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on a Divan","artist",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":97},"unrecorded","date","1918","century",20,"place","italy","movement","early-modernism","painting","classification","Painting","medium","oil on canvas","dimensions","overall: 60.2 x 91.7 cm (23 11/16 x 36 1/8 in.) framed: 83.2 x 112.4 cm (32 3/4 x 44 1/4 in.)","width_cm",91.7,"height_cm",60.2,"aspect",1.539270950770387,"palette",[306,307,308,309,310],"museum",{"_220":301,"_221":302,"_42":303,"_304":305},"credit","Courtesy National Gallery of Art, Washington","accession","1963.10.77","licence","CC0","story","Amedeo Modigliani painted this in 1918, aged 34. It is now at the National Gallery of Art in Washington, DC.","note","A nude woman reclines across a brown divan against a russet-red wall, her body stretched so wide that her head is pushed into the upper corner and her legs run off the edge of the canvas.","A nude woman lying across a brown divan in front of a russet-red wall is loosely painted with areas of mottled color in this horizontal composition. The woman fills the wide canvas so her head is angled into the upper left corner, and her legs extend off the right edge of the composition below the knees. Her long, oval face rests back against the couch, and she looks at us with slitted, almond-shaped eyes under dark, shallowly arched brows. She has a long, straight nose, flushed cheeks, a double chin, and her pink lips are closed. Her breasts fall to each side so we only see the pink nipple closer to us. She has a rounded belly and a triangle of brown hair at her groin. Her arms rest alongside her body. The couch has a low, upholstered arms sweeping down the sides. Black lines in the red wall behind the couch suggest molding or cabinetry. The artist signed the painting in the upper right corner, “modigliani.”","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1521.jpg?dl=1","page_url","/art/nude-on-a-divan-nga-46552","walk_url","/galleries/style/early-modernism/nude-on-a-divan-nga-46552","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",106.7,"h",74.5736572265625,"image_w","image_h",59.5736572265625,{"_287":224,"_123":170,"_154":169,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":97},"facet","style/painting-20","More paintings of the 20th century",75,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1521/480.jpg","960","https://img.ochreeditions.com/a/1521/960.jpg","1920","https://img.ochreeditions.com/a/1521/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#d28059","weight",0.1462,"#6a3a1d",0.1566,"#591a14",0.1901,"#391d13",0.1987,"#ea9d75",0.3084,"Amedeo Modigliani","amedeo-modigliani","bio","Italian, 1884–1920","nationality","Italian","birth_year",1884,"death_year",1920,"birth_place","death_place","about_excerpt","Modigliani trained in Italy before moving to Paris in 1906, where he lived the precarious life of Montmartre and Montparnasse.","monsieur-deleu-nga-46551","Monsieur Deleu",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":97},"1916","overall: 81.1 x 46.7 cm (31 15/16 x 18 3/8 in.) framed: 90.8 x 55.5 cm (35 3/4 x 21 7/8 in.)",46.7,81.1,0.56103515625,[367,368,369,370,371],{"_220":301,"_221":302,"_42":303,"_304":305},"1963.10.76","Amedeo Modigliani painted this in 1916, aged 32. It is now at the National Gallery of Art in Washington, DC.","A round-faced man in a rust-red jacket and white cravat sits with his knees crossed, eyes lowered to slate-blue slivers beneath one cocked eyebrow.","Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting. The person’s clothing and features are outlined with thin black lines, and areas are filled in with mottled, streaked