[{"_1":2,"_3":4},"root",{"_5":1159},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Early modernism, in the galleries · Ochre Editions","description","The first decades of the twentieth century, when artists broke with the academy. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/early-modernism","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/early-modernism.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Early modernism, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/marigolds-and-tangerines-nga-46553",15,"https://www.ochreeditions.com/art/pont-des-arts-si-saam-1970-81",14,"https://www.ochreeditions.com/art/self-portrait-cma-144976",13,"https://www.ochreeditions.com/art/church-bells-ringing-rainy-winter-night-cma-127227",12,"https://www.ochreeditions.com/art/october-morning-si-saam-1910-9-15",11,"https://www.ochreeditions.com/art/old-woman-cma-154286",10,"https://www.ochreeditions.com/art/wrestlers-in-a-circus-cma-142792",9,"https://www.ochreeditions.com/art/mary-si-saam-1991-102",8,"https://www.ochreeditions.com/art/head-of-a-young-girl-si-saam-1929-6-46",7,"https://www.ochreeditions.com/art/monsieur-deleu-nga-46551",6,"https://www.ochreeditions.com/art/calligraphic-interior-si-saam-1968-19-12",5,"https://www.ochreeditions.com/art/new-moon-and-evening-star-nga-146847",4,"https://www.ochreeditions.com/art/the-river-cma-150508",3,"https://www.ochreeditions.com/art/fight-between-a-tiger-and-a-buffalo-cma-126769",2,"https://www.ochreeditions.com/art/child-reading-si-saam-1968-19-11",1,"https://www.ochreeditions.com/art/my-day-at-home-si-saam-1909-7-30","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~early-modernism.b6b9d209c2.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~early-modernism.b6b9d209c2.jpg","alt","Early modernism, a room in the galleries: three of its 68 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Early modernism: 68 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~early-modernism.jpg","key","style/early-modernism","style","Early modernism","intro","The first decades of the twentieth century, when artists broke with the academy.","wing","Style galleries","floor","layout","enfilade","hang",5147,"/galleries/style/early-modernism","total",68,"page","works",[204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219],"walls",[172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NTE0NywiaSI6bnVsbCwiZyI6ImxDdEtjWVk2In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/early-modernism?hang=5147&cursor=eyJvIjoxNiwiaCI6NTE0NywiaSI6bnVsbCwiZyI6ImxDdEtjWVk2In0&via=continue","label","Early modernism, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/1996/480.jpg","https://img.ochreeditions.com/a/1726/480.jpg","https://img.ochreeditions.com/a/1197/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":89},{"_154":165,"_123":166,"_44":167,"_140":168},"The 20th century","era/20","/galleries/era/20?hang=5147&via=continue",189,"Félix Vallotton's contemporaries","artist/contemporaries-of-felix-vallotton","/galleries/artist/contemporaries-of-felix-vallotton?hang=5147&via=continue",{"_42":199,"_178":200},{"_42":193,"_178":194},{"_42":188,"_178":189},{"_42":183,"_178":184},{"_42":177,"_178":179},"Third room, north wall","work_ids",[180,181,182],675,1945,1522,"Second room, north wall",[185,186,187],746,1865,586,"Second room, south wall",[190,191,192],1880,1986,662,"First room, south wall",[195,196,197,198],717,1677,1937,1520,"First room, north wall",[201,202,203],1863,1936,583,{"_220":201,"_221":1106,"_20":1107,"_224":1108,"_226":-5,"_227":1109,"_229":230,"_231":-5,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":1110,"_242":1111,"_244":1112,"_246":1113,"_248":1114,"_250":1115,"_252":345,"_254":1116,"_256":257,"_258":1117,"_154":1118,"_260":-5,"_111":1119,"_262":1120,"_264":1121,"_266":1122,"_268":1123,"_270":1124,"_144":1125,"_273":1126},{"_220":202,"_221":1062,"_20":1063,"_224":1064,"_226":-5,"_227":1065,"_229":230,"_231":-5,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":855,"_240":1066,"_242":1067,"_244":1068,"_246":1069,"_248":1070,"_250":1071,"_252":345,"_254":1072,"_256":257,"_258":1073,"_154":-5,"_260":-5,"_111":1074,"_262":1075,"_264":1076,"_266":1077,"_268":1078,"_270":1079,"_144":1080,"_273":1081},{"_220":203,"_221":1006,"_20":1007,"_224":1008,"_226":-5,"_227":1009,"_229":230,"_231":955,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":956,"_240":1010,"_242":1011,"_244":1012,"_246":1013,"_248":1014,"_250":1015,"_252":401,"_254":1016,"_256":257,"_258":1017,"_154":1018,"_260":-5,"_111":1019,"_262":1020,"_264":1021,"_266":1022,"_268":1023,"_270":1024,"_144":1025,"_273":1026},{"_220":195,"_221":951,"_20":952,"_224":953,"_226":-5,"_227":954,"_229":230,"_231":955,