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It is now at the Cleveland Museum of Art.",{"_118":301,"_302":303},"note","Still Life with Meat, Fish, Vegetables, and Fruit, by Jacob van Hulsdonck, c. 1615–20","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/787.jpg?dl=1","page_url","/art/still-life-with-meat-fish-vegetables-and-fruit-cma-315934","walk_url","/galleries/style/dutch-and-flemish-baroque/still-life-with-meat-fish-vegetables-and-fruit-cma-315934","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",119,"h",86.69882352941177,"image_w","image_h",71.69882352941177,{"_287":224,"_123":170,"_154":169,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":166,"_154":165,"_140":168},"facet","style/painting-17","More paintings of the 17th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/787/480.jpg","960","https://img.ochreeditions.com/a/787/960.jpg","1920","https://img.ochreeditions.com/a/787/1920.jpg","Jacob van Hulsdonck depicted a colorful array of foods, and tablewares ranging from an earthenware trencher to delicate Chinese porcelain—an expensive luxury made possible by international trade.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#7d432f","weight",0.0845,"#816e4c",0.141,"#7c7c79",0.1925,"#484438",0.1967,"#251f1b",0.3853,"Jacob van Hulsdonck","jacob-van-hulsdonck","bio","Flemish, 1582–1647","nationality","Flemish","birth_year",1582,"death_year",1647,"birth_place","death_place","about_excerpt","seated-female-nude-aic-74224","Seated Female Nude",{"_42":401,"_221":402,"_328":403,"_330":404,"_332":405,"_334":406,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1647/78","netherlands","watercolour","Drawing and Watercolor","Pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper","Primary support: 28.4 × 19.2 cm (11 3/16 × 7 9/16 in.)",19,28,0.7266113778553761,[386,387,388,389,390],{"_220":382,"_221":383,"_42":384,"_307":385},"Courtesy of the Art Institute of Chicago","1989.203","Samuel van Hoogstraten painted this in 1647/78, aged about 20. 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It is now at the National Gallery of Art in Washington, DC.","The scene is painted as if it were a tapestry, unfurled by winged putti between grey and gold columns: within it, the armoured Abraham, returning from battle, meets the white-bearded priest-king Melchizedek, who brings bread and wine, while attendants carry loaves and huge silver and gold vessels.","This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition. Taking up most of the composition, the tapestry shows two ranks of men, women, and children gathered behind two central men, who meet at the center. All the people have light or tanned skin, and the bodies we can see are muscular. In the central pair of men, the one to our left, Abraham, faces our right in profile as he holds two loaves of bread. He has a brown beard and short, wavy hair, and dark brows over a prominent nose. He looks at the other man with dark eyes and leans toward him, to our right. Abraham wears an armored breastplate over silver chainmail edged with gold, which falls to mid-thigh. A crimson-red cape wraps around his shoulders and swirls around his back. A sword hangs by his hip, and tan sandals cover his heels and shins. Behind him are seven men and one brown horse, who gnaws at its foreleg. Most of the men are bearded and five wear armored helmets. A cleanshaven man wearing a lavender-purple tunic stands with his arm slung over the horse’s neck, holding the rein between thumb and forefinger. The