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It is now at The Met in New York.","A lion sinks its teeth into its prey amid towering, stylised jungle foliage, enormous leaves and flowers rendered in many carefully distinguished greens.","The Repast of the Lion, by Henri Rousseau, ca. 1907",{"_294":433,"_296":434,"_298":435},"https://img.ochreeditions.com/m/1197.jpg?dl=1","/art/the-repast-of-the-lion-met-438822","/galleries/style/early-modernism/the-repast-of-the-lion-met-438822",{"_290":291,"_292":293},{"_224":426,"_125":427,"_284":428},{"_275":423,"_277":424,"_279":406,"_280":425},175,127.64235108895303,112.64235108895303,{"_286":224,"_123":431,"_154":432,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":429,"_154":430,"_140":81},"era/20-france","20th-century France","artist/henri-rousseau","More by Henri Rousseau","https://img.ochreeditions.com/a/1197/480.jpg","https://img.ochreeditions.com/a/1197/960.jpg","https://img.ochreeditions.com/a/1197/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":453,"_315":454},{"_313":451,"_315":452},{"_313":449,"_315":450},{"_313":447,"_315":448},{"_313":445,"_315":446},"#7d6237",0.0566,"#5b6c70",0.1045,"#8497a6",0.1153,"#20343a",0.3257,"#374946",0.3979,"Henri Rousseau","henri-rousseau","French, 1844–1910","French",1910,"Laval","Paris","Rousseau worked for years as a clerk in the Paris toll service, which earned him the nickname “le Douanier”, and taught himself to paint, exhibiting from 1886 at the jury-free Salon des Indépendants.","in-the-desert-si-saam-1981-155-3","In the Desert",{"_42":508,"_221":509,"_327":510,"_329":-5,"_330":511,"_332":512,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1915-1925","26 3/4 x 33 in. (68.0 x 83.8 cm)",83.8,1.3180778032036613,[493,494,495,496,497],{"_220":303,"_221":304,"_42":305,"_306":307},"1981.155.3","H. Siddons Mowbray painted this in 1915-1925, aged about 57. It is now at the Smithsonian American Art Museum in Washington, DC.","In the Desert, by H. Siddons Mowbray, 1915-1925",{"_294":490,"_296":491,"_298":492},"https://img.ochreeditions.com/m/1960.jpg?dl=1","/art/in-the-desert-si-saam-1981-155-3","/galleries/style/early-modernism/in-the-desert-si-saam-1981-155-3",{"_290":291,"_292":293},{"_224":485,"_125":486,"_284":487},{"_275":482,"_277":483,"_279":468,"_280":484},98.8,78.57743055555555,63.57743055555555,{"_286":224,"_123":488,"_154":489,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-h-siddons-mowbray","H. Siddons Mowbray's contemporaries","https://img.ochreeditions.com/a/1960/480.jpg","https://img.ochreeditions.com/a/1960/960.jpg","https://img.ochreeditions.com/a/1960/1920.jpg",{"_313":506,"_315":507},{"_313":504,"_315":505},{"_313":502,"_315":503},{"_313":500,"_315":501},{"_313":498,"_315":499},"#7d796a",0.0459,"#465f78",0.1917,"#84723c",0.2402,"#ab7d39",0.2523,"#c49d50",0.2699,"H. Siddons Mowbray","h-siddons-mowbray","born Alexandria, Egypt 1858-died Washington, CT 1928",1858,1928,"the-sprout-lot-si-saam-1929-6-77","The Sprout Lot",{"_42":559,"_221":560,"_327":561,"_329":-5,"_330":562,"_332":563,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1915","27 3/8 x 41 1/4 in. (69.5 x 104.8 cm)",104.8,69.5,1.4940239043824701,[544,545,546,547,548],{"_220":303,"_221":304,"_42":305,"_306":307},"1929.6.77","J. Francis