color painted with visible strokes. The person has a round face with a double chin and a small red mouth. The eyes are painted as slate-blue slivers under thin brows, one of which is cocked. The man’s short black hair is parted to one side and combed across the top of his head. He wears a white cravat tied at his neck under a rust-red jacket or shirt. Two rounded, muted blue forms below suggest crossed knees. The man’s right elbow rests next to his body, and that hand is near his lap. The background is painted with pecan brown on the left third and gray-blue on the right two-thirds.",{"_295":364,"_297":365,"_299":366},"https://img.ochreeditions.com/m/1520.jpg?dl=1","/art/monsieur-deleu-nga-46551","/galleries/style/early-modernism/monsieur-deleu-nga-46551",{"_291":292,"_293":294},{"_224":361,"_125":362,"_285":363},{"_276":358,"_278":359,"_280":360,"_281":343},60.499951171875,96.1,45.499951171875,{"_287":224,"_123":170,"_154":169,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":97},"https://img.ochreeditions.com/a/1520/480.jpg","https://img.ochreeditions.com/a/1520/960.jpg","https://img.ochreeditions.com/a/1520/1920.jpg",{"_311":380,"_313":381},{"_311":378,"_313":379},{"_311":376,"_313":377},{"_311":374,"_313":375},{"_311":372,"_313":373},"#c4ae8d",0.0161,"#c07c5f",0.1024,"#5e635e",0.181,"#352d28",0.2582,"#722f1a",0.4423,"dancing-sailors-cma-150174","Dancing Sailors",{"_42":449,"_221":450,"_325":451,"_327":452,"_329":198,"_331":453,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1917","united-states","drawing","Drawing","watercolor over graphite","Sheet: 20.4 x 25.7 cm (8 1/16 x 10 1/8 in.); Secondary Support: 21.4 x 26.3 cm (8 7/16 x 10 3/8 in.)",25.7,20.4,1.2490815576781777,[434,435,436,437,438],{"_220":430,"_221":431,"_42":432,"_304":433},"Courtesy of the Cleveland Museum of Art","1980.9","Charles Demuth painted this in 1917, aged 34. It is now at the Cleveland Museum of Art.",{"_118":427,"_428":429},"Dancing Sailors, by Charles Demuth, 1917",{"_295":424,"_297":425,"_299":426},"https://img.ochreeditions.com/m/713.jpg?dl=1","/art/dancing-sailors-cma-150174","/galleries/style/early-modernism/dancing-sailors-cma-150174",{"_291":422,"_293":423},{"_224":411,"_125":412,"_285":413},{"_276":408,"_278":409,"_280":391,"_281":410},49.7,44.575117647058825,20.575117647058825,{"_287":224,"_123":420,"_154":421,"_140":89},{"_287":125,"_123":417,"_154":418,"_140":419},{"_287":285,"_123":414,"_154":415,"_140":416},"era/20-united-states","20th-century United States",124,"style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-charles-demuth","Charles Demuth's contemporaries","white","snow","https://img.ochreeditions.com/a/713/480.jpg","https://img.ochreeditions.com/a/713/960.jpg","https://img.ochreeditions.com/a/713/1920.jpg","This drawing was inspired by Charles Demuth's participation in the nightlife of New York's Greenwich Village during the early 20th century. Around this time, the artist made numerous watercolors of nightclubs, performers, and bathhouses.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":447,"_313":448},{"_311":445,"_313":446},{"_311":443,"_313":444},{"_311":441,"_313":442},{"_311":439,"_313":440},"#5e554e",0.133,"#a68e77",0.1336,"#5e6976",0.1737,"#878884",0.2797,"#bcb09b",0.28,"Charles Demuth","charles-demuth","American, 1883–1935","American",1935,"the-bride-si-saam-1929-6-75","The Bride",{"_42":507,"_221":508,"_325":509,"_327":-5,"_329":510,"_331":511,"_333":-5,"_334":-5,"_335":-5,"_140":101},"ca. 1907","27 1/2 x 16 3/8 in. (70.0 x 41.7 cm)",41.7,70,0.5956666666666667,[492,493,494,495,496],{"_220":489,"_221":490,"_42":491,"_304":305},"Courtesy of the Smithsonian American Art Museum","1929.6.75","Gari