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Behind this group of people are several brown structures and a bare tree against a light pink sky.","images",{"_292":293,"_294":295,"_296":297},"download_url","https://img.ochreeditions.com/m/1698.jpg?dl=1","page_url","/art/the-slaughtered-hog-nga-216037","walk_url","/galleries/style/dutch-and-flemish-baroque/the-slaughtered-hog-nga-216037","frame",{"_288":289,"_290":291},{"_222":280,"_125":281,"_282":283},"size",{"_273":274,"_275":276,"_277":241,"_278":279},"w",66.9,"h",54.6472412109375,"image_w","image_h",39.6472412109375,{"_284":222,"_123":169,"_154":168,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},"era",{"_284":282,"_123":165,"_154":164,"_140":167},"facet","style/painting-17","More paintings of the 17th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1698/480.jpg","960","https://img.ochreeditions.com/a/1698/960.jpg","1920","https://img.ochreeditions.com/a/1698/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_308":318,"_310":319},{"_308":316,"_310":317},{"_308":314,"_310":315},{"_308":312,"_310":313},{"_308":309,"_310":311},"hex","#a67452","weight",0.1161,"#cc9e7e",0.147,"#794e30",0.1843,"#543926",0.2465,"#34251e",0.3061,"Jan Victors","jan-victors","bio","Dutch, 1619 - after 1676","nationality","Dutch","birth_year","death_year",1676,"birth_place","death_place","about_excerpt","the-dissolute-household-met-437747","The Dissolute Household",{"_42":386,"_219":387,"_322":388,"_324":325,"_326":389,"_327":390,"_329":391,"_330":391,"_331":392,"_140":99},"ca. 1663–64","Paintings","Oil on canvas","42 1/2 x 35 1/2 in. (108 x 90.2 cm)",90.2,108,0.8473560823131023,[371,372,373,374,375],{"_218":367,"_219":368,"_42":369,"_301":370},"Courtesy of The Metropolitan Museum of Art","1982.60.31","Jan Steen painted this in about 1663–64, aged about 37. It is now at The Met in New York.","A household has slid into disorder: someone has nodded off at the table, a lute lies about, and food, drink and idle company are everywhere. Jan Steen made such scenes his speciality, so much so that ‘a Jan Steen household’ became a Dutch expression for a chaotic home.","The Dissolute Household, by Jan Steen, ca. 1663–64",{"_292":364,"_294":365,"_296":366},"https://img.ochreeditions.com/m/1159.jpg?dl=1","/art/the-dissolute-household-met-437747","/galleries/style/dutch-and-flemish-baroque/the-dissolute-household-met-437747",{"_288":289,"_290":291},{"_222":359,"_125":360,"_282":361},{"_273":356,"_275":357,"_277":358,"_278":340},106.51445688981505,123,91.51445688981505,{"_284":222,"_123":362,"_154":363,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/jan-steen","More by Jan Steen","https://img.ochreeditions.com/a/1159/480.jpg","https://img.ochreeditions.com/a/1159/960.jpg","https://img.ochreeditions.com/a/1159/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_308":384,"_310":385},{"_308":382,"_310":383},{"_308":380,"_310":381},{"_308":378,"_310":379},{"_308":376,"_310":377},"#7e7a66",0.0749,"#50341a",0.1753,"#5f4f33",0.2083,"#24211a",0.2127,"#392d1d",0.3288,"Jan Steen","jan-steen","Dutch, 1626–1679",1626,1679,"Leiden","Steen was born in Leiden, the son of a brewer, and worked there and in The Hague, Delft and Haarlem; for a time he also ran a brewery and later an inn.","the-meeting-of-abraham-and-melchizedek-nga-45640","The Meeting of Abraham and Melchizedek",{"_42":444,"_219":445,"_322":446,"_324":447,"_326":448,"_327":449,"_329":450,"_330":451,"_331":452,"_140":95},"c. 1626","flanders","overall: 65.5 x 82.4 cm (25 13/16 x 32 7/16 in.) framed: 96.8 x 113.4 cm (38 1/8 x 44 5/8 in.)",82.4,65.5,1.2529825634750689,[429,430,431,432,433],{"_218":298,"_219":299,"_42":300,"_301":302},"1958.4.1","Peter Paul Rubens painted this in about 1626, aged 49. It is now at the National Gallery of Art in Washington, DC.","The scene is painted as if it were a tapestry, unfurled by winged putti between grey and gold columns: within it, the armoured Abraham, returning from battle, meets the white-bearded priest-king Melchizedek, who brings bread and wine, while attendants carry loaves and huge silver and gold