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It is now at the Cleveland Museum of Art.","The River, by Maxime Maufra, 1902",{"_297":425,"_299":426,"_301":427},"https://img.ochreeditions.com/m/717.jpg?dl=1","/art/the-river-cma-150508","/galleries/style/early-modernism/the-river-cma-150508",{"_293":294,"_295":296},{"_227":420,"_125":421,"_287":422},{"_278":417,"_280":418,"_282":401,"_284":419},80.7,69.43438235294118,54.43438235294118,{"_289":227,"_123":423,"_154":424,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":81},"artist/contemporaries-of-maxime-maufra","Maxime Maufra's contemporaries","https://img.ochreeditions.com/a/717/480.jpg","https://img.ochreeditions.com/a/717/960.jpg","https://img.ochreeditions.com/a/717/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":445,"_315":446},{"_313":443,"_315":444},{"_313":441,"_315":442},{"_313":439,"_315":440},{"_313":437,"_315":438},"#606d5a",0.1545,"#6f7845",0.1565,"#b4b298",0.1627,"#8c9c94",0.2524,"#364730",0.2739,"Maxime Maufra","maxime-maufra","French, 1861–1918",1861,1918,"mother-and-child-si-saam-1929-6-74","Mother and Child",{"_42":499,"_224":500,"_327":501,"_329":-5,"_331":502,"_333":503,"_335":-5,"_336":-5,"_337":-5,"_140":101},"ca. 1920","oil on paperboard","23 1/4 x 19 3/4 in. (58.9 x 50.3 cm)",50.3,58.9,0.8413333333333334,[484,485,486,487,488],{"_223":372,"_224":373,"_42":374,"_306":307},"1929.6.74","Gari Melchers painted this in about 1920, aged 60. It is now at the Smithsonian American Art Museum in Washington, DC.","Mother and Child, by Gari Melchers, ca. 1920",{"_297":481,"_299":482,"_301":483},"https://img.ochreeditions.com/m/1881.jpg?dl=1","/art/mother-and-child-si-saam-1929-6-74","/galleries/style/early-modernism/mother-and-child-si-saam-1929-6-74",{"_293":294,"_295":296},{"_227":476,"_125":477,"_287":478},{"_278":473,"_280":474,"_282":475,"_284":459},64.55453333333332,73.9,49.55453333333333,{"_289":227,"_123":479,"_154":480,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-gari-melchers","Gari Melchers's contemporaries","https://img.ochreeditions.com/a/1881/480.jpg","https://img.ochreeditions.com/a/1881/960.jpg","https://img.ochreeditions.com/a/1881/1920.jpg",{"_313":497,"_315":498},{"_313":495,"_315":496},{"_313":493,"_315":494},{"_313":491,"_315":492},{"_313":489,"_315":490},"#171413",0.0637,"#6379a1",0.1536,"#99989b",0.1832,"#cec9bd",0.2977,"#646343",0.3018,"Gari Melchers","gari-melchers","born Detroit MI 1860-died Falmouth, VA 1932",1860,1932,"october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","October (cover illustration for Harper's Magazine)",{"_42":550,"_224":551,"_327":552,"_329":-5,"_331":553,"_333":394,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1903","21 1/8 x 19 1/8 in. (53.5 x 48.5 cm)",48.5,53.5,0.908,[535,536,537,538,539],{"_223":372,"_224":373,"_42":374,"_306":307},"1977.99.2","William Clarke Rice painted this in 1903, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.","October (cover illustration for Harper's Magazine), by William Clarke Rice, 1903",{"_297":532,"_299":533,"_301":534},"https://img.ochreeditions.com/m/1954.jpg?dl=1","/art/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","/galleries/style/early-modernism/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2",{"_293":294,"_295":296},{"_227":527,"_125":528,"_287":529},{"_278":524,"_280":525,"_282":526,"_284":510},63.578,68.5,48.578,{"_289":227,"_123":530,"_154":531,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-william-clarke-rice","William