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It is now at The Met in New York.","A sandy road runs between ripening fields of wheat towards a distant horizon, beneath a sky of towering clouds that fills most of the canvas, with sunlight and shadow moving across the land.","Wheat Fields, by Jacob van Ruisdael, ca. 1670",{"_295":443,"_297":444,"_299":445},"https://img.ochreeditions.com/m/1151.jpg?dl=1","/art/wheat-fields-met-437549","/galleries/style/dutch-and-flemish-baroque/wheat-fields-met-437549",{"_291":292,"_293":294},{"_224":438,"_125":439,"_285":440},{"_276":435,"_278":436,"_280":419,"_282":437},145.2,115.81873524009445,100.81873524009445,{"_287":224,"_123":441,"_154":442,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/1151/480.jpg","https://img.ochreeditions.com/a/1151/960.jpg","https://img.ochreeditions.com/a/1151/1920.jpg",{"_314":459,"_316":460},{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},{"_314":451,"_316":452},"#6b7a86",0.1384,"#534a38",0.1681,"#383025",0.1941,"#98907c",0.2025,"#6e6b5f",0.2969,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1628,1682,"Haarlem","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","portrait-of-a-woman-as-a-shepherdess-met-910733","Portrait of a woman as a shepherdess",{"_42":521,"_221":522,"_328":523,"_330":406,"_332":524,"_334":525,"_336":526,"_337":410,"_338":-5,"_140":103},"1635-40","drawing","Drawings","Metalpoint on prepared parchment (tafelet), inset into a nineteenth-century painted mount","Sheet: 3 3/8 × 2 11/16 in. (8.5 × 6.8 cm)",6.8,8.5,0.796,[506,507,508,509,510],{"_220":384,"_221":385,"_42":386,"_307":387},"2024.631","Crispijn de Passe the Younger painted this in 1635-40, aged about 45. It is now at The Met in New York.","Portrait of a woman as a shepherdess, by Crispijn de Passe the Younger, 1635-40",{"_295":503,"_297":504,"_299":505},"https://img.ochreeditions.com/m/1300.jpg?dl=1","/art/portrait-of-a-woman-as-a-shepherdess-met-910733","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-woman-as-a-shepherdess-met-910733",{"_291":379,"_293":380},{"_224":495,"_125":496,"_285":497},{"_276":491,"_278":492,"_280":493,"_282":494},43.900000000000006,49,19.900000000000002,25,{"_287":224,"_123":501,"_154":502,"_140":89},{"_287":125,"_123":498,"_154":499,"_140":500},{"_287":285,"_123":371,"_154":372,"_140":373},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-crispijn-de-passe-the-younger","Crispijn de Passe the Younger's contemporaries","https://img.ochreeditions.com/a/1300/480.jpg","https://img.ochreeditions.com/a/1300/960.jpg","https://img.ochreeditions.com/a/1300/1920.jpg",{"_314":519,"_316":520},{"_314":517,"_316":518},{"_314":515,"_316":516},{"_314":513,"_316":514},{"_314":511,"_316":512},"#6c604d",0.0692,"#b1a188",0.0959,"#c4b7a3",0.1896,"#d3c8b7",0.2956,"#e1d7c8",0.3497,"Crispijn de Passe the Younger","crispijn-de-passe-the-younger","Dutch, 1590–1670",1590,1670,"Cologne","pomegranates-and-other-fruit-in-a-landscape-met-436752","Pomegranates and Other Fruit in a Landscape",{"_42":572,"_221":573,"_328":574,"_330":331,"_332":575,"_334":576,"_336":-5,"_337":-5,"_338":-5,"_140":103},"24 3/8 x 29 1/8 in. (61.9 x 74 cm)",74,61.9,1.188125,[557,558,559,560,561],{"_220":384,"_221":385,"_42":386,"_307":387},"71.118","Abraham Brueghel painted this, aged about 19. It is now at The Met in New York.","Pomegranates and Other Fruit in a Landscape, by Abraham Brueghel",{"_295":554,"_297":555,"_299":556},"https://img.ochreeditions.com/m/1108.jpg?dl=1","/art/pomegranates-and-other-fruit-in-a-landscape-met-436752","/galleries/style/dutch-and-flemish-baroque/pomegranates-and-other-fruit-in-a-landscape-met-436752",{"_291":292,"_293":294},{"_224":549,"_125":550,"_285":551},{"_276":546,"_278":547,"_280":531,"_282":548},89,77.28300894266175,62.28300894266175,{"_287":224,"_123":552,"_154":553,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-abraham-brueghel","Abraham Brueghel's