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The monochromatic color palette contributes to a classic aesthetic.",{"_292":436,"_294":437,"_296":438},"https://img.ochreeditions.com/m/1542.jpg?dl=1","/art/piazza-presso-alla-porta-al-prato-nga-51387","/galleries/style/dutch-and-flemish-baroque/piazza-presso-alla-porta-al-prato-nga-51387",{"_288":289,"_290":291},{"_221":425,"_125":426,"_282":427},{"_272":275,"_274":423,"_276":279,"_278":424},42.01675977653631,18.01675977653631,{"_284":221,"_123":434,"_154":435,"_140":89},{"_284":125,"_123":431,"_154":432,"_140":433},{"_284":282,"_123":428,"_154":429,"_140":430},"era/17-flanders","17th-century Flanders",30,"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-edouard-eckman","Edouard Eckman's contemporaries","https://img.ochreeditions.com/a/1542/480.jpg","https://img.ochreeditions.com/a/1542/960.jpg","https://img.ochreeditions.com/a/1542/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_308":456,"_310":457},{"_308":454,"_310":455},{"_308":452,"_310":453},{"_308":450,"_310":451},{"_308":448,"_310":449},"#7d6e5d",0.0958,"#c5b59e",0.1362,"#988875",0.1447,"#af9e8a",0.2154,"#e0ceb6",0.4079,"Edouard Eckman","edouard-eckman","Flemish, born c. 1600","Flemish",1600,1680,"saint-jerome-reading-in-an-italian-landscape-aic-43244","Saint Jerome Reading in an Italian Landscape",{"_42":511,"_218":512,"_322":513,"_324":325,"_326":514,"_328":515,"_330":516,"_332":333,"_334":517,"_140":77},"c. 1653","Etching, burin, and drypoint on ivory laid paper","Image/plate: 26 × 21 cm (10 1/4 × 8 5/16 in.); Sheet: 27 × 21.9 cm (10 11/16 × 8 5/8 in.)",26,0.8163897493663756,[496,497,498,499,500],{"_217":375,"_218":376,"_42":377,"_301":378},"1941.1048","Rembrandt van Rijn made this in about 1653, aged about 42. It is now at the Art Institute of Chicago.","Saint Jerome sits reading in the sunlight while his lion peers out from behind a tree, and a hill town with Italian buildings rises in the distance. Rembrandt drew on Venetian prints and drawings he owned, by Titian and his circle, for the landscape, combining it with his own free, varied line.","A work made of etching, burin, and drypoint on ivory laid paper.",{"_292":493,"_294":494,"_296":495},"https://img.ochreeditions.com/m/144.jpg?dl=1","/art/saint-jerome-reading-in-an-italian-landscape-aic-43244","/galleries/style/dutch-and-flemish-baroque/saint-jerome-reading-in-an-italian-landscape-aic-43244",{"_288":289,"_290":291},{"_221":488,"_125":489,"_282":490},{"_272":485,"_274":486,"_276":487,"_278":470},45.22613348352577,50,21.226133483525768,{"_284":221,"_123":491,"_154":492,"_140":77},{"_284":125,"_123":431,"_154":432,"_140":433},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/144/480.jpg","https://img.ochreeditions.com/a/144/960.jpg","https://img.ochreeditions.com/a/144/1920.jpg",{"_308":509,"_310":510},{"_308":507,"_310":508},{"_308":505,"_310":506},{"_308":503,"_310":504},{"_308":501,"_310":502},"#60564d",0.1424,"#3e3832",0.1436,"#897b6d",0.1475,"#b4a392",0.1923,"#ddccba",0.3742,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","still-life-with-meat-fish-vegetables-and-fruit-cma-315934","Still Life with Meat, Fish, Vegetables, and Fruit",{"_42":574,"_218":575,"_322":576,"_324":461,"_326":577,"_328":578,"_330":-5,"_332":-5,"_334":-5,"_140":103},"c. 