man to our right, Melchizedek has a long white beard and short white hair. His red cap is encircled with a wreath of dark green leaves. He wears a long-sleeved, waist-length, aquamarine-blue garment over a white skirt. A heavy, golden-yellow cape with a broad, white fur collar and lining drapes over his shoulders, and is supported by at least one attendant. Behind and around Melchizedek are eight men, women, and children, standing near stone, gray ruins. Behind Melchizedek, one portly person wearing a dark pink mantle reaches into a basket of bread held across the shoulders of a blond, bearded, bare-chested man. Closer to us, in the lower right corner of the tapestry, one man wearing a green toga and another wearing blue kneel and sit, holding oversized silver and gold urns, the size of their torsos. The man in blue, to our right, turns to look at us over his shoulder. A third large urn sits near the other man. A view into the landscape with a low, green hill and a pale blue sky is glimpsed between the groups. The tapestry showing this scene curls over at the edges where the pudgy angels lift the top edge. The top right corner of the tapestry wraps around the edge of an unseen feature of the building, next to a gray column that rises the height of the painting up along the right edge. The border of the tapestry is rose pink with stylized gold designs. One putto with brown hair holds up the left corner, and one with light gray hair holds up the middle one arm slung over the front of the tapestry. The third putto, with blond hair, hooks an arm over a leafy garland with fruit that hangs from the cornice near the top center of the composition.",{"_295":438,"_297":439,"_299":440},"https://img.ochreeditions.com/m/1506.jpg?dl=1","/art/the-meeting-of-abraham-and-melchizedek-nga-45640","/galleries/style/dutch-and-flemish-baroque/the-meeting-of-abraham-and-melchizedek-nga-45640",{"_291":292,"_293":294},{"_224":433,"_125":434,"_285":435},{"_276":430,"_278":431,"_280":413,"_281":432},97.4,80.76308593750001,65.76308593750001,{"_287":224,"_123":436,"_154":437,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1506/480.jpg","https://img.ochreeditions.com/a/1506/960.jpg","https://img.ochreeditions.com/a/1506/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":458,"_316":459},{"_314":456,"_316":457},{"_314":454,"_316":455},{"_314":452,"_316":453},{"_314":450,"_316":451},"#9e8671",0.1563,"#966431",0.1857,"#281e11",0.1927,"#675848",0.2175,"#573717",0.2478,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","bust-of-a-bearded-man-nga-106946","Bust of a Bearded Man",{"_42":514,"_221":515,"_328":516,"_330":404,"_332":517,"_334":518,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1642/1645","overall (oval): 18.41 × 14.92 cm (7 1/4 × 5 7/8 in.) framed: 34 x 30.2 x 5.4 cm (13 3/8 x 11 7/8 x 2 1/8 in.)",14.9,18.4,0.806396484375,[499,500,501,502,503],{"_220":441,"_221":442,"_42":443,"_307":444},"2014.136.32","Gerrit Dou painted this in about 1642/1645, aged about 29. It is now at the National Gallery of Art in Washington, DC.","Shown from the chest up, a light-skinned man with a wrinkled face and a silvery gray beard and hair gazes into the distance in this oval portrait painting. His chest is angled to our right but he turns his head to look off over his other shoulder, to our left. His slate-blue eyes are a little sunken and lined with wrinkles. Shading marks the hollows of the temple and cheek we can see. His thin lips are closed and framed by his curly mustache and beard. A