[{"_1":2,"_3":4},"root",{"_5":1153},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Early modernism, in the galleries · Ochre Editions","description","The first decades of the twentieth century, when artists broke with the academy. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/early-modernism","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/early-modernism.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Early modernism, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/the-river-cma-150508",15,"https://www.ochreeditions.com/art/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242",14,"https://www.ochreeditions.com/art/woman-in-black-si-hmsg-66-3503",13,"https://www.ochreeditions.com/art/girl-in-a-green-blouse-nga-46520",12,"https://www.ochreeditions.com/art/mr-and-mrs-phillip-wase-si-saam-1967-39-1",11,"https://www.ochreeditions.com/art/my-day-at-home-si-saam-1909-7-30",10,"https://www.ochreeditions.com/art/landscape-with-two-poplars-aic-8980",9,"https://www.ochreeditions.com/art/the-bewitched-mill-aic-9021",8,"https://www.ochreeditions.com/art/peasant-girl-si-saam-1951-14-86",7,"https://www.ochreeditions.com/art/in-the-desert-si-saam-1981-155-3",6,"https://www.ochreeditions.com/art/hillside-si-saam-1909-7-25",5,"https://www.ochreeditions.com/art/golden-star-chrysogonum-virginianum-si-saam-1970-355-483",4,"https://www.ochreeditions.com/art/nude-with-red-hair-nga-46559",3,"https://www.ochreeditions.com/art/fisherman-s-cottage-aic-152437",2,"https://www.ochreeditions.com/art/admiral-sir-david-beatty-lord-beatty-si-saam-1923-6-4",1,"https://www.ochreeditions.com/art/the-hills-si-saam-1965-11-1","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~early-modernism.b6b9d209c2.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~early-modernism.b6b9d209c2.jpg","alt","Early modernism, a room in the galleries: three of its 68 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Early modernism: 68 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~early-modernism.jpg","key","style/early-modernism","style","Early modernism","intro","The first decades of the twentieth century, when artists broke with the academy.","wing","Style galleries","floor","layout","enfilade","hang",7118,"/galleries/style/early-modernism","total",68,"page","works",[206,207,208,209,210,211,212,213,214,215,216,217,218,219,220,221],"walls",[171,172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NzExOCwiaSI6bnVsbCwiZyI6ImxDdEtjWVk2In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/early-modernism?hang=7118&cursor=eyJvIjoxNiwiaCI6NzExOCwiaSI6bnVsbCwiZyI6ImxDdEtjWVk2In0&via=continue","label","Early modernism, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/1965/480.jpg","https://img.ochreeditions.com/a/1924/480.jpg","https://img.ochreeditions.com/a/1986/480.jpg",{"_154":168,"_123":169,"_44":170,"_140":89},{"_154":165,"_123":166,"_44":167,"_140":81},"20th-century France","era/20-france","/galleries/era/20-france?hang=7118&via=continue","Maxime Maufra's contemporaries","artist/contemporaries-of-maxime-maufra","/galleries/artist/contemporaries-of-maxime-maufra?hang=7118&via=continue",{"_42":201,"_178":202},{"_42":196,"_178":197},{"_42":191,"_178":192},{"_42":187,"_178":188},{"_42":182,"_178":183},{"_42":177,"_178":179},"Third room, south wall","work_ids",[180,181],1604,717,"Third room, north wall",[184,185,186],1930,1515,1825,"Second room, north wall",[189,190],17,1863,"Second room, south wall",[193,194,195],1960,1900,18,"First room, south wall",[198,199,200],1526,1942,1862,"First room, north wall",[203,204,205],1922,1868,333,{"_222":203,"_223":1101,"_20":1102,"_226":1103,"_228":-5,"_229":1104,"_231":232,"_233":526,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":469,"_242":1105,"_244":1106,"_246":1107,"_248":1108,"_250":1109,"_252":1110,"_254":533,"_256":1111,"_258":259,"_260":1112,"_154":1113,"_262":-5,"_111":1114,"_264":1115,"_266":1116,"_268":1117,"_270":1118,"_272":1119,"_144":1120,"_275":1121},{"_222":204,"_223":1051,"_20":1052,"_226":1053,"_228":-5,"_229":1054,"_231":232,"_233":-5,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":469,"_242":1055,"_244":1056,"_246":1057,"_248":1058,"_250":1059,"_252":1060,"_254":533,"_256":1061,"_258":259,"_260":1062,"_154":-5,"_262":-5,"_111":1063,"_264":1064,"_266":1065,"_268":1066,"_270":1067,"_272":1068,"_144":1069,"_275":1070},{"_222":205,"_223":1000,"_20":1001,"_226":1002,"_228":-5,"_229":587,"_231":232,"_233":1003,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":411,"_242":1004,"_244":1005,"_246":1006,"_248":1007,"_250":1008,"_252":1009,"_254":646,"_256":1010,"_258":259,"_260":1011,"_154":-5,"_262":-5,"_111":1012,"_264":1013,"_266":1014,"_268":1015,"_270":1016,"_272":1017