1615–20","Oil on panel, the reverse prepared with gesso","71.5 x 104 cm (28 1/8 x 40 15/16 in.)",104,71.5,1.4505119453924915,[559,560,561,562,563],{"_217":555,"_218":556,"_42":557,"_301":558},"Courtesy of the Cleveland Museum of Art","2018.258","Jacob van Hulsdonck painted this in about 1615–20, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":552,"_553":554},"Still Life with Meat, Fish, Vegetables, and Fruit, by Jacob van Hulsdonck, c. 1615–20",{"_292":549,"_294":550,"_296":551},"https://img.ochreeditions.com/m/787.jpg?dl=1","/art/still-life-with-meat-fish-vegetables-and-fruit-cma-315934","/galleries/style/dutch-and-flemish-baroque/still-life-with-meat-fish-vegetables-and-fruit-cma-315934",{"_288":370,"_290":371},{"_221":544,"_125":545,"_282":546},{"_272":541,"_274":542,"_276":524,"_278":543},119,86.69882352941177,71.69882352941177,{"_284":221,"_123":547,"_154":548,"_140":89},{"_284":125,"_123":365,"_154":366,"_140":367},{"_284":282,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-jacob-van-hulsdonck","Jacob van Hulsdonck's contemporaries","https://img.ochreeditions.com/a/787/480.jpg","https://img.ochreeditions.com/a/787/960.jpg","https://img.ochreeditions.com/a/787/1920.jpg","Jacob van Hulsdonck depicted a colorful array of foods, and tablewares ranging from an earthenware trencher to delicate Chinese porcelain—an expensive luxury made possible by international trade.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":572,"_310":573},{"_308":570,"_310":571},{"_308":568,"_310":569},{"_308":566,"_310":567},{"_308":564,"_310":565},"#7d432f",0.0845,"#816e4c",0.141,"#7c7c79",0.1925,"#484438",0.1967,"#251f1b",0.3853,"Jacob van Hulsdonck","jacob-van-hulsdonck","Flemish, 1582–1647",1582,1647,"self-portrait-from-the-iconography-met-337062","Self-Portrait, from \"The Iconography\"",{"_42":627,"_218":628,"_322":629,"_324":461,"_326":630,"_328":631,"_330":632,"_332":633,"_334":634,"_140":97},"ca. 1640","Prints","Etching; first state of seven","Sheet: 9 1/2 × 6 1/8 in. (24.1 × 15.6 cm)",15.6,24.1,0.6492258408969568,[612,613,614,615,616],{"_217":298,"_218":299,"_42":300,"_301":302},"50.583.4","Anthony van Dyck made this in about 1640, aged about 36. It is now at The Met in New York.","Van Dyck etched only his own head on this plate, and in this first state the face seems to float on the bare paper, set down in quick, flickering lines.","Self-Portrait, from \"The Iconography\", by Anthony van Dyck, ca. 1640",{"_292":609,"_294":610,"_296":611},"https://img.ochreeditions.com/m/1010.jpg?dl=1","/art/self-portrait-from-the-iconography-met-337062","/galleries/style/dutch-and-flemish-baroque/self-portrait-from-the-iconography-met-337062",{"_288":289,"_290":291},{"_221":604,"_125":605,"_282":606},{"_272":602,"_274":275,"_276":603,"_278":279},40.23064602242392,16.23064602242392,{"_284":221,"_123":607,"_154":608,"_140":97},{"_284":125,"_123":431,"_154":432,"_140":433},{"_284":282,"_123":428,"_154":429,"_140":430},"artist/anthony-van-dyck","More by Anthony van Dyck","https://img.ochreeditions.com/a/1010/480.jpg","https://img.ochreeditions.com/a/1010/960.jpg","https://img.ochreeditions.com/a/1010/1920.jpg",{"_308":625,"_310":626},{"_308":623,"_310":624},{"_308":621,"_310":622},{"_308":619,"_310":620},{"_308":617,"_310":618},"#69635b",0.0183,"#928a7f",0.0274,"#bcb1a4",0.0278,"#dccec0",0.3338,"#e5d8ca",0.5927,"Anthony