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It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper.",{"_292":425,"_294":426,"_296":427},"https://img.ochreeditions.com/m/189.jpg?dl=1","/art/seated-female-nude-aic-74224","/galleries/style/dutch-and-flemish-baroque/seated-female-nude-aic-74224",{"_288":289,"_290":291},{"_222":417,"_125":418,"_283":419},{"_273":414,"_275":415,"_277":416,"_279":400},44.34511857995053,52,20.34511857995053,{"_285":222,"_123":423,"_154":424,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":228},{"_285":283,"_123":420,"_154":421,"_140":422},"era/17-netherlands","17th-century Netherlands",91,"artist/contemporaries-of-samuel-van-hoogstraten","Samuel van Hoogstraten's contemporaries","https://img.ochreeditions.com/a/189/480.jpg","https://img.ochreeditions.com/a/189/960.jpg","https://img.ochreeditions.com/a/189/1920.jpg",{"_308":441,"_310":442},{"_308":439,"_310":440},{"_308":437,"_310":438},{"_308":435,"_310":436},{"_308":433,"_310":434},"#856b52",0.0652,"#a8896b",0.1586,"#c3a381",0.2055,"#d5b798",0.2789,"#e4cbad",0.2918,"Samuel van Hoogstraten","samuel-van-hoogstraten","Dutch, 1627–1678","Dutch",1627,1678,"the-watermill-with-the-great-red-roof-aic-869","The Watermill with the Great Red Roof",{"_42":496,"_219":497,"_322":498,"_324":446,"_326":499,"_328":500,"_330":-5,"_331":-5,"_332":501,"_140":97},"c. 1665","Oil on canvas","81.3 × 110 cm (32 × 43 1/4 in.); Framed: 101.3 × 130.5 × 8.3 cm (39 7/8 × 51 3/8 × 3 1/4 in.)",110,81,1.3553896942730013,[481,482,483,484,485],{"_218":298,"_219":299,"_42":300,"_301":302},"1894.1031","Meindert Hobbema painted this in about 1665, aged about 22. It is now at the Art Institute of Chicago.","A watermill with a striking red roof stands beside a muddy brown river at the right, water churning through its wheel, while a twisting tree leans across the foreground and three small figures pass in the distance under a grey and blue sky.","Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.",{"_292":478,"_294":479,"_296":480},"https://img.ochreeditions.com/m/3.jpg?dl=1","/art/the-watermill-with-the-great-red-roof-aic-869","/galleries/style/dutch-and-flemish-baroque/the-watermill-with-the-great-red-roof-aic-869",{"_288":367,"_290":368},{"_222":473,"_125":474,"_283":475},{"_273":184,"_275":471,"_277":455,"_279":472},96.15747114264535,81.15747114264535,{"_285":222,"_123":476,"_154":477,"_140":97},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":420,"_154":421,"_140":422},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/3/480.jpg","https://img.ochreeditions.com/a/3/960.jpg","https://img.ochreeditions.com/a/3/1920.jpg",{"_308":494,"_310":495},{"_308":492,"_310":493},{"_308":490,"_310":491},{"_308":488,"_310":489},{"_308":486,"_310":487},"#5e563d",0.133,"#9d9685",0.1469,"#39301d",0.2337,"#211a10",0.2367,"#7e8179",0.2497,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","resurrection-of-christ-aic-31173","Resurrection of Christ",{"_42":443,"_219":444,"_322":445,"_324":446,"_326":447,"_328":448,"_330":-5,"_331":-5,"_332":-5,"_140":101},"81 × 64.9 cm (31 7/8 × 25 1/2 in.); Framed: 100.1 × 84.8 × 8.6 cm (39 3/8 × 33 3/8 × 3 3/8 in.)",64,0.800248376003057,[529,530,531,532,533],{"_218":298,"_219":299,"_42":300,"_301":302},"1969.110","Samuel van Hoogstraten painted this in about 1665, aged about 33. