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Muller","jan-harmensz-muller","Dutch, 1571–1628","Dutch",1571,1628,"Muller came from an Amsterdam family of engravers and publishers and became one of the most accomplished Dutch Mannerist engravers.","trompe-l-oeil-still-life-with-a-flower-garland-and-a-curtain-aic-66042","Trompe-l'Oeil Still Life with a Flower Garland and a Curtain",{"_42":451,"_221":452,"_323":453,"_325":389,"_327":454,"_328":455,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1658","painting","Painting","Oil on panel","46.5 × 63.9 cm (18 1/4 × 25 1/8 in.); Framed: 69.2 × 86.7 × 8.3 cm (27 1/4 × 34 1/8 × 3 1/4 in.)",63,46,1.3872238022314591,[436,437,438,439,440],{"_220":299,"_221":300,"_42":301,"_302":303},"1949.585","Adriaen van der Spelt painted this in 1658, aged 28. It is now at the Art Institute of Chicago.",{"_118":433,"_434":435},"A work made of oil on panel.",{"_293":430,"_295":431,"_297":432},"https://img.ochreeditions.com/m/185.jpg?dl=1","/art/trompe-l-oeil-still-life-with-a-flower-garland-and-a-curtain-aic-66042","/galleries/style/dutch-golden-age/trompe-l-oeil-still-life-with-a-flower-garland-and-a-curtain-aic-66042",{"_289":428,"_291":429},{"_224":420,"_125":421,"_284":422},{"_275":417,"_277":418,"_279":401,"_280":419},78,60.41444567102981,45.41444567102981,{"_286":224,"_123":426,"_154":427,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-17","More paintings of the 17th century",168,"artist/contemporaries-of-adriaen-van-der-spelt","Adriaen van der Spelt's contemporaries","natural","ivory","https://img.ochreeditions.com/a/185/480.jpg","https://img.ochreeditions.com/a/185/960.jpg","https://img.ochreeditions.com/a/185/1920.jpg","Van der Spelt’s splendid garland displays about 20 floral varieties—including a tulip, a 16th-century import from Persia that is now an icon of Dutch culture.","source","Text from the Art Institute of Chicago.",{"_309":449,"_311":450},{"_309":447,"_311":448},{"_309":445,"_311":446},{"_309":443,"_311":444},{"_309":441,"_311":442},"#653221",0.0588,"#786b69",0.07,"#748fa3",0.1264,"#325369",0.1365,"#181713",0.6083,"Adriaen van der Spelt","adriaen-van-der-spelt","Dutch, 1630–1673",1630,1673,"alpheus-and-arethusa-aic-257287","Alpheus and Arethusa",{"_42":501,"_221":502,"_323":503,"_325":389,"_327":504,"_328":505,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1626","45 × 58 cm (17 3/4 × 22 7/8 in.); Framed: 45.1 × 57.8 × 6.4 cm (17 3/4 × 22 3/4 × 2 1/2 in.)",58,45,1.4215373715905066,[486,487,488,489,490],{"_220":299,"_221":300,"_42":301,"_302":303},"2023.2778","Moses van Uyttenbroeck painted this in 1626, aged 36. It is now at the Art Institute of Chicago.",{"_293":483,"_295":484,"_297":485},"https://img.ochreeditions.com/m/393.jpg?dl=1","/art/alpheus-and-arethusa-aic-257287","/galleries/style/dutch-golden-age/alpheus-and-arethusa-aic-257287",{"_289":428,"_291":429},{"_224":478,"_125":479,"_284":480},{"_275":475,"_277":476,"_279":461,"_280":477},73,55.80089708447545,40.80089708447545,{"_286":224,"_123":481,"_154":482,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-moses-van-uyttenbroeck","Moses van Uyttenbroeck's contemporaries","https://img.ochreeditions.com/a/393/480.jpg","https://img.ochreeditions.com/a/393/960.jpg","https://img.ochreeditions.com/a/393/1920.jpg",{"_309":499,"_311":500},{"_309":497,"_311":498},{"_309":495,"_311":496},{"_309":493,"_311":494},{"_309":491,"_311":492},"#602715",0.0458,"#646143",0.1118,"#9a9376",0.191,"#38331d",0.2253,"#1e1911",0.4261,"Moses