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It is now at the Smithsonian American Art Museum in Washington, DC.","Church, Rancho de Taos, by Selden Connor Gile, 1931",{"_293":435,"_295":436,"_297":437},"https://img.ochreeditions.com/m/1996.jpg?dl=1","/art/church-rancho-de-taos-si-saam-2016-38-32","/galleries/style/early-modernism/church-rancho-de-taos-si-saam-2016-38-32",{"_289":290,"_291":292},{"_224":430,"_125":431,"_283":432},{"_274":427,"_276":428,"_278":429,"_279":413},51.3328,59.8,36.3328,{"_285":224,"_123":433,"_154":434,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-selden-connor-gile","Selden Connor Gile's contemporaries","https://img.ochreeditions.com/a/1996/480.jpg","https://img.ochreeditions.com/a/1996/960.jpg","https://img.ochreeditions.com/a/1996/1920.jpg",{"_309":451,"_311":452},{"_309":449,"_311":450},{"_309":447,"_311":448},{"_309":445,"_311":446},{"_309":443,"_311":444},"#929c93",0.113,"#584b48",0.143,"#ca9c7b",0.1815,"#d3c9b4",0.2812,"#a96d5e",0.2813,"Selden Connor Gile","selden-connor-gile","born Stow, ME 1877-died San Rafael, CA 1947",1877,1947,"still-life-cma-93239","Still Life",{"_42":510,"_221":511,"_323":512,"_325":513,"_326":514,"_328":201,"_330":-5,"_331":-5,"_332":-5,"_140":101},"c. 1924","united-states","Framed: 75.5 x 91 x 5.5 cm (29 3/4 x 35 13/16 x 2 3/16 in.); Unframed: 61.2 x 76.5 cm (24 1/8 x 30 1/8 in.)",76.5,61.2,1.2550756736803248,[495,496,497,498,499],{"_220":380,"_221":381,"_42":382,"_302":383},"1926.1664","Preston Dickinson painted this in about 1924, aged about 28. It is now at the Cleveland Museum of Art.",{"_118":494,"_378":379},"Still Life, by Preston Dickinson, c. 1924",{"_293":491,"_295":492,"_297":493},"https://img.ochreeditions.com/m/462.jpg?dl=1","/art/still-life-cma-93239","/galleries/style/early-modernism/still-life-cma-93239",{"_289":290,"_291":292},{"_224":483,"_125":484,"_283":485},{"_274":480,"_276":481,"_278":464,"_279":482},91.5,75.9525,60.9525,{"_285":224,"_123":489,"_154":490,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":486,"_154":487,"_140":488},"era/20-united-states","20th-century United States",124,"artist/contemporaries-of-preston-dickinson","Preston Dickinson's contemporaries","https://img.ochreeditions.com/a/462/480.jpg","https://img.ochreeditions.com/a/462/960.jpg","https://img.ochreeditions.com/a/462/1920.jpg","Preston Dickinson’s composition presents a seemingly casual arrangement of eggplants and lemons amid a tabletop setting with a bowl, knife, and napkins. A loosely corked bottled beverage stands at left, and a lightly sketched chairback occupies an otherwise empty background.",{"_309":508,"_311":509},{"_309":506,"_311":507},{"_309":504,"_311":505},{"_309":502,"_311":503},{"_309":500,"_311":501},"#b8b392",0.1121,"#867e64",0.1161,"#1c2120",0.1572,"#3e372c",0.1866,"#675d49",0.428,"Preston Dickinson","preston-dickinson","American, 1891–1930","American",1891,"two-gulls-and-cliffs-si-saam-1989-43-7","Two Gulls and Cliffs",{"_42":562,"_221":563,"_323":564,"_325":565,"_326":566,"_328":202,"_330":-5,"_331":-5,"_332":567,"_140":97},"ca. 1913-1921","oil on fiberboard","15 3/4 x 20 3/8 in. (40.1 x 51.6 cm)",51.6,40.1,1.3380909901873328,[547,548,549,550,551],{"_220":299,"_221":300,"_42":301,"_302":303},"1989.43.7","Louis M. Eilshemius painted this in about 1913-1921, aged about 49. It is now at the Smithsonian American Art Museum in Washington, DC.","Two Gulls and Cliffs, by Louis M. Eilshemius, ca. 