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(17.1 x 27.6 cm); vertical strip 6 3/4 x 1 1/4 in. (17.2 x 3.2 cm) added by artist to the sheet at right.","width_cm",27.6,"height_cm",17.1,"aspect",1.5860428231562251,"palette",[310,311,312,313,314],"museum",{"_224":305,"_225":306,"_42":307,"_308":309},"credit","Courtesy of The Metropolitan Museum of Art","accession","29.100.939","licence","CC0","story","Rembrandt van Rijn drew this in about 1650, aged about 39. It is now at The Met in New York.","note","A thatched cottage stands half hidden among a dense cluster of trees, drawn in pen and brown ink with washes on paper prepared with a brown tone.","Cottage among Trees, by Rembrandt van Rijn, ca. 1650","images",{"_299":300,"_301":302,"_303":304},"download_url","https://img.ochreeditions.com/m/1019.jpg?dl=1","page_url","/art/cottage-among-trees-met-337491","walk_url","/galleries/style/dutch-and-flemish-baroque/cottage-among-trees-met-337491","frame",{"_295":296,"_297":298},{"_228":287,"_125":288,"_289":290},"size",{"_280":281,"_282":283,"_284":247,"_285":286},"w",51.6,"h",41.4018,"image_w","image_h",17.4018,{"_291":228,"_123":171,"_154":170,"_140":77},{"_291":125,"_123":292,"_154":293,"_140":294},"era",{"_291":289,"_123":167,"_154":166,"_140":169},"facet","style/drawing-17","More drawings of the 17th century",23,"moulding","black","mount","snow","480","https://img.ochreeditions.com/a/1019/480.jpg","960","https://img.ochreeditions.com/a/1019/960.jpg","1920","https://img.ochreeditions.com/a/1019/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#7b6852","weight",0.0633,"#efe3c9",0.0777,"#9c8468",0.1371,"#b79e7e",0.1996,"#cdb595",0.5223,"Rembrandt van Rijn","rembrandt-van-rijn","bio","Dutch, 1606–1669","nationality","Dutch","birth_year",1606,"death_year",1669,"birth_place","Leiden","death_place","Amsterdam","about_excerpt","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","lady-and-gentleman-on-horseback-nga-1152","Lady and Gentleman on Horseback",{"_42":403,"_225":404,"_329":405,"_331":332,"_333":406,"_335":407,"_337":-5,"_339":-5,"_341":408,"_140":99},"c. 1655, reworked 1660/1665","painting","Painting","oil on canvas","overall: 123 x 172 cm (48 7/16 x 67 11/16 in.) framed: 164.8 x 214 x 16.2 cm (64 7/8 x 84 1/4 x 6 3/8 in.)",172,123,1.4104683195592287,[388,389,390,391,392],{"_224":384,"_225":385,"_42":386,"_308":387},"Courtesy National Gallery of Art, Washington","1942.9.15","Aelbert Cuyp painted this in about 1655, reworked 1660/1665, aged about 35. It is now at the National Gallery of Art in Washington, DC.","An elegantly dressed couple ride out with their hounds: she sits side-saddle on a white horse with blue bows on its bridle, he on a chestnut with a white blaze, riding crop at his hip. Dogs nose through the undergrowth, a huntsman leads a pair of greyhounds along the path, and two more riders follow behind.","An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition. Both people have pale skin and look at us. The woman has a high forehead, a straight nose, a round face, and curly blond hair falling to her shoulders. She wears a sapphire-blue dress with slashed sleeves to reveal a white garment beneath. Her hat is adorned with blue and white feathers, and she wears a string of pearls around her neck. The legs of her white horse darken to black below the knees, and the bridle is tied with blue bows near the horse’s ears. The sidesaddle sits on a woven, rug-like blanket. Next to her, to our right, the man rides a larger chestnut-brown horse with a white triangle between its eyes. The man looks at us out of the corners of his dark eyes under gathered brows. He has a long, straight nose and is cleanshaven, though a hint of a five o’clock shadow slightly darkens his cleft chin. His light brown hair falls in curls down past his shoulders, and he wears a dark brown coat with voluminous white fabric rippling out above tan-colored gloves. He holds a riding crop in his right