,"_144":1018,"_275":1019},{"_222":198,"_223":956,"_20":957,"_226":958,"_228":-5,"_229":300,"_231":232,"_233":526,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":469,"_242":959,"_244":960,"_246":961,"_248":962,"_250":963,"_252":964,"_254":351,"_256":965,"_258":259,"_260":966,"_154":-5,"_262":967,"_111":968,"_264":969,"_266":970,"_268":971,"_270":972,"_272":973,"_144":974,"_275":975},{"_222":199,"_223":902,"_20":903,"_226":904,"_228":-5,"_229":905,"_231":232,"_233":-5,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":906,"_242":907,"_244":908,"_246":909,"_248":910,"_250":911,"_252":912,"_254":533,"_256":913,"_258":259,"_260":914,"_154":-5,"_262":915,"_111":916,"_264":917,"_266":918,"_268":919,"_270":920,"_272":921,"_144":922,"_275":923},{"_222":200,"_223":853,"_20":854,"_226":855,"_228":-5,"_229":856,"_231":232,"_233":-5,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":469,"_242":857,"_244":858,"_246":808,"_248":859,"_250":860,"_252":861,"_254":533,"_256":862,"_258":259,"_260":863,"_154":-5,"_262":-5,"_111":864,"_264":865,"_266":866,"_268":867,"_270":868,"_272":869,"_144":870,"_275":871},{"_222":193,"_223":803,"_20":804,"_226":805,"_228":-5,"_229":806,"_231":232,"_233":-5,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":469,"_242":807,"_244":808,"_246":138,"_248":809,"_250":810,"_252":811,"_254":533,"_256":812,"_258":259,"_260":813,"_154":-5,"_262":-5,"_111":814,"_264":815,"_266":816,"_268":817,"_270":818,"_272":819,"_144":820,"_275":821},{"_222":194,"_223":744,"_20":745,"_226":746,"_228":-5,"_229":747,"_231":748,"_233":-5,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":749,"_242":750,"_244":751,"_246":752,"_248":753,"_250":754,"_252":755,"_254":533,"_256":756,"_258":259,"_260":757,"_154":-5,"_262":-5,"_111":758,"_264":759,"_266":760,"_268":761,"_270":762,"_272":763,"_144":764,"_275":765},{"_222":195,"_223":691,"_20":692,"_226":693,"_228":-5,"_229":694,"_231":232,"_233":341,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":411,"_242":695,"_244":696,"_246":697,"_248":698,"_250":699,"_252":700,"_254":646,"_256":701,"_258":259,"_260":702,"_154":703,"_262":-5,"_111":704,"_264":705,"_266":706,"_268":707,"_270":708,"_272":709,"_144":710,"_275":711},{"_222":189,"_223":636,"_20":637,"_226":638,"_228":-5,"_229":639,"_231":232,"_233":341,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":411,"_242":640,"_244":641,"_246":642,"_248":643,"_250":644,"_252":645,"_254":646,"_256":647,"_258":259,"_260":648,"_154":-5,"_262":-5,"_111":649,"_264":650,"_266":651,"_268":652,"_270":653,"_272":654,"_144":655,"_275":656},{"_222":190,"_223":584,"_20":585,"_226":586,"_228":-5,"_229":587,"_231":232,"_233":-5,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":469,"_242":588,"_244":589,"_246":590,"_248":591,"_250":592,"_252":593,"_254":533,"_256":594,"_258":259,"_260":595,"_154":596,"_262":-5,"_111":597,"_264":598,"_266":599,"_268":600,"_270":601,"_272":602,"_144":603,"_275":604},{"_222":184,"_223":522,"_20":523,"_226":524,"_228":-5,"_229":525,"_231":232,"_233":526,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":469,"_242":527,"_244":528,"_246":529,"_248":530,"_250":531,"_252":532,"_254":533,"_256":534,"_258":259,"_260":535,"_154":536,"_262":-5,"_111":537,"_264":538,"_266":539,"_268":540,"_270":541,"_272":542,"_144":543,"_275":544},{"_222":185,"_223":464,"_20":465,"_226":466,"_228":-5,"_229":467,"_231":232,"_233":468,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":469,"_242":470,"_244":471,"_246":472,"_248":473,"_250":474,"_252":475,"_254":351,"_256":476,"_258":259,"_260":477,"_154":-5,"_262":478,"_111":479,"_264":480,"_266":481,"_268":482,"_270":483,"_272":484,"_144":485,"_275":486},{"_222":186,"_223":407,"_20":408,"_226":409,"_228":-5,"_229":410,"_231":232,"_233":-5,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":411,"_242":412,"_244":413,"_246":414,"_248":415,"_250":416,"_252":417,"_254":418,"_256":419,"_258":259,"_260":420,"_154":-5,"_262":-5,"_111":421,"_264":422,"_266":423,"_268":424,"_270":425,"_272":426,"_144":427,"_275":428},{"_222":180,"_223":337,"_20":338,"_226":339,"_228":-5,"_229":340,"_231":232,"_233":341,"_235":-5,"_125":236,"_28":342,"_238":343,"_240":344,"_242":345,"_244":346,"_246":347,"_248":348,"_250":349,"_252":350,"_254":351,"_256":352,"_258":259,"_260":353,"_154":-5,"_262":354,"_111":355,"_264":356,"_266":357,"_268":358,"_270":359,"_272":360,"_144":361,"_275":362},{"_222":181,"_223":224,"_20":225,"_226":227,"_228":-5,"_229":230,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_260":261,"_154":-5,"_262":-5,"_111":263,"_264":265,"_266":267,"_268":269,"_270":271,"_272":273,"_144":274,"_275":276},"id","slug","the-river-cma-150508","The