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It is now at the Cleveland Museum of Art.",{"_118":439,"_303":304},"Travelers in Hilly Countryside, by Aelbert Cuyp, c. 1650",{"_296":436,"_298":437,"_300":438},"https://img.ochreeditions.com/m/550.jpg?dl=1","/art/travelers-in-hilly-countryside-cma-122340","/galleries/style/dutch-golden-age/travelers-in-hilly-countryside-cma-122340",{"_292":293,"_294":295},{"_225":431,"_125":432,"_286":433},{"_277":428,"_279":429,"_281":412,"_283":430},89.5,63.118235294117646,48.118235294117646,{"_288":225,"_123":434,"_154":435,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/aelbert-cuyp","More by Aelbert Cuyp","https://img.ochreeditions.com/a/550/480.jpg","https://img.ochreeditions.com/a/550/960.jpg","https://img.ochreeditions.com/a/550/1920.jpg","While many Dutch painters focused on depicting the local countryside, others were inspired by the hilly topography, golden sunlight, and picturesque monuments of Italy.",{"_315":453,"_317":454},{"_315":451,"_317":452},{"_315":449,"_317":450},{"_315":447,"_317":448},{"_315":445,"_317":446},"#483e31",0.1499,"#74797a",0.1518,"#8c806c",0.1953,"#aaa699",0.2463,"#2a2017",0.2567,"Aelbert Cuyp","aelbert-cuyp","Dutch, 1620–1691",1620,1691,"Cuyp spent his life in Dordrecht, where he trained with his father, the portraitist Jacob Gerritsz. Cuyp. Influenced by Dutch painters returning from Italy, such as Jan Both, he bathed river views, cattle in meadows and riders in a warm, golden light.","the-coronation-of-the-virgin-and-the-flight-into-egypt-aic-12862","The Coronation of the Virgin and The Flight into Egypt",{"_42":512,"_222":513,"_329":514,"_331":332,"_333":405,"_335":515,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1648/71","watercolour","Drawing and Watercolor","Pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper","Primary/secondary supports: 37 × 27.2 cm (14 5/8 × 10 3/4 in.)",27,37,0.7301755447941889,[497,498,499,500,501],{"_221":382,"_222":383,"_42":384,"_308":385},"1961.30","Jan de Bisschop painted this in 1648/71, aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash on ivory laid paper, laid down on cream laid paper.",{"_296":494,"_298":495,"_300":496},"https://img.ochreeditions.com/m/24.jpg?dl=1","/art/the-coronation-of-the-virgin-and-the-flight-into-egypt-aic-12862","/galleries/style/dutch-golden-age/the-coronation-of-the-virgin-and-the-flight-into-egypt-aic-12862",{"_292":377,"_294":378},{"_225":487,"_125":488,"_286":489},{"_277":484,"_279":485,"_281":486,"_283":470},51.01649515738499,61,27.016495157384988,{"_288":225,"_123":492,"_154":493,"_140":89},{"_288":125,"_123":490,"_154":491,"_140":231},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-jan-de-bisschop","Jan de Bisschop's contemporaries","https://img.ochreeditions.com/a/24/480.jpg","https://img.ochreeditions.com/a/24/960.jpg","https://img.ochreeditions.com/a/24/1920.jpg",{"_315":510,"_317":511},{"_315":508,"_317":509},{"_315":506,"_317":507},{"_315":504,"_317":505},{"_315":502,"_317":503},"#ccc1b8",0.0701,"#b28a66",0.2098,"#dbbe9f",0.2174,"#9c7451",0.2277,"#c7a380",0.275,"Jan de Bisschop","jan-de-bisschop","Dutch, 1628–1671",1671,"the-last-supper-aic-268824","The Last Supper",{"_42":401,"_222":402,"_329":403,"_331":332,"_333":404,"_335":405,"_337":-5,"_338":-5,"_339":406,"_140":97},"1594","Engraving on three joined sheets of laid paper","Plate: 44.5 × 93.7 cm (17 9/16 × 