contemporaries","https://img.ochreeditions.com/a/1108/480.jpg","https://img.ochreeditions.com/a/1108/960.jpg","https://img.ochreeditions.com/a/1108/1920.jpg",{"_314":570,"_316":571},{"_314":568,"_316":569},{"_314":566,"_316":567},{"_314":564,"_316":565},{"_314":562,"_316":563},"#b68438",0.046,"#8d6e3d",0.1305,"#6e4925",0.2147,"#4b3420",0.2344,"#2d231a",0.3744,"Abraham Brueghel","abraham-brueghel","Flemish, 1631–1697",1631,1697,"title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185","Title Page for Balthasar Cordier, Catena Sexaginta Qvinqve Graecorvm Patrvm in S. Lvcam...",{"_42":628,"_221":629,"_328":630,"_330":331,"_332":631,"_334":632,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1628","Print","engraving on laid paper",0.73193359375,[613,614,615,616,617],{"_220":609,"_221":610,"_42":611,"_307":612},"Courtesy National Gallery of Art, Washington","1996.78.21","Cornelis Galle I made this in 1628, aged 52. It is now at the National Gallery of Art in Washington, DC.","The image features a detailed black and white illustration with multiple human and animal figures in a symbolic arrangement. In the foreground, two full-body figures are depicted in long robes and sandals, positioned on either side of a large draped banner with text. One figure holds an open book. Above the banner are celestial figures in dynamic poses. To the left is a winged bull-like creature and a seated male figure with a beard, next to a female figure in classical attire. They are all surrounded by flowing fabric and a lion-like animal. In the lower center foreground, there is an emblem resembling a coat of arms with an eagle and a crowned shield. The background is textured, with no natural landscape or architecture present, allowing the figures to stand out. The illustration is framed by the margins of an open book.",{"_295":606,"_297":607,"_299":608},"https://img.ochreeditions.com/m/1633.jpg?dl=1","/art/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185","/galleries/style/dutch-and-flemish-baroque/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185",{"_291":379,"_293":380},{"_224":601,"_125":602,"_285":603},{"_276":597,"_278":598,"_280":599,"_282":600},67.916015625,84,43.916015625,60,{"_287":224,"_123":604,"_154":605,"_140":89},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-cornelis-galle-i","Cornelis Galle I's contemporaries","https://img.ochreeditions.com/a/1633/480.jpg","https://img.ochreeditions.com/a/1633/960.jpg","https://img.ochreeditions.com/a/1633/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":626,"_316":627},{"_314":624,"_316":625},{"_314":622,"_316":623},{"_314":620,"_316":621},{"_314":618,"_316":619},"#e2d9cb",0.0432,"#332223",0.0771,"#6e5a52",0.1436,"#a09081",0.1828,"#d7c0a2",0.5533,"Cornelis Galle I","cornelis-galle-i","Flemish, 1576–1650",1576,1650,"head-of-medusa-aic-242705","Head of Medusa",{"_42":688,"_221":689,"_328":690,"_330":331,"_332":691,"_334":692,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1680","watercolour","Drawing and Watercolor","Pen and brown ink, with traces of black chalk, on cream laid paper","24.5 × 18.1 cm (9 11/16 × 7 3/16 in.)",18,24,0.7411255411255411,[673,674,675,676,677],{"_220":669,"_221":670,"_42":671,"_307":672},"Courtesy of the Art Institute of Chicago","2018.59","Godfried Maes painted this in 1680, aged 31. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with traces of black chalk, on cream laid paper.",{"_295":666,"_297":667,"_299":668},"https://img.ochreeditions.com/m/370.jpg?dl=1","/art/head-of-medusa-aic-242705","/galleries/style/dutch-and-flemish-baroque/head-of-medusa-aic-242705",{"_291":379,"_293":380},{"_224":659,"_125":660,"_285":661},{"_276":657,"_278":492,"_280":658,"_282":494},42.52813852813853,18.528138528138527,{"_287":224,"_123":664,"_154":665,"_140":89},{"_287":125,"_123":662,"_154":663,"_140":230},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-godfried-maes","Godfried Maes's