1913-1921",{"_293":544,"_295":545,"_297":546},"https://img.ochreeditions.com/m/1985.jpg?dl=1","/art/two-gulls-and-cliffs-si-saam-1989-43-7","/galleries/style/early-modernism/two-gulls-and-cliffs-si-saam-1989-43-7",{"_289":290,"_291":292},{"_224":539,"_125":540,"_283":541},{"_274":536,"_276":537,"_278":521,"_279":538},66.6,53.5624,38.5624,{"_285":224,"_123":542,"_154":543,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":486,"_154":487,"_140":488},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1985/480.jpg","https://img.ochreeditions.com/a/1985/960.jpg","https://img.ochreeditions.com/a/1985/1920.jpg",{"_309":560,"_311":561},{"_309":558,"_311":559},{"_309":556,"_311":557},{"_309":554,"_311":555},{"_309":552,"_311":553},"#8b5921",0.1529,"#6b5635",0.1682,"#98998a",0.1905,"#b39f74",0.2171,"#96835a",0.2713,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","sketch-for-mosaic-wisconsin-state-capital-justice-si-saam-1983-114-2","Sketch for Mosaic, Wisconsin State Capital, \"Justice\"",{"_42":613,"_221":614,"_323":615,"_325":513,"_326":195,"_328":616,"_330":-5,"_331":-5,"_332":617,"_140":95},"ca. 1912","14 1/8 x 27 1/4 in. (35.9 x 69.3 cm.)",69.3,1.9788918205804749,[598,599,600,601,602],{"_220":299,"_221":300,"_42":301,"_302":303},"1983.114.2","Kenyon Cox painted this in about 1912, aged 56. It is now at the Smithsonian American Art Museum in Washington, DC.","Sketch for Mosaic, Wisconsin State Capital, \"Justice\", by Kenyon Cox, ca. 1912",{"_293":595,"_295":596,"_297":597},"https://img.ochreeditions.com/m/1965.jpg?dl=1","/art/sketch-for-mosaic-wisconsin-state-capital-justice-si-saam-1983-114-2","/galleries/style/early-modernism/sketch-for-mosaic-wisconsin-state-capital-justice-si-saam-1983-114-2",{"_289":290,"_291":292},{"_224":590,"_125":591,"_283":592},{"_274":587,"_276":588,"_278":573,"_279":589},84.3,50.0196,35.0196,{"_285":224,"_123":593,"_154":594,"_140":95},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":486,"_154":487,"_140":488},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1965/480.jpg","https://img.ochreeditions.com/a/1965/960.jpg","https://img.ochreeditions.com/a/1965/1920.jpg",{"_309":611,"_311":612},{"_309":609,"_311":610},{"_309":607,"_311":608},{"_309":605,"_311":606},{"_309":603,"_311":604},"#9a2c10",0.0371,"#395859",0.0996,"#6c5d3b",0.2041,"#5b3b28",0.3218,"#a17949",0.3374,"Kenyon Cox","kenyon-cox","American, 1856–1919",1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","the-triumph-of-uncle-sam-si-chndm-1918-44-22","The Triumph of Uncle Sam",{"_42":670,"_221":671,"_323":-5,"_325":-5,"_326":-5,"_328":-5,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1917","Brush and flat oil paint, pen and red ink, crayon or color pencil on board","39.9 × 31.8 cm (15 11/16 × 12 1/2 in.)",31.8,39.9,0.8014317368331345,[655,656,657,658,659],{"_220":299,"_221":300,"_42":301,"_302":654},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1918-44-22","Victor Wilbour painted this in 1917. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":652,"_378":653},"THE TRIUMPH OF UNCLE SAM",{"_293":649,"_295":650,"_297":651},"https://img.ochreeditions.com/m/1726.jpg?dl=1","/art/the-triumph-of-uncle-sam-si-chndm-1918-44-22","/galleries/style/early-modernism/the-triumph-of-uncle-sam-si-chndm-1918-44-22",{"_289":372,"_291":373},{"_224":644,"_125":645,"_283":646},{"_274":641,"_276":642,"_278":643,"_279":625},55.977126299642066,63.9,31.977126299642066,{"_285":224,"_123":647,"_154":648,"_140":89},{"_285":125,"_123":367,"_154":368,"_140":369},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-victor-wilbour","Victor Wilbour's contemporaries","https://img.ochreeditions.com/a/1726/480.jpg","https://img.ochreeditions.com/a/1726/960.jpg","https://img.ochreeditions.com/a/1726/1920.jpg","Egyptian painting: Uncle Sam in right profile seated on throne at left. Female figure at right in right profile, holding balls entitled: \"CUBA\" and \"PORTO RICO\". Eagle, upper left.