van Dyck","anthony-van-dyck","Flemish, 1599–1641",1599,1641,"Antwerp","London","Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths.","garland-of-flowers-with-adoration-of-the-shepherds-nga-106787","Garland of Flowers with Adoration of the Shepherds",{"_42":682,"_218":683,"_322":684,"_324":461,"_326":685,"_328":686,"_330":-5,"_332":-5,"_334":-5,"_140":103},"c. 1625/1630","oil on copper","overall: 22.3 x 18.5 cm (8 3/4 x 7 5/16 in.)",18.5,22.3,0.840087890625,[667,668,669,670,671],{"_217":439,"_218":440,"_42":441,"_301":442},"2003.140.1","Frans Francken the Younger painted this in about 1625/1630, aged about 44. It is now at the National Gallery of Art in Washington, DC.","A scene with seven men and women gathered around an infant is enclosed in an eight-sided, octagonal painted frame, which is surrounded by a wreath of flowers in this vertical painting. The painted black frame-within-a-frame resembles molding. The people in the scene have pale skin and wear robes in shades of teal blue, burnt orange, red, muted purple, or red. A woman reaching for the bed on which the child lies and the child have gold halos. Others crouch or bend toward the child, and one pair, to our left, turn toward each other, presumably talking. The nighttime-blue sky is streaked with nickel-gray clouds beyond a partially ruined stone arch. A lamb with all four feet tired together lies at the foot of the child’s bed. The wreath surrounding the painting-within-a-painting is dense with tulips, roses, daffodils, poppies, violets, and other flowers and greenery painted in shades of lemon and butter yellow, opal and pearl white, brick and coral red, and sky and slate blue against an inky-black background. One artist signed the painting-within-a-painting near the bottom left corner, “FF F.” The second artist who painted this signed his initials, “HDB”, on the bottom edge of the painted frame.",{"_292":664,"_294":665,"_296":666},"https://img.ochreeditions.com/m/1639.jpg?dl=1","/art/garland-of-flowers-with-adoration-of-the-shepherds-nga-106787","/galleries/style/dutch-and-flemish-baroque/garland-of-flowers-with-adoration-of-the-shepherds-nga-106787",{"_288":370,"_290":371},{"_221":659,"_125":660,"_282":661},{"_272":656,"_274":657,"_276":658,"_278":279},36.002197265625,40,21.002197265625,{"_284":221,"_123":662,"_154":663,"_140":89},{"_284":125,"_123":365,"_154":366,"_140":367},{"_284":282,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-frans-francken-the-younger","Frans Francken the Younger's contemporaries","https://img.ochreeditions.com/a/1639/480.jpg","https://img.ochreeditions.com/a/1639/960.jpg","https://img.ochreeditions.com/a/1639/1920.jpg",{"_308":680,"_310":681},{"_308":678,"_310":679},{"_308":676,"_310":677},{"_308":674,"_310":675},{"_308":672,"_310":673},"#7e5735",0.0304,"#797460",0.0382,"#4a4438",0.1224,"#2d2b27",0.2254,"#1f1b1b",0.5836,"Frans Francken the Younger","frans-francken-the-younger","Flemish, 1581–1642",1581,1642,"portrait-of-a-lady-aic-105945","Portrait of a Lady",{"_42":735,"_218":736,"_322":737,"_324":325,"_326":577,"_328":738,"_330":632,"_332":331,"_334":739,"_140":99},"1627","86.5 × 70.7 cm (34 1/4 × 27 