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It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_292":491,"_294":492,"_296":493},"https://img.ochreeditions.com/m/425.jpg?dl=1","/art/hercules-slaying-the-hydra-aic-268749","/galleries/style/dutch-golden-age/hercules-slaying-the-hydra-aic-268749",{"_288":289,"_290":291},{"_223":480,"_125":481,"_283":482},{"_274":477,"_276":478,"_278":479,"_280":463},60.54303614457831,75,36.54303614457831,{"_285":223,"_123":489,"_154":490,"_140":97},{"_285":125,"_123":486,"_154":487,"_140":488},{"_285":283,"_123":483,"_154":484,"_140":485},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/jan-harmensz-muller","More by Jan Harmensz. Muller","https://img.ochreeditions.com/a/425/480.jpg","https://img.ochreeditions.com/a/425/960.jpg","https://img.ochreeditions.com/a/425/1920.jpg",{"_308":507,"_310":508},{"_308":505,"_310":506},{"_308":503,"_310":504},{"_308":501,"_310":502},{"_308":499,"_310":500},"#5b554f",0.108,"#b2a69c",0.1097,"#837a72",0.1277,"#efdfd2",0.1335,"#e2d2c5",0.5211,"Jan Harmensz. Muller","jan-harmensz-muller","Dutch, 1571–1628",1571,"Muller came from an Amsterdam family of engravers and publishers and became one of the most accomplished Dutch Mannerist engravers.","the-judgement-of-zaleucus-aic-15260","The Judgement of Zaleucus",{"_42":564,"_220":565,"_322":566,"_324":567,"_326":568,"_328":569,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1605","Oil on panel","42.8 × 52.2 cm (16 7/8 × 20 9/16 in.); Framed: 48 × 57.5 × 4.5 cm (18 7/8 × 22 5/8 × 1 3/4 in.)",52,42,1.2329259525521208,[549,550,551,552,553],{"_219":298,"_220":299,"_42":300,"_301":302},"1962.812","Otto van Veen painted this in about 1605, aged about 44. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_292":546,"_294":547,"_296":548},"https://img.ochreeditions.com/m/40.jpg?dl=1","/art/the-judgement-of-zaleucus-aic-15260","/galleries/style/dutch-golden-age/the-judgement-of-zaleucus-aic-15260",{"_288":367,"_290":368},{"_223":538,"_125":539,"_283":540},{"_274":535,"_276":536,"_278":520,"_280":537},67,57.17609329446064,42.17609329446064,{"_285":223,"_123":544,"_154":545,"_140":89},{"_285":125,"_123":541,"_154":542,"_140":543},{"_285":283,"_123":483,"_154":484,"_140":485},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-otto-van-veen","Otto van Veen's contemporaries","https://img.ochreeditions.com/a/40/480.jpg","https://img.ochreeditions.com/a/40/960.jpg","https://img.ochreeditions.com/a/40/1920.jpg",{"_308":562,"_310":563},{"_308":560,"_310":561},{"_308":558,"_310":559},{"_308":556,"_310":557},{"_308":554,"_310":555},"#3d332a",0.1289,"#87745c",0.1965,"#615344",0.2061,"#504337",0.2188,"#776654",0.2497,"Otto van Veen","otto-van-veen","Flemish, 1556–1629","Flemish",1556,1629,"the-wedding-of-cupid-and-psyche-aic-268822","The Wedding of Cupid and Psyche",{"_42":617,"_220":618,"_322":619,"_324":325,"_326":620,"_328":390,"_330":621,"_331":622,"_332":623,"_140":91},"1587","Engraving on three joined sheets of ivory laid paper","Sheet: 42.8 × 85.1 cm (16 7/8 × 33 9/16 in.)",85,1.9390643880545486,[602,603,604,605,606],{"_219":298,"_220":299,"_42":300,"_301":302},"2023.1261","Hendrick Goltzius made this in 1587, aged 29. It is now at the Art Institute of Chicago.","The gods of Olympus crowd a banquet among the clouds to celebrate the marriage of Cupid and Psyche, the mortal who won immortality through love.","A work made of engraving on three joined sheets of ivory laid