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_309":668,"_311":669},{"_309":666,"_311":667},{"_309":664,"_311":665},{"_309":662,"_311":663},{"_309":660,"_311":661},"#d29d62",0.0466,"#c9bdae",0.0953,"#cda381",0.1523,"#d0af83",0.1618,"#d3b693",0.544,"Victor Wilbour","victor-wilbour","girl-in-a-green-blouse-nga-46520","Girl in a Green Blouse",{"_42":725,"_221":726,"_323":727,"_325":728,"_326":729,"_328":730,"_330":-5,"_331":-5,"_332":731,"_140":97},"italy","overall: 81.3 x 46 cm (32 x 18 1/8 in.) framed: 95.9 x 60 cm (37 3/4 x 23 5/8 in.)",46,81.3,0.552734375,[710,711,712,713,714],{"_220":707,"_221":708,"_42":709,"_302":303},"Courtesy National Gallery of Art, Washington","1963.10.45","Amedeo Modigliani painted this in 1917, aged 33. It is now at the National Gallery of Art in Washington, DC.","A young woman with golden-orange hair piled high sits facing us, her pale, almost white-irised eyes giving her a calm, unreadable look. Modigliani builds the figure from his familiar elements: an elongated oval face, a long neck, sloping shoulders and dark contour lines enclosing areas of mottled colour.","Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines. Her body faces us, and she looks out with pale blue eyes, the irises almost white. Her thin eyebrows slope down the sides and her small, dark peach lips are closed. Golden-orange hair is piled atop her head and a few bangs fall onto her high forehead. Black oval earrings hang from her lobes. Her shoulders also slope unnaturally down. Her mint-green shirt has a scooped neckline and elbow-length sleeves, and it appears to be tucked into a brown skirt or pants. The background is honey orange in the top left quadrant, amber brown in the lower left, and a russet brown door with windows across the top fills the right half. The artist signed the top right corner, “modigliani.”",{"_293":704,"_295":705,"_297":706},"https://img.ochreeditions.com/m/1515.jpg?dl=1","/art/girl-in-a-green-blouse-nga-46520","/galleries/style/early-modernism/girl-in-a-green-blouse-nga-46520",{"_289":290,"_291":292},{"_224":697,"_125":698,"_283":699},{"_274":694,"_276":695,"_278":696,"_279":678},59.937304687499996,96.3,44.937304687499996,{"_285":224,"_123":702,"_154":703,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":700,"_154":701,"_140":97},"era/20-italy","20th-century Italy","artist/amedeo-modigliani","More by Amedeo Modigliani","https://img.ochreeditions.com/a/1515/480.jpg","https://img.ochreeditions.com/a/1515/960.jpg","https://img.ochreeditions.com/a/1515/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_309":723,"_311":724},{"_309":721,"_311":722},{"_309":719,"_311":720},{"_309":717,"_311":718},{"_309":715,"_311":716},"#482c22",0.1232,"#c9ab92",0.142,"#7b321f",0.1741,"#ab6d35",0.2625,"#8c9474",0.2982,"Amedeo Modigliani","amedeo-modigliani","Italian, 1884–1920","Italian",1884,1920,"Modigliani trained in Italy before moving to Paris in 1906, where he lived the precarious life of Montmartre and Montparnasse.","portrait-of-william-e-norton-si-saam-1982-1-31","Portrait of William E. Norton",{"_42":778,"_221":779,"_323":780,"_325":-5,"_326":456,"_328":781,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1901","25 1/2 x 21 in. (64.8 x 53.3 cm)",53.3,64.8,0.8121468926553672,[763,764,765,766,767],{"_220":299,"_221":300,"_42":301,"_302":303},"1982.1.31","William Penhallow Henderson painted this in 1901, aged 24. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of William E. Norton, by William Penhallow Henderson, 1901",{"_293":760,"_295":761,"_297":762},"https://img.ochreeditions.com/m/1961.jpg?dl=1","/art/portrait-of-william-e-norton-si-saam-1982-1-31","/galleries/style/early-modernism/portrait-of-william-e-norton-si-saam-1982-1-31",{"_289":290,"_291":292},{"_224":755,"_125":756,"_283":757},{"_274":752,"_276":753,"_278":754,"_279":738},67.62711864406779,79.8,52.62711864406779,{"_285":224,"_123":758,"_154":759,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-penhallow-henderson","William Penhallow Henderson's contemporaries","https://img.ochreeditions.com/a/1961/480.jpg","https://img.ochreeditions.com/a/1961/960.jpg","https://img.ochreeditions.com/a/1961/1920.jpg",{"_309":776,"_311":777},{"_309":774,"_311":775},{"_309":772,"_311":773},{"_309":770,"_311":771},{"_309":768,"_311":769},"#71623c",0.0373,"#c7a572",0.0427,"#393d32",0.2809,"#191b17",0.3011,"#242720",0.338,"William Penhallow Henderson","william-penhallow-henderson","born Medford, MA 1877-died Tesuque, NM 1943",1943,"mary-si-saam-1991-102","Mary",{"_42":831,"_221":832,"_323":833,"_325":-5,"_326":834,"_328":835,"_330":-5,"_331":-5,"_332":-5,"_140":103},"ca. 1914","45 1/2 x 34 3/4 in. (115.5 x 88.2 cm.)",88.2,115.5,0.753,[816,817,818,819,820],{"_220":299,"_221":300,"_42":301,"_302":303},"1991.102","Henry Ossawa Tanner painted this in about 1914, aged 55. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":814,"_378":815},"Mary, by Henry Ossawa Tanner, ca. 1914",{"_293":811,"_295":812,"_297":813},"https://img.ochreeditions.com/m/1986.jpg?dl=1","/art/mary-si-saam-1991-102","/galleries/style/early-modernism/mary-si-saam-1991-102",{"_289":290,"_291":292},{"_224":806,"_125":807,"_283":808},{"_274":803,"_276":804,"_278":805,"_279":788},101.9715,130.5,86.9715,{"_285":224,"_123":809,"_154":810,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henry-ossawa-tanner","Henry Ossawa Tanner's contemporaries","https://img.ochreeditions.com/a/1986/480.jpg","https://img.ochreeditions.com/a/1986/960.jpg","https://img.ochreeditions.com/a/1986/1920.jpg","Henry Ossawa Tanner saw Mary, mother of Jesus, as a symbol of faith and fortitude. He painted many images of her and created this particular work during a difficult and trying time in his life. In 1914, the year his mother died, the outbreak of World War I forced his family to flee France for England.","Text from the Smithsonian American Art Museum.",{"_309":829,"_311":830},{"_309":827,"_311":828},{"_309":825,"_311":826},{"_309":823,"_311":824},{"_309":821,"_311":822},"#746347",0.0238,"#474e4f",0.082,"#2f3943",0.1419,"#20252d",0.304,"#16181f",0.4483,"Henry Ossawa Tanner","henry-ossawa-tanner","born Pittsburgh, PA 1859-died Paris, France 1937",1859,1937,"new-moon-and-evening-star-nga-146847","New Moon and Evening Star",{"_42":889,"_221":890,"_323":891,"_325":513,"_326":834,"_328":892,"_330":-5,"_331":-5,"_332":893,"_140":99},"c. 1932","print","Print","etching, drypoint, and aquatint in black","plate: 24.9 × 19.9 cm (9 13/16 × 7 13/16 in.) sheet: 33.8 × 27.8 cm (13 5/16 × 10 15/16 in.)",19.9,24.9,0.7928994082840237,[874,875,876,877,878],{"_220":707,"_221":708,"_42":709,"_302":303},"2008.115.1124","George Elbert Burr made this in about 1932, aged 73. It is now at the National Gallery of Art in Washington, DC.","A saguaro cactus stands