36 15/16 in.); sheet: 46 × 94.7 cm (18 1/8 × 37 5/16 in.)",93,2.018155410312273,[545,546,547,548,549],{"_221":382,"_222":383,"_42":384,"_308":385},"2023.1263","Jan Harmensz. Muller made this in 1594, aged 23. It is now at the Art Institute of Chicago.","A work made of engraving on three joined sheets of laid paper.",{"_296":542,"_298":543,"_300":544},"https://img.ochreeditions.com/m/428.jpg?dl=1","/art/the-last-supper-aic-268824","/galleries/style/dutch-golden-age/the-last-supper-aic-268824",{"_292":377,"_294":378},{"_225":539,"_125":540,"_286":541},{"_277":536,"_279":537,"_281":522,"_283":538},117,70.08168405901404,46.08168405901403,{"_288":225,"_123":375,"_154":376,"_140":97},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/428/480.jpg","https://img.ochreeditions.com/a/428/960.jpg","https://img.ochreeditions.com/a/428/1920.jpg",{"_315":558,"_317":559},{"_315":556,"_317":557},{"_315":554,"_317":555},{"_315":552,"_317":553},{"_315":550,"_317":551},"#a7998d",0.1038,"#e1d1c3",0.1149,"#82776c",0.1638,"#625a51",0.2949,"#4e4841",0.3226,"landscape-with-a-windmill-cma-143234","Landscape with a Windmill",{"_42":608,"_222":609,"_329":610,"_331":332,"_333":405,"_335":611,"_337":612,"_338":613,"_339":614,"_140":97},"1646","Framed: 69 x 88.5 x 4 cm (27 3/16 x 34 13/16 x 1 9/16 in.); Unframed: 49.5 x 68.5 cm (19 1/2 x 26 15/16 in.)",68.5,49.5,1.38718890248878,[593,594,595,596,597],{"_221":305,"_222":306,"_42":307,"_308":309},"1967.19","Jacob van Ruisdael painted this in 1646, aged 18. It is now at the Cleveland Museum of Art.",{"_118":592,"_303":304},"Landscape with a Windmill, by Jacob van Ruisdael, 1646",{"_296":589,"_298":590,"_300":591},"https://img.ochreeditions.com/m/666.jpg?dl=1","/art/landscape-with-a-windmill-cma-143234","/galleries/style/dutch-golden-age/landscape-with-a-windmill-cma-143234",{"_292":293,"_294":295},{"_225":584,"_125":585,"_286":586},{"_277":581,"_279":582,"_281":565,"_283":583},83.5,64.38044117647058,49.38044117647059,{"_288":225,"_123":587,"_154":588,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/666/480.jpg","https://img.ochreeditions.com/a/666/960.jpg","https://img.ochreeditions.com/a/666/1920.jpg","Even this early work by Jacob van Ruisdael—painted while he was still a teenager—shows his unique approach to landscape that made the simplest motifs seem grand and heroic. Dark forms are massed in the foreground, creating a stark contrast to the expansive, sunlit plain at left.",{"_315":606,"_317":607},{"_315":604,"_317":605},{"_315":602,"_317":603},{"_315":600,"_317":601},{"_315":598,"_317":599},"#b6ae95",0.0493,"#bcc1b7",0.1491,"#757463",0.1987,"#9ea49f",0.2007,"#2c2618",0.4022,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1682,"Haarlem","Amsterdam","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","standing-officer-holding-a-boar-s-spear-cma-157331","Standing Officer Holding a Boar's Spear",{"_42":669,"_222":670,"_329":671,"_331":332,"_333":672,"_335":673,"_337":674,"_338":612,"_339":675,"_140":91},"1586","drawing","Drawing","Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer","Sheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)",15.6,20.6,0.7529411764705882,[654,655,656,657,658],{"_221":305,"_222":306,"_42":307,"_308":309},"1994.195","Hendrick Goltzius painted this in 1586, aged 28. It is now at the Cleveland Museum of Art.",{"_118":653,"_303":304},"Standing Officer Holding a Boar's Spear, by