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(36.8 x 48.9 cm)",48.9,36.8,1.3531799729364005,[492,493,494,495,496],{"_221":488,"_222":489,"_42":490,"_304":491},"Courtesy of the Smithsonian American Art Museum","1966.39.1","Joseph Schillinger painted this in about 1934, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","Study in Rhythm: Red and Gold, by Joseph Schillinger, ca. 1934",{"_295":485,"_297":486,"_299":487},"https://img.ochreeditions.com/m/1926.jpg?dl=1","/art/study-in-rhythm-red-and-gold-si-saam-1966-39-1","/galleries/style/early-modernism/study-in-rhythm-red-and-gold-si-saam-1966-39-1",{"_291":292,"_293":294},{"_225":480,"_125":481,"_285":482},{"_276":477,"_278":478,"_280":461,"_282":479},63.9,51.137100000000004,36.137100000000004,{"_287":225,"_123":483,"_154":484,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-schillinger","Joseph Schillinger's contemporaries","https://img.ochreeditions.com/a/1926/480.jpg","https://img.ochreeditions.com/a/1926/960.jpg","https://img.ochreeditions.com/a/1926/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},{"_311":499,"_313":500},{"_311":497,"_313":498},"#8b7e75",0.0608,"#51474c",0.0775,"#ba4e36",0.118,"#cebeb2",0.1449,"#f2e0a0",0.5988,"Joseph Schillinger","joseph-schillinger","born Kharkov, Russia 1895-died New York City 1943",1895,1943,"the-hill-field-si-saam-1981-112","The Hill Field",{"_42":559,"_222":560,"_325":561,"_327":-5,"_329":204,"_331":192,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1908-1910","oil on canvas mounted on paperboard","14 x 19 7/8 in. (35.5 x 50.5 cm.)",50.5,35.5,1.4211274277593557,[544,545,546,547,548],{"_221":488,"_222":489,"_42":490,"_304":491},"1981.112","Arthur Wesley Dow painted this in 1908-1910, aged about 51. It is now at the Smithsonian American Art Museum in Washington, DC.","The Hill Field, by Arthur Wesley Dow, 1908-1910",{"_295":541,"_297":542,"_299":543},"https://img.ochreeditions.com/m/1959.jpg?dl=1","/art/the-hill-field-si-saam-1981-112","/galleries/style/early-modernism/the-hill-field-si-saam-1981-112",{"_291":292,"_293":294},{"_225":536,"_125":537,"_285":538},{"_276":533,"_278":534,"_280":518,"_282":535},65.5,50.53516666666667,35.53516666666667,{"_287":225,"_123":539,"_154":540,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-arthur-wesley-dow","Arthur Wesley Dow's contemporaries","https://img.ochreeditions.com/a/1959/480.jpg","https://img.ochreeditions.com/a/1959/960.jpg","https://img.ochreeditions.com/a/1959/1920.jpg",{"_311":557,"_313":558},{"_311":555,"_313":556},{"_311":553,"_313":554},{"_311":551,"_313":552},{"_311":549,"_313":550},"#946e1b",0.0802,"#2b3016",0.1115,"#545739",0.1306,"#afa58e",0.2816,"#625e27",0.3961,"Arthur Wesley Dow","arthur-wesley-dow","born Ipswich, MA 1857-died New York City 1922","wrestlers-in-a-circus-cma-142792","Wrestlers in a Circus",{"_42":620,"_222":621,"_325":622,"_327":623,"_329":624,"_331":625,"_333":-5,"_335":-5,"_337":626,"_140":99},"1909","germany","oil on canvas","Framed: 107.5 x 121 x 7 cm (42 5/16 x 47 5/8 x 2 3/4 in.); Unframed: 80.5 x 94 cm (31 11/16 x 37 in.)",94,80.5,1.171605789110958,[605,606,607,608,609],{"_221":601,"_222":602,"_42":603,"_304":604},"Courtesy of the Cleveland Museum of Art","1966.49","Ernst Ludwig Kirchner painted this in 1909, aged 29. It is now at the Cleveland Museum of Art.",{"_118":599,"_369":600},"Wrestlers in a Circus, by Ernst Ludwig Kirchner, 1909",{"_295":596,"_297":597,"_299":598},"https://img.ochreeditions.com/m/662.jpg?dl=1","/art/wrestlers-in-a-circus-cma-142792","/galleries/style/early-modernism/wrestlers-in-a-circus-cma-142792",{"_291":292,"_293":294},{"_225":589,"_125":590,"_285":591},{"_276":586,"_278":587,"_280":569,"_282":588},109,95.23176470588236,80.23176470588236,{"_287":225,"_123":594,"_154":595,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":592,"_154":593,"_140":93},"era/20-germany","20th-century Germany","artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","https://img.ochreeditions.com/a/662/480.jpg","https://img.ochreeditions.com/a/662/960.jpg","https://img.ochreeditions.com/a/662/1920.jpg","Locked in a dangerous embrace, beefy wrestlers writhe on a brightly colored mat. Famous for his scenes of urban life, Kirchner uses loose brushstrokes to capture the blur of bodies in motion. Imagine watching this intense match, surrounded by screaming spectators.