Murphy painted this in 1915, aged 62. It is now at the Smithsonian American Art Museum in Washington, DC.","The Sprout Lot, by J. Francis Murphy, 1915",{"_294":541,"_296":542,"_298":543},"https://img.ochreeditions.com/m/1883.jpg?dl=1","/art/the-sprout-lot-si-saam-1929-6-77","/galleries/style/early-modernism/the-sprout-lot-si-saam-1929-6-77",{"_290":291,"_292":293},{"_224":536,"_125":537,"_284":538},{"_275":533,"_277":534,"_279":518,"_280":535},119.8,85.14613333333332,70.14613333333332,{"_286":224,"_123":539,"_154":540,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-j-francis-murphy","J. Francis Murphy's contemporaries","https://img.ochreeditions.com/a/1883/480.jpg","https://img.ochreeditions.com/a/1883/960.jpg","https://img.ochreeditions.com/a/1883/1920.jpg",{"_313":557,"_315":558},{"_313":555,"_315":556},{"_313":553,"_315":554},{"_313":551,"_315":552},{"_313":549,"_315":550},"#a98857",0.1054,"#52391c",0.1228,"#90682f",0.2118,"#cdb284",0.2667,"#775629",0.2933,"J. Francis Murphy","j-francis-murphy","born Oswego, NY 1853-died New York City 1921",1853,1921,"lozenge-composition-with-yellow-black-blue-red-and-gray-aic-109819","Lozenge Composition with Yellow, Black, Blue, Red, and Gray",{"_42":614,"_221":615,"_327":616,"_329":617,"_330":618,"_332":619,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1921","netherlands","60 × 60 cm (23 5/8 × 23 5/8 in.)",60,[599,600,601,602,603],{"_220":595,"_221":596,"_42":597,"_306":598},"Courtesy of the Art Institute of Chicago","1957.307","Piet Mondrian painted this in 1921, aged 49. It is now at the Art Institute of Chicago.",{"_118":593,"_301":594},"A square white tile, rotated 90 degrees, crossed by black lines intersecting at 90-degree angles. A few of the shapes thus formed—some partial squares, some rectangles—are colored in a single shade of yellow, blue, black, or red.",{"_294":590,"_296":591,"_298":592},"https://img.ochreeditions.com/m/272.jpg?dl=1","/art/lozenge-composition-with-yellow-black-blue-red-and-gray-aic-109819","/galleries/style/early-modernism/lozenge-composition-with-yellow-black-blue-red-and-gray-aic-109819",{"_290":291,"_292":293},{"_224":585,"_125":586,"_284":587},{"_275":289,"_277":289,"_279":570,"_280":570},{"_286":224,"_123":588,"_154":589,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-piet-mondrian","Piet Mondrian's contemporaries","https://img.ochreeditions.com/a/272/480.jpg","https://img.ochreeditions.com/a/272/960.jpg","https://img.ochreeditions.com/a/272/1920.jpg","Piet Mondrian, a founding member of the international movement De Stijl (the Style), said “the straight line tells the truth.” Deceptively simple, his works are the result of continual tinkering to achieve absolute balance and harmony.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":612,"_315":613},{"_313":610,"_315":611},{"_313":608,"_315":609},{"_313":606,"_315":607},{"_313":604,"_315":605},"#012178",0.0188,"#0b0a0c",0.0359,"#75767a",0.0427,"#d4be54",0.0513,"#e4e5e5",0.8513,"Piet Mondrian","piet-mondrian","Dutch, 1872–1944","Dutch",1872,1944,"dutton-lumber-yard-si-saam-1983-90-6","Dutton Lumber Yard",{"_42":667,"_221":668,"_327":669,"_329":-5,"_330":670,"_332":671,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1942","tempera