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Maria Assunta, by Bartholomeus Breenberg, c. 1619–33",{"_293":433,"_295":434,"_297":435},"https://img.ochreeditions.com/m/453.jpg?dl=1","/art/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647","/galleries/style/dutch-golden-age/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647",{"_289":372,"_291":373},{"_222":425,"_125":426,"_283":427},{"_274":421,"_276":422,"_278":423,"_280":424},49,38.52205882352941,25,14.522058823529411,{"_285":222,"_123":431,"_154":432,"_140":89},{"_285":125,"_123":428,"_154":429,"_140":430},{"_285":283,"_123":167,"_154":166,"_140":169},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-bartholomeus-breenberg","Bartholomeus Breenberg's contemporaries","https://img.ochreeditions.com/a/453/480.jpg","https://img.ochreeditions.com/a/453/960.jpg","https://img.ochreeditions.com/a/453/1920.jpg","In the early 1600s, artists from Northern Europe began to take long trips to Italy as part of their artistic training. Bartholomeus Breenberg traveled to Italy around 1620 and probably stayed for at least 12 years.",{"_312":450,"_314":451},{"_312":448,"_314":449},{"_312":446,"_314":447},{"_312":444,"_314":445},{"_312":442,"_314":443},"#917156",0.0891,"#ad8f70",0.1258,"#c2a98d",0.1313,"#d1c0aa",0.2682,"#dacebf",0.3856,"Bartholomeus Breenberg","bartholomeus-breenberg","Dutch, 1599–1657",1599,1657,"a-young-man-with-a-chain-cma-122348","A Young Man with a Chain",{"_42":505,"_219":506,"_326":507,"_328":329,"_330":508,"_332":509,"_334":510,"_335":511,"_336":512,"_140":77},"c. 1629 or 1632","Framed: 83.8 x 69.9 x 12.7 cm (33 x 27 1/2 x 5 in.); Unframed: 57.8 x 43.8 cm (22 3/4 x 17 1/4 in.)",43.8,57.8,0.7485294117647059,[490,491,492,493,494],{"_218":302,"_219":303,"_42":304,"_305":306},"1942.644","Rembrandt van Rijn painted this in about 1629 or 1632, aged about 19. It is now at the Cleveland Museum of Art.",{"_118":489,"_300":301},"A Young Man with a Chain, by Rembrandt van Rijn, c. 1629 or 1632",{"_293":486,"_295":487,"_297":488},"https://img.ochreeditions.com/m/556.jpg?dl=1","/art/a-young-man-with-a-chain-cma-122348","/galleries/style/dutch-golden-age/a-young-man-with-a-chain-cma-122348",{"_289":290,"_291":292},{"_222":481,"_125":482,"_283":483},{"_274":478,"_276":479,"_278":480,"_280":463},58.265,72.8,43.265,{"_285":222,"_123":484,"_154":485,"_140":77},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/556/480.jpg","https://img.ochreeditions.com/a/556/960.jpg","https://img.ochreeditions.com/a/556/1920.jpg","This painting is an example of a tronie , a Dutch word meaning “head” or “facial expression.” Tronies were not intended to be identifiable portraits, but artistic investigations of facial appearance and fanciful costume.",{"_312":503,"_314":504},{"_312":501,"_314":502},{"_312":499,"_314":500},{"_312":497,"_314":498},{"_312":495,"_314":496},"#574431",0.0221,"#997a61",0.0319,"#272117",0.2298,"#010101",0.3522,"#1b1813",0.364,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","drunken-silenus-aic-273342","Drunken Silenus",{"_42":565,"_219":566,"_326":567,"_328":329,"_330":568,"_332":569,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1642","Engraving in black on cream laid paper","34.7 × 28.5 cm (13 11/16 × 11 1/4 in.)",28,34,0.836269744835966,[550,551,552,553,554],{"_218":546,"_219":547,"_42":548,"_305":549},"Courtesy of the Art Institute of Chicago","2024.159","Jonas Suyderhoef made this in 1642, aged 29. