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(12.4 x 20.1 cm)",20.1,12.4,1.6137708445400754,[384,385,386,387,388],{"_220":380,"_221":381,"_42":382,"_307":383},"Courtesy of the Smithsonian American Art Museum","1983.83.171","George Elbert Burr drew this in 1900, aged 41. 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After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","new-moon-and-evening-star-nga-146847","New Moon and Evening Star",{"_42":399,"_221":400,"_328":401,"_330":331,"_332":402,"_334":403,"_336":-5,"_337":-5,"_338":404,"_140":99},"c. 1932","print","Print","etching, drypoint, and aquatint in black","plate: 24.9 × 19.9 cm (9 13/16 × 7 13/16 in.) sheet: 33.8 × 27.8 cm (13 5/16 × 10 15/16 in.)",19.9,24.9,0.7928994082840237,[500,501,502,503,504],{"_220":441,"_221":442,"_42":443,"_307":383},"2008.115.1124","George Elbert Burr made this in about 1932, aged 73. It is now at the National Gallery of Art in Washington, DC.","A saguaro cactus stands silhouetted at the left of a darkening desert, while a crescent moon and a bright evening star shine through a break in soft grey clouds above rocky mountains.","This print depicts a grayscale desert landscape with a prominent saguaro cactus to the left. In the background, rocky mountains are visible in the darkness. The sky shows a crescent moon and a bright star through an opening in the soft gray clouds. Sparse desert vegetation is faintly visible on the ground, and more cacti can be seen in the distance.",{"_295":497,"_297":498,"_299":499},"https://img.ochreeditions.com/m/1677.jpg?dl=1","/art/new-moon-and-evening-star-nga-146847","/galleries/style/early-modernism/new-moon-and-evening-star-nga-146847",{"_291":292,"_293":294},{"_224":492,"_125":493,"_285":494},{"_276":490,"_278":363,"_280":491,"_281":365},43.82248520710059,19.82248520710059,{"_287":224,"_123":375,"_154":376,"_140":99},{"_287":125,"_123":495,"_154":496,"_140":75},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-20","More prints of the 20th century","https://img.ochreeditions.com/a/1677/480.jpg","https://img.ochreeditions.com/a/1677/960.jpg","https://img.ochreeditions.com/a/1677/1920.jpg",{"_314":513,"_316":514},{"_314":511,"_316":512},{"_314":509,"_316":510},{"_314":507,"_316":508},{"_314":505,"_316":506},"#a5a196",0.0971,"#e1e1d5",0.1036,"#605c57",0.1403,"#46423f",0.1691,"#7f7b71",0.4899,"on-the-beach-no-3-cma-93234","On the Beach, No. 3",{"_42":571,"_221":572,"_328":573,"_330":331,"_332":574,"_334":203,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1915–18","painting","Painting","oil on canvas","Framed: 81 x 103 x 6.5 cm (31 7/8 x 40 9/16 x 2 9/16 in.); Unframed: 66 x 85.1 cm (26 x 33 1/2 in.)",85.1,66,1.31731886865556,[556,557,558,559,560],{"_220":304,"_221":305,"_42":306,"_307":308},"1926.1653","Maurice Prendergast painted this in about 1915–18, aged 57. It is now at the Cleveland Museum of Art.",{"_118":555,"_302":303},"On the Beach, No. 3, by Maurice Prendergast, c. 1915–18",{"_295":552,"_297":553,"_299":554},"https://img.ochreeditions.com/m/461.jpg?dl=1","/art/on-the-beach-no-3-cma-93234","/galleries/style/early-modernism/on-the-beach-no-3-cma-93234",{"_291":550,"_293":551},{"_224":542,"_125":543,"_285":544},{"_276":539,"_278":540,"_280":523,"_281":541},100.1,79.60091176470587,64.60091176470587,{"_287":224,"_123":548,"_154":549,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":166,"_154":165,"_140":168},"style/painting-20","More