[{"_1":2,"_3":4},"root",{"_5":1137},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Dutch and Flemish Baroque, in the galleries · Ochre Editions","description","The Low Countries in the 1600s: Rubens's Antwerp and the painters of the Dutch Republic. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/dutch-and-flemish-baroque","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/dutch-and-flemish-baroque.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Dutch and Flemish Baroque, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/self-portrait-met-437397",15,"https://www.ochreeditions.com/art/seated-female-nude-aic-90536",14,"https://www.ochreeditions.com/art/young-woman-with-a-water-pitcher-met-437881",13,"https://www.ochreeditions.com/art/the-watermill-with-the-great-red-roof-aic-869",12,"https://www.ochreeditions.com/art/the-dissolute-household-met-437747",11,"https://www.ochreeditions.com/art/portrait-of-isabella-brant-cma-125247",10,"https://www.ochreeditions.com/art/a-mother-feeding-her-child-the-happy-mother-aic-497",9,"https://www.ochreeditions.com/art/lady-playing-with-a-dog-aic-49068",8,"https://www.ochreeditions.com/art/the-boulder-crowned-with-trees-nga-53886",7,"https://www.ochreeditions.com/art/portrait-of-a-woman-aic-80524",6,"https://www.ochreeditions.com/art/woman-crossing-a-stream-nga-54023",5,"https://www.ochreeditions.com/art/reading-the-news-at-the-weavers-cottage-met-337632",4,"https://www.ochreeditions.com/art/the-mill-nga-1201",3,"https://www.ochreeditions.com/art/landscape-with-sheep-from-the-small-landscapes-aic-108949",2,"https://www.ochreeditions.com/art/firs-in-the-defile-nga-53711",1,"https://www.ochreeditions.com/art/portrait-of-a-man-aic-31176","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~dutch-and-flemish-baroque.94ccb73daa.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~dutch-and-flemish-baroque.94ccb73daa.jpg","alt","Dutch and Flemish Baroque, a room in the galleries: three of its 94 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Dutch and Flemish Baroque: 94 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~dutch-and-flemish-baroque.jpg","key","style/dutch-and-flemish-baroque","style","Dutch and Flemish Baroque","intro","The Low Countries in the 1600s: Rubens's Antwerp and the painters of the Dutch Republic.","wing","Style galleries","floor","layout","enfilade","hang",754,"/galleries/style/dutch-and-flemish-baroque","total",94,"page","works",[200,201,202,203,204,205,206,207,208,209,210,211,212,213,214,215],"walls",[173,174,175,176],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6NzU0LCJpIjpudWxsLCJnIjoiNEZaMk4wUzYifQ","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/dutch-and-flemish-baroque?hang=754&cursor=eyJvIjoxNiwiaCI6NzU0LCJpIjpudWxsLCJnIjoiNEZaMk4wUzYifQ&via=continue","label","Dutch and Flemish Baroque, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/1031/480.jpg","https://img.ochreeditions.com/a/1698/480.jpg","https://img.ochreeditions.com/a/1567/480.jpg","https://img.ochreeditions.com/a/1300/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":77},{"_154":166,"_123":167,"_44":168,"_140":169},"17th-century Netherlands","era/17-netherlands","/galleries/era/17-netherlands?hang=754&via=continue",91,"More by Rembrandt van Rijn","artist/rembrandt-van-rijn","/galleries/artist/rembrandt-van-rijn?hang=754&via=continue",{"_42":194,"_178":195},{"_42":188,"_178":189},{"_42":183,"_178":184},{"_42":177,"_178":179},"Second