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":956,"_240":957,"_242":958,"_244":959,"_246":960,"_248":961,"_250":962,"_252":401,"_254":963,"_256":257,"_258":964,"_154":-5,"_260":-5,"_111":965,"_262":966,"_264":967,"_266":968,"_268":969,"_270":970,"_144":971,"_273":972},{"_220":196,"_221":896,"_20":897,"_224":898,"_226":-5,"_227":899,"_229":230,"_231":394,"_233":-5,"_125":234,"_28":900,"_236":901,"_238":902,"_240":903,"_242":904,"_244":905,"_246":906,"_248":907,"_250":908,"_252":253,"_254":909,"_256":257,"_258":910,"_154":-5,"_260":911,"_111":912,"_262":913,"_264":914,"_266":915,"_268":916,"_270":917,"_144":918,"_273":919},{"_220":197,"_221":851,"_20":852,"_224":853,"_226":-5,"_227":854,"_229":230,"_231":-5,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":855,"_240":856,"_242":857,"_244":858,"_246":859,"_248":860,"_250":861,"_252":345,"_254":862,"_256":257,"_258":863,"_154":-5,"_260":-5,"_111":864,"_262":865,"_264":866,"_266":867,"_268":868,"_270":869,"_144":870,"_273":871},{"_220":198,"_221":794,"_20":795,"_224":796,"_226":-5,"_227":797,"_229":230,"_231":798,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":799,"_242":800,"_244":801,"_246":802,"_248":803,"_250":804,"_252":253,"_254":805,"_256":257,"_258":806,"_154":-5,"_260":807,"_111":808,"_262":809,"_264":810,"_266":811,"_268":812,"_270":813,"_144":814,"_273":815},{"_220":190,"_221":731,"_20":732,"_224":733,"_226":-5,"_227":734,"_229":735,"_231":-5,"_233":-5,"_125":234,"_28":736,"_236":737,"_238":738,"_240":739,"_242":740,"_244":741,"_246":742,"_248":743,"_250":744,"_252":345,"_254":745,"_256":257,"_258":746,"_154":747,"_260":-5,"_111":748,"_262":749,"_264":750,"_266":751,"_268":752,"_270":753,"_144":754,"_273":755},{"_220":191,"_221":679,"_20":680,"_224":681,"_226":-5,"_227":682,"_229":230,"_231":-5,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":683,"_242":684,"_244":685,"_246":686,"_248":687,"_250":688,"_252":345,"_254":689,"_256":257,"_258":690,"_154":691,"_260":-5,"_111":692,"_262":693,"_264":694,"_266":695,"_268":696,"_270":697,"_144":698,"_273":699},{"_220":192,"_221":622,"_20":623,"_224":624,"_226":-5,"_227":625,"_229":230,"_231":626,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":627,"_242":628,"_244":629,"_246":630,"_248":631,"_250":632,"_252":401,"_254":633,"_256":257,"_258":634,"_154":635,"_260":-5,"_111":636,"_262":637,"_264":638,"_266":639,"_268":640,"_270":641,"_144":642,"_273":643},{"_220":185,"_221":569,"_20":570,"_224":571,"_226":-5,"_227":572,"_229":230,"_231":573,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":574,"_242":575,"_244":576,"_246":577,"_248":578,"_250":579,"_252":401,"_254":580,"_256":257,"_258":581,"_154":582,"_260":-5,"_111":583,"_262":584,"_264":585,"_266":586,"_268":587,"_270":588,"_144":589,"_273":590},{"_220":186,"_221":515,"_20":516,"_224":517,"_226":-5,"_227":518,"_229":230,"_231":-5,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":519,"_242":520,"_244":521,"_246":522,"_248":523,"_250":524,"_252":345,"_254":525,"_256":257,"_258":526,"_154":527,"_260":-5,"_111":528,"_262":529,"_264":530,"_266":531,"_268":532,"_270":533,"_144":534,"_273":535},{"_220":187,"_221":455,"_20":456,"_224":457,"_226":-5,"_227":458,"_229":230,"_231":394,"_233":-5,"_125":234,"_28":459,"_236":460,"_238":461,"_240":462,"_242":356,"_244":463,"_246":464,"_248":465,"_250":466,"_252":401,"_254":467,"_256":257,"_258":468,"_154":469,"_260":-5,"_111":470,"_262":471,"_264":472,"_266":473,"_268":474,"_270":475,"_144":476,"_273":477},{"_220":180,"_221":391,"_20":392,"_224":393,"_226":-5,"_227":298,"_229":230,"_231":394,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":338,"_240":395,"_242":396,"_244":397,"_246":398,"_248":399,"_250":400,"_252":401,"_254":402,"_256":257,"_258":403,"_154":404,"_260":-5,"_111":405,"_262":406,"_264":407,"_266":408,"_268":409,"_270":410,"_144":411,"_273":412},{"_220":181,"_221":334,"_20":335,"_224":336,"_226":-5,"_227":337,"_229":230,"_231":-5,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":338,"_240":339,"_242":340,"_244":341,"_246":342,"_248":343,"_250":344,"_252":345,"_254":346,"_256":257,"_258":347,"_154":-5,"_260":-5,"_111":348,"_262":349,"_264":350,"_266":351,"_268":352,"_270":353,"_144":354,"_273":355},{"_220":182,"_221":222,"_20":223,"_224":225,"_226":-5,"_227":228,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_154":-5,"_260":-5,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","marigolds-and-tangerines-nga-46553","Marigolds and Tangerines","artist",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":186,"_329":330,"_331":-5,"_332":-5,"_333":-5,"_140":101},"unrecorded","date","1924","century",20,"place","switzerland","movement","early-modernism","painting","classification","Painting","medium","oil