and pencil on paperboard","13 1/4 x 18 in. (33.7 x 45.7 cm)",45.7,33.7,1.3679890560875514,[652,653,654,655,656],{"_220":303,"_221":304,"_42":305,"_306":307},"1983.90.6","Thomas Weeks Barrett painted this in 1942, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Dutton Lumber Yard, by Thomas Weeks Barrett, 1942",{"_294":649,"_296":650,"_298":651},"https://img.ochreeditions.com/m/1970.jpg?dl=1","/art/dutton-lumber-yard-si-saam-1983-90-6","/galleries/style/early-modernism/dutton-lumber-yard-si-saam-1983-90-6",{"_290":291,"_292":293},{"_224":644,"_125":645,"_284":646},{"_275":641,"_277":642,"_279":626,"_280":643},60.7,48.4067,33.4067,{"_286":224,"_123":647,"_154":648,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-weeks-barrett","Thomas Weeks Barrett's contemporaries","https://img.ochreeditions.com/a/1970/480.jpg","https://img.ochreeditions.com/a/1970/960.jpg","https://img.ochreeditions.com/a/1970/1920.jpg",{"_313":665,"_315":666},{"_313":663,"_315":664},{"_313":661,"_315":662},{"_313":659,"_315":660},{"_313":657,"_315":658},"#c29e76",0.0665,"#5c585f",0.1127,"#563f29",0.1659,"#87816e",0.2653,"#bfbdbb",0.3896,"Thomas Weeks Barrett","thomas-weeks-barrett","born Poughkeepsie, NY 1902-died Poughkeepsie, NY 1947",1902,1947,"head-of-a-young-girl-si-saam-1929-6-46","Head of a Young Girl",{"_42":732,"_221":733,"_327":734,"_329":-5,"_330":735,"_332":736,"_334":-5,"_335":-5,"_336":-5,"_140":103},"ca. 1900",19,"miniature","Painting-Miniature","watercolor on ivory","sight 3 1/4 x 2 3/8 in. (8.3 x 5.9 cm) rectangle",5.9,8.3,0.847457627118644,[717,718,719,720,721],{"_220":303,"_221":304,"_42":305,"_306":307},"1929.6.46","Lucia Fairchild Fuller painted this in about 1900, aged 30. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":716,"_301":302},"Head of a Young Girl, by Lucia Fairchild Fuller, ca. 1900",{"_294":713,"_296":714,"_298":715},"https://img.ochreeditions.com/m/1880.jpg?dl=1","/art/head-of-a-young-girl-si-saam-1929-6-46","/galleries/style/early-modernism/head-of-a-young-girl-si-saam-1929-6-46",{"_290":711,"_292":712},{"_224":701,"_125":702,"_284":703},{"_275":697,"_277":698,"_279":699,"_280":700},45.186440677966104,49,21.1864406779661,25,{"_286":224,"_123":709,"_154":710,"_140":89},{"_286":125,"_123":707,"_154":708,"_140":89},{"_286":284,"_123":704,"_154":705,"_140":706},"era/19","The 19th century",731,"style/miniature-19","More miniatures of the 19th century","artist/contemporaries-of-lucia-fairchild-fuller","Lucia Fairchild Fuller's contemporaries","white","snow","https://img.ochreeditions.com/a/1880/480.jpg","https://img.ochreeditions.com/a/1880/960.jpg","https://img.ochreeditions.com/a/1880/1920.jpg","The artist chose to place this unknown young lady against an “Oriental” background of tall grass, birds, and a large setting sun. The sitter’s vast puffed sleeves were known as gigot or leg-of-mutton sleeves, which grew to fantastic proportions during the last decade of the nineteenth century.",{"_313":730,"_315":731},{"_313":728,"_315":729},{"_313":726,"_315":727},{"_313":724,"_315":725},{"_313":722,"_315":723},"#acac82",0.0524,"#0e0c08",0.0822,"#524c37",0.1047,"#86867e",0.2471,"#aeb3ae",0.5136,"Lucia Fairchild Fuller","lucia-fairchild-fuller","born Boston, MA 1870-died Madison, WI 