dark, mahogany-brown cap is pushed back on his head, and his brown jacket has gold-colored buttons down the front. The collar of a cream-colored shirt shows through at the neckline. The background is dark olive green. The artist signed the work near the man’s shoulder, to our right: “GDOV.”",{"_295":496,"_297":497,"_299":498},"https://img.ochreeditions.com/m/1640.jpg?dl=1","/art/bust-of-a-bearded-man-nga-106946","/galleries/style/dutch-and-flemish-baroque/bust-of-a-bearded-man-nga-106946",{"_291":292,"_293":294},{"_224":491,"_125":492,"_285":493},{"_276":487,"_278":488,"_280":489,"_281":490},35.159912109375,40,20.159912109375,25,{"_287":224,"_123":494,"_154":495,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-gerrit-dou","Gerrit Dou's contemporaries","https://img.ochreeditions.com/a/1640/480.jpg","https://img.ochreeditions.com/a/1640/960.jpg","https://img.ochreeditions.com/a/1640/1920.jpg",{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},{"_314":504,"_316":505},"#a1743c",0.0325,"#695436",0.1011,"#f8f8f7",0.1795,"#211404",0.2929,"#33260e",0.394,"Gerrit Dou","gerrit-dou","Dutch, 1613–1675",1613,1675,"johann-georg-von-godelmann-law-professor-diplomat-aic-267736","Johann Georg von Gödelmann, Law Professor, Diplomat",{"_42":569,"_221":570,"_328":571,"_330":331,"_332":572,"_334":573,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1601","print","Print","Engraving on paper","Sheet (trimmed): 17.4 × 14.7 cm (6 7/8 × 5 13/16 in.)",0.8366604168964377,[554,555,556,557,558],{"_220":382,"_221":383,"_42":384,"_307":385},"2023.101","Aegidius Sadeler, II made this in about 1601, aged 31. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_295":551,"_297":552,"_299":553},"https://img.ochreeditions.com/m/423.jpg?dl=1","/art/johann-georg-von-godelmann-law-professor-diplomat-aic-267736","/galleries/style/dutch-and-flemish-baroque/johann-georg-von-godelmann-law-professor-diplomat-aic-267736",{"_291":377,"_293":378},{"_224":543,"_125":544,"_285":545},{"_276":540,"_278":541,"_280":542,"_281":490},44.91651042241094,49,20.91651042241094,{"_287":224,"_123":549,"_154":550,"_140":89},{"_287":125,"_123":546,"_154":547,"_140":548},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-aegidius-sadeler-ii","Aegidius Sadeler, II's contemporaries","https://img.ochreeditions.com/a/423/480.jpg","https://img.ochreeditions.com/a/423/960.jpg","https://img.ochreeditions.com/a/423/1920.jpg",{"_314":567,"_316":568},{"_314":565,"_316":566},{"_314":563,"_316":564},{"_314":561,"_316":562},{"_314":559,"_316":560},"#f8e8d5",0.0781,"#645b51",0.1389,"#928477",0.1892,"#cebba9",0.2917,"#b0a090",0.3021,"Aegidius Sadeler, II","aegidius-sadeler-ii","Flemish, c. 1570–1629",1570,1629,"head-of-medusa-aic-242705","Head of Medusa",{"_42":620,"_221":621,"_328":622,"_330":331,"_332":623,"_334":624,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1680","Pen and brown ink, with traces of black chalk, on cream laid paper","24.5 × 18.1 cm (9 11/16 × 7 3/16 in.)",18,24,0.7411255411255411,[605,606,607,608,609],{"_220":382,"_221":383,"_42":384,"_307":385},"2018.59","Godfried Maes painted this in 1680, aged 31. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with traces of black chalk, on cream laid paper.",{"_295":602,"_297":603,"_299":604},"https://img.ochreeditions.com/m/370.jpg?dl=1","/art/head-of-medusa-aic-242705","/galleries/style/dutch-and-flemish-baroque/head-of-medusa-aic-242705",{"_291":377,"_293":378},{"_224":597,"_125":598,"_285":599},{"_276":595,"_278":541,"_280":596,"_281":490},42.52813852813853,18.528138528138527,{"_287":224,"_123":600,"_154":601,"_140":89},{"_287":125,"_123":373,"_154":374,"_140":230},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-godfried-maes","Godfried Maes's contemporaries","https://img.ochreeditions.com/a/370/480.jpg","https://img.ochreeditions.com/a/370/960.jpg","https://img.ochreeditions.com/a/370/1920.jpg",{"_314":618,"_316":619},{"_314":616,"_316":617},{"_314":614,"_316":615},{"_314":612,"_316":613},{"_314":610,"_316":611},"#7f5f4a",0.0728,"#cdb097",0.134,"#9e7d65",0.1479,"#b49680",0.1692,"#e1c7b1",0.4761,"Godfried Maes","godfried-maes","Flemish, 1649–1700",1649,1700,"view-of-amsterdam-from-the-northwest-nga-9903","View of Amsterdam from the Northwest",{"_42":672,"_221":673,"_328":674,"_330":404,"_332":675,"_334":676,"_336":677,"_337":678,"_338":679,"_140":77},"c. 1640","etching","plate: 11.3 × 15.4 cm (4 7/16 × 6 1/16 in.) sheet: 11.8 × 15.8 cm (4 5/8 × 6 1/4 in.)",15.4,11.3,1.3735747820254862,[657,658,659,660,661],{"_220":441,"_221":442,"_42":443,"_307":444},"1943.3.7107","Rembrandt van Rijn made this in about 1640, aged 34. It is now at the National Gallery of Art in Washington, DC.","Amsterdam’s skyline stretches low across the horizon, its church towers and windmills seen across flat meadows and water from the northwest, beneath a great empty sky.","View of Amsterdam from the Northwest, by Rembrandt van Rijn, c. 1640",{"_295":654,"_297":655,"_299":656},"https://img.ochreeditions.com/m/1354.jpg?dl=1","/art/view-of-amsterdam-from-the-northwest-nga-9903","/galleries/style/dutch-and-flemish-baroque/view-of-amsterdam-from-the-northwest-nga-9903",{"_291":377,"_293":378},{"_224":649,"_125":650,"_285":651},{"_276":541,"_278":647,"_280":490,"_281":648},42.20068359375,18.20068359375,{"_287":224,"_123":652,"_154":653,"_140":77},{"_287":125,"_123":546,"_154":547,"_140":548},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/1354/480.jpg","https://img.ochreeditions.com/a/1354/960.jpg","https://img.ochreeditions.com/a/1354/1920.jpg",{"_314":670,"_316":671},{"_314":668,"_316":669},{"_314":666,"_316":667},{"_314":664,"_316":665},{"_314":662,"_316":663},"#5f5954",0.0221,"#8c847c",0.0696,"#aea49b",0.1016,"#d0c4b9",0.1321,"#e6dcd0",0.6746,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","clothing-the-naked-met-437769","Clothing the Naked",{"_42":733,"_221":734,"_328":735,"_330":331,"_332":736,"_334":737,"_336":738,"_337":739,"_338":-5,"_140":103},"ca. 1661","Paintings","Oil on canvas","32 1/4 x 45 in. (81.9 x 114.3 cm)",114.3,81.9,1.361933946203609,[718,719,720,721,722],{"_220":714,"_221":715,"_42":716,"_307":717},"Courtesy of The Metropolitan Museum of Art","1984.459.1","Michiel Sweerts painted this in about 1661, aged about 38. It is now at The Met in New York.","Clothing the Naked, by Michiel Sweerts, ca. 1661",{"_295":711,"_297":712,"_299":713},"https://img.ochreeditions.com/m/1162.jpg?dl=1","/art/clothing-the-naked-met-437769","/galleries/style/dutch-and-flemish-baroque/clothing-the-naked-met-437769",{"_291":292,"_293":294},{"_224":706,"_125":707,"_285":708},{"_276":703,"_278":704,"_280":687,"_281":705},129.3,98.924775,83.924775,{"_287":224,"_123":709,"_154":710,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-michiel-sweerts","Michiel Sweerts's contemporaries","https://img.ochreeditions.com/a/1162/480.jpg","https://img.ochreeditions.com/a/1162/960.jpg","https://img.ochreeditions.com/a/1162/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":731,"_316":732},{"_314":729,"_316":730},{"_314":727,"_316":728},{"_314":725,"_316":726},{"_314":723,"_316":724},"#91826a",0.0742,"#5c2621",0.1354,"#3d2a1f",0.1481,"#6f5137",0.151,"#1a1715",0.4913,"Michiel