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_293":543,"_295":544,"_297":545},"https://img.ochreeditions.com/m/447.jpg?dl=1","/art/drunken-silenus-aic-273342","/galleries/style/dutch-golden-age/drunken-silenus-aic-273342",{"_289":372,"_291":373},{"_222":538,"_125":539,"_283":540},{"_274":535,"_276":536,"_278":537,"_280":520},52.433171324422844,58,28.433171324422844,{"_285":222,"_123":541,"_154":542,"_140":89},{"_285":125,"_123":367,"_154":368,"_140":369},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jonas-suyderhoef","Jonas Suyderhoef's contemporaries","https://img.ochreeditions.com/a/447/480.jpg","https://img.ochreeditions.com/a/447/960.jpg","https://img.ochreeditions.com/a/447/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":563,"_314":564},{"_312":561,"_314":562},{"_312":559,"_314":560},{"_312":557,"_314":558},{"_312":555,"_314":556},"#696259",0.1166,"#94887e",0.1209,"#44403b",0.1615,"#b7a89c",0.2199,"#e9d6c8",0.3811,"Jonas Suyderhoef","jonas-suyderhoef","Dutch, c. 1613–1686",1613,1686,"landscape-with-a-windmill-cma-143234","Landscape with a Windmill",{"_42":617,"_219":618,"_326":619,"_328":329,"_330":620,"_332":621,"_334":622,"_335":511,"_336":623,"_140":97},"1646","Framed: 69 x 88.5 x 4 cm (27 3/16 x 34 13/16 x 1 9/16 in.); Unframed: 49.5 x 68.5 cm (19 1/2 x 26 15/16 in.)",68.5,1.38718890248878,[602,603,604,605,606],{"_218":302,"_219":303,"_42":304,"_305":306},"1967.19","Jacob van Ruisdael painted this in 1646, aged 18. It is now at the Cleveland Museum of Art.",{"_118":601,"_300":301},"Landscape with a Windmill, by Jacob van Ruisdael, 1646",{"_293":598,"_295":599,"_297":600},"https://img.ochreeditions.com/m/666.jpg?dl=1","/art/landscape-with-a-windmill-cma-143234","/galleries/style/dutch-golden-age/landscape-with-a-windmill-cma-143234",{"_289":290,"_291":292},{"_222":593,"_125":594,"_283":595},{"_274":590,"_276":591,"_278":575,"_280":592},83.5,64.38044117647058,49.38044117647059,{"_285":222,"_123":596,"_154":597,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/666/480.jpg","https://img.ochreeditions.com/a/666/960.jpg","https://img.ochreeditions.com/a/666/1920.jpg","Even this early work by Jacob van Ruisdael—painted while he was still a teenager—shows his unique approach to landscape that made the simplest motifs seem grand and heroic. Dark forms are massed in the foreground, creating a stark contrast to the expansive, sunlit plain at left.",{"_312":615,"_314":616},{"_312":613,"_314":614},{"_312":611,"_314":612},{"_312":609,"_314":610},{"_312":607,"_314":608},"#b6ae95",0.0493,"#bcc1b7",0.1491,"#757463",0.1987,"#9ea49f",0.2007,"#2c2618",0.4022,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1628,1682,"Haarlem","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","the-wedding-at-cana-aic-268823","The Wedding at Cana",{"_42":677,"_219":678,"_326":679,"_328":329,"_330":680,"_332":681,"_334":682,"_335":622,"_336":683,"_140":91},"c. 1590-1610","Engraving on two joined sheets of ivory laid paper","Sheet: 62.4 × 69.9 cm (24 5/8 × 27 9/16 