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A third dog stands beyond, partially obscured by bushes and plants growing in the lower left corner of the canvas. A man wearing a tall black, wide-brimmed hat and carrying a long staff leads two slender dogs resembling grayhounds on leashes along the path, a little behind the riders. Two more elegantly dressed men ride horses toward us father back on the path. Sand-colored stone buildings, hazy in the distance, are clustered around a squared tower, possibly a bell tower, to our left. The land dips gently to the horizon line in the deep distance. The riders are silhouetted against a swirling slate-blue cloud that fills most of the sky in the top two-thirds of the painting. The sky clears to pale blue to our left and then warms to golden yellow along the horizon, beyond the buildings. The artist signed the painting near the lower left corner: “A. Cuijp.”",{"_292":436,"_294":437,"_296":438},"https://img.ochreeditions.com/m/1332.jpg?dl=1","/art/lady-and-gentleman-on-horseback-nga-1152","/galleries/style/dutch-and-flemish-baroque/lady-and-gentleman-on-horseback-nga-1152",{"_288":434,"_290":435},{"_225":426,"_125":427,"_282":428},{"_272":423,"_274":424,"_276":407,"_278":425},187,136.9453125,121.9453125,{"_284":225,"_123":432,"_154":433,"_140":99},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":167,"_154":166,"_140":169},"style/painting-17","More paintings of the 17th century",168,"artist/aelbert-cuyp","More by Aelbert Cuyp","natural","ivory","https://img.ochreeditions.com/a/1332/480.jpg","https://img.ochreeditions.com/a/1332/960.jpg","https://img.ochreeditions.com/a/1332/1920.jpg",{"_308":452,"_310":453},{"_308":450,"_310":451},{"_308":448,"_310":449},{"_308":446,"_310":447},{"_308":444,"_310":445},"#8a7652",0.1236,"#332929",0.1694,"#c4c5b6",0.2021,"#594e3b",0.2497,"#8d8e88",0.2552,"Aelbert Cuyp","aelbert-cuyp","Dutch, 1620–1691",1620,1691,"Cuyp spent his life in Dordrecht, where he trained with his father, the portraitist Jacob Gerritsz. Cuyp. Influenced by Dutch painters returning from Italy, such as Jan Both, he bathed river views, cattle in meadows and riders in a warm, golden light.","the-flight-into-egypt-aic-16497","The Flight into Egypt",{"_42":511,"_222":512,"_322":513,"_324":396,"_326":514,"_328":515,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1650","Oil on panel","43.8 × 31.8 cm (17 1/4 × 12 1/2 in.); Framed: 64.8 × 53.4 × 10.2 cm (25 1/2 × 21 × 4 in.)",31,43,0.7347624565469293,[496,497,498,499,500],{"_221":374,"_222":375,"_42":376,"_301":377},"1963.44","Abraham Jansz. van Diepenbeeck painted this in about 1650, aged about 44. It is now at the Art Institute of Chicago.",{"_118":493,"_494":495},"A work made of oil on panel.",{"_292":490,"_294":491,"_296":492},"https://img.ochreeditions.com/m/56.jpg?dl=1","/art/the-flight-into-egypt-aic-16497","/galleries/style/dutch-and-flemish-baroque/the-flight-into-egypt-aic-16497",{"_288":434,"_290":435},{"_225":485,"_125":486,"_282":487},{"_272":482,"_274":483,"_276":484,"_278":467},46.59478563151796,58,31.594785631517958,{"_284":225,"_123":488,"_154":489,"_140":89},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-abraham-jansz-van-diepenbeeck","Abraham Jansz. van Diepenbeeck's contemporaries","https://img.ochreeditions.com/a/56/480.jpg","https://img.ochreeditions.com/a/56/960.jpg","https://img.ochreeditions.com/a/56/1920.jpg","The flight into Egypt—a common subject in European art—refers to an episode in the life of Christ when his family fled King Herod, who sought to kill the infant Jesus. Abraham van Diepenbeeck made the theme his own by including an angel and the inquisitive cow at bottom right.","source","Text from the Art Institute of Chicago.",{"_308":509,"_310":510},{"_308":507,"_310":508},{"_308":505,"_310":506},{"_308":503,"_310":504},{"_308":501,"_310":502},"#382f27",0.1476,"#8f8477",0.1772,"#4e443b",0.2028,"#63584d",0.2038,"#7a7166",0.2686,"Abraham