paper.",{"_292":599,"_294":600,"_296":601},"https://img.ochreeditions.com/m/426.jpg?dl=1","/art/the-wedding-of-cupid-and-psyche-aic-268822","/galleries/style/dutch-golden-age/the-wedding-of-cupid-and-psyche-aic-268822",{"_288":289,"_290":291},{"_223":594,"_125":595,"_283":596},{"_274":591,"_276":592,"_278":576,"_280":593},109,67.8355737558978,43.8355737558978,{"_285":223,"_123":597,"_154":598,"_140":91},{"_285":125,"_123":486,"_154":487,"_140":488},{"_285":283,"_123":483,"_154":484,"_140":485},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/426/480.jpg","https://img.ochreeditions.com/a/426/960.jpg","https://img.ochreeditions.com/a/426/1920.jpg",{"_308":615,"_310":616},{"_308":613,"_310":614},{"_308":611,"_310":612},{"_308":609,"_310":610},{"_308":607,"_310":608},"#645e57",0.1364,"#dccdc1",0.1439,"#baada0",0.2216,"#837a71",0.2263,"#9e9389",0.2718,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617",1558,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","the-last-supper-aic-268824","The Last Supper",{"_42":509,"_220":510,"_322":511,"_324":325,"_326":512,"_328":327,"_330":-5,"_331":-5,"_332":513,"_140":97},"1594","Engraving on three joined sheets of laid paper","Plate: 44.5 × 93.7 cm (17 9/16 × 36 15/16 in.); sheet: 46 × 94.7 cm (18 1/8 × 37 5/16 in.)",93,2.018155410312273,[653,654,655,656,657],{"_219":298,"_220":299,"_42":300,"_301":302},"2023.1263","Jan Harmensz. Muller made this in 1594, aged 23. It is now at the Art Institute of Chicago.","A work made of engraving on three joined sheets of laid paper.",{"_292":650,"_294":651,"_296":652},"https://img.ochreeditions.com/m/428.jpg?dl=1","/art/the-last-supper-aic-268824","/galleries/style/dutch-golden-age/the-last-supper-aic-268824",{"_288":289,"_290":291},{"_223":647,"_125":648,"_283":649},{"_274":644,"_276":645,"_278":630,"_280":646},117,70.08168405901404,46.08168405901403,{"_285":223,"_123":489,"_154":490,"_140":97},{"_285":125,"_123":486,"_154":487,"_140":488},{"_285":283,"_123":483,"_154":484,"_140":485},"https://img.ochreeditions.com/a/428/480.jpg","https://img.ochreeditions.com/a/428/960.jpg","https://img.ochreeditions.com/a/428/1920.jpg",{"_308":666,"_310":667},{"_308":664,"_310":665},{"_308":662,"_310":663},{"_308":660,"_310":661},{"_308":658,"_310":659},"#a7998d",0.1038,"#e1d1c3",0.1149,"#82776c",0.1638,"#625a51",0.2949,"#4e4841",0.3226,"christ-at-the-feast-of-simon-aic-268828","Christ at the Feast of Simon",{"_42":712,"_220":713,"_322":714,"_324":325,"_326":715,"_328":716,"_330":-5,"_331":-5,"_332":-5,"_140":101},"c. 1590-1600","Sheet: 42.1 × 87.8 cm (16 5/8 × 34 5/8 in.)",87,2.0439096086716884,[697,698,699,700,701],{"_219":298,"_220":299,"_42":300,"_301":302},"2023.1267","Jan Saenredam made this in about 1590-1600, aged about 25. It is now at the Art Institute of Chicago.",{"_292":694,"_294":695,"_296":696},"https://img.ochreeditions.com/m/430.jpg?dl=1","/art/christ-at-the-feast-of-simon-aic-268828","/galleries/style/dutch-golden-age/christ-at-the-feast-of-simon-aic-268828",{"_288":289,"_290":291},{"_223":689,"_125":690,"_283":691},{"_274":686,"_276":687,"_278":673,"_280":688},111,66.56548314606741,42.565483146067415,{"_285":223,"_123":692,"_154":693,"_140":89},{"_285":125,"_123":486,"_154":487,"_140":488},{"_285":283,"_123":483,"_154":484,"_140":485},"artist/contemporaries-of-jan-saenredam","Jan Saenredam's