Melchers painted this in about 1907, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.","The Bride, by Gari Melchers, ca. 1907",{"_295":486,"_297":487,"_299":488},"https://img.ochreeditions.com/m/1882.jpg?dl=1","/art/the-bride-si-saam-1929-6-75","/galleries/style/early-modernism/the-bride-si-saam-1929-6-75",{"_291":292,"_293":294},{"_224":478,"_125":479,"_285":480},{"_276":475,"_278":476,"_280":477,"_281":460},56.696666666666665,85,41.696666666666665,{"_287":224,"_123":484,"_154":485,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"era/20","The 20th century",189,"artist/contemporaries-of-gari-melchers","Gari Melchers's contemporaries","https://img.ochreeditions.com/a/1882/480.jpg","https://img.ochreeditions.com/a/1882/960.jpg","https://img.ochreeditions.com/a/1882/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},{"_311":499,"_313":500},{"_311":497,"_313":498},"#916a56",0.0868,"#5e5e59",0.169,"#a8a89a",0.2192,"#9a472b",0.2299,"#868783",0.2951,"Gari Melchers","gari-melchers","born Detroit MI 1860-died Falmouth, VA 1932",1860,1932,"clara-cook-kellogg-si-npg-s-npg-2006-114","Clara Cook Kellogg",{"_42":560,"_221":561,"_325":562,"_327":-5,"_329":563,"_331":564,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1929","Oil on canvas","Stretcher: 92.2 × 72.2 × 2.2 cm (36 5/16 × 28 7/16 × 7/8\")",72.2,92.2,0.77825,[545,546,547,548,549],{"_220":489,"_221":490,"_42":491,"_304":305},"Courtesy of the National Portrait Gallery, Smithsonian Institution","S/NPG.2006.114","Philip Alexius de László painted this in 1929, aged 60. It is now at the National Portrait Gallery in Washington, DC.","Artist: Philip Alexius de László, Sitter: Clara Margaret Cook Kellogg, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":542,"_297":543,"_299":544},"https://img.ochreeditions.com/m/1856.jpg?dl=1","/art/clara-cook-kellogg-si-npg-s-npg-2006-114","/galleries/style/early-modernism/clara-cook-kellogg-si-npg-s-npg-2006-114",{"_291":292,"_293":294},{"_224":537,"_125":538,"_285":539},{"_276":534,"_278":535,"_280":536,"_281":519},86.75465,107.2,71.75465,{"_287":224,"_123":540,"_154":541,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"artist/contemporaries-of-philip-alexius-de-laszlo","Philip Alexius de László's contemporaries","https://img.ochreeditions.com/a/1856/480.jpg","https://img.ochreeditions.com/a/1856/960.jpg","https://img.ochreeditions.com/a/1856/1920.jpg",{"_311":558,"_313":559},{"_311":556,"_313":557},{"_311":554,"_313":555},{"_311":552,"_313":553},{"_311":550,"_313":551},"#bcad97",0.0622,"#857b6c",0.1025,"#534b3c",0.2047,"#2c261a",0.2975,"#19191e",0.3331,"Philip Alexius de László","philip-alexius-de-laszlo","1869–1937",1869,1937,"jacques-and-berthe-lipchitz-aic-27987","Jacques and Berthe Lipchitz",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":97},"81.3 × 54.3 cm (32 × 21 3/8 in.)",54,81,0.6668341708542713,[601,602,603,604,605],{"_220":597,"_221":598,"_42":599,"_304":600},"Courtesy of the Art Institute of Chicago","1926.221","Amedeo Modigliani painted this in 1916, aged 32. It is now at the Art Institute of Chicago.",{"_118":595,"_428":596},"Large painting, standing man blue turtleneck, sitting woman with white collar.",{"_295":592,"_297":593,"_299":594},"https://img.ochreeditions.com/m/117.jpg?dl=1","/art/jacques-and-berthe-lipchitz-aic-27987","/galleries/style/early-modernism/jacques-and-berthe-lipchitz-aic-27987",{"_291":292,"_293":294},{"_224":589,"_125":590,"_285":591},{"_276":586,"_278":587,"_280":588,"_281":570},69.01356783919599,96,54.01356783919598,{"_287":224,"_123":170,"_154":169,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":97},"https://img.ochreeditions.com/a/117/480.jpg","https://img.ochreeditions.com/a/117/960.jpg","https://img.ochreeditions.com/a/117/1920.jpg","Amedeo Modigliani created his finest paintings between 1914 and his premature death in 1920. Focusing on a limited range of subjects, mainly portraits and nudes, he developed a highly distinctive style of sensitively elongated forms.