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It is now at the Cleveland Museum of Art.",{"_118":430,"_431":432},"Self-Portrait, by Abbott Handerson Thayer, 1920",{"_295":427,"_297":428,"_299":429},"https://img.ochreeditions.com/m/675.jpg?dl=1","/art/self-portrait-cma-144976","/galleries/style/early-modernism/self-portrait-cma-144976",{"_291":292,"_293":294},{"_225":422,"_125":423,"_285":424},{"_276":419,"_278":420,"_280":421,"_281":403},86.3814705882353,103.9,71.3814705882353,{"_287":225,"_123":425,"_154":426,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-abbott-handerson-thayer","Abbott Handerson Thayer's contemporaries","https://img.ochreeditions.com/a/675/480.jpg","https://img.ochreeditions.com/a/675/960.jpg","https://img.ochreeditions.com/a/675/1920.jpg","In 1919, an art commentator described Abbott Handerson Thayer as \"a man of slight build and of a nervous temperament, with a glance so intense and clear and penetrating; with a mind so keen and logical and which acts with such precision that the impression received of the man's personality is enduring.\"","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},"#ad8b6f",0.0362,"#7e6856",0.1906,"#604e3f",0.2433,"#4d4139",0.2475,"#383028",0.2824,"Abbott Handerson Thayer","abbott-handerson-thayer","American, 1849–1921",1849,1921,"my-day-at-home-si-saam-1909-7-30","My Day at Home",{"_42":509,"_222":510,"_325":511,"_327":-5,"_329":512,"_330":513,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1906","24 1/8 x 30 1/8 in. (61.3 x 76.6 cm)",76.6,61.3,1.246684350132626,[494,495,496,497,498],{"_221":301,"_222":302,"_42":303,"_304":305},"1909.7.30","William H. Howe painted this in 1906, aged 60. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":492,"_431":493},"My Day at Home, by William H. Howe, 1906",{"_295":489,"_297":490,"_299":491},"https://img.ochreeditions.com/m/1863.jpg?dl=1","/art/my-day-at-home-si-saam-1909-7-30","/galleries/style/early-modernism/my-day-at-home-si-saam-1909-7-30",{"_291":292,"_293":294},{"_225":481,"_125":482,"_285":483},{"_276":478,"_278":479,"_280":462,"_281":480},91.6,76.44297872340425,61.44297872340425,{"_287":225,"_123":487,"_154":488,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":484,"_154":485,"_140":486},"era/20","The 20th century",189,"artist/contemporaries-of-william-h-howe","William H. Howe's contemporaries","https://img.ochreeditions.com/a/1863/480.jpg","https://img.ochreeditions.com/a/1863/960.jpg","https://img.ochreeditions.com/a/1863/1920.jpg","William Henry Howe made a name for himself in France and the United States as a painter of animals. His farm scenes provided patrons with an antidote to the unnerving changes in American society brought about by industrialization.","Text from the Smithsonian American Art Museum.",{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},{"_311":499,"_313":500},"#d6ac6a",0.0913,"#a47235",0.1768,"#764c20",0.1998,"#4a3318",0.2592,"#2a2213",0.2729,"William H. Howe","william-h-howe","born Ravenna, OH 1846-died Bronxville, NY 1929",1846,1929,"frank-brett-noyes-si-npg-s-npg-66-67","Frank Brett Noyes",{"_42":562,"_222":563,"_325":564,"_327":-5,"_329":565,"_330":566,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1917","Oil on canvas","Accurate: 167.7 x 122.6 cm (66 x 48 1/4\")",122.6,167.7,0.7288332472896232,[547,548,549,550,551],{"_221":301,"_222":302,"_42":303,"_304":305},"Courtesy of the National Portrait Gallery, Smithsonian Institution","S/NPG.66.67","Ossip Perelma painted this in 1917, aged 41. It is