vessels.","This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition. Taking up most of the composition, the tapestry shows two ranks of men, women, and children gathered behind two central men, who meet at the center. All the people have light or tanned skin, and the bodies we can see are muscular. In the central pair of men, the one to our left, Abraham, faces our right in profile as he holds two loaves of bread. He has a brown beard and short, wavy hair, and dark brows over a prominent nose. He looks at the other man with dark eyes and leans toward him, to our right. Abraham wears an armored breastplate over silver chainmail edged with gold, which falls to mid-thigh. A crimson-red cape wraps around his shoulders and swirls around his back. A sword hangs by his hip, and tan sandals cover his heels and shins. Behind him are seven men and one brown horse, who gnaws at its foreleg. Most of the men are bearded and five wear armored helmets. A cleanshaven man wearing a lavender-purple tunic stands with his arm slung over the horse’s neck, holding the rein between thumb and forefinger. The man to our right, Melchizedek has a long white beard and short white hair. His red cap is encircled with a wreath of dark green leaves. He wears a long-sleeved, waist-length, aquamarine-blue garment over a white skirt. A heavy, golden-yellow cape with a broad, white fur collar and lining drapes over his shoulders, and is supported by at least one attendant. Behind and around Melchizedek are eight men, women, and children, standing near stone, gray ruins. Behind Melchizedek, one portly person wearing a dark pink mantle reaches into a basket of bread held across the shoulders of a blond, bearded, bare-chested man. Closer to us, in the lower right corner of the tapestry, one man wearing a green toga and another wearing blue kneel and sit, holding oversized silver and gold urns, the size of their torsos. The man in blue, to our right, turns to look at us over his shoulder. A third large urn sits near the other man. A view into the landscape with a low, green hill and a pale blue sky is glimpsed between the groups. The tapestry showing this scene curls over at the edges where the pudgy angels lift the top edge. The top right corner of the tapestry wraps around the edge of an unseen feature of the building, next to a gray column that rises the height of the painting up along the right edge. The border of the tapestry is rose pink with stylized gold designs. One putto with brown hair holds up the left corner, and one with light gray hair holds up the middle one arm slung over the front of the tapestry. The third putto, with blond hair, hooks an arm over a leafy garland with fruit that hangs from the cornice near the top center of the composition.",{"_292":426,"_294":427,"_296":428},"https://img.ochreeditions.com/m/1506.jpg?dl=1","/art/the-meeting-of-abraham-and-melchizedek-nga-45640","/galleries/style/dutch-and-flemish-baroque/the-meeting-of-abraham-and-melchizedek-nga-45640",{"_288":289,"_290":291},{"_222":418,"_125":419,"_282":420},{"_273":415,"_275":416,"_277":399,"_278":417},97.4,80.76308593750001,65.76308593750001,{"_284":222,"_123":424,"_154":425,"_140":95},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":421,"_154":422,"_140":423},"era/17-flanders","17th-century Flanders",30,"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1506/480.jpg","https://img.ochreeditions.com/a/1506/960.jpg","https://img.ochreeditions.com/a/1506/1920.jpg",{"_308":442,"_310":443},{"_308":440,"_310":441},{"_308":438,"_310":439},{"_308":436,"_310":437},{"_308":434,"_310":435},"#9e8671",0.1563,"#966431",0.1857,"#281e11",0.1927,"#675848",0.2175,"#573717",0.2478,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640","Flemish",1577,1640,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","portrait-of-nicolas-trigault-in-chinese-costume-met-337844","Portrait of Nicolas Trigault in Chinese Costume",{"_42":444,"_219":445,"_322":446,"_324":447,"_326":448,"_327":449,"_329":450,"_330":451,"_331":452,"_140":95},"1617","drawing","Drawings","Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper","17 9/16 x 9 3/4 in. (44.6 x 