Sweerts","michiel-sweerts","Flemish, 1618–1664",1618,1664,"Brussels","Goa","christ-crucified-between-the-two-thieves-the-three-crosses-cma-135706","Christ Crucified Between the Two Thieves: 'The Three Crosses'",{"_42":672,"_221":673,"_328":674,"_330":404,"_332":675,"_334":676,"_336":677,"_337":678,"_338":679,"_140":77},"1653-c.1660","drypoint","Sheet: 37.5 x 44 cm (14 3/4 x 17 5/16 in.)",44,37.5,1.178101178101178,[772,773,774,775,776],{"_220":304,"_221":305,"_42":306,"_307":308},"1959.241","Rembrandt van Rijn made this in 1653-c.1660, aged about 47. It is now at the Cleveland Museum of Art.",{"_118":771,"_302":303},"Christ Crucified Between the Two Thieves: 'The Three Crosses', by Rembrandt van Rijn, 1653-c.1660",{"_295":768,"_297":769,"_299":770},"https://img.ochreeditions.com/m/635.jpg?dl=1","/art/christ-crucified-between-the-two-thieves-the-three-crosses-cma-135706","/galleries/style/dutch-and-flemish-baroque/christ-crucified-between-the-two-thieves-the-three-crosses-cma-135706",{"_291":377,"_293":378},{"_224":765,"_125":766,"_285":767},{"_276":762,"_278":763,"_280":746,"_281":764},68,61.34823529411765,37.34823529411765,{"_287":224,"_123":652,"_154":653,"_140":77},{"_287":125,"_123":546,"_154":547,"_140":548},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/635/480.jpg","https://img.ochreeditions.com/a/635/960.jpg","https://img.ochreeditions.com/a/635/1920.jpg","Rembrandt’s Christ Crucified Between the Two Thieves is executed entirely in drypoint. Because of the delicacy of the technique, the copper plate was worn after the artist printed about 40 impressions of the first three states. In order to continue using the plate, Rembrandt reworked it, changing the image somewhat.",{"_314":785,"_316":786},{"_314":783,"_316":784},{"_314":781,"_316":782},{"_314":779,"_316":780},{"_314":777,"_316":778},"#d3c9b6",0.0379,"#998770",0.1635,"#706150",0.2023,"#4f4539",0.2477,"#332e28",0.3486,"rubens-helena-fourment-1614-1673-and-their-son-frans-1633-16-met-437532","Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)",{"_42":460,"_221":461,"_328":462,"_330":331,"_332":463,"_334":188,"_336":464,"_337":465,"_338":466,"_140":95},"ca. 1635","Oil on wood","80 1/4 x 62 1/4 in. (203.8 x 158.1 cm)",158.1,203.8,0.777749811225774,[818,819,820,821,822],{"_220":714,"_221":715,"_42":716,"_307":717},"1981.238","Peter Paul Rubens painted this in about 1635, aged about 53. It is now at The Met in New York.","Rubens, then in his late fifties, poses in a garden with his young second wife, Helena Fourment, and their small son Frans. He married Helena, the sixteen-year-old daughter of an Antwerp silk merchant, in 1630, four years after the death of his first wife, and she became the inspiration for many of his late paintings.","Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), by Peter Paul Rubens, ca. 1635",{"_295":815,"_297":816,"_299":817},"https://img.ochreeditions.com/m/1150.jpg?dl=1","/art/rubens-helena-fourment-1614-1673-and-their-son-frans-1633-16-met-437532","/galleries/style/dutch-and-flemish-baroque/rubens-helena-fourment-1614-1673-and-their-son-frans-1633-16-met-437532",{"_291":292,"_293":294},{"_224":812,"_125":813,"_285":814},{"_276":809,"_278":810,"_280":811,"_281":794},173.50541152781275,218.8,158.50541152781275,{"_287":224,"_123":436,"_154":437,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1150/480.jpg","https://img.ochreeditions.com/a/1150/960.jpg","https://img.ochreeditions.com/a/1150/1920.jpg",{"_314":831,"_316":832},{"_314":829,"_316":830},{"_314":827,"_316":828},{"_314":825,"_316":826},{"_314":823,"_316":824},"#4a5147",0.0788,"#8c7a5b",0.1024,"#5c4f36",0.177,"#3b3426",0.2548,"#1e1b19",0.387,"ceres-and-bacchus-cma-97169","Ceres