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It is now at the Cleveland Museum of Art.",{"_118":431,"_302":303},"Interior of a Church, by Emanuel de Witte, c. 1680",{"_295":428,"_297":429,"_299":430},"https://img.ochreeditions.com/m/677.jpg?dl=1","/art/interior-of-a-church-cma-145450","/galleries/style/dutch-golden-age/interior-of-a-church-cma-145450",{"_291":292,"_293":294},{"_224":423,"_125":424,"_285":425},{"_276":420,"_278":421,"_280":422,"_282":405},68.57529411764706,77,53.57529411764706,{"_287":224,"_123":426,"_154":427,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-emanuel-de-witte","Emanuel de Witte's contemporaries","https://img.ochreeditions.com/a/677/480.jpg","https://img.ochreeditions.com/a/677/960.jpg","https://img.ochreeditions.com/a/677/1920.jpg","Although this spacious church interior is largely imaginary, Emanuel de Witte’s precise description of architectural forms convinces us that he depicted an actual place. To create a sense of familiarity, he included some specific architectural features from the Oude Kerk (Old Church) in Amsterdam.",{"_314":445,"_316":446},{"_314":443,"_316":444},{"_314":441,"_316":442},{"_314":439,"_316":440},{"_314":437,"_316":438},"#aea695",0.0449,"#887b68",0.0625,"#6c6052",0.2531,"#393028",0.2852,"#51463b",0.3543,"Emanuel de Witte","emanuel-de-witte","Dutch, c. 1617–1692",1617,1692,"the-judgement-of-zaleucus-aic-15260","The Judgement of Zaleucus",{"_42":509,"_221":510,"_328":511,"_330":512,"_332":513,"_334":514,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1605","Oil on panel","42.8 × 52.2 cm (16 7/8 × 20 9/16 in.); Framed: 48 × 57.5 × 4.5 cm (18 7/8 × 22 5/8 × 1 3/4 in.)",52,42,1.2329259525521208,[494,495,496,497,498],{"_220":490,"_221":491,"_42":492,"_307":493},"Courtesy of the Art Institute of Chicago","1962.812","Otto van Veen painted this in about 1605, aged about 44. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_295":487,"_297":488,"_299":489},"https://img.ochreeditions.com/m/40.jpg?dl=1","/art/the-judgement-of-zaleucus-aic-15260","/galleries/style/dutch-golden-age/the-judgement-of-zaleucus-aic-15260",{"_291":292,"_293":294},{"_224":477,"_125":478,"_285":479},{"_276":474,"_278":475,"_280":458,"_282":476},67,57.17609329446064,42.17609329446064,{"_287":224,"_123":485,"_154":486,"_140":89},{"_287":125,"_123":483,"_154":484,"_140":196},{"_287":285,"_123":480,"_154":481,"_140":482},"era/16-netherlands","16th-century Netherlands",35,"style/painting-16","More paintings of the 16th century","artist/contemporaries-of-otto-van-veen","Otto van Veen's contemporaries","https://img.ochreeditions.com/a/40/480.jpg","https://img.ochreeditions.com/a/40/960.jpg","https://img.ochreeditions.com/a/40/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":507,"_316":508},{"_314":505,"_316":506},{"_314":503,"_316":504},{"_314":501,"_316":502},{"_314":499,"_316":500},"#3d332a",0.1289,"#87745c",0.1965,"#615344",0.2061,"#504337",0.2188,"#776654",0.2497,"Otto van Veen","otto-van-veen","Flemish, 1556–1629","Flemish",1556,1629,"english-warship-firing-a-salute-cma-148368","English Warship Firing a Salute","Unrecorded Dutch maker","1690","Framed: 91 x 103 x 4 cm (35 13/16 x 40 9/16 x 1 9/16 in.); Unframed: 63.7 x 77.5 cm (25 1/16 x 30 1/2 