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It is now at the Art Institute of Chicago.",{"_118":377,"_378":379},"Large painting, standing man blue turtleneck, sitting woman with white collar.",{"_298":374,"_300":375,"_302":376},"https://img.ochreeditions.com/m/117.jpg?dl=1","/art/jacques-and-berthe-lipchitz-aic-27987","/galleries/style/early-modernism/jacques-and-berthe-lipchitz-aic-27987",{"_294":295,"_296":297},{"_228":367,"_125":368,"_288":369},{"_279":364,"_281":365,"_283":366,"_284":348},69.01356783919599,96,54.01356783919598,{"_290":228,"_123":372,"_154":373,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":370,"_154":371,"_140":97},"era/20-italy","20th-century Italy","artist/amedeo-modigliani","More by Amedeo Modigliani","https://img.ochreeditions.com/a/117/480.jpg","https://img.ochreeditions.com/a/117/960.jpg","https://img.ochreeditions.com/a/117/1920.jpg","Amedeo Modigliani created his finest paintings between 1914 and his premature death in 1920. 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It is now at the National Gallery of Art in Washington, DC.","A round-faced man in a rust-red jacket and white cravat sits with his knees crossed, eyes lowered to slate-blue slivers beneath one cocked eyebrow.","Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting. The person’s clothing and features are outlined with thin black lines, and areas are filled in with mottled, streaked color painted with visible strokes. The person has a round face with a double chin and a small red mouth. The eyes are painted as slate-blue slivers under thin brows, one of which is cocked. The man’s short black hair is parted to one side and combed across the top of his head. He wears a white cravat tied at his neck under a rust-red jacket or shirt. Two rounded, muted blue forms below suggest crossed knees. The man’s right elbow rests next to his body, and that hand is near his lap. The background is painted with pecan brown on the left third and gray-blue on the right two-thirds.",{"_298":433,"_300":434,"_302":435},"https://img.ochreeditions.com/m/1520.jpg?dl=1","/art/monsieur-deleu-nga-46551","/galleries/style/early-modernism/monsieur-deleu-nga-46551",{"_294":295,"_296":297},{"_228":430,"_125":431,"_288":432},{"_279":427,"_281":428,"_283":429,"_284":411},60.499951171875,96.1,45.499951171875,{"_290":228,"_123":372,"_154":373,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":370,"_154":371,"_140":97},"https://img.ochreeditions.com/a/1520/480.jpg","https://img.ochreeditions.com/a/1520/960.jpg","https://img.ochreeditions.com/a/1520/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_314":452,"_316":453},{"_314":450,"_316":451},{"_314":448,"_316":449},{"_314":446,"_316":447},{"_314":444,"_316":445},"#c4ae8d",0.0161,"#c07c5f",0.1024,"#5e635e",0.181,"#352d28",0.2582,"#722f1a",0.4423,"mada-primavesi-1903-2000-met-436819","Mäda Primavesi (1903–2000)",{"_42":510,"_225":511,"_328":512,"_330":513,"_332":514,"_334":515,"_336":516,"_337":517,"_338":-5,"_140":103},"1912–13","central-europe","Paintings","59 x 43 1/2 in. (149.9 x 110.5 cm)",110.5,149.9,0.7418106783595564,[495,496,497,498,499],{"_224":491,"_225":492,"_42":493,"_307":494},"Courtesy of The Metropolitan Museum of Art","64.148","Gustav Klimt painted this in 1912–13, aged about 50. It is now at The Met in New York.","Mäda Primavesi (1903–2000), by Gustav Klimt, 1912–13",{"_298":488,"_300":489,"_302":490},"https://img.ochreeditions.com/m/1110.jpg?dl=1","/art/mada-primavesi-1903-2000-met-436819","/galleries/style/early-modernism/mada-primavesi-1903-2000-met-436819",{"_294":295,"_296":297},{"_228":480,"_125":481,"_288":482},{"_279":477,"_281":478,"_283":479,"_284":462},126.1974206860975,164.9,111.1974206860975,{"_290":228,"_123":486,"_154":487,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":483,"_154":484,"_140":485},"era/20","The 