Jansz. van Diepenbeeck","abraham-jansz-van-diepenbeeck","Flemish, 1596–1675",1596,1675,"rubens-helena-fourment-1614-1673-and-their-son-frans-1633-16-met-437532","Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)",{"_42":570,"_222":571,"_322":572,"_324":396,"_326":573,"_328":574,"_330":575,"_331":576,"_332":577,"_140":95},"ca. 1635","Paintings","Oil on wood","80 1/4 x 62 1/4 in. (203.8 x 158.1 cm)",158.1,203.8,0.777749811225774,[555,556,557,558,559],{"_221":551,"_222":552,"_42":553,"_301":554},"Courtesy of The Metropolitan Museum of Art","1981.238","Peter Paul Rubens painted this in about 1635, aged about 53. It is now at The Met in New York.","Rubens, then in his late fifties, poses in a garden with his young second wife, Helena Fourment, and their small son Frans. He married Helena, the sixteen-year-old daughter of an Antwerp silk merchant, in 1630, four years after the death of his first wife, and she became the inspiration for many of his late paintings.","Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), by Peter Paul Rubens, ca. 1635",{"_292":548,"_294":549,"_296":550},"https://img.ochreeditions.com/m/1150.jpg?dl=1","/art/rubens-helena-fourment-1614-1673-and-their-son-frans-1633-16-met-437532","/galleries/style/dutch-and-flemish-baroque/rubens-helena-fourment-1614-1673-and-their-son-frans-1633-16-met-437532",{"_288":434,"_290":435},{"_225":543,"_125":544,"_282":545},{"_272":540,"_274":541,"_276":542,"_278":524},173.50541152781275,218.8,158.50541152781275,{"_284":225,"_123":546,"_154":547,"_140":95},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":364,"_154":365,"_140":366},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1150/480.jpg","https://img.ochreeditions.com/a/1150/960.jpg","https://img.ochreeditions.com/a/1150/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_308":568,"_310":569},{"_308":566,"_310":567},{"_308":564,"_310":565},{"_308":562,"_310":563},{"_308":560,"_310":561},"#4a5147",0.0788,"#8c7a5b",0.1024,"#5c4f36",0.177,"#3b3426",0.2548,"#1e1b19",0.387,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,1640,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","adam-and-eve-before-the-tree-of-knowledge-nga-90146","Adam and Eve before the Tree of Knowledge",{"_42":624,"_222":625,"_322":626,"_324":325,"_326":627,"_328":628,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1604","engraving on laid paper","plate: 27.5 x 19.9 cm (10 13/16 x 7 13/16 in.) sheet: 29.4 x 22.4 cm (11 9/16 x 8 13/16 in.)",19.9,27.5,0.762939453125,[610,611,612,613,614],{"_221":298,"_222":299,"_42":300,"_301":302},"1994.50.2","Jan Saenredam made this in 1604, aged 39. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two nude figures standing beneath a fruit-bearing tree surrounded by elements of nature. The drawing depicts a scene in a lush outdoor setting, featuring intricately detailed branches and leaves of the large tree as well as an eagle-like bird perched nearby. In the background are additional trees extending into a forested area, and a winding path leading into the distance. The foreground includes various plants and the ground is littered with their leaves. The figures are positioned at the center, engaged in a gesture of pointing towards the fruit in the tree. The scene is rendered in fine details with attention to the texture and flow of the natural elements surrounding the figures.",{"_292":607,"_294":608,"_296":609},"https://img.ochreeditions.com/m/1624.jpg?dl=1","/art/adam-and-eve-before-the-tree-of-knowledge-nga-90146","/galleries/style/dutch-and-flemish-baroque/adam-and-eve-before-the-tree-of-knowledge-nga-90146",{"_288":289,"_290":291},{"_225":602,"_125":603,"_282":604},{"_272":599,"_274":600,"_276":601,"_278":585},44.9808349609375,51.5,20.9808349609375,{"_284":225,"_123":605,"_154":606,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jan-saenredam","Jan