24.8 cm)",24.8,44.6,0.5847639484978541,[491,492,493,494,495],{"_218":367,"_219":368,"_42":369,"_301":370},"1999.222","Peter Paul Rubens drew this in 1617, aged 40. It is now at The Met in New York.","The Flemish Jesuit Nicolas Trigault, who had worked as a missionary in China, wears the robes and hat of a Chinese scholar in this drawing made by Rubens in Antwerp in 1617, while Trigault was touring Europe to win support for the mission.","Portrait of Nicolas Trigault in Chinese Costume, by Peter Paul Rubens, 1617",{"_292":488,"_294":489,"_296":490},"https://img.ochreeditions.com/m/1031.jpg?dl=1","/art/portrait-of-nicolas-trigault-in-chinese-costume-met-337844","/galleries/style/dutch-and-flemish-baroque/portrait-of-nicolas-trigault-in-chinese-costume-met-337844",{"_288":486,"_290":487},{"_222":480,"_125":481,"_282":482},{"_273":477,"_275":478,"_277":479,"_278":462},50.0804721030043,68.6,26.080472103004293,{"_284":222,"_123":424,"_154":425,"_140":95},{"_284":125,"_123":483,"_154":484,"_140":485},{"_284":282,"_123":421,"_154":422,"_140":423},"style/drawing-17","More drawings of the 17th century",23,"black","snow","https://img.ochreeditions.com/a/1031/480.jpg","https://img.ochreeditions.com/a/1031/960.jpg","https://img.ochreeditions.com/a/1031/1920.jpg",{"_308":504,"_310":505},{"_308":502,"_310":503},{"_308":500,"_310":501},{"_308":498,"_310":499},{"_308":496,"_310":497},"#c9ad81",0.0976,"#7d7160",0.1288,"#b79f7d",0.1318,"#9c8c75",0.2145,"#b7a489",0.4273,"saint-jerome-reading-in-an-italian-landscape-aic-43244","Saint Jerome Reading in an Italian Landscape",{"_42":564,"_219":565,"_322":566,"_324":325,"_326":567,"_327":568,"_329":391,"_330":569,"_331":570,"_140":77},"c. 1653","print","Print","Etching, burin, and drypoint on ivory laid paper","Image/plate: 26 × 21 cm (10 1/4 × 8 5/16 in.); Sheet: 27 × 21.9 cm (10 11/16 × 8 5/8 in.)",21,26,0.8163897493663756,[549,550,551,552,553],{"_218":545,"_219":546,"_42":547,"_301":548},"Courtesy of the Art Institute of Chicago","1941.1048","Rembrandt van Rijn made this in about 1653, aged about 42. It is now at the Art Institute of Chicago.","Saint Jerome sits reading in the sunlight while his lion peers out from behind a tree, and a hill town with Italian buildings rises in the distance. Rembrandt drew on Venetian prints and drawings he owned, by Titian and his circle, for the landscape, combining it with his own free, varied line.","A work made of etching, burin, and drypoint on ivory laid paper.",{"_292":542,"_294":543,"_296":544},"https://img.ochreeditions.com/m/144.jpg?dl=1","/art/saint-jerome-reading-in-an-italian-landscape-aic-43244","/galleries/style/dutch-and-flemish-baroque/saint-jerome-reading-in-an-italian-landscape-aic-43244",{"_288":486,"_290":487},{"_222":534,"_125":535,"_282":536},{"_273":531,"_275":532,"_277":533,"_278":515},45.22613348352577,50,21.226133483525768,{"_284":222,"_123":540,"_154":541,"_140":77},{"_284":125,"_123":537,"_154":538,"_140":539},{"_284":282,"_123":165,"_154":164,"_140":167},"style/print-17","More prints of the 17th century",55,"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/144/480.jpg","https://img.ochreeditions.com/a/144/960.jpg","https://img.ochreeditions.com/a/144/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_308":562,"_310":563},{"_308":560,"_310":561},{"_308":558,"_310":559},{"_308":556,"_310":557},{"_308":554,"_310":555},"#60564d",0.1424,"#3e3832",0.1436,"#897b6d",0.1475,"#b4a392",0.1923,"#ddccba",0.3742,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","cascade-under-a-stone-bridge-nga-119790","Cascade under a Stone Bridge",{"_42":619,"_219":620,"_322":621,"_324":325,"_326":622,"_327":623,"_329":-5,"_330":-5,"_331":-5,"_140":101},"c. 1616","etching on laid paper","plate: 12.1 x 19 cm (4 3/4 x 7 1/2 in.) sheet: 12.7 x 19.5 cm (5 x 7 11/16 in.)",19,12.1,1.5119970468807677,[604,605,606,607,608],{"_218":298,"_219":299,"_42":300,"_301":302},"2002.98.68","Jan van de Velde II made this in about 1616, aged 23. It is now at the National Gallery of Art in Washington, DC.","The image shows a pastoral scene in black and white with fine line work. A small bridge with a