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_292":526,"_294":527,"_296":528},"https://img.ochreeditions.com/m/125.jpg?dl=1","/art/resurrection-of-christ-aic-31173","/galleries/style/dutch-and-flemish-baroque/resurrection-of-christ-aic-31173",{"_288":367,"_290":368},{"_222":523,"_125":524,"_283":525},{"_273":520,"_275":521,"_277":522,"_279":456},79.82011845624761,96,64.82011845624761,{"_285":222,"_123":423,"_154":424,"_140":89},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":420,"_154":421,"_140":422},"https://img.ochreeditions.com/a/125/480.jpg","https://img.ochreeditions.com/a/125/960.jpg","https://img.ochreeditions.com/a/125/1920.jpg",{"_308":542,"_310":543},{"_308":540,"_310":541},{"_308":538,"_310":539},{"_308":536,"_310":537},{"_308":534,"_310":535},"#625547",0.0438,"#95795e",0.0585,"#64432a",0.1394,"#402f21",0.2782,"#271f18",0.4801,"the-mill-nga-1201","The Mill",{"_42":597,"_219":598,"_322":599,"_324":446,"_326":600,"_328":601,"_330":602,"_331":603,"_332":604,"_140":77},"1645/1648","oil on canvas","overall: 87.6 x 105.6 cm (34 1/2 x 41 9/16 in.) framed: 125.1 × 142.24 cm (49 1/4 × 56 in.)",105.6,87.6,1.1973107278573516,[582,583,584,585,586],{"_218":578,"_219":579,"_42":580,"_301":581},"Courtesy National Gallery of Art, Washington","1942.9.62","Rembrandt van Rijn painted this in 1645/1648, aged about 39. It is now at the National Gallery of Art in Washington, DC.","A windmill stands dark on a bastion above the water, its sails catching the light against a stormy sky, while a woman washes clothes at the bank, a mother and child walk down the path and a man in a red jacket rows past.","A windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landcape painting. The promontory and mill are painted in muted tones of brown and rust orange, while steel-gray and white clouds encircle a topaz-blue sky above. The promontory juts into the scene from our left, and the front of the windmill is angled to our right so its golden-tan sails catch the light. Silvery water winds around the base of the promontory and extends to a dark green, shadowy bank on the far side. A boat in the lower right corner of the composition is rowed by a man wearing a red jacket and cap. A path runs to the water’s edge from the left edge of the painting, in front of the promontory’s retaining wall, which is shored up with stones or panels. A person in dark clothing close to the windmill seems to rest their arms on the retaining wall, their back to us. Closer to us, a woman holds a child’s hand as they walk down the path to the bank. A bearded man with tattered brown clothes and bare feet stands leaning against the wall near a woman wearing burnt-orange garment. She sits or kneels at the water’s edge in front of a basket of clothes and holds up a brown cloth. The olive-green forms of the trees on the far bank are reflected in the water, and closer inspection reveals two cows near the water there. Charcoal-gray clouds pile up along the left of the painting and span the top edge. There is a brilliant blue sky beyond and a screen of white clouds near the horizon, which comes about a third of the way up the canvas.",{"_292":575,"_294":576,"_296":577},"https://img.ochreeditions.com/m/1337.jpg?dl=1","/art/the-mill-nga-1201","/galleries/style/dutch-and-flemish-baroque/the-mill-nga-1201",{"_288":367,"_290":368},{"_222":570,"_125":571,"_283":572},{"_273":567,"_275":568,"_277":550,"_279":569},120.6,103.19765625,88.19765625,{"_285":222,"_123":573,"_154":574,"_140":77},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":420,"_154":421,"_140":422},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/1337/480.jpg","https://img.ochreeditions.com/a/1337/960.jpg","https://img.ochreeditions.com/a/1337/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_308":595,"_310":596},{"_308":593,"_310":594},{"_308":591,"_310":592},{"_308":589,"_310":590},{"_308":587,"_310":588},"#7e8073",0.1657,"#c2c3b0",0.1675,"#564733",0.176,"#3b271c",0.1904,"#2a2520",0.3004,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","amsterdam-harbor-scene-nga-154215","Amsterdam