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":614,"_313":615},{"_311":612,"_313":613},{"_311":610,"_313":611},{"_311":608,"_313":609},{"_311":606,"_313":607},"#975e44",0.109,"#5b4030",0.1101,"#666961",0.1581,"#404342",0.182,"#342522",0.4408,"two-gulls-and-cliffs-si-saam-1989-43-7","Two Gulls and Cliffs",{"_42":663,"_221":664,"_325":665,"_327":666,"_329":667,"_331":668,"_333":-5,"_334":-5,"_335":669,"_140":97},"ca. 1913-1921","oil on fiberboard","15 3/4 x 20 3/8 in. (40.1 x 51.6 cm)",51.6,40.1,1.3380909901873328,[648,649,650,651,652],{"_220":489,"_221":490,"_42":491,"_304":305},"1989.43.7","Louis M. Eilshemius painted this in about 1913-1921, aged about 49. It is now at the Smithsonian American Art Museum in Washington, DC.","Two Gulls and Cliffs, by Louis M. Eilshemius, ca. 1913-1921",{"_295":645,"_297":646,"_299":647},"https://img.ochreeditions.com/m/1985.jpg?dl=1","/art/two-gulls-and-cliffs-si-saam-1989-43-7","/galleries/style/early-modernism/two-gulls-and-cliffs-si-saam-1989-43-7",{"_291":292,"_293":294},{"_224":640,"_125":641,"_285":642},{"_276":637,"_278":638,"_280":622,"_281":639},66.6,53.5624,38.5624,{"_287":224,"_123":643,"_154":644,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":414,"_154":415,"_140":416},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1985/480.jpg","https://img.ochreeditions.com/a/1985/960.jpg","https://img.ochreeditions.com/a/1985/1920.jpg",{"_311":661,"_313":662},{"_311":659,"_313":660},{"_311":657,"_313":658},{"_311":655,"_313":656},{"_311":653,"_313":654},"#8b5921",0.1529,"#6b5635",0.1682,"#98998a",0.1905,"#b39f74",0.2171,"#96835a",0.2713,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","in-the-generalife-met-12116","In the Generalife",{"_42":727,"_221":728,"_325":729,"_327":452,"_329":187,"_331":730,"_333":731,"_334":732,"_335":733,"_140":97},"1912","watercolour","Watercolor","Watercolor, wax crayon, and graphite on white wove paper","14 3/4 x 17 7/8 in. (37.5 x 45.4 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm)",45.4,37.5,1.200061462814997,[712,713,714,715,716],{"_220":708,"_221":709,"_42":710,"_304":711},"Courtesy of The Metropolitan Museum of Art","15.142.8","John Singer Sargent painted this in 1912, aged 56. It is now at The Met in New York.","A woman sits sketching in the gardens of the Generalife, the summer palace above the Alhambra in Granada, with companions nearby. Sargent painted the scene in 1912 on one of the working holidays he took with family and friends, during which he turned increasingly from formal portraiture to watercolour.","In the Generalife, by John Singer Sargent, 1912",{"_295":705,"_297":706,"_299":707},"https://img.ochreeditions.com/m/852.jpg?dl=1","/art/in-the-generalife-met-12116","/galleries/style/early-modernism/in-the-generalife-met-12116",{"_291":422,"_293":423},{"_224":698,"_125":699,"_285":700},{"_276":695,"_278":696,"_280":678,"_281":697},69.4,61.83139564660691,37.83139564660691,{"_287":224,"_123":703,"_154":704,"_140":97},{"_287":125,"_123":701,"_154":702,"_140":476},{"_287":285,"_123":414,"_154":415,"_140":416},"style/watercolour","More watercolours","artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/852/480.jpg","https://img.ochreeditions.com/a/852/960.jpg","https://img.ochreeditions.com/a/852/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":725,"_313":726},{"_311":723,"_313":724},{"_311":721,"_313":722},{"_311":719,"_313":720},{"_311":717,"_313":718},"#d7cabb",0.1181,"#2b3f42",0.1675,"#9b9485",0.1863,"#6d6966",0.2242,"#3c393b",0.3039,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1925,"Florence","London","Sargent