20th century",189,"artist/contemporaries-of-gustav-klimt","Gustav Klimt's contemporaries","https://img.ochreeditions.com/a/1110/480.jpg","https://img.ochreeditions.com/a/1110/960.jpg","https://img.ochreeditions.com/a/1110/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":508,"_316":509},{"_314":506,"_316":507},{"_314":504,"_316":505},{"_314":502,"_316":503},{"_314":500,"_316":501},"#907e76",0.0908,"#98a29b",0.121,"#a47ea8",0.1509,"#a1899f",0.2221,"#c2bbb2",0.4152,"Gustav Klimt","gustav-klimt","Austrian, 1862–1918","Austrian",1862,1918,"Baumgarten","Vienna","october-morning-si-saam-1910-9-15","October Morning",{"_42":567,"_225":568,"_328":569,"_330":-5,"_332":570,"_334":571,"_336":-5,"_337":-5,"_338":-5,"_140":103},"ca. 1910","32 1/8 x 39 3/8 in. (81.5 x 99.9 cm.)",99.9,81.5,1.231827111984283,[552,553,554,555,556],{"_224":304,"_225":305,"_42":306,"_307":308},"1910.9.15","Frank A. Bicknell painted this in about 1910, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":550,"_378":551},"October Morning, by Frank A. Bicknell, ca. 1910",{"_298":547,"_300":548,"_302":549},"https://img.ochreeditions.com/m/1865.jpg?dl=1","/art/october-morning-si-saam-1910-9-15","/galleries/style/early-modernism/october-morning-si-saam-1910-9-15",{"_294":295,"_296":297},{"_228":542,"_125":543,"_288":544},{"_279":539,"_281":540,"_283":523,"_284":541},114.9,96.09904306220096,81.09904306220096,{"_290":228,"_123":545,"_154":546,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":483,"_154":484,"_140":485},"artist/contemporaries-of-frank-a-bicknell","Frank A. Bicknell's contemporaries","https://img.ochreeditions.com/a/1865/480.jpg","https://img.ochreeditions.com/a/1865/960.jpg","https://img.ochreeditions.com/a/1865/1920.jpg","Frank Bicknell may have painted October Morning during one of his many stays at the artists' colony in Old Lyme, Connecticut.","Text from the Smithsonian American Art Museum.",{"_314":565,"_316":566},{"_314":563,"_316":564},{"_314":561,"_316":562},{"_314":559,"_316":560},{"_314":557,"_316":558},"#ba967f",0.1262,"#bba8b1",0.1917,"#766c7e",0.2115,"#a38688",0.2242,"#e1ced0",0.2464,"Frank A. Bicknell","frank-a-bicknell","born Augusta, ME 1866-died Essex, CT 1943",1866,1943,"apollo-and-daphne-nga-194944","Apollo and Daphne",{"_42":619,"_225":620,"_328":621,"_330":331,"_332":333,"_334":622,"_336":623,"_337":624,"_338":625,"_140":97},"c. 1916/1919","overall: 82.55 × 73.34 cm (32 1/2 × 28 7/8 in.) framed: 88.27 × 78.11 × 7.62 cm (34 3/4 × 30 3/4 × 3 in.)",73.3,82.6,0.866455078125,[604,605,606,607,608],{"_224":436,"_225":437,"_42":438,"_307":308},"2014.136.69","John Singer Sargent painted this in about 1916/1919, aged about 60. It is now at the National Gallery of Art in Washington, DC.","Apollo, golden-skinned and wrapped in billowing drapery, races towards the nymph Daphne just as she is transformed into a laurel tree, her feet rooting into the trunk and her head and hands sprouting leaves.","This is a painting showing two people in nature. The person on the left appears to be running towards the right, with one leg in the air and their arms outstretched. They have tan, golden-toned skin, blond hair, and golden fabric draped loosely around them, billowing backward as they run. On the right is a pale person standing upright in a tree, their arms outstretched. They appear intertwined with the tree, with their feet nestled in the light brown trunk and their