13/16 in.); Framed: 107 × 91.4 × 6.4 cm (42 1/8 × 36 × 2 1/2 in.)",70,86,0.8087576712555979,[720,721,722,723,724],{"_217":375,"_218":376,"_42":377,"_301":378},"1954.287","Frans Hals painted this in 1627, aged 45. It is now at the Art Institute of Chicago.",{"_118":718,"_553":719},{"_292":715,"_294":716,"_296":717},"https://img.ochreeditions.com/m/266.jpg?dl=1","/art/portrait-of-a-lady-aic-105945","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-lady-aic-105945",{"_288":370,"_290":371},{"_221":710,"_125":711,"_282":712},{"_272":707,"_274":708,"_276":709,"_278":693},84.55315972798142,101,69.55315972798142,{"_284":221,"_123":713,"_154":714,"_140":99},{"_284":125,"_123":365,"_154":366,"_140":367},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/frans-hals","More by Frans Hals","https://img.ochreeditions.com/a/266/480.jpg","https://img.ochreeditions.com/a/266/960.jpg","https://img.ochreeditions.com/a/266/1920.jpg","Frans Hals, one of the most celebrated portrait painters of the 17th century, demonstrated here his signature verve in inscribing decoration on black satin and capturing the freshness of his subject’s skin.","Text from the Art Institute of Chicago.",{"_308":733,"_310":734},{"_308":731,"_310":732},{"_308":729,"_310":730},{"_308":727,"_310":728},{"_308":725,"_310":726},"#9c7059",0.0421,"#a79a8f",0.0595,"#6a5e53",0.0601,"#30261d",0.3924,"#13110f",0.4459,"Frans Hals","frans-hals","Dutch, 1582–1666",1666,"Hals was born in Antwerp but spent his whole career in Haarlem, where he became its leading portraitist.","portrait-of-a-woman-aic-80524","Portrait of a woman",{"_42":785,"_218":786,"_322":787,"_324":325,"_326":788,"_328":463,"_330":-5,"_332":-5,"_334":-5,"_140":103},"c. 1655","60 × 46.6 cm (23 5/8 × 18 5/16 in.); Framed: 78.5 × 65.5 × 9.6 cm (30 7/8 × 25 3/4 × 3 3/4 in.)",46,60,0.7874678512976385,[770,771,772,773,774],{"_217":375,"_218":376,"_42":377,"_301":378},"1954.281","Ferdinand Bol painted this in about 1655, aged about 34. It is now at the Art Institute of Chicago.",{"_292":767,"_294":768,"_296":769},"https://img.ochreeditions.com/m/210.jpg?dl=1","/art/portrait-of-a-woman-aic-80524","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-woman-aic-80524",{"_288":370,"_290":371},{"_221":762,"_125":763,"_282":764},{"_272":759,"_274":760,"_276":761,"_278":746},62.24807107785831,75,47.24807107785831,{"_284":221,"_123":765,"_154":766,"_140":89},{"_284":125,"_123":365,"_154":366,"_140":367},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ferdinand-bol","Ferdinand Bol's contemporaries","https://img.ochreeditions.com/a/210/480.jpg","https://img.ochreeditions.com/a/210/960.jpg","https://img.ochreeditions.com/a/210/1920.jpg",{"_308":783,"_310":784},{"_308":781,"_310":782},{"_308":779,"_310":780},{"_308":777,"_310":778},{"_308":775,"_310":776},"#796343",0.0559,"#b1946b",0.0859,"#403320",0.1513,"#251d13",0.3072,"#16110c",0.3997,"Ferdinand Bol","ferdinand-bol","Dutch, 1616–1680",1616,"reclining-female-nude-met-337063","Reclining Female Nude",{"_42":511,"_218":512,"_322":513,"_324":325,"_326":514,"_328":515,"_330":516,"_332":333,"_334":517,"_140":77},"1658","Etching, drypoint, and engraving on Japanese paper; second of six states","Plate: 3 3/16 × 6 1/4 in. (8.1 × 15.9 cm) Sheet: 3 3/4 x 6 3/4 in. (9.5 x 