contemporaries","https://img.ochreeditions.com/a/370/480.jpg","https://img.ochreeditions.com/a/370/960.jpg","https://img.ochreeditions.com/a/370/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":686,"_316":687},{"_314":684,"_316":685},{"_314":682,"_316":683},{"_314":680,"_316":681},{"_314":678,"_316":679},"#7f5f4a",0.0728,"#cdb097",0.134,"#9e7d65",0.1479,"#b49680",0.1692,"#e1c7b1",0.4761,"Godfried Maes","godfried-maes","Flemish, 1649–1700",1649,1700,"piazza-presso-alla-porta-al-prato-nga-51387","Piazza Presso alla Porta al Prato",{"_42":738,"_221":739,"_328":740,"_330":331,"_332":741,"_334":742,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1621","woodcut on laid paper","sheet: 6 × 8.3 cm (2 3/8 × 3 1/4 in.)",8.3,1.3875968992248062,[723,724,725,726,727],{"_220":609,"_221":610,"_42":611,"_307":612},"1969.15.243","Edouard Eckman made this in 1621, aged 21. It is now at the National Gallery of Art in Washington, DC.","The image shows a wide aerial view of a public gathering. Buildings line the horizon overlooking the scene below. The detailed illustration features various individuals and animals in motion, including groups of people, horse riders, and carts. The monochromatic color palette contributes to a classic aesthetic.",{"_295":720,"_297":721,"_299":722},"https://img.ochreeditions.com/m/1542.jpg?dl=1","/art/piazza-presso-alla-porta-al-prato-nga-51387","/galleries/style/dutch-and-flemish-baroque/piazza-presso-alla-porta-al-prato-nga-51387",{"_291":379,"_293":380},{"_224":715,"_125":716,"_285":717},{"_276":492,"_278":713,"_280":494,"_282":714},42.01675977653631,18.01675977653631,{"_287":224,"_123":718,"_154":719,"_140":89},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-edouard-eckman","Edouard Eckman's contemporaries","https://img.ochreeditions.com/a/1542/480.jpg","https://img.ochreeditions.com/a/1542/960.jpg","https://img.ochreeditions.com/a/1542/1920.jpg",{"_314":736,"_316":737},{"_314":734,"_316":735},{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},"#7d6e5d",0.0958,"#c5b59e",0.1362,"#988875",0.1447,"#af9e8a",0.2154,"#e0ceb6",0.4079,"Edouard Eckman","edouard-eckman","Flemish, born c. 1600",1600,1680,"peasants-in-a-tavern-nga-73434","Peasants in a Tavern",{"_42":790,"_221":791,"_328":792,"_330":331,"_332":793,"_334":794,"_336":795,"_337":796,"_338":-5,"_140":101},"c. 1633","oil on panel","overall: 31.8 x 40.5 cm (12 1/2 x 15 15/16 in.) framed: 48.3 x 56.5 x 4.4 cm (19 x 22 1/4 x 1 3/4 in.)",40.5,31.8,1.2832080200501252,[775,776,777,778,779],{"_220":609,"_221":610,"_42":611,"_307":612},"1991.140.1","David Teniers the Younger painted this in about 1633, aged 23. It is now at the National Gallery of Art in Washington, DC.","Three pale-skinned people gather around a wooden table in a dimly lit tavern as a fourth person urinates against a wall in a back room in this horizontal painting. The table is a square board resting on a broken barrel. All three men at the table have prominent, reddened noses set in wide faces, and they wear clothing and hats in tones of spruce blue, olive green, muted purple, gray, or brown. One man sits on the left side of the table, holding a glass of beer with both hands. He wears what might be a furry cap. His face is turned slightly toward us but he looks down and to our right. The other seated man is across from us. He grins widely as he hunches over one forearm and holds the neck of a lidded ceramic jug with his other hand. He has a long, chunky chin and stares out at us from under a prominent brow ridge. The third man here stands behind, holding up a white clay pipe. His mouth is open, his eyes slitted, possibly crossed, and he hunches down. One foot rests on a low wooden box, a foot warmer. Another white clay pipe and the broken bowl of a pipe sit on the table, and another pipe lies by the first man’s feet. Also across the floor are two pots and a stubby broom, the long handle of which lies against a table holding a brass candlestick. A wisp of smoke rises from the wick in the candle stub. A shelf hung on the