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":618,"_313":619},{"_311":616,"_313":617},{"_311":614,"_313":615},{"_311":612,"_313":613},{"_311":610,"_313":611},"#716f45",0.1466,"#5b423b",0.1844,"#2e3142",0.1929,"#a07431",0.2003,"#94634e",0.2758,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1880,1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","a-florida-park-si-saam-1970-320","A Florida Park",{"_42":673,"_222":674,"_325":675,"_327":-5,"_329":676,"_331":677,"_333":-5,"_335":-5,"_337":-5,"_140":103},"before 1935","15 7/8 x 11 3/4 in. (40.4 x 29.9 cm.)",29.9,40.4,0.7446666666666667,[658,659,660,661,662],{"_221":488,"_222":489,"_42":490,"_304":491},"1970.320","Joseph C. Claghorn painted this (before 1935), aged 66. It is now at the Smithsonian American Art Museum in Washington, DC.","A Florida Park, by Joseph C. Claghorn, before 1935",{"_295":655,"_297":656,"_299":657},"https://img.ochreeditions.com/m/1941.jpg?dl=1","/art/a-florida-park-si-saam-1970-320","/galleries/style/early-modernism/a-florida-park-si-saam-1970-320",{"_291":292,"_293":294},{"_225":650,"_125":651,"_285":652},{"_276":647,"_278":648,"_280":649,"_282":633},45.08453333333333,55.4,30.084533333333333,{"_287":225,"_123":653,"_154":654,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-c-claghorn","Joseph C. Claghorn's contemporaries","https://img.ochreeditions.com/a/1941/480.jpg","https://img.ochreeditions.com/a/1941/960.jpg","https://img.ochreeditions.com/a/1941/1920.jpg",{"_311":671,"_313":672},{"_311":669,"_313":670},{"_311":667,"_313":668},{"_311":665,"_313":666},{"_311":663,"_313":664},"#29211d",0.1396,"#967540",0.1443,"#4a4939",0.2088,"#726d48",0.2101,"#c4b67f",0.2972,"Joseph C. Claghorn","joseph-c-claghorn","born Philadelphia, PA 1869-died Bethesda, MD 1947",1869,1947,"in-the-generalife-met-12116","In the Generalife",{"_42":737,"_222":738,"_325":739,"_327":740,"_329":191,"_331":741,"_333":742,"_335":743,"_337":744,"_140":97},"1912","united-states","watercolour","Watercolor","Watercolor, wax crayon, and graphite on white wove paper","14 3/4 x 17 7/8 in. (37.5 x 45.4 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm)",45.4,37.5,1.200061462814997,[722,723,724,725,726],{"_221":301,"_222":302,"_42":303,"_304":305},"15.142.8","John Singer Sargent painted this in 1912, aged 56. It is now at The Met in New York.","A woman sits sketching in the gardens of the Generalife, the summer palace above the Alhambra in Granada, with companions nearby. Sargent painted the scene in 1912 on one of the working holidays he took with family and friends, during which he turned increasingly from formal portraiture to watercolour.","In the Generalife, by John Singer Sargent, 1912",{"_295":719,"_297":720,"_299":721},"https://img.ochreeditions.com/m/852.jpg?dl=1","/art/in-the-generalife-met-12116","/galleries/style/early-modernism/in-the-generalife-met-12116",{"_291":717,"_293":718},{"_225":706,"_125":707,"_285":708},{"_276":703,"_278":704,"_280":687,"_282":705},69.4,61.83139564660691,37.83139564660691,{"_287":225,"_123":715,"_154":716,"_140":97},{"_287":125,"_123":712,"_154":713,"_140":714},{"_287":285,"_123":709,"_154":710,"_140":711},"era/20-united-states","20th-century United States",124,"style/watercolour","More watercolours",85,"artist/john-singer-sargent","More