head and hands covered in olive-green leaves. The background features indistinct brown shapes against a clear blue sky.",{"_298":601,"_300":602,"_302":603},"https://img.ochreeditions.com/m/1690.jpg?dl=1","/art/apollo-and-daphne-nga-194944","/galleries/style/early-modernism/apollo-and-daphne-nga-194944",{"_294":295,"_296":297},{"_228":596,"_125":597,"_288":598},{"_279":593,"_281":594,"_283":595,"_284":578},86.56918945312499,97.6,71.56918945312499,{"_290":228,"_123":599,"_154":600,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/1690/480.jpg","https://img.ochreeditions.com/a/1690/960.jpg","https://img.ochreeditions.com/a/1690/1920.jpg",{"_314":617,"_316":618},{"_314":615,"_316":616},{"_314":613,"_316":614},{"_314":611,"_316":612},{"_314":609,"_316":610},"#646d74",0.0869,"#9b7856",0.1636,"#8e7c69",0.2099,"#5f5748",0.248,"#735d3e",0.2916,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1925,"Florence","London","Sargent was born in Florence to American parents and grew up travelling across Europe.","fight-between-a-tiger-and-a-buffalo-cma-126769","Fight Between a Tiger and a Buffalo",{"_42":684,"_225":685,"_328":686,"_330":687,"_332":688,"_334":689,"_336":690,"_337":691,"_338":692,"_140":99},"1908","france","oil on fabric","Framed: 183 x 203 x 4.5 cm (72 1/16 x 79 15/16 x 1 3/4 in.); Unframed: 170 x 189.5 cm (66 15/16 x 74 5/8 in.)",189.5,170,1.1162179908076166,[669,670,671,672,673],{"_224":665,"_225":666,"_42":667,"_307":668},"Courtesy of the Cleveland Museum of Art","1949.186","Henri Rousseau painted this in 1908, aged 64. It is now at the Cleveland Museum of Art.",{"_118":663,"_378":664},"Fight Between a Tiger and a Buffalo, by Henri Rousseau, 1908",{"_298":660,"_300":661,"_302":662},"https://img.ochreeditions.com/m/583.jpg?dl=1","/art/fight-between-a-tiger-and-a-buffalo-cma-126769","/galleries/style/early-modernism/fight-between-a-tiger-and-a-buffalo-cma-126769",{"_294":295,"_296":297},{"_228":653,"_125":654,"_288":655},{"_279":650,"_281":651,"_283":633,"_284":652},204.5,184.76970588235292,169.76970588235292,{"_290":228,"_123":658,"_154":659,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":656,"_154":657,"_140":81},"era/20-france","20th-century France","artist/henri-rousseau","More by Henri Rousseau","https://img.ochreeditions.com/a/583/480.jpg","https://img.ochreeditions.com/a/583/960.jpg","https://img.ochreeditions.com/a/583/1920.jpg","Having never ventured outside France, Henri Rousseau derived his jungle scenes from reading travel books and visiting the Paris botanical garden.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":682,"_316":683},{"_314":680,"_316":681},{"_314":678,"_316":679},{"_314":676,"_316":677},{"_314":674,"_316":675},"#73837a",0.0573,"#776a3e",0.0666,"#322d1e",0.1445,"#454d2f",0.3479,"#2d3a22",0.3837,"Henri Rousseau","henri-rousseau","French, 1844–1910","French",1844,1910,"Laval","Paris","Rousseau worked for years as a clerk in the Paris toll service, which earned him the nickname “le Douanier”, and taught himself to paint, exhibiting from 1886 at the jury-free Salon des Indépendants.","two-gulls-and-cliffs-si-saam-1989-43-7","Two Gulls and Cliffs",{"_42":740,"_225":741,"_328":742,"_330":743,"_332":744,"_334":745,"_336":-5,"_337":-5,"_338":746,"_140":97},"ca. 1913-1921","oil on fiberboard","15 3/4 x 20 3/8 in. (40.1 x 51.6 cm)",51.6,40.1,1.3380909901873328,[725,726,727,728,729],{"_224":304,"_225":305,"_42":306,"_307":308},"1989.43.7","Louis M. Eilshemius painted this in about 1913-1921, aged about 49. It is now at the Smithsonian American Art Museum in Washington, DC.","Two Gulls and Cliffs, by Louis M. Eilshemius, ca. 