paintings of the 20th century",75,"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","natural","ivory","https://img.ochreeditions.com/a/461/480.jpg","https://img.ochreeditions.com/a/461/960.jpg","https://img.ochreeditions.com/a/461/1920.jpg","Prendergast developed a distinctive painting style featuring rounded patches of thickly applied color. Like many of his works, On the Beach, No. 3 visually approximates a densely woven tapestry.",{"_314":569,"_316":570},{"_314":567,"_316":568},{"_314":565,"_316":566},{"_314":563,"_316":564},{"_314":561,"_316":562},"#9e967b",0.1387,"#94705e",0.1419,"#7d8777",0.206,"#6c6256",0.2258,"#7b7a57",0.2876,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,"mountain-landscape-with-fir-trees-cma-140070","Mountain Landscape with Fir Trees",{"_42":459,"_221":460,"_328":461,"_330":462,"_332":463,"_334":464,"_336":-5,"_337":-5,"_338":465,"_140":99},"1918/19","graphite and brush and black ink","Sheet: 34.6 x 50.7 cm (13 5/8 x 19 15/16 in.)",50.7,34.6,1.4655172413793103,[607,608,609,610,611],{"_220":304,"_221":305,"_42":306,"_307":308},"1963.86","Ernst Ludwig Kirchner drew this in 1918/19, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":606,"_302":303},"Mountain Landscape with Fir Trees, by Ernst Ludwig Kirchner, 1918/19",{"_295":603,"_297":604,"_299":605},"https://img.ochreeditions.com/m/653.jpg?dl=1","/art/mountain-landscape-with-fir-trees-cma-140070","/galleries/style/early-modernism/mountain-landscape-with-fir-trees-cma-140070",{"_291":292,"_293":294},{"_224":600,"_125":601,"_285":602},{"_276":597,"_278":598,"_280":581,"_281":599},74.7,58.595294117647065,34.595294117647065,{"_287":224,"_123":436,"_154":437,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":434,"_154":435,"_140":93},"https://img.ochreeditions.com/a/653/480.jpg","https://img.ochreeditions.com/a/653/960.jpg","https://img.ochreeditions.com/a/653/1920.jpg","Following his discharge from the military after a mental and physical breakdown in 1915, Ernst Ludwig Kirchner took refuge at a sanitarium near Davos, Switzerland. The alpine landscape provided a new focus for his work and became a metaphor for his spiritual regeneration.",{"_314":620,"_316":621},{"_314":618,"_316":619},{"_314":616,"_316":617},{"_314":614,"_316":615},{"_314":612,"_316":613},"#3e362e",0.1264,"#6f6352",0.1552,"#a19179",0.1694,"#e9dabe",0.2017,"#d5c2a2",0.3473,"nude-nga-46550","Nude",{"_42":672,"_221":673,"_328":674,"_330":675,"_332":676,"_334":677,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1910","france","oil on cardboard","overall: 87.2 x 62 cm (34 5/16 x 24 7/16 in.) framed: 104.4 x 78.2 x 7.3 cm (41 1/8 x 30 13/16 x 2 7/8 in.)",62,87.2,0.69970703125,[657,658,659,660,661],{"_220":441,"_221":442,"_42":443,"_307":383},"1963.10.75","Roger de La Fresnaye painted this in 1910, aged 25. It is now at the National Gallery of Art in Washington, DC.","The image is a painting of a woman's nude upper body extending from her head down to her hips, depicted in a standing position with her head slightly tilted to one side. Her facial features are distinct with a strong brow, prominent nose, and full lips, and her long dark hair cascades down to her shoulders. The background features abstract brushstrokes in dark