van Uyttenbroeck","moses-van-uyttenbroeck","Dutch, c. 1590–1648",1590,1648,"study-of-a-tulip-wit-en-root-boode-cma-80646","Study of a Tulip (Wit en root boode)",{"_42":566,"_221":567,"_323":568,"_325":389,"_327":569,"_328":455,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1645","drawing","Drawing","Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper","Sheet: 31.2 x 20.6 cm (12 5/16 x 8 1/8 in.)",20.6,31.2,0.6835294117647058,[551,552,553,554,555],{"_220":547,"_221":548,"_42":549,"_302":550},"Courtesy of the Cleveland Museum of Art","2020.130","Pieter Holsteyn II painted this in about 1645, aged about 28. It is now at the Cleveland Museum of Art.",{"_118":545,"_434":546},"Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645",{"_293":542,"_295":543,"_297":544},"https://img.ochreeditions.com/m/452.jpg?dl=1","/art/study-of-a-tulip-wit-en-root-boode-cma-80646","/galleries/style/dutch-golden-age/study-of-a-tulip-wit-en-root-boode-cma-80646",{"_289":290,"_291":292},{"_224":534,"_125":535,"_284":536},{"_275":531,"_277":532,"_279":533,"_280":515},45.32611764705882,55.2,21.326117647058823,{"_286":224,"_123":540,"_154":541,"_140":89},{"_286":125,"_123":537,"_154":538,"_140":539},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-pieter-holsteyn-ii","Pieter Holsteyn II's contemporaries","https://img.ochreeditions.com/a/452/480.jpg","https://img.ochreeditions.com/a/452/960.jpg","https://img.ochreeditions.com/a/452/1920.jpg","This image of a tulip was made as part of a tulip book used as a grower’s marketing tool during the so-called tulip mania, a speculative bubble in 17th-century Holland, when ten tulip bulbs could cost more than a stately Amsterdam canal house.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":564,"_311":565},{"_309":562,"_311":563},{"_309":560,"_311":561},{"_309":558,"_311":559},{"_309":556,"_311":557},"#ab5e68",0.0138,"#bb9c96",0.0211,"#b0b7a5",0.0396,"#80a481",0.0451,"#dccfc5",0.8804,"Pieter Holsteyn II","pieter-holsteyn-ii","Dutch, c.1612–1673",1612,"david-slaying-goliath-aic-100357","David Slaying Goliath",{"_42":389,"_221":619,"_323":-5,"_325":-5,"_327":-5,"_328":-5,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1600–50","Oil on copper","27 × 41 cm (10 5/8 × 16 1/8 in.)",41,27,1.5738171469228033,[604,605,606,607,608],{"_220":299,"_221":300,"_42":301,"_302":303},"1983.387","Dutch painted this in 1600–50. It is now at the Art Institute of Chicago.","A work made of oil on copper.",{"_293":601,"_295":602,"_297":603},"https://img.ochreeditions.com/m/261.jpg?dl=1","/art/david-slaying-goliath-aic-100357","/galleries/style/dutch-golden-age/david-slaying-goliath-aic-100357",{"_289":428,"_291":429},{"_224":594,"_125":595,"_284":596},{"_275":591,"_277":592,"_279":576,"_280":593},56,41.05131103074141,26.05131103074141,{"_286":224,"_123":599,"_154":600,"_140":89},{"_286":125,"_123":597,"_154":598,"_140":181},{"_286":284,"_123":361,"_154":362,"_140":363},"style/painting-16","More paintings of the 16th century","artist/contemporaries-of-dutch","Dutch's contemporaries","https://img.ochreeditions.com/a/261/480.jpg","https://img.ochreeditions.com/a/261/960.jpg","https://img.ochreeditions.com/a/261/1920.jpg",{"_309":617,"_311":618},{"_309":615,"_311":616},{"_309":613,"_311":614},{"_309":611,"_311":612},{"_309":609,"_311":610},"#433f35",0.0719,"#5a4d39",0.123,"#4a3928",0.2063,"#322921",0.2164,"#767c72",0.3824,"dutch","a-cottage-in-the-woods-cma-122345","A