Saenredam's contemporaries","https://img.ochreeditions.com/a/1624/480.jpg","https://img.ochreeditions.com/a/1624/960.jpg","https://img.ochreeditions.com/a/1624/1920.jpg",{"_308":622,"_310":623},{"_308":620,"_310":621},{"_308":619,"_310":506},{"_308":617,"_310":618},{"_308":615,"_310":616},"#8f806e",0.1629,"#ad9b86",0.1783,"#706457","#534940",0.2031,"#ccb99f",0.2529,"Jan Saenredam","jan-saenredam","Dutch, 1565–1607",1565,1607,"paying-the-hostess-met-436677","Paying the Hostess",{"_42":676,"_222":677,"_322":678,"_324":325,"_326":679,"_328":680,"_330":681,"_331":682,"_332":683,"_140":99},"ca. 1670","Oil on canvas","37 1/4 x 43 3/4 in. (94.6 x 111.1 cm)",111.1,94.6,1.172892868169188,[661,662,663,664,665],{"_221":551,"_222":552,"_42":553,"_301":554},"58.144","Pieter de Hooch painted this in about 1670, aged about 36. It is now at The Met in New York.","Paying the Hostess, by Pieter de Hooch, ca. 1670",{"_292":658,"_294":659,"_296":660},"https://img.ochreeditions.com/m/1106.jpg?dl=1","/art/paying-the-hostess-met-436677","/galleries/style/dutch-and-flemish-baroque/paying-the-hostess-met-436677",{"_288":434,"_290":435},{"_225":653,"_125":654,"_282":655},{"_272":650,"_274":651,"_276":635,"_278":652},126.1,109.72305869965781,94.72305869965781,{"_284":225,"_123":656,"_154":657,"_140":99},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/pieter-de-hooch","More by Pieter de Hooch","https://img.ochreeditions.com/a/1106/480.jpg","https://img.ochreeditions.com/a/1106/960.jpg","https://img.ochreeditions.com/a/1106/1920.jpg",{"_308":674,"_310":675},{"_308":672,"_310":673},{"_308":670,"_310":671},{"_308":668,"_310":669},{"_308":666,"_310":667},"#644a29",0.0446,"#4a2f19",0.0868,"#342516",0.1623,"#19140f",0.3409,"#251b12",0.3654,"Pieter de Hooch","pieter-de-hooch","Dutch, 1629–1684",1629,1684,"Rotterdam","Amsterdam","De Hooch was born in Rotterdam and trained, according to an early biographer, with Nicolaes Berchem in Haarlem.","saint-jerome-reading-in-an-italian-landscape-aic-43244","Saint Jerome Reading in an Italian Landscape",{"_42":731,"_222":732,"_322":733,"_324":325,"_326":734,"_328":735,"_330":736,"_331":682,"_332":737,"_140":77},"c. 1653","Etching, burin, and drypoint on ivory laid paper","Image/plate: 26 × 21 cm (10 1/4 × 8 5/16 in.); Sheet: 27 × 21.9 cm (10 11/16 × 8 5/8 in.)",21,0.8163897493663756,[716,717,718,719,720],{"_221":374,"_222":375,"_42":376,"_301":377},"1941.1048","Rembrandt van Rijn made this in about 1653, aged about 42. It is now at the Art Institute of Chicago.","Saint Jerome sits reading in the sunlight while his lion peers out from behind a tree, and a hill town with Italian buildings rises in the distance. Rembrandt drew on Venetian prints and drawings he owned, by Titian and his circle, for the landscape, combining it with his own free, varied line.","A work made of etching, burin, and drypoint on ivory laid paper.",{"_292":713,"_294":714,"_296":715},"https://img.ochreeditions.com/m/144.jpg?dl=1","/art/saint-jerome-reading-in-an-italian-landscape-aic-43244","/galleries/style/dutch-and-flemish-baroque/saint-jerome-reading-in-an-italian-landscape-aic-43244",{"_288":289,"_290":291},{"_225":708,"_125":709,"_282":710},{"_272":705,"_274":706,"_276":707,"_278":343},45.22613348352577,50,21.226133483525768,{"_284":225,"_123":711,"_154":712,"_140":77},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/144/480.jpg","https://img.ochreeditions.com/a/144/960.jpg","https://img.ochreeditions.com/a/144/1920.jpg",{"_308":729,"_310":730},{"_308":727,"_310":728},{"_308":725,"_310":726},{"_308":723,"_310":724},{"_308":721,"_310":722},"#60564d",0.1424,"#3e3832",0.1436,"#897b6d",0.1475,"#b4a392",0.1923,"#ddccba",0.3742,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185","Title Page for