1913-1921",{"_298":722,"_300":723,"_302":724},"https://img.ochreeditions.com/m/1985.jpg?dl=1","/art/two-gulls-and-cliffs-si-saam-1989-43-7","/galleries/style/early-modernism/two-gulls-and-cliffs-si-saam-1989-43-7",{"_294":295,"_296":297},{"_228":717,"_125":718,"_288":719},{"_279":714,"_281":715,"_283":699,"_284":716},66.6,53.5624,38.5624,{"_290":228,"_123":720,"_154":721,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1985/480.jpg","https://img.ochreeditions.com/a/1985/960.jpg","https://img.ochreeditions.com/a/1985/1920.jpg",{"_314":738,"_316":739},{"_314":736,"_316":737},{"_314":734,"_316":735},{"_314":732,"_316":733},{"_314":730,"_316":731},"#8b5921",0.1529,"#6b5635",0.1682,"#98998a",0.1905,"#b39f74",0.2171,"#96835a",0.2713,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","the-bride-si-saam-1929-6-75","The Bride",{"_42":793,"_225":794,"_328":795,"_330":-5,"_332":796,"_334":797,"_336":-5,"_337":-5,"_338":-5,"_140":101},"ca. 1907","27 1/2 x 16 3/8 in. (70.0 x 41.7 cm)",41.7,70,0.5956666666666667,[778,779,780,781,782],{"_224":304,"_225":305,"_42":306,"_307":308},"1929.6.75","Gari Melchers painted this in about 1907, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.","The Bride, by Gari Melchers, ca. 1907",{"_298":775,"_300":776,"_302":777},"https://img.ochreeditions.com/m/1882.jpg?dl=1","/art/the-bride-si-saam-1929-6-75","/galleries/style/early-modernism/the-bride-si-saam-1929-6-75",{"_294":295,"_296":297},{"_228":770,"_125":771,"_288":772},{"_279":767,"_281":768,"_283":769,"_284":753},56.696666666666665,85,41.696666666666665,{"_290":228,"_123":773,"_154":774,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":483,"_154":484,"_140":485},"artist/contemporaries-of-gari-melchers","Gari Melchers's contemporaries","https://img.ochreeditions.com/a/1882/480.jpg","https://img.ochreeditions.com/a/1882/960.jpg","https://img.ochreeditions.com/a/1882/1920.jpg",{"_314":791,"_316":792},{"_314":789,"_316":790},{"_314":787,"_316":788},{"_314":785,"_316":786},{"_314":783,"_316":784},"#916a56",0.0868,"#5e5e59",0.169,"#a8a89a",0.2192,"#9a472b",0.2299,"#868783",0.2951,"Gari Melchers","gari-melchers","born Detroit MI 1860-died Falmouth, VA 1932",1860,1932,"the-triumph-of-uncle-sam-si-chndm-1918-44-22","The Triumph of Uncle Sam",{"_42":856,"_225":857,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1917","drawing","Drawing","Brush and flat oil paint, pen and red ink, crayon or color pencil on board","39.9 × 31.8 cm (15 11/16 × 12 1/2 in.)",31.8,39.9,0.8014317368331345,[841,842,843,844,845],{"_224":304,"_225":305,"_42":306,"_307":494},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1918-44-22","Victor Wilbour painted this in 1917. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":839,"_378":840},"THE TRIUMPH OF UNCLE SAM",{"_298":836,"_300":837,"_302":838},"https://img.ochreeditions.com/m/1726.jpg?dl=1","/art/the-triumph-of-uncle-sam-si-chndm-1918-44-22","/galleries/style/early-modernism/the-triumph-of-uncle-sam-si-chndm-1918-44-22",{"_294":834,"_296":835},{"_228":826,"_125":827,"_288":828},{"_279":823,"_281":824,"_283":825,"_284":807},55.977126299642066,63.9,31.977126299642066,{"_290":228,"_123":832,"_154":833,"_140":89},{"_290":125,"_123":829,"_154":830,"_140":831},{"_290":288,"_123":483,"_154":484,"_140":485},"style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-victor-wilbour","Victor Wilbour's contemporaries","white","snow","https://img.ochreeditions.com/a/1726/480.jpg","https://img.ochreeditions.com/a/1726/960.jpg","https://img.ochreeditions.com/a/1726/1920.jpg","Egyptian painting: Uncle Sam in right profile seated on throne at left. Female figure at right