Harbor Scene",{"_42":651,"_219":652,"_322":653,"_324":446,"_326":654,"_328":655,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1654/1655","overall: 61 x 81.8 cm (24 x 32 3/16 in.) framed: 81.9 × 102.2 × 5.72 cm (32 1/4 × 40 1/4 × 2 1/4 in.)",81.8,61,1.3544973544973544,[636,637,638,639,640],{"_218":578,"_219":579,"_42":580,"_301":581},"2011.3.1","Reinier Nooms, called Zeeman painted this in about 1654/1655, aged about 31. It is now at the National Gallery of Art in Washington, DC.","A sage-green harbor teems with more than a dozen sailing ships and rowboats under a pale gray sky in this horizontal painting. The horizon comes about one-fifth of the way up the composition, and dark gray and white clouds tower above. Light filters onto the scene through the clouds from our left to fall across the ships while casting shadows on the water nearest us. Painted in tones of slate gray and warm brown, most of the ships closest to us have their sails furled so the masts and horizontal yard arms bristle against the sky. The larger ships have cannons poking out of square portholes. On our right, a war ship floats with its ornately carved and gilded stern facing us. A flag flying from the tallest of the three masts has red, white, and green stripes. The artist painted his name on that flag, “R. Zeeman.” The ship is tied to a buoy with a length of rope, and an empty rowboat is tethered to the right side of the ship. A similar ship but with the sails hanging loosely is tied to a buoy just beyond this one. A row of pickets, like a fence, extends into the water behind these two ships. To our left, a rowboat full of men has pulled up alongside a partially sunken ship, its masts tilting toward us. A few people stand on two more ships nearby. A black temporary dock floats next to the leftmost ship here. A person mixes something that smokes on the platform, and another person stands on a board lifted halfway up the ship’s side, presumably working on a repair. Two women in another rowboat next to the floating dock lean over the side, washing clothes. Another fence encloses the harbor to our left, and a hut in the middle of the harbor is surrounded by a similar structure. Two rowboats closer to us are filled with men wearing tall hats and black or brown coats, and women wearing black bonnets and white shawls. More sailing ships and rowboats move back or around beyond the harbor, out to sea. Visible cracks cover the surface of the painting.",{"_292":633,"_294":634,"_296":635},"https://img.ochreeditions.com/m/1680.jpg?dl=1","/art/amsterdam-harbor-scene-nga-154215","/galleries/style/dutch-and-flemish-baroque/amsterdam-harbor-scene-nga-154215",{"_288":367,"_290":368},{"_222":628,"_125":629,"_283":630},{"_273":625,"_275":626,"_277":610,"_279":627},96.8,75.39140625,60.39140625,{"_285":222,"_123":631,"_154":632,"_140":89},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-reinier-nooms-called-zeeman","Reinier Nooms, called Zeeman's contemporaries","https://img.ochreeditions.com/a/1680/480.jpg","https://img.ochreeditions.com/a/1680/960.jpg","https://img.ochreeditions.com/a/1680/1920.jpg",{"_308":649,"_310":650},{"_308":647,"_310":648},{"_308":645,"_310":646},{"_308":643,"_310":644},{"_308":641,"_310":642},"#6a6554",0.0977,"#463f35",0.1223,"#b8b7aa",0.2031,"#6c6d6c",0.254,"#8e8f88",0.3229,"Reinier Nooms, called Zeeman","reinier-nooms-called-zeeman","Dutch, 1623 or 1624–1664",1623,1664,"wheat-fields-met-437549","Wheat Fields",{"_42":709,"_219":710,"_322":711,"_324":446,"_326":712,"_328":713,"_330":714,"_331":603,"_332":715,"_140":97},"ca. 1670","Paintings","39 3/8 x 51 1/4 in. (100 x 130.2 