Balthasar Cordier, Catena Sexaginta Qvinqve Graecorvm Patrvm in S. Lvcam...",{"_42":779,"_222":780,"_322":781,"_324":396,"_326":782,"_328":783,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1628",0.73193359375,[765,766,767,768,769],{"_221":298,"_222":299,"_42":300,"_301":302},"1996.78.21","Cornelis Galle I made this in 1628, aged 52. It is now at the National Gallery of Art in Washington, DC.","The image features a detailed black and white illustration with multiple human and animal figures in a symbolic arrangement. In the foreground, two full-body figures are depicted in long robes and sandals, positioned on either side of a large draped banner with text. One figure holds an open book. Above the banner are celestial figures in dynamic poses. To the left is a winged bull-like creature and a seated male figure with a beard, next to a female figure in classical attire. They are all surrounded by flowing fabric and a lion-like animal. In the lower center foreground, there is an emblem resembling a coat of arms with an eagle and a crowned shield. The background is textured, with no natural landscape or architecture present, allowing the figures to stand out. The illustration is framed by the margins of an open book.",{"_292":762,"_294":763,"_296":764},"https://img.ochreeditions.com/m/1633.jpg?dl=1","/art/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185","/galleries/style/dutch-and-flemish-baroque/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185",{"_288":289,"_290":291},{"_225":757,"_125":758,"_282":759},{"_272":755,"_274":273,"_276":756,"_278":277},67.916015625,43.916015625,{"_284":225,"_123":760,"_154":761,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-cornelis-galle-i","Cornelis Galle I's contemporaries","https://img.ochreeditions.com/a/1633/480.jpg","https://img.ochreeditions.com/a/1633/960.jpg","https://img.ochreeditions.com/a/1633/1920.jpg",{"_308":777,"_310":778},{"_308":775,"_310":776},{"_308":774,"_310":724},{"_308":772,"_310":773},{"_308":770,"_310":771},"#e2d9cb",0.0432,"#332223",0.0771,"#6e5a52","#a09081",0.1828,"#d7c0a2",0.5533,"Cornelis Galle I","cornelis-galle-i","Flemish, 1576–1650",1576,1650,"the-slaughtered-hog-nga-216037","The Slaughtered Hog",{"_42":831,"_222":832,"_322":833,"_324":325,"_326":834,"_328":835,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1653","oil on panel","overall: 39.6 × 51.9 cm (15 9/16 × 20 7/16 in.)",51.9,39.6,1.3090444231383829,[816,817,818,819,820],{"_221":298,"_222":299,"_42":300,"_301":302},"2018.31.1","Jan Victors painted this in 1653, aged 34. It is now at the National Gallery of Art in Washington, DC.","In the center of this painting, a large animal carcass is hanging upside down from a wooden frame, with several people attending to it. The carcass is light pink and has been cut open to reveal white ribs, red muscles, and purple organs. On the far left, a young boy stands next to a barrel and a basket, holding several small knives. To the right, a man in a red cap and white apron observes the carcass while holding a drink. An older man in a furred cap and dark clothing looks towards him and holds one edge of the carcass. On the other side of the animal, a young boy blows up a round object. Two women peer out from the doorway of a wooden building in the background, one holding a basket full of what looks like meat. Behind this group of people are several brown structures and a bare tree against a light pink sky.",{"_292":813,"_294":814,"_296":815},"https://img.ochreeditions.com/m/1698.jpg?dl=1","/art/the-slaughtered-hog-nga-216037","/galleries/style/dutch-and-flemish-baroque/the-slaughtered-hog-nga-216037",{"_288":434,"_290":435},{"_225":808,"_125":809,"_282":810},{"_272":805,"_274":806,"_276":790,"_278":807},66.9,54.6472412109375,39.6472412109375,{"_284":225,"_123":811,"_154":812,"_140":89},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jan-victors","Jan