in right profile, holding balls entitled: \"CUBA\" and \"PORTO RICO\". Eagle, upper left.","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_314":854,"_316":855},{"_314":852,"_316":853},{"_314":850,"_316":851},{"_314":848,"_316":849},{"_314":846,"_316":847},"#d29d62",0.0466,"#c9bdae",0.0953,"#cda381",0.1523,"#d0af83",0.1618,"#d3b693",0.544,"Victor Wilbour","victor-wilbour","study-for-mosaic-in-the-wisconsin-state-capital-government-a-si-saam-1983-114-11","Study for mosaic in the Wisconsin State Capital \"Government and Liberty\"",{"_42":326,"_225":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":-5,"_337":-5,"_338":339,"_140":95},"14 1/8 x 27 1/8 in. (35.9 x 68.9 cm.)",68.9,1.947403462050599,[884,885,886,887,888],{"_224":304,"_225":305,"_42":306,"_307":308},"1983.114.11","Study for mosaic in the Wisconsin State Capital \"Government and Liberty\", by Kenyon Cox, ca. 1912",{"_298":881,"_300":882,"_302":883},"https://img.ochreeditions.com/m/1964.jpg?dl=1","/art/study-for-mosaic-in-the-wisconsin-state-capital-government-a-si-saam-1983-114-11","/galleries/style/early-modernism/study-for-mosaic-in-the-wisconsin-state-capital-government-a-si-saam-1983-114-11",{"_294":295,"_296":297},{"_228":878,"_125":879,"_288":880},{"_279":875,"_281":876,"_283":862,"_284":877},83.9,50.38044444444445,35.38044444444445,{"_290":228,"_123":171,"_154":170,"_140":95},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1964/480.jpg","https://img.ochreeditions.com/a/1964/960.jpg","https://img.ochreeditions.com/a/1964/1920.jpg",{"_314":897,"_316":898},{"_314":895,"_316":896},{"_314":893,"_316":894},{"_314":891,"_316":892},{"_314":889,"_316":890},"#524136",0.0829,"#6a3631",0.0975,"#aa824b",0.1203,"#89623f",0.1714,"#bc9c79",0.5279,"in-the-cascade-mountains-si-saam-1966-112","In the Cascade Mountains",{"_42":946,"_225":947,"_328":948,"_330":-5,"_332":949,"_334":571,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1931","59 1/4 x 40 in. (150.6 x 101.5 cm)",101.5,150.6,1.5037593984962405,[931,932,933,934,935],{"_224":304,"_225":305,"_42":306,"_307":308},"1966.112","Edward Bruce painted this in 1931, aged 52. It is now at the Smithsonian American Art Museum in Washington, DC.","In the Cascade Mountains, by Edward Bruce, 1931",{"_298":928,"_300":929,"_302":930},"https://img.ochreeditions.com/m/1924.jpg?dl=1","/art/in-the-cascade-mountains-si-saam-1966-112","/galleries/style/early-modernism/in-the-cascade-mountains-si-saam-1966-112",{"_294":295,"_296":297},{"_228":923,"_125":924,"_288":925},{"_279":919,"_281":920,"_283":921,"_284":922},166.61238666241516,115.82223713050608,151.61238666241516,100.82223713050608,{"_290":228,"_123":926,"_154":927,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":483,"_154":484,"_140":485},"artist/contemporaries-of-edward-bruce","Edward Bruce's contemporaries","https://img.ochreeditions.com/a/1924/480.jpg","https://img.ochreeditions.com/a/1924/960.jpg","https://img.ochreeditions.com/a/1924/1920.jpg",{"_314":944,"_316":945},{"_314":942,"_316":943},{"_314":940,"_316":941},{"_314":938,"_316":939},{"_314":936,"_316":937},"#cdcacd",0.0595,"#6b6669",0.1321,"#575737",0.2039,"#a1a4c1",0.2935,"#8d853e",0.311,"Edward Bruce","edward-bruce","born Dover Plains, NY 1879-died Hollywood, FL 1943",1879,"farm-near-duivendrecht-aic-144467","Farm near Duivendrecht",{"_42":999,"_225":1000,"_328":1001,"_330":1002,"_332":1003,"_334":1004,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1916","netherlands","86.3 × 107.9 cm (34 × 42 1/2 in.)",107,86,1.2587074692973625,[984,985,986,987,988],{"_224":380,"_225":381,"_42":382,"_307":383},"2001.479","Piet Mondrian painted this in