cm)",130.2,100,1.2914266350389698,[694,695,696,697,698],{"_218":690,"_219":691,"_42":692,"_301":693},"Courtesy of The Metropolitan Museum of Art","14.40.623","Jacob van Ruisdael painted this in about 1670, aged about 37. It is now at The Met in New York.","A sandy road runs between ripening fields of wheat towards a distant horizon, beneath a sky of towering clouds that fills most of the canvas, with sunlight and shadow moving across the land.","Wheat Fields, by Jacob van Ruisdael, ca. 1670",{"_292":687,"_294":688,"_296":689},"https://img.ochreeditions.com/m/1151.jpg?dl=1","/art/wheat-fields-met-437549","/galleries/style/dutch-and-flemish-baroque/wheat-fields-met-437549",{"_288":367,"_290":368},{"_222":682,"_125":683,"_283":684},{"_273":679,"_275":680,"_277":662,"_279":681},145.2,115.81873524009445,100.81873524009445,{"_285":222,"_123":685,"_154":686,"_140":97},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":420,"_154":421,"_140":422},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/1151/480.jpg","https://img.ochreeditions.com/a/1151/960.jpg","https://img.ochreeditions.com/a/1151/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_308":707,"_310":708},{"_308":705,"_310":706},{"_308":703,"_310":704},{"_308":701,"_310":702},{"_308":699,"_310":700},"#6b7a86",0.1384,"#534a38",0.1681,"#383025",0.1941,"#98907c",0.2025,"#6e6b5f",0.2969,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1628,1682,"Haarlem","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","portrait-of-a-woman-as-a-shepherdess-met-910733","Portrait of a woman as a shepherdess",{"_42":767,"_219":768,"_322":769,"_324":446,"_326":770,"_328":771,"_330":772,"_331":603,"_332":-5,"_140":103},"1635-40","drawing","Drawings","Metalpoint on prepared parchment (tafelet), inset into a nineteenth-century painted mount","Sheet: 3 3/8 × 2 11/16 in. (8.5 × 6.8 cm)",6.8,8.5,0.796,[752,753,754,755,756],{"_218":690,"_219":691,"_42":692,"_301":693},"2024.631","Crispijn de Passe the Younger painted this in 1635-40, aged about 45. It is now at The Met in New York.","Portrait of a woman as a shepherdess, by Crispijn de Passe the Younger, 1635-40",{"_292":749,"_294":750,"_296":751},"https://img.ochreeditions.com/m/1300.jpg?dl=1","/art/portrait-of-a-woman-as-a-shepherdess-met-910733","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-woman-as-a-shepherdess-met-910733",{"_288":289,"_290":291},{"_222":741,"_125":742,"_283":743},{"_273":739,"_275":276,"_277":740,"_279":280},43.900000000000006,19.900000000000002,{"_285":222,"_123":747,"_154":748,"_140":89},{"_285":125,"_123":744,"_154":745,"_140":746},{"_285":283,"_123":420,"_154":421,"_140":422},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-crispijn-de-passe-the-younger","Crispijn de Passe the Younger's contemporaries","https://img.ochreeditions.com/a/1300/480.jpg","https://img.ochreeditions.com/a/1300/960.jpg","https://img.ochreeditions.com/a/1300/1920.jpg",{"_308":765,"_310":766},{"_308":763,"_310":764},{"_308":761,"_310":762},{"_308":759,"_310":760},{"_308":757,"_310":758},"#6c604d",0.0692,"#b1a188",0.0959,"#c4b7a3",0.1896,"#d3c8b7",0.2956,"#e1d7c8",0.3497,"Crispijn de Passe the Younger","crispijn-de-passe-the-younger","Dutch, 1590–1670",1590,1670,"Cologne","the-flight-into-egypt-aic-16497","The Flight into Egypt",{"_42":821,"_219":822,"_322":823,"_324":325,"_326":824,"_328":825,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1650","43.8 × 31.8 cm (17 1/4 × 12 1/2 in.); Framed: 64.8 × 53.4 × 10.2 cm (25 1/2 × 21 × 4 in.)",43,0.7347624565469293,[806,807,808,809,810],{"_218":298,"_219":299,"_42":300,"_301":302},"1963.44","Abraham Jansz. van Diepenbeeck painted this in about 1650, aged about 44. It is now at the Art Institute of