Victors's contemporaries","https://img.ochreeditions.com/a/1698/480.jpg","https://img.ochreeditions.com/a/1698/960.jpg","https://img.ochreeditions.com/a/1698/1920.jpg",{"_308":829,"_310":830},{"_308":827,"_310":828},{"_308":825,"_310":826},{"_308":823,"_310":824},{"_308":821,"_310":822},"#a67452",0.1161,"#cc9e7e",0.147,"#794e30",0.1843,"#543926",0.2465,"#34251e",0.3061,"Jan Victors","jan-victors","Dutch, 1619 - after 1676",1619,1676,"bouquet-of-flowers-in-a-glass-vase-nga-94743","Bouquet of Flowers in a Glass Vase",{"_42":883,"_222":884,"_322":885,"_324":325,"_326":886,"_328":887,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1621","oil on copper","overall: 31.6 x 21.6 cm (12 7/16 x 8 1/2 in.) framed: 53.3 x 43.8 x 5.7 cm (21 x 17 1/4 x 2 1/4 in.)",21.6,31.6,0.68212890625,[868,869,870,871,872],{"_221":298,"_222":299,"_42":300,"_301":302},"1996.35.1","Ambrosius Bosschaert painted this in 1621, aged 48. It is now at the National Gallery of Art in Washington, DC.","Gathered in a round glass vase, a tall bouquet of flowers in shades of light and deep pink, sunshine yellow, and white with pine-green leaves nearly fills this vertical still life painting. Shown against an gray background, the vase sits on a narrow ledge, perhaps made of wood. A label with looping, cursive French text painted in gold against a baby blue background is affixed to the front of the ledge, along the bottom edge of the composition. The text reads, “C'est l'Angelicq main du grad Peinctre de Flore AMBROISE, renommé jusqu' au Rivage Moré.” A few of the flowers draw the eye, including a tulip and iris at the top of the bouquet. To our left, the tulip is mauve pink with cream-colored streaks, and one petal folds down to reveal the stamen inside. Next to it, a damselfly, an insect like a delicate dragonfly, rests on the vibrant yellow iris. The petals curling down from the iris are veined in muted burgundy red. Flowers filling in the bouquet below include a shell-pink cyclamen, a white gardenia, a closed blue and white striped columbine, a slate-blue grape hyacinth, lily of the valley, pale blue forget-me-nots, and a pink peony interspersed with leaves and greenery. The round glass vase has a narrow opening. A sprig of viola rests to our left of the vase on the ledge, and an orange, black, white, and brown butterfly perches on the stem of a pink cyclamen laying to our right of the vase. The artist signed the painting with a monogram and dated it in dark paint to our right on the face of the ledge: “AB 1621.”",{"_292":865,"_294":866,"_296":867},"https://img.ochreeditions.com/m/1631.jpg?dl=1","/art/bouquet-of-flowers-in-a-glass-vase-nga-94743","/galleries/style/dutch-and-flemish-baroque/bouquet-of-flowers-in-a-glass-vase-nga-94743",{"_288":434,"_290":435},{"_225":860,"_125":861,"_282":862},{"_272":857,"_274":858,"_276":859,"_278":843},36.555273437500006,46.6,21.555273437500002,{"_284":225,"_123":863,"_154":864,"_140":89},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ambrosius-bosschaert","Ambrosius Bosschaert's contemporaries","https://img.ochreeditions.com/a/1631/480.jpg","https://img.ochreeditions.com/a/1631/960.jpg","https://img.ochreeditions.com/a/1631/1920.jpg",{"_308":881,"_310":882},{"_308":879,"_310":880},{"_308":877,"_310":878},{"_308":875,"_310":876},{"_308":873,"_310":874},"#c9b655",0.0376,"#667672",0.0629,"#b3a38c",0.0646,"#6d4e38",0.1609,"#393122",0.674,"Ambrosius Bosschaert","ambrosius-bosschaert","Dutch, 1573–1621",1573,1621,"nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","Nude Old Man Seated, Leaning on His Forearm, Facing Left",{"_42":933,"_222":934,"_322":935,"_324":396,"_326":936,"_328":329,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1640","Red and black chalk, with touches of white chalk, on cream laid paper","34.4 × 21.7 