Clarke Rice's contemporaries","https://img.ochreeditions.com/a/1954/480.jpg","https://img.ochreeditions.com/a/1954/960.jpg","https://img.ochreeditions.com/a/1954/1920.jpg",{"_313":548,"_315":549},{"_313":546,"_315":547},{"_313":544,"_315":545},{"_313":542,"_315":543},{"_313":540,"_315":541},"#e59749",0.0641,"#432d21",0.1533,"#ae2b0e",0.156,"#6d3d21",0.2446,"#8a643d",0.382,"William Clarke Rice","william-clarke-rice","born Brooklyn, NY 1875-died New York City 1928",1875,"hillside-si-saam-1909-7-25","Hillside",{"_42":599,"_224":600,"_327":601,"_329":-5,"_331":602,"_333":394,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1908","33 x 43 in. (83.8 x 109.2 cm)",109.2,1.2979683972911964,[584,585,586,587,588],{"_223":372,"_224":373,"_42":374,"_306":307},"1909.7.25","Edward Gay painted this in 1908, aged 71. It is now at the Smithsonian American Art Museum in Washington, DC.","Hillside, by Edward Gay, 1908",{"_297":581,"_299":582,"_301":583},"https://img.ochreeditions.com/m/1862.jpg?dl=1","/art/hillside-si-saam-1909-7-25","/galleries/style/early-modernism/hillside-si-saam-1909-7-25",{"_293":294,"_295":296},{"_227":576,"_125":577,"_287":578},{"_278":573,"_280":574,"_282":559,"_284":575},124.2,99.13147826086957,84.13147826086957,{"_289":227,"_123":579,"_154":580,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-edward-gay","Edward Gay's contemporaries","https://img.ochreeditions.com/a/1862/480.jpg","https://img.ochreeditions.com/a/1862/960.jpg","https://img.ochreeditions.com/a/1862/1920.jpg",{"_313":597,"_315":598},{"_313":595,"_315":596},{"_313":593,"_315":594},{"_313":591,"_315":592},{"_313":589,"_315":590},"#756d4a",0.1113,"#413921",0.14,"#1d170e",0.1534,"#887c31",0.2357,"#dbdad3",0.3596,"Edward Gay","edward-gay","born Mulligar, Ireland 1837-died Albany, NY 1928",1837,"sketch-for-mosaic-wisconsin-state-capital-justice-si-saam-1983-114-2","Sketch for Mosaic, Wisconsin State Capital, \"Justice\"",{"_42":653,"_224":654,"_327":655,"_329":656,"_331":657,"_333":658,"_335":-5,"_336":-5,"_337":659,"_140":95},"ca. 1912","united-states","14 1/8 x 27 1/4 in. (35.9 x 69.3 cm.)",69.3,35.9,1.9788918205804749,[638,639,640,641,642],{"_223":372,"_224":373,"_42":374,"_306":307},"1983.114.2","Kenyon Cox painted this in about 1912, aged 56. It is now at the Smithsonian American Art Museum in Washington, DC.","Sketch for Mosaic, Wisconsin State Capital, \"Justice\", by Kenyon Cox, ca. 1912",{"_297":635,"_299":636,"_301":637},"https://img.ochreeditions.com/m/1965.jpg?dl=1","/art/sketch-for-mosaic-wisconsin-state-capital-justice-si-saam-1983-114-2","/galleries/style/early-modernism/sketch-for-mosaic-wisconsin-state-capital-justice-si-saam-1983-114-2",{"_293":294,"_295":296},{"_227":627,"_125":628,"_287":629},{"_278":624,"_280":625,"_282":609,"_284":626},84.3,50.0196,35.0196,{"_289":227,"_123":633,"_154":634,"_140":95},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":630,"_154":631,"_140":632},"era/20-united-states","20th-century United States",124,"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1965/480.jpg","https://img.ochreeditions.com/a/1965/960.jpg","https://img.ochreeditions.com/a/1965/1920.jpg",{"_313":651,"_315":652},{"_313":649,"_315":650},{"_313":647,"_315":648},{"_313":645,"_315":646},{"_313":643,"_315":644},"#9a2c10",0.0371,"#395859",0.0996,"#6c5d3b",0.2041,"#5b3b28",0.3218,"#a17949",0.3374,"Kenyon