in.)",77.5,63.7,1.2116892373485388,[549,550,551,552,553],{"_220":304,"_221":305,"_42":306,"_307":308},"1975.80","An unrecorded Netherlands artist painted this in 1690. It is now at the Cleveland Museum of Art.",{"_118":548,"_302":303},"English Warship Firing a Salute, 1690",{"_295":545,"_297":546,"_299":547},"https://img.ochreeditions.com/m/695.jpg?dl=1","/art/english-warship-firing-a-salute-cma-148368","/galleries/style/dutch-golden-age/english-warship-firing-a-salute-cma-148368",{"_291":292,"_293":294},{"_224":539,"_125":540,"_285":541},{"_276":536,"_278":537,"_280":520,"_282":538},92.5,78.96029411764707,63.96029411764706,{"_287":224,"_123":542,"_154":543,"_140":544},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/unrecorded","More by unrecorded makers",126,"https://img.ochreeditions.com/a/695/480.jpg","https://img.ochreeditions.com/a/695/960.jpg","https://img.ochreeditions.com/a/695/1920.jpg","Van de Velde and his father picked up their lives in Amsterdam in 1672 and moved to England to paint for the king. Their paintings of the Royal Navy’s massive ships celebrated England’s power in war and trade.",{"_314":562,"_316":563},{"_314":560,"_316":561},{"_314":558,"_316":559},{"_314":556,"_316":557},{"_314":554,"_316":555},"#393224",0.1182,"#565a47",0.2031,"#a29b79",0.2067,"#8c7b59",0.2241,"#767d66",0.2479,"portrait-of-elizabeth-spiegel-cma-148369","Portrait of Elizabeth Spiegel",{"_42":612,"_221":613,"_328":614,"_330":331,"_332":615,"_334":616,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1639","Framed: 80.6 x 68.3 x 3.9 cm (31 3/4 x 26 7/8 x 1 9/16 in.); Unframed: 62.7 x 49.5 cm (24 11/16 x 19 1/2 in.)",49.5,62.7,0.7914705882352941,[597,598,599,600,601],{"_220":304,"_221":305,"_42":306,"_307":308},"1975.81","Dirck Dircksz. Santvoort painted this in 1639, aged 29. It is now at the Cleveland Museum of Art.",{"_118":596,"_302":303},"Portrait of Elizabeth Spiegel, by Dirck Dircksz. Santvoort, 1639",{"_295":593,"_297":594,"_299":595},"https://img.ochreeditions.com/m/696.jpg?dl=1","/art/portrait-of-elizabeth-spiegel-cma-148369","/galleries/style/dutch-golden-age/portrait-of-elizabeth-spiegel-cma-148369",{"_291":292,"_293":294},{"_224":588,"_125":589,"_285":590},{"_276":585,"_278":586,"_280":587,"_282":570},64.62520588235294,77.7,49.625205882352944,{"_287":224,"_123":591,"_154":592,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-dirck-dircksz-santvoort","Dirck Dircksz. Santvoort's contemporaries","https://img.ochreeditions.com/a/696/480.jpg","https://img.ochreeditions.com/a/696/960.jpg","https://img.ochreeditions.com/a/696/1920.jpg","This painting belongs to a series of portraits representing the five senses and each depicting a daughter of a wealthy family from Amsterdam. This portrait of 11-year-old Elizabeth Spiegel, who holds a recorder in her hands, represents the sense of hearing.",{"_314":610,"_316":611},{"_314":608,"_316":609},{"_314":606,"_316":607},{"_314":604,"_316":605},{"_314":602,"_316":603},"#7f6e56",0.0414,"#b8a485",0.0509,"#654424",0.0643,"#403223",0.1706,"#28241d",0.6728,"Dirck Dircksz. Santvoort","dirck-dircksz-santvoort","Dutch, 1610/11–1680",1610,1680,"still-life-aic-21682","Still Life",{"_42":661,"_221":662,"_328":663,"_330":331,"_332":-5,"_334":-5,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1625","48 × 76.9 cm (18 7/8 × 30 1/4 