in.)",69,62,1.1049650518197156,[662,663,664,665,666],{"_218":546,"_219":547,"_42":548,"_305":549},"2023.1262","Hendrick Goltzius made this in about 1590-1610, aged about 32. It is now at the Art Institute of Chicago.","A work made of engraving on two joined sheets of ivory laid paper.",{"_293":659,"_295":660,"_297":661},"https://img.ochreeditions.com/m/427.jpg?dl=1","/art/the-wedding-at-cana-aic-268823","/galleries/style/dutch-golden-age/the-wedding-at-cana-aic-268823",{"_289":372,"_291":373},{"_222":648,"_125":649,"_283":650},{"_274":645,"_276":646,"_278":630,"_280":647},93,86.445413894645,62.445413894645,{"_285":222,"_123":657,"_154":658,"_140":91},{"_285":125,"_123":654,"_154":655,"_140":656},{"_285":283,"_123":651,"_154":652,"_140":653},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/427/480.jpg","https://img.ochreeditions.com/a/427/960.jpg","https://img.ochreeditions.com/a/427/1920.jpg",{"_312":675,"_314":676},{"_312":673,"_314":674},{"_312":671,"_314":672},{"_312":669,"_314":670},{"_312":667,"_314":668},"#ebdbcc",0.1382,"#615c55",0.1708,"#c3b6a9",0.1773,"#a1978c",0.2546,"#817970",0.2591,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617",1558,1617,"Mühlbracht","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153","The Meeting of Christ with Martha and Mary after the Death of Lazarus",{"_42":505,"_219":506,"_326":507,"_328":329,"_330":508,"_332":509,"_334":510,"_335":511,"_336":512,"_140":77},"c. 1662–65","reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)","Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)",20.8,17.5,1.18137595552467,[715,716,717,718,719],{"_218":302,"_219":303,"_42":304,"_305":306},"1962.116","Rembrandt van Rijn painted this in about 1662–65, aged about 56. It is now at the Cleveland Museum of Art.",{"_118":714,"_300":301},"The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65",{"_293":711,"_295":712,"_297":713},"https://img.ochreeditions.com/m/645.jpg?dl=1","/art/the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153","/galleries/style/dutch-golden-age/the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153",{"_289":372,"_291":373},{"_222":708,"_125":709,"_283":710},{"_274":421,"_276":706,"_278":423,"_280":707},45.16176470588235,21.16176470588235,{"_285":222,"_123":484,"_154":485,"_140":77},{"_285":125,"_123":428,"_154":429,"_140":430},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/645/480.jpg","https://img.ochreeditions.com/a/645/960.jpg","https://img.ochreeditions.com/a/645/1920.jpg","Scholars now consider this drawing a rare, late work by Rembrandt. Here, Christ meets with Martha and Mary after the death of their brother, Lazarus (John 11:30–36).",{"_312":728,"_314":729},{"_312":726,"_314":727},{"_312":724,"_314":725},{"_312":722,"_314":723},{"_312":720,"_314":721},"#6b6053",0.0859,"#928371",0.1473,"#b1a08c",0.1863,"#cdbca7",0.2341,"#e3d6c4",0.3464,"the-judgement-of-zaleucus-aic-15260","The Judgement of Zaleucus",{"_42":779,"_219":780,"_326":781,"_328":782,"_330":783,"_332":784,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1605","Oil on panel","42.8 × 52.2 cm (16 7/8 × 20 9/16 in.); Framed: 48 × 57.5 × 4.5 cm (18 7/8 × 22 5/8 × 1 3/4 in.)",52,42,1.2329259525521208,[764,765,766,767,768],{"_218":546,"_219":547,"_42":548,"_305":549},"1962.812","Otto van Veen painted this in about 1605, aged about 44. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":761,"_295":762,"_297":763},"https://img.ochreeditions.com/m/40.jpg?dl=1","/art/the-judgement-of-zaleucus-aic-15260","/galleries/style/dutch-golden-age/the-judgement-of-zaleucus-aic-15260",{"_289":290,"_291":292},{"_222":754,"_125":755,"_283":756},{"_274":751,"_276":752,"_278":736,"_280":753},67,57.17609329446064,42.17609329446064,{"_285":222,"_123":759,"_154":760,"_140":89},{"_285":125,"_123":757,"_154":758,"_140":200},{"_285":283,"_123":651,"_154":652,"_140":653},"style/painting-16","More paintings of the 16th century","artist/contemporaries-of-otto-van-veen","Otto van Veen's contemporaries","https://img.ochreeditions.com/a/40/480.jpg","https://img.ochreeditions.com/a/40/960.jpg","https://img.ochreeditions.com/a/40/1920.jpg",{"_312":777,"_314":778},{"_312":775,"_314":776},{"_312":773,"_314":774},{"_312":771,"_314":772},{"_312":769,"_314":770},"#3d332a",0.1289,"#87745c",0.1965,"#615344",0.2061,"#504337",0.2188,"#776654",0.2497,"Otto van Veen","otto-van-veen","Flemish, 1556–1629","Flemish",1556,1629,"woman-seated-on-bench-and-three-sketches-of-heads-aic-83920","Woman Seated on Bench and Three Sketches of Heads",{"_42":833,"_219":834,"_326":507,"_328":329,"_330":508,"_332":509,"_334":-5,"_335":-5,"_336":-5,"_140":103},"n.d.","watercolour","Drawing and Watercolor","Pen and brown ink, with touches of brush and brown ink wash, on cream laid paper","14 × 13.3 cm (5 9/16 × 5 1/4 in.)",0.945108563064162,[818,819,820,821,822],{"_218":546,"_219":547,"_42":548,"_305":549},"1922.1839","School of Rembrandt van Rijn painted this (n.d.), aged about 19. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with touches of brush and brown ink wash, on cream laid paper.",{"_293":815,"_295":816,"_297":817},"https://img.ochreeditions.com/m/227.jpg?dl=1","/art/woman-seated-on-bench-and-three-sketches-of-heads-aic-83920","/galleries/style/dutch-golden-age/woman-seated-on-bench-and-three-sketches-of-heads-aic-83920",{"_289":372,"_291":373},{"_222":808,"_125":809,"_283":810},{"_274":806,"_276":421,"_278":807,"_280":423},47.62771407660405,23.62771407660405,{"_285":222,"_123":813,"_154":814,"_140":89},{"_285":125,"_123":811,"_154":812,"_140":228},{"_285":283,"_123":167,"_154":166,"_140":169},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-school-of-rembrandt-van-rijn","School of Rembrandt van Rijn's contemporaries","https://img.ochreeditions.com/a/227/480.jpg","https://img.ochreeditions.com/a/227/960.jpg","https://img.ochreeditions.com/a/227/1920.jpg",{"_312":831,"_314":832},{"_312":829,"_314":830},{"_312":827,"_314":828},{"_312":825,"_314":826},{"_312":823,"_314":824},"#8a6d54",0.0505,"#e1d9d4",0.0635,"#b39373",0.1245,"#d0b08d",0.2336,"#dabc9b",0.5279,"School of Rembrandt van Rijn","school-of-rembrandt-van-rijn","apollo-aic-83761","Apollo",{"_42":883,"_219":884,"_326":885,"_328":329,"_330":886,"_332":620,"_334":-5,"_335":-5,"_336":887,"_140":97},"c. 1600-1620","Pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper","Primary support: 36.5 × 23.4 cm (14 3/8 × 9 1/4 in.); Secondary support: 38.2 × 24.2 cm (15 1/16 × 9 9/16 in.)",36,0.6333524519644393,[868,869,870,871,872],{"_218":546,"_219":547,"_42":548,"_305":549},"1922.1754","Jan Harmensz. Muller painted this in about 1600-1620, aged about 24. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.",{"_293":865,"_295":866,"_297":867},"https://img.ochreeditions.com/m/226.jpg?dl=1","/art/apollo-aic-83761","/galleries/style/dutch-golden-age/apollo-aic-83761",{"_289":372,"_291":373},{"_222":858,"_125":859,"_283":860},{"_274":855,"_276":856,"_278":857,"_280":841},46.80068827071982,60,22.800688270719817,{"_285":222,"_123":863,"_154":864,"_140":97},{"_285":125,"_123":861,"_154":862,"_140":89},{"_285":283,"_123":651,"_154":652,"_140":653},"style/watercolour-16","More watercolours of the 16th century","artist/jan-harmensz-muller","More by Jan Harmensz. Muller","https://img.ochreeditions.com/a/226/480.jpg","https://img.ochreeditions.com/a/226/960.jpg","https://img.ochreeditions.com/a/226/1920.jpg",{"_312":881,"_314":882},{"_312":879,"_314":880},{"_312":877,"_314":878},{"_312":875,"_314":876},{"_312":873,"_314":874},"#e3d0bb",0.0957,"#7e654b",0.1124,"#8f795e",0.1742,"#9b8a72",0.2752,"#a5967f",0.3425,"Jan Harmensz. Muller","jan-harmensz-muller","Dutch, 1571–1628",1571,"Muller came from an Amsterdam family of engravers and publishers and became one of the most accomplished Dutch Mannerist engravers.","breakfast-still-life-aic-257286","Breakfast Still Life",{"_42":931,"_219":932,"_326":933,"_328":329,"_330":934,"_332":333,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1647","52 × 80.1 × 0.9 cm (20 1/2 × 31 9/16 × 3/8 in.); Framed: 69.9 × 97.8 × 7 cm (27 1/2 × 38 1/2 × 2 3/4 in.)",80,1.5528971354166667,[916,917,918,919,920],{"_218":546,"_219":547,"_42":548,"_305":549},"2023.2779","Willem Claesz. Heda painted this in 1647, aged 53. It is now at the Art Institute of Chicago.",{"_293":913,"_295":914,"_297":915},"https://img.ochreeditions.com/m/392.jpg?dl=1","/art/breakfast-still-life-aic-257286","/galleries/style/dutch-golden-age/breakfast-still-life-aic-257286",{"_289":290,"_291":292},{"_222":908,"_125":909,"_283":910},{"_274":200,"_276":906,"_278":893,"_280":907},66.51661251441149,51.516612514411484,{"_285":222,"_123":911,"_154":912,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-willem-claesz-heda","Willem Claesz. Heda's contemporaries","https://img.ochreeditions.com/a/392/480.jpg","https://img.ochreeditions.com/a/392/960.jpg","https://img.ochreeditions.com/a/392/1920.jpg",{"_312":929,"_314":930},{"_312":927,"_314":928},{"_312":925,"_314":926},{"_312":923,"_314":924},{"_312":921,"_314":922},"#271e18",0.1014,"#9f8d73",0.1319,"#463623",0.1822,"#725f42",0.2664,"#5b492d",0.3181,"Willem Claesz. Heda","willem-claesz-heda","Dutch, 1594–1680",1594,"enclosed-valley-cma-128385","Enclosed Valley",{"_42":982,"_219":983,"_326":984,"_328":329,"_330":985,"_332":986,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1623–30","etching on cloth, hand colored with watercolor","Platemark: 10.7 x 19 cm (4 3/16 x 7 1/2 in.)",19,10.7,1.7241379310344827,[968,969,970,971,972],{"_218":302,"_219":303,"_42":304,"_305":306},"1951.349","Hercules Seghers painted this in about 1623–30, aged about 34. It is now at the Cleveland Museum of Art.",{"_118":967,"_300":301},"Enclosed Valley, by Hercules Seghers, c. 