Hendrick Goltzius, 1586",{"_296":650,"_298":651,"_300":652},"https://img.ochreeditions.com/m/751.jpg?dl=1","/art/standing-officer-holding-a-boar-s-spear-cma-157331","/galleries/style/dutch-golden-age/standing-officer-holding-a-boar-s-spear-cma-157331",{"_292":377,"_294":378},{"_225":643,"_125":644,"_286":645},{"_277":639,"_279":640,"_281":641,"_283":642},42.82352941176471,49,18.823529411764707,25,{"_288":225,"_123":648,"_154":649,"_140":91},{"_288":125,"_123":646,"_154":647,"_140":371},{"_288":286,"_123":369,"_154":370,"_140":371},"style/drawing-16","More drawings of the 16th century","artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/751/480.jpg","https://img.ochreeditions.com/a/751/960.jpg","https://img.ochreeditions.com/a/751/1920.jpg","This sheet is the only known preparatory drawing for an important group of engravings depicting military figures designed by Hendrick Goltzius between 1582 and 1600.",{"_315":667,"_317":668},{"_315":665,"_317":666},{"_315":663,"_317":664},{"_315":661,"_317":662},{"_315":659,"_317":660},"#988566",0.0693,"#b3a081",0.1217,"#dcd5c4",0.1494,"#c2b49b",0.1673,"#d1c6b1",0.4923,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617",1558,1617,"Mühlbracht","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","interior-of-a-church-cma-145450","Interior of a Church",{"_42":724,"_222":725,"_329":726,"_331":332,"_333":673,"_335":727,"_337":-5,"_338":-5,"_339":-5,"_140":103},"c. 1680","oil on canvas","Framed: 89.5 x 80.5 x 6.5 cm (35 1/4 x 31 11/16 x 2 9/16 in.); Unframed: 62 x 54 cm (24 7/16 x 21 1/4 in.)",62,0.8641176470588235,[709,710,711,712,713],{"_221":305,"_222":306,"_42":307,"_308":309},"1971.1","Emanuel de Witte painted this in about 1680, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":708,"_303":304},"Interior of a Church, by Emanuel de Witte, c. 1680",{"_296":705,"_298":706,"_300":707},"https://img.ochreeditions.com/m/677.jpg?dl=1","/art/interior-of-a-church-cma-145450","/galleries/style/dutch-golden-age/interior-of-a-church-cma-145450",{"_292":293,"_294":295},{"_225":700,"_125":701,"_286":702},{"_277":697,"_279":698,"_281":699,"_283":682},68.57529411764706,77,53.57529411764706,{"_288":225,"_123":703,"_154":704,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-emanuel-de-witte","Emanuel de Witte's contemporaries","https://img.ochreeditions.com/a/677/480.jpg","https://img.ochreeditions.com/a/677/960.jpg","https://img.ochreeditions.com/a/677/1920.jpg","Although this spacious church interior is largely imaginary, Emanuel de Witte’s precise description of architectural forms convinces us that he depicted an actual place. To create a sense of familiarity, he included some specific architectural features from the Oude Kerk (Old Church) in Amsterdam.",{"_315":722,"_317":723},{"_315":720,"_317":721},{"_315":718,"_317":719},{"_315":716,"_317":717},{"_315":714,"_317":715},"#aea695",0.0449,"#887b68",0.0625,"#6c6052",0.2531,"#393028",0.2852,"#51463b",0.3543,"Emanuel de Witte","emanuel-de-witte","Dutch, c. 1617–1692",1692,"a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647","A View of Bracciano with the Church of S. Maria Assunta",{"_42":778,"_222":779,"_329":780,"_331":332,"_333":781,"_335":782,"_337":-5,"_338":-5,"_339":-5,"_140":103},"c. 1619–33","Brown and gray inks and washes applied with point of brush and brush, with traces of graphite underdrawing on cream antique laid paper","Image