and Bacchus",{"_42":887,"_221":888,"_328":889,"_330":331,"_332":890,"_334":891,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1600s","oil on canvas","Framed: 197.2 x 133.7 x 9.5 cm (77 5/8 x 52 5/8 x 3 3/4 in.); Unframed: 163.5 x 100 cm (64 3/8 x 39 3/8 in.)",100,163.5,0.6079411764705882,[872,873,874,875,876],{"_220":304,"_221":305,"_42":306,"_307":308},"1916.805","Bartholomaeus Spranger painted this in the 1600s, aged about 54. It is now at the Cleveland Museum of Art.",{"_118":871,"_302":303},"Ceres and Bacchus, by Bartholomaeus Spranger, 1600s",{"_295":868,"_297":869,"_299":870},"https://img.ochreeditions.com/m/484.jpg?dl=1","/art/ceres-and-bacchus-cma-97169","/galleries/style/dutch-and-flemish-baroque/ceres-and-bacchus-cma-97169",{"_291":292,"_293":294},{"_224":858,"_125":859,"_285":860},{"_276":855,"_278":856,"_280":857,"_281":840},114.39838235294117,178.5,99.39838235294117,{"_287":224,"_123":866,"_154":867,"_140":89},{"_287":125,"_123":863,"_154":864,"_140":865},{"_287":285,"_123":861,"_154":862,"_140":230},"era/16-flanders","16th-century Flanders","style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/484/480.jpg","https://img.ochreeditions.com/a/484/960.jpg","https://img.ochreeditions.com/a/484/1920.jpg","This painting is a copy of a print by Jan Harmensz Muller (Dutch, 1571–1628), originally based on a painting by Spranger. Spranger often used the iconography of Ceres and Bacchus, two important agricultural deities.",{"_314":885,"_316":886},{"_314":883,"_316":884},{"_314":881,"_316":882},{"_314":879,"_316":880},{"_314":877,"_316":878},"#8c734d",0.0441,"#765b3f",0.1554,"#604c39",0.1683,"#493e33",0.2396,"#36322d",0.3926,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611",1546,1611,"landscape-with-sheep-from-the-small-landscapes-aic-108949","Landscape with Sheep, from The Small Landscapes",{"_42":938,"_221":939,"_328":404,"_330":404,"_332":-5,"_334":940,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1638","Engraving on ivory laid paper","Image: 30.5 × 45.5 cm (12 1/16 × 17 15/16 in.); Sheet: 31.8 × 45.8 cm (12 9/16 × 18 1/16 in.)",45,1.430670626856339,[923,924,925,926,927],{"_220":382,"_221":383,"_42":384,"_307":385},"1920.2021","Schelte Adamsz. Bolswert made this in about 1638. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_295":920,"_297":921,"_299":922},"https://img.ochreeditions.com/m/267.jpg?dl=1","/art/landscape-with-sheep-from-the-small-landscapes-aic-108949","/galleries/style/dutch-and-flemish-baroque/landscape-with-sheep-from-the-small-landscapes-aic-108949",{"_291":377,"_293":378},{"_224":915,"_125":916,"_285":917},{"_276":912,"_278":913,"_280":898,"_281":914},69,55.45378059440559,31.453780594405593,{"_287":224,"_123":918,"_154":919,"_140":89},{"_287":125,"_123":546,"_154":547,"_140":548},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-schelte-adamsz-bolswert","Schelte Adamsz. Bolswert's contemporaries","https://img.ochreeditions.com/a/267/480.jpg","https://img.ochreeditions.com/a/267/960.jpg","https://img.ochreeditions.com/a/267/1920.jpg",{"_314":936,"_316":937},{"_314":934,"_316":935},{"_314":932,"_316":933},{"_314":930,"_316":931},{"_314":928,"_316":929},"#cebdae",0.0558,"#9a8d80",0.1839,"#796f65",0.2418,"#49443e",0.2429,"#605850",0.2756,"Schelte