silhouetted at the left of a darkening desert, while a crescent moon and a bright evening star shine through a break in soft grey clouds above rocky mountains.","This print depicts a grayscale desert landscape with a prominent saguaro cactus to the left. In the background, rocky mountains are visible in the darkness. The sky shows a crescent moon and a bright star through an opening in the soft gray clouds. Sparse desert vegetation is faintly visible on the ground, and more cacti can be seen in the distance.",{"_293":871,"_295":872,"_297":873},"https://img.ochreeditions.com/m/1677.jpg?dl=1","/art/new-moon-and-evening-star-nga-146847","/galleries/style/early-modernism/new-moon-and-evening-star-nga-146847",{"_289":372,"_291":373},{"_224":864,"_125":865,"_283":866},{"_274":860,"_276":861,"_278":862,"_279":863},43.82248520710059,49,19.82248520710059,25,{"_285":224,"_123":869,"_154":870,"_140":99},{"_285":125,"_123":867,"_154":868,"_140":75},{"_285":283,"_123":486,"_154":487,"_140":488},"style/print-20","More prints of the 20th century","artist/george-elbert-burr","More by George Elbert Burr","https://img.ochreeditions.com/a/1677/480.jpg","https://img.ochreeditions.com/a/1677/960.jpg","https://img.ochreeditions.com/a/1677/1920.jpg",{"_309":887,"_311":888},{"_309":885,"_311":886},{"_309":883,"_311":884},{"_309":881,"_311":882},{"_309":879,"_311":880},"#a5a196",0.0971,"#e1e1d5",0.1036,"#605c57",0.1403,"#46423f",0.1691,"#7f7b71",0.4899,"George Elbert Burr","george-elbert-burr","American, 1859–1939",1939,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","in-the-generalife-met-12116","In the Generalife",{"_42":951,"_221":952,"_323":953,"_325":513,"_326":195,"_328":954,"_330":955,"_331":956,"_332":957,"_140":97},"1912","watercolour","Watercolor","Watercolor, wax crayon, and graphite on white wove paper","14 3/4 x 17 7/8 in. (37.5 x 45.4 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm)",45.4,37.5,1.200061462814997,[936,937,938,939,940],{"_220":933,"_221":934,"_42":935,"_302":654},"Courtesy of The Metropolitan Museum of Art","15.142.8","John Singer Sargent painted this in 1912, aged 56. It is now at The Met in New York.","A woman sits sketching in the gardens of the Generalife, the summer palace above the Alhambra in Granada, with companions nearby. Sargent painted the scene in 1912 on one of the working holidays he took with family and friends, during which he turned increasingly from formal portraiture to watercolour.","In the Generalife, by John Singer Sargent, 1912",{"_293":930,"_295":931,"_297":932},"https://img.ochreeditions.com/m/852.jpg?dl=1","/art/in-the-generalife-met-12116","/galleries/style/early-modernism/in-the-generalife-met-12116",{"_289":372,"_291":373},{"_224":922,"_125":923,"_283":924},{"_274":919,"_276":920,"_278":902,"_279":921},69.4,61.83139564660691,37.83139564660691,{"_285":224,"_123":928,"_154":929,"_140":97},{"_285":125,"_123":925,"_154":926,"_140":927},{"_285":283,"_123":486,"_154":487,"_140":488},"style/watercolour","More watercolours",85,"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/852/480.jpg","https://img.ochreeditions.com/a/852/960.jpg","https://img.ochreeditions.com/a/852/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_309":949,"_311":950},{"_309":947,"_311":948},{"_309":945,"_311":946},{"_309":943,"_311":944},{"_309":941,"_311":942},"#d7cabb",0.1181,"#2b3f42",0.1675,"#9b9485",0.1863,"#6d6966",0.2242,"#3c393b",0.3039,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1925,"Florence","London","Sargent was born in Florence to American