and Sheet: 8.7 x 15 cm (3 7/16 x 5 7/8 in.); Mounted: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.)",8.7,1.7215189873417722,[763,764,765,766,767],{"_221":305,"_222":306,"_42":307,"_308":309},"2020.127","Bartholomeus Breenberg drew this in about 1619–33, aged about 15. It is now at the Cleveland Museum of Art.",{"_118":762,"_303":304},"A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33",{"_296":759,"_298":760,"_300":761},"https://img.ochreeditions.com/m/453.jpg?dl=1","/art/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647","/galleries/style/dutch-golden-age/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647",{"_292":377,"_294":378},{"_225":751,"_125":752,"_286":753},{"_277":640,"_279":749,"_281":642,"_283":750},38.52205882352941,14.522058823529411,{"_288":225,"_123":757,"_154":758,"_140":89},{"_288":125,"_123":754,"_154":755,"_140":756},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-bartholomeus-breenberg","Bartholomeus Breenberg's contemporaries","https://img.ochreeditions.com/a/453/480.jpg","https://img.ochreeditions.com/a/453/960.jpg","https://img.ochreeditions.com/a/453/1920.jpg","In the early 1600s, artists from Northern Europe began to take long trips to Italy as part of their artistic training. Bartholomeus Breenberg traveled to Italy around 1620 and probably stayed for at least 12 years.",{"_315":776,"_317":777},{"_315":774,"_317":775},{"_315":772,"_317":773},{"_315":770,"_317":771},{"_315":768,"_317":769},"#917156",0.0891,"#ad8f70",0.1258,"#c2a98d",0.1313,"#d1c0aa",0.2682,"#dacebf",0.3856,"Bartholomeus Breenberg","bartholomeus-breenberg","Dutch, 1599–1657",1599,1657,"megasoma-elephas-or-megaceras-jason-and-six-other-insects-aic-258366","Megasoma Elephas or Megaceras Jason and Six Other Insects",{"_42":828,"_222":829,"_329":830,"_331":332,"_333":831,"_335":832,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1640/80","Watercolor and opaque watercolor on cream laid paper","16.5 × 21.6 cm (6 1/2 × 8 9/16 in.)",21,1.1865215446548383,[813,814,815,816,817],{"_221":382,"_222":383,"_42":384,"_308":385},"2020.263","Pieter Holsteyn, the younger painted this in 1640/80, aged about 26. It is now at the Art Institute of Chicago.","A work made of watercolor and opaque watercolor on cream laid paper.",{"_296":810,"_298":811,"_300":812},"https://img.ochreeditions.com/m/396.jpg?dl=1","/art/megasoma-elephas-or-megaceras-jason-and-six-other-insects-aic-258366","/galleries/style/dutch-golden-age/megasoma-elephas-or-megaceras-jason-and-six-other-insects-aic-258366",{"_292":377,"_294":378},{"_225":805,"_125":806,"_286":807},{"_277":640,"_279":803,"_281":642,"_283":804},45.06999246041719,21.06999246041719,{"_288":225,"_123":808,"_154":809,"_140":89},{"_288":125,"_123":490,"_154":491,"_140":231},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pieter-holsteyn-the-younger","Pieter Holsteyn, the younger's contemporaries","https://img.ochreeditions.com/a/396/480.jpg","https://img.ochreeditions.com/a/396/960.jpg","https://img.ochreeditions.com/a/396/1920.jpg",{"_315":826,"_317":827},{"_315":824,"_317":825},{"_315":822,"_317":823},{"_315":820,"_317":821},{"_315":818,"_317":819},"#a99d8f",0.1013,"#3d3a39",0.1354,"#1a1513",0.1496,"#6e6c6a",0.1704,"#ebd8c6",0.4433,"Pieter Holsteyn, the younger","pieter-holsteyn-the-younger","Dutch, 1614–1687",1614,1687,"landscape-with-travelers-cma-97189","Landscape with