was born in Florence to American parents and grew up travelling across Europe.","on-the-beach-no-3-cma-93234","On the Beach, No. 3",{"_42":782,"_221":783,"_325":784,"_327":452,"_329":785,"_331":786,"_333":-5,"_334":-5,"_335":-5,"_140":101},"c. 1915–18","Framed: 81 x 103 x 6.5 cm (31 7/8 x 40 9/16 x 2 9/16 in.); Unframed: 66 x 85.1 cm (26 x 33 1/2 in.)",85.1,66,1.31731886865556,[767,768,769,770,771],{"_220":430,"_221":431,"_42":432,"_304":433},"1926.1653","Maurice Prendergast painted this in about 1915–18, aged 57. It is now at the Cleveland Museum of Art.",{"_118":766,"_428":429},"On the Beach, No. 3, by Maurice Prendergast, c. 1915–18",{"_295":763,"_297":764,"_299":765},"https://img.ochreeditions.com/m/461.jpg?dl=1","/art/on-the-beach-no-3-cma-93234","/galleries/style/early-modernism/on-the-beach-no-3-cma-93234",{"_291":292,"_293":294},{"_224":758,"_125":759,"_285":760},{"_276":755,"_278":756,"_280":739,"_281":757},100.1,79.60091176470587,64.60091176470587,{"_287":224,"_123":761,"_154":762,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":414,"_154":415,"_140":416},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/461/480.jpg","https://img.ochreeditions.com/a/461/960.jpg","https://img.ochreeditions.com/a/461/1920.jpg","Prendergast developed a distinctive painting style featuring rounded patches of thickly applied color. Like many of his works, On the Beach, No. 3 visually approximates a densely woven tapestry.",{"_311":780,"_313":781},{"_311":778,"_313":779},{"_311":776,"_313":777},{"_311":774,"_313":775},{"_311":772,"_313":773},"#9e967b",0.1387,"#94705e",0.1419,"#7d8777",0.206,"#6c6256",0.2258,"#7b7a57",0.2876,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,1924,"mary-si-saam-1991-102","Mary",{"_42":835,"_221":836,"_325":837,"_327":-5,"_329":838,"_331":564,"_333":-5,"_334":-5,"_335":-5,"_140":103},"ca. 1914","45 1/2 x 34 3/4 in. (115.5 x 88.2 cm.)",88.2,115.5,0.753,[821,822,823,824,825],{"_220":489,"_221":490,"_42":491,"_304":305},"1991.102","Henry Ossawa Tanner painted this in about 1914, aged 55. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":819,"_428":820},"Mary, by Henry Ossawa Tanner, ca. 1914",{"_295":816,"_297":817,"_299":818},"https://img.ochreeditions.com/m/1986.jpg?dl=1","/art/mary-si-saam-1991-102","/galleries/style/early-modernism/mary-si-saam-1991-102",{"_291":292,"_293":294},{"_224":811,"_125":812,"_285":813},{"_276":808,"_278":809,"_280":810,"_281":793},101.9715,130.5,86.9715,{"_287":224,"_123":814,"_154":815,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"artist/contemporaries-of-henry-ossawa-tanner","Henry Ossawa Tanner's contemporaries","https://img.ochreeditions.com/a/1986/480.jpg","https://img.ochreeditions.com/a/1986/960.jpg","https://img.ochreeditions.com/a/1986/1920.jpg","Henry Ossawa Tanner saw Mary, mother of Jesus, as a symbol of faith and fortitude. He painted many images of her and created this particular work during a difficult and trying time in his life. In 1914, the year his mother died, the outbreak of World War I forced his family to flee France for England.","Text from the Smithsonian American Art Museum.",{"_311":833,"_313":834},{"_311":831,"_313":832},{"_311":830,"_313":775},{"_311":828,"_313":829},{"_311":826,"_313":827},"#746347",0.0238,"#474e4f",0.082,"#2f3943","#20252d",0.304,"#16181f",0.4483,"Henry Ossawa Tanner","henry-ossawa-tanner","born Pittsburgh, PA 1859-died Paris, France 1937",1859,"the-sprout-lot-si-saam-1929-6-77","The Sprout