contemporaries","https://img.ochreeditions.com/a/430/480.jpg","https://img.ochreeditions.com/a/430/960.jpg","https://img.ochreeditions.com/a/430/1920.jpg",{"_308":710,"_310":711},{"_308":708,"_310":709},{"_308":706,"_310":707},{"_308":704,"_310":705},{"_308":702,"_310":703},"#5f5b54",0.0973,"#dbccbf",0.1981,"#807971",0.2283,"#9c9389",0.2364,"#b8ada2",0.2399,"Jan Saenredam","jan-saenredam","Dutch, 1565–1607",1565,1607,"david-slaying-goliath-aic-100357","David Slaying Goliath",{"_42":325,"_220":763,"_322":-5,"_324":-5,"_326":-5,"_328":-5,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1600–50","Oil on copper","27 × 41 cm (10 5/8 × 16 1/8 in.)",41,1.5738171469228033,[748,749,750,751,752],{"_219":298,"_220":299,"_42":300,"_301":302},"1983.387","Dutch painted this in 1600–50. It is now at the Art Institute of Chicago.","A work made of oil on copper.",{"_292":745,"_294":746,"_296":747},"https://img.ochreeditions.com/m/261.jpg?dl=1","/art/david-slaying-goliath-aic-100357","/galleries/style/dutch-golden-age/david-slaying-goliath-aic-100357",{"_288":367,"_290":368},{"_223":740,"_125":741,"_283":742},{"_274":737,"_276":738,"_278":723,"_280":739},56,41.05131103074141,26.05131103074141,{"_285":223,"_123":743,"_154":744,"_140":89},{"_285":125,"_123":541,"_154":542,"_140":543},{"_285":283,"_123":483,"_154":484,"_140":485},"artist/contemporaries-of-dutch","Dutch's contemporaries","https://img.ochreeditions.com/a/261/480.jpg","https://img.ochreeditions.com/a/261/960.jpg","https://img.ochreeditions.com/a/261/1920.jpg",{"_308":761,"_310":762},{"_308":759,"_310":760},{"_308":757,"_310":758},{"_308":755,"_310":756},{"_308":753,"_310":754},"#433f35",0.0719,"#5a4d39",0.123,"#4a3928",0.2063,"#322921",0.2164,"#767c72",0.3824,"dutch","landscape-with-a-windmill-cma-143234","Landscape with a Windmill",{"_42":812,"_220":813,"_322":814,"_324":325,"_326":327,"_328":815,"_330":622,"_331":816,"_332":817,"_140":97},"1646","Framed: 69 x 88.5 x 4 cm (27 3/16 x 34 13/16 x 1 9/16 in.); Unframed: 49.5 x 68.5 cm (19 1/2 x 26 15/16 in.)",68.5,49.5,1.38718890248878,[797,798,799,800,801],{"_219":429,"_220":430,"_42":431,"_301":432},"1967.19","Jacob van Ruisdael painted this in 1646, aged 18. It is now at the Cleveland Museum of Art.",{"_118":796,"_427":428},"Landscape with a Windmill, by Jacob van Ruisdael, 1646",{"_292":793,"_294":794,"_296":795},"https://img.ochreeditions.com/m/666.jpg?dl=1","/art/landscape-with-a-windmill-cma-143234","/galleries/style/dutch-golden-age/landscape-with-a-windmill-cma-143234",{"_288":367,"_290":368},{"_223":788,"_125":789,"_283":790},{"_274":785,"_276":786,"_278":769,"_280":787},83.5,64.38044117647058,49.38044117647059,{"_285":223,"_123":791,"_154":792,"_140":97},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/666/480.jpg","https://img.ochreeditions.com/a/666/960.jpg","https://img.ochreeditions.com/a/666/1920.jpg","Even this early work by Jacob van Ruisdael—painted while he was still a teenager—shows his unique approach to landscape that made the simplest motifs seem grand and heroic. Dark forms are massed in the foreground, creating a stark contrast to the expansive, sunlit plain at left.",{"_308":810,"_310":811},{"_308":808,"_310":809},{"_308":806,"_310":807},{"_308":804,"_310":805},{"_308":802,"_310":803},"#b6ae95",0.0493,"#bcc1b7",0.1491,"#757463",0.1987,"#9ea49f",0.2007,"#2c2618",0.4022,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1682,"Amsterdam","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","a-cottage-in-the-woods-cma-122345","A Cottage in the