1623–30",{"_293":964,"_295":965,"_297":966},"https://img.ochreeditions.com/m/591.jpg?dl=1","/art/enclosed-valley-cma-128385","/galleries/style/dutch-golden-age/enclosed-valley-cma-128385",{"_289":372,"_291":373},{"_222":959,"_125":960,"_283":961},{"_274":421,"_276":957,"_278":423,"_280":958},38.5,14.500000000000002,{"_285":222,"_123":962,"_154":963,"_140":89},{"_285":125,"_123":367,"_154":368,"_140":369},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-hercules-seghers","Hercules Seghers's contemporaries","https://img.ochreeditions.com/a/591/480.jpg","https://img.ochreeditions.com/a/591/960.jpg","https://img.ochreeditions.com/a/591/1920.jpg","To make his dreamy and mysterious landscapes, Hercules Seghers combined a number of etching and coloring techniques in order to make prints that met his expressive ends, and which he considered printed paintings.",{"_312":980,"_314":981},{"_312":978,"_314":979},{"_312":976,"_314":977},{"_312":975,"_314":447},{"_312":973,"_314":974},"#e1d7c7",0.0617,"#7c6f5e","#50473c",0.1461,"#655a4c",0.2196,"#a69278",0.4413,"Hercules Seghers","hercules-seghers","Dutch, 1589/90–c. 1638",1589,1638,"two-old-men-beside-a-sled-bearing-the-coats-of-arms-of-amste-aic-22646","Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and Utrecht",{"_42":1033,"_219":1034,"_326":1035,"_328":1036,"_330":-5,"_332":-5,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1620/33","Opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper","18.3 × 30 cm (7 1/4 × 11 13/16 in.)",30,18,1.640646976090014,[1018,1019,1020,1021,1022],{"_218":546,"_219":547,"_42":548,"_305":549},"1965.30","Hendric Avercamp painted this in 1620/33. It is now at the Art Institute of Chicago.","A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.",{"_293":1015,"_295":1016,"_297":1017},"https://img.ochreeditions.com/m/95.jpg?dl=1","/art/two-old-men-beside-a-sled-bearing-the-coats-of-arms-of-amste-aic-22646","/galleries/style/dutch-golden-age/two-old-men-beside-a-sled-bearing-the-coats-of-arms-of-amste-aic-22646",{"_289":372,"_291":373},{"_222":1010,"_125":1011,"_283":1012},{"_274":656,"_276":1008,"_278":993,"_280":1009},42.28546935276468,18.285469352764682,{"_285":222,"_123":1013,"_154":1014,"_140":89},{"_285":125,"_123":811,"_154":812,"_140":228},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-hendric-avercamp","Hendric Avercamp's contemporaries","https://img.ochreeditions.com/a/95/480.jpg","https://img.ochreeditions.com/a/95/960.jpg","https://img.ochreeditions.com/a/95/1920.jpg",{"_312":1031,"_314":1032},{"_312":1029,"_314":1030},{"_312":1027,"_314":1028},{"_312":1025,"_314":1026},{"_312":1023,"_314":1024},"#917558",0.0885,"#b19575",0.119,"#8b8a7c",0.1771,"#b1aea4",0.2332,"#d2b9a3",0.3822,"Hendric Avercamp","hendric-avercamp","Netherlandish, 1585-c.1633","Netherlandish","study-of-a-tulip-wit-en-root-boode-cma-80646","Study of a Tulip (Wit en root boode)",{"_42":1086,"_219":1087,"_326":1088,"_328":329,"_330":1089,"_332":1090,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1645","Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper","Sheet: 31.2 x 20.6 cm (12 5/16 x 8 1/8 in.)",20.6,31.2,0.6835294117647058,[1071,1072,1073,1074,1075],{"_218":302,"_219":303,"_42":304,"_305":306},"2020.130","Pieter Holsteyn II painted this in about 1645, aged about 28. It is now at the Cleveland Museum of