about 1916, aged about 39. It is now at the Art Institute of Chicago.",{"_118":983,"_378":379},"A work made of oil on canvas.",{"_298":980,"_300":981,"_302":982},"https://img.ochreeditions.com/m/324.jpg?dl=1","/art/farm-near-duivendrecht-aic-144467","/galleries/style/early-modernism/farm-near-duivendrecht-aic-144467",{"_294":295,"_296":297},{"_228":975,"_125":976,"_288":977},{"_279":972,"_281":973,"_283":956,"_284":974},122,100.00783749200257,85.00783749200257,{"_290":228,"_123":978,"_154":979,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":483,"_154":484,"_140":485},"artist/contemporaries-of-piet-mondrian","Piet Mondrian's contemporaries","https://img.ochreeditions.com/a/324/480.jpg","https://img.ochreeditions.com/a/324/960.jpg","https://img.ochreeditions.com/a/324/1920.jpg","Though Piet Mondrian is best known for his nonrepresentational paintings, his basic vision was rooted in landscape. He was particularly inspired by the flat topography of his native Holland, a subject he returned to even after he had begun working in an abstract style. Mondrian first sketched this farm around 1905.",{"_314":997,"_316":998},{"_314":995,"_316":996},{"_314":993,"_316":994},{"_314":991,"_316":992},{"_314":989,"_316":990},"#8f6b57",0.1489,"#817671",0.2007,"#625753",0.2016,"#c6ad9c",0.2047,"#b28e76",0.2441,"Piet Mondrian","piet-mondrian","Dutch, 1872–1944","Dutch",1872,1944,"the-bewitched-mill-aic-9021","The Bewitched Mill",{"_42":1056,"_225":1057,"_328":1058,"_330":1059,"_332":1060,"_334":1061,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1913","germany","Without frame: 130.2 × 90.8 cm (51 5/16 × 35 3/4 in.); 130.2 × 91.2 cm (51 1/4 × 35 7/8 in.)",90,130,0.6908267270668177,[1041,1042,1043,1044,1045],{"_224":380,"_225":381,"_42":382,"_307":383},"1931.522","Franz Marc painted this in 1913, aged 33. It is now at the Art Institute of Chicago.",{"_118":1040,"_378":379},"Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right. Red water wheel at left, angular blue and white cityscape top at left, tree top at right.",{"_298":1037,"_300":1038,"_302":1039},"https://img.ochreeditions.com/m/18.jpg?dl=1","/art/the-bewitched-mill-aic-9021","/galleries/style/early-modernism/the-bewitched-mill-aic-9021",{"_294":295,"_296":297},{"_228":1030,"_125":1031,"_288":1032},{"_279":1027,"_281":1028,"_283":1029,"_284":1012},104.8074745186863,145,89.8074745186863,{"_290":228,"_123":1035,"_154":1036,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":1033,"_154":1034,"_140":93},"era/20-germany","20th-century Germany","artist/contemporaries-of-franz-marc","Franz Marc's contemporaries","https://img.ochreeditions.com/a/18/480.jpg","https://img.ochreeditions.com/a/18/960.jpg","https://img.ochreeditions.com/a/18/1920.jpg","Among the German Expressionists, who used strong color and exaggerated form to express emotional content, Franz Marc was unique in his empathic interest in animal life. He painted this work following a sojourn to the Italian town of Merano.",{"_314":1054,"_316":1055},{"_314":1052,"_316":1053},{"_314":1050,"_316":1051},{"_314":1048,"_316":1049},{"_314":1046,"_316":1047},"#406486",0.1289,"#b05d44",0.136,"#473f3e",0.1577,"#366b61",0.1747,"#b4bcbd",0.4027,"Franz Marc","franz-marc","German, 1880–1916","German",1880,1916,"church-bells-ringing-rainy-winter-night-cma-127227","Church Bells Ringing, Rainy Winter Night",{"_42":1111,"_225":1112,"_328":1113,"_330":331,"_332":1114,"_334":1115,"_336":-5,"_337":-5,"_338":-5,"_140":103},"December 1917","watercolor and gouache over graphite on wove paper","Sheet: 77.2 x 50 cm (30 3/8 x 19 11/16 in.); Secondary Support: 77.5 x 50 cm (30 1/2 x 19 