parents and grew up travelling across Europe.","clara-cook-kellogg-si-npg-s-npg-2006-114","Clara Cook Kellogg",{"_42":1006,"_221":1007,"_323":1008,"_325":-5,"_326":1009,"_328":835,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1929","Oil on canvas","Stretcher: 92.2 × 72.2 × 2.2 cm (36 5/16 × 28 7/16 × 7/8\")",72.2,92.2,0.77825,[991,992,993,994,995],{"_220":299,"_221":300,"_42":301,"_302":303},"Courtesy of the National Portrait Gallery, Smithsonian Institution","S/NPG.2006.114","Philip Alexius de László painted this in 1929, aged 60. It is now at the National Portrait Gallery in Washington, DC.","Artist: Philip Alexius de László, Sitter: Clara Margaret Cook Kellogg, Current owner: National Portrait Gallery, Smithsonian Institution",{"_293":988,"_295":989,"_297":990},"https://img.ochreeditions.com/m/1856.jpg?dl=1","/art/clara-cook-kellogg-si-npg-s-npg-2006-114","/galleries/style/early-modernism/clara-cook-kellogg-si-npg-s-npg-2006-114",{"_289":290,"_291":292},{"_224":983,"_125":984,"_283":985},{"_274":980,"_276":981,"_278":982,"_279":965},86.75465,107.2,71.75465,{"_285":224,"_123":986,"_154":987,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-philip-alexius-de-laszlo","Philip Alexius de László's contemporaries","https://img.ochreeditions.com/a/1856/480.jpg","https://img.ochreeditions.com/a/1856/960.jpg","https://img.ochreeditions.com/a/1856/1920.jpg",{"_309":1004,"_311":1005},{"_309":1002,"_311":1003},{"_309":1000,"_311":1001},{"_309":998,"_311":999},{"_309":996,"_311":997},"#bcad97",0.0622,"#857b6c",0.1025,"#534b3c",0.2047,"#2c261a",0.2975,"#19191e",0.3331,"Philip Alexius de László","philip-alexius-de-laszlo","1869–1937",1869,"child-reading-si-saam-1968-19-11","Child Reading",{"_42":1057,"_221":1058,"_323":1059,"_325":-5,"_326":1060,"_328":1061,"_330":-5,"_331":-5,"_332":1062,"_140":99},"1915-1918","watercolor on paper mounted on paperboard","sheet: 9 3/8 x 10 in. (23.9 x 25.4 cm) irregular",25.4,23.9,1.1026767878545745,[1042,1043,1044,1045,1046],{"_220":299,"_221":300,"_42":301,"_302":303},"1968.19.11","H. Lyman Saÿen painted this in 1915-1918, aged about 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Child Reading, by H. Lyman Saÿen, 1915-1918",{"_293":1039,"_295":1040,"_297":1041},"https://img.ochreeditions.com/m/1936.jpg?dl=1","/art/child-reading-si-saam-1968-19-11","/galleries/style/early-modernism/child-reading-si-saam-1968-19-11",{"_289":290,"_291":292},{"_224":1034,"_125":1035,"_283":1036},{"_274":1031,"_276":1032,"_278":1016,"_279":1033},40.4,38.03485507246377,23.034855072463767,{"_285":224,"_123":1037,"_154":1038,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/h-lyman-sayen","More by H. Lyman Saÿen","https://img.ochreeditions.com/a/1936/480.jpg","https://img.ochreeditions.com/a/1936/960.jpg","https://img.ochreeditions.com/a/1936/1920.jpg",{"_309":1055,"_311":1056},{"_309":1053,"_311":1054},{"_309":1051,"_311":1052},{"_309":1049,"_311":1050},{"_309":1047,"_311":1048},"#d98951",0.1013,"#413341",0.1538,"#5971b4",0.2139,"#beaea9",0.2293,"#234bc7",0.3017,"H. Lyman Saÿen","h-lyman-sayen","born Philadelphia, PA 1875-died Philadelphia, PA 1918",1875,1918,"Saÿen trained at the Pennsylvania Academy of the Fine Arts while working as an electrical engineer, patenting improvements to X-ray tubes. In Paris from 1906 he joined Henri Matisse’s classes and absorbed the bold colour of Fauvism.","a-florida-park-si-saam-1970-320","A Florida Park",{"_42":1109,"_221":1110,"_323":1111,"_325":-5,"_326":1009,"_328":457,"_330":-5,"_331":-5,"_332":-5,"_140":103},"before 1935","oil