17.1 cm)",17.1,9.5,1.9268035808320167,[819,820,821,822,823],{"_217":298,"_218":299,"_42":300,"_301":302},"29.107.28","Rembrandt van Rijn made this in 1658, aged 52. It is now at The Met in New York.","A nude woman reclines, her body emerging softly from deep shadow, in one of a group of etchings of the nude that Rembrandt made in 1658. He built up the darkness with dense etched hatching, drypoint and engraving, so that the figure glows against it.","Reclining Female Nude, by Rembrandt van Rijn, 1658",{"_292":816,"_294":817,"_296":818},"https://img.ochreeditions.com/m/1011.jpg?dl=1","/art/reclining-female-nude-met-337063","/galleries/style/dutch-and-flemish-baroque/reclining-female-nude-met-337063",{"_288":289,"_290":291},{"_221":813,"_125":814,"_282":815},{"_272":275,"_274":811,"_276":279,"_278":812},36.97485651817436,12.974856518174365,{"_284":221,"_123":491,"_154":492,"_140":77},{"_284":125,"_123":431,"_154":432,"_140":433},{"_284":282,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1011/480.jpg","https://img.ochreeditions.com/a/1011/960.jpg","https://img.ochreeditions.com/a/1011/1920.jpg",{"_308":832,"_310":833},{"_308":830,"_310":831},{"_308":828,"_310":829},{"_308":826,"_310":827},{"_308":824,"_310":825},"#c5ae8a",0.0758,"#978468",0.107,"#6d604e",0.1274,"#4e463b",0.2348,"#383530",0.455,"interior-with-a-young-couple-met-436675","Interior with a Young Couple",{"_42":881,"_218":882,"_322":883,"_324":325,"_326":884,"_328":885,"_330":886,"_332":333,"_334":887,"_140":99},"probably ca. 1662–65","Paintings","21 5/8 x 24 3/4 in. (54.9 x 62.9 cm)",62.9,54.9,1.127267320844484,[866,867,868,869,870],{"_217":298,"_218":299,"_42":300,"_301":302},"14.40.613","Pieter de Hooch painted this (probably ca. 1662–65), aged about 33. It is now at The Met in New York.","Interior with a Young Couple, by Pieter de Hooch, probably ca. 1662–65",{"_292":863,"_294":864,"_296":865},"https://img.ochreeditions.com/m/1105.jpg?dl=1","/art/interior-with-a-young-couple-met-436675","/galleries/style/dutch-and-flemish-baroque/interior-with-a-young-couple-met-436675",{"_288":370,"_290":371},{"_221":858,"_125":859,"_282":860},{"_272":855,"_274":856,"_276":840,"_278":857},77.9,70.79865470852017,55.798654708520175,{"_284":221,"_123":861,"_154":862,"_140":99},{"_284":125,"_123":365,"_154":366,"_140":367},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/pieter-de-hooch","More by Pieter de Hooch","https://img.ochreeditions.com/a/1105/480.jpg","https://img.ochreeditions.com/a/1105/960.jpg","https://img.ochreeditions.com/a/1105/1920.jpg",{"_308":879,"_310":880},{"_308":877,"_310":878},{"_308":875,"_310":876},{"_308":873,"_310":874},{"_308":871,"_310":872},"#938563",0.0354,"#594123",0.0977,"#3c2d18",0.1789,"#261d12",0.3435,"#19130d",0.3445,"Pieter de Hooch","pieter-de-hooch","Dutch, 1629–1684",1629,1684,"Rotterdam","De Hooch was born in Rotterdam and trained, according to an early biographer, with Nicolaes Berchem in Haarlem.","merrymakers-at-shrovetide-met-436622","Merrymakers at Shrovetide",{"_42":735,"_218":736,"_322":737,"_324":325,"_326":577,"_328":738,"_330":632,"_332":331,"_334":739,"_140":99},"ca. 1616–17","51 3/4 x 39 1/4 in. (131.4 x 99.7 cm)",99.7,131.4,0.7673293927995701,[918,919,920,921,922],{"_217":298,"_218":299,"_42":300,"_301":302},"14.40.605","Frans