11/16 in.)",50,77.2,0.6517647058823529,[1096,1097,1098,1099,1100],{"_224":665,"_225":666,"_42":667,"_307":668},"1949.544","Charles Burchfield painted this (December 1917), aged 24. It is now at the Cleveland Museum of Art.",{"_118":1095,"_378":664},"Church Bells Ringing, Rainy Winter Night, by Charles Burchfield, December 1917",{"_298":1092,"_300":1093,"_302":1094},"https://img.ochreeditions.com/m/586.jpg?dl=1","/art/church-bells-ringing-rainy-winter-night-cma-127227","/galleries/style/early-modernism/church-bells-ringing-rainy-winter-night-cma-127227",{"_294":834,"_296":835},{"_228":1087,"_125":1088,"_288":1089},{"_279":1084,"_281":1085,"_283":1086,"_284":1069},74.31623529411765,101.2,50.31623529411765,{"_290":228,"_123":1090,"_154":1091,"_140":89},{"_290":125,"_123":829,"_154":830,"_140":831},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-charles-burchfield","Charles Burchfield's contemporaries","https://img.ochreeditions.com/a/586/480.jpg","https://img.ochreeditions.com/a/586/960.jpg","https://img.ochreeditions.com/a/586/1920.jpg","Burchfield considered this drawing among the greatest accomplishments of his “golden year.”",{"_314":1109,"_316":1110},{"_314":1107,"_316":1108},{"_314":1105,"_316":1106},{"_314":1103,"_316":1104},{"_314":1101,"_316":1102},"#c0b8a9",0.0971,"#928c7e",0.1726,"#6b6659",0.2366,"#292824",0.2459,"#4a473d",0.2478,"Charles Burchfield","charles-burchfield","American, 1893–1967",1893,1967,"frank-brett-noyes-si-npg-s-npg-66-67","Frank Brett Noyes",{"_42":1162,"_225":1163,"_328":1164,"_330":-5,"_332":1165,"_334":1166,"_336":-5,"_337":-5,"_338":-5,"_140":103},"Accurate: 167.7 x 122.6 cm (66 x 48 1/4\")",122.6,167.7,0.7288332472896232,[1147,1148,1149,1150,1151],{"_224":304,"_225":305,"_42":306,"_307":308},"Courtesy of the National Portrait Gallery, Smithsonian Institution","S/NPG.66.67","Ossip Perelma painted this in 1917, aged 41. It is now at the National Portrait Gallery in Washington, DC.","Artist: Ossip Perelma, Sitter: Frank Brett Noyes, Current owner: National Portrait Gallery, Smithsonian Institution",{"_298":1144,"_300":1145,"_302":1146},"https://img.ochreeditions.com/m/1857.jpg?dl=1","/art/frank-brett-noyes-si-npg-s-npg-66-67","/galleries/style/early-modernism/frank-brett-noyes-si-npg-s-npg-66-67",{"_294":295,"_296":297},{"_228":1139,"_125":1140,"_288":1141},{"_279":1136,"_281":1137,"_283":1138,"_284":1121},137.22533557046978,182.7,122.2253355704698,{"_290":228,"_123":1142,"_154":1143,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":483,"_154":484,"_140":485},"artist/contemporaries-of-ossip-perelma","Ossip Perelma's contemporaries","https://img.ochreeditions.com/a/1857/480.jpg","https://img.ochreeditions.com/a/1857/960.jpg","https://img.ochreeditions.com/a/1857/1920.jpg",{"_314":1160,"_316":1161},{"_314":1158,"_316":1159},{"_314":1156,"_316":1157},{"_314":1154,"_316":1155},{"_314":1152,"_316":1153},"#998d5d",0.1267,"#70795b",0.1476,"#6e633e",0.1938,"#465743",0.2301,"#2c3e34",0.3018,"Ossip Perelma","ossip-perelma","1876 - 23 May 1949",1876,1949,{"_1168":-5,"_1169":1170,"_1171":1172,"_1173":8,"_1174":1175,"_1176":8},"user","csrf","61966a65f7bce4c398b2e421575ec7d9c92349af","cartCount",0,"dropLive","legal",[1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187,1188],"uploadsEnabled",{"_225":1211,"_20":1212},{"_225":1209,"_20":1210},{"_225":1207,"_20":1208},{"_225":1205,"_20":1206},{"_225":1203,"_20":1204},{"_225":1201,"_20":1202},{"_225":1199,"_20":1200},{"_225":1197,"_20":1198},{"_225":1195,"_20":1196},{"_225":1193,"_20":1194},{"_225":1191,"_20":1192},{"_225":1189,"_20":1190},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]