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It is now at The Met in New York.","Mäda Primavesi (1903–2000), by Gustav Klimt, 1912–13",{"_294":430,"_296":431,"_298":432},"https://img.ochreeditions.com/m/1110.jpg?dl=1","/art/mada-primavesi-1903-2000-met-436819","/galleries/style/early-modernism/mada-primavesi-1903-2000-met-436819",{"_290":291,"_292":293},{"_224":425,"_125":426,"_284":427},{"_275":422,"_277":423,"_279":424,"_281":407},126.1974206860975,164.9,111.1974206860975,{"_286":224,"_123":428,"_154":429,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-gustav-klimt","Gustav Klimt's contemporaries","https://img.ochreeditions.com/a/1110/480.jpg","https://img.ochreeditions.com/a/1110/960.jpg","https://img.ochreeditions.com/a/1110/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":450,"_312":451},{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},"#907e76",0.0908,"#98a29b",0.121,"#a47ea8",0.1509,"#a1899f",0.2221,"#c2bbb2",0.4152,"Gustav Klimt","gustav-klimt","Austrian, 1862–1918","Austrian",1862,1918,"Baumgarten","Vienna","woman-in-black-si-hmsg-66-3503","Woman in Black",{"_42":472,"_221":506,"_324":507,"_326":-5,"_328":508,"_330":509,"_332":-5,"_333":-5,"_334":-5,"_140":103},"(c. 1904)","36 1/8 × 29 in. (91.6 × 73.7 cm)",73.7,0.8082026537997588,[491,492,493,494,495],{"_220":375,"_221":376,"_42":377,"_303":304},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.3503","Alfred Henry Maurer painted this ((c. 1904)), aged 36. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Alfred Henry Maurer",{"_294":488,"_296":489,"_298":490},"https://img.ochreeditions.com/m/1825.jpg?dl=1","/art/woman-in-black-si-hmsg-66-3503","/galleries/style/early-modernism/woman-in-black-si-hmsg-66-3503",{"_290":291,"_292":293},{"_224":483,"_125":484,"_284":485},{"_275":480,"_277":481,"_279":482,"_281":358},89.0313630880579,106.6,74.0313630880579,{"_286":224,"_123":486,"_154":487,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-alfred-henry-maurer","Alfred Henry Maurer's contemporaries","https://img.ochreeditions.com/a/1825/480.jpg","https://img.ochreeditions.com/a/1825/960.jpg","https://img.ochreeditions.com/a/1825/1920.jpg",{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},{"_310":498,"_312":499},{"_310":496,"_312":497},"#54706e",0.0316,"#b09871",0.0689,"#52422a",0.1268,"#201915",0.3094,"#76653f",0.4633,"alfred-henry-maurer","1868–1932",1868,1932,"monsieur-deleu-nga-46551","Monsieur Deleu",{"_42":560,"_221":561,"_324":562,"_326":563,"_328":564,"_330":565,"_332":-5,"_333":-5,"_334":566,"_140":97},"1916","italy","overall: 81.1 x 46.7 cm (31 15/16 x 18 3/8 in.) framed: 90.8 x 55.5 cm (35 3/4 x 21 7/8 in.)",46.7,81.1,0.56103515625,[545,546,547,548,549],{"_220":300,"_221":301,"_42":302,"_303":304},"1963.10.76","Amedeo Modigliani painted this in 1916, aged 32. It is now at the National Gallery of Art in Washington, DC.","A round-faced man in a rust-red jacket and white cravat sits with his knees crossed, eyes lowered to slate-blue slivers beneath one cocked eyebrow.","Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting. The person’s clothing and features are outlined with thin black lines, and areas are filled in with mottled, streaked color painted with visible strokes. The person has a round face with a double chin and a small red mouth. The eyes are painted as slate-blue slivers under thin brows, one of which is cocked. The