River","artist",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":-5,"_335":-5,"_336":-5,"_140":103},"unrecorded","date","1902","century",20,"place","france","movement","early-modernism","painting","classification","Painting","medium","oil on fabric","dimensions","Unframed: 54.5 x 65.7 cm (21 7/16 x 25 7/8 in.)","width_cm",65.7,"height_cm",54.5,"aspect",1.2069577564785232,"palette",[307,308,309,310,311],"museum",{"_222":302,"_223":303,"_42":304,"_305":306},"credit","Courtesy of the Cleveland Museum of Art","accession","1981.64","licence","CC0","story","Maxime Maufra painted this in 1902, aged 41. It is now at the Cleveland Museum of Art.","note","The River, by Maxime Maufra, 1902","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/717.jpg?dl=1","page_url","/art/the-river-cma-150508","walk_url","/galleries/style/early-modernism/the-river-cma-150508","frame",{"_292":293,"_294":295},{"_226":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":245,"_282":283},"w",80.7,"h",69.43438235294118,"image_w","image_h",54.43438235294118,{"_288":226,"_123":169,"_154":168,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":166,"_154":165,"_140":81},"facet","style/painting-20","More paintings of the 20th century",75,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/717/480.jpg","960","https://img.ochreeditions.com/a/717/960.jpg","1920","https://img.ochreeditions.com/a/717/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#606d5a","weight",0.1545,"#6f7845",0.1565,"#b4b298",0.1627,"#8c9c94",0.2524,"#364730",0.2739,"Maxime Maufra","maxime-maufra","bio","French, 1861–1918","nationality","French","birth_year",1861,"death_year",1918,"birth_place","death_place","about_excerpt","footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","Footpaths and Pavilion in the Dresden Grosser Garten",{"_42":400,"_223":401,"_326":402,"_328":403,"_330":404,"_332":405,"_334":-5,"_335":-5,"_336":406,"_140":99},"c. 1909","germany","drawing","Drawing","black crayon on brown wove paper","overall: 33.1 x 43.6 cm (13 1/16 x 17 3/16 in.)",43.6,33.1,1.3086261980830671,[385,386,387,388,389],{"_222":381,"_223":382,"_42":383,"_305":384},"Courtesy National Gallery of Art, Washington","1982.71.1","Ernst Ludwig Kirchner drew this in about 1909, aged 29. It is now at the National Gallery of Art in Washington, DC.","Paths curve between trees towards a pavilion in Dresden’s Grosser Garten, the city’s great public park, set down in rapid strokes of black crayon on brown paper.","The image shows a landscape drawing with buildings, trees, and a winding path or water feature. The drawing is done in black charcoal on brownish background paper, creating a monochromatic color palette.",{"_296":378,"_298":379,"_300":380},"https://img.ochreeditions.com/m/1604.jpg?dl=1","/art/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","/galleries/style/early-modernism/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242",{"_292":376,"_294":377},{"_226":366,"_125":367,"_286":368},{"_277":363,"_279":364,"_281":346,"_282":365},67.6,57.3173828125,33.3173828125,{"_288":226,"_123":374,"_154":375,"_140":99},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":369,"_154":370,"_140":93},"era/20-germany","20th-century Germany","style/drawing-20","More drawings of the 20th century",98,"artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","white","snow","https://img.ochreeditions.com/a/1604/480.jpg","https://img.ochreeditions.com/a/1604/960.jpg","https://img.ochreeditions.com/a/1604/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":398,"_314":399},{"_312":396,"_314":397},{"_312":394,"_314":395},{"_312":392,"_314":393},{"_312":390,"_314":391},"#695b4c",0.0195,"#d5c3a8",0.0402,"#988166",0.1142,"#ad9272",0.272,"#be9f7c",0.5541,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1880,1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","woman-in-black-si-hmsg-66-3503","Woman in Black",{"_42":421,"_223":461,"_326":462,"_328":-5,"_330":204,"_332":463,"_334":-5,"_335":-5,"_336":-5,"_140":103},"(c. 1904)","Oil on canvas","36 1/8 × 29 in. (91.6 × 73.7 cm)",73.7,91.6,0.8082026537997588,[446,447,448,449,450],{"_222":443,"_223":444,"_42":445,"_305":384},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.3503","Alfred Henry Maurer painted this ((c. 1904)), aged 36. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Alfred Henry Maurer",{"_296":440,"_298":441,"_300":442},"https://img.ochreeditions.com/m/1825.jpg?dl=1","/art/woman-in-black-si-hmsg-66-3503","/galleries/style/early-modernism/woman-in-black-si-hmsg-66-3503",{"_292":293,"_294":295},{"_226":432,"_125":433,"_286":434},{"_277":429,"_279":430,"_281":431,"_282":414},89.0313630880579,106.6,74.0313630880579,{"_288":226,"_123":438,"_154":439,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"era/20","The 20th century",189,"artist/contemporaries-of-alfred-henry-maurer","Alfred Henry Maurer's contemporaries","https://img.ochreeditions.com/a/1825/480.jpg","https://img.ochreeditions.com/a/1825/960.jpg","https://img.ochreeditions.com/a/1825/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":459,"_314":460},{"_312":457,"_314":458},{"_312":455,"_314":456},{"_312":453,"_314":454},{"_312":451,"_314":452},"#54706e",0.0316,"#b09871",0.0689,"#52422a",0.1268,"#201915",0.3094,"#76653f",0.4633,"alfred-henry-maurer","1868–1932",1932,"girl-in-a-green-blouse-nga-46520","Girl in a Green Blouse",{"_42":515,"_223":516,"_326":517,"_328":518,"_330":519,"_332":520,"_334":-5,"_335":-5,"_336":521,"_140":97},"1917","italy","oil on canvas","overall: 81.3 x 46 cm (32 x 18 1/8 in.) framed: 95.9 x 60 cm (37 3/4 x 23 5/8 in.)",46,81.3,0.552734375,[500,501,502,503,504],{"_222":381,"_223":382,"_42":383,"_305":384},"1963.10.45","Amedeo Modigliani painted this in 1917, aged 33. It is now at the National Gallery of Art in Washington, DC.","A young woman with golden-orange hair piled high sits facing us, her pale, almost white-irised eyes giving her a calm, unreadable look. Modigliani builds the figure from his familiar elements: an elongated oval face, a long neck, sloping shoulders and dark contour lines enclosing areas of mottled colour.","Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines. Her body faces us, and she looks out with pale blue eyes, the irises almost white. Her thin eyebrows slope down the sides and her small, dark peach lips are closed. Golden-orange hair is piled atop her head and a few bangs fall onto her high forehead. Black oval earrings hang from her lobes. Her shoulders also slope unnaturally down. Her mint-green shirt has a scooped neckline and elbow-length sleeves, and it appears to be tucked into a brown skirt or pants. The background is honey orange in the top left quadrant, amber brown in the lower left, and a russet brown door with windows across the top fills the right half. The artist signed the top right corner, “modigliani.”",{"_296":497,"_298":498,"_300":499},"https://img.ochreeditions.com/m/1515.jpg?dl=1","/art/girl-in-a-green-blouse-nga-46520","/galleries/style/early-modernism/girl-in-a-green-blouse-nga-46520",{"_292":293,"_294":295},{"_226":490,"_125":491,"_286":492},{"_277":487,"_279":488,"_281":489,"_282":472},59.937304687499996,96.3,44.937304687499996,{"_288":226,"_123":495,"_154":496,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":493,"_154":494,"_140":97},"era/20-italy","20th-century Italy","artist/amedeo-modigliani","More by Amedeo Modigliani","https://img.ochreeditions.com/a/1515/480.jpg","https://img.ochreeditions.com/a/1515/960.jpg","https://img.ochreeditions.com/a/1515/1920.jpg",{"_312":513,"_314":514},{"_312":511,"_314":512},{"_312":509,"_314":510},{"_312":507,"_314":508},{"_312":505,"_314":506},"#482c22",0.1232,"#c9ab92",0.142,"#7b321f",0.1741,"#ab6d35",0.2625,"#8c9474",0.2982,"Amedeo Modigliani","amedeo-modigliani","Italian, 1884–1920","Italian",1884,1920,"Modigliani trained in Italy before moving to Paris in 1906, where he lived the precarious life of Montmartre and Montparnasse.","mr-and-mrs-phillip-wase-si-saam-1967-39-1","Mr. and Mrs. Phillip Wase",{"_42":577,"_223":578,"_326":579,"_328":580,"_330":581,"_332":582,"_334":-5,"_335":-5,"_336":583,"_140":93},"1924","united-states","51 1/4 x 63 in. (130.2 x 159.9 cm.)",159.9,130.2,1.2254901960784315,[562,563,564,565,566],{"_222":443,"_223":444,"_42":445,"_305":384},"Courtesy of the Smithsonian American Art Museum","1967.39.1","George Bellows painted this in 1924, aged 42. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":559,"_560":561},"Mr. and Mrs. Phillip Wase, by George Bellows, 1924",{"_296":556,"_298":557,"_300":558},"https://img.ochreeditions.com/m/1930.jpg?dl=1","/art/mr-and-mrs-phillip-wase-si-saam-1967-39-1","/galleries/style/early-modernism/mr-and-mrs-phillip-wase-si-saam-1967-39-1",{"_292":293,"_294":295},{"_226":548,"_125":549,"_286":550},{"_277":545,"_279":546,"_281":528,"_282":547},174.9,145.4784,130.4784,{"_288":226,"_123":554,"_154":555,"_140":93},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":551,"_154":552,"_140":553},"era/20-united-states","20th-century United States",124,"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1930/480.jpg","https://img.ochreeditions.com/a/1930/960.jpg","https://img.ochreeditions.com/a/1930/1920.jpg","George Bellows spent summers in Woodstock, New York, where Mrs. Wase worked as a cleaning woman and her husband was a gardener. Bellows chose to show the couple stiffly posed and strangely detached from one another. Mrs. Wase’s face shows the worries of a lifetime, and