Art.",{"_118":1070,"_300":301},"Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645",{"_293":1067,"_295":1068,"_297":1069},"https://img.ochreeditions.com/m/452.jpg?dl=1","/art/study-of-a-tulip-wit-en-root-boode-cma-80646","/galleries/style/dutch-golden-age/study-of-a-tulip-wit-en-root-boode-cma-80646",{"_289":372,"_291":373},{"_222":1062,"_125":1063,"_283":1064},{"_274":1059,"_276":1060,"_278":1061,"_280":1044},45.32611764705882,55.2,21.326117647058823,{"_285":222,"_123":1065,"_154":1066,"_140":89},{"_285":125,"_123":428,"_154":429,"_140":430},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pieter-holsteyn-ii","Pieter Holsteyn II's contemporaries","https://img.ochreeditions.com/a/452/480.jpg","https://img.ochreeditions.com/a/452/960.jpg","https://img.ochreeditions.com/a/452/1920.jpg","This image of a tulip was made as part of a tulip book used as a grower’s marketing tool during the so-called tulip mania, a speculative bubble in 17th-century Holland, when ten tulip bulbs could cost more than a stately Amsterdam canal house.",{"_312":1084,"_314":1085},{"_312":1082,"_314":1083},{"_312":1080,"_314":1081},{"_312":1078,"_314":1079},{"_312":1076,"_314":1077},"#ab5e68",0.0138,"#bb9c96",0.0211,"#b0b7a5",0.0396,"#80a481",0.0451,"#dccfc5",0.8804,"Pieter Holsteyn II","pieter-holsteyn-ii","Dutch, c.1612–1673",1612,1673,"the-last-supper-aic-268824","The Last Supper",{"_42":883,"_219":884,"_326":885,"_328":329,"_330":886,"_332":620,"_334":-5,"_335":-5,"_336":887,"_140":97},"1594","Engraving on three joined sheets of laid paper","Plate: 44.5 × 93.7 cm (17 9/16 × 36 15/16 in.); sheet: 46 × 94.7 cm (18 1/8 × 37 5/16 in.)",2.018155410312273,[1119,1120,1121,1122,1123],{"_218":546,"_219":547,"_42":548,"_305":549},"2023.1263","Jan Harmensz. Muller made this in 1594, aged 23. It is now at the Art Institute of Chicago.","A work made of engraving on three joined sheets of laid paper.",{"_293":1116,"_295":1117,"_297":1118},"https://img.ochreeditions.com/m/428.jpg?dl=1","/art/the-last-supper-aic-268824","/galleries/style/dutch-golden-age/the-last-supper-aic-268824",{"_289":372,"_291":373},{"_222":1113,"_125":1114,"_283":1115},{"_274":1110,"_276":1111,"_278":645,"_280":1112},117,70.08168405901404,46.08168405901403,{"_285":222,"_123":863,"_154":864,"_140":97},{"_285":125,"_123":654,"_154":655,"_140":656},{"_285":283,"_123":651,"_154":652,"_140":653},"https://img.ochreeditions.com/a/428/480.jpg","https://img.ochreeditions.com/a/428/960.jpg","https://img.ochreeditions.com/a/428/1920.jpg",{"_312":1132,"_314":1133},{"_312":1130,"_314":1131},{"_312":1128,"_314":1129},{"_312":1126,"_314":1127},{"_312":1124,"_314":1125},"#a7998d",0.1038,"#e1d1c3",0.1149,"#82776c",0.1638,"#625a51",0.2949,"#4e4841",0.3226,{"_1135":-5,"_1136":1137,"_1138":1139,"_1140":8,"_1141":1142,"_1143":8},"user","csrf","30af7a2c24923fd567920b06a87e9bcfc401707c","cartCount",0,"dropLive","legal",[1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155],"uploadsEnabled",{"_219":1178,"_20":1179},{"_219":1176,"_20":1177},{"_219":1174,"_20":1175},{"_219":1172,"_20":1173},{"_219":1170,"_20":1171},{"_219":1168,"_20":1169},{"_219":1166,"_20":1167},{"_219":1164,"_20":1165},{"_219":1162,"_20":1163},{"_219":1160,"_20":1161},{"_219":1158,"_20":1159},{"_219":1156,"_20":1157},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]