cm (13 9/16 × 8 9/16 in.)",34,0.6339606378393909,[918,919,920,921,922],{"_221":374,"_222":375,"_42":376,"_301":377},"1990.139","Jacob Jordaens painted this in about 1640, aged about 42. It is now at the Art Institute of Chicago.","A work made of red and black chalk, with touches of white chalk, on cream laid paper.",{"_292":915,"_294":916,"_296":917},"https://img.ochreeditions.com/m/192.jpg?dl=1","/art/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","/galleries/style/dutch-and-flemish-baroque/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291",{"_288":289,"_290":291},{"_225":910,"_125":911,"_282":912},{"_272":908,"_274":483,"_276":909,"_278":894},45.55466168653929,21.55466168653929,{"_284":225,"_123":913,"_154":914,"_140":89},{"_284":125,"_123":367,"_154":368,"_140":230},{"_284":282,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-jacob-jordaens","Jacob Jordaens's contemporaries","https://img.ochreeditions.com/a/192/480.jpg","https://img.ochreeditions.com/a/192/960.jpg","https://img.ochreeditions.com/a/192/1920.jpg",{"_308":931,"_310":932},{"_308":929,"_310":930},{"_308":927,"_310":928},{"_308":925,"_310":926},{"_308":923,"_310":924},"#a37d64",0.0461,"#a39a90",0.1117,"#ca9473",0.1261,"#caa98b",0.279,"#d8bda0",0.4371,"Jacob Jordaens","jacob-jordaens","Flemish, 1593–1678",1593,"a-bouquet-of-flowers-met-827660","A Bouquet of Flowers",{"_42":983,"_222":984,"_322":985,"_324":396,"_326":986,"_328":987,"_330":988,"_331":989,"_332":-5,"_140":103},"ca. 1612","18 1/8 × 12 5/8 in. (46 × 32 cm)",32,46,0.73075,[968,969,970,971,972],{"_221":551,"_222":552,"_42":553,"_301":554},"2020.22","Clara Peeters painted this in about 1612, aged about 25. It is now at The Met in New York.","A Bouquet of Flowers, by Clara Peeters, ca. 1612",{"_292":965,"_294":966,"_296":967},"https://img.ochreeditions.com/m/1289.jpg?dl=1","/art/a-bouquet-of-flowers-met-827660","/galleries/style/dutch-and-flemish-baroque/a-bouquet-of-flowers-met-827660",{"_288":434,"_290":435},{"_225":960,"_125":961,"_282":962},{"_272":957,"_274":958,"_276":959,"_278":943},48.6145,61,33.6145,{"_284":225,"_123":963,"_154":964,"_140":89},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":364,"_154":365,"_140":366},"artist/contemporaries-of-clara-peeters","Clara Peeters's contemporaries","https://img.ochreeditions.com/a/1289/480.jpg","https://img.ochreeditions.com/a/1289/960.jpg","https://img.ochreeditions.com/a/1289/1920.jpg",{"_308":981,"_310":982},{"_308":979,"_310":980},{"_308":977,"_310":978},{"_308":975,"_310":976},{"_308":973,"_310":974},"#9e5a4a",0.0339,"#6a251b",0.0489,"#6f5d49",0.0758,"#3a2e1f",0.1316,"#180b06",0.7098,"Clara Peeters","clara-peeters","Flemish, 1582–1636",1582,1636,"Mechelen","Ghent","leisure-time-in-an-elegant-setting-met-459086","Leisure Time in an Elegant Setting",{"_42":676,"_222":677,"_322":678,"_324":325,"_326":679,"_328":680,"_330":681,"_331":682,"_332":683,"_140":99},"ca. 1663–65","Extended canvas 22 15/16 x 27 5/16 in. (58.3 x 69.4 cm); original visible painted surface 21 5/8 x 26 in. (55 x 66 cm)",69.4,58.3,1.192971446501412,[1019,1020,1021,1022,1023],{"_221":551,"_222":552,"_42":553,"_301":554},"1975.1.144","Pieter de Hooch painted this in about 1663–65, aged about 31. It is now at The Met in New York.","Leisure Time in an Elegant Setting, by Pieter de Hooch, ca. 1663–65",{"_292":1016,"_294":1017,"_296":1018},"https://img.ochreeditions.com/m/1257.jpg?dl=1","/art/leisure-time-in-an-elegant-setting-met-459086","/galleries/style/dutch-and-flemish-baroque/leisure-time-in-an-elegant-setting-met-459086",{"_288":434,"_290":435},{"_225":1013,"_125":1014,"_282":1015},{"_272":1010,"_274":1011,"_276":995,"_278":1012},84.4,73.17406628090478,58.17406628090479,{"_284":225,"_123":656,"_154":657,"_140":99},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1257/480.jpg","https://img.ochreeditions.com/a/1257/960.jpg","https://img.ochreeditions.com/a/1257/1920.jpg",{"_308":1032,"_310":1033},{"_308":1030,"_310":1031},{"_308":1028,"_310":1029},{"_308":1026,"_310":1027},{"_308":1024,"_310":1025},"#48483e",0.0752,"#4e381e",0.0859,"#382614",0.2648,"#16120e",0.283,"#271f14",0.2911,"girl-standing-before-a-mirror-aic-16539","Girl