in.); Framed: 76.2 × 108.8 × 7 cm (30 × 41 1/4 × 2 3/4 in.)",76,48,1.6322622950819672,[646,647,648,649,650],{"_220":490,"_221":491,"_42":492,"_307":493},"1935.300","Pieter Claesz painted this in about 1625. It is now at the Art Institute of Chicago.",{"_295":643,"_297":644,"_299":645},"https://img.ochreeditions.com/m/86.jpg?dl=1","/art/still-life-aic-21682","/galleries/style/dutch-golden-age/still-life-aic-21682",{"_291":292,"_293":294},{"_224":638,"_125":639,"_285":640},{"_276":168,"_278":636,"_280":622,"_282":637},61.56114414269645,46.56114414269645,{"_287":224,"_123":641,"_154":642,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pieter-claesz","Pieter Claesz's contemporaries","https://img.ochreeditions.com/a/86/480.jpg","https://img.ochreeditions.com/a/86/960.jpg","https://img.ochreeditions.com/a/86/1920.jpg",{"_314":659,"_316":660},{"_314":657,"_316":658},{"_314":655,"_316":656},{"_314":653,"_316":654},{"_314":651,"_316":652},"#83796a",0.1058,"#2c251f",0.1262,"#635341",0.1286,"#4a372e",0.1454,"#171411",0.494,"Pieter Claesz","pieter-claesz","Dutch, 1596/97–1660","a-horseshoe-crab-aic-258367","A Horseshoe Crab",{"_42":717,"_221":718,"_328":719,"_330":331,"_332":720,"_334":721,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1640/80","watercolour","Drawing and Watercolor","Watercolor and opaque watercolor on cream laid paper","16.3 × 21.4 cm (6 7/16 × 8 7/16 in.)",21,1.2042751768779165,[702,703,704,705,706],{"_220":490,"_221":491,"_42":492,"_307":493},"2020.264","Pieter Holsteyn, the younger painted this in 1640/80, aged about 26. It is now at the Art Institute of Chicago.","A work made of watercolor and opaque watercolor on cream laid paper.",{"_295":699,"_297":700,"_299":701},"https://img.ochreeditions.com/m/397.jpg?dl=1","/art/a-horseshoe-crab-aic-258367","/galleries/style/dutch-golden-age/a-horseshoe-crab-aic-258367",{"_291":697,"_293":698},{"_224":690,"_125":691,"_285":692},{"_276":686,"_278":687,"_280":688,"_282":689},49,44.759375000000006,25,20.759375000000002,{"_287":224,"_123":695,"_154":696,"_140":89},{"_287":125,"_123":693,"_154":694,"_140":230},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-pieter-holsteyn-the-younger","Pieter Holsteyn, the younger's contemporaries","white","snow","https://img.ochreeditions.com/a/397/480.jpg","https://img.ochreeditions.com/a/397/960.jpg","https://img.ochreeditions.com/a/397/1920.jpg",{"_314":715,"_316":716},{"_314":713,"_316":714},{"_314":711,"_316":712},{"_314":709,"_316":710},{"_314":707,"_316":708},"#aa9e93",0.1041,"#6b6663",0.1215,"#1e1a18",0.1338,"#44403e",0.1695,"#eedbca",0.4711,"Pieter Holsteyn, the younger","pieter-holsteyn-the-younger","Dutch, 1614–1687",1614,1687,"the-mocking-of-ceres-cma-150455","The Mocking of Ceres",{"_42":776,"_221":777,"_328":778,"_330":331,"_332":779,"_334":780,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1610","print","Print","engraving","Image: 29.2 x 23.7 cm (11 1/2 x 9 5/16 in.); Sheet: 32 x 24.2 cm (12 5/8 x 9 1/2 in.)",23.7,29.2,0.7644117647058823,[761,762,763,764,765],{"_220":304,"_221":305,"_42":306,"_307":308},"1981.23","Hendrik Goudt made this in 1610, aged about 22. It is now at the Cleveland Museum of Art.",{"_118":760,"_302":303},"The Mocking of Ceres, by Hendrik Goudt, 