hand, on our left, resting against his hip. Near the white horse’s feet, to our left, a dark brown dog with a white nose sniffs at a plant. Behind it, another reddish-brown dog sniffs the ground near the horse’s back hoof. A third dog stands beyond, partially obscured by bushes and plants growing in the lower left corner of the canvas. A man wearing a tall black, wide-brimmed hat and carrying a long staff leads two slender dogs resembling grayhounds on leashes along the path, a little behind the riders. Two more elegantly dressed men ride horses toward us father back on the path. Sand-colored stone buildings, hazy in the distance, are clustered around a squared tower, possibly a bell tower, to our left. The land dips gently to the horizon line in the deep distance. The riders are silhouetted against a swirling slate-blue cloud that fills most of the sky in the top two-thirds of the painting. The sky clears to pale blue to our left and then warms to golden yellow along the horizon, beyond the buildings. The artist signed the painting near the lower left corner: “A. Cuijp.”",{"_299":381,"_301":382,"_303":383},"https://img.ochreeditions.com/m/1332.jpg?dl=1","/art/lady-and-gentleman-on-horseback-nga-1152","/galleries/style/dutch-and-flemish-baroque/lady-and-gentleman-on-horseback-nga-1152",{"_295":379,"_297":380},{"_228":371,"_125":372,"_289":373},{"_280":368,"_282":369,"_284":351,"_285":370},187,136.9453125,121.9453125,{"_291":228,"_123":377,"_154":378,"_140":99},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":167,"_154":166,"_140":169},"style/painting-17","More paintings of the 17th century",168,"artist/aelbert-cuyp","More by Aelbert Cuyp","natural","ivory","https://img.ochreeditions.com/a/1332/480.jpg","https://img.ochreeditions.com/a/1332/960.jpg","https://img.ochreeditions.com/a/1332/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":401,"_317":402},{"_315":399,"_317":400},{"_315":397,"_317":398},{"_315":395,"_317":396},{"_315":393,"_317":394},"#8a7652",0.1236,"#332929",0.1694,"#c4c5b6",0.2021,"#594e3b",0.2497,"#8d8e88",0.2552,"Aelbert Cuyp","aelbert-cuyp","Dutch, 1620–1691",1620,1691,"Cuyp spent his life in Dordrecht, where he trained with his father, the portraitist Jacob Gerritsz. Cuyp. Influenced by Dutch painters returning from Italy, such as Jan Both, he bathed river views, cattle in meadows and riders in a warm, golden light.","aristotle-with-a-bust-of-homer-met-437394","Aristotle with a Bust of Homer",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":77},"1653","Paintings","Oil on canvas","56 1/2 x 53 3/4 in. (143.5 x 136.5 cm)",136.5,143.5,0.948,[441,442,443,444,445],{"_224":305,"_225":306,"_42":307,"_308":309},"61.198","Rembrandt van Rijn painted this in 1653, aged 47. It is now at The Met in New York.","A philosopher in a broad black hat rests his hand on a marble bust of the blind poet Homer, while a heavy gold chain falls across his chest, carrying a medallion that bears the image of Alexander the Great, Aristotle’s most famous pupil.","Aristotle with a Bust of Homer, by Rembrandt van Rijn, 1653",{"_299":438,"_301":439,"_303":440},"https://img.ochreeditions.com/m/1141.jpg?dl=1","/art/aristotle-with-a-bust-of-homer-met-437394","/galleries/style/dutch-and-flemish-baroque/aristotle-with-a-bust-of-homer-met-437394",{"_295":379,"_297":380},{"_228":435,"_125":436,"_289":437},{"_280":432,"_282":433,"_284":434,"_285":417},151.03799999999998,158.5,136.03799999999998,{"_291":228,"_123":171,"_154":170,"_140":77},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1141/480.jpg","https://img.ochreeditions.com/a/1141/960.jpg","https://img.ochreeditions.com/a/1141/1920.jpg",{"_315":454,"_317":455},{"_315":452,"_317":453},{"_315":450,"_317":451},{"_315":448,"_317":449},{"_315":446,"_317":447},"#685135",0.0272,"#43301c",0.0564,"#2c1d11",0.1255,"#1d120b",0.1565,"#0c0705",0.6344,"head-of-medusa-aic-242705","Head of Medusa",{"_42":517,"_225":518,"_329":519,"_331":520,"_333":521,"_335":522,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1680","flanders","watercolour","Drawing and Watercolor","Pen and brown ink, with traces of black chalk, on cream laid paper","24.5 × 18.1 cm (9 11/16 × 7 3/16 in.)",18,24,0.7411255411255411,[502,503,504,505,506],{"_224":498,"_225":499,"_42":500,"_308":501},"Courtesy of the Art Institute of Chicago","2018.59","Godfried Maes painted this in 1680, aged 31. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with traces of black chalk, on cream laid paper.",{"_299":495,"_301":496,"_303":497},"https://img.ochreeditions.com/m/370.jpg?dl=1","/art/head-of-medusa-aic-242705","/galleries/style/dutch-and-flemish-baroque/head-of-medusa-aic-242705",{"_295":296,"_297":298},{"_228":485,"_125":486,"_289":487},{"_280":481,"_282":482,"_284":483,"_285":484},42.52813852813853,49,18.528138528138527,25,{"_291":228,"_123":493,"_154":494,"_140":89},{"_291":125,"_123":491,"_154":492,"_140":234},{"_291":289,"_123":488,"_154":489,"_140":490},"era/17-flanders","17th-century Flanders",30,"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-godfried-maes","Godfried Maes's contemporaries","https://img.ochreeditions.com/a/370/480.jpg","https://img.ochreeditions.com/a/370/960.jpg","https://img.ochreeditions.com/a/370/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":515,"_317":516},{"_315":513,"_317":514},{"_315":511,"_317":512},{"_315":509,"_317":510},{"_315":507,"_317":508},"#7f5f4a",0.0728,"#cdb097",0.134,"#9e7d65",0.1479,"#b49680",0.1692,"#e1c7b1",0.4761,"Godfried Maes","godfried-maes","Flemish, 1649–1700","Flemish",1649,1700,"christ-crucified-between-the-two-thieves-the-three-crosses-met-354631","Christ Crucified between the Two Thieves: The Three Crosses",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":77},"print","Prints","Drypoint printed on vellum","Plate: 15 x 17 1/4 in. (38.1 x 43.8 cm) Sheet: 15 1/8 x 17 7/16 in. (38.4 x 44.3 cm) Mount: 22 x 28 in. (55.9 x 71.1 cm)",44.3,38.4,1.1482602118003025,[558,559,560,561,562],{"_224":305,"_225":306,"_42":307,"_308":309},"41.1.31","Rembrandt van Rijn made this in 1653, aged 47. It is now at The Met in New York.","A shaft of light pours down on the crucified Christ between the two thieves, illuminating the grieving figures at the foot of the cross, while darkness closes in at the edges.","Christ Crucified between the Two Thieves: The Three Crosses, by Rembrandt van Rijn, 1653",{"_299":555,"_301":556,"_303":557},"https://img.ochreeditions.com/m/1045.jpg?dl=1","/art/christ-crucified-between-the-two-thieves-the-three-crosses-met-354631","/galleries/style/dutch-and-flemish-baroque/christ-crucified-between-the-two-thieves-the-three-crosses-met-354631",{"_295":296,"_297":298},{"_228":549,"_125":550,"_289":551},{"_280":546,"_282":547,"_284":530,"_285":548},68.3,62.580105401844534,38.580105401844534,{"_291":228,"_123":171,"_154":170,"_140":77},{"_291":125,"_123":552,"_154":553,"_140":554},{"_291":289,"_123":167,"_154":166,"_140":169},"style/print-17","More prints of the 17th century",55,"https://img.ochreeditions.com/a/1045/480.jpg","https://img.ochreeditions.com/a/1045/960.jpg","https://img.ochreeditions.com/a/1045/1920.jpg",{"_315":571,"_317":572},{"_315":569,"_317":570},{"_315":567,"_317":568},{"_315":565,"_317":566},{"_315":563,"_317":564},"#bba991",0.1507,"#9a8771",0.1666,"#7c6956",0.1869,"#5e4e41",0.1914,"#423732",0.3044,"resurrection-of-christ-aic-31173","Resurrection of Christ",{"_42":619,"_225":620,"_329":621,"_331":332,"_333":622,"_335":623,"_337":-5,"_339":-5,"_341":-5,"_140":101},"c. 1665","81 × 64.9 cm (31 7/8 × 25 1/2 in.); Framed: 100.1 × 84.8 × 8.6 cm (39 3/8 × 33 3/8 × 3 3/8 in.)",64,81,0.800248376003057,[604,605,606,607,608],{"_224":498,"_225":499,"_42":500,"_308":501},"1969.110","Samuel van Hoogstraten painted this in about 1665, aged about 33. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_299":601,"_301":602,"_303":603},"https://img.ochreeditions.com/m/125.jpg?dl=1","/art/resurrection-of-christ-aic-31173","/galleries/style/dutch-and-flemish-baroque/resurrection-of-christ-aic-31173",{"_295":379,"_297":380},{"_228":596,"_125":597,"_289":598},{"_280":593,"_282":594,"_284":595,"_285":579},79.82011845624761,96,64.82011845624761,{"_291":228,"_123":599,"_154":600,"_140":89},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-samuel-van-hoogstraten","Samuel van Hoogstraten's contemporaries","https://img.ochreeditions.com/a/125/480.jpg","https://img.ochreeditions.com/a/125/960.jpg","https://img.ochreeditions.com/a/125/1920.jpg",{"_315":617,"_317":618},{"_315":615,"_317":616},{"_315":613,"_317":614},{"_315":611,"_317":612},{"_315":609,"_317":610},"#625547",0.0438,"#95795e",0.0585,"#64432a",0.1394,"#402f21",0.2782,"#271f18",0.4801,"Samuel van Hoogstraten","samuel-van-hoogstraten","Dutch, 1627–1678",1627,1678,"title-page-for-g-de-st-vincent-opus-geometricum-quadraturae-nga-97183","Title Page for G. de St. Vincent, Opus Geometricum Quadraturae Circuli",{"_42":670,"_225":671,"_329":672,"_331":673,"_333":674,"_335":623,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1647","Print","engraving on laid paper [proof before letters]",0.741455078125,[655,656,657,658,659],{"_224":384,"_225":385,"_42":386,"_308":387},"1996.78.19","Cornelis Galle II made this in 1647, aged 32. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a mythological or allegorical scene. The scene features various figures of different ages engaged in activities around a central structure resembling an ornate draped curtain held up by columns. There is a celestial element shining down from the top, and an emblem or coat of arms held by winged figures at the very top. The figures are dressed in flowing robes and interact with each other and objects such as a globe and a staff. The composition is rich with symbolism, typical of artwork focused on narrative depth and storytelling.",{"_299":652,"_301":653,"_303":654},"https://img.ochreeditions.com/m/1632.jpg?dl=1","/art/title-page-for-g-de-st-vincent-opus-geometricum-quadraturae-nga-97183","/galleries/style/dutch-and-flemish-baroque/title-page-for-g-de-st-vincent-opus-geometricum-quadraturae-nga-97183",{"_295":296,"_297":298},{"_228":647,"_125":648,"_289":649},{"_280":643,"_282":644,"_284":645,"_285":646},68.4873046875,84,44.4873046875,60,{"_291":228,"_123":650,"_154":651,"_140":89},{"_291":125,"_123":552,"_154":553,"_140":554},{"_291":289,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-cornelis-galle-ii","Cornelis Galle II's contemporaries","https://img.ochreeditions.com/a/1632/480.jpg","https://img.ochreeditions.com/a/1632/960.jpg","https://img.ochreeditions.com/a/1632/1920.jpg",{"_315":668,"_317":669},{"_315":666,"_317":667},{"_315":664,"_317":665},{"_315":662,"_317":663},{"_315":660,"_317":661},"#7c3d40",0.0429,"#c1a482",0.0638,"#36312d",0.0811,"#958a7f",0.2287,"#dac6ab",0.5835,"Cornelis Galle II","cornelis-galle-ii","Netherlandish, 1615–1678","Netherlandish",1615,"the-flight-into-egypt-aic-16497","The Flight into Egypt",{"_42":726,"_225":727,"_329":728,"_331":520,"_333":729,"_335":730,"_337":-5,"_339":-5,"_341":-5,"_140":103},"c. 1650","Oil on panel","43.8 × 31.8 cm (17 1/4 × 12 1/2 in.); Framed: 64.8 × 53.4 × 10.2 cm (25 1/2 × 21 × 4 in.)",31,43,0.7347624565469293,[711,712,713,714,715],{"_224":498,"_225":499,"_42":500,"_308":501},"1963.44","Abraham Jansz. van Diepenbeeck painted this in about 1650, aged about 44. It is now at the Art Institute of Chicago.",{"_118":708,"_709":710},"A work made of oil on panel.",{"_299":705,"_301":706,"_303":707},"https://img.ochreeditions.com/m/56.jpg?dl=1","/art/the-flight-into-egypt-aic-16497","/galleries/style/dutch-and-flemish-baroque/the-flight-into-egypt-aic-16497",{"_295":379,"_297":380},{"_228":700,"_125":701,"_289":702},{"_280":697,"_282":698,"_284":699,"_285":682},46.59478563151796,58,31.594785631517958,{"_291":228,"_123":703,"_154":704,"_140":89},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-abraham-jansz-van-diepenbeeck","Abraham