Standing before a Mirror",{"_42":1078,"_222":1079,"_322":1080,"_324":325,"_326":1081,"_328":680,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1668","35.8 × 28 cm (14 1/8 × 11 7/8 in.); Framed: 50.2 × 42.6 × 7.6 cm (19 3/4 × 16 3/4 × 3 in.)",28,35,0.7754048763125111,[1063,1064,1065,1066,1067],{"_221":374,"_222":375,"_42":376,"_301":377},"1925.718","Caspar Netscher painted this in 1668, aged 29. It is now at the Art Institute of Chicago.",{"_292":1060,"_294":1061,"_296":1062},"https://img.ochreeditions.com/m/59.jpg?dl=1","/art/girl-standing-before-a-mirror-aic-16539","/galleries/style/dutch-and-flemish-baroque/girl-standing-before-a-mirror-aic-16539",{"_288":434,"_290":435},{"_225":1055,"_125":1056,"_282":1057},{"_272":1053,"_274":706,"_276":1054,"_278":1040},42.13917067093789,27.139170670937887,{"_284":225,"_123":1058,"_154":1059,"_140":89},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-caspar-netscher","Caspar Netscher's contemporaries","https://img.ochreeditions.com/a/59/480.jpg","https://img.ochreeditions.com/a/59/960.jpg","https://img.ochreeditions.com/a/59/1920.jpg",{"_308":1076,"_310":1077},{"_308":1074,"_310":1075},{"_308":1072,"_310":1073},{"_308":1070,"_310":1071},{"_308":1068,"_310":1069},"#77632f",0.0544,"#5c3e07",0.0806,"#402c09",0.1531,"#2b1c06",0.2253,"#171306",0.4866,"Caspar Netscher","caspar-netscher","Dutch, 1639–1684",1639,"a-genoese-lady-with-her-child-cma-131819","A Genoese Lady with Her Child",{"_42":1136,"_222":1137,"_322":1138,"_324":396,"_326":1139,"_328":1140,"_330":576,"_331":1141,"_332":1142,"_140":97},"c. 1623–25","Framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.)",146,217.8,0.6661764705882353,[1121,1122,1123,1124,1125],{"_221":1117,"_222":1118,"_42":1119,"_301":1120},"Courtesy of the Cleveland Museum of Art","1954.392","Anthony van Dyck painted this in about 1623–25, aged about 24. It is now at the Cleveland Museum of Art.",{"_118":1115,"_494":1116},"A Genoese Lady with Her Child, by Anthony van Dyck, c. 1623–25",{"_292":1112,"_294":1113,"_296":1114},"https://img.ochreeditions.com/m/605.jpg?dl=1","/art/a-genoese-lady-with-her-child-cma-131819","/galleries/style/dutch-and-flemish-baroque/a-genoese-lady-with-her-child-cma-131819",{"_288":434,"_290":435},{"_225":1107,"_125":1108,"_282":1109},{"_272":1104,"_274":1105,"_276":1106,"_278":1088},160.09323529411765,232.8,145.09323529411765,{"_284":225,"_123":1110,"_154":1111,"_140":97},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":364,"_154":365,"_140":366},"artist/anthony-van-dyck","More by Anthony van Dyck","https://img.ochreeditions.com/a/605/480.jpg","https://img.ochreeditions.com/a/605/960.jpg","https://img.ochreeditions.com/a/605/1920.jpg","Prior to the 1600s, large, full-length portraits of wealthy clients usually emphasized the trappings of status above any other qualities. The accuracy of the likeness and vivacity of the person remained subordinate to an easily readable sense of the sitter’s power and position in society.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":1134,"_310":1135},{"_308":1132,"_310":1133},{"_308":1130,"_310":1131},{"_308":1128,"_310":1129},{"_308":1126,"_310":1127},"#423c35",0.0669,"#482e21",0.1566,"#72604c",0.19,"#2c231c",0.2776,"#692c21",0.3089,"Anthony van Dyck","anthony-van-dyck","Flemish, 1599–1641",1599,1641,"London","Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths.",{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","6f26037201d8ed0a6fc42b93dc1ef6417ac556e6","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]