Lot",{"_42":885,"_221":886,"_325":887,"_327":-5,"_329":888,"_331":889,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1915","27 3/8 x 41 1/4 in. (69.5 x 104.8 cm)",104.8,69.5,1.4940239043824701,[870,871,872,873,874],{"_220":489,"_221":490,"_42":491,"_304":305},"1929.6.77","J. Francis Murphy painted this in 1915, aged 62. It is now at the Smithsonian American Art Museum in Washington, DC.","The Sprout Lot, by J. Francis Murphy, 1915",{"_295":867,"_297":868,"_299":869},"https://img.ochreeditions.com/m/1883.jpg?dl=1","/art/the-sprout-lot-si-saam-1929-6-77","/galleries/style/early-modernism/the-sprout-lot-si-saam-1929-6-77",{"_291":292,"_293":294},{"_224":862,"_125":863,"_285":864},{"_276":859,"_278":860,"_280":844,"_281":861},119.8,85.14613333333332,70.14613333333332,{"_287":224,"_123":865,"_154":866,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"artist/contemporaries-of-j-francis-murphy","J. Francis Murphy's contemporaries","https://img.ochreeditions.com/a/1883/480.jpg","https://img.ochreeditions.com/a/1883/960.jpg","https://img.ochreeditions.com/a/1883/1920.jpg",{"_311":883,"_313":884},{"_311":881,"_313":882},{"_311":879,"_313":880},{"_311":877,"_313":878},{"_311":875,"_313":876},"#a98857",0.1054,"#52391c",0.1228,"#90682f",0.2118,"#cdb284",0.2667,"#775629",0.2933,"J. Francis Murphy","j-francis-murphy","born Oswego, NY 1853-died New York City 1921",1853,1921,"the-repast-of-the-lion-met-438822","The Repast of the Lion",{"_42":940,"_221":941,"_325":942,"_327":943,"_329":944,"_331":945,"_333":946,"_334":947,"_335":948,"_140":99},"france","Paintings","44 3/4 in. × 63 in. (113.7 × 160 cm)",160,113.7,1.4204248975027953,[925,926,927,928,929],{"_220":708,"_221":709,"_42":710,"_304":711},"51.112.5","Henri Rousseau painted this in about 1907, aged about 58. It is now at The Met in New York.","A lion sinks its teeth into its prey amid towering, stylised jungle foliage, enormous leaves and flowers rendered in many carefully distinguished greens.","The Repast of the Lion, by Henri Rousseau, ca. 1907",{"_295":922,"_297":923,"_299":924},"https://img.ochreeditions.com/m/1197.jpg?dl=1","/art/the-repast-of-the-lion-met-438822","/galleries/style/early-modernism/the-repast-of-the-lion-met-438822",{"_291":292,"_293":294},{"_224":915,"_125":916,"_285":917},{"_276":912,"_278":913,"_280":896,"_281":914},175,127.64235108895303,112.64235108895303,{"_287":224,"_123":920,"_154":921,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":918,"_154":919,"_140":81},"era/20-france","20th-century France","artist/henri-rousseau","More by Henri Rousseau","https://img.ochreeditions.com/a/1197/480.jpg","https://img.ochreeditions.com/a/1197/960.jpg","https://img.ochreeditions.com/a/1197/1920.jpg",{"_311":938,"_313":939},{"_311":936,"_313":937},{"_311":934,"_313":935},{"_311":932,"_313":933},{"_311":930,"_313":931},"#7d6237",0.0566,"#5b6c70",0.1045,"#8497a6",0.1153,"#20343a",0.3257,"#374946",0.3979,"Henri Rousseau","henri-rousseau","French, 1844–1910","French",1844,1910,"Laval","Paris","Rousseau worked for years as a clerk in the Paris toll service, which earned him the nickname “le Douanier”, and taught himself to paint, exhibiting from 1886 at the jury-free Salon des Indépendants.","mountain-landscape-with-fir-trees-cma-140070","Mountain Landscape with Fir Trees",{"_42":1001,"_221":1002,"_325":1003,"_327":1004,"_329":1005,"_331":1006,"_333":-5,"_334":-5,"_335":1007,"_140":99},"1918/19","germany","graphite and brush and black ink","Sheet: 34.6 x 50.7 cm (13 5/8 x 19 15/16 in.)",50.7,34.6,1.4655172413793103,[986,987,988,989,990],{"_220":430,"_221":431,"_42":432,"_304":433},"1963.86","Ernst Ludwig Kirchner drew this in 