on canvas mounted on paperboard","15 7/8 x 11 3/4 in. (40.4 x 29.9 cm.)",29.9,0.7446666666666667,[1094,1095,1096,1097,1098],{"_220":299,"_221":300,"_42":301,"_302":303},"1970.320","Joseph C. Claghorn painted this (before 1935), aged 66. It is now at the Smithsonian American Art Museum in Washington, DC.","A Florida Park, by Joseph C. Claghorn, before 1935",{"_293":1091,"_295":1092,"_297":1093},"https://img.ochreeditions.com/m/1941.jpg?dl=1","/art/a-florida-park-si-saam-1970-320","/galleries/style/early-modernism/a-florida-park-si-saam-1970-320",{"_289":290,"_291":292},{"_224":1086,"_125":1087,"_283":1088},{"_274":1083,"_276":1084,"_278":1085,"_279":1031},45.08453333333333,55.4,30.084533333333333,{"_285":224,"_123":1089,"_154":1090,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-c-claghorn","Joseph C. Claghorn's contemporaries","https://img.ochreeditions.com/a/1941/480.jpg","https://img.ochreeditions.com/a/1941/960.jpg","https://img.ochreeditions.com/a/1941/1920.jpg",{"_309":1107,"_311":1108},{"_309":1105,"_311":1106},{"_309":1103,"_311":1104},{"_309":1101,"_311":1102},{"_309":1099,"_311":1100},"#29211d",0.1396,"#967540",0.1443,"#4a4939",0.2088,"#726d48",0.2101,"#c4b67f",0.2972,"Joseph C. Claghorn","joseph-c-claghorn","born Philadelphia, PA 1869-died Bethesda, MD 1947","mr-and-mrs-phillip-wase-si-saam-1967-39-1","Mr. and Mrs. Phillip Wase",{"_42":1159,"_221":1160,"_323":1161,"_325":513,"_326":1162,"_328":954,"_330":-5,"_331":-5,"_332":1163,"_140":93},"1924","51 1/4 x 63 in. (130.2 x 159.9 cm.)",159.9,130.2,1.2254901960784315,[1145,1146,1147,1148,1149],{"_220":299,"_221":300,"_42":301,"_302":303},"1967.39.1","George Bellows painted this in 1924, aged 42. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1144,"_378":815},"Mr. and Mrs. Phillip Wase, by George Bellows, 1924",{"_293":1141,"_295":1142,"_297":1143},"https://img.ochreeditions.com/m/1930.jpg?dl=1","/art/mr-and-mrs-phillip-wase-si-saam-1967-39-1","/galleries/style/early-modernism/mr-and-mrs-phillip-wase-si-saam-1967-39-1",{"_289":290,"_291":292},{"_224":1136,"_125":1137,"_283":1138},{"_274":1133,"_276":1134,"_278":1117,"_279":1135},174.9,145.4784,130.4784,{"_285":224,"_123":1139,"_154":1140,"_140":93},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":486,"_154":487,"_140":488},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1930/480.jpg","https://img.ochreeditions.com/a/1930/960.jpg","https://img.ochreeditions.com/a/1930/1920.jpg","George Bellows spent summers in Woodstock, New York, where Mrs. Wase worked as a cleaning woman and her husband was a gardener. Bellows chose to show the couple stiffly posed and strangely detached from one another. Mrs. Wase’s face shows the worries of a lifetime, and Mr.",{"_309":1157,"_311":1158},{"_309":1155,"_311":1156},{"_309":1154,"_311":665},{"_309":1152,"_311":1153},{"_309":1150,"_311":1151},"#896f41",0.0451,"#aea881",0.1082,"#737a66","#1a2824",0.3275,"#4b5243",0.3669,"George Bellows","george-bellows","American, 1882–1925",1882,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.",{"_1165":-5,"_1166":1167,"_1168":1169,"_1170":8,"_1171":1172,"_1173":8},"user","csrf","dd24591aa86fd0d439befb99a408502acb31aaba","cartCount",0,"dropLive","legal",[1174,1175,1176,1177,1178,1179,1180,1181,1182,1183,1184,1185],"uploadsEnabled",{"_221":1208,"_20":1209},{"_221":1206,"_20":1207},{"_221":1204,"_20":1205},{"_221":1202,"_20":1203},{"_221":1200,"_20":1201},{"_221":1198,"_20":1199},{"_221":1196,"_20":1197},{"_221":1194,"_20":1195},{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]