Cox","kenyon-cox","American, 1856–1919","American",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","study-in-rhythm-red-and-gold-si-saam-1966-39-1","Study in Rhythm: Red and Gold",{"_42":707,"_224":708,"_327":709,"_329":-5,"_331":710,"_333":711,"_335":-5,"_336":-5,"_337":-5,"_140":103},"ca. 1934","gouache on paperboard","sheet: 14 1/2 x 19 1/4 in. (36.8 x 48.9 cm)",48.9,36.8,1.3531799729364005,[692,693,694,695,696],{"_223":372,"_224":373,"_42":374,"_306":307},"1966.39.1","Joseph Schillinger painted this in about 1934, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","Study in Rhythm: Red and Gold, by Joseph Schillinger, ca. 1934",{"_297":689,"_299":690,"_301":691},"https://img.ochreeditions.com/m/1926.jpg?dl=1","/art/study-in-rhythm-red-and-gold-si-saam-1966-39-1","/galleries/style/early-modernism/study-in-rhythm-red-and-gold-si-saam-1966-39-1",{"_293":294,"_295":296},{"_227":684,"_125":685,"_287":686},{"_278":681,"_280":682,"_282":666,"_284":683},63.9,51.137100000000004,36.137100000000004,{"_289":227,"_123":687,"_154":688,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-joseph-schillinger","Joseph Schillinger's contemporaries","https://img.ochreeditions.com/a/1926/480.jpg","https://img.ochreeditions.com/a/1926/960.jpg","https://img.ochreeditions.com/a/1926/1920.jpg",{"_313":705,"_315":706},{"_313":703,"_315":704},{"_313":701,"_315":702},{"_313":699,"_315":700},{"_313":697,"_315":698},"#8b7e75",0.0608,"#51474c",0.0775,"#ba4e36",0.118,"#cebeb2",0.1449,"#f2e0a0",0.5988,"Joseph Schillinger","joseph-schillinger","born Kharkov, Russia 1895-died New York City 1943",1895,1943,"farm-near-duivendrecht-aic-144467","Farm near Duivendrecht",{"_42":769,"_224":770,"_327":771,"_329":772,"_331":773,"_333":774,"_335":-5,"_336":-5,"_337":-5,"_140":101},"c. 1916","netherlands","Oil on canvas","86.3 × 107.9 cm (34 × 42 1/2 in.)",107,86,1.2587074692973625,[754,755,756,757,758],{"_223":750,"_224":751,"_42":752,"_306":753},"Courtesy of the Art Institute of Chicago","2001.479","Piet Mondrian painted this in about 1916, aged about 39. It is now at the Art Institute of Chicago.",{"_118":747,"_748":749},"A work made of oil on canvas.",{"_297":744,"_299":745,"_301":746},"https://img.ochreeditions.com/m/324.jpg?dl=1","/art/farm-near-duivendrecht-aic-144467","/galleries/style/early-modernism/farm-near-duivendrecht-aic-144467",{"_293":294,"_295":296},{"_227":739,"_125":740,"_287":741},{"_278":736,"_280":737,"_282":719,"_284":738},122,100.00783749200257,85.00783749200257,{"_289":227,"_123":742,"_154":743,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-piet-mondrian","Piet Mondrian's contemporaries","https://img.ochreeditions.com/a/324/480.jpg","https://img.ochreeditions.com/a/324/960.jpg","https://img.ochreeditions.com/a/324/1920.jpg","Though Piet Mondrian is best known for his nonrepresentational paintings, his basic vision was rooted in landscape. He was particularly inspired by the flat topography of his native Holland, a subject he returned to even after he had begun working in an abstract style. Mondrian first sketched this farm around 1905.