1918/19, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":985,"_428":429},"Mountain Landscape with Fir Trees, by Ernst Ludwig Kirchner, 1918/19",{"_295":982,"_297":983,"_299":984},"https://img.ochreeditions.com/m/653.jpg?dl=1","/art/mountain-landscape-with-fir-trees-cma-140070","/galleries/style/early-modernism/mountain-landscape-with-fir-trees-cma-140070",{"_291":422,"_293":423},{"_224":975,"_125":976,"_285":977},{"_276":972,"_278":973,"_280":956,"_281":974},74.7,58.595294117647065,34.595294117647065,{"_287":224,"_123":980,"_154":981,"_140":99},{"_287":125,"_123":417,"_154":418,"_140":419},{"_287":285,"_123":978,"_154":979,"_140":93},"era/20-germany","20th-century Germany","artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","https://img.ochreeditions.com/a/653/480.jpg","https://img.ochreeditions.com/a/653/960.jpg","https://img.ochreeditions.com/a/653/1920.jpg","Following his discharge from the military after a mental and physical breakdown in 1915, Ernst Ludwig Kirchner took refuge at a sanitarium near Davos, Switzerland. The alpine landscape provided a new focus for his work and became a metaphor for his spiritual regeneration.",{"_311":999,"_313":1000},{"_311":997,"_313":998},{"_311":995,"_313":996},{"_311":993,"_313":994},{"_311":991,"_313":992},"#3e362e",0.1264,"#6f6352",0.1552,"#a19179",0.1694,"#e9dabe",0.2017,"#d5c2a2",0.3473,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1880,1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","frank-brett-noyes-si-npg-s-npg-66-67","Frank Brett Noyes",{"_42":1053,"_221":1054,"_325":1055,"_327":-5,"_329":1056,"_331":1057,"_333":-5,"_334":-5,"_335":-5,"_140":103},"Accurate: 167.7 x 122.6 cm (66 x 48 1/4\")",122.6,167.7,0.7288332472896232,[1038,1039,1040,1041,1042],{"_220":489,"_221":490,"_42":491,"_304":305},"S/NPG.66.67","Ossip Perelma painted this in 1917, aged 41. It is now at the National Portrait Gallery in Washington, DC.","Artist: Ossip Perelma, Sitter: Frank Brett Noyes, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":1035,"_297":1036,"_299":1037},"https://img.ochreeditions.com/m/1857.jpg?dl=1","/art/frank-brett-noyes-si-npg-s-npg-66-67","/galleries/style/early-modernism/frank-brett-noyes-si-npg-s-npg-66-67",{"_291":292,"_293":294},{"_224":1030,"_125":1031,"_285":1032},{"_276":1027,"_278":1028,"_280":1029,"_281":1013},137.22533557046978,182.7,122.2253355704698,{"_287":224,"_123":1033,"_154":1034,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":481,"_154":482,"_140":483},"artist/contemporaries-of-ossip-perelma","Ossip Perelma's contemporaries","https://img.ochreeditions.com/a/1857/480.jpg","https://img.ochreeditions.com/a/1857/960.jpg","https://img.ochreeditions.com/a/1857/1920.jpg",{"_311":1051,"_313":1052},{"_311":1049,"_313":1050},{"_311":1047,"_313":1048},{"_311":1045,"_313":1046},{"_311":1043,"_313":1044},"#998d5d",0.1267,"#70795b",0.1476,"#6e633e",0.1938,"#465743",0.2301,"#2c3e34",0.3018,"Ossip Perelma","ossip-perelma","1876 - 23 May 1949",1876,1949,"girl-in-a-green-blouse-nga-46520","Girl in a Green Blouse",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":97},"overall: 81.3 x 46 cm (32 x 18 1/8 in.) framed: 95.9 x 60 cm (37 3/4 x 23 5/8 in.)",46,81.3,0.552734375,[1087,1088,1089,1090,1091],{"_220":301,"_221":302,"_42":303,"_304":305},"1963.10.45","Amedeo Modigliani painted this in 1917, aged 33. It is now at the National Gallery of Art in Washington, DC.","A young woman with golden-orange hair piled high sits facing us, her pale, almost white-irised eyes giving her a calm, unreadable look. Modigliani builds the figure from his familiar elements: an elongated oval face, a long neck, sloping shoulders and dark contour lines enclosing areas of mottled