blues and browns, blending into the lighter brown tone of the canvas, enhancing the figure's prominence in the composition. The woman appears naturalistic, with no jewelry or other objects visible in the painting.",{"_295":654,"_297":655,"_299":656},"https://img.ochreeditions.com/m/1519.jpg?dl=1","/art/nude-nga-46550","/galleries/style/early-modernism/nude-nga-46550",{"_291":550,"_293":551},{"_224":647,"_125":648,"_285":649},{"_276":644,"_278":645,"_280":646,"_281":630},76.014453125,102.2,61.014453125,{"_287":224,"_123":652,"_154":653,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":650,"_154":651,"_140":81},"era/20-france","20th-century France","artist/contemporaries-of-roger-de-la-fresnaye","Roger de La Fresnaye's contemporaries","https://img.ochreeditions.com/a/1519/480.jpg","https://img.ochreeditions.com/a/1519/960.jpg","https://img.ochreeditions.com/a/1519/1920.jpg",{"_314":670,"_316":671},{"_314":668,"_316":669},{"_314":666,"_316":667},{"_314":664,"_316":665},{"_314":662,"_316":663},"#d2c3b7",0.0205,"#9d7556",0.2274,"#483e45",0.2285,"#765c54",0.2458,"#c9a175",0.2778,"Roger de La Fresnaye","roger-de-la-fresnaye","French, 1885–1925","French",1885,1925,"the-hill-field-si-saam-1981-112","The Hill Field",{"_42":728,"_221":729,"_328":730,"_330":-5,"_332":731,"_334":196,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1908-1910","oil on canvas mounted on paperboard","14 x 19 7/8 in. (35.5 x 50.5 cm.)",50.5,35.5,1.4211274277593557,[713,714,715,716,717],{"_220":380,"_221":381,"_42":382,"_307":383},"1981.112","Arthur Wesley Dow painted this in 1908-1910, aged about 51. It is now at the Smithsonian American Art Museum in Washington, DC.","The Hill Field, by Arthur Wesley Dow, 1908-1910",{"_295":710,"_297":711,"_299":712},"https://img.ochreeditions.com/m/1959.jpg?dl=1","/art/the-hill-field-si-saam-1981-112","/galleries/style/early-modernism/the-hill-field-si-saam-1981-112",{"_291":550,"_293":551},{"_224":702,"_125":703,"_285":704},{"_276":699,"_278":700,"_280":684,"_281":701},65.5,50.53516666666667,35.53516666666667,{"_287":224,"_123":708,"_154":709,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":705,"_154":706,"_140":707},"era/20","The 20th century",189,"artist/contemporaries-of-arthur-wesley-dow","Arthur Wesley Dow's contemporaries","https://img.ochreeditions.com/a/1959/480.jpg","https://img.ochreeditions.com/a/1959/960.jpg","https://img.ochreeditions.com/a/1959/1920.jpg",{"_314":726,"_316":727},{"_314":724,"_316":725},{"_314":722,"_316":723},{"_314":720,"_316":721},{"_314":718,"_316":719},"#946e1b",0.0802,"#2b3016",0.1115,"#545739",0.1306,"#afa58e",0.2816,"#625e27",0.3961,"Arthur Wesley Dow","arthur-wesley-dow","born Ipswich, MA 1857-died New York City 1922",1857,"the-triumph-of-uncle-sam-si-chndm-1918-44-22","The Triumph of Uncle Sam",{"_42":783,"_221":784,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_337":-5,"_338":-5,"_140":103},"Brush and flat oil paint, pen and red ink, crayon or color pencil on board","39.9 × 31.8 cm (15 11/16 × 12 1/2 in.)",31.8,39.9,0.8014317368331345,[768,769,770,771,772],{"_220":380,"_221":381,"_42":382,"_307":767},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1918-44-22","Victor Wilbour painted this in 1917. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":765,"_302":766},"THE TRIUMPH OF UNCLE SAM",{"_295":762,"_297":763,"_299":764},"https://img.ochreeditions.com/m/1726.jpg?dl=1","/art/the-triumph-of-uncle-sam-si-chndm-1918-44-22","/galleries/style/early-modernism/the-triumph-of-uncle-sam-si-chndm-1918-44-22",{"_291":292,"_293":294},{"_224":757,"_125":758,"_285":759},{"_276":754,"_278":755,"_280":756,"_281":738},55.977126299642066,63.9,31.977126299642066,{"_287":224,"_123":760,"_154":761,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":705,"_154":706,"_140":707},"artist/contemporaries-of-victor-wilbour","Victor Wilbour's contemporaries","https://img.ochreeditions.com/a/1726/480.jpg","https://img.ochreeditions.com/a/1726/960.jpg","https://img.ochreeditions.com/a/1726/1920.jpg","Egyptian painting: Uncle Sam in right profile seated on throne at left. Female figure at right in right profile, holding balls entitled: \"CUBA\" and \"PORTO RICO\". Eagle, upper left.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_314":781,"_316":782},{"_314":779,"_316":780},{"_314":777,"_316":778},{"_314":775,"_316":776},{"_314":773,"_316":774},"#d29d62",0.0466,"#c9bdae",0.0953,"#cda381",0.1523,"#d0af83",0.1618,"#d3b693",0.544,"Victor Wilbour","victor-wilbour","the-bathers-nga-108617","The Bathers",{"_42":672,"_221":673,"_328":674,"_330":675,"_332":676,"_334":677,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1912","overall: 162 x 130 cm (63 3/4 x 51 3/16 in.)",130,162,0.79931640625,[814,815,816,817,818],{"_220":441,"_221":442,"_42":443,"_307":383},"2000.51.1","Roger de La Fresnaye painted this in 1912, aged 27. It is now at the National Gallery of Art in Washington, DC.","This painting depicts a group of men and women created by a collection of angular, geometric shapes with flat planes and blocks of color. One person is standing, and they appear to be a bare-chested man with tan skin and short, dark hair, who is wearing red shorts. He has his hand on his hip and looks off to the right. At his feet appear to be several seated people, although they are only partially visible. Three women with pale skin seem to be facing away from us; we can see their legs, arms, and torsos, although these don't all fit together. The woman on the left has blonde hair, the woman on the right has brown hair, and the woman between them has short black hair. None of their faces are visible. In the middle of this group, at the center of the painting, we see the face and hand of another person who is looking to the left. This person has light brown skin, and we can't see the rest of their body. Surrounding elements include a blue sky with abstract cloud forms, an angular tree on the left, and patches of brown, white, and green on the ground, with one red flower. A tan rectangle under a red triangle on the right edge suggests a building.",{"_295":811,"_297":812,"_299":813},"https://img.ochreeditions.com/m/1641.jpg?dl=1","/art/the-bathers-nga-108617","/galleries/style/early-modernism/the-bathers-nga-108617",{"_291":550,"_293":551},{"_224":808,"_125":809,"_285":810},{"_276":805,"_278":806,"_280":807,"_281":791},144.4892578125,177,129.4892578125,{"_287":224,"_123":652,"_154":653,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":650,"_154":651,"_140":81},"https://img.ochreeditions.com/a/1641/480.jpg","https://img.ochreeditions.com/a/1641/960.jpg","https://img.ochreeditions.com/a/1641/1920.jpg",{"_314":827,"_316":568},{"_314":825,"_316":826},{"_314":823,"_316":824},{"_314":821,"_316":822},{"_314":819,"_316":820},"#386242",0.1161,"#7d9098",0.2126,"#c2a795",0.2215,"#534945",0.224,"#956c5e","wrestlers-in-a-circus-cma-142792","Wrestlers