man’s short black hair is parted to one side and combed across the top of his head. He wears a white cravat tied at his neck under a rust-red jacket or shirt. Two rounded, muted blue forms below suggest crossed knees. The man’s right elbow rests next to his body, and that hand is near his lap. The background is painted with pecan brown on the left third and gray-blue on the right two-thirds.",{"_294":542,"_296":543,"_298":544},"https://img.ochreeditions.com/m/1520.jpg?dl=1","/art/monsieur-deleu-nga-46551","/galleries/style/early-modernism/monsieur-deleu-nga-46551",{"_290":291,"_292":293},{"_224":535,"_125":536,"_284":537},{"_275":532,"_277":533,"_279":534,"_281":517},60.499951171875,96.1,45.499951171875,{"_286":224,"_123":540,"_154":541,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":538,"_154":539,"_140":97},"era/20-italy","20th-century Italy","artist/amedeo-modigliani","More by Amedeo Modigliani","https://img.ochreeditions.com/a/1520/480.jpg","https://img.ochreeditions.com/a/1520/960.jpg","https://img.ochreeditions.com/a/1520/1920.jpg",{"_310":558,"_312":559},{"_310":556,"_312":557},{"_310":554,"_312":555},{"_310":552,"_312":553},{"_310":550,"_312":551},"#c4ae8d",0.0161,"#c07c5f",0.1024,"#5e635e",0.181,"#352d28",0.2582,"#722f1a",0.4423,"Amedeo Modigliani","amedeo-modigliani","Italian, 1884–1920","Italian",1884,1920,"Modigliani trained in Italy before moving to Paris in 1906, where he lived the precarious life of Montmartre and Montparnasse.","calligraphic-interior-si-saam-1968-19-12","Calligraphic Interior",{"_42":614,"_221":615,"_324":616,"_326":-5,"_328":617,"_330":457,"_332":-5,"_333":-5,"_334":618,"_140":99},"ca. 1915","watercolor on paper mounted on paperboard","sheet: 10 x 14 in. (25.5 x 35.5 cm)",35.5,25.5,1.4204545454545454,[599,600,601,602,603],{"_220":375,"_221":376,"_42":377,"_303":304},"1968.19.12","H. Lyman Saÿen painted this in about 1915, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Calligraphic Interior, by H. Lyman Saÿen, ca. 1915",{"_294":596,"_296":597,"_298":598},"https://img.ochreeditions.com/m/1937.jpg?dl=1","/art/calligraphic-interior-si-saam-1968-19-12","/galleries/style/early-modernism/calligraphic-interior-si-saam-1968-19-12",{"_290":291,"_292":293},{"_224":591,"_125":592,"_284":593},{"_275":588,"_277":589,"_279":573,"_281":590},50.5,39.992000000000004,24.992,{"_286":224,"_123":594,"_154":595,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":364,"_154":365,"_140":366},"artist/h-lyman-sayen","More by H. Lyman Saÿen","https://img.ochreeditions.com/a/1937/480.jpg","https://img.ochreeditions.com/a/1937/960.jpg","https://img.ochreeditions.com/a/1937/1920.jpg",{"_310":612,"_312":613},{"_310":610,"_312":611},{"_310":608,"_312":609},{"_310":606,"_312":607},{"_310":604,"_312":605},"#5272ba",0.0448,"#332a25",0.1167,"#e98b3f",0.1625,"#9a7c68",0.1993,"#dec6b0",0.4767,"H. Lyman Saÿen","h-lyman-sayen","born Philadelphia, PA 1875-died Philadelphia, PA 1918",1875,"Saÿen trained at the Pennsylvania Academy of the Fine Arts while working as an electrical engineer, patenting improvements to X-ray tubes. In Paris from 1906 he joined Henri Matisse’s classes and absorbed the bold colour of Fauvism.","in-the-cascade-mountains-si-saam-1966-112","In the Cascade Mountains",{"_42":666,"_221":667,"_324":668,"_326":-5,"_328":669,"_330":670,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1931","59 1/4 x 40 