Mr.","source","Text from the Smithsonian American Art Museum.",{"_312":575,"_314":576},{"_312":573,"_314":574},{"_312":571,"_314":572},{"_312":569,"_314":570},{"_312":567,"_314":568},"#896f41",0.0451,"#aea881",0.1082,"#737a66",0.1523,"#1a2824",0.3275,"#4b5243",0.3669,"George Bellows","george-bellows","American, 1882–1925","American",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","my-day-at-home-si-saam-1909-7-30","My Day at Home",{"_42":631,"_223":632,"_326":633,"_328":-5,"_330":634,"_332":635,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1906","24 1/8 x 30 1/8 in. (61.3 x 76.6 cm)",76.6,61.3,1.246684350132626,[616,617,618,619,620],{"_222":443,"_223":444,"_42":445,"_305":384},"1909.7.30","William H. Howe painted this in 1906, aged 60. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":615,"_560":561},"My Day at Home, by William H. Howe, 1906",{"_296":612,"_298":613,"_300":614},"https://img.ochreeditions.com/m/1863.jpg?dl=1","/art/my-day-at-home-si-saam-1909-7-30","/galleries/style/early-modernism/my-day-at-home-si-saam-1909-7-30",{"_292":293,"_294":295},{"_226":607,"_125":608,"_286":609},{"_277":414,"_279":605,"_281":589,"_282":606},76.44297872340425,61.44297872340425,{"_288":226,"_123":610,"_154":611,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-william-h-howe","William H. Howe's contemporaries","https://img.ochreeditions.com/a/1863/480.jpg","https://img.ochreeditions.com/a/1863/960.jpg","https://img.ochreeditions.com/a/1863/1920.jpg","William Henry Howe made a name for himself in France and the United States as a painter of animals. His farm scenes provided patrons with an antidote to the unnerving changes in American society brought about by industrialization.",{"_312":629,"_314":630},{"_312":627,"_314":628},{"_312":625,"_314":626},{"_312":623,"_314":624},{"_312":621,"_314":622},"#d6ac6a",0.0913,"#a47235",0.1768,"#764c20",0.1998,"#4a3318",0.2592,"#2a2213",0.2729,"William H. Howe","william-h-howe","born Ravenna, OH 1846-died Bronxville, NY 1929",1846,1929,"landscape-with-two-poplars-aic-8980","Landscape with Two Poplars",{"_42":687,"_223":688,"_326":689,"_328":690,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1912","78.8 × 100.4 cm (31 × 39 1/2 in.)",100,78,1.2691962951897222,[672,673,674,675,676],{"_222":668,"_223":669,"_42":670,"_305":671},"Courtesy of the Art Institute of Chicago","1931.508","Vasily Kandinsky painted this in 1912. It is now at the Art Institute of Chicago.","Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.",{"_296":665,"_298":666,"_300":667},"https://img.ochreeditions.com/m/17.jpg?dl=1","/art/landscape-with-two-poplars-aic-8980","/galleries/style/early-modernism/landscape-with-two-poplars-aic-8980",{"_292":293,"_294":295},{"_226":660,"_125":661,"_286":662},{"_277":657,"_279":658,"_281":641,"_282":659},115,93.79001883239171,78.79001883239171,{"_288":226,"_123":663,"_154":664,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":369,"_154":370,"_140":93},"artist/contemporaries-of-vasily-kandinsky","Vasily Kandinsky's contemporaries","https://img.ochreeditions.com/a/17/480.jpg","https://img.ochreeditions.com/a/17/960.jpg","https://img.ochreeditions.com/a/17/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":685,"_314":686},{"_312":683,"_314":684},{"_312":681,"_314":682},{"_312":679,"_314":680},{"_312":677,"_314":678},"#c69c58",0.1081,"#928c6c",0.1572,"#8d4743",0.2022,"#3e3e42",0.2166,"#4c6e60",0.3159,"Vasily Kandinsky","vasily-kandinsky","Born Moscow (formerly Russian Empire, now Russia), 1866; died Neuilly-sur-Seine, France, 1944","Born Moscow (formerly Russian Empire","the-bewitched-mill-aic-9021","The Bewitched Mill",{"_42":740,"_223":741,"_326":742,"_328":403,"_330":404,"_332":743,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1913","Without frame: 130.2 × 90.8 cm (51 5/16 × 35 3/4 in.); 130.2 × 91.2 cm (51 1/4 × 35 7/8 in.)",90,130,0.6908267270668177,[725,726,727,728,729],{"_222":668,"_223":669,"_42":670,"_305":671},"1931.522","Franz Marc painted this in 1913, aged 33. It is now at the Art Institute of Chicago.",{"_118":723,"_560":724},"Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right. Red water wheel at left, angular blue and white cityscape top at left, tree top at right.",{"_296":720,"_298":721,"_300":722},"https://img.ochreeditions.com/m/18.jpg?dl=1","/art/the-bewitched-mill-aic-9021","/galleries/style/early-modernism/the-bewitched-mill-aic-9021",{"_292":293,"_294":295},{"_226":715,"_125":716,"_286":717},{"_277":712,"_279":713,"_281":714,"_282":697},104.8074745186863,145,89.8074745186863,{"_288":226,"_123":718,"_154":719,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":369,"_154":370,"_140":93},"artist/contemporaries-of-franz-marc","Franz