Cottage in the Woods",{"_42":669,"_221":670,"_323":671,"_325":389,"_327":672,"_328":673,"_329":-5,"_330":-5,"_331":674,"_140":97},"c. 1662","oil on canvas","Framed: 122.5 x 149 x 12 cm (48 1/4 x 58 11/16 x 4 3/4 in.); Unframed: 84 x 111.4 cm (33 1/16 x 43 7/8 in.)",111.4,84,1.3198757763975155,[654,655,656,657,658],{"_220":547,"_221":548,"_42":549,"_302":550},"1942.641","Meindert Hobbema painted this in about 1662, aged about 19. It is now at the Cleveland Museum of Art.",{"_118":653,"_434":546},"A Cottage in the Woods, by Meindert Hobbema, c. 1662",{"_293":650,"_295":651,"_297":652},"https://img.ochreeditions.com/m/553.jpg?dl=1","/art/a-cottage-in-the-woods-cma-122345","/galleries/style/dutch-golden-age/a-cottage-in-the-woods-cma-122345",{"_289":428,"_291":429},{"_224":645,"_125":646,"_284":647},{"_275":642,"_277":643,"_279":626,"_280":644},126.4,99.40188235294119,84.40188235294119,{"_286":224,"_123":648,"_154":649,"_140":97},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/553/480.jpg","https://img.ochreeditions.com/a/553/960.jpg","https://img.ochreeditions.com/a/553/1920.jpg","Inspired by the native Dutch landscape, Meindert Hobbema specialized in scenes of dense forest growth punctured by winding paths and views toward sunlit clearings that beckon with fertile fields and rustic cottages.",{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},{"_309":659,"_311":660},"#7b6d52",0.1217,"#929896",0.1322,"#b5b5ad",0.1709,"#4c3e2a",0.221,"#31271c",0.3542,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","the-coronation-of-the-virgin-and-the-flight-into-egypt-aic-12862","The Coronation of the Virgin and The Flight into Egypt",{"_42":721,"_221":722,"_323":723,"_325":389,"_327":391,"_328":724,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1648/71","Pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper","Primary/secondary supports: 37 × 27.2 cm (14 5/8 × 10 3/4 in.)",37,0.7301755447941889,[706,707,708,709,710],{"_220":299,"_221":300,"_42":301,"_302":303},"1961.30","Jan de Bisschop painted this in 1648/71, aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper.",{"_293":703,"_295":704,"_297":705},"https://img.ochreeditions.com/m/24.jpg?dl=1","/art/the-coronation-of-the-virgin-and-the-flight-into-egypt-aic-12862","/galleries/style/dutch-golden-age/the-coronation-of-the-virgin-and-the-flight-into-egypt-aic-12862",{"_289":290,"_291":292},{"_224":698,"_125":699,"_284":700},{"_275":695,"_277":696,"_279":697,"_280":681},51.01649515738499,61,27.016495157384988,{"_286":224,"_123":701,"_154":702,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":230},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jan-de-bisschop","Jan de Bisschop's contemporaries","https://img.ochreeditions.com/a/24/480.jpg","https://img.ochreeditions.com/a/24/960.jpg","https://img.ochreeditions.com/a/24/1920.jpg",{"_309":719,"_311":720},{"_309":717,"_311":718},{"_309":715,"_311":716},{"_309":713,"_311":714},{"_309":711,"_311":712},"#ccc1b8",0.0701,"#b28a66",0.2098,"#dbbe9f",0.2174,"#9c7451",0.2277,"#c7a380",0.275,"Jan de Bisschop","jan-de-bisschop","Dutch, 1628–1671",1671,"christ-at-the-feast-of-simon-aic-268828","Christ at the Feast of