Adamsz. Bolswert","schelte-adamsz-bolswert",1659,"self-portrait-met-437397","Self-Portrait",{"_42":672,"_221":673,"_328":674,"_330":404,"_332":675,"_334":676,"_336":677,"_337":678,"_338":679,"_140":77},"1660","31 5/8 x 26 1/2 in. (80.3 x 67.3 cm)",67.3,80.3,0.8245,[971,972,973,974,975],{"_220":714,"_221":715,"_42":716,"_307":717},"14.40.618","Rembrandt van Rijn painted this in 1660, aged 54. It is now at The Met in New York.","Rembrandt, at fifty-four, looks out at us with a steady, weary gaze, wearing a dark beret and a plain coat, his face built up in thick, mottled paint that records every fold and blemish.","Self-Portrait, by Rembrandt van Rijn, 1660",{"_295":968,"_297":969,"_299":970},"https://img.ochreeditions.com/m/1142.jpg?dl=1","/art/self-portrait-met-437397","/galleries/style/dutch-and-flemish-baroque/self-portrait-met-437397",{"_291":292,"_293":294},{"_224":965,"_125":966,"_285":967},{"_276":962,"_278":963,"_280":964,"_281":947},81.20735,95.3,66.20735,{"_287":224,"_123":652,"_154":653,"_140":77},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1142/480.jpg","https://img.ochreeditions.com/a/1142/960.jpg","https://img.ochreeditions.com/a/1142/1920.jpg",{"_314":984,"_316":985},{"_314":982,"_316":983},{"_314":980,"_316":981},{"_314":978,"_316":979},{"_314":976,"_316":977},"#78502f",0.0598,"#452f19",0.158,"#120804",0.1748,"#322112",0.2751,"#221408",0.3323,"robbers-on-horseback-nga-56197","Robbers on Horseback",{"_42":1031,"_221":1032,"_328":1033,"_330":404,"_332":335,"_334":1034,"_336":-5,"_337":-5,"_338":-5,"_140":103},"late 17th/early 18th century","mezzotint",1.3178893178893178,[1016,1017,1018,1019,1020],{"_220":441,"_221":442,"_42":443,"_307":444},"1976.79.6","Jan van Huchtenburgh made this in the late 17th/early 18th century. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a rural scene with horses and figures. The image shows an interaction between several figures and two horses within a pastoral setting. In the foreground, two individuals are seated on the ground, accompanied by a small child. Nearby, a figure atop a horse reaches towards another figure who leads a laden horse. A dog is present, standing alert at the horse's hooves. The backdrop showcases lush trees and distant hills, suggesting a serene countryside environment. The attention to detail and shading creates a realistic depiction of this rustic scene.",{"_295":1013,"_297":1014,"_299":1015},"https://img.ochreeditions.com/m/1585.jpg?dl=1","/art/robbers-on-horseback-nga-56197","/galleries/style/dutch-and-flemish-baroque/robbers-on-horseback-nga-56197",{"_291":377,"_293":378},{"_224":1008,"_125":1009,"_285":1010},{"_276":1004,"_278":1005,"_280":1006,"_281":1007},84,69.52734375,60,45.52734375,{"_287":224,"_123":1011,"_154":1012,"_140":89},{"_287":125,"_123":546,"_154":547,"_140":548},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-jan-van-huchtenburgh","Jan van Huchtenburgh's contemporaries","https://img.ochreeditions.com/a/1585/480.jpg","https://img.ochreeditions.com/a/1585/960.jpg","https://img.ochreeditions.com/a/1585/1920.jpg",{"_314":1029,"_316":1030},{"_314":1027,"_316":1028},{"_314":1025,"_316":1026},{"_314":1023,"_316":1024},{"_314":1021,"_316":1022},"#988978",0.081,"#c6b59f",0.0826,"#776a5c",0.2188,"#4e443a",0.2781,"#63574a",0.3395,"Jan van Huchtenburgh","jan-van-huchtenburgh","Dutch, 1647–1733",1733,"aristotle-with-a-bust-of-homer-met-437394","Aristotle with a Bust of