by John Singer Sargent","white","snow","https://img.ochreeditions.com/a/852/480.jpg","https://img.ochreeditions.com/a/852/960.jpg","https://img.ochreeditions.com/a/852/1920.jpg",{"_311":735,"_313":736},{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},{"_311":727,"_313":728},"#d7cabb",0.1181,"#2b3f42",0.1675,"#9b9485",0.1863,"#6d6966",0.2242,"#3c393b",0.3039,"John Singer Sargent","john-singer-sargent","American, 1856–1925","American",1925,"Florence","London","Sargent was born in Florence to American parents and grew up travelling across Europe.","the-hills-si-saam-1965-11-1","The Hills",{"_42":794,"_222":795,"_325":796,"_327":740,"_329":797,"_331":798,"_333":-5,"_335":-5,"_337":-5,"_140":101},"ca. 1919","24 x 27 in. (61.0 x 68.5 cm.)",68.5,61,1.1283817019183473,[779,780,781,782,783],{"_221":488,"_222":489,"_42":490,"_304":491},"1965.11.1","Preston Dickinson painted this in about 1919, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":777,"_369":778},"The Hills, by Preston Dickinson, ca. 1919",{"_295":774,"_297":775,"_299":776},"https://img.ochreeditions.com/m/1922.jpg?dl=1","/art/the-hills-si-saam-1965-11-1","/galleries/style/early-modernism/the-hills-si-saam-1965-11-1",{"_291":292,"_293":294},{"_225":769,"_125":770,"_285":771},{"_276":766,"_278":767,"_280":750,"_282":768},83.5,75.70640802092416,60.70640802092415,{"_287":225,"_123":772,"_154":773,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":709,"_154":710,"_140":711},"artist/contemporaries-of-preston-dickinson","Preston Dickinson's contemporaries","https://img.ochreeditions.com/a/1922/480.jpg","https://img.ochreeditions.com/a/1922/960.jpg","https://img.ochreeditions.com/a/1922/1920.jpg","Preston Dickinson painted The Hills a few years after he returned to New York from France. He admired the work of the French modernist painters, especially Paul Cézanne, who transformed his subjects into simple shapes and planes of color.","Text from the Smithsonian American Art Museum.",{"_311":792,"_313":793},{"_311":790,"_313":791},{"_311":788,"_313":789},{"_311":786,"_313":787},{"_311":784,"_313":785},"#886e3d",0.0965,"#786857",0.2006,"#837d91",0.2076,"#4a474b",0.2377,"#3f4665",0.2576,"Preston Dickinson","preston-dickinson","American, 1891–1930",1891,1930,"clara-cook-kellogg-si-npg-s-npg-2006-114","Clara Cook Kellogg",{"_42":846,"_222":847,"_325":848,"_327":-5,"_329":676,"_331":849,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1929","Stretcher: 92.2 × 72.2 × 2.2 cm (36 5/16 × 28 7/16 × 7/8\")",72.2,92.2,0.77825,[831,832,833,834,835],{"_221":488,"_222":489,"_42":490,"_304":491},"Courtesy of the National Portrait Gallery, Smithsonian Institution","S/NPG.2006.114","Philip Alexius de László painted this in 1929, aged 60. It is now at the National Portrait Gallery in Washington, DC.","Artist: Philip Alexius de László, Sitter: Clara Margaret Cook Kellogg, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":828,"_297":829,"_299":830},"https://img.ochreeditions.com/m/1856.jpg?dl=1","/art/clara-cook-kellogg-si-npg-s-npg-2006-114","/galleries/style/early-modernism/clara-cook-kellogg-si-npg-s-npg-2006-114",{"_291":292,"_293":294},{"_225":823,"_125":824,"_285":825},{"_276":820,"_278":821,"_280":822,"_282":805},86.75465,107.2,71.75465,{"_287":225,"_123":826,"_154":827,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-philip-alexius-de-laszlo","Philip Alexius de László's contemporaries","https://img.ochreeditions.com/a/1856/480.jpg","https://img.ochreeditions.com/a/1856/960.jpg","https://img.ochreeditions.com/a/1856/1920.jpg",{"_311":844,"_313":845},{"_311":842,"_313":843},{"_311":840,"_313":841},{"_311":838,"_313":839},{"_311":836,"_313":837},"#bcad97",0.0622,"#857b6c",0.1025,"#534b3c",0.2047,"#2c261a",0.2975,"#19191e",0.3331,"Philip Alexius de László","philip-alexius-de-laszlo","1869–1937",1937,"on-the-beach-no-3-cma-93234","On