Hals painted this in about 1616–17, aged about 34. It is now at The Met in New York.","An elaborately dressed young woman sits at a crowded table during the boisterous days before Lent, surrounded by grinning revellers, among them two stock characters of Dutch carnival theatre, Peeckelhaeringh and Hans Wurst.","Merrymakers at Shrovetide, by Frans Hals, ca. 1616–17",{"_292":915,"_294":916,"_296":917},"https://img.ochreeditions.com/m/1102.jpg?dl=1","/art/merrymakers-at-shrovetide-met-436622","/galleries/style/dutch-and-flemish-baroque/merrymakers-at-shrovetide-met-436622",{"_288":370,"_290":371},{"_221":912,"_125":913,"_282":914},{"_272":909,"_274":910,"_276":911,"_278":894},115.82708221386352,146.4,100.82708221386352,{"_284":221,"_123":713,"_154":714,"_140":99},{"_284":125,"_123":365,"_154":366,"_140":367},{"_284":282,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1102/480.jpg","https://img.ochreeditions.com/a/1102/960.jpg","https://img.ochreeditions.com/a/1102/1920.jpg",{"_308":931,"_310":932},{"_308":929,"_310":930},{"_308":927,"_310":928},{"_308":925,"_310":926},{"_308":923,"_310":924},"#7e6d55",0.085,"#524736",0.1237,"#5f3b28",0.1702,"#392b1e",0.2822,"#1f1c17",0.3389,"dead-birds-and-shot-bags-aic-84096","Dead Birds and Shot Bags",{"_42":978,"_218":979,"_322":980,"_324":461,"_326":981,"_328":982,"_330":-5,"_332":-5,"_334":-5,"_140":103},"c. 1660","32.6 × 43.3 cm (12 3/4 × 17 in.); Framed: 49.5 × 59.7 × 6.4 cm (19 1/2 × 23 1/2 × 2 1/2 in.)",43,32,1.3526359832635984,[963,964,965,966,967],{"_217":375,"_218":376,"_42":377,"_301":378},"1955.747","Pieter Boel painted this in about 1660, aged about 33. It is now at the Art Institute of Chicago.",{"_292":960,"_294":961,"_296":962},"https://img.ochreeditions.com/m/229.jpg?dl=1","/art/dead-birds-and-shot-bags-aic-84096","/galleries/style/dutch-and-flemish-baroque/dead-birds-and-shot-bags-aic-84096",{"_288":370,"_290":371},{"_221":955,"_125":956,"_282":957},{"_272":952,"_274":953,"_276":938,"_278":954},58,46.789779757485775,31.78977975748577,{"_284":221,"_123":958,"_154":959,"_140":89},{"_284":125,"_123":365,"_154":366,"_140":367},{"_284":282,"_123":428,"_154":429,"_140":430},"artist/contemporaries-of-pieter-boel","Pieter Boel's contemporaries","https://img.ochreeditions.com/a/229/480.jpg","https://img.ochreeditions.com/a/229/960.jpg","https://img.ochreeditions.com/a/229/1920.jpg",{"_308":976,"_310":977},{"_308":974,"_310":975},{"_308":972,"_310":973},{"_308":970,"_310":971},{"_308":968,"_310":969},"#766445",0.0289,"#514331",0.0861,"#26211c",0.1346,"#32291f",0.3457,"#3d2e21",0.4047,"Pieter Boel","pieter-boel","Flemish, 1622–1674",1622,1674,"a-mother-feeding-her-child-the-happy-mother-aic-497","A Mother Feeding her Child (The Happy Mother)",{"_42":1036,"_218":1037,"_322":1038,"_324":325,"_326":1039,"_328":1040,"_330":-5,"_332":-5,"_334":-5,"_140":103},"1707",18,"Oil on panel","56.9 × 48.4 cm (22 3/8 × 19 1/16 in.); Framed: 83.2 × 74.6 × 6.4 cm (32 3/4 × 29 3/8 × 2 1/2 in.)",48,56,0.8391334015694303,[1021,1022,1023,1024,1025],{"_217":375,"_218":376,"_42":377,"_301":378},"1890.42","Willem van Mieris painted this in 1707, aged 45. It is now at the Art Institute of