Jansz. van Diepenbeeck's contemporaries","https://img.ochreeditions.com/a/56/480.jpg","https://img.ochreeditions.com/a/56/960.jpg","https://img.ochreeditions.com/a/56/1920.jpg","The flight into Egypt—a common subject in European art—refers to an episode in the life of Christ when his family fled King Herod, who sought to kill the infant Jesus. Abraham van Diepenbeeck made the theme his own by including an angel and the inquisitive cow at bottom right.","source","Text from the Art Institute of Chicago.",{"_315":724,"_317":725},{"_315":722,"_317":723},{"_315":720,"_317":721},{"_315":718,"_317":719},{"_315":716,"_317":717},"#382f27",0.1476,"#8f8477",0.1772,"#4e443b",0.2028,"#63584d",0.2038,"#7a7166",0.2686,"Abraham Jansz. van Diepenbeeck","abraham-jansz-van-diepenbeeck","Flemish, 1596–1675",1596,1675,"daniel-in-the-lions-den-nga-50298","Daniel in the Lions' Den",{"_42":779,"_225":780,"_329":781,"_331":520,"_333":782,"_335":783,"_337":784,"_339":785,"_341":786,"_140":95},"c. 1614/1616","overall: 224.2 x 330.5 cm (88 1/4 x 130 1/8 in.) framed: 267.97 × 374.65 × 15.24 cm (105 1/2 × 147 1/2 × 6 in.) framed weight: 113.399 kg (250 lb.)",330.5,224.2,1.4787003610108302,[764,765,766,767,768],{"_224":384,"_225":385,"_42":386,"_308":387},"1965.13.1","Peter Paul Rubens painted this in about 1614/1616, aged about 37. It is now at the National Gallery of Art in Washington, DC.","Daniel, nearly nude, sits with his hands clasped and his face turned up towards the small opening of light above the den, while nine lions prowl, yawn and stare around him, a human skull and bones at his feet.","A nearly nude, muscular man with pale, peachy skin sits in an underground cave among seven male and two female lions in this horizontal painting. The man sits to our right of center with his legs crossed, elbows close to his body with hands clasped by his chest. His head tips back to look up through a small opening above. He has long, wavy, chestnut-brown hair and dark eyes. A white cloth wraps across his hips, and he sits on a scarlet-red swath of fabric draped up over a rock next to him. The nine lions stalk, sit, or lie down around the man. One male lion next to the man, to our left, opens his mouth with his head thrown back, curling tongue extended beyond long fangs. A human skull and other bones are strewn on the dirt ground close to us. The rocky cave curves up around the animals and man to a narrow, round opening showing blue sky above.",{"_299":761,"_301":762,"_303":763},"https://img.ochreeditions.com/m/1536.jpg?dl=1","/art/daniel-in-the-lions-den-nga-50298","/galleries/style/dutch-and-flemish-baroque/daniel-in-the-lions-den-nga-50298",{"_295":379,"_297":380},{"_228":756,"_125":757,"_289":758},{"_280":752,"_282":753,"_284":754,"_285":755},255,177.3046875,240,162.3046875,{"_291":228,"_123":759,"_154":760,"_140":95},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":488,"_154":489,"_140":490},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1536/480.jpg","https://img.ochreeditions.com/a/1536/960.jpg","https://img.ochreeditions.com/a/1536/1920.jpg",{"_315":777,"_317":778},{"_315":775,"_317":776},{"_315":773,"_317":774},{"_315":771,"_317":772},{"_315":769,"_317":770},"#612121",0.0254,"#a58057",0.1105,"#7f5a30",0.2634,"#5a3e24",0.2703,"#39281b",0.3304,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,1640,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","still-life-with-dead-game-fruits-and-vegetables-in-a-market-aic-62042","Still Life with Dead Game, Fruits, and Vegetables in a Market",{"_42":834,"_225":835,"_329":836,"_331":520,"_333":837,"_335":838,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1614","212 × 308 cm (83 1/2 × 121 1/4 in.); Framed: 251.5 × 348 × 10.2 cm (99 × 137 × 4 in.)",308,212,1.5282144630150587,[819,820,821,822,823],{"_224":498,"_225":499,"_42":500,"_308":501},"1981.182","Frans Snyders painted this in 1614, aged 35. It is now at the Art