1924",1870,1924,"wrestlers-in-a-circus-cma-142792","Wrestlers in a Circus",{"_42":794,"_221":795,"_327":796,"_329":797,"_330":192,"_332":798,"_334":-5,"_335":-5,"_336":799,"_140":99},"1909","germany","Framed: 107.5 x 121 x 7 cm (42 5/16 x 47 5/8 x 2 3/4 in.); Unframed: 80.5 x 94 cm (31 11/16 x 37 in.)",94,80.5,1.171605789110958,[779,780,781,782,783],{"_220":775,"_221":776,"_42":777,"_306":778},"Courtesy of the Cleveland Museum of Art","1966.49","Ernst Ludwig Kirchner painted this in 1909, aged 29. It is now at the Cleveland Museum of Art.",{"_118":773,"_301":774},"Wrestlers in a Circus, by Ernst Ludwig Kirchner, 1909",{"_294":770,"_296":771,"_298":772},"https://img.ochreeditions.com/m/662.jpg?dl=1","/art/wrestlers-in-a-circus-cma-142792","/galleries/style/early-modernism/wrestlers-in-a-circus-cma-142792",{"_290":291,"_292":293},{"_224":763,"_125":764,"_284":765},{"_275":760,"_277":761,"_279":743,"_280":762},109,95.23176470588236,80.23176470588236,{"_286":224,"_123":768,"_154":769,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":766,"_154":767,"_140":93},"era/20-germany","20th-century Germany","artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","https://img.ochreeditions.com/a/662/480.jpg","https://img.ochreeditions.com/a/662/960.jpg","https://img.ochreeditions.com/a/662/1920.jpg","Locked in a dangerous embrace, beefy wrestlers writhe on a brightly colored mat. Famous for his scenes of urban life, Kirchner uses loose brushstrokes to capture the blur of bodies in motion. Imagine watching this intense match, surrounded by screaming spectators.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":792,"_315":793},{"_313":790,"_315":791},{"_313":788,"_315":789},{"_313":786,"_315":787},{"_313":784,"_315":785},"#716f45",0.1466,"#5b423b",0.1844,"#2e3142",0.1929,"#a07431",0.2003,"#94634e",0.2758,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","mary-si-saam-1991-102","Mary",{"_42":848,"_221":849,"_327":850,"_329":-5,"_330":851,"_332":852,"_334":-5,"_335":-5,"_336":-5,"_140":103},"ca. 1914","45 1/2 x 34 3/4 in. (115.5 x 88.2 cm.)",88.2,115.5,0.753,[833,834,835,836,837],{"_220":303,"_221":304,"_42":305,"_306":307},"1991.102","Henry Ossawa Tanner painted this in about 1914, aged 55. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":832,"_301":302},"Mary, by Henry Ossawa Tanner, ca. 1914",{"_294":829,"_296":830,"_298":831},"https://img.ochreeditions.com/m/1986.jpg?dl=1","/art/mary-si-saam-1991-102","/galleries/style/early-modernism/mary-si-saam-1991-102",{"_290":291,"_292":293},{"_224":824,"_125":825,"_284":826},{"_275":821,"_277":822,"_279":823,"_280":806},101.9715,130.5,86.9715,{"_286":224,"_123":827,"_154":828,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henry-ossawa-tanner","Henry Ossawa Tanner's contemporaries","https://img.ochreeditions.com/a/1986/480.jpg","https://img.ochreeditions.com/a/1986/960.jpg","https://img.ochreeditions.com/a/1986/1920.jpg","Henry Ossawa Tanner saw Mary, mother of Jesus, as a symbol of faith and fortitude. He painted many images of her and created this particular work during a difficult and trying time in his life. In 1914, the year his mother died, the outbreak of World War I forced his family to flee France for