now at the National Portrait Gallery in Washington, DC.","Artist: Ossip Perelma, Sitter: Frank Brett Noyes, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":544,"_297":545,"_299":546},"https://img.ochreeditions.com/m/1857.jpg?dl=1","/art/frank-brett-noyes-si-npg-s-npg-66-67","/galleries/style/early-modernism/frank-brett-noyes-si-npg-s-npg-66-67",{"_291":292,"_293":294},{"_225":539,"_125":540,"_285":541},{"_276":536,"_278":537,"_280":538,"_281":521},137.22533557046978,182.7,122.2253355704698,{"_287":225,"_123":542,"_154":543,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":484,"_154":485,"_140":486},"artist/contemporaries-of-ossip-perelma","Ossip Perelma's contemporaries","https://img.ochreeditions.com/a/1857/480.jpg","https://img.ochreeditions.com/a/1857/960.jpg","https://img.ochreeditions.com/a/1857/1920.jpg",{"_311":560,"_313":561},{"_311":558,"_313":559},{"_311":556,"_313":557},{"_311":554,"_313":555},{"_311":552,"_313":553},"#998d5d",0.1267,"#70795b",0.1476,"#6e633e",0.1938,"#465743",0.2301,"#2c3e34",0.3018,"Ossip Perelma","ossip-perelma","1876 - 23 May 1949",1876,1949,"the-bewitched-mill-aic-9021","The Bewitched Mill",{"_42":624,"_222":625,"_325":626,"_327":627,"_329":198,"_330":628,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1913","germany","Without frame: 130.2 × 90.8 cm (51 5/16 × 35 3/4 in.); 130.2 × 91.2 cm (51 1/4 × 35 7/8 in.)",90,130,0.6908267270668177,[609,610,611,612,613],{"_221":605,"_222":606,"_42":607,"_304":608},"Courtesy of the Art Institute of Chicago","1931.522","Franz Marc painted this in 1913, aged 33. It is now at the Art Institute of Chicago.",{"_118":603,"_431":604},"Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right. Red water wheel at left, angular blue and white cityscape top at left, tree top at right.",{"_295":600,"_297":601,"_299":602},"https://img.ochreeditions.com/m/18.jpg?dl=1","/art/the-bewitched-mill-aic-9021","/galleries/style/early-modernism/the-bewitched-mill-aic-9021",{"_291":292,"_293":294},{"_225":593,"_125":594,"_285":595},{"_276":590,"_278":591,"_280":592,"_281":574},104.8074745186863,145,89.8074745186863,{"_287":225,"_123":598,"_154":599,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":596,"_154":597,"_140":93},"era/20-germany","20th-century Germany","artist/contemporaries-of-franz-marc","Franz Marc's contemporaries","https://img.ochreeditions.com/a/18/480.jpg","https://img.ochreeditions.com/a/18/960.jpg","https://img.ochreeditions.com/a/18/1920.jpg","Among the German Expressionists, who used strong color and exaggerated form to express emotional content, Franz Marc was unique in his empathic interest in animal life. He painted this work following a sojourn to the Italian town of Merano.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":622,"_313":623},{"_311":620,"_313":621},{"_311":618,"_313":619},{"_311":616,"_313":617},{"_311":614,"_313":615},"#406486",0.1289,"#b05d44",0.136,"#473f3e",0.1577,"#366b61",0.1747,"#b4bcbd",0.4027,"Franz Marc","franz-marc","German, 1880–1916","German",1916,"calligraphic-interior-si-saam-1968-19-12","Calligraphic Interior",{"_42":676,"_222":677,"_325":678,"_327":-5,"_329":679,"_330":680,"_332":-5,"_333":-5,"_334":681,"_140":99},"ca. 1915","watercolor on paper mounted on paperboard","sheet: 10 x 14 in. (25.5 x 35.5 cm)",35.5,25.5,1.4204545454545454,[661,662,663,664,665],{"_221":301,"_222":302,"_42":303,"_304":305},"1968.19.12","H. Lyman Saÿen painted this in about 1915, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Calligraphic Interior, by