on canvas","dimensions","overall: 65.3 x 54.2 cm (25 11/16 x 21 5/16 in.) framed: 88.9 x 77.8 x 8.8 cm (35 x 30 5/8 x 3 7/16 in.)","width_cm",54.2,"height_cm",65.3,"aspect",0.823974609375,"palette",[305,306,307,308,309],"museum",{"_220":300,"_221":301,"_42":302,"_303":304},"credit","Courtesy National Gallery of Art, Washington","accession","1963.10.78","licence","CC0","story","Félix Vallotton painted this in 1924, aged 59. It is now at the National Gallery of Art in Washington, DC.","note","This painting shows a large jug filled with orange flowers on a woven brown surface, with three small oranges placed in front of it. The bottom half of the jug is a brownish-red color, while the top part and handles are a light tan. The jug is centered, with flowers extending slightly to the sides. The flowers in the vase are surrounded by dark green leaves and buds. The wall behind the vase is a light gray color, and the vase casts a light shadow on it.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1522.jpg?dl=1","page_url","/art/marigolds-and-tangerines-nga-46553","walk_url","/galleries/style/early-modernism/marigolds-and-tangerines-nga-46553","frame",{"_290":291,"_292":293},{"_224":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":280,"_281":245},"w",68.8055419921875,"h",80.3,"image_w",53.8055419921875,"image_h",{"_286":224,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/painting-20","More paintings of the 20th century",75,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1522/480.jpg","960","https://img.ochreeditions.com/a/1522/960.jpg","1920","https://img.ochreeditions.com/a/1522/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#a45739","weight",0.0643,"#878274",0.0995,"#7b6244",0.1671,"#a6a392",0.2951,"#5a4b42",0.374,"Félix Vallotton","felix-vallotton","bio","Swiss, 1865–1925","nationality","Swiss","birth_year","death_year",1925,"birth_place","death_place","about_excerpt","pont-des-arts-si-saam-1970-81","Pont des Arts",{"_42":385,"_221":386,"_324":387,"_326":-5,"_328":388,"_329":389,"_331":-5,"_332":-5,"_333":390,"_140":99},"1908-1911","oil on wood","10 3/8 x 13 3/4 in. (26.4 x 35.0 cm)",35,26.4,1.3392857142857142,[370,371,372,373,374],{"_220":367,"_221":368,"_42":369,"_303":304},"Courtesy of the Smithsonian American Art Museum","1970.81","H. Lyman Saÿen painted this in 1908-1911, aged about 33. It is now at the Smithsonian American Art Museum in Washington, DC.","Pont des Arts, by H. Lyman Saÿen, 1908-1911",{"_294":364,"_296":365,"_298":366},"https://img.ochreeditions.com/m/1945.jpg?dl=1","/art/pont-des-arts-si-saam-1970-81","/galleries/style/early-modernism/pont-des-arts-si-saam-1970-81",{"_290":291,"_292":293},{"_224":359,"_125":360,"_284":361},{"_275":356,"_277":357,"_279":340,"_281":358},50,41.13333333333334,26.133333333333336,{"_286":224,"_123":362,"_154":363,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/h-lyman-sayen","More by H. Lyman Saÿen","https://img.ochreeditions.com/a/1945/480.jpg","https://img.ochreeditions.com/a/1945/960.jpg","https://img.ochreeditions.com/a/1945/1920.jpg","si","smithsonian","Smithsonian Institution",{"_310":383,"_312":384},{"_310":381,"_312":382},{"_310":379,"_312":380},{"_310":377,"_312":378},{"_310":375,"_312":376},"#303f43",0.1277,"#8f9679",0.1722,"#2f222a",0.1765,"#bb977e",0.2503,"#746665",0.2733,"H. Lyman Saÿen","h-lyman-sayen","born Philadelphia, PA 1875-died Philadelphia, PA 1918",1875,1918,"Saÿen trained at the Pennsylvania Academy of the Fine Arts while working as an electrical engineer, patenting improvements to X-ray tubes. In Paris from 1906 he joined Henri Matisse’s classes and absorbed the bold colour of Fauvism.","self-portrait-cma-144976","Self-Portrait",{"_42":449,"_221":450,"_324":451,"_326":452,"_328":453,"_329":454,"_331":-5,"_332":-5,"_333":-5,"_140":103},"united-states","Unframed: 88.9 x 70.9 cm (35 x 27 15/16 in.)",70.9,88.9,0.8029411764705883,[434,435,436,437,438],{"_220":430,"_221":431,"_42":432,"_303":433},"Courtesy of the Cleveland Museum of Art","1970.17","Abbott Handerson Thayer painted this in 1920, aged 71. It is now at the Cleveland Museum of Art.",{"_118":427,"_428":429},"Self-Portrait, by Abbott Handerson Thayer, 1920",{"_294":424,"_296":425,"_298":426},"https://img.ochreeditions.com/m/675.jpg?dl=1","/art/self-portrait-cma-144976","/galleries/style/early-modernism/self-portrait-cma-144976",{"_290":291,"_292":293},{"_224":416,"_125":417,"_284":418},{"_275":413,"_277":414,"_279":415,"_281":397},86.3814705882353,103.9,71.3814705882353,{"_286":224,"_123":422,"_154":423,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":419,"_154":420,"_140":421},"era/20-united-states","20th-century United States",124,"artist/contemporaries-of-abbott-handerson-thayer","Abbott Handerson Thayer's contemporaries","https://img.ochreeditions.com/a/675/480.jpg","https://img.ochreeditions.com/a/675/960.jpg","https://img.ochreeditions.com/a/675/1920.jpg","In 1919, an art commentator described Abbott Handerson Thayer as \"a man of slight build and of a nervous temperament, with a glance so intense and clear and penetrating; with a mind so keen and logical and which acts with such precision that the impression received of the man's personality is enduring.