Simon",{"_42":772,"_221":773,"_323":774,"_325":389,"_327":775,"_328":776,"_329":-5,"_330":-5,"_331":-5,"_140":101},"c. 1590-1600","Engraving on three joined sheets of ivory laid paper","Sheet: 42.1 × 87.8 cm (16 5/8 × 34 5/8 in.)",87,42,2.0439096086716884,[757,758,759,760,761],{"_220":299,"_221":300,"_42":301,"_302":303},"2023.1267","Jan Saenredam made this in about 1590-1600, aged about 25. It is now at the Art Institute of Chicago.","A work made of engraving on three joined sheets of ivory laid paper.",{"_293":754,"_295":755,"_297":756},"https://img.ochreeditions.com/m/430.jpg?dl=1","/art/christ-at-the-feast-of-simon-aic-268828","/galleries/style/dutch-golden-age/christ-at-the-feast-of-simon-aic-268828",{"_289":290,"_291":292},{"_224":749,"_125":750,"_284":751},{"_275":746,"_277":747,"_279":731,"_280":748},111,66.56548314606741,42.565483146067415,{"_286":224,"_123":752,"_154":753,"_140":89},{"_286":125,"_123":364,"_154":365,"_140":276},{"_286":284,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-jan-saenredam","Jan Saenredam's contemporaries","https://img.ochreeditions.com/a/430/480.jpg","https://img.ochreeditions.com/a/430/960.jpg","https://img.ochreeditions.com/a/430/1920.jpg",{"_309":770,"_311":771},{"_309":768,"_311":769},{"_309":766,"_311":767},{"_309":764,"_311":765},{"_309":762,"_311":763},"#5f5b54",0.0973,"#dbccbf",0.1981,"#807971",0.2283,"#9c9389",0.2364,"#b8ada2",0.2399,"Jan Saenredam","jan-saenredam","Dutch, 1565–1607",1565,1607,"the-mocking-of-christ-aic-268829","The Mocking of Christ",{"_42":827,"_221":828,"_323":829,"_325":389,"_327":830,"_328":831,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1620","Woodcut on three joined sheets of ivory laid paper","Sheet: 49.8 × 88.1 cm (19 5/8 × 34 11/16 in.)",88,49,1.7562041517090683,[812,813,814,815,816],{"_220":299,"_221":300,"_42":301,"_302":303},"2023.1268","Werner van den Valckert made this in about 1620, aged 35. It is now at the Art Institute of Chicago.","A work made of woodcut on three joined sheets of ivory laid paper.",{"_293":809,"_295":810,"_297":811},"https://img.ochreeditions.com/m/431.jpg?dl=1","/art/the-mocking-of-christ-aic-268829","/galleries/style/dutch-golden-age/the-mocking-of-christ-aic-268829",{"_289":290,"_291":292},{"_224":801,"_125":802,"_284":803},{"_275":798,"_277":799,"_279":783,"_280":800},112,74.10806967650196,50.108069676501955,{"_286":224,"_123":807,"_154":808,"_140":89},{"_286":125,"_123":804,"_154":805,"_140":806},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-werner-van-den-valckert","Werner van den Valckert's contemporaries","https://img.ochreeditions.com/a/431/480.jpg","https://img.ochreeditions.com/a/431/960.jpg","https://img.ochreeditions.com/a/431/1920.jpg",{"_309":825,"_311":826},{"_309":823,"_311":824},{"_309":821,"_311":822},{"_309":819,"_311":820},{"_309":817,"_311":818},"#585049",0.1615,"#b19d8b",0.1823,"#cfb7a0",0.1836,"#948374",0.2153,"#786b5e",0.2573,"Werner van den Valckert","werner-van-den-valckert","Dutch, 1585–1627",1585,1627,"interior-of-a-church-cma-145450","Interior of a Church",{"_42":879,"_221":880,"_323":881,"_325":389,"_327":882,"_328":883,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1680","Framed: 89.5 x 80.5 x 6.5 cm (35 1/4 x 31 11/16 x 2 9/16 in.); Unframed: 62 x 54 cm (24 7/16 x 21 1/4 in.)",62,0.8641176470588235,[864,865,866,867,868],{"_220":547,"_221":548,"_42":549,"_302":550},"1971.1","Emanuel de Witte painted this in about 