Travelers",{"_42":881,"_222":882,"_329":883,"_331":332,"_333":334,"_335":884,"_337":-5,"_338":-5,"_339":885,"_140":97},"1630s","Framed: 98 x 119 x 9 cm (38 9/16 x 46 7/8 x 3 9/16 in.); Unframed: 75 x 94.8 cm (29 1/2 x 37 5/16 in.)",94.8,75,1.2743628185907045,[866,867,868,869,870],{"_221":305,"_222":306,"_42":307,"_308":309},"1916.823","Herman van Swanevelt painted this in the 1630s, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":865,"_303":304},"Landscape with Travelers, by Herman van Swanevelt, 1630s",{"_296":862,"_298":863,"_300":864},"https://img.ochreeditions.com/m/488.jpg?dl=1","/art/landscape-with-travelers-cma-97189","/galleries/style/dutch-golden-age/landscape-with-travelers-cma-97189",{"_292":293,"_294":295},{"_225":857,"_125":858,"_286":859},{"_277":854,"_279":855,"_281":838,"_283":856},109.8,89.39011764705883,74.39011764705883,{"_288":225,"_123":860,"_154":861,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/488/480.jpg","https://img.ochreeditions.com/a/488/960.jpg","https://img.ochreeditions.com/a/488/1920.jpg","Swanevelt played an important role in the development of 17th-century landscape painting in Rome. Often regarded as a follower of Claude Lorrain (1600-1682), with whom he briefly shared a home, most scholars now believe that the influence was mutual.",{"_315":879,"_317":880},{"_315":877,"_317":878},{"_315":875,"_317":876},{"_315":873,"_317":874},{"_315":871,"_317":872},"#ac9d77",0.0663,"#868674",0.0894,"#8198a7",0.1475,"#4a4634",0.1731,"#2e2d26",0.5237,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","the-witch-night-piece-cma-123405","The Witch (Night Piece)",{"_42":938,"_222":939,"_329":940,"_331":332,"_333":941,"_335":942,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1626","engraving","Platemark: 21.6 x 29 cm (8 1/2 x 11 7/16 in.); Sheet: 24 x 31.5 cm (9 7/16 x 12 3/8 in.)",29,21.6,1.2908124525436597,[923,924,925,926,927],{"_221":305,"_222":306,"_42":307,"_308":309},"1943.635","Jan van de Velde II made this in 1626, aged 33. It is now at the Cleveland Museum of Art.",{"_118":922,"_303":304},"The Witch (Night Piece), by Jan van de Velde II, 1626",{"_296":919,"_298":920,"_300":921},"https://img.ochreeditions.com/m/560.jpg?dl=1","/art/the-witch-night-piece-cma-123405","/galleries/style/dutch-golden-age/the-witch-night-piece-cma-123405",{"_292":377,"_294":378},{"_225":911,"_125":912,"_286":913},{"_277":908,"_279":909,"_281":892,"_283":910},53,46.466470588235296,22.466470588235296,{"_288":225,"_123":917,"_154":918,"_140":89},{"_288":125,"_123":914,"_154":915,"_140":916},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-jan-van-de-velde-ii","Jan van de Velde II's contemporaries","https://img.ochreeditions.com/a/560/480.jpg","https://img.ochreeditions.com/a/560/960.jpg","https://img.ochreeditions.com/a/560/1920.jpg","A seductive witch standing inside a magic circle prepares a nasty brew for her Sabbath, surrounded by her familiars (supernatural entities) in the form of beasts and demons, as well as symbols of human weaknesses like lust (a goat) and gambling.",{"_315":936,"_317":937},{"_315":934,"_317":935},{"_315":932,"_317":933},{"_315":930,"_317":931},{"_315":928,"_317":929},"#a49f95",0.1004,"#706d66",0.146,"#484642",0.184,"#d9d4cc",0.2235,"#2c2b2a",0.3461,"Jan van de Velde II","jan-van-de-velde-ii","Dutch, c. 1593–1641",1593,1641,"hercules-slaying-the-hydra-aic-268749","Hercules Slaying the Hydra",{"_42":401,"_222":402,"_329":403,"_331":332,"_333":404,"_335":405,"_337":-5,"_338":-5,"_339":406,"_140":97},"c. 1602","Engraving on ivory laid paper","Plate: 51 × 36.3 cm (20 1/8 × 14 5/16 in.); sheet: 51.7 × 37 cm (20 3/8 × 14 5/8 in.)",36,51,0.7165301204819277,[972,973,974,975,976],{"_221":382,"_222":383,"_42":384,"_308":385},"2023.1179","Jan Harmensz. Muller made this in about 1602, aged about 26. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_296":969,"_298":970,"_300":971},"https://img.ochreeditions.com/m/425.jpg?dl=1","/art/hercules-slaying-the-hydra-aic-268749","/galleries/style/dutch-golden-age/hercules-slaying-the-hydra-aic-268749",{"_292":377,"_294":378},{"_225":966,"_125":967,"_286":968},{"_277":964,"_279":839,"_281":965,"_283":950},60.54303614457831,36.54303614457831,{"_288":225,"_123":375,"_154":376,"_140":97},{"_288":125,"_123":372,"_154":373,"_140":374},{"_288":286,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/425/480.jpg","https://img.ochreeditions.com/a/425/960.jpg","https://img.ochreeditions.com/a/425/1920.jpg",{"_315":985,"_317":986},{"_315":983,"_317":984},{"_315":981,"_317":982},{"_315":979,"_317":980},{"_315":977,"_317":978},"#5b554f",0.108,"#b2a69c",0.1097,"#837a72",0.1277,"#efdfd2",0.1335,"#e2d2c5",0.5211,"drunken-silenus-aic-273342","Drunken Silenus",{"_42":1034,"_222":1035,"_329":1036,"_331":332,"_333":1037,"_335":1038,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1642","Engraving in black on cream laid paper","34.7 × 28.5 cm (13 11/16 × 11 1/4 in.)",28,34,0.836269744835966,[1019,1020,1021,1022,1023],{"_221":382,"_222":383,"_42":384,"_308":385},"2024.159","Jonas Suyderhoef made this in 1642, aged 29. It is now at the Art Institute of Chicago.","A work made of engraving in black on cream laid paper.",{"_296":1016,"_298":1017,"_300":1018},"https://img.ochreeditions.com/m/447.jpg?dl=1","/art/drunken-silenus-aic-273342","/galleries/style/dutch-golden-age/drunken-silenus-aic-273342",{"_292":377,"_294":378},{"_225":1011,"_125":1012,"_286":1013},{"_277":1008,"_279":1009,"_281":1010,"_283":994},52.433171324422844,58,28.433171324422844,{"_288":225,"_123":1014,"_154":1015,"_140":89},{"_288":125,"_123":914,"_154":915,"_140":916},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jonas-suyderhoef","Jonas Suyderhoef's contemporaries","https://img.ochreeditions.com/a/447/480.jpg","https://img.ochreeditions.com/a/447/960.jpg","https://img.ochreeditions.com/a/447/1920.jpg",{"_315":1032,"_317":1033},{"_315":1030,"_317":1031},{"_315":1028,"_317":1029},{"_315":1026,"_317":1027},{"_315":1024,"_317":1025},"#696259",0.1166,"#94887e",0.1209,"#44403b",0.1615,"#b7a89c",0.2199,"#e9d6c8",0.3811,"Jonas Suyderhoef","jonas-suyderhoef","Dutch, c. 1613–1686",1613,1686,"study-of-a-tulip-wit-en-root-boode-cma-80646","Study of a Tulip (Wit en root boode)",{"_42":1087,"_222":1088,"_329":1089,"_331":332,"_333":1090,"_335":1091,"_337":-5,"_338":-5,"_339":-5,"_140":103},"c. 1645","Point of brush and transparent and opaque watercolors with traces of graphite and gum glazing on antique laid paper","Sheet: 31.2 x 20.6 cm (12 5/16 x 8 1/8 in.)",31.2,0.6835294117647058,[1072,1073,1074,1075,1076],{"_221":305,"_222":306,"_42":307,"_308":309},"2020.130","Pieter Holsteyn II painted this in about 1645, aged about 28. It is now at the Cleveland Museum of Art.",{"_118":1071,"_303":304},"Study of a Tulip (Wit en root boode), by Pieter Holsteyn II, c. 