Woods",{"_42":867,"_220":868,"_322":869,"_324":325,"_326":870,"_328":871,"_330":-5,"_331":-5,"_332":872,"_140":97},"c. 1662","oil on canvas","Framed: 122.5 x 149 x 12 cm (48 1/4 x 58 11/16 x 4 3/4 in.); Unframed: 84 x 111.4 cm (33 1/16 x 43 7/8 in.)",111.4,84,1.3198757763975155,[852,853,854,855,856],{"_219":429,"_220":430,"_42":431,"_301":432},"1942.641","Meindert Hobbema painted this in about 1662, aged about 19. It is now at the Cleveland Museum of Art.",{"_118":851,"_427":428},"A Cottage in the Woods, by Meindert Hobbema, c. 1662",{"_292":848,"_294":849,"_296":850},"https://img.ochreeditions.com/m/553.jpg?dl=1","/art/a-cottage-in-the-woods-cma-122345","/galleries/style/dutch-golden-age/a-cottage-in-the-woods-cma-122345",{"_288":367,"_290":368},{"_223":843,"_125":844,"_283":845},{"_274":840,"_276":841,"_278":824,"_280":842},126.4,99.40188235294119,84.40188235294119,{"_285":223,"_123":846,"_154":847,"_140":97},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/553/480.jpg","https://img.ochreeditions.com/a/553/960.jpg","https://img.ochreeditions.com/a/553/1920.jpg","Inspired by the native Dutch landscape, Meindert Hobbema specialized in scenes of dense forest growth punctured by winding paths and views toward sunlit clearings that beckon with fertile fields and rustic cottages.",{"_308":865,"_310":866},{"_308":863,"_310":864},{"_308":861,"_310":862},{"_308":859,"_310":860},{"_308":857,"_310":858},"#7b6d52",0.1217,"#929896",0.1322,"#b5b5ad",0.1709,"#4c3e2a",0.221,"#31271c",0.3542,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","study-of-a-tulip-wit-en-root-boode-cma-80646","Study of a Tulip (Wit en root boode)",{"_42":927,"_220":928,"_322":929,"_324":325,"_326":930,"_328":931,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1645","drawing","Drawing","Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper","Sheet: 31.2 x 20.6 cm (12 5/16 x 8 1/8 in.)",20.6,31.2,0.6835294117647058,[912,913,914,915,916],{"_219":429,"_220":430,"_42":431,"_301":432},"2020.130","Pieter Holsteyn II painted this in about 1645, aged about 28. It is now at the Cleveland Museum of Art.",{"_118":911,"_427":428},"Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645",{"_292":908,"_294":909,"_296":910},"https://img.ochreeditions.com/m/452.jpg?dl=1","/art/study-of-a-tulip-wit-en-root-boode-cma-80646","/galleries/style/dutch-golden-age/study-of-a-tulip-wit-en-root-boode-cma-80646",{"_288":289,"_290":291},{"_223":900,"_125":901,"_283":902},{"_274":897,"_276":898,"_278":899,"_280":882},45.32611764705882,55.2,21.326117647058823,{"_285":223,"_123":906,"_154":907,"_140":89},{"_285":125,"_123":903,"_154":904,"_140":905},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-pieter-holsteyn-ii","Pieter Holsteyn II's contemporaries","https://img.ochreeditions.com/a/452/480.jpg","https://img.ochreeditions.com/a/452/960.jpg","https://img.ochreeditions.com/a/452/1920.jpg","This image of a tulip was made as part of a tulip book used as a grower’s marketing tool during the so-called tulip mania, a speculative bubble in 17th-century Holland, when ten tulip bulbs could cost more than a stately Amsterdam canal house.",{"_308":925,"_310":926},{"_308":923,"_310":924},{"_308":921,"_310":922},{"_308":919,"_310":920},{"_308":917,"_310":918},"#ab5e68",0.0138,"#bb9c96",0.0211,"#b0b7a5",0.0396,"#80a481",0.0451,"#dccfc5",0.8804,"Pieter Holsteyn II","pieter-holsteyn-ii","Dutch, c.1612–1673",1612,1673,"still-life-aic-21682","Still