\"","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":447,"_312":448},{"_310":445,"_312":446},{"_310":443,"_312":444},{"_310":441,"_312":442},{"_310":439,"_312":440},"#ad8b6f",0.0362,"#7e6856",0.1906,"#604e3f",0.2433,"#4d4139",0.2475,"#383028",0.2824,"Abbott Handerson Thayer","abbott-handerson-thayer","American, 1849–1921","American",1849,1921,"church-bells-ringing-rainy-winter-night-cma-127227","Church Bells Ringing, Rainy Winter Night",{"_42":510,"_221":511,"_324":512,"_326":452,"_328":513,"_329":514,"_331":-5,"_332":-5,"_333":-5,"_140":103},"December 1917","drawing","Drawing","watercolor and gouache over graphite on wove paper","Sheet: 77.2 x 50 cm (30 3/8 x 19 11/16 in.); Secondary Support: 77.5 x 50 cm (30 1/2 x 19 11/16 in.)",77.2,0.6517647058823529,[495,496,497,498,499],{"_220":430,"_221":431,"_42":432,"_303":433},"1949.544","Charles Burchfield painted this (December 1917), aged 24. It is now at the Cleveland Museum of Art.",{"_118":494,"_428":429},"Church Bells Ringing, Rainy Winter Night, by Charles Burchfield, December 1917",{"_294":491,"_296":492,"_298":493},"https://img.ochreeditions.com/m/586.jpg?dl=1","/art/church-bells-ringing-rainy-winter-night-cma-127227","/galleries/style/early-modernism/church-bells-ringing-rainy-winter-night-cma-127227",{"_290":489,"_292":490},{"_224":481,"_125":482,"_284":483},{"_275":478,"_277":479,"_279":480,"_281":463},74.31623529411765,101.2,50.31623529411765,{"_286":224,"_123":487,"_154":488,"_140":89},{"_286":125,"_123":484,"_154":485,"_140":486},{"_286":284,"_123":419,"_154":420,"_140":421},"style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-charles-burchfield","Charles Burchfield's contemporaries","white","snow","https://img.ochreeditions.com/a/586/480.jpg","https://img.ochreeditions.com/a/586/960.jpg","https://img.ochreeditions.com/a/586/1920.jpg","Burchfield considered this drawing among the greatest accomplishments of his “golden year.”",{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},"#c0b8a9",0.0971,"#928c7e",0.1726,"#6b6659",0.2366,"#292824",0.2459,"#4a473d",0.2478,"Charles Burchfield","charles-burchfield","American, 1893–1967",1893,1967,"october-morning-si-saam-1910-9-15","October Morning",{"_42":564,"_221":565,"_324":566,"_326":-5,"_328":567,"_329":568,"_331":-5,"_332":-5,"_333":-5,"_140":103},"ca. 1910","32 1/8 x 39 3/8 in. (81.5 x 99.9 cm.)",99.9,81.5,1.231827111984283,[549,550,551,552,553],{"_220":367,"_221":368,"_42":369,"_303":304},"1910.9.15","Frank A. Bicknell painted this in about 1910, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":547,"_428":548},"October Morning, by Frank A. Bicknell, ca. 1910",{"_294":544,"_296":545,"_298":546},"https://img.ochreeditions.com/m/1865.jpg?dl=1","/art/october-morning-si-saam-1910-9-15","/galleries/style/early-modernism/october-morning-si-saam-1910-9-15",{"_290":291,"_292":293},{"_224":539,"_125":540,"_284":541},{"_275":536,"_277":537,"_279":520,"_281":538},114.9,96.09904306220096,81.09904306220096,{"_286":224,"_123":542,"_154":543,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-frank-a-bicknell","Frank A. Bicknell's contemporaries","https://img.ochreeditions.com/a/1865/480.jpg","https://img.ochreeditions.com/a/1865/960.jpg","https://img.ochreeditions.com/a/1865/1920.jpg","Frank Bicknell may have painted October Morning during one of his many stays at the artists' colony in Old Lyme, Connecticut.","Text from the Smithsonian American Art Museum.",{"_310":562,"_312":563},{"_310":560,"_312":561},{"_310":558,"_312":559},{"_310":556,"_312":557},{"_310":554,"_312":555},"#ba967f",0.1262,"#bba8b1",0.1917,"#766c7e",0.2115,"#a38688",0.2242,"#e1ced0",0.2464,"Frank A. Bicknell","frank-a-bicknell","born Augusta, ME 1866-died Essex, CT 1943",1866,1943,"old-woman-cma-154286","Old Woman",{"_42":618,"_221":619,"_324":620,"_326":621,"_328":513,"_329":568,"_331":-5,"_332":-5,"_333":-5,"_140":103},"c. 1923–24","russia","Framed: 88.9 x 78.7 x 8.6 cm (35 x 31 x 3 3/8 in.); Unframed: 65 x 54 cm (25 9/16 x 21 1/4 in.)",54,65,0.8297058823529412,[603,604,605,606,607],{"_220":430,"_221":431,"_42":432,"_303":433},"1988.94","Chaïm Soutine painted this in about 1923–24, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":602,"_428":429},"Old Woman, by