circular archway crosses a stream. A dirt path winds through the landscape flanked by grass and bushes. A rocky cliff ascends on the left with a tower-like structure partially obscured by vegetation. The horizon features a cloudy sky, with swirling lines indicating motion. In the distance, a tall, thin structure, possibly a spire or chimney, stands amid faint hills and trees. The scene conveys a serene atmosphere through hatching and cross-hatching techniques.",{"_292":601,"_294":602,"_296":603},"https://img.ochreeditions.com/m/1652.jpg?dl=1","/art/cascade-under-a-stone-bridge-nga-119790","/galleries/style/dutch-and-flemish-baroque/cascade-under-a-stone-bridge-nga-119790",{"_288":486,"_290":487},{"_222":596,"_125":597,"_282":598},{"_273":592,"_275":593,"_277":594,"_278":595},49,40.534423828125,25,16.534423828125,{"_284":222,"_123":599,"_154":600,"_140":89},{"_284":125,"_123":537,"_154":538,"_140":539},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jan-van-de-velde-ii","Jan van de Velde II's contemporaries","https://img.ochreeditions.com/a/1652/480.jpg","https://img.ochreeditions.com/a/1652/960.jpg","https://img.ochreeditions.com/a/1652/1920.jpg",{"_308":617,"_310":618},{"_308":615,"_310":616},{"_308":613,"_310":614},{"_308":611,"_310":612},{"_308":609,"_310":610},"#6c6155",0.1205,"#a49583",0.1254,"#897b6c",0.1451,"#c3b19a",0.189,"#dbc8af",0.42,"Jan van de Velde II","jan-van-de-velde-ii","Dutch, c. 1593–1641",1593,1641,"portrait-of-a-lady-aic-105945","Portrait of a Lady",{"_42":674,"_219":675,"_322":676,"_324":325,"_326":677,"_327":678,"_329":451,"_330":679,"_331":680,"_140":99},"1627","86.5 × 70.7 cm (34 1/4 × 27 13/16 in.); Framed: 107 × 91.4 × 6.4 cm (42 1/8 × 36 × 2 1/2 in.)",70,86,0.8087576712555979,[659,660,661,662,663],{"_218":545,"_219":546,"_42":547,"_301":548},"1954.287","Frans Hals painted this in 1627, aged 45. It is now at the Art Institute of Chicago.",{"_118":656,"_657":658},"A work made of oil on canvas.",{"_292":653,"_294":654,"_296":655},"https://img.ochreeditions.com/m/266.jpg?dl=1","/art/portrait-of-a-lady-aic-105945","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-lady-aic-105945",{"_288":289,"_290":291},{"_222":648,"_125":649,"_282":650},{"_273":645,"_275":646,"_277":647,"_278":630},84.55315972798142,101,69.55315972798142,{"_284":222,"_123":651,"_154":652,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/frans-hals","More by Frans Hals","https://img.ochreeditions.com/a/266/480.jpg","https://img.ochreeditions.com/a/266/960.jpg","https://img.ochreeditions.com/a/266/1920.jpg","Frans Hals, one of the most celebrated portrait painters of the 17th century, demonstrated here his signature verve in inscribing decoration on black satin and capturing the freshness of his subject’s skin.","source","Text from the Art Institute of Chicago.",{"_308":672,"_310":673},{"_308":670,"_310":671},{"_308":668,"_310":669},{"_308":666,"_310":667},{"_308":664,"_310":665},"#9c7059",0.0421,"#a79a8f",0.0595,"#6a5e53",0.0601,"#30261d",0.3924,"#13110f",0.4459,"Frans Hals","frans-hals","Dutch, 1582–1666",1582,1666,"Haarlem","Hals was born in Antwerp but spent his whole career in Haarlem, where he became its leading portraitist.","sheep-nga-52280","Sheep",{"_42":727,"_219":728,"_322":729,"_324":325,"_326":730,"_327":731,"_329":-5,"_330":-5,"_331":-5,"_140":101},"Drawing","black and red chalk (possibly crayon)","overall: 15 x 25.5 cm (5 7/8 x 10 1/16 in.)",25.5,1.6814449917898193,[712,713,714,715,716],{"_218":298,"_219":299,"_42":300,"_301":302},"1970.17.136","Nicolaes Berchem drew this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of multiple sheep in various poses. The full-page illustration depicts several sheep lying down. The fur of the sheep is textured with detailed pencil strokes, and there are subtle hints of shadow beneath each animal. There is a combination of different angles and poses, showing the sheep from different perspectives. The drawing also contains some rough sketches and outlines, suggesting movement and presence without complete detail. The background is