the Beach, No. 3",{"_42":898,"_222":899,"_325":900,"_327":740,"_329":901,"_331":902,"_333":-5,"_335":-5,"_337":-5,"_140":101},"c. 1915–18","Framed: 81 x 103 x 6.5 cm (31 7/8 x 40 9/16 x 2 9/16 in.); Unframed: 66 x 85.1 cm (26 x 33 1/2 in.)",85.1,66,1.31731886865556,[883,884,885,886,887],{"_221":601,"_222":602,"_42":603,"_304":604},"1926.1653","Maurice Prendergast painted this in about 1915–18, aged 57. It is now at the Cleveland Museum of Art.",{"_118":882,"_369":600},"On the Beach, No. 3, by Maurice Prendergast, c. 1915–18",{"_295":879,"_297":880,"_299":881},"https://img.ochreeditions.com/m/461.jpg?dl=1","/art/on-the-beach-no-3-cma-93234","/galleries/style/early-modernism/on-the-beach-no-3-cma-93234",{"_291":292,"_293":294},{"_225":874,"_125":875,"_285":876},{"_276":871,"_278":872,"_280":855,"_282":873},100.1,79.60091176470587,64.60091176470587,{"_287":225,"_123":877,"_154":878,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":709,"_154":710,"_140":711},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/461/480.jpg","https://img.ochreeditions.com/a/461/960.jpg","https://img.ochreeditions.com/a/461/1920.jpg","Prendergast developed a distinctive painting style featuring rounded patches of thickly applied color. Like many of his works, On the Beach, No. 3 visually approximates a densely woven tapestry.",{"_311":896,"_313":897},{"_311":894,"_313":895},{"_311":892,"_313":893},{"_311":890,"_313":891},{"_311":888,"_313":889},"#9e967b",0.1387,"#94705e",0.1419,"#7d8777",0.206,"#6c6256",0.2258,"#7b7a57",0.2876,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,1924,"the-bathers-nga-108617","The Bathers",{"_42":951,"_222":952,"_325":953,"_327":449,"_329":954,"_331":741,"_333":-5,"_335":-5,"_337":-5,"_140":101},"overall: 162 x 130 cm (63 3/4 x 51 3/16 in.)",130,162,0.79931640625,[937,938,939,940,941],{"_221":934,"_222":935,"_42":936,"_304":491},"Courtesy National Gallery of Art, Washington","2000.51.1","Roger de La Fresnaye painted this in 1912, aged 27. It is now at the National Gallery of Art in Washington, DC.","This painting depicts a group of men and women created by a collection of angular, geometric shapes with flat planes and blocks of color. One person is standing, and they appear to be a bare-chested man with tan skin and short, dark hair, who is wearing red shorts. He has his hand on his hip and looks off to the right. At his feet appear to be several seated people, although they are only partially visible. Three women with pale skin seem to be facing away from us; we can see their legs, arms, and torsos, although these don't all fit together. The woman on the left has blonde hair, the woman on the right has brown hair, and the woman between them has short black hair. None of their faces are visible. In the middle of this group, at the center of the painting, we see the face and hand of another person who is looking to the left. This person has light brown skin, and we can't see the rest of their body. Surrounding elements include a blue sky with abstract cloud forms, an angular tree on the left, and patches of brown, white, and green on the ground, with one red flower. A tan rectangle under a red triangle on the right edge suggests a building.",{"_295":931,"_297":932,"_299":933},"https://img.ochreeditions.com/m/1641.jpg?dl=1","/art/the-bathers-nga-108617","/galleries/style/early-modernism/the-bathers-nga-108617",{"_291":292,"_293":294},{"_225":926,"_125":927,"_285":928},{"_276":923,"_278":924,"_280":925,"_282":908},144.4892578125,177,129.4892578125,{"_287":225,"_123":929,"_154":930,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":424,"_154":425,"_140":81},"artist/contemporaries-of-roger-de-la-fresnaye","Roger de La Fresnaye's