Chicago.",{"_118":803,"_804":805},{"_292":800,"_294":801,"_296":802},"https://img.ochreeditions.com/m/56.jpg?dl=1","/art/the-flight-into-egypt-aic-16497","/galleries/style/dutch-and-flemish-baroque/the-flight-into-egypt-aic-16497",{"_288":367,"_290":368},{"_222":795,"_125":796,"_283":797},{"_273":792,"_275":793,"_277":794,"_279":778},46.59478563151796,58,31.594785631517958,{"_285":222,"_123":798,"_154":799,"_140":89},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abraham-jansz-van-diepenbeeck","Abraham Jansz. van Diepenbeeck's contemporaries","https://img.ochreeditions.com/a/56/480.jpg","https://img.ochreeditions.com/a/56/960.jpg","https://img.ochreeditions.com/a/56/1920.jpg","The flight into Egypt—a common subject in European art—refers to an episode in the life of Christ when his family fled King Herod, who sought to kill the infant Jesus. Abraham van Diepenbeeck made the theme his own by including an angel and the inquisitive cow at bottom right.","source","Text from the Art Institute of Chicago.",{"_308":819,"_310":820},{"_308":817,"_310":818},{"_308":815,"_310":816},{"_308":813,"_310":814},{"_308":811,"_310":812},"#382f27",0.1476,"#8f8477",0.1772,"#4e443b",0.2028,"#63584d",0.2038,"#7a7166",0.2686,"Abraham Jansz. van Diepenbeeck","abraham-jansz-van-diepenbeeck","Flemish, 1596–1675",1596,1675,"a-mother-feeding-her-child-the-happy-mother-aic-497","A Mother Feeding her Child (The Happy Mother)",{"_42":876,"_219":877,"_322":878,"_324":446,"_326":879,"_328":880,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1707","56.9 × 48.4 cm (22 3/8 × 19 1/16 in.); Framed: 83.2 × 74.6 × 6.4 cm (32 3/4 × 29 3/8 × 2 1/2 in.)",48,0.8391334015694303,[861,862,863,864,865],{"_218":298,"_219":299,"_42":300,"_301":302},"1890.42","Willem van Mieris painted this in 1707, aged 45. It is now at the Art Institute of Chicago.","Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.",{"_292":858,"_294":859,"_296":860},"https://img.ochreeditions.com/m/1.jpg?dl=1","/art/a-mother-feeding-her-child-the-happy-mother-aic-497","/galleries/style/dutch-and-flemish-baroque/a-mother-feeding-her-child-the-happy-mother-aic-497",{"_288":367,"_290":368},{"_222":848,"_125":849,"_283":850},{"_273":845,"_275":846,"_277":847,"_279":194},61.991470487888094,71,46.991470487888094,{"_285":222,"_123":856,"_154":857,"_140":89},{"_285":125,"_123":854,"_154":855,"_140":364},{"_285":283,"_123":851,"_154":852,"_140":853},"era/18","The 18th century",347,"style/painting-18","More paintings of the 18th century","artist/contemporaries-of-willem-van-mieris","Willem van Mieris's contemporaries","https://img.ochreeditions.com/a/1/480.jpg","https://img.ochreeditions.com/a/1/960.jpg","https://img.ochreeditions.com/a/1/1920.jpg",{"_308":874,"_310":875},{"_308":872,"_310":873},{"_308":870,"_310":871},{"_308":868,"_310":869},{"_308":866,"_310":867},"#867158",0.0475,"#67451e",0.0477,"#1b130c",0.237,"#42331f",0.2428,"#2e1e12",0.425,"Willem van Mieris","willem-van-mieris","Dutch, 1662–1747",1662,1747,"johann-georg-von-godelmann-law-professor-diplomat-aic-267736","Johann Georg von Gödelmann, Law Professor, Diplomat",{"_42":930,"_219":931,"_322":932,"_324":325,"_326":933,"_328":934,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1601","print","Print","Engraving on paper","Sheet (trimmed): 17.4 × 14.7 cm (6 7/8 × 5 13/16 in.)",0.8366604168964377,[915,916,917,918,919],{"_218":298,"_219":299,"_42":300,"_301":302},"2023.101","Aegidius Sadeler, II made this in about 1601, aged 31. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_292":912,"_294":913,"_296":914},"https://img.ochreeditions.com/m/423.jpg?dl=1","/art/johann-georg-von-godelmann-law-professor-diplomat-aic-267736","/galleries/style/dutch-and-flemish-baroque/johann-georg-von-godelmann-law-professor-diplomat-aic-267736",{"_288":289,"_290":291},{"_222":904,"_125":905,"_283":906},{"_273":902,"_275":276,"_277":903,"_279":280},44.91651042241094,20.91651042241094,{"_285":222,"_123":910,"_154":911,"_140":89},{"_285":125,"_123":907,"_154":908,"_140":909},{"_285":283,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-aegidius-sadeler-ii","Aegidius Sadeler, II's contemporaries","https://img.ochreeditions.com/a/423/480.jpg","https://img.ochreeditions.com/a/423/960.jpg","https://img.ochreeditions.com/a/423/1920.jpg",{"_308":928,"_310":929},{"_308":926,"_310":927},{"_308":924,"_310":925},{"_308":922,"_310":923},{"_308":920,"_310":921},"#f8e8d5",0.0781,"#645b51",0.1389,"#928477",0.1892,"#cebba9",0.2917,"#b0a090",0.3021,"Aegidius Sadeler, II","aegidius-sadeler-ii","Flemish, c. 1570–1629",1570,1629,"reading-the-news-at-the-weavers-cottage-met-337632","Reading the News at the Weavers' Cottage",{"_42":981,"_219":982,"_322":983,"_324":446,"_326":984,"_328":985,"_330":714,"_331":714,"_332":-5,"_140":103},"1673","Pen and brown ink, watercolor, white heightening, over graphite; framing lines in pen and brown ink and gold","9 5/8 x 7 15/16 in. (24.4 x 20.2 cm)",20.2,24.4,0.8197588944428109,[966,967,968,969,970],{"_218":690,"_219":691,"_42":692,"_301":693},"1997.117.10","Adriaen van Ostade painted this in 1673, aged 63. It is now at The Met in New York.","Reading the News at the Weavers' Cottage, by Adriaen van Ostade, 1673",{"_292":963,"_294":964,"_296":965},"https://img.ochreeditions.com/m/1027.jpg?dl=1","/art/reading-the-news-at-the-weavers-cottage-met-337632","/galleries/style/dutch-and-flemish-baroque/reading-the-news-at-the-weavers-cottage-met-337632",{"_288":289,"_290":291},{"_222":958,"_125":959,"_283":960},{"_273":956,"_275":276,"_277":957,"_279":280},44.49397236107028,20.493972361070274,{"_285":222,"_123":961,"_154":962,"_140":89},{"_285":125,"_123":744,"_154":745,"_140":746},{"_285":283,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-adriaen-van-ostade","Adriaen van Ostade's contemporaries","https://img.ochreeditions.com/a/1027/480.jpg","https://img.ochreeditions.com/a/1027/960.jpg","https://img.ochreeditions.com/a/1027/1920.jpg",{"_308":979,"_310":980},{"_308":977,"_310":978},{"_308":975,"_310":976},{"_308":973,"_310":974},{"_308":971,"_310":972},"#cfbda3",0.0996,"#aa967e",0.1341,"#62564d",0.2005,"#897a69",0.2382,"#766859",0.3276,"Adriaen van Ostade","adriaen-van-ostade","Dutch, 1610–1685",1610,1685,"a-bouquet-of-flowers-met-827660","A Bouquet of Flowers",{"_42":1031,"_219":1032,"_322":1033,"_324":325,"_326":1034,"_328":1035,"_330":1036,"_331":1037,"_332":-5,"_140":103},"ca. 1612","Oil on wood","18 1/8 × 12 5/8 in. (46 × 32 cm)",32,0.73075,[1016,1017,1018,1019,1020],{"_218":690,"_219":691,"_42":692,"_301":693},"2020.22","Clara Peeters painted this in about 1612, aged about 25. It is now at The Met in New York.","A Bouquet of Flowers, by Clara Peeters, ca. 1612",{"_292":1013,"_294":1014,"_296":1015},"https://img.ochreeditions.com/m/1289.jpg?dl=1","/art/a-bouquet-of-flowers-met-827660","/galleries/style/dutch-and-flemish-baroque/a-bouquet-of-flowers-met-827660",{"_288":367,"_290":368},{"_222":1008,"_125":1009,"_283":1010},{"_273":1006,"_275":611,"_277":1007,"_279":356},48.6145,33.6145,{"_285":222,"_123":1011,"_154":1012,"_140":89},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-clara-peeters","Clara Peeters's contemporaries","https://img.ochreeditions.com/a/1289/480.jpg","https://img.ochreeditions.com/a/1289/960.jpg","https://img.ochreeditions.com/a/1289/1920.jpg",{"_308":1029,"_310":1030},{"_308":1027,"_310":1028},{"_308":1025,"_310":1026},{"_308":1023,"_310":1024},{"_308":1021,"_310":1022},"#9e5a4a",0.0339,"#6a251b",0.0489,"#6f5d49",0.0758,"#3a2e1f",0.1316,"#180b06",0.7098,"Clara