1645",{"_296":1068,"_298":1069,"_300":1070},"https://img.ochreeditions.com/m/452.jpg?dl=1","/art/study-of-a-tulip-wit-en-root-boode-cma-80646","/galleries/style/dutch-golden-age/study-of-a-tulip-wit-en-root-boode-cma-80646",{"_292":377,"_294":378},{"_225":1063,"_125":1064,"_286":1065},{"_277":1060,"_279":1061,"_281":1062,"_283":1045},45.32611764705882,55.2,21.326117647058823,{"_288":225,"_123":1066,"_154":1067,"_140":89},{"_288":125,"_123":754,"_154":755,"_140":756},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pieter-holsteyn-ii","Pieter Holsteyn II's contemporaries","https://img.ochreeditions.com/a/452/480.jpg","https://img.ochreeditions.com/a/452/960.jpg","https://img.ochreeditions.com/a/452/1920.jpg","This image of a tulip was made as part of a tulip book used as a grower’s marketing tool during the so-called tulip mania, a speculative bubble in 17th-century Holland, when ten tulip bulbs could cost more than a stately Amsterdam canal house.",{"_315":1085,"_317":1086},{"_315":1083,"_317":1084},{"_315":1081,"_317":1082},{"_315":1079,"_317":1080},{"_315":1077,"_317":1078},"#ab5e68",0.0138,"#bb9c96",0.0211,"#b0b7a5",0.0396,"#80a481",0.0451,"#dccfc5",0.8804,"Pieter Holsteyn II","pieter-holsteyn-ii","Dutch, c.1612–1673",1612,1673,"the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153","The Meeting of Christ with Martha and Mary after the Death of Lazarus",{"_42":1140,"_222":1141,"_329":1142,"_331":332,"_333":1143,"_335":1144,"_337":1145,"_338":613,"_339":1146,"_140":77},"c. 1662–65","reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)","Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)",20.8,17.5,1.18137595552467,[1125,1126,1127,1128,1129],{"_221":305,"_222":306,"_42":307,"_308":309},"1962.116","Rembrandt van Rijn painted this in about 1662–65, aged about 56. It is now at the Cleveland Museum of Art.",{"_118":1124,"_303":304},"The Meeting of Christ with Martha and Mary after the Death of Lazarus, by Rembrandt van Rijn, c. 1662–65",{"_296":1121,"_298":1122,"_300":1123},"https://img.ochreeditions.com/m/645.jpg?dl=1","/art/the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153","/galleries/style/dutch-golden-age/the-meeting-of-christ-with-martha-and-mary-after-the-death-o-cma-137153",{"_292":377,"_294":378},{"_225":1116,"_125":1117,"_286":1118},{"_277":640,"_279":1114,"_281":642,"_283":1115},45.16176470588235,21.16176470588235,{"_288":225,"_123":1119,"_154":1120,"_140":77},{"_288":125,"_123":754,"_154":755,"_140":756},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/645/480.jpg","https://img.ochreeditions.com/a/645/960.jpg","https://img.ochreeditions.com/a/645/1920.jpg","Scholars now consider this drawing a rare, late work by Rembrandt. Here, Christ meets with Martha and Mary after the death of their brother, Lazarus (John 11:30–36).",{"_315":1138,"_317":1139},{"_315":1136,"_317":1137},{"_315":1134,"_317":1135},{"_315":1132,"_317":1133},{"_315":1130,"_317":1131},"#6b6053",0.0859,"#928371",0.1473,"#b1a08c",0.1863,"#cdbca7",0.2341,"#e3d6c4",0.3464,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.",{"_1148":-5,"_1149":1150,"_1151":1152,"_1153":8,"_1154":1155,"_1156":8},"user","csrf","b59916f894b5af1d2e773443449a580790a5cf1c","cartCount",0,"dropLive","legal",[1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168],"uploadsEnabled",{"_222":1191,"_20":1192},{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]