Chaïm Soutine, c. 1923–24",{"_294":599,"_296":600,"_298":601},"https://img.ochreeditions.com/m/746.jpg?dl=1","/art/old-woman-cma-154286","/galleries/style/early-modernism/old-woman-cma-154286",{"_290":291,"_292":293},{"_224":594,"_125":595,"_284":596},{"_275":591,"_277":592,"_279":593,"_281":576},68.93088235294118,80,53.930882352941175,{"_286":224,"_123":597,"_154":598,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-chaim-soutine","Chaïm Soutine's contemporaries","https://img.ochreeditions.com/a/746/480.jpg","https://img.ochreeditions.com/a/746/960.jpg","https://img.ochreeditions.com/a/746/1920.jpg","In the nearly 200 portraits Chaïm Soutine painted, he was remarkably consistent in his approach:he almost always painted solitary, unidentified models, seated in half- or three-quarter-length poses facing frontally with hands placed on the hips or folded in the lap, as seen here.",{"_310":616,"_312":617},{"_310":614,"_312":615},{"_310":612,"_312":613},{"_310":610,"_312":611},{"_310":608,"_312":609},"#834d2e",0.1383,"#58533f",0.1798,"#6c4c37",0.2046,"#956e46",0.2246,"#373630",0.2527,"Chaïm Soutine","chaim-soutine","Russian, 1893–1943","Russian","wrestlers-in-a-circus-cma-142792","Wrestlers in a Circus",{"_42":673,"_221":674,"_324":675,"_326":676,"_328":190,"_329":677,"_331":-5,"_332":-5,"_333":678,"_140":99},"1909","germany","Framed: 107.5 x 121 x 7 cm (42 5/16 x 47 5/8 x 2 3/4 in.); Unframed: 80.5 x 94 cm (31 11/16 x 37 in.)",94,80.5,1.171605789110958,[658,659,660,661,662],{"_220":430,"_221":431,"_42":432,"_303":433},"1966.49","Ernst Ludwig Kirchner painted this in 1909, aged 29. It is now at the Cleveland Museum of Art.",{"_118":657,"_428":429},"Wrestlers in a Circus, by Ernst Ludwig Kirchner, 1909",{"_294":654,"_296":655,"_298":656},"https://img.ochreeditions.com/m/662.jpg?dl=1","/art/wrestlers-in-a-circus-cma-142792","/galleries/style/early-modernism/wrestlers-in-a-circus-cma-142792",{"_290":291,"_292":293},{"_224":647,"_125":648,"_284":649},{"_275":644,"_277":645,"_279":628,"_281":646},109,95.23176470588236,80.23176470588236,{"_286":224,"_123":652,"_154":653,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":650,"_154":651,"_140":93},"era/20-germany","20th-century Germany","artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","https://img.ochreeditions.com/a/662/480.jpg","https://img.ochreeditions.com/a/662/960.jpg","https://img.ochreeditions.com/a/662/1920.jpg","Locked in a dangerous embrace, beefy wrestlers writhe on a brightly colored mat. Famous for his scenes of urban life, Kirchner uses loose brushstrokes to capture the blur of bodies in motion. Imagine watching this intense match, surrounded by screaming spectators.",{"_310":671,"_312":672},{"_310":669,"_312":670},{"_310":667,"_312":668},{"_310":665,"_312":666},{"_310":663,"_312":664},"#716f45",0.1466,"#5b423b",0.1844,"#2e3142",0.1929,"#a07431",0.2003,"#94634e",0.2758,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","mary-si-saam-1991-102","Mary",{"_42":727,"_221":728,"_324":729,"_326":-5,"_328":730,"_329":197,"_331":-5,"_332":-5,"_333":-5,"_140":103},"ca. 1914","45 1/2 x 34 3/4 in. (115.5 x 88.2 cm.)",88.2,115.5,0.753,[712,713,714,715,716],{"_220":367,"_221":368,"_42":369,"_303":304},"1991.102","Henry Ossawa Tanner painted this in about 1914, aged 55. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":711,"_428":548},"Mary, by Henry Ossawa Tanner, ca. 1914",{"_294":708,"_296":709,"_298":710},"https://img.ochreeditions.com/m/1986.jpg?dl=1","/art/mary-si-saam-1991-102","/galleries/style/early-modernism/mary-si-saam-1991-102",{"_290":291,"_292":293},{"_224":703,"_125":704,"_284":705},{"_275":700,"_277":701,"_279":702,"_281":685},101.9715,130.5,86.9715,{"_286":224,"_123":706,"_154":707,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henry-ossawa-tanner","Henry Ossawa Tanner's contemporaries","https://img.ochreeditions.com/a/1986/480.jpg","https://img.ochreeditions.com/a/1986/960.jpg","https://img.ochreeditions.com/a/1986/1920.jpg","Henry Ossawa Tanner saw Mary, mother of Jesus, as a symbol of faith and fortitude. He painted many images of her and created this particular work during a difficult and trying time in his life. In 1914, the year his mother died, the outbreak of World War I forced his family to flee France for England.",{"_310":725,"_312":726},{"_310":723,"_312":724},{"_310":721,"_312":722},{"_310":719,"_312":720},{"_310":717,"_312":718},"#746347",0.0238,"#474e4f",0.082,"#2f3943",0.1419,"#20252d",0.304,"#16181f",0.4483,"Henry Ossawa Tanner","henry-ossawa-tanner","born Pittsburgh, PA 1859-died Paris, France 1937",1859,"head-of-a-young-girl-si-saam-1929-6-46","Head of a Young Girl",{"_42":789,"_221":790,"_324":791,"_326":-5,"_328":792,"_329":793,"_331":-5,"_332":-5,"_333":-5,"_140":103},"ca. 1900",19,"miniature","Painting-Miniature","watercolor on ivory","sight 3 1/4 x 2 3/8 in. (8.3 x 5.9 cm) rectangle",5.9,8.3,0.847457627118644,[774,775,776,777,778],{"_220":367,"_221":368,"_42":369,"_303":304},"1929.6.46","Lucia Fairchild Fuller painted this in about 1900, aged 30. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":773,"_428":548},"Head of a Young Girl, by Lucia Fairchild Fuller, ca. 1900",{"_294":770,"_296":771,"_298":772},"https://img.ochreeditions.com/m/1880.jpg?dl=1","/art/head-of-a-young-girl-si-saam-1929-6-46","/galleries/style/early-modernism/head-of-a-young-girl-si-saam-1929-6-46",{"_290":489,"_292":490},{"_224":760,"_125":761,"_284":762},{"_275":756,"_277":757,"_279":758,"_281":759},45.186440677966104,49,21.1864406779661,25,{"_286":224,"_123":768,"_154":769,"_140":89},{"_286":125,"_123":766,"_154":767,"_140":89},{"_286":284,"_123":763,"_154":764,"_140":765},"era/19","The 19th century",731,"style/miniature-19","More miniatures of the 19th century","artist/contemporaries-of-lucia-fairchild-fuller","Lucia Fairchild Fuller's contemporaries","https://img.ochreeditions.com/a/1880/480.jpg","https://img.ochreeditions.com/a/1880/960.jpg","https://img.ochreeditions.com/a/1880/1920.jpg","The artist chose to place this unknown young lady against an “Oriental” background of tall grass, birds, and a large setting sun. The sitter’s vast puffed sleeves were known as gigot or leg-of-mutton sleeves, which grew to fantastic proportions during the last decade of the nineteenth century.",{"_310":787,"_312":788},{"_310":785,"_312":786},{"_310":783,"_312":784},{"_310":781,"_312":782},{"_310":779,"_312":780},"#acac82",0.0524,"#0e0c08",0.0822,"#524c37",0.1047,"#86867e",0.2471,"#aeb3ae",0.5136,"Lucia Fairchild Fuller","lucia-fairchild-fuller","born Boston, MA 1870-died Madison, WI 1924",1870,1924,"monsieur-deleu-nga-46551","Monsieur Deleu",{"_42":844,"_221":845,"_324":846,"_326":847,"_328":848,"_329":849,"_331":-5,"_332":-5,"_333":850,"_140":97},"1916","italy","overall: 81.1 x 46.7 cm (31 15/16 x 18 3/8 in.) framed: 90.8 x 55.5 cm (35 3/4 x 21 7/8 in.)",46.7,81.1,0.56103515625,[829,830,831,832,833],{"_220":300,"_221":301,"_42":302,"_303":304},"1963.10.76","Amedeo Modigliani painted this in 1916, aged 32. It is now at the National Gallery of Art in Washington, DC.","A round-faced man in a rust-red jacket and white cravat sits with his knees crossed, eyes lowered to slate-blue slivers beneath one cocked eyebrow.","Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting. The person’s clothing and features are outlined with thin black lines, and areas are filled in with mottled, streaked color painted with visible strokes. The person has a round face with a double chin and a small red mouth. The eyes are painted as slate-blue slivers under thin brows, one of which is cocked. The man’s short black hair is parted to one side and combed across the top of his head. He wears a white cravat tied at his neck under a rust-red jacket or shirt. Two rounded, muted blue forms below suggest crossed knees. The man’s right elbow rests next to his body, and that hand is near his lap. The background is painted with pecan brown on the left third and gray-blue on the right two-thirds.",{"_294":826,"_296":827,"_298":828},"https://img.ochreeditions.com/m/1520.jpg?dl=1","/art/monsieur-deleu-nga-46551","/galleries/style/early-modernism/monsieur-deleu-nga-46551",{"_290":291,"_292":293},{"_224":819,"_125":820,"_284":821},{"_275":816,"_277":817,"_279":818,"_281":801},60.499951171875,96.1,45.499951171875,{"_286":224,"_123":824,"_154":825,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":822,"_154":823,"_140":97},"era/20-italy","20th-century Italy","artist/amedeo-modigliani","More by Amedeo Modigliani","https://img.ochreeditions.com/a/1520/480.jpg","https://img.ochreeditions.com/a/1520/960.jpg","https://img.ochreeditions.com/a/1520/1920.jpg",{"_310":842,"_312":843},{"_310":840,"_312":841},{"_310":838,"_312":839},{"_310":836,"_312":837},{"_310":834,"_312":835},"#c4ae8d",0.0161,"#c07c5f",0.1024,"#5e635e",0.181,"#352d28",0.2582,"#722f1a",0.4423,"Amedeo Modigliani","amedeo-modigliani","Italian, 1884–1920","Italian",1884,1920,"Modigliani trained in Italy before moving to Paris in 1906, where he lived the precarious life of Montmartre and Montparnasse.","calligraphic-interior-si-saam-1968-19-12","Calligraphic Interior",{"_42":385,"_221":386,"_324":387,"_326":-5,"_328":388,"_329":389,"_331":-5,"_332":-5,"_333":390,"_140":99},"ca. 1915","watercolor on paper mounted on paperboard","sheet: 10 x 14 in. (25.5 x 35.5 cm)",35.5,25.5,1.4204545454545454,[881,882,883,884,885],{"_220":367,"_221":368,"_42":369,"_303":304},"1968.19.12","H. Lyman