Peeters","clara-peeters","Flemish, 1582–1636",1582,1636,"Mechelen","Ghent","the-boulder-crowned-with-trees-nga-53886","The Boulder Crowned with Trees",{"_42":1089,"_219":1090,"_322":1091,"_324":446,"_326":1092,"_328":1093,"_330":-5,"_331":-5,"_332":1094,"_140":97},"etching",1.5126282557221784,[1074,1075,1076,1077,1078],{"_218":578,"_219":579,"_42":580,"_301":581},"1973.32.18","Herman van Swanevelt made this. It is now at the National Gallery of Art in Washington, DC.","A boulder crowned with trees rises in an oval landscape framed by overhanging branches, with distant mountains and a winding path where a small figure gives the scene its scale.","The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.",{"_292":1071,"_294":1072,"_296":1073},"https://img.ochreeditions.com/m/1566.jpg?dl=1","/art/the-boulder-crowned-with-trees-nga-53886","/galleries/style/dutch-and-flemish-baroque/the-boulder-crowned-with-trees-nga-53886",{"_288":289,"_290":291},{"_222":1060,"_125":1061,"_283":1062},{"_273":1056,"_275":1057,"_277":1058,"_279":1059},84,63.66605791807983,60,39.66605791807983,{"_285":222,"_123":1069,"_154":1070,"_140":97},{"_285":125,"_123":1066,"_154":1067,"_140":1068},{"_285":283,"_123":1063,"_154":1064,"_140":1065},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1566/480.jpg","https://img.ochreeditions.com/a/1566/960.jpg","https://img.ochreeditions.com/a/1566/1920.jpg",{"_308":1087,"_310":1088},{"_308":1085,"_310":1086},{"_308":1083,"_310":1084},{"_308":1081,"_310":1082},{"_308":1079,"_310":1080},"#615549",0.1332,"#cfbda5",0.2065,"#7c6e5e",0.2098,"#968775",0.2143,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","girl-standing-before-a-mirror-aic-16539","Girl Standing before a Mirror",{"_42":1138,"_219":1139,"_322":1140,"_324":446,"_326":1141,"_328":1142,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1668","35.8 × 28 cm (14 1/8 × 11 7/8 in.); Framed: 50.2 × 42.6 × 7.6 cm (19 3/4 × 16 3/4 × 3 in.)",0.7754048763125111,[1123,1124,1125,1126,1127],{"_218":298,"_219":299,"_42":300,"_301":302},"1925.718","Caspar Netscher painted this in 1668, aged 29. It is now at the Art Institute of Chicago.",{"_292":1120,"_294":1121,"_296":1122},"https://img.ochreeditions.com/m/59.jpg?dl=1","/art/girl-standing-before-a-mirror-aic-16539","/galleries/style/dutch-and-flemish-baroque/girl-standing-before-a-mirror-aic-16539",{"_288":367,"_290":368},{"_222":1115,"_125":1116,"_283":1117},{"_273":1112,"_275":1113,"_277":1114,"_279":1065},42.13917067093789,50,27.139170670937887,{"_285":222,"_123":1118,"_154":1119,"_140":89},{"_285":125,"_123":362,"_154":363,"_140":364},{"_285":283,"_123":420,"_154":421,"_140":422},"artist/contemporaries-of-caspar-netscher","Caspar Netscher's contemporaries","https://img.ochreeditions.com/a/59/480.jpg","https://img.ochreeditions.com/a/59/960.jpg","https://img.ochreeditions.com/a/59/1920.jpg",{"_308":1136,"_310":1137},{"_308":1134,"_310":1135},{"_308":1132,"_310":1133},{"_308":1130,"_310":1131},{"_308":1128,"_310":1129},"#77632f",0.0544,"#5c3e07",0.0806,"#402c09",0.1531,"#2b1c06",0.2253,"#171306",0.4866,"Caspar Netscher","caspar-netscher","Dutch, 1639–1684",1639,1684,{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","17b746660d29f3670762af08a9a28c4b598835e4","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_219":1187,"_20":1188},{"_219":1185,"_20":1186},{"_219":1183,"_20":1184},{"_219":1181,"_20":1182},{"_219":1179,"_20":1180},{"_219":1177,"_20":1178},{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},{"_219":1169,"_20":1170},{"_219":1167,"_20":1168},{"_219":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]