England.",{"_313":846,"_315":847},{"_313":844,"_315":845},{"_313":842,"_315":843},{"_313":840,"_315":841},{"_313":838,"_315":839},"#746347",0.0238,"#474e4f",0.082,"#2f3943",0.1419,"#20252d",0.304,"#16181f",0.4483,"Henry Ossawa Tanner","henry-ossawa-tanner","born Pittsburgh, PA 1859-died Paris, France 1937",1859,1937,"a-florida-park-si-saam-1970-320","A Florida Park",{"_42":900,"_221":901,"_327":902,"_329":-5,"_330":903,"_332":671,"_334":-5,"_335":-5,"_336":-5,"_140":103},"before 1935","oil on canvas mounted on paperboard","15 7/8 x 11 3/4 in. (40.4 x 29.9 cm.)",29.9,40.4,0.7446666666666667,[885,886,887,888,889],{"_220":303,"_221":304,"_42":305,"_306":307},"1970.320","Joseph C. Claghorn painted this (before 1935), aged 66. It is now at the Smithsonian American Art Museum in Washington, DC.","A Florida Park, by Joseph C. Claghorn, before 1935",{"_294":882,"_296":883,"_298":884},"https://img.ochreeditions.com/m/1941.jpg?dl=1","/art/a-florida-park-si-saam-1970-320","/galleries/style/early-modernism/a-florida-park-si-saam-1970-320",{"_290":291,"_292":293},{"_224":877,"_125":878,"_284":879},{"_275":874,"_277":875,"_279":876,"_280":860},45.08453333333333,55.4,30.084533333333333,{"_286":224,"_123":880,"_154":881,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-c-claghorn","Joseph C. Claghorn's contemporaries","https://img.ochreeditions.com/a/1941/480.jpg","https://img.ochreeditions.com/a/1941/960.jpg","https://img.ochreeditions.com/a/1941/1920.jpg",{"_313":898,"_315":899},{"_313":896,"_315":897},{"_313":894,"_315":895},{"_313":892,"_315":893},{"_313":890,"_315":891},"#29211d",0.1396,"#967540",0.1443,"#4a4939",0.2088,"#726d48",0.2101,"#c4b67f",0.2972,"Joseph C. Claghorn","joseph-c-claghorn","born Philadelphia, PA 1869-died Bethesda, MD 1947",1869,"mr-and-mrs-phillip-wase-si-saam-1967-39-1","Mr. and Mrs. Phillip Wase",{"_42":391,"_221":392,"_327":393,"_329":394,"_330":395,"_332":396,"_334":-5,"_335":-5,"_336":397,"_140":93},"1924","51 1/4 x 63 in. (130.2 x 159.9 cm.)",159.9,130.2,1.2254901960784315,[935,936,937,938,939],{"_220":303,"_221":304,"_42":305,"_306":307},"1967.39.1","George Bellows painted this in 1924, aged 42. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":934,"_301":302},"Mr. and Mrs. Phillip Wase, by George Bellows, 1924",{"_294":931,"_296":932,"_298":933},"https://img.ochreeditions.com/m/1930.jpg?dl=1","/art/mr-and-mrs-phillip-wase-si-saam-1967-39-1","/galleries/style/early-modernism/mr-and-mrs-phillip-wase-si-saam-1967-39-1",{"_290":291,"_292":293},{"_224":928,"_125":929,"_284":930},{"_275":925,"_277":926,"_279":909,"_280":927},174.9,145.4784,130.4784,{"_286":224,"_123":368,"_154":369,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":365,"_154":366,"_140":367},"https://img.ochreeditions.com/a/1930/480.jpg","https://img.ochreeditions.com/a/1930/960.jpg","https://img.ochreeditions.com/a/1930/1920.jpg","George Bellows spent summers in Woodstock, New York, where Mrs. Wase worked as a cleaning woman and her husband was a gardener. Bellows chose to show the couple stiffly posed and strangely detached from one another. Mrs. Wase’s face shows the worries of a lifetime, and Mr.",{"_313":948,"_315":949},{"_313":946,"_315":947},{"_313":944,"_315":945},{"_313":942,"_315":943},{"_313":940,"_315":941},"#896f41",0.0451,"#aea881",0.1082,"#737a66",0.1523,"#1a2824",0.3275,"#4b5243",0.3669,"theresa-helburn-si-npg-npg-73-30","Theresa