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_313":767,"_315":768},{"_313":765,"_315":766},{"_313":763,"_315":764},{"_313":761,"_315":762},{"_313":759,"_315":760},"#8f6b57",0.1489,"#817671",0.2007,"#625753",0.2016,"#c6ad9c",0.2047,"#b28e76",0.2441,"Piet Mondrian","piet-mondrian","Dutch, 1872–1944","Dutch",1872,1944,"marigolds-and-tangerines-nga-46553","Marigolds and Tangerines",{"_42":822,"_224":823,"_327":824,"_329":825,"_331":826,"_333":334,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1924","switzerland","overall: 65.3 x 54.2 cm (25 11/16 x 21 5/16 in.) framed: 88.9 x 77.8 x 8.8 cm (35 x 30 5/8 x 3 7/16 in.)",54.2,65.3,0.823974609375,[807,808,809,810,811],{"_223":303,"_224":304,"_42":305,"_306":307},"1963.10.78","Félix Vallotton painted this in 1924, aged 59. It is now at the National Gallery of Art in Washington, DC.","This painting shows a large jug filled with orange flowers on a woven brown surface, with three small oranges placed in front of it. The bottom half of the jug is a brownish-red color, while the top part and handles are a light tan. The jug is centered, with flowers extending slightly to the sides. The flowers in the vase are surrounded by dark green leaves and buds. The wall behind the vase is a light gray color, and the vase casts a light shadow on it.",{"_297":804,"_299":805,"_301":806},"https://img.ochreeditions.com/m/1522.jpg?dl=1","/art/marigolds-and-tangerines-nga-46553","/galleries/style/early-modernism/marigolds-and-tangerines-nga-46553",{"_293":294,"_295":296},{"_227":799,"_125":800,"_287":801},{"_278":796,"_280":797,"_282":798,"_284":782},68.8055419921875,80.3,53.8055419921875,{"_289":227,"_123":802,"_154":803,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-felix-vallotton","Félix Vallotton's contemporaries","https://img.ochreeditions.com/a/1522/480.jpg","https://img.ochreeditions.com/a/1522/960.jpg","https://img.ochreeditions.com/a/1522/1920.jpg",{"_313":820,"_315":821},{"_313":818,"_315":819},{"_313":816,"_315":817},{"_313":814,"_315":815},{"_313":812,"_315":813},"#a45739",0.0643,"#878274",0.0995,"#7b6244",0.1671,"#a6a392",0.2951,"#5a4b42",0.374,"Félix Vallotton","felix-vallotton","Swiss, 1865–1925","Swiss",1865,"on-the-beach-no-3-cma-93234","On the Beach, No. 3",{"_42":875,"_224":876,"_327":877,"_329":656,"_331":393,"_333":878,"_335":-5,"_336":-5,"_337":-5,"_140":101},"c. 1915–18","Framed: 81 x 103 x 6.5 cm (31 7/8 x 40 9/16 x 2 9/16 in.); Unframed: 66 x 85.1 cm (26 x 33 1/2 in.)",85.1,66,1.31731886865556,[861,862,863,864,865],{"_223":428,"_224":429,"_42":430,"_306":431},"1926.1653","Maurice Prendergast painted this in about 1915–18, aged 57. It is now at the Cleveland Museum of Art.",{"_118":859,"_748":860},"On the Beach, No. 3, by Maurice Prendergast, c. 1915–18",{"_297":856,"_299":857,"_301":858},"https://img.ochreeditions.com/m/461.jpg?dl=1","/art/on-the-beach-no-3-cma-93234","/galleries/style/early-modernism/on-the-beach-no-3-cma-93234",{"_293":294,"_295":296},{"_227":851,"_125":852,"_287":853},{"_278":848,"_280":849,"_282":832,"_284":850},100.1,79.60091176470587,64.60091176470587,{"_289":227,"_123":854,"_154":855,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":630,"_154":631,"_140":632},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/461/480.jpg","https://img.ochreeditions.com/a/461/960.jpg","https://img.ochreeditions.com/a/461/1920.jpg","Prendergast developed a distinctive painting