1680, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":863,"_434":546},"Interior of a Church, by Emanuel de Witte, c. 1680",{"_293":860,"_295":861,"_297":862},"https://img.ochreeditions.com/m/677.jpg?dl=1","/art/interior-of-a-church-cma-145450","/galleries/style/dutch-golden-age/interior-of-a-church-cma-145450",{"_289":428,"_291":429},{"_224":855,"_125":856,"_284":857},{"_275":852,"_277":853,"_279":854,"_280":837},68.57529411764706,77,53.57529411764706,{"_286":224,"_123":858,"_154":859,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-emanuel-de-witte","Emanuel de Witte's contemporaries","https://img.ochreeditions.com/a/677/480.jpg","https://img.ochreeditions.com/a/677/960.jpg","https://img.ochreeditions.com/a/677/1920.jpg","Although this spacious church interior is largely imaginary, Emanuel de Witte’s precise description of architectural forms convinces us that he depicted an actual place. To create a sense of familiarity, he included some specific architectural features from the Oude Kerk (Old Church) in Amsterdam.",{"_309":877,"_311":878},{"_309":875,"_311":876},{"_309":873,"_311":874},{"_309":871,"_311":872},{"_309":869,"_311":870},"#aea695",0.0449,"#887b68",0.0625,"#6c6052",0.2531,"#393028",0.2852,"#51463b",0.3543,"Emanuel de Witte","emanuel-de-witte","Dutch, c. 1617–1692",1617,1692,"a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647","A View of Bracciano with the Church of S. Maria Assunta",{"_42":932,"_221":933,"_323":934,"_325":389,"_327":935,"_328":936,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1619–33","Brown and gray inks and washes applied with point of brush and brush, with traces of graphite underdrawing on cream antique laid paper","Image and Sheet: 8.7 x 15 cm (3 7/16 x 5 7/8 in.); Mounted: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.)",8.7,1.7215189873417722,[917,918,919,920,921],{"_220":547,"_221":548,"_42":549,"_302":550},"2020.127","Bartholomeus Breenberg drew this in about 1619–33, aged about 15. It is now at the Cleveland Museum of Art.",{"_118":916,"_434":546},"A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33",{"_293":913,"_295":914,"_297":915},"https://img.ochreeditions.com/m/453.jpg?dl=1","/art/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647","/galleries/style/dutch-golden-age/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647",{"_289":290,"_291":292},{"_224":908,"_125":909,"_284":910},{"_275":784,"_277":905,"_279":906,"_280":907},38.52205882352941,25,14.522058823529411,{"_286":224,"_123":911,"_154":912,"_140":89},{"_286":125,"_123":537,"_154":538,"_140":539},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-bartholomeus-breenberg","Bartholomeus Breenberg's contemporaries","https://img.ochreeditions.com/a/453/480.jpg","https://img.ochreeditions.com/a/453/960.jpg","https://img.ochreeditions.com/a/453/1920.jpg","In the early 1600s, artists from Northern Europe began to take long trips to Italy as part of their artistic training. Bartholomeus Breenberg traveled to Italy around 1620 and probably stayed for at least 12 years.",{"_309":930,"_311":931},{"_309":928,"_311":929},{"_309":926,"_311":927},{"_309":924,"_311":925},{"_309":922,"_311":923},"#917156",0.0891,"#ad8f70",0.1258,"#c2a98d",0.1313,"#d1c0aa",0.2682,"#dacebf",0.3856,"Bartholomeus Breenberg","bartholomeus-breenberg","Dutch, 1599–1657",1599,1657,"a-horseshoe-crab-aic-258367","A Horseshoe