H. Lyman Saÿen, ca. 1915",{"_295":658,"_297":659,"_299":660},"https://img.ochreeditions.com/m/1937.jpg?dl=1","/art/calligraphic-interior-si-saam-1968-19-12","/galleries/style/early-modernism/calligraphic-interior-si-saam-1968-19-12",{"_291":292,"_293":294},{"_225":653,"_125":654,"_285":655},{"_276":650,"_278":651,"_280":635,"_281":652},50.5,39.992000000000004,24.992,{"_287":225,"_123":656,"_154":657,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":484,"_154":485,"_140":486},"artist/h-lyman-sayen","More by H. Lyman Saÿen","https://img.ochreeditions.com/a/1937/480.jpg","https://img.ochreeditions.com/a/1937/960.jpg","https://img.ochreeditions.com/a/1937/1920.jpg",{"_311":674,"_313":675},{"_311":672,"_313":673},{"_311":670,"_313":671},{"_311":668,"_313":669},{"_311":666,"_313":667},"#5272ba",0.0448,"#332a25",0.1167,"#e98b3f",0.1625,"#9a7c68",0.1993,"#dec6b0",0.4767,"H. Lyman Saÿen","h-lyman-sayen","born Philadelphia, PA 1875-died Philadelphia, PA 1918",1875,1918,"Saÿen trained at the Pennsylvania Academy of the Fine Arts while working as an electrical engineer, patenting improvements to X-ray tubes. In Paris from 1906 he joined Henri Matisse’s classes and absorbed the bold colour of Fauvism.","a-florida-park-si-saam-1970-320","A Florida Park",{"_42":729,"_222":730,"_325":731,"_327":-5,"_329":732,"_330":733,"_332":-5,"_333":-5,"_334":-5,"_140":103},"before 1935","oil on canvas mounted on paperboard","15 7/8 x 11 3/4 in. (40.4 x 29.9 cm.)",29.9,40.4,0.7446666666666667,[714,715,716,717,718],{"_221":301,"_222":302,"_42":303,"_304":305},"1970.320","Joseph C. Claghorn painted this (before 1935), aged 66. It is now at the Smithsonian American Art Museum in Washington, DC.","A Florida Park, by Joseph C. Claghorn, before 1935",{"_295":711,"_297":712,"_299":713},"https://img.ochreeditions.com/m/1941.jpg?dl=1","/art/a-florida-park-si-saam-1970-320","/galleries/style/early-modernism/a-florida-park-si-saam-1970-320",{"_291":292,"_293":294},{"_225":706,"_125":707,"_285":708},{"_276":703,"_278":704,"_280":705,"_281":689},45.08453333333333,55.4,30.084533333333333,{"_287":225,"_123":709,"_154":710,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":484,"_154":485,"_140":486},"artist/contemporaries-of-joseph-c-claghorn","Joseph C. Claghorn's contemporaries","https://img.ochreeditions.com/a/1941/480.jpg","https://img.ochreeditions.com/a/1941/960.jpg","https://img.ochreeditions.com/a/1941/1920.jpg",{"_311":727,"_313":728},{"_311":725,"_313":726},{"_311":723,"_313":724},{"_311":721,"_313":722},{"_311":719,"_313":720},"#29211d",0.1396,"#967540",0.1443,"#4a4939",0.2088,"#726d48",0.2101,"#c4b67f",0.2972,"Joseph C. Claghorn","joseph-c-claghorn","born Philadelphia, PA 1869-died Bethesda, MD 1947",1869,1947,"girl-in-a-green-blouse-nga-46520","Girl in a Green Blouse",{"_42":390,"_222":391,"_325":392,"_327":393,"_329":394,"_330":395,"_332":-5,"_333":-5,"_334":396,"_140":97},"overall: 81.3 x 46 cm (32 x 18 1/8 in.) framed: 95.9 x 60 cm (37 3/4 x 23 5/8 in.)",46,81.3,0.552734375,[763,764,765,766,767],{"_221":372,"_222":373,"_42":374,"_304":305},"1963.10.45","Amedeo Modigliani painted this in 1917, aged 33. It is now at the National Gallery of Art in Washington, DC.","A young woman with golden-orange hair piled high sits facing us, her pale, almost white-irised eyes giving her a calm, unreadable look. Modigliani builds the figure from his familiar elements: an elongated oval face, a long neck, sloping shoulders and dark contour lines enclosing areas of mottled