style featuring rounded patches of thickly applied color. Like many of his works, On the Beach, No. 3 visually approximates a densely woven tapestry.","Text from the Cleveland Museum of Art.",{"_313":873,"_315":874},{"_313":872,"_315":324},{"_313":870,"_315":871},{"_313":868,"_315":869},{"_313":866,"_315":867},"#9e967b",0.1387,"#94705e",0.1419,"#7d8777",0.206,"#6c6256","#7b7a57",0.2876,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1924,"nude-with-red-hair-nga-46559","Nude with Red Hair",{"_42":925,"_224":926,"_327":927,"_329":656,"_331":928,"_333":334,"_335":-5,"_336":-5,"_337":929,"_140":93},"overall: 110.9 x 86.5 cm (43 11/16 x 34 1/16 in.) framed: 138.4 x 113 x 7.6 cm (54 1/2 x 44 1/2 x 3 in.)",86.5,110.9,0.766845703125,[910,911,912,913,914],{"_223":303,"_224":304,"_42":305,"_306":307},"1963.10.84","George Bellows painted this in 1920, aged 38. It is now at the National Gallery of Art in Washington, DC.","A woman with copper-red hair sits partly wrapped in a black cloth, one arm across her chest and a strand of amber beads at her neck, her head turned to look away to the right.","Shown from the knees up, a woman sits partially covered by a black cloth as she holds one forearm across her bare breasts in this vertical painting. The woman has pale, yellow-tinged skin and long, copper-red hair and bangs. Her body faces us, but she turns her head to look off to our right with large blue, wide-set eyes. Her cheeks are flushed, and her full, dark pink lips are closed. A strand of gradually larger amber-yellow beads hangs around her neck, and she wears a gold-colored bracelet on the arm braced across her chest, her left arm, to our right. Glimpses of pale pink nipples are visible. The voluminous black cloth drapes down over one shoulder and across her hips. She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. Bellows E.S.B.”",{"_297":907,"_299":908,"_301":909},"https://img.ochreeditions.com/m/1526.jpg?dl=1","/art/nude-with-red-hair-nga-46559","/galleries/style/early-modernism/nude-with-red-hair-nga-46559",{"_293":294,"_295":296},{"_227":902,"_125":903,"_287":904},{"_278":899,"_280":900,"_282":901,"_284":884},100.0431884765625,125.9,85.0431884765625,{"_289":227,"_123":905,"_154":906,"_140":93},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":630,"_154":631,"_140":632},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1526/480.jpg","https://img.ochreeditions.com/a/1526/960.jpg","https://img.ochreeditions.com/a/1526/1920.jpg",{"_313":923,"_315":924},{"_313":921,"_315":922},{"_313":919,"_315":920},{"_313":917,"_315":918},{"_313":915,"_315":916},"#592620",0.0497,"#755d33",0.0603,"#c6a75e",0.0708,"#353227",0.1999,"#1b1a18",0.6193,"George Bellows","george-bellows","American, 1882–1925",1882,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","self-portrait-cma-144976","Self-Portrait",{"_42":978,"_224":979,"_327":980,"_329":656,"_331":981,"_333":982,"_335":-5,"_336":-5,"_337":-5,"_140":103},"oil on wood","Unframed: 88.9 x 70.9 cm (35 x 27 15/16 in.)",70.9,88.9,0.8029411764705883,[963,964,965,966,967],{"_223":428,"_224":429,"_42":430,"_306":431},"1970.17","Abbott Handerson Thayer painted this in 1920, aged 71. It is now at the Cleveland Museum of Art.",{"_118":962,"_748":860},"Self-Portrait, by Abbott Handerson Thayer, 