Helburn",{"_42":997,"_221":998,"_327":999,"_329":-5,"_330":1000,"_332":1001,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1922","Accurate: 64 × 60.8 cm (25 3/16 × 23 15/16\")",60.8,64,0.95675,[982,983,984,985,986],{"_220":303,"_221":304,"_42":305,"_306":307},"Courtesy of the National Portrait Gallery, Smithsonian Institution","NPG.73.30","Marion H. Beckett painted this in 1922, aged 36. It is now at the National Portrait Gallery in Washington, DC.","Artist: Marion H. Beckett, Sitter: Theresa Helburn, Current owner: National Portrait Gallery, Smithsonian Institution",{"_294":979,"_296":980,"_298":981},"https://img.ochreeditions.com/m/1844.jpg?dl=1","/art/theresa-helburn-si-npg-npg-73-30","/galleries/style/early-modernism/theresa-helburn-si-npg-npg-73-30",{"_290":291,"_292":293},{"_224":974,"_125":975,"_284":976},{"_275":971,"_277":972,"_279":973,"_280":956},76.232,79,61.232,{"_286":224,"_123":977,"_154":978,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-marion-h-beckett","Marion H. Beckett's contemporaries","https://img.ochreeditions.com/a/1844/480.jpg","https://img.ochreeditions.com/a/1844/960.jpg","https://img.ochreeditions.com/a/1844/1920.jpg",{"_313":995,"_315":996},{"_313":993,"_315":994},{"_313":991,"_315":992},{"_313":989,"_315":990},{"_313":987,"_315":988},"#c1b79f",0.0574,"#7b7278",0.1142,"#995243",0.2441,"#6c393c",0.2815,"#252a43",0.3028,"Marion H. Beckett","marion-h-beckett","1886–1949",1886,1949,"farm-near-duivendrecht-aic-144467","Farm near Duivendrecht",{"_42":614,"_221":615,"_327":616,"_329":617,"_330":618,"_332":619,"_334":-5,"_335":-5,"_336":-5,"_140":101},"c. 1916","86.3 × 107.9 cm (34 × 42 1/2 in.)",107,86,1.2587074692973625,[1033,1034,1035,1036,1037],{"_220":595,"_221":596,"_42":597,"_306":598},"2001.479","Piet Mondrian painted this in about 1916, aged about 39. It is now at the Art Institute of Chicago.",{"_118":1032,"_301":594},"A work made of oil on canvas.",{"_294":1029,"_296":1030,"_298":1031},"https://img.ochreeditions.com/m/324.jpg?dl=1","/art/farm-near-duivendrecht-aic-144467","/galleries/style/early-modernism/farm-near-duivendrecht-aic-144467",{"_290":291,"_292":293},{"_224":1026,"_125":1027,"_284":1028},{"_275":1023,"_277":1024,"_279":1007,"_280":1025},122,100.00783749200257,85.00783749200257,{"_286":224,"_123":588,"_154":589,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/324/480.jpg","https://img.ochreeditions.com/a/324/960.jpg","https://img.ochreeditions.com/a/324/1920.jpg","Though Piet Mondrian is best known for his nonrepresentational paintings, his basic vision was rooted in landscape. He was particularly inspired by the flat topography of his native Holland, a subject he returned to even after he had begun working in an abstract style. Mondrian first sketched this farm around 1905.",{"_313":1046,"_315":992},{"_313":1044,"_315":1045},{"_313":1042,"_315":1043},{"_313":1040,"_315":1041},{"_313":1038,"_315":1039},"#8f6b57",0.1489,"#817671",0.2007,"#625753",0.2016,"#c6ad9c",0.2047,"#b28e76","portrait-of-william-e-norton-si-saam-1982-1-31","Portrait of William E. Norton",{"_42":1092,"_221":1093,"_327":1094,"_329":-5,"_330":1095,"_332":1096,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1901","25 1/2 x 21 in. (64.8 x 53.3 cm)",53.3,64.8,0.8121468926553672,[1078,1079,1080,1081,1082],{"_220":303,"_221":304,"_42":305,"_306":307},"1982.1.31","William Penhallow Henderson painted this in 1901, aged 24. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of William E. Norton, by William Penhallow Henderson, 1901",{"_294":1075,"_296":1076,"_298":1077},"https://img.ochreeditions.com/m/1961.jpg?dl=1","/art/portrait-of-william-e-norton-si-saam-1982-1-31","/galleries/style/early-modernism/portrait-of-william-e-norton-si-saam-1982-1-31",{"_290":291,"_292":293},{"_224":1070,"_125":1071,"_284":1072},{"_275":1067,"_277":1068,"_279":1069,"_280":1053},67.62711864406779,79.8,52.62711864406779,{"_286":224,"_123":1073,"_154":1074,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-penhallow-henderson","William Penhallow Henderson's contemporaries","https://img.ochreeditions.com/a/1961/480.jpg","https://img.ochreeditions.com/a/1961/960.jpg","https://img.ochreeditions.com/a/1961/1920.jpg",{"_313":1090,"_315":1091},{"_313":1088,"_315":1089},{"_313":1086,"_315":1087},{"_313":1085,"_315":609},{"_313":1083,"_315":1084},"#71623c",0.0373,"#c7a572","#393d32",0.2809,"#191b17",0.3011,"#242720",0.338,"William Penhallow Henderson","william-penhallow-henderson","born Medford, MA 1877-died Tesuque, NM 1943",1877,1943,"self-portrait-cma-144976","Self-Portrait",{"_42":1145,"_221":1146,"_327":1147,"_329":394,"_330":1148,"_332":563,"_334":-5,"_335":-5,"_336":-5,"_140":103},"oil on wood","Unframed: 88.9 x 70.9 cm (35 x 27 15/16 in.)",70.9,88.9,0.8029411764705883,[1130,1131,1132,1133,1134],{"_220":775,"_221":776,"_42":777,"_306":778},"1970.17","Abbott Handerson Thayer painted this in 1920, aged 71. It is now at the Cleveland Museum of Art.",{"_118":1129,"_301":774},"Self-Portrait, by Abbott Handerson Thayer, 1920",{"_294":1126,"_296":1127,"_298":1128},"https://img.ochreeditions.com/m/675.jpg?dl=1","/art/self-portrait-cma-144976","/galleries/style/early-modernism/self-portrait-cma-144976",{"_290":291,"_292":293},{"_224":1121,"_125":1122,"_284":1123},{"_275":1118,"_277":1119,"_279":1120,"_280":1103},86.3814705882353,103.9,71.3814705882353,{"_286":224,"_123":1124,"_154":1125,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-abbott-handerson-thayer","Abbott Handerson Thayer's contemporaries","https://img.ochreeditions.com/a/675/480.jpg","https://img.ochreeditions.com/a/675/960.jpg","https://img.ochreeditions.com/a/675/1920.jpg","In 1919, an art commentator described Abbott Handerson Thayer as \"a man of slight build and of a nervous temperament, with a glance so intense and clear and penetrating; with a mind so keen and logical and which acts with such precision that the impression received of the man's personality is enduring.\"",{"_313":1143,"_315":1144},{"_313":1141,"_315":1142},{"_313":1139,"_315":1140},{"_313":1137,"_315":1138},{"_313":1135,"_315":1136},"#ad8b6f",0.0362,"#7e6856",0.1906,"#604e3f",0.2433,"#4d4139",0.2475,"#383028",0.2824,"Abbott Handerson Thayer","abbott-handerson-thayer","American, 1849–1921",1849,{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","fe94ecbf85fe696664ff1f2edcab3b08e82f5395","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