in. (150.6 x 101.5 cm)",101.5,150.6,1.5037593984962405,[651,652,653,654,655],{"_220":375,"_221":376,"_42":377,"_303":304},"1966.112","Edward Bruce painted this in 1931, aged 52. It is now at the Smithsonian American Art Museum in Washington, DC.","In the Cascade Mountains, by Edward Bruce, 1931",{"_294":648,"_296":649,"_298":650},"https://img.ochreeditions.com/m/1924.jpg?dl=1","/art/in-the-cascade-mountains-si-saam-1966-112","/galleries/style/early-modernism/in-the-cascade-mountains-si-saam-1966-112",{"_290":291,"_292":293},{"_224":643,"_125":644,"_284":645},{"_275":639,"_277":640,"_279":641,"_281":642},166.61238666241516,115.82223713050608,151.61238666241516,100.82223713050608,{"_286":224,"_123":646,"_154":647,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-edward-bruce","Edward Bruce's contemporaries","https://img.ochreeditions.com/a/1924/480.jpg","https://img.ochreeditions.com/a/1924/960.jpg","https://img.ochreeditions.com/a/1924/1920.jpg",{"_310":664,"_312":665},{"_310":662,"_312":663},{"_310":660,"_312":661},{"_310":658,"_312":659},{"_310":656,"_312":657},"#cdcacd",0.0595,"#6b6669",0.1321,"#575737",0.2039,"#a1a4c1",0.2935,"#8d853e",0.311,"Edward Bruce","edward-bruce","born Dover Plains, NY 1879-died Hollywood, FL 1943",1879,1943,"old-woman-cma-154286","Old Woman",{"_42":726,"_221":727,"_324":728,"_326":729,"_328":730,"_330":670,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1923–24","russia","Framed: 88.9 x 78.7 x 8.6 cm (35 x 31 x 3 3/8 in.); Unframed: 65 x 54 cm (25 9/16 x 21 1/4 in.)",54,65,0.8297058823529412,[711,712,713,714,715],{"_220":707,"_221":708,"_42":709,"_303":710},"Courtesy of the Cleveland Museum of Art","1988.94","Chaïm Soutine painted this in about 1923–24, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":705,"_373":706},"Old Woman, by Chaïm Soutine, c. 1923–24",{"_294":702,"_296":703,"_298":704},"https://img.ochreeditions.com/m/746.jpg?dl=1","/art/old-woman-cma-154286","/galleries/style/early-modernism/old-woman-cma-154286",{"_290":291,"_292":293},{"_224":697,"_125":698,"_284":699},{"_275":694,"_277":695,"_279":696,"_281":678},68.93088235294118,80,53.930882352941175,{"_286":224,"_123":700,"_154":701,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-chaim-soutine","Chaïm Soutine's contemporaries","https://img.ochreeditions.com/a/746/480.jpg","https://img.ochreeditions.com/a/746/960.jpg","https://img.ochreeditions.com/a/746/1920.jpg","In the nearly 200 portraits Chaïm Soutine painted, he was remarkably consistent in his approach:he almost always painted solitary, unidentified models, seated in half- or three-quarter-length poses facing frontally with hands placed on the hips or folded in the lap, as seen here.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":724,"_312":725},{"_310":722,"_312":723},{"_310":720,"_312":721},{"_310":718,"_312":719},{"_310":716,"_312":717},"#834d2e",0.1383,"#58533f",0.1798,"#6c4c37",0.2046,"#956e46",0.2246,"#373630",0.2527,"Chaïm Soutine","chaim-soutine","Russian, 1893–1943","Russian",1893,"eddyville-cma-173316","Eddyville",{"_42":781,"_221":782,"_324":783,"_326":784,"_328":564,"_330":785,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1917","united-states","Unframed: 63.5 x 76.2 cm (25 x 30 in.)",76.2,63.5,1.2073863636363635,[766,767,768,769,770],{"_220":707,"_221":708,"_42":709,"_303":710},"1925.1408","Samuel Halpert painted this in 1917, aged 33. It is