Institute of Chicago.",{"_118":818,"_709":710},"An older man at left in red raises his hat toward a central table chaotically overflowing with dead game, fruits, and vegetables. The wings of dead birds and limbs of animals are splayed out at dramatic angles; a deer at center is suspended by his back legs. Live birds and a cat animate the scene.",{"_299":815,"_301":816,"_303":817},"https://img.ochreeditions.com/m/181.jpg?dl=1","/art/still-life-with-dead-game-fruits-and-vegetables-in-a-market-aic-62042","/galleries/style/dutch-and-flemish-baroque/still-life-with-dead-game-fruits-and-vegetables-in-a-market-aic-62042",{"_295":379,"_297":380},{"_228":810,"_125":811,"_289":812},{"_280":752,"_282":808,"_284":754,"_285":809},172.04602057390363,157.04602057390363,{"_291":228,"_123":813,"_154":814,"_140":89},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-frans-snyders","Frans Snyders's contemporaries","https://img.ochreeditions.com/a/181/480.jpg","https://img.ochreeditions.com/a/181/960.jpg","https://img.ochreeditions.com/a/181/1920.jpg","This overflowing Flemish market stall is enlivened by dead animals splayed on the table, fighting roosters, and a pickpocket. An early example of Frans Snyders’s combination of ornamental still-life elements with secondary figures, this scene might have adorned the dining room of an aristocratic collector.",{"_315":832,"_317":833},{"_315":830,"_317":831},{"_315":828,"_317":829},{"_315":826,"_317":827},{"_315":824,"_317":825},"#9e382b",0.0253,"#d5c8bf",0.074,"#8f7963",0.1711,"#4e3a2f",0.2504,"#1c1517",0.4792,"Frans Snyders","frans-snyders","Flemish, 1579–1657",1579,1657,"piazza-presso-alla-porta-al-prato-nga-51387","Piazza Presso alla Porta al Prato",{"_42":884,"_225":885,"_329":886,"_331":520,"_333":887,"_335":888,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1621","woodcut on laid paper","sheet: 6 × 8.3 cm (2 3/8 × 3 1/4 in.)",8.3,1.3875968992248062,[869,870,871,872,873],{"_224":384,"_225":385,"_42":386,"_308":387},"1969.15.243","Edouard Eckman made this in 1621, aged 21. It is now at the National Gallery of Art in Washington, DC.","The image shows a wide aerial view of a public gathering. Buildings line the horizon overlooking the scene below. The detailed illustration features various individuals and animals in motion, including groups of people, horse riders, and carts. The monochromatic color palette contributes to a classic aesthetic.",{"_299":866,"_301":867,"_303":868},"https://img.ochreeditions.com/m/1542.jpg?dl=1","/art/piazza-presso-alla-porta-al-prato-nga-51387","/galleries/style/dutch-and-flemish-baroque/piazza-presso-alla-porta-al-prato-nga-51387",{"_295":296,"_297":298},{"_228":861,"_125":862,"_289":863},{"_280":482,"_282":859,"_284":484,"_285":860},42.01675977653631,18.01675977653631,{"_291":228,"_123":864,"_154":865,"_140":89},{"_291":125,"_123":552,"_154":553,"_140":554},{"_291":289,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-edouard-eckman","Edouard Eckman's contemporaries","https://img.ochreeditions.com/a/1542/480.jpg","https://img.ochreeditions.com/a/1542/960.jpg","https://img.ochreeditions.com/a/1542/1920.jpg",{"_315":882,"_317":883},{"_315":880,"_317":881},{"_315":878,"_317":879},{"_315":876,"_317":877},{"_315":874,"_317":875},"#7d6e5d",0.0958,"#c5b59e",0.1362,"#988875",0.1447,"#af9e8a",0.2154,"#e0ceb6",0.4079,"Edouard Eckman","edouard-eckman","Flemish, born c. 1600",1600,1680,"nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","Nude Old Man Seated, Leaning on His Forearm, Facing Left",{"_42":935,"_225":936,"_329":937,"_331":520,"_333":938,"_335":623,"_337":-5,"_339":-5,"_341":-5,"_140":103},"c. 1640","Red and black chalk, with touches of white chalk, on cream laid paper","34.4 × 21.7 cm (13 9/16 × 8 9/16 in.)",21,34,0.6339606378393909,[920,921,922,923,924],{"_224":498,"_225":499,"_42":500,"_308":501},"1990.139","Jacob Jordaens painted this in about 1640, aged about 42. It is now at the Art Institute of Chicago.","A