748,749,750,751,752],{"_220":489,"_221":490,"_42":491,"_303":304},"1968.19.11","H. Lyman Saÿen painted this in 1915-1918, aged about 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Child Reading, by H. Lyman Saÿen, 1915-1918",{"_295":745,"_297":746,"_228":747},"https://img.ochreeditions.com/m/1936.jpg?dl=1","/art/child-reading-si-saam-1968-19-11","/galleries/style/early-modernism/child-reading-si-saam-1968-19-11",{"_291":292,"_293":294},{"_224":740,"_125":741,"_285":742},{"_276":460,"_278":738,"_280":723,"_282":739},38.03485507246377,23.034855072463767,{"_287":224,"_123":743,"_154":744,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"artist/h-lyman-sayen","More by H. Lyman Saÿen","https://img.ochreeditions.com/a/1936/480.jpg","https://img.ochreeditions.com/a/1936/960.jpg","https://img.ochreeditions.com/a/1936/1920.jpg",{"_310":761,"_312":762},{"_310":759,"_312":760},{"_310":757,"_312":758},{"_310":755,"_312":756},{"_310":753,"_312":754},"#d98951",0.1013,"#413341",0.1538,"#5971b4",0.2139,"#beaea9",0.2293,"#234bc7",0.3017,"H. Lyman Saÿen","h-lyman-sayen","born Philadelphia, PA 1875-died Philadelphia, PA 1918",1918,"Saÿen trained at the Pennsylvania Academy of the Fine Arts while working as an electrical engineer, patenting improvements to X-ray tubes. In Paris from 1906 he joined Henri Matisse’s classes and absorbed the bold colour of Fauvism.","theresa-helburn-si-npg-npg-73-30","Theresa Helburn",{"_42":815,"_221":816,"_324":817,"_326":-5,"_328":818,"_330":819,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1922","Accurate: 64 × 60.8 cm (25 3/16 × 23 15/16\")",60.8,64,0.95675,[800,801,802,803,804],{"_220":489,"_221":490,"_42":491,"_303":304},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.73.30","Marion H. Beckett painted this in 1922, aged 36. It is now at the National Portrait Gallery in Washington, DC.","Artist: Marion H. Beckett, Sitter: Theresa Helburn, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":797,"_297":798,"_228":799},"https://img.ochreeditions.com/m/1844.jpg?dl=1","/art/theresa-helburn-si-npg-npg-73-30","/galleries/style/early-modernism/theresa-helburn-si-npg-npg-73-30",{"_291":292,"_293":294},{"_224":792,"_125":793,"_285":794},{"_276":789,"_278":790,"_280":791,"_282":774},76.232,79,61.232,{"_287":224,"_123":795,"_154":796,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"artist/contemporaries-of-marion-h-beckett","Marion H. Beckett's contemporaries","https://img.ochreeditions.com/a/1844/480.jpg","https://img.ochreeditions.com/a/1844/960.jpg","https://img.ochreeditions.com/a/1844/1920.jpg",{"_310":813,"_312":814},{"_310":811,"_312":812},{"_310":809,"_312":810},{"_310":807,"_312":808},{"_310":805,"_312":806},"#c1b79f",0.0574,"#7b7278",0.1142,"#995243",0.2441,"#6c393c",0.2815,"#252a43",0.3028,"Marion H. Beckett","marion-h-beckett","1886–1949",1886,1949,"tradition-cma-98215","Tradition",{"_42":868,"_221":869,"_324":870,"_326":327,"_328":871,"_330":872,"_332":-5,"_333":-5,"_334":873,"_140":95},"1916","Unframed: 106 x 165.5 cm (41 3/4 x 65 3/16 in.)",165.5,106,1.585820895522388,[853,854,855,856,857],{"_220":376,"_221":377,"_42":378,"_303":379},"1917.9","Kenyon Cox painted this in 1916, aged 60. It is now at the Cleveland Museum of Art.",{"_118":852,"_374":375},"Tradition, by Kenyon Cox, 1916",{"_295":849,"_297":850,"_228":851},"https://img.ochreeditions.com/m/493.jpg?dl=1","/art/tradition-cma-98215","/galleries/style/early-modernism/tradition-cma-98215",{"_291":292,"_293":294},{"_224":844,"_125":845,"_285":846},{"_276":841,"_278":842,"_280":825,"_282":843},180.5,119.36235294117647,104.36235294117647,{"_287":224,"_123":847,"_154":848,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/493/480.jpg","https://img.ochreeditions.com/a/493/960.jpg","https://img.ochreeditions.com/a/493/1920.jpg","This