now at the Cleveland Museum of Art.","Eddyville, by Samuel Halpert, 1917",{"_294":763,"_296":764,"_298":765},"https://img.ochreeditions.com/m/783.jpg?dl=1","/art/eddyville-cma-173316","/galleries/style/early-modernism/eddyville-cma-173316",{"_290":291,"_292":293},{"_224":755,"_125":756,"_284":757},{"_275":752,"_277":753,"_279":737,"_281":754},91.2,78.1115294117647,63.111529411764714,{"_286":224,"_123":761,"_154":762,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":758,"_154":759,"_140":760},"era/20-united-states","20th-century United States",124,"artist/contemporaries-of-samuel-halpert","Samuel Halpert's contemporaries","https://img.ochreeditions.com/a/783/480.jpg","https://img.ochreeditions.com/a/783/960.jpg","https://img.ochreeditions.com/a/783/1920.jpg",{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},{"_310":771,"_312":772},"#808469",0.0781,"#b0b0a9",0.1271,"#6b6860",0.1981,"#4b4e4c",0.293,"#363a3b",0.3037,"Samuel Halpert","samuel-halpert","American, born Russian Empire [now Poland], 1884–1930","American",1930,"jacques-and-berthe-lipchitz-aic-27987","Jacques and Berthe Lipchitz",{"_42":560,"_221":561,"_324":562,"_326":563,"_328":564,"_330":565,"_332":-5,"_333":-5,"_334":566,"_140":97},"81.3 × 54.3 cm (32 × 21 3/8 in.)",81,0.6668341708542713,[821,822,823,824,825],{"_220":817,"_221":818,"_42":819,"_303":820},"Courtesy of the Art Institute of Chicago","1926.221","Amedeo Modigliani painted this in 1916, aged 32. It is now at the Art Institute of Chicago.",{"_118":815,"_373":816},"Large painting, standing man blue turtleneck, sitting woman with white collar.",{"_294":812,"_296":813,"_298":814},"https://img.ochreeditions.com/m/117.jpg?dl=1","/art/jacques-and-berthe-lipchitz-aic-27987","/galleries/style/early-modernism/jacques-and-berthe-lipchitz-aic-27987",{"_290":291,"_292":293},{"_224":809,"_125":810,"_284":811},{"_275":806,"_277":807,"_279":808,"_281":790},69.01356783919599,96,54.01356783919598,{"_286":224,"_123":540,"_154":541,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":538,"_154":539,"_140":97},"https://img.ochreeditions.com/a/117/480.jpg","https://img.ochreeditions.com/a/117/960.jpg","https://img.ochreeditions.com/a/117/1920.jpg","Amedeo Modigliani created his finest paintings between 1914 and his premature death in 1920. Focusing on a limited range of subjects, mainly portraits and nudes, he developed a highly distinctive style of sensitively elongated forms.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":826,"_312":827},"#975e44",0.109,"#5b4030",0.1101,"#666961",0.1581,"#404342",0.182,"#342522",0.4408,"pont-des-arts-si-saam-1970-81","Pont des Arts",{"_42":614,"_221":615,"_324":616,"_326":-5,"_328":617,"_330":457,"_332":-5,"_333":-5,"_334":618,"_140":99},"1908-1911","oil on wood","10 3/8 x 13 3/4 in. (26.4 x 35.0 cm)",35,26.4,1.3392857142857142,[866,867,868,869,870],{"_220":375,"_221":376,"_42":377,"_303":304},"1970.81","H. Lyman Saÿen painted this in 1908-1911, aged about 33. It is now at the Smithsonian American Art Museum in Washington, DC.","Pont des Arts, by H. Lyman Saÿen, 