1610",{"_295":757,"_297":758,"_299":759},"https://img.ochreeditions.com/m/715.jpg?dl=1","/art/the-mocking-of-ceres-cma-150455","/galleries/style/dutch-golden-age/the-mocking-of-ceres-cma-150455",{"_291":697,"_293":698},{"_224":749,"_125":750,"_285":751},{"_276":746,"_278":747,"_280":748,"_282":731},46.32082352941177,53.2,22.320823529411765,{"_287":224,"_123":755,"_154":756,"_140":89},{"_287":125,"_123":752,"_154":753,"_140":754},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-hendrik-goudt","Hendrik Goudt's contemporaries","https://img.ochreeditions.com/a/715/480.jpg","https://img.ochreeditions.com/a/715/960.jpg","https://img.ochreeditions.com/a/715/1920.jpg","This scene depicts Ceres, the Roman goddess of summer and agriculture, drinking water as she searches for her kidnapped daughter, Proserpina. A boy mocks her at left. Hendrick Goudt made several engravings meant to reproduce the style of small, dark paintings of the period.",{"_314":774,"_316":775},{"_314":772,"_316":773},{"_314":770,"_316":771},{"_314":768,"_316":769},{"_314":766,"_316":767},"#817c73",0.0708,"#c7c1b4",0.1355,"#56544d",0.1671,"#3a3833",0.286,"#262521",0.3406,"Hendrik Goudt","hendrik-goudt","Dutch, 1583–1648",1583,1648,"hercules-slaying-the-hydra-aic-268749","Hercules Slaying the Hydra",{"_42":830,"_221":831,"_328":832,"_330":331,"_332":833,"_334":834,"_336":-5,"_338":-5,"_340":835,"_140":97},"c. 1602","Engraving on ivory laid paper","Plate: 51 × 36.3 cm (20 1/8 × 14 5/16 in.); sheet: 51.7 × 37 cm (20 3/8 × 14 5/8 in.)",36,51,0.7165301204819277,[815,816,817,818,819],{"_220":490,"_221":491,"_42":492,"_307":493},"2023.1179","Jan Harmensz. Muller made this in about 1602, aged about 26. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_295":812,"_297":813,"_299":814},"https://img.ochreeditions.com/m/425.jpg?dl=1","/art/hercules-slaying-the-hydra-aic-268749","/galleries/style/dutch-golden-age/hercules-slaying-the-hydra-aic-268749",{"_291":697,"_293":698},{"_224":805,"_125":806,"_285":807},{"_276":802,"_278":803,"_280":804,"_282":788},60.54303614457831,75,36.54303614457831,{"_287":224,"_123":810,"_154":811,"_140":97},{"_287":125,"_123":808,"_154":809,"_140":404},{"_287":285,"_123":480,"_154":481,"_140":482},"style/print-16","More prints of the 16th century","artist/jan-harmensz-muller","More by Jan Harmensz. Muller","https://img.ochreeditions.com/a/425/480.jpg","https://img.ochreeditions.com/a/425/960.jpg","https://img.ochreeditions.com/a/425/1920.jpg",{"_314":828,"_316":829},{"_314":826,"_316":827},{"_314":824,"_316":825},{"_314":822,"_316":823},{"_314":820,"_316":821},"#5b554f",0.108,"#b2a69c",0.1097,"#837a72",0.1277,"#efdfd2",0.1335,"#e2d2c5",0.5211,"Jan Harmensz. Muller","jan-harmensz-muller","Dutch, 1571–1628",1571,1628,"Muller came from an Amsterdam family of engravers and publishers and became one of the most accomplished Dutch Mannerist engravers.","the-apollo-belvedere-plate-3-from-three-famous-antique-sculp-aic-112043","The Apollo Belvedere, plate 3 from Three Famous Antique Sculptures",{"_42":882,"_221":883,"_328":884,"_330":331,"_332":885,"_334":450,"_336":886,"_338":339,"_340":887,"_140":91},"c. 1592, printed c. 1617","Engraving in black on cream laid paper","Image: 40.5 × 29.1 cm (16 × 11 1/2 in.); Plate: 41.6 × 29.8 cm (16 7/16 × 11 3/4 in.); Sheet: 49.2 × 36.5 cm (19 3/8 × 14 3/8 