contemporaries","https://img.ochreeditions.com/a/1641/480.jpg","https://img.ochreeditions.com/a/1641/960.jpg","https://img.ochreeditions.com/a/1641/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_311":950,"_313":895},{"_311":948,"_313":949},{"_311":946,"_313":947},{"_311":944,"_313":945},{"_311":942,"_313":943},"#386242",0.1161,"#7d9098",0.2126,"#c2a795",0.2215,"#534945",0.224,"#956c5e","Roger de La Fresnaye","roger-de-la-fresnaye","French, 1885–1925",1885,"nude-with-red-hair-nga-46559","Nude with Red Hair",{"_42":1001,"_222":1002,"_325":1003,"_327":740,"_329":1004,"_331":741,"_333":-5,"_335":-5,"_337":1005,"_140":93},"overall: 110.9 x 86.5 cm (43 11/16 x 34 1/16 in.) framed: 138.4 x 113 x 7.6 cm (54 1/2 x 44 1/2 x 3 in.)",86.5,110.9,0.766845703125,[986,987,988,989,990],{"_221":934,"_222":935,"_42":936,"_304":491},"1963.10.84","George Bellows painted this in 1920, aged 38. It is now at the National Gallery of Art in Washington, DC.","A woman with copper-red hair sits partly wrapped in a black cloth, one arm across her chest and a strand of amber beads at her neck, her head turned to look away to the right.","Shown from the knees up, a woman sits partially covered by a black cloth as she holds one forearm across her bare breasts in this vertical painting. The woman has pale, yellow-tinged skin and long, copper-red hair and bangs. Her body faces us, but she turns her head to look off to our right with large blue, wide-set eyes. Her cheeks are flushed, and her full, dark pink lips are closed. A strand of gradually larger amber-yellow beads hangs around her neck, and she wears a gold-colored bracelet on the arm braced across her chest, her left arm, to our right. Glimpses of pale pink nipples are visible. The voluminous black cloth drapes down over one shoulder and across her hips. She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. Bellows E.S.B.”",{"_295":983,"_297":984,"_299":985},"https://img.ochreeditions.com/m/1526.jpg?dl=1","/art/nude-with-red-hair-nga-46559","/galleries/style/early-modernism/nude-with-red-hair-nga-46559",{"_291":292,"_293":294},{"_225":978,"_125":979,"_285":980},{"_276":975,"_278":976,"_280":977,"_282":960},100.0431884765625,125.9,85.0431884765625,{"_287":225,"_123":981,"_154":982,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":709,"_154":710,"_140":711},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1526/480.jpg","https://img.ochreeditions.com/a/1526/960.jpg","https://img.ochreeditions.com/a/1526/1920.jpg",{"_311":999,"_313":1000},{"_311":997,"_313":998},{"_311":995,"_313":996},{"_311":993,"_313":994},{"_311":991,"_313":992},"#592620",0.0497,"#755d33",0.0603,"#c6a75e",0.0708,"#353227",0.1999,"#1b1a18",0.6193,"George Bellows","george-bellows","American, 1882–1925",1882,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","frank-brett-noyes-si-npg-s-npg-66-67","Frank Brett Noyes",{"_42":1052,"_222":1053,"_325":1054,"_327":-5,"_329":1055,"_331":1056,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1917","Accurate: 167.7 x 122.6 cm (66 x 48 1/4\")",122.6,167.7,0.7288332472896232,[1037,1038,1039,1040,1041],{"_221":488,"_222":489,"_42":490,"_304":491},"S/NPG.66.67","Ossip Perelma painted this in 1917, aged 41. It is now at the National Portrait Gallery in Washington, DC.","Artist: Ossip Perelma, Sitter: Frank Brett Noyes, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":1034,"_297":1035,"_299":1036},"https://img.ochreeditions.com/m/1857.jpg?dl=1","/art/frank-brett-noyes-si-npg-s-npg-66-67","/galleries/style/early-modernism/frank-brett-noyes-si-npg-s-npg-66-67",{"_291":292,"_293":294},{"_225":1029,"_125":1030,"_285":1031},{"_276":1026,"_278":1027,"_280":1028,"_282":1012},137.22533557046978,182.7,122.2253355704698,{"_287":225,"_123":1032,"_154":1033,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ossip-perelma","Ossip Perelma's