1908-1911",{"_294":863,"_296":864,"_298":865},"https://img.ochreeditions.com/m/1945.jpg?dl=1","/art/pont-des-arts-si-saam-1970-81","/galleries/style/early-modernism/pont-des-arts-si-saam-1970-81",{"_290":291,"_292":293},{"_224":860,"_125":861,"_284":862},{"_275":857,"_277":858,"_279":842,"_281":859},50,41.13333333333334,26.133333333333336,{"_286":224,"_123":594,"_154":595,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":364,"_154":365,"_140":366},"https://img.ochreeditions.com/a/1945/480.jpg","https://img.ochreeditions.com/a/1945/960.jpg","https://img.ochreeditions.com/a/1945/1920.jpg",{"_310":879,"_312":880},{"_310":877,"_312":878},{"_310":875,"_312":876},{"_310":873,"_312":874},{"_310":871,"_312":872},"#303f43",0.1277,"#8f9679",0.1722,"#2f222a",0.1765,"#bb977e",0.2503,"#746665",0.2733,"wrestlers-in-a-circus-cma-142792","Wrestlers in a Circus",{"_42":932,"_221":933,"_324":934,"_326":935,"_328":936,"_330":937,"_332":-5,"_333":-5,"_334":938,"_140":99},"1909","germany","Framed: 107.5 x 121 x 7 cm (42 5/16 x 47 5/8 x 2 3/4 in.); Unframed: 80.5 x 94 cm (31 11/16 x 37 in.)",94,80.5,1.171605789110958,[917,918,919,920,921],{"_220":707,"_221":708,"_42":709,"_303":710},"1966.49","Ernst Ludwig Kirchner painted this in 1909, aged 29. It is now at the Cleveland Museum of Art.",{"_118":916,"_373":706},"Wrestlers in a Circus, by Ernst Ludwig Kirchner, 1909",{"_294":913,"_296":914,"_298":915},"https://img.ochreeditions.com/m/662.jpg?dl=1","/art/wrestlers-in-a-circus-cma-142792","/galleries/style/early-modernism/wrestlers-in-a-circus-cma-142792",{"_290":291,"_292":293},{"_224":906,"_125":907,"_284":908},{"_275":903,"_277":904,"_279":887,"_281":905},109,95.23176470588236,80.23176470588236,{"_286":224,"_123":911,"_154":912,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":909,"_154":910,"_140":93},"era/20-germany","20th-century Germany","artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","https://img.ochreeditions.com/a/662/480.jpg","https://img.ochreeditions.com/a/662/960.jpg","https://img.ochreeditions.com/a/662/1920.jpg","Locked in a dangerous embrace, beefy wrestlers writhe on a brightly colored mat. Famous for his scenes of urban life, Kirchner uses loose brushstrokes to capture the blur of bodies in motion. Imagine watching this intense match, surrounded by screaming spectators.",{"_310":930,"_312":931},{"_310":928,"_312":929},{"_310":926,"_312":927},{"_310":924,"_312":925},{"_310":922,"_312":923},"#716f45",0.1466,"#5b423b",0.1844,"#2e3142",0.1929,"#a07431",0.2003,"#94634e",0.2758,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1880,1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","study-in-rhythm-red-and-gold-si-saam-1966-39-1","Study in Rhythm: Red and Gold",{"_42":986,"_221":987,"_324":988,"_326":-5,"_328":989,"_330":670,"_332":-5,"_333":-5,"_334":-5,"_140":103},"ca. 1934","gouache on paperboard","sheet: 14 1/2 x 19 1/4 in. (36.8 x 48.9 cm)",48.9,36.8,1.3531799729364005,[971,972,973,974,975],{"_220":375,"_221":376,"_42":377,"_303":304},"1966.39.1","Joseph Schillinger painted this in about 1934, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","Study in Rhythm: Red and Gold, by Joseph Schillinger, ca. 1934",{"_294":968,"_296":969,"_298":970},"https://img.ochreeditions.com/m/1926.jpg?dl=1","/art/study-in-rhythm-red-and-gold-si-saam-1966-39-1","/galleries/style/early-modernism/study-in-rhythm-red-and-gold-si-saam-1966-39-1",{"_290":291,"_292":293},{"_224":963,"_125":964,"_284":965},{"_275":960,"_277":961,"_279":945,"_281":962},63.9,51.137100000000004,36.137100000000004,{"_286":224,"_123":966,"_154":967,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-joseph-schillinger","Joseph Schillinger's