colour.","Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines. Her body faces us, and she looks out with pale blue eyes, the irises almost white. Her thin eyebrows slope down the sides and her small, dark peach lips are closed. Golden-orange hair is piled atop her head and a few bangs fall onto her high forehead. Black oval earrings hang from her lobes. Her shoulders also slope unnaturally down. Her mint-green shirt has a scooped neckline and elbow-length sleeves, and it appears to be tucked into a brown skirt or pants. The background is honey orange in the top left quadrant, amber brown in the lower left, and a russet brown door with windows across the top fills the right half. The artist signed the top right corner, “modigliani.”",{"_295":760,"_297":761,"_299":762},"https://img.ochreeditions.com/m/1515.jpg?dl=1","/art/girl-in-a-green-blouse-nga-46520","/galleries/style/early-modernism/girl-in-a-green-blouse-nga-46520",{"_291":292,"_293":294},{"_225":757,"_125":758,"_285":759},{"_276":754,"_278":755,"_280":756,"_281":739},59.937304687499996,96.3,44.937304687499996,{"_287":225,"_123":367,"_154":368,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":365,"_154":366,"_140":97},"https://img.ochreeditions.com/a/1515/480.jpg","https://img.ochreeditions.com/a/1515/960.jpg","https://img.ochreeditions.com/a/1515/1920.jpg",{"_311":776,"_313":777},{"_311":774,"_313":775},{"_311":772,"_313":773},{"_311":770,"_313":771},{"_311":768,"_313":769},"#482c22",0.1232,"#c9ab92",0.142,"#7b321f",0.1741,"#ab6d35",0.2625,"#8c9474",0.2982,"landscape-with-two-poplars-aic-8980","Landscape with Two Poplars",{"_42":824,"_222":825,"_325":826,"_327":827,"_329":-5,"_330":-5,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1912","78.8 × 100.4 cm (31 × 39 1/2 in.)",100,78,1.2691962951897222,[809,810,811,812,813],{"_221":605,"_222":606,"_42":607,"_304":608},"1931.508","Vasily Kandinsky painted this in 1912. It is now at the Art Institute of Chicago.","Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.",{"_295":806,"_297":807,"_299":808},"https://img.ochreeditions.com/m/17.jpg?dl=1","/art/landscape-with-two-poplars-aic-8980","/galleries/style/early-modernism/landscape-with-two-poplars-aic-8980",{"_291":292,"_293":294},{"_225":801,"_125":802,"_285":803},{"_276":798,"_278":799,"_280":783,"_281":800},115,93.79001883239171,78.79001883239171,{"_287":225,"_123":804,"_154":805,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":596,"_154":597,"_140":93},"artist/contemporaries-of-vasily-kandinsky","Vasily Kandinsky's contemporaries","https://img.ochreeditions.com/a/17/480.jpg","https://img.ochreeditions.com/a/17/960.jpg","https://img.ochreeditions.com/a/17/1920.jpg",{"_311":822,"_313":823},{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},{"_311":814,"_313":815},"#c69c58",0.1081,"#928c6c",0.1572,"#8d4743",0.2022,"#3e3e42",0.2166,"#4c6e60",0.3159,"Vasily Kandinsky","vasily-kandinsky","Born Moscow (formerly Russian Empire, now Russia), 1866; died Neuilly-sur-Seine, France, 1944","Born Moscow (formerly Russian Empire","nude-with-red-hair-nga-46559","Nude with Red Hair",{"_42":874,"_222":875,"_325":876,"_327":328,"_329":877,"_330":878,"_332":-5,"_333":-5,"_334":879,"_140":93},"overall: 110.9 x 86.5 cm (43 11/16 x 34 1/16 in.) framed: 138.4 x 113 x 7.6 cm (54 1/2 x 44 1/2 x 3 in.)",86.5,110.9,0.766845703125,[859,860,861,862,863],{"_221":372,"_222":373,"_42":374,"_304":305},"1963.10.84","George Bellows painted this in 1920, aged 38. It is now at the National Gallery of Art in Washington, DC.","A woman with