plain.",{"_292":709,"_294":710,"_296":711},"https://img.ochreeditions.com/m/1553.jpg?dl=1","/art/sheep-nga-52280","/galleries/style/dutch-and-flemish-baroque/sheep-nga-52280",{"_288":486,"_290":487},{"_222":704,"_125":705,"_282":706},{"_273":701,"_275":702,"_277":687,"_278":703},49.5,39.16552734375,15.16552734375,{"_284":222,"_123":707,"_154":708,"_140":89},{"_284":125,"_123":483,"_154":484,"_140":485},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-nicolaes-berchem","Nicolaes Berchem's contemporaries","https://img.ochreeditions.com/a/1553/480.jpg","https://img.ochreeditions.com/a/1553/960.jpg","https://img.ochreeditions.com/a/1553/1920.jpg",{"_308":725,"_310":726},{"_308":723,"_310":724},{"_308":721,"_310":722},{"_308":719,"_310":720},{"_308":717,"_310":718},"#b8906d",0.0452,"#7a6c5d",0.0485,"#a0907a",0.1382,"#beab8f",0.2282,"#d1bd9e",0.5399,"Nicolaes Berchem","nicolaes-berchem","Dutch, 1620–1683",1620,1683,"landscape-with-sheep-from-the-small-landscapes-aic-108949","Landscape with Sheep, from The Small Landscapes",{"_42":778,"_219":779,"_322":325,"_324":325,"_326":-5,"_327":780,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1638","Engraving on ivory laid paper","Image: 30.5 × 45.5 cm (12 1/16 × 17 15/16 in.); Sheet: 31.8 × 45.8 cm (12 9/16 × 18 1/16 in.)",45,1.430670626856339,[763,764,765,766,767],{"_218":545,"_219":546,"_42":547,"_301":548},"1920.2021","Schelte Adamsz. Bolswert made this in about 1638. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_292":760,"_294":761,"_296":762},"https://img.ochreeditions.com/m/267.jpg?dl=1","/art/landscape-with-sheep-from-the-small-landscapes-aic-108949","/galleries/style/dutch-and-flemish-baroque/landscape-with-sheep-from-the-small-landscapes-aic-108949",{"_288":486,"_290":487},{"_222":755,"_125":756,"_282":757},{"_273":752,"_275":753,"_277":738,"_278":754},69,55.45378059440559,31.453780594405593,{"_284":222,"_123":758,"_154":759,"_140":89},{"_284":125,"_123":537,"_154":538,"_140":539},{"_284":282,"_123":421,"_154":422,"_140":423},"artist/contemporaries-of-schelte-adamsz-bolswert","Schelte Adamsz. Bolswert's contemporaries","https://img.ochreeditions.com/a/267/480.jpg","https://img.ochreeditions.com/a/267/960.jpg","https://img.ochreeditions.com/a/267/1920.jpg",{"_308":776,"_310":777},{"_308":774,"_310":775},{"_308":772,"_310":773},{"_308":770,"_310":771},{"_308":768,"_310":769},"#cebdae",0.0558,"#9a8d80",0.1839,"#796f65",0.2418,"#49443e",0.2429,"#605850",0.2756,"Schelte Adamsz. Bolswert","schelte-adamsz-bolswert",1659,"reading-the-news-at-the-weavers-cottage-met-337632","Reading the News at the Weavers' Cottage",{"_42":827,"_219":828,"_322":829,"_324":325,"_326":830,"_327":831,"_329":679,"_330":679,"_331":-5,"_140":103},"1673","Pen and brown ink, watercolor, white heightening, over graphite; framing lines in pen and brown ink and gold","9 5/8 x 7 15/16 in. (24.4 x 20.2 cm)",20.2,24.4,0.8197588944428109,[812,813,814,815,816],{"_218":367,"_219":368,"_42":369,"_301":370},"1997.117.10","Adriaen van Ostade painted this in 1673, aged 63. It is now at The Met in New York.","Reading the News at the Weavers' Cottage, by Adriaen van Ostade, 1673",{"_292":809,"_294":810,"_296":811},"https://img.ochreeditions.com/m/1027.jpg?dl=1","/art/reading-the-news-at-the-weavers-cottage-met-337632","/galleries/style/dutch-and-flemish-baroque/reading-the-news-at-the-weavers-cottage-met-337632",{"_288":486,"_290":487},{"_222":804,"_125":805,"_282":806},{"_273":802,"_275":592,"_277":803,"_278":594},44.49397236107028,20.493972361070274,{"_284":222,"_123":807,"_154":808,"_140":89},{"_284":125,"_123":483,"_154":484,"_140":485},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-adriaen-van-ostade","Adriaen van Ostade's contemporaries","https://img.ochreeditions.com/a/1027/480.jpg","https://img.ochreeditions.com/a/1027/960.jpg","https://img.ochreeditions.com/a/1027/1920.jpg",{"_308":825,"_310":826},{"_308":823,"_310":824},{"_308":821,"_310":822},{"_308":819,"_310":820},{"_308":817,"_310":818},"#cfbda3",0.0996,"#aa967e",0.1341,"#62564d",0.2005,"#897a69",0.2382,"#766859",0.3276,"Adriaen van Ostade","adriaen-van-ostade","Dutch, 1610–1685",1610,1685,"the-boulder-crowned-with-trees-nga-53886","The Boulder