wall near the upper left corner of the painting holds a glass vessel and perhaps a plate. Two wooden beams line the left edge of the composition, and a cloth is draped over a nail there. The floor and wall are nearly uniform taupe gray. A rectangular doorway opens into the next room, in the top right corner of the painting. There a man stands facing the wall with both hands down in front of his torso. A window is set high in the wall there and the timbered ceiling is visible. The artist signed the lower left corner the painting, “D Teniers f.” The first two digits of the date read “16.”",{"_295":772,"_297":773,"_299":774},"https://img.ochreeditions.com/m/1619.jpg?dl=1","/art/peasants-in-a-tavern-nga-73434","/galleries/style/dutch-and-flemish-baroque/peasants-in-a-tavern-nga-73434",{"_291":292,"_293":294},{"_224":767,"_125":768,"_285":769},{"_276":764,"_278":765,"_280":749,"_282":766},55.5,46.5615234375,31.5615234375,{"_287":224,"_123":770,"_154":771,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-david-teniers-the-younger","David Teniers the Younger's contemporaries","https://img.ochreeditions.com/a/1619/480.jpg","https://img.ochreeditions.com/a/1619/960.jpg","https://img.ochreeditions.com/a/1619/1920.jpg",{"_314":788,"_316":789},{"_314":786,"_316":787},{"_314":784,"_316":785},{"_314":782,"_316":783},{"_314":780,"_316":781},"#6d4421",0.0288,"#59422a",0.1328,"#241c12",0.2647,"#443523",0.275,"#352b1c",0.2987,"David Teniers the Younger","david-teniers-the-younger","Flemish, 1610–1690",1610,1690,"Antwerp","Brussels","the-rape-of-europa-aic-228863","The Rape of Europa",{"_42":844,"_221":845,"_328":846,"_330":331,"_332":847,"_334":848,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1635/40","Black chalk, with touches of white chalk, on ivory laid paper","26.3 × 38.9 cm (10 3/8 × 15 3/8 in.)",38,26,1.46752688172043,[829,830,831,832,833],{"_220":669,"_221":670,"_42":671,"_307":672},"2015.210","Cornelis Schut, I painted this in 1635/40, aged about 38. It is now at the Art Institute of Chicago.","A work made of black chalk, with touches of white chalk, on ivory laid paper.",{"_295":826,"_297":827,"_299":828},"https://img.ochreeditions.com/m/366.jpg?dl=1","/art/the-rape-of-europa-aic-228863","/galleries/style/dutch-and-flemish-baroque/the-rape-of-europa-aic-228863",{"_291":379,"_293":380},{"_224":821,"_125":822,"_285":823},{"_276":818,"_278":819,"_280":803,"_282":820},62,49.893903868698715,25.89390386869871,{"_287":224,"_123":824,"_154":825,"_140":89},{"_287":125,"_123":662,"_154":663,"_140":230},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-cornelis-schut-i","Cornelis Schut, I's contemporaries","https://img.ochreeditions.com/a/366/480.jpg","https://img.ochreeditions.com/a/366/960.jpg","https://img.ochreeditions.com/a/366/1920.jpg",{"_314":842,"_316":843},{"_314":840,"_316":841},{"_314":838,"_316":839},{"_314":836,"_316":837},{"_314":834,"_316":835},"#f6edeb",0.0696,"#aea194",0.1072,"#c6b7a8",0.2159,"#dbcab9",0.2976,"#ebdac7",0.3097,"Cornelis Schut, I","cornelis-schut-i","Flemish, 1597–1655",1597,1655,"the-meeting-of-abraham-and-melchizedek-nga-45640","The Meeting of Abraham and Melchizedek",{"_42":896,"_221":897,"_328":898,"_330":331,"_332":899,"_334":900,"_336":901,"_337":795,"_338":902,"_140":95},"c. 1626","overall: 65.5 x 82.4 cm (25 13/16 x 32 7/16 in.) framed: 96.8 x 113.4 cm (38 1/8 x 44 5/8 in.)",82.4,65.5,1.2529825634750689,[881,882,883,884,885],{"_220":609,"_221":610,"_42":611,"_307":612},"1958.4.1","Peter Paul Rubens painted this in about 1626, aged 49. It is now at the National Gallery of Art in Washington, DC.","The scene is painted as if it were a tapestry, unfurled by winged putti between grey and gold columns: within it, the armoured Abraham, returning from battle, meets the white-bearded priest-king Melchizedek, who brings bread and wine, while attendants carry loaves and huge silver and gold vessels.","This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition. Taking