colour.","Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines. Her body faces us, and she looks out with pale blue eyes, the irises almost white. Her thin eyebrows slope down the sides and her small, dark peach lips are closed. Golden-orange hair is piled atop her head and a few bangs fall onto her high forehead. Black oval earrings hang from her lobes. Her shoulders also slope unnaturally down. Her mint-green shirt has a scooped neckline and elbow-length sleeves, and it appears to be tucked into a brown skirt or pants. The background is honey orange in the top left quadrant, amber brown in the lower left, and a russet brown door with windows across the top fills the right half. The artist signed the top right corner, “modigliani.”",{"_295":1084,"_297":1085,"_299":1086},"https://img.ochreeditions.com/m/1515.jpg?dl=1","/art/girl-in-a-green-blouse-nga-46520","/galleries/style/early-modernism/girl-in-a-green-blouse-nga-46520",{"_291":292,"_293":294},{"_224":1081,"_125":1082,"_285":1083},{"_276":1078,"_278":1079,"_280":1080,"_281":1063},59.937304687499996,96.3,44.937304687499996,{"_287":224,"_123":170,"_154":169,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":97},"https://img.ochreeditions.com/a/1515/480.jpg","https://img.ochreeditions.com/a/1515/960.jpg","https://img.ochreeditions.com/a/1515/1920.jpg",{"_311":1100,"_313":1101},{"_311":1098,"_313":1099},{"_311":1096,"_313":1097},{"_311":1094,"_313":1095},{"_311":1092,"_313":1093},"#482c22",0.1232,"#c9ab92",0.142,"#7b321f",0.1741,"#ab6d35",0.2625,"#8c9474",0.2982,"nude-nga-46550","Nude",{"_42":1149,"_221":1150,"_325":1151,"_327":943,"_329":1152,"_331":730,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1910","oil on cardboard","overall: 87.2 x 62 cm (34 5/16 x 24 7/16 in.) framed: 104.4 x 78.2 x 7.3 cm (41 1/8 x 30 13/16 x 2 7/8 in.)",62,87.2,0.69970703125,[1134,1135,1136,1137,1138],{"_220":301,"_221":302,"_42":303,"_304":305},"1963.10.75","Roger de La Fresnaye painted this in 1910, aged 25. It is now at the National Gallery of Art in Washington, DC.","The image is a painting of a woman's nude upper body extending from her head down to her hips, depicted in a standing position with her head slightly tilted to one side. Her facial features are distinct with a strong brow, prominent nose, and full lips, and her long dark hair cascades down to her shoulders. The background features abstract brushstrokes in dark blues and browns, blending into the lighter brown tone of the canvas, enhancing the figure's prominence in the composition. The woman appears naturalistic, with no jewelry or other objects visible in the painting.",{"_295":1131,"_297":1132,"_299":1133},"https://img.ochreeditions.com/m/1519.jpg?dl=1","/art/nude-nga-46550","/galleries/style/early-modernism/nude-nga-46550",{"_291":292,"_293":294},{"_224":1126,"_125":1127,"_285":1128},{"_276":1123,"_278":1124,"_280":1125,"_281":1109},76.014453125,102.2,61.014453125,{"_287":224,"_123":1129,"_154":1130,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":918,"_154":919,"_140":81},"artist/contemporaries-of-roger-de-la-fresnaye","Roger de La Fresnaye's contemporaries","https://img.ochreeditions.com/a/1519/480.jpg","https://img.ochreeditions.com/a/1519/960.jpg","https://img.ochreeditions.com/a/1519/1920.jpg",{"_311":1147,"_313":1148},{"_311":1145,"_313":1146},{"_311":1143,"_313":1144},{"_311":1141,"_313":1142},{"_311":1139,"_313":1140},"#d2c3b7",0.0205,"#9d7556",0.2274,"#483e45",0.2285,"#765c54",0.2458,"#c9a175",0.2778,"Roger de La Fresnaye","roger-de-la-fresnaye","French, 1885–1925",1885,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","abae802cdae681120bd94a74f8ec01370cf19675","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]