in a Circus",{"_42":459,"_221":460,"_328":461,"_330":462,"_332":463,"_334":464,"_336":-5,"_337":-5,"_338":465,"_140":99},"1909","Framed: 107.5 x 121 x 7 cm (42 5/16 x 47 5/8 x 2 3/4 in.); Unframed: 80.5 x 94 cm (31 11/16 x 37 in.)",94,80.5,1.171605789110958,[859,860,861,862,863],{"_220":304,"_221":305,"_42":306,"_307":308},"1966.49","Ernst Ludwig Kirchner painted this in 1909, aged 29. It is now at the Cleveland Museum of Art.",{"_118":858,"_302":303},"Wrestlers in a Circus, by Ernst Ludwig Kirchner, 1909",{"_295":855,"_297":856,"_299":857},"https://img.ochreeditions.com/m/662.jpg?dl=1","/art/wrestlers-in-a-circus-cma-142792","/galleries/style/early-modernism/wrestlers-in-a-circus-cma-142792",{"_291":550,"_293":551},{"_224":852,"_125":853,"_285":854},{"_276":849,"_278":850,"_280":833,"_281":851},109,95.23176470588236,80.23176470588236,{"_287":224,"_123":436,"_154":437,"_140":99},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":434,"_154":435,"_140":93},"https://img.ochreeditions.com/a/662/480.jpg","https://img.ochreeditions.com/a/662/960.jpg","https://img.ochreeditions.com/a/662/1920.jpg","Locked in a dangerous embrace, beefy wrestlers writhe on a brightly colored mat. Famous for his scenes of urban life, Kirchner uses loose brushstrokes to capture the blur of bodies in motion. Imagine watching this intense match, surrounded by screaming spectators.",{"_314":872,"_316":873},{"_314":870,"_316":871},{"_314":868,"_316":869},{"_314":866,"_316":867},{"_314":864,"_316":865},"#716f45",0.1466,"#5b423b",0.1844,"#2e3142",0.1929,"#a07431",0.2003,"#94634e",0.2758,"self-portrait-cma-144976","Self-Portrait",{"_42":922,"_221":923,"_328":924,"_330":331,"_332":925,"_334":926,"_336":-5,"_337":-5,"_338":-5,"_140":103},"oil on wood","Unframed: 88.9 x 70.9 cm (35 x 27 15/16 in.)",70.9,88.9,0.8029411764705883,[907,908,909,910,911],{"_220":304,"_221":305,"_42":306,"_307":308},"1970.17","Abbott Handerson Thayer painted this in 1920, aged 71. It is now at the Cleveland Museum of Art.",{"_118":906,"_302":303},"Self-Portrait, by Abbott Handerson Thayer, 1920",{"_295":903,"_297":904,"_299":905},"https://img.ochreeditions.com/m/675.jpg?dl=1","/art/self-portrait-cma-144976","/galleries/style/early-modernism/self-portrait-cma-144976",{"_291":550,"_293":551},{"_224":898,"_125":899,"_285":900},{"_276":895,"_278":896,"_280":897,"_281":880},86.3814705882353,103.9,71.3814705882353,{"_287":224,"_123":901,"_154":902,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abbott-handerson-thayer","Abbott Handerson Thayer's contemporaries","https://img.ochreeditions.com/a/675/480.jpg","https://img.ochreeditions.com/a/675/960.jpg","https://img.ochreeditions.com/a/675/1920.jpg","In 1919, an art commentator described Abbott Handerson Thayer as \"a man of slight build and of a nervous temperament, with a glance so intense and clear and penetrating; with a mind so keen and logical and which acts with such precision that the impression received of the man's personality is enduring.