Chicago.","Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.",{"_292":1018,"_294":1019,"_296":1020},"https://img.ochreeditions.com/m/1.jpg?dl=1","/art/a-mother-feeding-her-child-the-happy-mother-aic-497","/galleries/style/dutch-and-flemish-baroque/a-mother-feeding-her-child-the-happy-mother-aic-497",{"_288":370,"_290":371},{"_221":1008,"_125":1009,"_282":1010},{"_272":1005,"_274":1006,"_276":1007,"_278":991},61.991470487888094,71,46.991470487888094,{"_284":221,"_123":1016,"_154":1017,"_140":89},{"_284":125,"_123":1014,"_154":1015,"_140":367},{"_284":282,"_123":1011,"_154":1012,"_140":1013},"era/18","The 18th century",347,"style/painting-18","More paintings of the 18th century","artist/contemporaries-of-willem-van-mieris","Willem van Mieris's contemporaries","https://img.ochreeditions.com/a/1/480.jpg","https://img.ochreeditions.com/a/1/960.jpg","https://img.ochreeditions.com/a/1/1920.jpg",{"_308":1034,"_310":1035},{"_308":1032,"_310":1033},{"_308":1030,"_310":1031},{"_308":1028,"_310":1029},{"_308":1026,"_310":1027},"#867158",0.0475,"#67451e",0.0477,"#1b130c",0.237,"#42331f",0.2428,"#2e1e12",0.425,"Willem van Mieris","willem-van-mieris","Dutch, 1662–1747",1662,1747,"bouquet-of-flowers-in-a-glass-vase-nga-94743","Bouquet of Flowers in a Glass Vase",{"_42":1086,"_218":1087,"_322":1088,"_324":325,"_326":1089,"_328":1090,"_330":-5,"_332":-5,"_334":-5,"_140":103},"overall: 31.6 x 21.6 cm (12 7/16 x 8 1/2 in.) framed: 53.3 x 43.8 x 5.7 cm (21 x 17 1/4 x 2 1/4 in.)",21.6,31.6,0.68212890625,[1071,1072,1073,1074,1075],{"_217":439,"_218":440,"_42":441,"_301":442},"1996.35.1","Ambrosius Bosschaert painted this in 1621, aged 48. It is now at the National Gallery of Art in Washington, DC.","Gathered in a round glass vase, a tall bouquet of flowers in shades of light and deep pink, sunshine yellow, and white with pine-green leaves nearly fills this vertical still life painting. Shown against an gray background, the vase sits on a narrow ledge, perhaps made of wood. A label with looping, cursive French text painted in gold against a baby blue background is affixed to the front of the ledge, along the bottom edge of the composition. The text reads, “C'est l'Angelicq main du grad Peinctre de Flore AMBROISE, renommé jusqu' au Rivage Moré.” A few of the flowers draw the eye, including a tulip and iris at the top of the bouquet. To our left, the tulip is mauve pink with cream-colored streaks, and one petal folds down to reveal the stamen inside. Next to it, a damselfly, an insect like a delicate dragonfly, rests on the vibrant yellow iris. The petals curling down from the iris are veined in muted burgundy red. Flowers filling in the bouquet below include a shell-pink cyclamen, a white gardenia, a closed blue and white striped columbine, a slate-blue grape hyacinth, lily of the valley, pale blue forget-me-nots, and a pink peony interspersed with leaves and greenery. The round glass vase has a narrow opening. A sprig of viola rests to our left of the vase on the ledge, and an orange, black, white, and brown butterfly perches on the stem of a pink cyclamen laying to our right of the vase. The artist signed the painting with a monogram and dated it in dark paint to our right on the face of the ledge: “AB 