Homer",{"_42":672,"_221":673,"_328":674,"_330":404,"_332":675,"_334":676,"_336":677,"_337":678,"_338":679,"_140":77},"1653","56 1/2 x 53 3/4 in. (143.5 x 136.5 cm)",136.5,143.5,0.948,[1065,1066,1067,1068,1069],{"_220":714,"_221":715,"_42":716,"_307":717},"61.198","Rembrandt van Rijn painted this in 1653, aged 47. It is now at The Met in New York.","A philosopher in a broad black hat rests his hand on a marble bust of the blind poet Homer, while a heavy gold chain falls across his chest, carrying a medallion that bears the image of Alexander the Great, Aristotle’s most famous pupil.","Aristotle with a Bust of Homer, by Rembrandt van Rijn, 1653",{"_295":1062,"_297":1063,"_299":1064},"https://img.ochreeditions.com/m/1141.jpg?dl=1","/art/aristotle-with-a-bust-of-homer-met-437394","/galleries/style/dutch-and-flemish-baroque/aristotle-with-a-bust-of-homer-met-437394",{"_291":292,"_293":294},{"_224":1059,"_125":1060,"_285":1061},{"_276":1056,"_278":1057,"_280":1058,"_281":1041},151.03799999999998,158.5,136.03799999999998,{"_287":224,"_123":652,"_154":653,"_140":77},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1141/480.jpg","https://img.ochreeditions.com/a/1141/960.jpg","https://img.ochreeditions.com/a/1141/1920.jpg",{"_314":1078,"_316":1079},{"_314":1076,"_316":1077},{"_314":1074,"_316":1075},{"_314":1072,"_316":1073},{"_314":1070,"_316":1071},"#685135",0.0272,"#43301c",0.0564,"#2c1d11",0.1255,"#1d120b",0.1565,"#0c0705",0.6344,"sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","Sheet with Two Studies: a Tree, and the Upper Part of a Head of the Artist Wearing a Velvet Cap",{"_42":672,"_221":673,"_328":674,"_330":404,"_332":675,"_334":676,"_336":677,"_337":678,"_338":679,"_140":77},"c. 1642","etching on laid paper","sheet (sheet trimmed to platemark): 8 × 7.1 cm (3 1/8 × 2 13/16 in.)",7.1,0.8754914809960681,[1108,1109,1110,1111,1112],{"_220":441,"_221":442,"_42":443,"_307":444},"1943.3.7202","Rembrandt van Rijn made this in about 1642, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image displays intricate, swirling lines and textured shading to create an abstract scene. On the left side are fine lines resembling branches and leaves, with a small figure nearby. On the right side is a large, densely shaded form reminiscent of mountains or a rock formation. The elements come together to suggest landscapes and nature through imaginative shapes and line work.",{"_295":1105,"_297":1106,"_299":1107},"https://img.ochreeditions.com/m/1355.jpg?dl=1","/art/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","/galleries/style/dutch-and-flemish-baroque/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998",{"_291":377,"_293":378},{"_224":1102,"_125":1103,"_285":1104},{"_276":1100,"_278":541,"_280":1101,"_281":490},45.8872870249017,21.887287024901703,{"_287":224,"_123":652,"_154":653,"_140":77},{"_287":125,"_123":546,"_154":547,"_140":548},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1355/480.jpg","https://img.ochreeditions.com/a/1355/960.jpg","https://img.ochreeditions.com/a/1355/1920.jpg",{"_314":1121,"_316":1122},{"_314":1119,"_316":1120},{"_314":1117,"_316":1118},{"_314":1115,"_316":1116},{"_314":1113,"_316":1114},"#423a34",0.0801,"#6e6255",0.0918,"#918271",0.1462,"#b19f8a",0.2148,"#cbb89f",0.4671,{"_1124":-5,"_1125":1126,"_1127":1128,"_1129":8,"_1130":1131,"_1132":8},"user","csrf","514129146e50873286bd70ab2ed779ab7f8ea2f9","cartCount",0,"dropLive","legal",[1133,1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144],"uploadsEnabled",{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]