Life",{"_42":975,"_220":976,"_322":977,"_324":325,"_326":-5,"_328":-5,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1625","48 × 76.9 cm (18 7/8 × 30 1/4 in.); Framed: 76.2 × 108.8 × 7 cm (30 × 41 1/4 × 2 3/4 in.)",76,1.6322622950819672,[960,961,962,963,964],{"_219":298,"_220":299,"_42":300,"_301":302},"1935.300","Pieter Claesz painted this in about 1625. It is now at the Art Institute of Chicago.",{"_292":957,"_294":958,"_296":959},"https://img.ochreeditions.com/m/86.jpg?dl=1","/art/still-life-aic-21682","/galleries/style/dutch-golden-age/still-life-aic-21682",{"_288":367,"_290":368},{"_223":952,"_125":953,"_283":954},{"_274":168,"_276":950,"_278":937,"_280":951},61.56114414269645,46.56114414269645,{"_285":223,"_123":955,"_154":956,"_140":89},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pieter-claesz","Pieter Claesz's contemporaries","https://img.ochreeditions.com/a/86/480.jpg","https://img.ochreeditions.com/a/86/960.jpg","https://img.ochreeditions.com/a/86/1920.jpg",{"_308":973,"_310":974},{"_308":971,"_310":972},{"_308":969,"_310":970},{"_308":967,"_310":968},{"_308":965,"_310":966},"#83796a",0.1058,"#2c251f",0.1262,"#635341",0.1286,"#4a372e",0.1454,"#171411",0.494,"Pieter Claesz","pieter-claesz","Dutch, 1596/97–1660","the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153","The Meeting of Christ with Martha and Mary after the Death of Lazarus",{"_42":1028,"_220":1029,"_322":1030,"_324":325,"_326":1031,"_328":1032,"_330":1033,"_331":816,"_332":1034,"_140":77},"c. 1662–65","reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)","Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)",20.8,17.5,1.18137595552467,[1013,1014,1015,1016,1017],{"_219":429,"_220":430,"_42":431,"_301":432},"1962.116","Rembrandt van Rijn painted this in about 1662–65, aged about 56. It is now at the Cleveland Museum of Art.",{"_118":1012,"_427":428},"The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65",{"_292":1009,"_294":1010,"_296":1011},"https://img.ochreeditions.com/m/645.jpg?dl=1","/art/the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153","/galleries/style/dutch-golden-age/the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153",{"_288":289,"_290":291},{"_223":1004,"_125":1005,"_283":1006},{"_274":1000,"_276":1001,"_278":1002,"_280":1003},49,45.16176470588235,25,21.16176470588235,{"_285":223,"_123":1007,"_154":1008,"_140":77},{"_285":125,"_123":903,"_154":904,"_140":905},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/645/480.jpg","https://img.ochreeditions.com/a/645/960.jpg","https://img.ochreeditions.com/a/645/1920.jpg","Scholars now consider this drawing a rare, late work by Rembrandt. Here, Christ meets with Martha and Mary after the death of their brother, Lazarus (John 11:30–36).",{"_308":1026,"_310":1027},{"_308":1024,"_310":1025},{"_308":1022,"_310":1023},{"_308":1020,"_310":1021},{"_308":1018,"_310":1019},"#6b6053",0.0859,"#928371",0.1473,"#b1a08c",0.1863,"#cdbca7",0.2341,"#e3d6c4",0.3464,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","alpheus-and-arethusa-aic-257287","Alpheus and Arethusa",{"_42":1080,"_220":1081,"_322":1082,"_324":325,"_326":1083,"_328":1084,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1626","45 × 58 cm (17 3/4 × 22 7/8 in.); Framed: 45.1 × 57.8 × 6.4 cm (17 3/4 × 22 3/4 × 2 1/2 in.)",58,45,1.4215373715905066,[1065,1066,1067,1068,1069],{"_219":298,"_220":299,"_42":300,"_301":302},"2023.2778","Moses van Uyttenbroeck painted this in 1626, aged 