1621.”",{"_292":1068,"_294":1069,"_296":1070},"https://img.ochreeditions.com/m/1631.jpg?dl=1","/art/bouquet-of-flowers-in-a-glass-vase-nga-94743","/galleries/style/dutch-and-flemish-baroque/bouquet-of-flowers-in-a-glass-vase-nga-94743",{"_288":370,"_290":371},{"_221":1063,"_125":1064,"_282":1065},{"_272":1060,"_274":1061,"_276":1062,"_278":1046},36.555273437500006,46.6,21.555273437500002,{"_284":221,"_123":1066,"_154":1067,"_140":89},{"_284":125,"_123":365,"_154":366,"_140":367},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ambrosius-bosschaert","Ambrosius Bosschaert's contemporaries","https://img.ochreeditions.com/a/1631/480.jpg","https://img.ochreeditions.com/a/1631/960.jpg","https://img.ochreeditions.com/a/1631/1920.jpg",{"_308":1084,"_310":1085},{"_308":1082,"_310":1083},{"_308":1080,"_310":1081},{"_308":1078,"_310":1079},{"_308":1076,"_310":1077},"#c9b655",0.0376,"#667672",0.0629,"#b3a38c",0.0646,"#6d4e38",0.1609,"#393122",0.674,"Ambrosius Bosschaert","ambrosius-bosschaert","Dutch, 1573–1621",1573,1621,"a-vanitas-still-life-with-a-flag-candlestick-musical-instrum-aic-258490","A Vanitas Still Life with a Flag, Candlestick, Musical Instruments, Books, Writing Paraphernalia, Globes, and Hourglass",{"_42":1137,"_218":1138,"_322":1139,"_324":325,"_326":686,"_328":1140,"_330":-5,"_332":-5,"_334":-5,"_140":103},"1662","98 × 129.7 cm (38 1/2 × 51 in.); Framed: 122 × 152.4 cm (48 × 60 in.)",129,98,1.3262243285939967,[1122,1123,1124,1125,1126],{"_217":375,"_218":376,"_42":377,"_301":378},"2020.317","Edwaert Collier painted this in 1662, aged 20. It is now at the Art Institute of Chicago.",{"_118":1121,"_553":719},{"_292":1118,"_294":1119,"_296":1120},"https://img.ochreeditions.com/m/398.jpg?dl=1","/art/a-vanitas-still-life-with-a-flag-candlestick-musical-instrum-aic-258490","/galleries/style/dutch-and-flemish-baroque/a-vanitas-still-life-with-a-flag-candlestick-musical-instrum-aic-258490",{"_288":370,"_290":371},{"_221":1113,"_125":1114,"_282":1115},{"_272":180,"_274":1111,"_276":1096,"_278":1112},112.26861226920786,97.26861226920786,{"_284":221,"_123":1116,"_154":1117,"_140":89},{"_284":125,"_123":365,"_154":366,"_140":367},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-edwaert-collier","Edwaert Collier's contemporaries","https://img.ochreeditions.com/a/398/480.jpg","https://img.ochreeditions.com/a/398/960.jpg","https://img.ochreeditions.com/a/398/1920.jpg","Collier was well known in his own time for his still lifes, which replicated in intricate detail actual maps and globes.",{"_308":1135,"_310":1136},{"_308":1133,"_310":1134},{"_308":1131,"_310":1132},{"_308":1129,"_310":1130},{"_308":1127,"_310":1128},"#673f25",0.0947,"#8c877e",0.1585,"#65594b",0.1615,"#3f3226",0.2542,"#241c17",0.3311,"Edwaert Collier","edwaert-collier","Dutch, 1642–1708",1708,{"_1142":-5,"_1143":1144,"_1145":1146,"_1147":8,"_1148":1149,"_1150":8},"user","csrf","ffd067b5436e59c510ddfd20bd173306bb87718a","cartCount",0,"dropLive","legal",[1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162],"uploadsEnabled",{"_218":1185,"_20":1186},{"_218":1183,"_20":1184},{"_218":1181,"_20":1182},{"_218":1179,"_20":1180},{"_218":1177,"_20":1178},{"_218":1175,"_20":1176},{"_218":1173,"_20":1174},{"_218":1171,"_20":1172},{"_218":1169,"_20":1170},{"_218":1167,"_20":1168},{"_218":1165,"_20":1166},{"_218":1163,"_20":1164},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]