in.)",29,0.7499239890544238,[868,869,870,871,872],{"_220":490,"_221":491,"_42":492,"_307":493},"1990.498","Hendrick Goltzius made this in about 1592, printed c. 1617, aged about 29. It is now at the Art Institute of Chicago.","The Apollo Belvedere, the ancient marble god in the Vatican that Renaissance artists regarded as the perfect male figure, is shown here as Hendrick Goltzius drew it during his stay in Rome in 1590–91.","A work made of engraving in black on cream laid paper.",{"_295":865,"_297":866,"_299":867},"https://img.ochreeditions.com/m/290.jpg?dl=1","/art/the-apollo-belvedere-plate-3-from-three-famous-antique-sculp-aic-112043","/galleries/style/dutch-golden-age/the-apollo-belvedere-plate-3-from-three-famous-antique-sculp-aic-112043",{"_291":697,"_293":698},{"_224":860,"_125":861,"_285":862},{"_276":857,"_278":858,"_280":859,"_282":185},53.996959562176954,64,29.996959562176954,{"_287":224,"_123":863,"_154":864,"_140":91},{"_287":125,"_123":808,"_154":809,"_140":404},{"_287":285,"_123":480,"_154":481,"_140":482},"artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/290/480.jpg","https://img.ochreeditions.com/a/290/960.jpg","https://img.ochreeditions.com/a/290/1920.jpg",{"_314":880,"_316":881},{"_314":878,"_316":879},{"_314":876,"_316":877},{"_314":874,"_316":875},{"_314":873,"_316":500},"#7e7364","#a19482",0.1572,"#655b4e",0.1696,"#c6b8a6",0.2334,"#eedbc3",0.3109,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617",1558,"Mühlbracht","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","two-old-men-beside-a-sled-bearing-the-coats-of-arms-of-amste-aic-22646","Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and Utrecht",{"_42":934,"_221":935,"_328":936,"_330":937,"_332":-5,"_334":-5,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1620/33","Opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper","18.3 × 30 cm (7 1/4 × 11 13/16 in.)",30,18,1.640646976090014,[919,920,921,922,923],{"_220":490,"_221":491,"_42":492,"_307":493},"1965.30","Hendric Avercamp painted this in 1620/33. It is now at the Art Institute of Chicago.","A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.",{"_295":916,"_297":917,"_299":918},"https://img.ochreeditions.com/m/95.jpg?dl=1","/art/two-old-men-beside-a-sled-bearing-the-coats-of-arms-of-amste-aic-22646","/galleries/style/dutch-golden-age/two-old-men-beside-a-sled-bearing-the-coats-of-arms-of-amste-aic-22646",{"_291":697,"_293":698},{"_224":911,"_125":912,"_285":913},{"_276":404,"_278":909,"_280":894,"_282":910},42.28546935276468,18.285469352764682,{"_287":224,"_123":914,"_154":915,"_140":89},{"_287":125,"_123":693,"_154":694,"_140":230},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-hendric-avercamp","Hendric Avercamp's contemporaries","https://img.ochreeditions.com/a/95/480.jpg","https://img.ochreeditions.com/a/95/960.jpg","https://img.ochreeditions.com/a/95/1920.jpg",{"_314":932,"_316":933},{"_314":930,"_316":931},{"_314":928,"_316":929},{"_314":926,"_316":927},{"_314":924,"_316":925},"#917558",0.0885,"#b19575",0.119,"#8b8a7c",0.1771,"#b1aea4",0.2332,"#d2b9a3",0.3822,"Hendric Avercamp","hendric-avercamp","Netherlandish, 1585-c.1633","Netherlandish","david-slaying-goliath-aic-100357","David Slaying Goliath",{"_42":331,"_221":985,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1600–50","Oil