up most of the composition, the tapestry shows two ranks of men, women, and children gathered behind two central men, who meet at the center. All the people have light or tanned skin, and the bodies we can see are muscular. In the central pair of men, the one to our left, Abraham, faces our right in profile as he holds two loaves of bread. He has a brown beard and short, wavy hair, and dark brows over a prominent nose. He looks at the other man with dark eyes and leans toward him, to our right. Abraham wears an armored breastplate over silver chainmail edged with gold, which falls to mid-thigh. A crimson-red cape wraps around his shoulders and swirls around his back. A sword hangs by his hip, and tan sandals cover his heels and shins. Behind him are seven men and one brown horse, who gnaws at its foreleg. Most of the men are bearded and five wear armored helmets. A cleanshaven man wearing a lavender-purple tunic stands with his arm slung over the horse’s neck, holding the rein between thumb and forefinger. The man to our right, Melchizedek has a long white beard and short white hair. His red cap is encircled with a wreath of dark green leaves. He wears a long-sleeved, waist-length, aquamarine-blue garment over a white skirt. A heavy, golden-yellow cape with a broad, white fur collar and lining drapes over his shoulders, and is supported by at least one attendant. Behind and around Melchizedek are eight men, women, and children, standing near stone, gray ruins. Behind Melchizedek, one portly person wearing a dark pink mantle reaches into a basket of bread held across the shoulders of a blond, bearded, bare-chested man. Closer to us, in the lower right corner of the tapestry, one man wearing a green toga and another wearing blue kneel and sit, holding oversized silver and gold urns, the size of their torsos. The man in blue, to our right, turns to look at us over his shoulder. A third large urn sits near the other man. A view into the landscape with a low, green hill and a pale blue sky is glimpsed between the groups. The tapestry showing this scene curls over at the edges where the pudgy angels lift the top edge. The top right corner of the tapestry wraps around the edge of an unseen feature of the building, next to a gray column that rises the height of the painting up along the right edge. The border of the tapestry is rose pink with stylized gold designs. One putto with brown hair holds up the left corner, and one with light gray hair holds up the middle one arm slung over the front of the tapestry. The third putto, with blond hair, hooks an arm over a leafy garland with fruit that hangs from the cornice near the top center of the composition.",{"_295":878,"_297":879,"_299":880},"https://img.ochreeditions.com/m/1506.jpg?dl=1","/art/the-meeting-of-abraham-and-melchizedek-nga-45640","/galleries/style/dutch-and-flemish-baroque/the-meeting-of-abraham-and-melchizedek-nga-45640",{"_291":292,"_293":294},{"_224":873,"_125":874,"_285":875},{"_276":870,"_278":871,"_280":854,"_282":872},97.4,80.76308593750001,65.76308593750001,{"_287":224,"_123":876,"_154":877,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1506/480.jpg","https://img.ochreeditions.com/a/1506/960.jpg","https://img.ochreeditions.com/a/1506/1920.jpg",{"_314":894,"_316":895},{"_314":892,"_316":893},{"_314":890,"_316":891},{"_314":888,"_316":889},{"_314":886,"_316":887},"#9e8671",0.1563,"#966431",0.1857,"#281e11",0.1927,"#675848",0.2175,"#573717",0.2478,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,1640,"Siegen","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","the-watermill-with-the-great-red-roof-aic-869","The Watermill with the Great Red Roof",{"_42":950,"_221":951,"_328":952,"_330":406,"_332":953,"_334":954,"_336":-5,"_337":-5,"_338":955,"_140":97},"c. 1665","81.3 × 110 cm (32 × 43 1/4 in.); Framed: 101.3 × 130.5 × 8.3 cm (39 7/8 × 51 3/8 × 3 1/4 in.)",110,81,1.3553896942730013,[935,936,937,938,939],{"_220":669,"_221":670,"_42":671,"_307":672},"1894.1031","Meindert