contemporaries","https://img.ochreeditions.com/a/1926/480.jpg","https://img.ochreeditions.com/a/1926/960.jpg","https://img.ochreeditions.com/a/1926/1920.jpg",{"_310":984,"_312":985},{"_310":982,"_312":983},{"_310":980,"_312":981},{"_310":978,"_312":979},{"_310":976,"_312":977},"#8b7e75",0.0608,"#51474c",0.0775,"#ba4e36",0.118,"#cebeb2",0.1449,"#f2e0a0",0.5988,"Joseph Schillinger","joseph-schillinger","born Kharkov, Russia 1895-died New York City 1943",1895,"mountain-landscape-with-fir-trees-cma-140070","Mountain Landscape with Fir Trees",{"_42":932,"_221":933,"_324":934,"_326":935,"_328":936,"_330":937,"_332":-5,"_333":-5,"_334":938,"_140":99},"1918/19","drawing","Drawing","graphite and brush and black ink","Sheet: 34.6 x 50.7 cm (13 5/8 x 19 15/16 in.)",50.7,34.6,1.4655172413793103,[1029,1030,1031,1032,1033],{"_220":707,"_221":708,"_42":709,"_303":710},"1963.86","Ernst Ludwig Kirchner drew this in 1918/19, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1028,"_373":706},"Mountain Landscape with Fir Trees, by Ernst Ludwig Kirchner, 1918/19",{"_294":1025,"_296":1026,"_298":1027},"https://img.ochreeditions.com/m/653.jpg?dl=1","/art/mountain-landscape-with-fir-trees-cma-140070","/galleries/style/early-modernism/mountain-landscape-with-fir-trees-cma-140070",{"_290":1023,"_292":1024},{"_224":1017,"_125":1018,"_284":1019},{"_275":1014,"_277":1015,"_279":998,"_281":1016},74.7,58.595294117647065,34.595294117647065,{"_286":224,"_123":911,"_154":912,"_140":99},{"_286":125,"_123":1020,"_154":1021,"_140":1022},{"_286":284,"_123":909,"_154":910,"_140":93},"style/drawing-20","More drawings of the 20th century",98,"white","snow","https://img.ochreeditions.com/a/653/480.jpg","https://img.ochreeditions.com/a/653/960.jpg","https://img.ochreeditions.com/a/653/1920.jpg","Following his discharge from the military after a mental and physical breakdown in 1915, Ernst Ludwig Kirchner took refuge at a sanitarium near Davos, Switzerland. The alpine landscape provided a new focus for his work and became a metaphor for his spiritual regeneration.",{"_310":1042,"_312":1043},{"_310":1040,"_312":1041},{"_310":1038,"_312":1039},{"_310":1036,"_312":1037},{"_310":1034,"_312":1035},"#3e362e",0.1264,"#6f6352",0.1552,"#a19179",0.1694,"#e9dabe",0.2017,"#d5c2a2",0.3473,"girl-in-a-green-blouse-nga-46520","Girl in a Green Blouse",{"_42":560,"_221":561,"_324":562,"_326":563,"_328":564,"_330":565,"_332":-5,"_333":-5,"_334":566,"_140":97},"overall: 81.3 x 46 cm (32 x 18 1/8 in.) framed: 95.9 x 60 cm (37 3/4 x 23 5/8 in.)",46,81.3,0.552734375,[1073,1074,1075,1076,1077],{"_220":300,"_221":301,"_42":302,"_303":304},"1963.10.45","Amedeo Modigliani painted this in 1917, aged 33. It is now at the National Gallery of Art in Washington, DC.","A young woman with golden-orange hair piled high sits facing us, her pale, almost white-irised eyes giving her a calm, unreadable look. Modigliani builds the figure from his familiar elements: an elongated oval face, a long neck, sloping shoulders and dark contour lines enclosing areas of mottled colour.","Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines. Her body faces us, and she looks out with pale blue eyes, the irises almost white. Her thin eyebrows slope down the sides and her small, dark peach lips are closed. Golden-orange hair is piled atop her head and a few bangs fall onto her high forehead. Black oval earrings hang from her lobes. Her shoulders also slope