work made of red and black chalk, with touches of white chalk, on cream laid paper.",{"_299":917,"_301":918,"_303":919},"https://img.ochreeditions.com/m/192.jpg?dl=1","/art/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","/galleries/style/dutch-and-flemish-baroque/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291",{"_295":296,"_297":298},{"_228":912,"_125":913,"_289":914},{"_280":910,"_282":698,"_284":911,"_285":896},45.55466168653929,21.55466168653929,{"_291":228,"_123":915,"_154":916,"_140":89},{"_291":125,"_123":491,"_154":492,"_140":234},{"_291":289,"_123":488,"_154":489,"_140":490},"artist/contemporaries-of-jacob-jordaens","Jacob Jordaens's contemporaries","https://img.ochreeditions.com/a/192/480.jpg","https://img.ochreeditions.com/a/192/960.jpg","https://img.ochreeditions.com/a/192/1920.jpg",{"_315":933,"_317":934},{"_315":931,"_317":932},{"_315":929,"_317":930},{"_315":927,"_317":928},{"_315":925,"_317":926},"#a37d64",0.0461,"#a39a90",0.1117,"#ca9473",0.1261,"#caa98b",0.279,"#d8bda0",0.4371,"Jacob Jordaens","jacob-jordaens","Flemish, 1593–1678",1593,"the-boulder-crowned-with-trees-nga-53886","The Boulder Crowned with Trees",{"_42":988,"_225":989,"_329":990,"_331":332,"_333":887,"_335":991,"_337":-5,"_339":-5,"_341":992,"_140":97},"etching",1.5126282557221784,[973,974,975,976,977],{"_224":384,"_225":385,"_42":386,"_308":387},"1973.32.18","Herman van Swanevelt made this. It is now at the National Gallery of Art in Washington, DC.","A boulder crowned with trees rises in an oval landscape framed by overhanging branches, with distant mountains and a winding path where a small figure gives the scene its scale.","The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.",{"_299":970,"_301":971,"_303":972},"https://img.ochreeditions.com/m/1566.jpg?dl=1","/art/the-boulder-crowned-with-trees-nga-53886","/galleries/style/dutch-and-flemish-baroque/the-boulder-crowned-with-trees-nga-53886",{"_295":296,"_297":298},{"_228":959,"_125":960,"_289":961},{"_280":644,"_282":957,"_284":646,"_285":958},63.66605791807983,39.66605791807983,{"_291":228,"_123":968,"_154":969,"_140":97},{"_291":125,"_123":965,"_154":966,"_140":967},{"_291":289,"_123":962,"_154":963,"_140":964},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1566/480.jpg","https://img.ochreeditions.com/a/1566/960.jpg","https://img.ochreeditions.com/a/1566/1920.jpg",{"_315":986,"_317":987},{"_315":984,"_317":985},{"_315":982,"_317":983},{"_315":980,"_317":981},{"_315":978,"_317":979},"#615549",0.1332,"#cfbda5",0.2065,"#7c6e5e",0.2098,"#968775",0.2143,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","portrait-of-gerard-de-lairesse-met-459082","Portrait of Gerard de Lairesse",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":77},"1665–67","44 3/8 x 34 1/2 in. (112.7 x 87.6 cm)",87.6,112.7,0.7787100157315154,[1023,1024,1025,1026,1027],{"_224":305,"_225":306,"_42":307,"_308":309},"1975.1.140","Rembrandt van Rijn painted this in 1665–67, aged about 57. It is now at The Met in New York.","The young painter Gerard de Lairesse, recently arrived in Amsterdam from Liège, sits for Rembrandt, his face marked by the effects of congenital syphilis, which Rembrandt records with unsentimental compassion.","Portrait of Gerard de Lairesse, by Rembrandt van Rijn, 1665–67",{"_299":1020,"_301":1021,"_303":1022},"https://img.ochreeditions.com/m/1256.jpg?dl=1","/art/portrait-of-gerard-de-lairesse-met-459082","/galleries/style/dutch-and-flemish-baroque/portrait-of-gerard-de-lairesse-met-459082",{"_295":379,"_297":380},{"_228":1017,"_125":1018,"_289":1019},{"_280":1014,"_282":1015,"_284":1016,"_285":999},102.7606187729418,127.7,87.7606187729418,{"_291":228,"_123":171,"_154":170,"_140":77},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1256/480.jpg","https://img.ochreeditions.com/a/1256/960.jpg","https://img.ochreeditions.com/a/1256/1920.jpg",{"_315":1036,"_317":1037},{"_315":1034,"_317":1035},{"_315":1032,"_317":1033},{"_315":1030,"_317":1031},{"_315":1028,"_317":1029},"#856042",0.0265,"#4e3624",0.0526,"#321e11",0.1327,"#1e120a",0.1964,"#0b0805",0.5918,"self-portrait-met-437397","Self-Portrait",{"_42":327,"_225":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":77},"1660","31 