Hobbema painted this in about 1665, aged about 22. It is now at the Art Institute of Chicago.","A watermill with a striking red roof stands beside a muddy brown river at the right, water churning through its wheel, while a twisting tree leans across the foreground and three small figures pass in the distance under a grey and blue sky.","Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.",{"_295":932,"_297":933,"_299":934},"https://img.ochreeditions.com/m/3.jpg?dl=1","/art/the-watermill-with-the-great-red-roof-aic-869","/galleries/style/dutch-and-flemish-baroque/the-watermill-with-the-great-red-roof-aic-869",{"_291":292,"_293":294},{"_224":927,"_125":928,"_285":929},{"_276":924,"_278":925,"_280":908,"_282":926},125,96.15747114264535,81.15747114264535,{"_287":224,"_123":930,"_154":931,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/3/480.jpg","https://img.ochreeditions.com/a/3/960.jpg","https://img.ochreeditions.com/a/3/1920.jpg",{"_314":948,"_316":949},{"_314":946,"_316":947},{"_314":944,"_316":945},{"_314":942,"_316":943},{"_314":940,"_316":941},"#5e563d",0.133,"#9d9685",0.1469,"#39301d",0.2337,"#211a10",0.2367,"#7e8179",0.2497,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","reading-the-news-at-the-weavers-cottage-met-337632","Reading the News at the Weavers' Cottage",{"_42":1002,"_221":1003,"_328":1004,"_330":406,"_332":793,"_334":1005,"_336":466,"_337":466,"_338":-5,"_140":103},"1673","Pen and brown ink, watercolor, white heightening, over graphite; framing lines in pen and brown ink and gold","9 5/8 x 7 15/16 in. (24.4 x 20.2 cm)",20.2,24.4,0.8197588944428109,[987,988,989,990,991],{"_220":384,"_221":385,"_42":386,"_307":387},"1997.117.10","Adriaen van Ostade painted this in 1673, aged 63. It is now at The Met in New York.","Reading the News at the Weavers' Cottage, by Adriaen van Ostade, 1673",{"_295":984,"_297":985,"_299":986},"https://img.ochreeditions.com/m/1027.jpg?dl=1","/art/reading-the-news-at-the-weavers-cottage-met-337632","/galleries/style/dutch-and-flemish-baroque/reading-the-news-at-the-weavers-cottage-met-337632",{"_291":379,"_293":380},{"_224":979,"_125":980,"_285":981},{"_276":977,"_278":492,"_280":978,"_282":494},44.49397236107028,20.493972361070274,{"_287":224,"_123":982,"_154":983,"_140":89},{"_287":125,"_123":498,"_154":499,"_140":500},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-adriaen-van-ostade","Adriaen van Ostade's contemporaries","https://img.ochreeditions.com/a/1027/480.jpg","https://img.ochreeditions.com/a/1027/960.jpg","https://img.ochreeditions.com/a/1027/1920.jpg",{"_314":1000,"_316":1001},{"_314":998,"_316":999},{"_314":996,"_316":997},{"_314":994,"_316":995},{"_314":992,"_316":993},"#cfbda3",0.0996,"#aa967e",0.1341,"#62564d",0.2005,"#897a69",0.2382,"#766859",0.3276,"Adriaen van Ostade","adriaen-van-ostade","Dutch, 1610–1685",1685,"mountain-valley-with-a-plateau-met-359882","Mountain Valley with a Plateau",{"_42":1052,"_221":1053,"_328":1054,"_330":406,"_332":524,"_334":953,"_336":-5,"_337":-5,"_338":-5,"_140":103},"ca. 1625–30","Line etching, drypoint, and metal punch printed in blue-green, on a yellow-green ground, colored with brush; second state of two","sheet: 4 1/8 x 5 7/16 in. (10.5 x 13.8 cm)",13.8,10.5,1.2838817624093697,[1037,1038,1039,1040,1041],{"_220":384,"_221":385,"_42":386,"_307":387},"23.57.3","Hercules Segers made this in about 1625–30, aged about 30. It is now at The Met in New York.","Mountain Valley with a Plateau, by Hercules Segers, ca. 1625–30",{"_295":1034,"_297":1035,"_299":1036},"https://img.ochreeditions.com/m/1049.jpg?dl=1","/art/mountain-valley-with-a-plateau-met-359882","/galleries/style/dutch-and-flemish-baroque/mountain-valley-with-a-plateau-met-359882",{"_291":379,"_293":380},{"_224":1029,"_125":1030,"_285":1031},{"_276":492,"_278":1027,"_280":494,"_282":1028},43.4721980886186,19.472198088618594,{"_287":224,"_123":1032,"_154":1033,"_140":89},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-hercules-segers","Hercules