copper-red hair sits partly wrapped in a black cloth, one arm across her chest and a strand of amber beads at her neck, her head turned to look away to the right.","Shown from the knees up, a woman sits partially covered by a black cloth as she holds one forearm across her bare breasts in this vertical painting. The woman has pale, yellow-tinged skin and long, copper-red hair and bangs. Her body faces us, but she turns her head to look off to our right with large blue, wide-set eyes. Her cheeks are flushed, and her full, dark pink lips are closed. A strand of gradually larger amber-yellow beads hangs around her neck, and she wears a gold-colored bracelet on the arm braced across her chest, her left arm, to our right. Glimpses of pale pink nipples are visible. The voluminous black cloth drapes down over one shoulder and across her hips. She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. Bellows E.S.B.”",{"_295":856,"_297":857,"_299":858},"https://img.ochreeditions.com/m/1526.jpg?dl=1","/art/nude-with-red-hair-nga-46559","/galleries/style/early-modernism/nude-with-red-hair-nga-46559",{"_291":292,"_293":294},{"_225":851,"_125":852,"_285":853},{"_276":848,"_278":849,"_280":850,"_281":833},100.0431884765625,125.9,85.0431884765625,{"_287":225,"_123":854,"_154":855,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1526/480.jpg","https://img.ochreeditions.com/a/1526/960.jpg","https://img.ochreeditions.com/a/1526/1920.jpg",{"_311":872,"_313":873},{"_311":870,"_313":871},{"_311":868,"_313":869},{"_311":866,"_313":867},{"_311":864,"_313":865},"#592620",0.0497,"#755d33",0.0603,"#c6a75e",0.0708,"#353227",0.1999,"#1b1a18",0.6193,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","head-of-a-young-girl-si-saam-1929-6-46","Head of a Young Girl",{"_42":940,"_222":941,"_325":942,"_327":-5,"_329":943,"_330":944,"_332":-5,"_333":-5,"_334":-5,"_140":103},"ca. 1900",19,"miniature","Painting-Miniature","watercolor on ivory","sight 3 1/4 x 2 3/8 in. (8.3 x 5.9 cm) rectangle",5.9,8.3,0.847457627118644,[925,926,927,928,929],{"_221":301,"_222":302,"_42":303,"_304":305},"1929.6.46","Lucia Fairchild Fuller painted this in about 1900, aged 30. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":924,"_431":493},"Head of a Young Girl, by Lucia Fairchild Fuller, ca. 1900",{"_295":921,"_297":922,"_299":923},"https://img.ochreeditions.com/m/1880.jpg?dl=1","/art/head-of-a-young-girl-si-saam-1929-6-46","/galleries/style/early-modernism/head-of-a-young-girl-si-saam-1929-6-46",{"_291":919,"_293":920},{"_225":909,"_125":910,"_285":911},{"_276":905,"_278":906,"_280":907,"_281":908},45.186440677966104,49,21.1864406779661,25,{"_287":225,"_123":917,"_154":918,"_140":89},{"_287":125,"_123":915,"_154":916,"_140":89},{"_287":285,"_123":912,"_154":913,"_140":914},"era/19","The 19th century",731,"style/miniature-19","More miniatures of the 19th century","artist/contemporaries-of-lucia-fairchild-fuller","Lucia Fairchild Fuller's contemporaries","white","snow","https://img.ochreeditions.com/a/1880/480.jpg","https://img.ochreeditions.com/a/1880/960.jpg","https://img.ochreeditions.com/a/1880/1920.jpg","The artist chose to place this unknown young lady against an “Oriental” background of tall grass, birds, and a large setting sun. The sitter’s vast puffed sleeves were known as gigot or leg-of-mutton sleeves, which grew to fantastic proportions during the last decade of the nineteenth century.",{"_311":938,"_313":939},{"_311":936,"_313":937},{"_311":934,"_313":935},{"_311":932,"_313":933},{"_311":930,"_313":931},"#acac82",0.0524,"#0e0c08",0.0822,"#524c37",0.1047,"#86867e",0.2471,"#aeb3ae",0.5136,"Lucia