Saÿen painted this in about 1915, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Calligraphic Interior, by H. Lyman Saÿen, ca. 1915",{"_294":878,"_296":879,"_298":880},"https://img.ochreeditions.com/m/1937.jpg?dl=1","/art/calligraphic-interior-si-saam-1968-19-12","/galleries/style/early-modernism/calligraphic-interior-si-saam-1968-19-12",{"_290":291,"_292":293},{"_224":875,"_125":876,"_284":877},{"_275":872,"_277":873,"_279":857,"_281":874},50.5,39.992000000000004,24.992,{"_286":224,"_123":362,"_154":363,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1937/480.jpg","https://img.ochreeditions.com/a/1937/960.jpg","https://img.ochreeditions.com/a/1937/1920.jpg",{"_310":894,"_312":895},{"_310":892,"_312":893},{"_310":890,"_312":891},{"_310":888,"_312":889},{"_310":886,"_312":887},"#5272ba",0.0448,"#332a25",0.1167,"#e98b3f",0.1625,"#9a7c68",0.1993,"#dec6b0",0.4767,"new-moon-and-evening-star-nga-146847","New Moon and Evening Star",{"_42":946,"_221":947,"_324":948,"_326":452,"_328":730,"_329":949,"_331":-5,"_332":-5,"_333":950,"_140":99},"c. 1932","print","Print","etching, drypoint, and aquatint in black","plate: 24.9 × 19.9 cm (9 13/16 × 7 13/16 in.) sheet: 33.8 × 27.8 cm (13 5/16 × 10 15/16 in.)",19.9,24.9,0.7928994082840237,[932,933,934,935,936],{"_220":300,"_221":301,"_42":302,"_303":304},"2008.115.1124","George Elbert Burr made this in about 1932, aged 73. It is now at the National Gallery of Art in Washington, DC.","A saguaro cactus stands silhouetted at the left of a darkening desert, while a crescent moon and a bright evening star shine through a break in soft grey clouds above rocky mountains.","This print depicts a grayscale desert landscape with a prominent saguaro cactus to the left. In the background, rocky mountains are visible in the darkness. The sky shows a crescent moon and a bright star through an opening in the soft gray clouds. Sparse desert vegetation is faintly visible on the ground, and more cacti can be seen in the distance.",{"_294":929,"_296":930,"_298":931},"https://img.ochreeditions.com/m/1677.jpg?dl=1","/art/new-moon-and-evening-star-nga-146847","/galleries/style/early-modernism/new-moon-and-evening-star-nga-146847",{"_290":489,"_292":490},{"_224":922,"_125":923,"_284":924},{"_275":920,"_277":757,"_279":921,"_281":759},43.82248520710059,19.82248520710059,{"_286":224,"_123":927,"_154":928,"_140":99},{"_286":125,"_123":925,"_154":926,"_140":75},{"_286":284,"_123":419,"_154":420,"_140":421},"style/print-20","More prints of the 20th century","artist/george-elbert-burr","More by George Elbert Burr","https://img.ochreeditions.com/a/1677/480.jpg","https://img.ochreeditions.com/a/1677/960.jpg","https://img.ochreeditions.com/a/1677/1920.jpg",{"_310":944,"_312":945},{"_310":942,"_312":943},{"_310":940,"_312":941},{"_310":938,"_312":939},{"_310":937,"_312":501},"#a5a196","#e1e1d5",0.1036,"#605c57",0.1403,"#46423f",0.1691,"#7f7b71",0.4899,"George Elbert Burr","george-elbert-burr","American, 1859–1939",1939,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","the-river-cma-150508","The River",{"_42":1001,"_221":1002,"_324":1003,"_326":1004,"_328":1005,"_329":389,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1902","france","oil on fabric","Unframed: 54.5 x 65.7 cm (21 7/16 x 25 7/8 in.)",65.7,54.5,1.2069577564785232,[986,987,988,989,990],{"_220":430,"_221":431,"_42":432,"_303":433},"1981.64","Maxime Maufra painted this in 1902, aged 41. It is now at the Cleveland Museum of Art.","The River, by Maxime Maufra, 1902",{"_294":983,"_296":984,"_298":985},"https://img.ochreeditions.com/m/717.jpg?dl=1","/art/the-river-cma-150508","/galleries/style/early-modernism/the-river-cma-150508",{"_290":291,"_292":293},{"_224":976,"_125":977,"_284":978},{"_275":973,"_277":974,"_279":958,"_281":975},80.7,69.43438235294118,54.43438235294118,{"_286":224,"_123":981,"_154":982,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":979,"_154":980,"_140":81},"era/20-france","20th-century France","artist/contemporaries-of-maxime-maufra","Maxime Maufra's contemporaries","https://img.ochreeditions.com/a/717/480.jpg","https://img.ochreeditions.com/a/717/960.jpg","https://img.ochreeditions.com/a/717/1920.jpg",{"_310":999,"_312":1000},{"_310":997,"_312":998},{"_310":995,"_312":996},{"_310":993,"_312":994},{"_310":991,"_312":992},"#606d5a",0.1545,"#6f7845",0.1565,"#b4b298",0.1627,"#8c9c94",0.2524,"#364730",0.2739,"Maxime Maufra","maxime-maufra","French, 1861–1918","French",1861,"fight-between-a-tiger-and-a-buffalo-cma-126769","Fight Between a Tiger and a Buffalo",{"_42":1054,"_221":1055,"_324":1056,"_326":1004,"_328":1057,"_329":1058,"_331":1059,"_332":1060,"_333":1061,"_140":99},"1908","Framed: 183 x 203 x 4.5 cm (72 1/16 x 79 15/16 x 1 3/4 