Segers's contemporaries","https://img.ochreeditions.com/a/1049/480.jpg","https://img.ochreeditions.com/a/1049/960.jpg","https://img.ochreeditions.com/a/1049/1920.jpg",{"_314":1050,"_316":1051},{"_314":1048,"_316":1049},{"_314":1046,"_316":1047},{"_314":1044,"_316":1045},{"_314":1042,"_316":1043},"#e3d2ba",0.0842,"#605b4b",0.1419,"#716950",0.2022,"#86795c",0.2254,"#9e9070",0.3463,"Hercules Segers","hercules-segers","Dutch, ca. 1590–ca. 1638","portrait-of-gerard-de-lairesse-met-459082","Portrait of Gerard de Lairesse",{"_42":403,"_221":404,"_328":405,"_330":406,"_332":407,"_334":408,"_336":409,"_337":410,"_338":411,"_140":77},"1665–67","44 3/8 x 34 1/2 in. (112.7 x 87.6 cm)",87.6,112.7,0.7787100157315154,[1085,1086,1087,1088,1089],{"_220":384,"_221":385,"_42":386,"_307":387},"1975.1.140","Rembrandt van Rijn painted this in 1665–67, aged about 57. It is now at The Met in New York.","The young painter Gerard de Lairesse, recently arrived in Amsterdam from Liège, sits for Rembrandt, his face marked by the effects of congenital syphilis, which Rembrandt records with unsentimental compassion.","Portrait of Gerard de Lairesse, by Rembrandt van Rijn, 1665–67",{"_295":1082,"_297":1083,"_299":1084},"https://img.ochreeditions.com/m/1256.jpg?dl=1","/art/portrait-of-gerard-de-lairesse-met-459082","/galleries/style/dutch-and-flemish-baroque/portrait-of-gerard-de-lairesse-met-459082",{"_291":292,"_293":294},{"_224":1079,"_125":1080,"_285":1081},{"_276":1076,"_278":1077,"_280":1078,"_282":1061},102.7606187729418,127.7,87.7606187729418,{"_287":224,"_123":377,"_154":378,"_140":77},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/1256/480.jpg","https://img.ochreeditions.com/a/1256/960.jpg","https://img.ochreeditions.com/a/1256/1920.jpg",{"_314":1098,"_316":1099},{"_314":1096,"_316":1097},{"_314":1094,"_316":1095},{"_314":1092,"_316":1093},{"_314":1090,"_316":1091},"#856042",0.0265,"#4e3624",0.0526,"#321e11",0.1327,"#1e120a",0.1964,"#0b0805",0.5918,"sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","Sheet with Two Studies: a Tree, and the Upper Part of a Head of the Artist Wearing a Velvet Cap",{"_42":403,"_221":404,"_328":405,"_330":406,"_332":407,"_334":408,"_336":409,"_337":410,"_338":411,"_140":77},"c. 1642","etching on laid paper","sheet (sheet trimmed to platemark): 8 × 7.1 cm (3 1/8 × 2 13/16 in.)",7.1,0.8754914809960681,[1128,1129,1130,1131,1132],{"_220":609,"_221":610,"_42":611,"_307":612},"1943.3.7202","Rembrandt van Rijn made this in about 1642, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image displays intricate, swirling lines and textured shading to create an abstract scene. On the left side are fine lines resembling branches and leaves, with a small figure nearby. On the right side is a large, densely shaded form reminiscent of mountains or a rock formation. The elements come together to suggest landscapes and nature through imaginative shapes and line work.",{"_295":1125,"_297":1126,"_299":1127},"https://img.ochreeditions.com/m/1355.jpg?dl=1","/art/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","/galleries/style/dutch-and-flemish-baroque/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998",{"_291":379,"_293":380},{"_224":1122,"_125":1123,"_285":1124},{"_276":1120,"_278":492,"_280":1121,"_282":494},45.8872870249017,21.887287024901703,{"_287":224,"_123":377,"_154":378,"_140":77},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/1355/480.jpg","https://img.ochreeditions.com/a/1355/960.jpg","https://img.ochreeditions.com/a/1355/1920.jpg",{"_314":1141,"_316":1142},{"_314":1139,"_316":1140},{"_314":1137,"_316":1138},{"_314":1135,"_316":1136},{"_314":1133,"_316":1134},"#423a34",0.0801,"#6e6255",0.0918,"#918271",0.1462,"#b19f8a",0.2148,"#cbb89f",0.4671,{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","2b43c9b1ba04b18df8d243e44d30e2bfc98cb486","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]