Crab",{"_42":982,"_221":983,"_323":984,"_325":389,"_327":985,"_328":986,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1640/80","Watercolor and opaque watercolor on cream laid paper","16.3 × 21.4 cm (6 7/16 × 8 7/16 in.)",21,1.2042751768779165,[967,968,969,970,971],{"_220":299,"_221":300,"_42":301,"_302":303},"2020.264","Pieter Holsteyn, the younger painted this in 1640/80, aged about 26. It is now at the Art Institute of Chicago.","A work made of watercolor and opaque watercolor on cream laid paper.",{"_293":964,"_295":965,"_297":966},"https://img.ochreeditions.com/m/397.jpg?dl=1","/art/a-horseshoe-crab-aic-258367","/galleries/style/dutch-golden-age/a-horseshoe-crab-aic-258367",{"_289":290,"_291":292},{"_224":959,"_125":960,"_284":961},{"_275":784,"_277":957,"_279":906,"_280":958},44.759375000000006,20.759375000000002,{"_286":224,"_123":962,"_154":963,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":230},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pieter-holsteyn-the-younger","Pieter Holsteyn, the younger's contemporaries","https://img.ochreeditions.com/a/397/480.jpg","https://img.ochreeditions.com/a/397/960.jpg","https://img.ochreeditions.com/a/397/1920.jpg",{"_309":980,"_311":981},{"_309":978,"_311":979},{"_309":976,"_311":977},{"_309":974,"_311":975},{"_309":972,"_311":973},"#aa9e93",0.1041,"#6b6663",0.1215,"#1e1a18",0.1338,"#44403e",0.1695,"#eedbca",0.4711,"Pieter Holsteyn, the younger","pieter-holsteyn-the-younger","Dutch, 1614–1687",1614,1687,"breakfast-still-life-aic-257286","Breakfast Still Life",{"_42":1031,"_221":1032,"_323":1033,"_325":389,"_327":1034,"_328":1035,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1647","52 × 80.1 × 0.9 cm (20 1/2 × 31 9/16 × 3/8 in.); Framed: 69.9 × 97.8 × 7 cm (27 1/2 × 38 1/2 × 2 3/4 in.)",80,52,1.5528971354166667,[1016,1017,1018,1019,1020],{"_220":299,"_221":300,"_42":301,"_302":303},"2023.2779","Willem Claesz. Heda painted this in 1647, aged 53. It is now at the Art Institute of Chicago.",{"_293":1013,"_295":1014,"_297":1015},"https://img.ochreeditions.com/m/392.jpg?dl=1","/art/breakfast-still-life-aic-257286","/galleries/style/dutch-golden-age/breakfast-still-life-aic-257286",{"_289":428,"_291":429},{"_224":1008,"_125":1009,"_284":1010},{"_275":181,"_277":1006,"_279":992,"_280":1007},66.51661251441149,51.516612514411484,{"_286":224,"_123":1011,"_154":1012,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-willem-claesz-heda","Willem Claesz. Heda's contemporaries","https://img.ochreeditions.com/a/392/480.jpg","https://img.ochreeditions.com/a/392/960.jpg","https://img.ochreeditions.com/a/392/1920.jpg",{"_309":1029,"_311":1030},{"_309":1027,"_311":1028},{"_309":1025,"_311":1026},{"_309":1023,"_311":1024},{"_309":1021,"_311":1022},"#271e18",0.1014,"#9f8d73",0.1319,"#463623",0.1822,"#725f42",0.2664,"#5b492d",0.3181,"Willem Claesz. Heda","willem-claesz-heda","Dutch, 1594–1680",1594,1680,"the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153","The Meeting of Christ with Martha and Mary after the Death of Lazarus",{"_42":1084,"_221":1085,"_323":1086,"_325":389,"_327":1087,"_328":1088,"_329":1089,"_330":1090,"_331":1091,"_140":77},"c. 1662–65","reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)","Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)",20.8,17.5,1.18137595552467,[1069,1070,1071,1072,1073],{"_220":547,"_221":548,"_42":549,"_302":550},"1962.116","Rembrandt