36. It is now at the Art Institute of Chicago.",{"_292":1062,"_294":1063,"_296":1064},"https://img.ochreeditions.com/m/393.jpg?dl=1","/art/alpheus-and-arethusa-aic-257287","/galleries/style/dutch-golden-age/alpheus-and-arethusa-aic-257287",{"_288":367,"_290":368},{"_223":1057,"_125":1058,"_283":1059},{"_274":1054,"_276":1055,"_278":1040,"_280":1056},73,55.80089708447545,40.80089708447545,{"_285":223,"_123":1060,"_154":1061,"_140":89},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-moses-van-uyttenbroeck","Moses van Uyttenbroeck's contemporaries","https://img.ochreeditions.com/a/393/480.jpg","https://img.ochreeditions.com/a/393/960.jpg","https://img.ochreeditions.com/a/393/1920.jpg",{"_308":1078,"_310":1079},{"_308":1076,"_310":1077},{"_308":1074,"_310":1075},{"_308":1072,"_310":1073},{"_308":1070,"_310":1071},"#602715",0.0458,"#646143",0.1118,"#9a9376",0.191,"#38331d",0.2253,"#1e1911",0.4261,"Moses van Uyttenbroeck","moses-van-uyttenbroeck","Dutch, c. 1590–1648",1590,1648,"a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647","A View of Bracciano with the Church of S. Maria Assunta",{"_42":1132,"_220":1133,"_322":1134,"_324":325,"_326":1135,"_328":1136,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1619–33","Brown and gray inks and washes applied with point of brush and brush, with traces of graphite underdrawing on cream antique laid paper","Image and Sheet: 8.7 x 15 cm (3 7/16 x 5 7/8 in.); Mounted: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.)",8.7,1.7215189873417722,[1117,1118,1119,1120,1121],{"_219":429,"_220":430,"_42":431,"_301":432},"2020.127","Bartholomeus Breenberg drew this in about 1619–33, aged about 15. It is now at the Cleveland Museum of Art.",{"_118":1116,"_427":428},"A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33",{"_292":1113,"_294":1114,"_296":1115},"https://img.ochreeditions.com/m/453.jpg?dl=1","/art/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647","/galleries/style/dutch-golden-age/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647",{"_288":289,"_290":291},{"_223":1108,"_125":1109,"_283":1110},{"_274":1000,"_276":1106,"_278":1002,"_280":1107},38.52205882352941,14.522058823529411,{"_285":223,"_123":1111,"_154":1112,"_140":89},{"_285":125,"_123":903,"_154":904,"_140":905},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-bartholomeus-breenberg","Bartholomeus Breenberg's contemporaries","https://img.ochreeditions.com/a/453/480.jpg","https://img.ochreeditions.com/a/453/960.jpg","https://img.ochreeditions.com/a/453/1920.jpg","In the early 1600s, artists from Northern Europe began to take long trips to Italy as part of their artistic training. Bartholomeus Breenberg traveled to Italy around 1620 and probably stayed for at least 12 years.",{"_308":1130,"_310":1131},{"_308":1128,"_310":1129},{"_308":1126,"_310":1127},{"_308":1124,"_310":1125},{"_308":1122,"_310":1123},"#917156",0.0891,"#ad8f70",0.1258,"#c2a98d",0.1313,"#d1c0aa",0.2682,"#dacebf",0.3856,"Bartholomeus Breenberg","bartholomeus-breenberg","Dutch, 1599–1657",1599,1657,{"_1138":-5,"_1139":1140,"_1141":1142,"_1143":8,"_1144":1145,"_1146":8},"user","csrf","9aa4a6c1130ab5daeca1d3b5410a2d7877ec850e","cartCount",0,"dropLive","legal",[1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158],"uploadsEnabled",{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},{"_220":1161,"_20":1162},{"_220":1159,"_20":1160},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]