unnaturally down. Her mint-green shirt has a scooped neckline and elbow-length sleeves, and it appears to be tucked into a brown skirt or pants. The background is honey orange in the top left quadrant, amber brown in the lower left, and a russet brown door with windows across the top fills the right half. The artist signed the top right corner, “modigliani.”",{"_294":1070,"_296":1071,"_298":1072},"https://img.ochreeditions.com/m/1515.jpg?dl=1","/art/girl-in-a-green-blouse-nga-46520","/galleries/style/early-modernism/girl-in-a-green-blouse-nga-46520",{"_290":291,"_292":293},{"_224":1067,"_125":1068,"_284":1069},{"_275":1064,"_277":1065,"_279":1066,"_281":1049},59.937304687499996,96.3,44.937304687499996,{"_286":224,"_123":540,"_154":541,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":538,"_154":539,"_140":97},"https://img.ochreeditions.com/a/1515/480.jpg","https://img.ochreeditions.com/a/1515/960.jpg","https://img.ochreeditions.com/a/1515/1920.jpg",{"_310":1086,"_312":1087},{"_310":1084,"_312":1085},{"_310":1082,"_312":1083},{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},"#482c22",0.1232,"#c9ab92",0.142,"#7b321f",0.1741,"#ab6d35",0.2625,"#8c9474",0.2982,"lozenge-composition-with-yellow-black-blue-red-and-gray-aic-109819","Lozenge Composition with Yellow, Black, Blue, Red, and Gray",{"_42":1132,"_221":1133,"_324":1134,"_326":1135,"_328":1136,"_330":1137,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1921","netherlands","60 × 60 cm (23 5/8 × 23 5/8 in.)",60,[1117,1118,1119,1120,1121],{"_220":817,"_221":818,"_42":819,"_303":820},"1957.307","Piet Mondrian painted this in 1921, aged 49. It is now at the Art Institute of Chicago.",{"_118":1116,"_373":816},"A square white tile, rotated 90 degrees, crossed by black lines intersecting at 90-degree angles. A few of the shapes thus formed—some partial squares, some rectangles—are colored in a single shade of yellow, blue, black, or red.",{"_294":1113,"_296":1114,"_298":1115},"https://img.ochreeditions.com/m/272.jpg?dl=1","/art/lozenge-composition-with-yellow-black-blue-red-and-gray-aic-109819","/galleries/style/early-modernism/lozenge-composition-with-yellow-black-blue-red-and-gray-aic-109819",{"_290":291,"_292":293},{"_224":1108,"_125":1109,"_284":1110},{"_275":289,"_277":289,"_279":1094,"_281":1094},{"_286":224,"_123":1111,"_154":1112,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-piet-mondrian","Piet Mondrian's contemporaries","https://img.ochreeditions.com/a/272/480.jpg","https://img.ochreeditions.com/a/272/960.jpg","https://img.ochreeditions.com/a/272/1920.jpg","Piet Mondrian, a founding member of the international movement De Stijl (the Style), said “the straight line tells the truth.” Deceptively simple, his works are the result of continual tinkering to achieve absolute balance and harmony.",{"_310":1130,"_312":1131},{"_310":1128,"_312":1129},{"_310":1126,"_312":1127},{"_310":1124,"_312":1125},{"_310":1122,"_312":1123},"#012178",0.0188,"#0b0a0c",0.0359,"#75767a",0.0427,"#d4be54",0.0513,"#e4e5e5",0.8513,"Piet Mondrian","piet-mondrian","Dutch, 1872–1944","Dutch",1872,1944,{"_1139":-5,"_1140":1141,"_1142":1143,"_1144":8,"_1145":1146,"_1147":8},"user","csrf","f9ae98a6132b8ff784ebfb081325f1d739c958a7","cartCount",0,"dropLive","legal",[1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159],"uploadsEnabled",{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]