5/8 x 26 1/2 in. (80.3 x 67.3 cm)",67.3,80.3,0.8245,[1068,1069,1070,1071,1072],{"_224":305,"_225":306,"_42":307,"_308":309},"14.40.618","Rembrandt van Rijn painted this in 1660, aged 54. It is now at The Met in New York.","Rembrandt, at fifty-four, looks out at us with a steady, weary gaze, wearing a dark beret and a plain coat, his face built up in thick, mottled paint that records every fold and blemish.","Self-Portrait, by Rembrandt van Rijn, 1660",{"_299":1065,"_301":1066,"_303":1067},"https://img.ochreeditions.com/m/1142.jpg?dl=1","/art/self-portrait-met-437397","/galleries/style/dutch-and-flemish-baroque/self-portrait-met-437397",{"_295":379,"_297":380},{"_228":1062,"_125":1063,"_289":1064},{"_280":1059,"_282":1060,"_284":1061,"_285":1044},81.20735,95.3,66.20735,{"_291":228,"_123":171,"_154":170,"_140":77},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1142/480.jpg","https://img.ochreeditions.com/a/1142/960.jpg","https://img.ochreeditions.com/a/1142/1920.jpg",{"_315":1081,"_317":1082},{"_315":1079,"_317":1080},{"_315":1077,"_317":1078},{"_315":1075,"_317":1076},{"_315":1073,"_317":1074},"#78502f",0.0598,"#452f19",0.158,"#120804",0.1748,"#322112",0.2751,"#221408",0.3323,"a-genoese-lady-with-her-child-cma-131819","A Genoese Lady with Her Child",{"_42":1137,"_225":1138,"_329":1139,"_331":520,"_333":1140,"_335":1141,"_337":785,"_339":1142,"_341":1143,"_140":97},"c. 1623–25","Framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.)",146,217.8,0.6661764705882353,[1122,1123,1124,1125,1126],{"_224":1118,"_225":1119,"_42":1120,"_308":1121},"Courtesy of the Cleveland Museum of Art","1954.392","Anthony van Dyck painted this in about 1623–25, aged about 24. It is now at the Cleveland Museum of Art.",{"_118":1116,"_709":1117},"A Genoese Lady with Her Child, by Anthony van Dyck, c. 1623–25",{"_299":1113,"_301":1114,"_303":1115},"https://img.ochreeditions.com/m/605.jpg?dl=1","/art/a-genoese-lady-with-her-child-cma-131819","/galleries/style/dutch-and-flemish-baroque/a-genoese-lady-with-her-child-cma-131819",{"_295":379,"_297":380},{"_228":1108,"_125":1109,"_289":1110},{"_280":1105,"_282":1106,"_284":1107,"_285":1089},160.09323529411765,232.8,145.09323529411765,{"_291":228,"_123":1111,"_154":1112,"_140":97},{"_291":125,"_123":374,"_154":375,"_140":376},{"_291":289,"_123":488,"_154":489,"_140":490},"artist/anthony-van-dyck","More by Anthony van Dyck","https://img.ochreeditions.com/a/605/480.jpg","https://img.ochreeditions.com/a/605/960.jpg","https://img.ochreeditions.com/a/605/1920.jpg","Prior to the 1600s, large, full-length portraits of wealthy clients usually emphasized the trappings of status above any other qualities. The accuracy of the likeness and vivacity of the person remained subordinate to an easily readable sense of the sitter’s power and position in society.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":1135,"_317":1136},{"_315":1133,"_317":1134},{"_315":1131,"_317":1132},{"_315":1129,"_317":1130},{"_315":1127,"_317":1128},"#423c35",0.0669,"#482e21",0.1566,"#72604c",0.19,"#2c231c",0.2776,"#692c21",0.3089,"Anthony van Dyck","anthony-van-dyck","Flemish, 1599–1641",1599,1641,"London","Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths.",{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","1f93912558677ee50f4789a30c520ba15a80be3c","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_225":1188,"_20":1189},{"_225":1186,"_20":1187},{"_225":1184,"_20":1185},{"_225":1182,"_20":1183},{"_225":1180,"_20":1181},{"_225":1178,"_20":1179},{"_225":1176,"_20":1177},{"_225":1174,"_20":1175},{"_225":1172,"_20":1173},{"_225":1170,"_20":1171},{"_225":1168,"_20":1169},{"_225":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]