Crowned with Trees",{"_42":883,"_219":884,"_322":885,"_324":325,"_326":886,"_327":887,"_329":-5,"_330":-5,"_331":888,"_140":97},"etching",1.5126282557221784,[868,869,870,871,872],{"_218":298,"_219":299,"_42":300,"_301":302},"1973.32.18","Herman van Swanevelt made this. It is now at the National Gallery of Art in Washington, DC.","A boulder crowned with trees rises in an oval landscape framed by overhanging branches, with distant mountains and a winding path where a small figure gives the scene its scale.","The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.",{"_292":865,"_294":866,"_296":867},"https://img.ochreeditions.com/m/1566.jpg?dl=1","/art/the-boulder-crowned-with-trees-nga-53886","/galleries/style/dutch-and-flemish-baroque/the-boulder-crowned-with-trees-nga-53886",{"_288":486,"_290":487},{"_222":854,"_125":855,"_282":856},{"_273":850,"_275":851,"_277":852,"_278":853},84,63.66605791807983,60,39.66605791807983,{"_284":222,"_123":863,"_154":864,"_140":97},{"_284":125,"_123":860,"_154":861,"_140":862},{"_284":282,"_123":857,"_154":858,"_140":859},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1566/480.jpg","https://img.ochreeditions.com/a/1566/960.jpg","https://img.ochreeditions.com/a/1566/1920.jpg",{"_308":881,"_310":882},{"_308":879,"_310":880},{"_308":877,"_310":878},{"_308":875,"_310":876},{"_308":873,"_310":874},"#615549",0.1332,"#cfbda5",0.2065,"#7c6e5e",0.2098,"#968775",0.2143,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","a-mother-feeding-her-child-the-happy-mother-aic-497","A Mother Feeding her Child (The Happy Mother)",{"_42":942,"_219":943,"_322":944,"_324":325,"_326":945,"_327":946,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1707",18,"Oil on panel","56.9 × 48.4 cm (22 3/8 × 19 1/16 in.); Framed: 83.2 × 74.6 × 6.4 cm (32 3/4 × 29 3/8 × 2 1/2 in.)",48,56,0.8391334015694303,[927,928,929,930,931],{"_218":545,"_219":546,"_42":547,"_301":548},"1890.42","Willem van Mieris painted this in 1707, aged 45. It is now at the Art Institute of Chicago.","Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.",{"_292":924,"_294":925,"_296":926},"https://img.ochreeditions.com/m/1.jpg?dl=1","/art/a-mother-feeding-her-child-the-happy-mother-aic-497","/galleries/style/dutch-and-flemish-baroque/a-mother-feeding-her-child-the-happy-mother-aic-497",{"_288":289,"_290":291},{"_222":914,"_125":915,"_282":916},{"_273":911,"_275":912,"_277":913,"_278":897},61.991470487888094,71,46.991470487888094,{"_284":222,"_123":922,"_154":923,"_140":89},{"_284":125,"_123":920,"_154":921,"_140":287},{"_284":282,"_123":917,"_154":918,"_140":919},"era/18","The 18th century",347,"style/painting-18","More paintings of the 18th century","artist/contemporaries-of-willem-van-mieris","Willem van Mieris's contemporaries","https://img.ochreeditions.com/a/1/480.jpg","https://img.ochreeditions.com/a/1/960.jpg","https://img.ochreeditions.com/a/1/1920.jpg",{"_308":940,"_310":941},{"_308":938,"_310":939},{"_308":936,"_310":937},{"_308":934,"_310":935},{"_308":932,"_310":933},"#867158",0.0475,"#67451e",0.0477,"#1b130c",0.237,"#42331f",0.2428,"#2e1e12",0.425,"Willem van Mieris","willem-van-mieris","Dutch, 1662–1747",1662,1747,"robbers-on-horseback-nga-56197","Robbers on Horseback",{"_42":990,"_219":991,"_322":992,"_324":325,"_326":993,"_327":994,"_329":-5,"_330":-5,"_331":-5,"_140":103},"late 17th/early 18th century","mezzotint",1.3178893178893178,[975,976,977,978,979],{"_218":298,"_219":299,"_42":300,"_301":302},"1976.79.6","Jan van Huchtenburgh made this in the late 17th/early 18th century. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a rural scene with horses and figures. The image shows an interaction between several figures and two horses within a pastoral setting. In the foreground, two individuals are seated on the ground, accompanied by a small child. Nearby, a figure atop a horse reaches towards another figure who leads a laden horse. A dog is present, standing alert at the horse's hooves. The backdrop showcases lush trees and distant hills, suggesting a serene countryside environment. The attention to detail and shading creates a realistic depiction of this rustic scene.",{"_292":972,"_294":973,"_296":974},"https://img.ochreeditions.com/m/1585.jpg?dl=1","/art/robbers-on-horseback-nga-56197","/galleries/style/dutch-and-flemish-baroque/robbers-on-horseback-nga-56197",{"_288":486,"_290":487},{"_222":967,"_125":968,"_282":969},{"_273":850,"_275":965,"_277":852,"_278":966},69.52734375,45.52734375,{"_284":222,"_123":970,"_154":971,"_140":89},{"_284":125,"_123":537,"_154":538,"_140":539},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jan-van-huchtenburgh","Jan van Huchtenburgh's contemporaries","https://img.ochreeditions.com/a/1585/480.jpg","https://img.ochreeditions.com/a/1585/960.jpg","https://img.ochreeditions.com/a/1585/1920.jpg",{"_308":988,"_310":989},{"_308":986,"_310":987},{"_308":984,"_310":985},{"_308":982,"_310":983},{"_308":980,"_310":981},"#988978",0.081,"#c6b59f",0.0826,"#776a5c",0.2188,"#4e443a",0.2781,"#63574a",0.3395,"Jan van Huchtenburgh","jan-van-huchtenburgh","Dutch, 1647–1733",1647,1733,"peasants-in-a-tavern-nga-73434","Peasants in a Tavern",{"_42":1041,"_219":1042,"_322":1043,"_324":447,"_326":830,"_327":1044,"_329":451,"_330":1045,"_331":-5,"_140":101},"c. 1633","overall: 31.8 x 40.5 cm (12 1/2 x 15 15/16 in.) framed: 48.3 x 56.5 x 4.4 cm (19 x 22 1/4 x 1 3/4 in.)",40.5,31.8,1.2832080200501252,[1026,1027,1028,1029,1030],{"_218":298,"_219":299,"_42":300,"_301":302},"1991.140.1","David Teniers the Younger painted this in about 1633, aged 23. It is now at the National Gallery of Art in Washington, DC.","Three pale-skinned people gather around a wooden table in a dimly lit tavern as a fourth person urinates against a wall in a back room in this horizontal painting. The table is a square board resting on a broken barrel. All three men at the table have prominent, reddened noses set in wide faces, and they wear clothing and hats in tones of spruce blue, olive green, muted purple, gray, or brown. One man sits on the left side of the table, holding a glass of beer with both hands. He wears what might be a furry cap. His face is turned slightly toward us but he looks down and to our right. The other seated man is across from us. He grins widely as he hunches over one forearm and holds the neck of a lidded ceramic jug with his other hand. He has a long, chunky chin and stares out at us from under a prominent brow ridge. The third man here stands behind, holding up a white clay pipe. His mouth is open, his eyes slitted, possibly crossed, and he hunches down. One foot rests on a low wooden box, a foot warmer. Another white clay pipe and the broken bowl of a pipe sit on the table, and another pipe lies by the first man’s feet. Also across the floor are two pots and a stubby broom, the long handle of which lies against a table holding a brass candlestick. A wisp of smoke rises from the wick in the candle stub. A shelf hung on the wall near the upper left corner of the painting holds a glass vessel and perhaps a plate. Two wooden beams line the left edge of the composition, and a cloth is draped over a nail there. The floor and wall are nearly uniform taupe gray. A rectangular doorway opens into the next room, in the top right corner of the painting. There a man stands facing the wall with both hands down in front of his torso. A window is set high in the wall there and the timbered ceiling is visible. The artist signed the lower left corner the painting, “D Teniers f.” The first two digits of the date read “16.”",{"_292":1023,"_294":1024,"_296":1025},"https://img.ochreeditions.com/m/1619.jpg?dl=1","/art/peasants-in-a-tavern-nga-73434","/galleries/style/dutch-and-flemish-baroque/peasants-in-a-tavern-nga-73434",{"_288":289,"_290":291},{"_222":1018,"_125":1019,"_282":1020},{"_273":1015,"_275":1016,"_277":1000,"_278":1017},55.5,46.5615234375,31.5615234375,{"_284":222,"_123":1021,"_154":1022,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":421,"_154":422,"_140":423},"artist/contemporaries-of-david-teniers-the-younger","David Teniers the Younger's