contemporaries","https://img.ochreeditions.com/a/1857/480.jpg","https://img.ochreeditions.com/a/1857/960.jpg","https://img.ochreeditions.com/a/1857/1920.jpg",{"_311":1050,"_313":1051},{"_311":1048,"_313":1049},{"_311":1046,"_313":1047},{"_311":1044,"_313":1045},{"_311":1042,"_313":1043},"#998d5d",0.1267,"#70795b",0.1476,"#6e633e",0.1938,"#465743",0.2301,"#2c3e34",0.3018,"Ossip Perelma","ossip-perelma","1876 - 23 May 1949",1876,1949,"still-life-cma-93239","Still Life",{"_42":794,"_222":795,"_325":796,"_327":740,"_329":797,"_331":798,"_333":-5,"_335":-5,"_337":-5,"_140":101},"c. 1924","Framed: 75.5 x 91 x 5.5 cm (29 3/4 x 35 13/16 x 2 3/16 in.); Unframed: 61.2 x 76.5 cm (24 1/8 x 30 1/8 in.)",76.5,61.2,1.2550756736803248,[1088,1089,1090,1091,1092],{"_221":601,"_222":602,"_42":603,"_304":604},"1926.1664","Preston Dickinson painted this in about 1924, aged about 28. It is now at the Cleveland Museum of Art.",{"_118":1087,"_369":600},"Still Life, by Preston Dickinson, c. 1924",{"_295":1084,"_297":1085,"_299":1086},"https://img.ochreeditions.com/m/462.jpg?dl=1","/art/still-life-cma-93239","/galleries/style/early-modernism/still-life-cma-93239",{"_291":292,"_293":294},{"_225":1081,"_125":1082,"_285":1083},{"_276":1078,"_278":1079,"_280":1062,"_282":1080},91.5,75.9525,60.9525,{"_287":225,"_123":772,"_154":773,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":709,"_154":710,"_140":711},"https://img.ochreeditions.com/a/462/480.jpg","https://img.ochreeditions.com/a/462/960.jpg","https://img.ochreeditions.com/a/462/1920.jpg","Preston Dickinson’s composition presents a seemingly casual arrangement of eggplants and lemons amid a tabletop setting with a bowl, knife, and napkins. A loosely corked bottled beverage stands at left, and a lightly sketched chairback occupies an otherwise empty background.",{"_311":1100,"_313":1101},{"_311":1098,"_313":1099},{"_311":1096,"_313":1097},{"_311":1095,"_313":943},{"_311":1093,"_313":1094},"#b8b392",0.1121,"#867e64","#1c2120",0.1572,"#3e372c",0.1866,"#675d49",0.428,"october-morning-si-saam-1910-9-15","October Morning",{"_42":1149,"_222":1150,"_325":1151,"_327":-5,"_329":1152,"_331":511,"_333":-5,"_335":-5,"_337":-5,"_140":103},"ca. 1910","32 1/8 x 39 3/8 in. (81.5 x 99.9 cm.)",99.9,81.5,1.231827111984283,[1135,1136,1137,1138,1139],{"_221":488,"_222":489,"_42":490,"_304":491},"1910.9.15","Frank A. Bicknell painted this in about 1910, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1134,"_369":778},"October Morning, by Frank A. Bicknell, ca. 1910",{"_295":1131,"_297":1132,"_299":1133},"https://img.ochreeditions.com/m/1865.jpg?dl=1","/art/october-morning-si-saam-1910-9-15","/galleries/style/early-modernism/october-morning-si-saam-1910-9-15",{"_291":292,"_293":294},{"_225":1126,"_125":1127,"_285":1128},{"_276":1123,"_278":1124,"_280":1107,"_282":1125},114.9,96.09904306220096,81.09904306220096,{"_287":225,"_123":1129,"_154":1130,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-frank-a-bicknell","Frank A. Bicknell's contemporaries","https://img.ochreeditions.com/a/1865/480.jpg","https://img.ochreeditions.com/a/1865/960.jpg","https://img.ochreeditions.com/a/1865/1920.jpg","Frank Bicknell may have painted October Morning during one of his many stays at the artists' colony in Old Lyme, Connecticut.",{"_311":1147,"_313":1148},{"_311":1146,"_313":734},{"_311":1144,"_313":1145},{"_311":1142,"_313":1143},{"_311":1140,"_313":1141},"#ba967f",0.1262,"#bba8b1",0.1917,"#766c7e",0.2115,"#a38688","#e1ced0",0.2464,"Frank A. Bicknell","frank-a-bicknell","born Augusta, ME 1866-died Essex, CT 1943",1866,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","9bae1f13480426335629c39d3390d3a98341e1c9","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_222":1197,"_20":1198},{"_222":1195,"_20":1196},{"_222":1193,"_20":1194},{"_222":1191,"_20":1192},{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]