\"",{"_314":920,"_316":921},{"_314":918,"_316":919},{"_314":916,"_316":917},{"_314":914,"_316":915},{"_314":912,"_316":913},"#ad8b6f",0.0362,"#7e6856",0.1906,"#604e3f",0.2433,"#4d4139",0.2475,"#383028",0.2824,"Abbott Handerson Thayer","abbott-handerson-thayer","American, 1849–1921",1849,1921,"the-hills-si-saam-1965-11-1","The Hills",{"_42":976,"_221":977,"_328":978,"_330":331,"_332":979,"_334":980,"_336":-5,"_337":-5,"_338":-5,"_140":101},"ca. 1919","24 x 27 in. (61.0 x 68.5 cm.)",68.5,61,1.1283817019183473,[961,962,963,964,965],{"_220":380,"_221":381,"_42":382,"_307":383},"1965.11.1","Preston Dickinson painted this in about 1919, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":959,"_302":960},"The Hills, by Preston Dickinson, ca. 1919",{"_295":956,"_297":957,"_299":958},"https://img.ochreeditions.com/m/1922.jpg?dl=1","/art/the-hills-si-saam-1965-11-1","/galleries/style/early-modernism/the-hills-si-saam-1965-11-1",{"_291":550,"_293":551},{"_224":951,"_125":952,"_285":953},{"_276":948,"_278":949,"_280":932,"_281":950},83.5,75.70640802092416,60.70640802092415,{"_287":224,"_123":954,"_154":955,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-preston-dickinson","Preston Dickinson's contemporaries","https://img.ochreeditions.com/a/1922/480.jpg","https://img.ochreeditions.com/a/1922/960.jpg","https://img.ochreeditions.com/a/1922/1920.jpg","Preston Dickinson painted The Hills a few years after he returned to New York from France. He admired the work of the French modernist painters, especially Paul Cézanne, who transformed his subjects into simple shapes and planes of color.","Text from the Smithsonian American Art Museum.",{"_314":974,"_316":975},{"_314":972,"_316":973},{"_314":970,"_316":971},{"_314":968,"_316":969},{"_314":966,"_316":967},"#886e3d",0.0965,"#786857",0.2006,"#837d91",0.2076,"#4a474b",0.2377,"#3f4665",0.2576,"Preston Dickinson","preston-dickinson","American, 1891–1930",1891,1930,"in-the-cascade-mountains-si-saam-1966-112","In the Cascade Mountains",{"_42":1028,"_221":1029,"_328":1030,"_330":-5,"_332":1031,"_334":1032,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1931","59 1/4 x 40 in. (150.6 x 101.5 cm)",101.5,150.6,1.5037593984962405,[1013,1014,1015,1016,1017],{"_220":380,"_221":381,"_42":382,"_307":383},"1966.112","Edward Bruce painted this in 1931, aged 52. It is now at the Smithsonian American Art Museum in Washington, DC.","In the Cascade Mountains, by Edward Bruce, 1931",{"_295":1010,"_297":1011,"_299":1012},"https://img.ochreeditions.com/m/1924.jpg?dl=1","/art/in-the-cascade-mountains-si-saam-1966-112","/galleries/style/early-modernism/in-the-cascade-mountains-si-saam-1966-112",{"_291":550,"_293":551},{"_224":1005,"_125":1006,"_285":1007},{"_276":1001,"_278":1002,"_280":1003,"_281":1004},166.61238666241516,115.82223713050608,151.61238666241516,100.82223713050608,{"_287":224,"_123":1008,"_154":1009,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":705,"_154":706,"_140":707},"artist/contemporaries-of-edward-bruce","Edward Bruce's contemporaries","https://img.ochreeditions.com/a/1924/480.jpg","https://img.ochreeditions.com/a/1924/960.jpg","https://img.ochreeditions.com/a/1924/1920.jpg",{"_314":1026,"_316":1027},{"_314":1024,"_316":1025},{"_314":1022,"_316":1023},{"_314":1020,"_316":1021},{"_314":1018,"_316":1019},"#cdcacd",0.0595,"#6b6669",0.1321,"#575737",0.2039,"#a1a4c1",0.2935,"#8d853e",0.311,"Edward Bruce","edward-bruce","born Dover Plains, NY 1879-died Hollywood, FL 