on copper","27 × 41 cm (10 5/8 × 16 1/8 in.)",41,27,1.5738171469228033,[970,971,972,973,974],{"_220":490,"_221":491,"_42":492,"_307":493},"1983.387","Dutch painted this in 1600–50. It is now at the Art Institute of Chicago.","A work made of oil on copper.",{"_295":967,"_297":968,"_299":969},"https://img.ochreeditions.com/m/261.jpg?dl=1","/art/david-slaying-goliath-aic-100357","/galleries/style/dutch-golden-age/david-slaying-goliath-aic-100357",{"_291":292,"_293":294},{"_224":962,"_125":963,"_285":964},{"_276":959,"_278":960,"_280":944,"_282":961},56,41.05131103074141,26.05131103074141,{"_287":224,"_123":965,"_154":966,"_140":89},{"_287":125,"_123":483,"_154":484,"_140":196},{"_287":285,"_123":480,"_154":481,"_140":482},"artist/contemporaries-of-dutch","Dutch's contemporaries","https://img.ochreeditions.com/a/261/480.jpg","https://img.ochreeditions.com/a/261/960.jpg","https://img.ochreeditions.com/a/261/1920.jpg",{"_314":983,"_316":984},{"_314":981,"_316":982},{"_314":979,"_316":980},{"_314":977,"_316":978},{"_314":975,"_316":976},"#433f35",0.0719,"#5a4d39",0.123,"#4a3928",0.2063,"#322921",0.2164,"#767c72",0.3824,"dutch","the-wedding-at-cana-aic-268823","The Wedding at Cana",{"_42":882,"_221":883,"_328":884,"_330":331,"_332":885,"_334":450,"_336":886,"_338":339,"_340":887,"_140":91},"c. 1590-1610","Engraving on two joined sheets of ivory laid paper","Sheet: 62.4 × 69.9 cm (24 5/8 × 27 9/16 in.)",69,1.1049650518197156,[1015,1016,1017,1018,1019],{"_220":490,"_221":491,"_42":492,"_307":493},"2023.1262","Hendrick Goltzius made this in about 1590-1610, aged about 32. It is now at the Art Institute of Chicago.","A work made of engraving on two joined sheets of ivory laid paper.",{"_295":1012,"_297":1013,"_299":1014},"https://img.ochreeditions.com/m/427.jpg?dl=1","/art/the-wedding-at-cana-aic-268823","/galleries/style/dutch-golden-age/the-wedding-at-cana-aic-268823",{"_291":697,"_293":698},{"_224":1009,"_125":1010,"_285":1011},{"_276":1006,"_278":1007,"_280":992,"_282":1008},93,86.445413894645,62.445413894645,{"_287":224,"_123":863,"_154":864,"_140":91},{"_287":125,"_123":808,"_154":809,"_140":404},{"_287":285,"_123":480,"_154":481,"_140":482},"https://img.ochreeditions.com/a/427/480.jpg","https://img.ochreeditions.com/a/427/960.jpg","https://img.ochreeditions.com/a/427/1920.jpg",{"_314":1028,"_316":1029},{"_314":1026,"_316":1027},{"_314":1024,"_316":1025},{"_314":1022,"_316":1023},{"_314":1020,"_316":1021},"#ebdbcc",0.1382,"#615c55",0.1708,"#c3b6a9",0.1773,"#a1978c",0.2546,"#817970",0.2591,"salome-with-the-head-of-saint-john-the-baptist-cma-148366","Salome with the Head of Saint John the Baptist",{"_42":1077,"_221":1078,"_328":1079,"_330":331,"_332":1080,"_334":1081,"_336":-5,"_338":-5,"_340":-5,"_140":103},"mid-1600s","Framed: 92 x 76.5 x 4 cm (36 1/4 x 30 1/8 x 1 9/16 in.); Unframed: 71 x 54.6 cm (27 15/16 x 21 1/2 in.)",54.6,71,0.7708823529411765,[1062,1063,1064,1065,1066],{"_220":304,"_221":305,"_42":306,"_307":308},"1975.79","Jacob Duck painted this in the mid-1600s, aged about 40. It is now at the Cleveland Museum of Art.",{"_118":1061,"_302":303},"Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s",{"_295":1058,"_297":1059,"_299":1060},"https://img.ochreeditions.com/m/694.