Marc's contemporaries","https://img.ochreeditions.com/a/18/480.jpg","https://img.ochreeditions.com/a/18/960.jpg","https://img.ochreeditions.com/a/18/1920.jpg","Among the German Expressionists, who used strong color and exaggerated form to express emotional content, Franz Marc was unique in his empathic interest in animal life. He painted this work following a sojourn to the Italian town of Merano.","Text from the Art Institute of Chicago.",{"_312":738,"_314":739},{"_312":736,"_314":737},{"_312":734,"_314":735},{"_312":732,"_314":733},{"_312":730,"_314":731},"#406486",0.1289,"#b05d44",0.136,"#473f3e",0.1577,"#366b61",0.1747,"#b4bcbd",0.4027,"Franz Marc","franz-marc","German, 1880–1916",1916,"peasant-girl-si-saam-1951-14-86","Peasant Girl",{"_42":798,"_223":799,"_326":800,"_328":-5,"_330":801,"_332":802,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1900",19,"oil on wood","21 1/4 x 17 3/4 in. (53.9 x 45.2 cm)",45.2,53.9,0.8163333333333334,[783,784,785,786,787],{"_222":443,"_223":444,"_42":445,"_305":384},"1951.14.86","Alice Pike Barney painted this in 1900, aged 43. It is now at the Smithsonian American Art Museum in Washington, DC.","Peasant Girl, by Alice Pike Barney, 1900",{"_296":780,"_298":781,"_300":782},"https://img.ochreeditions.com/m/1900.jpg?dl=1","/art/peasant-girl-si-saam-1951-14-86","/galleries/style/early-modernism/peasant-girl-si-saam-1951-14-86",{"_292":293,"_294":295},{"_226":769,"_125":770,"_286":771},{"_277":766,"_279":767,"_281":768,"_282":752},59.000366666666665,68.9,44.000366666666665,{"_288":226,"_123":778,"_154":779,"_140":89},{"_288":125,"_123":775,"_154":776,"_140":777},{"_288":286,"_123":772,"_154":773,"_140":774},"era/19","The 19th century",731,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-alice-pike-barney","Alice Pike Barney's contemporaries","https://img.ochreeditions.com/a/1900/480.jpg","https://img.ochreeditions.com/a/1900/960.jpg","https://img.ochreeditions.com/a/1900/1920.jpg",{"_312":796,"_314":797},{"_312":794,"_314":795},{"_312":792,"_314":793},{"_312":790,"_314":791},{"_312":788,"_314":789},"#4b4c35",0.1205,"#412515",0.1896,"#b87a2a",0.2013,"#96824f",0.2169,"#7f5227",0.2717,"Alice Pike Barney","alice-pike-barney","born Cincinnati, OH 1857-died Los Angeles, CA 1931",1857,1931,"in-the-desert-si-saam-1981-155-3","In the Desert",{"_42":848,"_223":849,"_326":850,"_328":-5,"_330":851,"_332":852,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1915-1925","26 3/4 x 33 in. (68.0 x 83.8 cm)",83.8,1.3180778032036613,[833,834,835,836,837],{"_222":443,"_223":444,"_42":445,"_305":384},"1981.155.3","H. Siddons Mowbray painted this in 1915-1925, aged about 57. It is now at the Smithsonian American Art Museum in Washington, DC.","In the Desert, by H. Siddons Mowbray, 1915-1925",{"_296":830,"_298":831,"_300":832},"https://img.ochreeditions.com/m/1960.jpg?dl=1","/art/in-the-desert-si-saam-1981-155-3","/galleries/style/early-modernism/in-the-desert-si-saam-1981-155-3",{"_292":293,"_294":295},{"_226":825,"_125":826,"_286":827},{"_277":822,"_279":823,"_281":808,"_282":824},98.8,78.57743055555555,63.57743055555555,{"_288":226,"_123":828,"_154":829,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-h-siddons-mowbray","H. Siddons Mowbray's contemporaries","https://img.ochreeditions.com/a/1960/480.jpg","https://img.ochreeditions.com/a/1960/960.jpg","https://img.ochreeditions.com/a/1960/1920.jpg",{"_312":846,"_314":847},{"_312":844,"_314":845},{"_312":842,"_314":843},{"_312":840,"_314":841},{"_312":838,"_314":839},"#7d796a",0.0459,"#465f78",0.1917,"#84723c",0.2402,"#ab7d39",0.2523,"#c49d50",0.2699,"H. Siddons Mowbray","h-siddons-mowbray","born Alexandria, Egypt 1858-died Washington, CT 1928",1858,1928,"hillside-si-saam-1909-7-25","Hillside",{"_42":898,"_223":899,"_326":900,"_328":-5,"_330":901,"_332":852,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1908","33 x 43 in. (83.8 x 109.2 cm)",109.2,1.2979683972911964,[883,884,885,886,887],{"_222":443,"_223":444,"_42":445,"_305":384},"1909.7.25","Edward Gay painted this in 1908, aged 71. It is now at the Smithsonian American Art Museum in Washington, DC.","Hillside, by Edward Gay, 1908",{"_296":880,"_298":881,"_300":882},"https://img.ochreeditions.com/m/1862.jpg?dl=1","/art/hillside-si-saam-1909-7-25","/galleries/style/early-modernism/hillside-si-saam-1909-7-25",{"_292":293,"_294":295},{"_226":875,"_125":876,"_286":877},{"_277":872,"_279":873,"_281":858,"_282":874},124.2,99.13147826086957,84.13147826086957,{"_288":226,"_123":878,"_154":879,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-edward-gay","Edward Gay's