painting demonstrates Cox's ideas about the importance in art of tradition and the classical spirit. Two figures in Grecian costumes, representing the arts of the past, pass on the eternal flame of tradition to two figures in Renaissance dress. Literature wears the laurel crown, and Painting holds the palette.",{"_310":866,"_312":867},{"_310":864,"_312":865},{"_310":862,"_312":863},{"_310":860,"_312":861},{"_310":858,"_312":859},"#68805b",0.1309,"#804433",0.1652,"#88704c",0.2102,"#beab82",0.2297,"#3f3826",0.264,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","girl-in-a-green-blouse-nga-46520","Girl in a Green Blouse",{"_42":924,"_221":925,"_324":926,"_326":927,"_328":928,"_330":929,"_332":-5,"_333":-5,"_334":930,"_140":97},"1917","italy","overall: 81.3 x 46 cm (32 x 18 1/8 in.) framed: 95.9 x 60 cm (37 3/4 x 23 5/8 in.)",46,81.3,0.552734375,[909,910,911,912,913],{"_220":300,"_221":301,"_42":302,"_303":304},"1963.10.45","Amedeo Modigliani painted this in 1917, aged 33. It is now at the National Gallery of Art in Washington, DC.","A young woman with golden-orange hair piled high sits facing us, her pale, almost white-irised eyes giving her a calm, unreadable look. Modigliani builds the figure from his familiar elements: an elongated oval face, a long neck, sloping shoulders and dark contour lines enclosing areas of mottled colour.","Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines. Her body faces us, and she looks out with pale blue eyes, the irises almost white. Her thin eyebrows slope down the sides and her small, dark peach lips are closed. Golden-orange hair is piled atop her head and a few bangs fall onto her high forehead. Black oval earrings hang from her lobes. Her shoulders also slope unnaturally down. Her mint-green shirt has a scooped neckline and elbow-length sleeves, and it appears to be tucked into a brown skirt or pants. The background is honey orange in the top left quadrant, amber brown in the lower left, and a russet brown door with windows across the top fills the right half. The artist signed the top right corner, “modigliani.”",{"_295":906,"_297":907,"_228":908},"https://img.ochreeditions.com/m/1515.jpg?dl=1","/art/girl-in-a-green-blouse-nga-46520","/galleries/style/early-modernism/girl-in-a-green-blouse-nga-46520",{"_291":292,"_293":294},{"_224":899,"_125":900,"_285":901},{"_276":896,"_278":897,"_280":898,"_282":881},59.937304687499996,96.3,44.937304687499996,{"_287":224,"_123":904,"_154":905,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":902,"_154":903,"_140":97},"era/20-italy","20th-century Italy","artist/amedeo-modigliani","More by Amedeo Modigliani","https://img.ochreeditions.com/a/1515/480.jpg","https://img.ochreeditions.com/a/1515/960.jpg","https://img.ochreeditions.com/a/1515/1920.jpg",{"_310":922,"_312":923},{"_310":920,"_312":921},{"_310":918,"_312":919},{"_310":916,"_312":917},{"_310":914,"_312":915},"#482c22",0.1232,"#c9ab92",0.142,"#7b321f",0.1741,"#ab6d35",0.2625,"#8c9474",0.2982,"Amedeo Modigliani","amedeo-modigliani","Italian, 1884–1920","Italian",1884,1920,"Modigliani trained in Italy before moving to Paris in 1906, where he lived the precarious life of Montmartre and Montparnasse.","head-of-a-young-girl-si-saam-1929-6-46","Head of a Young Girl",{"_42":992,"_221":993,"_324":994,"_326":-5,"_328":995,"_330":996,"_332":-5,"_333":-5,"_334":-5,"_140":103},"ca. 1900",19,"miniature","Painting-Miniature","watercolor on ivory","sight 3 1/4 x 2 3/8 in. (8.3 x 5.9 cm) rectangle",5.9,8.3,0.847457627118644,[977,978,979,980,981],{"_220":489,"_221":490,"_42":491,"_303":304},"1929.6.46","Lucia Fairchild Fuller painted this in about 1900, aged 30. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":975,"_374":976},"Head of a Young Girl, by Lucia Fairchild Fuller, ca. 1900",{"_295":972,"_297":973,"_228":974},"https://img.ochreeditions.com/m/1880.jpg?dl=1","/art/head-of-a-young-girl-si-saam-1929-6-46","/galleries/style/early-modernism/head-of-a-young-girl-si-saam-1929-6-46",{"_291":970,"_293":971},{"_224":960,"_125":961,"_285":962},{"_276":956,"_278":957,"_280":958,"_282":959},45.186440677966104,49,21.1864406779661,25,{"_287":224,"_123":968,"_154":969,"_140":89},{"_287":125,"_123":966,"_154":967,"_140":89},{"_287":285,"_123":963,"_154":964,"_140":965},"era/19","The 19th century",731,"style/miniature-19","More miniatures of the 19th century","artist/contemporaries-of-lucia-fairchild-fuller","Lucia Fairchild Fuller's contemporaries","white","snow","https://img.ochreeditions.com/a/1880/480.jpg","https://img.ochreeditions.com/a/1880/960.jpg","https://img.ochreeditions.com/a/1880/1920.jpg","The artist chose to place this unknown young lady against an “Oriental” background of tall grass, birds, and a large setting sun. The sitter’s vast puffed sleeves were known as gigot or leg-of-mutton sleeves, which grew to fantastic proportions during the last decade of the nineteenth century.","Text from the Smithsonian American Art Museum.",{"_310":990,"_312":991},{"_310":988,"_312":989},{"_310":986,"_312":987},{"_310":984,"_312":985},{"_310":982,"_312":983},"#acac82",0.0524,"#0e0c08",0.0822,"#524c37",0.1047,"#86867e",0.2471,"#aeb3ae",0.5136,"Lucia Fairchild Fuller","lucia-fairchild-fuller","born Boston, MA 1870-died Madison, WI 1924",1870,1924,"wrestlers-in-a-circus-cma-142792","Wrestlers in a Circus",{"_42":1048,"_221":1049,"_324":1050,"_326":1051,"_328":196,"_330":1052,"_332":-5,"_333":-5,"_334":1053,"_140":99},"1909","germany","Framed: 107.5 x 121 x 7 cm (42 5/16 x 47 5/8 x 2 3/4 in.); Unframed: 80.5 x 94 cm (31 11/16 x 37 in.)",94,80.5,1.171605789110958,[1033,1034,1035,1036,1037],{"_220":376,"_221":377,"_42":378,"_303":379},"1966.49","Ernst Ludwig Kirchner painted this in 1909, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1032,"_374":375},"Wrestlers in a Circus, by Ernst Ludwig Kirchner, 1909",{"_295":1029,"_297":1030,"_228":1031},"https://img.ochreeditions.com/m/662.jpg?dl=1","/art/wrestlers-in-a-circus-cma-142792","/galleries/style/early-modernism/wrestlers-in-a-circus-cma-142792",{"_291":292,"_293":294},{"_224":1022,"_125":1023,"_285":1024},{"_276":1019,"_278":1020,"_280":1003,"_282":1021},109,95.23176470588236,80.23176470588236,{"_287":224,"_123":1027,"_154":1028,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":1025,"_154":1026,"_140":93},"era/20-germany","20th-century Germany","artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","https://img.ochreeditions.com/a/662/480.jpg","https://img.ochreeditions.com/a/662/960.jpg","https://img.ochreeditions.com/a/662/1920.jpg","Locked in a dangerous embrace, beefy wrestlers writhe on a brightly colored mat. Famous for his scenes of urban life, Kirchner uses loose brushstrokes to capture the blur of bodies in motion. Imagine watching this intense match, surrounded by screaming spectators.",{"_310":1046,"_312":1047},{"_310":1044,"_312":1045},{"_310":1042,"_312":1043},{"_310":1040,"_312":1041},{"_310":1038,"_312":1039},"#716f45",0.1466,"#5b423b",0.1844,"#2e3142",0.1929,"#a07431",0.2003,"#94634e",0.2758,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","dancing-sailors-cma-150174","Dancing