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-cma-148366","/galleries/style/dutch-golden-age/salome-with-the-head-of-saint-john-the-baptist-cma-148366",{"_291":292,"_293":294},{"_224":1053,"_125":1054,"_285":1055},{"_276":1051,"_278":191,"_280":1052,"_282":1036},69.73264705882353,54.73264705882353,{"_287":224,"_123":1056,"_154":1057,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacob-duck","Jacob Duck's contemporaries","https://img.ochreeditions.com/a/694/480.jpg","https://img.ochreeditions.com/a/694/960.jpg","https://img.ochreeditions.com/a/694/1920.jpg","The colorful, exotic garments worn by the woman at the right demonstrate Jacob Duck’s skill in painting luxurious surfaces: she is Salome, daughter of Herodias. According to the New Testament, Herodias bore a grudge against John the Baptist, who condemned her marriage to Herod, ruler of Galilee and Perea.",{"_314":1075,"_316":1076},{"_314":1073,"_316":1074},{"_314":1071,"_316":1072},{"_314":1069,"_316":1070},{"_314":1067,"_316":1068},"#a23918",0.0325,"#6c3c21",0.1406,"#9e8966",0.1575,"#382a16",0.1878,"#594d31",0.4816,"Jacob Duck","jacob-duck","Dutch, c. 1600–1667",1600,1667,"sleeping-peasants-near-fields-parable-of-the-weeds-cma-148363","Sleeping Peasants near Fields (Parable of the Weeds)",{"_42":1129,"_221":1130,"_328":1131,"_330":331,"_332":1132,"_334":1133,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1650–53","Framed: 122 x 161.5 x 8 cm (48 1/16 x 63 9/16 x 3 1/8 in.); Unframed: 90.4 x 130.4 cm (35 9/16 x 51 5/16 in.)",130.4,90.4,1.446808510638298,[1115,1116,1117,1118,1119],{"_220":304,"_221":305,"_42":306,"_307":308},"1975.76","Simon de Vlieger painted this in 1650–53, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":1114,"_302":303},"Sleeping Peasants near Fields (Parable of the Weeds), by Simon de Vlieger, 1650–53",{"_295":1111,"_297":1112,"_299":1113},"https://img.ochreeditions.com/m/691.jpg?dl=1","/art/sleeping-peasants-near-fields-parable-of-the-weeds-cma-148363","/galleries/style/dutch-golden-age/sleeping-peasants-near-fields-parable-of-the-weeds-cma-148363",{"_291":292,"_293":294},{"_224":1106,"_125":1107,"_285":1108},{"_276":1103,"_278":1104,"_280":1087,"_282":1105},145.4,105.12941176470588,90.12941176470588,{"_287":224,"_123":1109,"_154":1110,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-simon-de-vlieger","Simon de Vlieger's contemporaries","https://img.ochreeditions.com/a/691/480.jpg","https://img.ochreeditions.com/a/691/960.jpg","https://img.ochreeditions.com/a/691/1920.jpg","During the 1600s Protestant leaders denounced visual representations, in a belief that a strict understanding of the scriptures was the only way to achieve salvation. As a result, Protestants did not generally commission religious images.",{"_314":1127,"_316":1128},{"_314":1125,"_316":1126},{"_314":1124,"_316":980},{"_314":1122,"_316":1123},{"_314":1120,"_316":1121},"#8f7a4c",0.1026,"#cdc6a8",0.141,"#999b8a","#614d2e",0.2415,"#3d3425",0.3086,"Simon de Vlieger","simon-de-vlieger","Dutch, 1601–1653",1601,1653,{"_1135":-5,"_1136":1137,"_1138":1139,"_1140":8,"_1141":1142,"_1143":8},"user","csrf","47117f90aa48cfcdc19b8132e6619493c7cae2ad","cartCount",0,"dropLive","legal",[1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155],"uploadsEnabled",{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]