contemporaries","https://img.ochreeditions.com/a/1862/480.jpg","https://img.ochreeditions.com/a/1862/960.jpg","https://img.ochreeditions.com/a/1862/1920.jpg",{"_312":896,"_314":897},{"_312":894,"_314":895},{"_312":892,"_314":893},{"_312":890,"_314":891},{"_312":888,"_314":889},"#756d4a",0.1113,"#413921",0.14,"#1d170e",0.1534,"#887c31",0.2357,"#dbdad3",0.3596,"Edward Gay","edward-gay","born Mulligar, Ireland 1837-died Albany, NY 1928",1837,"golden-star-chrysogonum-virginianum-si-saam-1970-355-483","Golden Star (Chrysogonum virginianum)",{"_42":950,"_223":951,"_326":952,"_328":-5,"_330":953,"_332":954,"_334":-5,"_335":-5,"_336":955,"_140":99},"1922","watercolor on paper","sheet: 10 x 7 in. (25.5 x 17.9 cm)",17.9,25.5,0.7003333333333334,[935,936,937,938,939],{"_222":443,"_223":444,"_42":445,"_305":384},"1970.355.483","Mary Vaux Walcott painted this in 1922, aged 62. It is now at the Smithsonian American Art Museum in Washington, DC.","Golden star, a low woodland plant of the eastern United States with bright yellow, star-shaped flowers, is recorded here in watercolour by Mary Vaux Walcott.","Golden Star (Chrysogonum virginianum), by Mary Vaux Walcott, 1922",{"_296":932,"_298":933,"_300":934},"https://img.ochreeditions.com/m/1942.jpg?dl=1","/art/golden-star-chrysogonum-virginianum-si-saam-1970-355-483","/galleries/style/early-modernism/golden-star-chrysogonum-virginianum-si-saam-1970-355-483",{"_292":293,"_294":295},{"_226":927,"_125":928,"_286":929},{"_277":924,"_279":925,"_281":926,"_282":909},32.8585,40.5,17.8585,{"_288":226,"_123":930,"_154":931,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/mary-vaux-walcott","More by Mary Vaux Walcott","https://img.ochreeditions.com/a/1942/480.jpg","https://img.ochreeditions.com/a/1942/960.jpg","https://img.ochreeditions.com/a/1942/1920.jpg",{"_312":948,"_314":949},{"_312":946,"_314":947},{"_312":944,"_314":945},{"_312":942,"_314":943},{"_312":940,"_314":941},"#e6a725",0.0191,"#99a66c",0.0663,"#cbc5a1",0.0701,"#768c4a",0.0847,"#f2e1cc",0.7598,"Mary Vaux Walcott","mary-vaux-walcott","born Philadelphia, PA 1860-died St. Andrews, New Brunswick, Canada 1940",1860,1940,"Mary Vaux Walcott came from a Philadelphia Quaker family and spent summers in the Canadian Rockies, where she photographed glaciers and began painting wildflowers in watercolour.","nude-with-red-hair-nga-46559","Nude with Red Hair",{"_42":577,"_223":578,"_326":579,"_328":580,"_330":581,"_332":582,"_334":-5,"_335":-5,"_336":583,"_140":93},"overall: 110.9 x 86.5 cm (43 11/16 x 34 1/16 in.) framed: 138.4 x 113 x 7.6 cm (54 1/2 x 44 1/2 x 3 in.)",86.5,110.9,0.766845703125,[985,986,987,988,989],{"_222":381,"_223":382,"_42":383,"_305":384},"1963.10.84","George Bellows painted this in 1920, aged 38. It is now at the National Gallery of Art in Washington, DC.","A woman with copper-red hair sits partly wrapped in a black cloth, one arm across her chest and a strand of amber beads at her neck, her head turned to look away to the right.","Shown from the knees up, a woman sits partially covered by a black cloth as she holds one forearm across her bare breasts in this vertical painting. The woman has pale, yellow-tinged skin and long, copper-red hair and bangs. Her body faces us, but she turns her head to look off to our right with large blue, wide-set eyes. Her cheeks are flushed, and her full, dark pink lips are closed. A strand of gradually larger amber-yellow beads hangs around her neck, and she wears a gold-colored bracelet on the arm braced across her chest, her left arm, to our right. Glimpses of pale pink nipples are visible. The voluminous black cloth drapes down over one shoulder and across her hips. She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. Bellows E.S.B.”",{"_296":982,"_298":983,"_300":984},"https://img.ochreeditions.com/m/1526.jpg?dl=1","/art/nude-with-red-hair-nga-46559","/galleries/style/early-modernism/nude-with-red-hair-nga-46559",{"_292":293,"_294":295},{"_226":979,"_125":980,"_286":981},{"_277":976,"_279":977,"_281":978,"_282":961},100.0431884765625,125.9,85.0431884765625,{"_288":226,"_123":554,"_154":555,"_140":93},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":551,"_154":552,"_140":553},"https://img.ochreeditions.com/a/1526/480.jpg","https://img.ochreeditions.com/a/1526/960.jpg","https://img.ochreeditions.com/a/1526/1920.jpg",{"_312":998,"_314":999},{"_312":996,"_314":997},{"_312":994,"_314":995},{"_312":992,"_314":993},{"_312":990,"_314":991},"#592620",0.0497,"#755d33",0.0603,"#c6a75e",0.0708,"#353227",0.1999,"#1b1a18",0.6193,"fisherman-s-cottage-aic-152437","Fisherman's Cottage",{"_42":1045,"_223":1046,"_326":1047,"_328":1048,"_330":1049,"_332":1050,"_334":-5,"_335":-5,"_336":-5,"_140":103},"scandinavia","109 × 94 cm (43 × 37 in.)",94,109,0.8690340260333409,[1030,1031,1032,1033,1034],{"_222":668,"_223":669,"_42":670,"_305":671},"2000.1","Harald