1920",{"_297":959,"_299":960,"_301":961},"https://img.ochreeditions.com/m/675.jpg?dl=1","/art/self-portrait-cma-144976","/galleries/style/early-modernism/self-portrait-cma-144976",{"_293":294,"_295":296},{"_227":954,"_125":955,"_287":956},{"_278":951,"_280":952,"_282":953,"_284":936},86.3814705882353,103.9,71.3814705882353,{"_289":227,"_123":957,"_154":958,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":630,"_154":631,"_140":632},"artist/contemporaries-of-abbott-handerson-thayer","Abbott Handerson Thayer's contemporaries","https://img.ochreeditions.com/a/675/480.jpg","https://img.ochreeditions.com/a/675/960.jpg","https://img.ochreeditions.com/a/675/1920.jpg","In 1919, an art commentator described Abbott Handerson Thayer as \"a man of slight build and of a nervous temperament, with a glance so intense and clear and penetrating; with a mind so keen and logical and which acts with such precision that the impression received of the man's personality is enduring.\"",{"_313":976,"_315":977},{"_313":974,"_315":975},{"_313":972,"_315":973},{"_313":970,"_315":971},{"_313":968,"_315":969},"#ad8b6f",0.0362,"#7e6856",0.1906,"#604e3f",0.2433,"#4d4139",0.2475,"#383028",0.2824,"Abbott Handerson Thayer","abbott-handerson-thayer","American, 1849–1921",1849,1921,"frank-brett-noyes-si-npg-s-npg-66-67","Frank Brett Noyes",{"_42":1029,"_224":1030,"_327":1031,"_329":-5,"_331":1032,"_333":1033,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1917","Accurate: 167.7 x 122.6 cm (66 x 48 1/4\")",122.6,167.7,0.7288332472896232,[1015,1016,1017,1018,1019],{"_223":372,"_224":373,"_42":374,"_306":307},"Courtesy of the National Portrait Gallery, Smithsonian Institution","S/NPG.66.67","Ossip Perelma painted this in 1917, aged 41. It is now at the National Portrait Gallery in Washington, DC.","Artist: Ossip Perelma, Sitter: Frank Brett Noyes, Current owner: National Portrait Gallery, Smithsonian Institution",{"_297":1012,"_299":1013,"_301":1014},"https://img.ochreeditions.com/m/1857.jpg?dl=1","/art/frank-brett-noyes-si-npg-s-npg-66-67","/galleries/style/early-modernism/frank-brett-noyes-si-npg-s-npg-66-67",{"_293":294,"_295":296},{"_227":1007,"_125":1008,"_287":1009},{"_278":1004,"_280":1005,"_282":1006,"_284":989},137.22533557046978,182.7,122.2253355704698,{"_289":227,"_123":1010,"_154":1011,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-ossip-perelma","Ossip Perelma's contemporaries","https://img.ochreeditions.com/a/1857/480.jpg","https://img.ochreeditions.com/a/1857/960.jpg","https://img.ochreeditions.com/a/1857/1920.jpg",{"_313":1028,"_315":498},{"_313":1026,"_315":1027},{"_313":1024,"_315":1025},{"_313":1022,"_315":1023},{"_313":1020,"_315":1021},"#998d5d",0.1267,"#70795b",0.1476,"#6e633e",0.1938,"#465743",0.2301,"#2c3e34","Ossip Perelma","ossip-perelma","1876 - 23 May 1949",1876,1949,"the-triumph-of-uncle-sam-si-chndm-1918-44-22","The Triumph of Uncle Sam",{"_42":1091,"_224":1092,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_336":-5,"_337":-5,"_140":103},"drawing","Drawing","Brush and flat oil paint, pen and red ink, crayon or color pencil on board","39.9 × 31.8 cm (15 11/16 × 12 1/2 in.)",31.8,39.9,0.8014317368331345,[1076,1077,1078,1079,1080],{"_223":372,"_224":373,"_42":374,"_306":1075},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1918-44-22","Victor Wilbour painted this in 1917. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1073,"_748":1074},"THE TRIUMPH OF UNCLE SAM",{"_297":1070,"_299":1071,"_301":1072},"https://img.ochreeditions.com/m/1726.jpg?dl=1","/art/the-triumph-of-uncle-sam-si-chndm-1918-44-22","/galleries/style/early-modernism/the-triumph-of-uncle-sam-si-chndm-1918-44-22",{"_293":1068,"_295":1069},{"_227":1060,"_125":1061,"_287":1062},{"_278":1058,"_280":681,"_282":1059,"_284":1042},55.977126299642066,31.977126299642066,{"_289":227,"_123":1066,"_154":1067,"_140":89},{"_289":125,"_123":1063,"_154":1064,"_140":1065},{"_289":287,"_123":364,"_154":365,"_140":366},"style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-victor-wilbour","Victor Wilbour's contemporaries","white","snow","https://img.ochreeditions.com/a/1726/480.jpg","https://img.ochreeditions.com/a/1726/960.jpg","https://img.ochreeditions.com/a/1726/1920.jpg","Egyptian painting: Uncle Sam in right profile seated on throne at left. Female figure at right in right profile, holding balls entitled: \"CUBA\" and \"PORTO RICO\". Eagle, upper left.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_313":1089,"_315":1090},{"_313":1087,"_315":1088},{"_313":1085,"_315":1086},{"_313":1083,"_315":1084},{"_313":1081,"_315":1082},"#d29d62",0.0466,"#c9bdae",0.0953,"#cda381",0.1523,"#d0af83",0.1618,"#d3b693",0.544,"Victor Wilbour","victor-wilbour","the-hills-si-saam-1965-11-1","The Hills",{"_42":1141,"_224":1142,"_327":1143,"_329":656,"_331":1144,"_333":1145,"_335":-5,"_336":-5,"_337":-5,"_140":101},"ca. 1919","24 x 27 in. (61.0 x 68.5 cm.)",61,1.1283817019183473,[1126,1127,1128,1129,1130],{"_223":372,"_224":373,"_42":374,"_306":307},"1965.11.1","Preston Dickinson painted this in about 1919, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1124,"_748":1125},"The Hills, by Preston Dickinson, ca. 1919",{"_297":1121,"_299":1122,"_301":1123},"https://img.ochreeditions.com/m/1922.jpg?dl=1","/art/the-hills-si-saam-1965-11-1","/galleries/style/early-modernism/the-hills-si-saam-1965-11-1",{"_293":294,"_295":296},{"_227":1116,"_125":1117,"_287":1118},{"_278":1113,"_280":1114,"_282":525,"_284":1115},83.5,75.70640802092416,60.70640802092415,{"_289":227,"_123":1119,"_154":1120,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":630,"_154":631,"_140":632},"artist/contemporaries-of-preston-dickinson","Preston Dickinson's contemporaries","https://img.ochreeditions.com/a/1922/480.jpg","https://img.ochreeditions.com/a/1922/960.jpg","https://img.ochreeditions.com/a/1922/1920.jpg","Preston Dickinson painted The Hills a few years after he returned to New York from France. He admired the work of the French modernist painters, especially Paul Cézanne, who transformed his subjects into simple shapes and planes of color.","Text from the Smithsonian American Art Museum.",{"_313":1139,"_315":1140},{"_313":1137,"_315":1138},{"_313":1135,"_315":1136},{"_313":1133,"_315":1134},{"_313":1131,"_315":1132},"#886e3d",0.0965,"#786857",0.2006,"#837d91",0.2076,"#4a474b",0.2377,"#3f4665",0.2576,"Preston Dickinson","preston-dickinson","American, 1891–1930",1891,1930,{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","c9ae7dfed3a3c39fb95c0d57975ed74538f5a14b","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},{"_224":1186,"_20":1187},{"_224":1184,"_20":1185},{"_224":1182,"_20":1183},{"_224":1180,"_20":1181},{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]