in.); Unframed: 170 x 189.5 cm (66 15/16 x 74 5/8 in.)",189.5,170,1.1162179908076166,[1039,1040,1041,1042,1043],{"_220":430,"_221":431,"_42":432,"_303":433},"1949.186","Henri Rousseau painted this in 1908, aged 64. It is now at the Cleveland Museum of Art.",{"_118":1038,"_428":429},"Fight Between a Tiger and a Buffalo, by Henri Rousseau, 1908",{"_294":1035,"_296":1036,"_298":1037},"https://img.ochreeditions.com/m/583.jpg?dl=1","/art/fight-between-a-tiger-and-a-buffalo-cma-126769","/galleries/style/early-modernism/fight-between-a-tiger-and-a-buffalo-cma-126769",{"_290":291,"_292":293},{"_224":1030,"_125":1031,"_284":1032},{"_275":1027,"_277":1028,"_279":1011,"_281":1029},204.5,184.76970588235292,169.76970588235292,{"_286":224,"_123":1033,"_154":1034,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":979,"_154":980,"_140":81},"artist/henri-rousseau","More by Henri Rousseau","https://img.ochreeditions.com/a/583/480.jpg","https://img.ochreeditions.com/a/583/960.jpg","https://img.ochreeditions.com/a/583/1920.jpg","Having never ventured outside France, Henri Rousseau derived his jungle scenes from reading travel books and visiting the Paris botanical garden.",{"_310":1052,"_312":1053},{"_310":1050,"_312":1051},{"_310":1048,"_312":1049},{"_310":1046,"_312":1047},{"_310":1044,"_312":1045},"#73837a",0.0573,"#776a3e",0.0666,"#322d1e",0.1445,"#454d2f",0.3479,"#2d3a22",0.3837,"Henri Rousseau","henri-rousseau","French, 1844–1910",1844,1910,"Laval","Paris","Rousseau worked for years as a clerk in the Paris toll service, which earned him the nickname “le Douanier”, and taught himself to paint, exhibiting from 1886 at the jury-free Salon des Indépendants.","child-reading-si-saam-1968-19-11","Child Reading",{"_42":385,"_221":386,"_324":387,"_326":-5,"_328":388,"_329":389,"_331":-5,"_332":-5,"_333":390,"_140":99},"1915-1918","sheet: 9 3/8 x 10 in. (23.9 x 25.4 cm) irregular",25.4,23.9,1.1026767878545745,[1091,1092,1093,1094,1095],{"_220":367,"_221":368,"_42":369,"_303":304},"1968.19.11","H. Lyman Saÿen painted this in 1915-1918, aged about 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Child Reading, by H. Lyman Saÿen, 1915-1918",{"_294":1088,"_296":1089,"_298":1090},"https://img.ochreeditions.com/m/1936.jpg?dl=1","/art/child-reading-si-saam-1968-19-11","/galleries/style/early-modernism/child-reading-si-saam-1968-19-11",{"_290":291,"_292":293},{"_224":1085,"_125":1086,"_284":1087},{"_275":1082,"_277":1083,"_279":1067,"_281":1084},40.4,38.03485507246377,23.034855072463767,{"_286":224,"_123":362,"_154":363,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1936/480.jpg","https://img.ochreeditions.com/a/1936/960.jpg","https://img.ochreeditions.com/a/1936/1920.jpg",{"_310":1104,"_312":1105},{"_310":1102,"_312":1103},{"_310":1100,"_312":1101},{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},"#d98951",0.1013,"#413341",0.1538,"#5971b4",0.2139,"#beaea9",0.2293,"#234bc7",0.3017,"my-day-at-home-si-saam-1909-7-30","My Day at Home",{"_42":1154,"_221":1155,"_324":1156,"_326":-5,"_328":1157,"_329":1158,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1906","24 1/8 x 30 1/8 in. (61.3 x 76.6 cm)",76.6,61.3,1.246684350132626,[1139,1140,1141,1142,1143],{"_220":367,"_221":368,"_42":369,"_303":304},"1909.7.30","William H. Howe painted this in 1906, aged 60. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1138,"_428":548},"My Day at Home, by William H. Howe, 1906",{"_294":1135,"_296":1136,"_298":1137},"https://img.ochreeditions.com/m/1863.jpg?dl=1","/art/my-day-at-home-si-saam-1909-7-30","/galleries/style/early-modernism/my-day-at-home-si-saam-1909-7-30",{"_290":291,"_292":293},{"_224":1130,"_125":1131,"_284":1132},{"_275":1127,"_277":1128,"_279":1111,"_281":1129},91.6,76.44297872340425,61.44297872340425,{"_286":224,"_123":1133,"_154":1134,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-h-howe","William H. Howe's contemporaries","https://img.ochreeditions.com/a/1863/480.jpg","https://img.ochreeditions.com/a/1863/960.jpg","https://img.ochreeditions.com/a/1863/1920.jpg","William Henry Howe made a name for himself in France and the United States as a painter of animals. His farm scenes provided patrons with an antidote to the unnerving changes in American society brought about by industrialization.",{"_310":1152,"_312":1153},{"_310":1150,"_312":1151},{"_310":1148,"_312":1149},{"_310":1146,"_312":1147},{"_310":1144,"_312":1145},"#d6ac6a",0.0913,"#a47235",0.1768,"#764c20",0.1998,"#4a3318",0.2592,"#2a2213",0.2729,"William H. Howe","william-h-howe","born Ravenna, OH 1846-died Bronxville, NY 1929",1846,1929,{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","774ffa8c8b83bfd8422e0774d600cecd1f4480a9","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