Oscar Sohlberg painted this in 1906, aged 37. It is now at the Art Institute of Chicago.","Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.",{"_296":1027,"_298":1028,"_300":1029},"https://img.ochreeditions.com/m/333.jpg?dl=1","/art/fisherman-s-cottage-aic-152437","/galleries/style/early-modernism/fisherman-s-cottage-aic-152437",{"_292":293,"_294":295},{"_226":1022,"_125":1023,"_286":1024},{"_277":1020,"_279":553,"_281":1021,"_282":1006},109.72470883763415,94.72470883763415,{"_288":226,"_123":1025,"_154":1026,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-harald-oscar-sohlberg","Harald Oscar Sohlberg's contemporaries","https://img.ochreeditions.com/a/333/480.jpg","https://img.ochreeditions.com/a/333/960.jpg","https://img.ochreeditions.com/a/333/1920.jpg",{"_312":1043,"_314":1044},{"_312":1041,"_314":1042},{"_312":1039,"_314":1040},{"_312":1037,"_314":1038},{"_312":1035,"_314":1036},"#395460",0.034,"#22353e",0.0628,"#162226",0.1336,"#121718",0.1761,"#0e0d0d",0.5935,"Harald Oscar Sohlberg","harald-oscar-sohlberg","Norwegian, 1869–1935","Norwegian",1869,1935,"admiral-sir-david-beatty-lord-beatty-si-saam-1923-6-4","Admiral Sir David Beatty, Lord Beatty",{"_42":1097,"_223":1098,"_326":1099,"_328":-5,"_330":1100,"_332":199,"_334":-5,"_335":-5,"_336":-5,"_140":103},"ca. 1920","62 1/2 x 45 5/8 in. (158.6 x 116.0 cm)",116,158.6,0.7333333333333333,[1082,1083,1084,1085,1086],{"_222":443,"_223":444,"_42":445,"_305":384},"1923.6.4","Cecilia Beaux painted this in about 1920, aged 65. It is now at the Smithsonian American Art Museum in Washington, DC.","Admiral Sir David Beatty, Lord Beatty, by Cecilia Beaux, ca. 1920",{"_296":1079,"_298":1080,"_300":1081},"https://img.ochreeditions.com/m/1868.jpg?dl=1","/art/admiral-sir-david-beatty-lord-beatty-si-saam-1923-6-4","/galleries/style/early-modernism/admiral-sir-david-beatty-lord-beatty-si-saam-1923-6-4",{"_292":293,"_294":295},{"_226":1074,"_125":1075,"_286":1076},{"_277":1071,"_279":1072,"_281":1073,"_282":1057},131.30666666666667,173.6,116.30666666666666,{"_288":226,"_123":1077,"_154":1078,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-cecilia-beaux","Cecilia Beaux's contemporaries","https://img.ochreeditions.com/a/1868/480.jpg","https://img.ochreeditions.com/a/1868/960.jpg","https://img.ochreeditions.com/a/1868/1920.jpg",{"_312":1095,"_314":1096},{"_312":1093,"_314":1094},{"_312":1091,"_314":1092},{"_312":1089,"_314":1090},{"_312":1087,"_314":1088},"#98744b",0.0263,"#5c4e39",0.0888,"#3e3934",0.2035,"#4e4c42",0.2194,"#232221",0.462,"Cecilia Beaux","cecilia-beaux","born Philadelphia, PA 1855-died Gloucester, MA 1942",1855,"the-hills-si-saam-1965-11-1","The Hills",{"_42":1149,"_223":1150,"_326":1151,"_328":580,"_330":1152,"_332":184,"_334":-5,"_335":-5,"_336":-5,"_140":101},"ca. 1919","24 x 27 in. (61.0 x 68.5 cm.)",68.5,61,1.1283817019183473,[1134,1135,1136,1137,1138],{"_222":443,"_223":444,"_42":445,"_305":384},"1965.11.1","Preston Dickinson painted this in about 1919, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1133,"_560":561},"The Hills, by Preston Dickinson, ca. 1919",{"_296":1130,"_298":1131,"_300":1132},"https://img.ochreeditions.com/m/1922.jpg?dl=1","/art/the-hills-si-saam-1965-11-1","/galleries/style/early-modernism/the-hills-si-saam-1965-11-1",{"_292":293,"_294":295},{"_226":1125,"_125":1126,"_286":1127},{"_277":1122,"_279":1123,"_281":1106,"_282":1124},83.5,75.70640802092416,60.70640802092415,{"_288":226,"_123":1128,"_154":1129,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":551,"_154":552,"_140":553},"artist/contemporaries-of-preston-dickinson","Preston Dickinson's contemporaries","https://img.ochreeditions.com/a/1922/480.jpg","https://img.ochreeditions.com/a/1922/960.jpg","https://img.ochreeditions.com/a/1922/1920.jpg","Preston Dickinson painted The Hills a few years after he returned to New York from France. He admired the work of the French modernist painters, especially Paul Cézanne, who transformed his subjects into simple shapes and planes of color.",{"_312":1147,"_314":1148},{"_312":1145,"_314":1146},{"_312":1143,"_314":1144},{"_312":1141,"_314":1142},{"_312":1139,"_314":1140},"#886e3d",0.0965,"#786857",0.2006,"#837d91",0.2076,"#4a474b",0.2377,"#3f4665",0.2576,"Preston Dickinson","preston-dickinson","American, 1891–1930",1891,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","0a5dba75a541645c58db45cb0e7af893e41f706e","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_223":1197,"_20":1198},{"_223":1195,"_20":1196},{"_223":1193,"_20":1194},{"_223":1191,"_20":1192},{"_223":1189,"_20":1190},{"_223":1187,"_20":1188},{"_223":1185,"_20":1186},{"_223":1183,"_20":1184},{"_223":1181,"_20":1182},{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