Sailors",{"_42":1107,"_221":1108,"_324":1109,"_326":327,"_328":1110,"_330":1111,"_332":-5,"_333":-5,"_334":-5,"_140":103},"drawing","Drawing","watercolor over graphite","Sheet: 20.4 x 25.7 cm (8 1/16 x 10 1/8 in.); Secondary Support: 21.4 x 26.3 cm (8 7/16 x 10 3/8 in.)",25.7,20.4,1.2490815576781777,[1092,1093,1094,1095,1096],{"_220":376,"_221":377,"_42":378,"_303":379},"1980.9","Charles Demuth painted this in 1917, aged 34. It is now at the Cleveland Museum of Art.",{"_118":1091,"_374":375},"Dancing Sailors, by Charles Demuth, 1917",{"_295":1088,"_297":1089,"_228":1090},"https://img.ochreeditions.com/m/713.jpg?dl=1","/art/dancing-sailors-cma-150174","/galleries/style/early-modernism/dancing-sailors-cma-150174",{"_291":970,"_293":971},{"_224":1080,"_125":1081,"_285":1082},{"_276":1077,"_278":1078,"_280":1061,"_282":1079},49.7,44.575117647058825,20.575117647058825,{"_287":224,"_123":1086,"_154":1087,"_140":89},{"_287":125,"_123":1083,"_154":1084,"_140":1085},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-charles-demuth","Charles Demuth's contemporaries","https://img.ochreeditions.com/a/713/480.jpg","https://img.ochreeditions.com/a/713/960.jpg","https://img.ochreeditions.com/a/713/1920.jpg","This drawing was inspired by Charles Demuth's participation in the nightlife of New York's Greenwich Village during the early 20th century. Around this time, the artist made numerous watercolors of nightclubs, performers, and bathhouses.",{"_310":1105,"_312":1106},{"_310":1103,"_312":1104},{"_310":1101,"_312":1102},{"_310":1099,"_312":1100},{"_310":1097,"_312":1098},"#5e554e",0.133,"#a68e77",0.1336,"#5e6976",0.1737,"#878884",0.2797,"#bcb09b",0.28,"Charles Demuth","charles-demuth","American, 1883–1935",1883,1935,"the-repast-of-the-lion-met-438822","The Repast of the Lion",{"_42":395,"_221":396,"_324":397,"_326":398,"_328":190,"_330":399,"_332":400,"_333":401,"_334":402,"_140":99},"ca. 1907","Paintings","44 3/4 in. × 63 in. (113.7 × 160 cm)",160,113.7,1.4204248975027953,[1148,1149,1150,1151,1152],{"_220":1144,"_221":1145,"_42":1146,"_303":1147},"Courtesy of The Metropolitan Museum of Art","51.112.5","Henri Rousseau painted this in about 1907, aged about 58. It is now at The Met in New York.","A lion sinks its teeth into its prey amid towering, stylised jungle foliage, enormous leaves and flowers rendered in many carefully distinguished greens.","The Repast of the Lion, by Henri Rousseau, ca. 1907",{"_295":1141,"_297":1142,"_228":1143},"https://img.ochreeditions.com/m/1197.jpg?dl=1","/art/the-repast-of-the-lion-met-438822","/galleries/style/early-modernism/the-repast-of-the-lion-met-438822",{"_291":292,"_293":294},{"_224":1138,"_125":1139,"_285":1140},{"_276":1135,"_278":1136,"_280":1118,"_282":1137},175,127.64235108895303,112.64235108895303,{"_287":224,"_123":368,"_154":369,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":366,"_154":367,"_140":81},"https://img.ochreeditions.com/a/1197/480.jpg","https://img.ochreeditions.com/a/1197/960.jpg","https://img.ochreeditions.com/a/1197/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":1161,"_312":1162},{"_310":1159,"_312":1160},{"_310":1157,"_312":1158},{"_310":1155,"_312":1156},{"_310":1153,"_312":1154},"#7d6237",0.0566,"#5b6c70",0.1045,"#8497a6",0.1153,"#20343a",0.3257,"#374946",0.3979,{"_1164":-5,"_1165":1166,"_1167":1168,"_1169":8,"_1170":1171,"_1172":8},"user","csrf","2f762e50c918642d4b1ab8137b085ad99d1d8a70","cartCount",0,"dropLive","legal",[1173,1174,1175,1176,1177,1178,1179,1180,1181,1182,1183,1184],"uploadsEnabled",{"_221":1207,"_20":1208},{"_221":1205,"_20":1206},{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]