contemporaries","https://img.ochreeditions.com/a/1619/480.jpg","https://img.ochreeditions.com/a/1619/960.jpg","https://img.ochreeditions.com/a/1619/1920.jpg",{"_308":1039,"_310":1040},{"_308":1037,"_310":1038},{"_308":1035,"_310":1036},{"_308":1033,"_310":1034},{"_308":1031,"_310":1032},"#6d4421",0.0288,"#59422a",0.1328,"#241c12",0.2647,"#443523",0.275,"#352b1c",0.2987,"David Teniers the Younger","david-teniers-the-younger","Flemish, 1610–1690",1690,"Brussels","sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","Sheet with Two Studies: a Tree, and the Upper Part of a Head of the Artist Wearing a Velvet Cap",{"_42":564,"_219":565,"_322":566,"_324":325,"_326":567,"_327":568,"_329":391,"_330":569,"_331":570,"_140":77},"c. 1642","sheet (sheet trimmed to platemark): 8 × 7.1 cm (3 1/8 × 2 13/16 in.)",7.1,0.8754914809960681,[1073,1074,1075,1076,1077],{"_218":298,"_219":299,"_42":300,"_301":302},"1943.3.7202","Rembrandt van Rijn made this in about 1642, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image displays intricate, swirling lines and textured shading to create an abstract scene. On the left side are fine lines resembling branches and leaves, with a small figure nearby. On the right side is a large, densely shaded form reminiscent of mountains or a rock formation. The elements come together to suggest landscapes and nature through imaginative shapes and line work.",{"_292":1070,"_294":1071,"_296":1072},"https://img.ochreeditions.com/m/1355.jpg?dl=1","/art/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","/galleries/style/dutch-and-flemish-baroque/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998",{"_288":486,"_290":487},{"_222":1067,"_125":1068,"_282":1069},{"_273":1065,"_275":592,"_277":1066,"_278":594},45.8872870249017,21.887287024901703,{"_284":222,"_123":540,"_154":541,"_140":77},{"_284":125,"_123":537,"_154":538,"_140":539},{"_284":282,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1355/480.jpg","https://img.ochreeditions.com/a/1355/960.jpg","https://img.ochreeditions.com/a/1355/1920.jpg",{"_308":1086,"_310":1087},{"_308":1084,"_310":1085},{"_308":1082,"_310":1083},{"_308":1080,"_310":1081},{"_308":1078,"_310":1079},"#423a34",0.0801,"#6e6255",0.0918,"#918271",0.1462,"#b19f8a",0.2148,"#cbb89f",0.4671,"portrait-of-a-man-aic-31176","Portrait of a Man",{"_42":1134,"_219":1135,"_322":1136,"_324":325,"_326":1137,"_327":1138,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1650","Oil on copper","36.5 × 30.2 cm (14 3/8 × 11 7/8 in.); Framed: 61 × 54.9 × 3.8 cm (24 × 21 5/8 × 1 1/2 in.)",36,0.8290875405280222,[1119,1120,1121,1122,1123],{"_218":545,"_219":546,"_42":547,"_301":548},"1969.111","Jan Baptist Weenix painted this in about 1650, aged about 19. It is now at the Art Institute of Chicago.","A work made of oil on copper.",{"_292":1116,"_294":1117,"_296":1118},"https://img.ochreeditions.com/m/126.jpg?dl=1","/art/portrait-of-a-man-aic-31176","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-man-aic-31176",{"_288":289,"_290":291},{"_222":1111,"_125":1112,"_282":1113},{"_273":1108,"_275":1109,"_277":1110,"_278":1094},44.8471514590088,51,29.8471514590088,{"_284":222,"_123":1114,"_154":1115,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jan-baptist-weenix","Jan Baptist Weenix's contemporaries","https://img.ochreeditions.com/a/126/480.jpg","https://img.ochreeditions.com/a/126/960.jpg","https://img.ochreeditions.com/a/126/1920.jpg",{"_308":1132,"_310":1133},{"_308":1130,"_310":1131},{"_308":1128,"_310":1129},{"_308":1126,"_310":1127},{"_308":1124,"_310":1125},"#8c6b49",0.0162,"#5a4835",0.0298,"#322b24",0.2857,"#3a332a",0.3007,"#262321",0.3676,"Jan Baptist Weenix","jan-baptist-weenix","Dutch, 1621–1660/69",1621,1660,{"_1140":-5,"_1141":1142,"_1143":1144,"_1145":8,"_1146":1147,"_1148":8},"user","csrf","f46df9a656b8fb199b49093b8533adea915544e4","cartCount",0,"dropLive","legal",[1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160],"uploadsEnabled",{"_219":1183,"_20":1184},{"_219":1181,"_20":1182},{"_219":1179,"_20":1180},{"_219":1177,"_20":1178},{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},{"_219":1169,"_20":1170},{"_219":1167,"_20":1168},{"_219":1165,"_20":1166},{"_219":1163,"_20":1164},{"_219":1161,"_20":1162},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]