Fairchild Fuller","lucia-fairchild-fuller","born Boston, MA 1870-died Madison, WI 1924",1870,1924,"tradition-cma-98215","Tradition",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":204,"_330":331,"_332":-5,"_333":-5,"_334":335,"_140":95},"Unframed: 106 x 165.5 cm (41 3/4 x 65 3/16 in.)",165.5,106,1.585820895522388,[975,976,977,978,979],{"_221":433,"_222":434,"_42":435,"_304":436},"1917.9","Kenyon Cox painted this in 1916, aged 60. It is now at the Cleveland Museum of Art.",{"_118":974,"_431":432},"Tradition, by Kenyon Cox, 1916",{"_295":971,"_297":972,"_299":973},"https://img.ochreeditions.com/m/493.jpg?dl=1","/art/tradition-cma-98215","/galleries/style/early-modernism/tradition-cma-98215",{"_291":292,"_293":294},{"_225":968,"_125":969,"_285":970},{"_276":965,"_278":966,"_280":949,"_281":967},180.5,119.36235294117647,104.36235294117647,{"_287":225,"_123":171,"_154":170,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/493/480.jpg","https://img.ochreeditions.com/a/493/960.jpg","https://img.ochreeditions.com/a/493/1920.jpg","This painting demonstrates Cox's ideas about the importance in art of tradition and the classical spirit. Two figures in Grecian costumes, representing the arts of the past, pass on the eternal flame of tradition to two figures in Renaissance dress. Literature wears the laurel crown, and Painting holds the palette.",{"_311":988,"_313":989},{"_311":986,"_313":987},{"_311":984,"_313":985},{"_311":982,"_313":983},{"_311":980,"_313":981},"#68805b",0.1309,"#804433",0.1652,"#88704c",0.2102,"#beab82",0.2297,"#3f3826",0.264,"clara-cook-kellogg-si-npg-s-npg-2006-114","Clara Cook Kellogg",{"_42":1036,"_222":1037,"_325":1038,"_327":-5,"_329":732,"_330":194,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1929","Stretcher: 92.2 × 72.2 × 2.2 cm (36 5/16 × 28 7/16 × 7/8\")",72.2,92.2,0.77825,[1021,1022,1023,1024,1025],{"_221":301,"_222":302,"_42":303,"_304":305},"S/NPG.2006.114","Philip Alexius de László painted this in 1929, aged 60. It is now at the National Portrait Gallery in Washington, DC.","Artist: Philip Alexius de László, Sitter: Clara Margaret Cook Kellogg, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":1018,"_297":1019,"_299":1020},"https://img.ochreeditions.com/m/1856.jpg?dl=1","/art/clara-cook-kellogg-si-npg-s-npg-2006-114","/galleries/style/early-modernism/clara-cook-kellogg-si-npg-s-npg-2006-114",{"_291":292,"_293":294},{"_225":1013,"_125":1014,"_285":1015},{"_276":1010,"_278":1011,"_280":1012,"_281":996},86.75465,107.2,71.75465,{"_287":225,"_123":1016,"_154":1017,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":484,"_154":485,"_140":486},"artist/contemporaries-of-philip-alexius-de-laszlo","Philip Alexius de László's contemporaries","https://img.ochreeditions.com/a/1856/480.jpg","https://img.ochreeditions.com/a/1856/960.jpg","https://img.ochreeditions.com/a/1856/1920.jpg",{"_311":1034,"_313":1035},{"_311":1032,"_313":1033},{"_311":1030,"_313":1031},{"_311":1028,"_313":1029},{"_311":1026,"_313":1027},"#bcad97",0.0622,"#857b6c",0.1025,"#534b3c",0.2047,"#2c261a",0.2975,"#19191e",0.3331,"Philip Alexius de László","philip-alexius-de-laszlo","1869–1937","church-rancho-de-taos-si-saam-2016-38-32","Church, Rancho de Taos",{"_42":1085,"_222":1086,"_325":1087,"_327":-5,"_329":1088,"_330":733,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1931","watercolor on paper","sight: 17 5/8 × 14 1/8 in. (44.8 × 35.9 