van Rijn painted this in about 1662–65, aged about 56. It is now at the Cleveland Museum of Art.",{"_118":1068,"_434":546},"The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65",{"_293":1065,"_295":1066,"_297":1067},"https://img.ochreeditions.com/m/645.jpg?dl=1","/art/the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153","/galleries/style/dutch-golden-age/the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153",{"_289":290,"_291":292},{"_224":1060,"_125":1061,"_284":1062},{"_275":784,"_277":1058,"_279":906,"_280":1059},45.16176470588235,21.16176470588235,{"_286":224,"_123":1063,"_154":1064,"_140":77},{"_286":125,"_123":537,"_154":538,"_140":539},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/645/480.jpg","https://img.ochreeditions.com/a/645/960.jpg","https://img.ochreeditions.com/a/645/1920.jpg","Scholars now consider this drawing a rare, late work by Rembrandt. Here, Christ meets with Martha and Mary after the death of their brother, Lazarus (John 11:30–36).",{"_309":1082,"_311":1083},{"_309":1080,"_311":1081},{"_309":1078,"_311":1079},{"_309":1076,"_311":1077},{"_309":1074,"_311":1075},"#6b6053",0.0859,"#928371",0.1473,"#b1a08c",0.1863,"#cdbca7",0.2341,"#e3d6c4",0.3464,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","salome-with-the-head-of-saint-john-the-baptist-cma-148366","Salome with the Head of Saint John the Baptist",{"_42":1141,"_221":1142,"_323":1143,"_325":389,"_327":1144,"_328":1145,"_329":-5,"_330":-5,"_331":-5,"_140":103},"mid-1600s","oil on wood","Framed: 92 x 76.5 x 4 cm (36 1/4 x 30 1/8 x 1 9/16 in.); Unframed: 71 x 54.6 cm (27 15/16 x 21 1/2 in.)",54.6,71,0.7708823529411765,[1126,1127,1128,1129,1130],{"_220":547,"_221":548,"_42":549,"_302":550},"1975.79","Jacob Duck painted this in the mid-1600s, aged about 40. It is now at the Cleveland Museum of Art.",{"_118":1125,"_434":546},"Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s",{"_293":1122,"_295":1123,"_297":1124},"https://img.ochreeditions.com/m/694.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-cma-148366","/galleries/style/dutch-golden-age/salome-with-the-head-of-saint-john-the-baptist-cma-148366",{"_289":428,"_291":429},{"_224":1117,"_125":1118,"_284":1119},{"_275":1114,"_277":1115,"_279":1116,"_280":1099},69.73264705882353,86,54.73264705882353,{"_286":224,"_123":1120,"_154":1121,"_140":89},{"_286":125,"_123":423,"_154":424,"_140":425},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacob-duck","Jacob Duck's contemporaries","https://img.ochreeditions.com/a/694/480.jpg","https://img.ochreeditions.com/a/694/960.jpg","https://img.ochreeditions.com/a/694/1920.jpg","The colorful, exotic garments worn by the woman at the right demonstrate Jacob Duck’s skill in painting luxurious surfaces: she is Salome, daughter of Herodias. According to the New Testament, Herodias bore a grudge against John the Baptist, who condemned her marriage to Herod, ruler of Galilee and Perea.",{"_309":1139,"_311":1140},{"_309":1137,"_311":1138},{"_309":1135,"_311":1136},{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},"#a23918",0.0325,"#6c3c21",0.1406,"#9e8966",0.1575,"#382a16",0.1878,"#594d31",0.4816,"Jacob Duck","jacob-duck","Dutch, c. 1600–1667",1600,1667,{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","f1ce57b4ca8d5f356de2bf7d91883255ddc1e6d4","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]