1943",1879,1943,"still-life-cma-93239","Still Life",{"_42":976,"_221":977,"_328":978,"_330":331,"_332":979,"_334":980,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1924","Framed: 75.5 x 91 x 5.5 cm (29 3/4 x 35 13/16 x 2 3/16 in.); Unframed: 61.2 x 76.5 cm (24 1/8 x 30 1/8 in.)",76.5,61.2,1.2550756736803248,[1064,1065,1066,1067,1068],{"_220":304,"_221":305,"_42":306,"_307":308},"1926.1664","Preston Dickinson painted this in about 1924, aged about 28. It is now at the Cleveland Museum of Art.",{"_118":1063,"_302":303},"Still Life, by Preston Dickinson, c. 1924",{"_295":1060,"_297":1061,"_299":1062},"https://img.ochreeditions.com/m/462.jpg?dl=1","/art/still-life-cma-93239","/galleries/style/early-modernism/still-life-cma-93239",{"_291":550,"_293":551},{"_224":1057,"_125":1058,"_285":1059},{"_276":1054,"_278":1055,"_280":1038,"_281":1056},91.5,75.9525,60.9525,{"_287":224,"_123":954,"_154":955,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/462/480.jpg","https://img.ochreeditions.com/a/462/960.jpg","https://img.ochreeditions.com/a/462/1920.jpg","Preston Dickinson’s composition presents a seemingly casual arrangement of eggplants and lemons amid a tabletop setting with a bowl, knife, and napkins. A loosely corked bottled beverage stands at left, and a lightly sketched chairback occupies an otherwise empty background.",{"_314":1076,"_316":1077},{"_314":1074,"_316":1075},{"_314":1072,"_316":1073},{"_314":1071,"_316":820},{"_314":1069,"_316":1070},"#b8b392",0.1121,"#867e64","#1c2120",0.1572,"#3e372c",0.1866,"#675d49",0.428,"mother-and-child-si-saam-1929-6-74","Mother and Child",{"_42":1125,"_221":1126,"_328":1127,"_330":-5,"_332":1128,"_334":1129,"_336":-5,"_337":-5,"_338":-5,"_140":101},"ca. 1920","oil on paperboard","23 1/4 x 19 3/4 in. (58.9 x 50.3 cm)",50.3,58.9,0.8413333333333334,[1110,1111,1112,1113,1114],{"_220":380,"_221":381,"_42":382,"_307":383},"1929.6.74","Gari Melchers painted this in about 1920, aged 60. It is now at the Smithsonian American Art Museum in Washington, DC.","Mother and Child, by Gari Melchers, ca. 1920",{"_295":1107,"_297":1108,"_299":1109},"https://img.ochreeditions.com/m/1881.jpg?dl=1","/art/mother-and-child-si-saam-1929-6-74","/galleries/style/early-modernism/mother-and-child-si-saam-1929-6-74",{"_291":550,"_293":551},{"_224":1102,"_125":1103,"_285":1104},{"_276":1099,"_278":1100,"_280":1101,"_281":1085},64.55453333333332,73.9,49.55453333333333,{"_287":224,"_123":1105,"_154":1106,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":705,"_154":706,"_140":707},"artist/contemporaries-of-gari-melchers","Gari Melchers's contemporaries","https://img.ochreeditions.com/a/1881/480.jpg","https://img.ochreeditions.com/a/1881/960.jpg","https://img.ochreeditions.com/a/1881/1920.jpg",{"_314":1123,"_316":1124},{"_314":1121,"_316":1122},{"_314":1119,"_316":1120},{"_314":1117,"_316":1118},{"_314":1115,"_316":1116},"#171413",0.0637,"#6379a1",0.1536,"#99989b",0.1832,"#cec9bd",0.2977,"#646343",0.3018,"Gari Melchers","gari-melchers","born Detroit MI 1860-died Falmouth, VA 1932",1860,1932,{"_1131":-5,"_1132":1133,"_1134":1135,"_1136":8,"_1137":1138,"_1139":8},"user","csrf","29d19e7b24af9e1c39977a172ad130e51a0e7251","cartCount",0,"dropLive","legal",[1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151],"uploadsEnabled",{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]