cm)",44.8,0.811,[1070,1071,1072,1073,1074],{"_221":301,"_222":302,"_42":303,"_304":305},"2016.38.32","Selden Connor Gile painted this in 1931, aged 54. It is now at the Smithsonian American Art Museum in Washington, DC.","Church, Rancho de Taos, by Selden Connor Gile, 1931",{"_295":1067,"_297":1068,"_299":1069},"https://img.ochreeditions.com/m/1996.jpg?dl=1","/art/church-rancho-de-taos-si-saam-2016-38-32","/galleries/style/early-modernism/church-rancho-de-taos-si-saam-2016-38-32",{"_291":292,"_293":294},{"_225":1062,"_125":1063,"_285":1064},{"_276":1059,"_278":1060,"_280":1061,"_281":1045},51.3328,59.8,36.3328,{"_287":225,"_123":1065,"_154":1066,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":484,"_154":485,"_140":486},"artist/contemporaries-of-selden-connor-gile","Selden Connor Gile's contemporaries","https://img.ochreeditions.com/a/1996/480.jpg","https://img.ochreeditions.com/a/1996/960.jpg","https://img.ochreeditions.com/a/1996/1920.jpg",{"_311":1083,"_313":1084},{"_311":1081,"_313":1082},{"_311":1079,"_313":1080},{"_311":1077,"_313":1078},{"_311":1075,"_313":1076},"#929c93",0.113,"#584b48",0.143,"#ca9c7b",0.1815,"#d3c9b4",0.2812,"#a96d5e",0.2813,"Selden Connor Gile","selden-connor-gile","born Stow, ME 1877-died San Rafael, CA 1947",1877,"marigolds-and-tangerines-nga-46553","Marigolds and Tangerines",{"_42":1136,"_222":1137,"_325":1138,"_327":1139,"_329":1140,"_330":878,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1924","switzerland","overall: 65.3 x 54.2 cm (25 11/16 x 21 5/16 in.) framed: 88.9 x 77.8 x 8.8 cm (35 x 30 5/8 x 3 7/16 in.)",54.2,65.3,0.823974609375,[1121,1122,1123,1124,1125],{"_221":372,"_222":373,"_42":374,"_304":305},"1963.10.78","Félix Vallotton painted this in 1924, aged 59. It is now at the National Gallery of Art in Washington, DC.","This painting shows a large jug filled with orange flowers on a woven brown surface, with three small oranges placed in front of it. The bottom half of the jug is a brownish-red color, while the top part and handles are a light tan. The jug is centered, with flowers extending slightly to the sides. The flowers in the vase are surrounded by dark green leaves and buds. The wall behind the vase is a light gray color, and the vase casts a light shadow on it.",{"_295":1118,"_297":1119,"_299":1120},"https://img.ochreeditions.com/m/1522.jpg?dl=1","/art/marigolds-and-tangerines-nga-46553","/galleries/style/early-modernism/marigolds-and-tangerines-nga-46553",{"_291":292,"_293":294},{"_225":1113,"_125":1114,"_285":1115},{"_276":1110,"_278":1111,"_280":1112,"_281":1096},68.8055419921875,80.3,53.8055419921875,{"_287":225,"_123":1116,"_154":1117,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":484,"_154":485,"_140":486},"artist/contemporaries-of-felix-vallotton","Félix Vallotton's contemporaries","https://img.ochreeditions.com/a/1522/480.jpg","https://img.ochreeditions.com/a/1522/960.jpg","https://img.ochreeditions.com/a/1522/1920.jpg",{"_311":1134,"_313":1135},{"_311":1132,"_313":1133},{"_311":1130,"_313":1131},{"_311":1128,"_313":1129},{"_311":1126,"_313":1127},"#a45739",0.0643,"#878274",0.0995,"#7b6244",0.1671,"#a6a392",0.2951,"#5a4b42",0.374,"Félix Vallotton","felix-vallotton","Swiss, 1865–1925","Swiss",1865,{"_1142":-5,"_1143":1144,"_1145":1146,"_1147":8,"_1148":1149,"_1150":8},"user","csrf","d93b7bb5f8b5355e6dde0802372142dce97560c5","cartCount",0,"dropLive","legal",[1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162],"uploadsEnabled",{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]