room, north wall","work_ids",[99,180,181,182],1173,250,1142,"Second room, south wall",[185,103,186,187],157,577,1159,"First room, south wall",[190,191,192,193],1027,1570,210,1566,"First room, north wall",[196,197,198,199],126,1563,267,1337,{"_216":196,"_217":1087,"_20":1088,"_220":1089,"_222":-5,"_223":1090,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":231,"_232":447,"_234":1091,"_236":1092,"_238":582,"_240":1093,"_242":1094,"_244":1095,"_246":1096,"_248":347,"_250":1097,"_252":253,"_254":1098,"_154":-5,"_256":-5,"_111":1099,"_259":1100,"_261":1101,"_263":1102,"_265":1103,"_267":1104,"_144":1105,"_270":1106},{"_216":197,"_217":1040,"_20":1041,"_220":1042,"_222":-5,"_223":1043,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":730,"_232":731,"_234":732,"_236":-5,"_238":-5,"_240":-5,"_242":1044,"_244":1045,"_246":1046,"_248":736,"_250":1047,"_252":253,"_254":1048,"_154":-5,"_256":1049,"_111":1050,"_259":1051,"_261":1052,"_263":1053,"_265":1054,"_267":1055,"_144":1056,"_270":1057},{"_216":198,"_217":991,"_20":992,"_220":993,"_222":-5,"_223":994,"_225":226,"_227":554,"_229":-5,"_125":230,"_28":730,"_232":731,"_234":995,"_236":996,"_238":997,"_240":582,"_242":998,"_244":999,"_246":1000,"_248":347,"_250":1001,"_252":253,"_254":1002,"_154":-5,"_256":-5,"_111":1003,"_259":1004,"_261":1005,"_263":1006,"_265":1007,"_267":1008,"_144":1009,"_270":1010},{"_216":199,"_217":945,"_20":946,"_220":947,"_222":-5,"_223":948,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":231,"_232":447,"_234":949,"_236":950,"_238":951,"_240":952,"_242":953,"_244":954,"_246":955,"_248":736,"_250":956,"_252":253,"_254":957,"_154":-5,"_256":958,"_111":959,"_259":960,"_261":961,"_263":962,"_265":963,"_267":964,"_144":965,"_270":966},{"_216":190,"_217":888,"_20":889,"_220":890,"_222":-5,"_223":891,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":892,"_232":893,"_234":894,"_236":895,"_238":896,"_240":897,"_242":898,"_244":899,"_246":900,"_248":249,"_250":901,"_252":253,"_254":902,"_154":-5,"_256":-5,"_111":903,"_259":904,"_261":905,"_263":906,"_265":907,"_267":908,"_144":909,"_270":910},{"_216":191,"_217":839,"_20":840,"_220":841,"_222":-5,"_223":842,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":730,"_232":731,"_234":732,"_236":-5,"_238":-5,"_240":-5,"_242":843,"_244":844,"_246":845,"_248":736,"_250":846,"_252":253,"_254":847,"_154":-5,"_256":-5,"_111":848,"_259":849,"_261":850,"_263":851,"_265":852,"_267":853,"_144":854,"_270":855},{"_216":192,"_217":791,"_20":792,"_220":793,"_222":-5,"_223":794,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":231,"_232":447,"_234":235,"_236":795,"_238":557,"_240":750,"_242":796,"_244":797,"_246":798,"_248":347,"_250":799,"_252":253,"_254":800,"_154":-5,"_256":-5,"_111":688,"_259":801,"_261":802,"_263":803,"_265":804,"_267":805,"_144":806,"_270":807},{"_216":193,"_217":727,"_20":728,"_220":729,"_222":-5,"_223":-5,"_225":53,"_227":228,"_229":-5,"_125":230,"_28":730,"_232":731,"_234":732,"_236":-5,"_238":-5,"_240":-5,"_242":733,"_244":734,"_246":735,"_248":736,"_250":737,"_252":253,"_254":738,"_154":-5,"_256":739,"_111":740,"_259":741,"_261":742,"_263":743,"_265":744,"_267":745,"_144":746,"_270":747},{"_216":185,"_217":677,"_20":678,"_220":679,"_222":-5,"_223":680,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":231,"_232":447,"_234":235,"_236":681,"_238":682,"_240":626,"_242":683,"_244":684,"_246":685,"_248":347,"_250":686,"_252":253,"_254":687,"_154":-5,"_256":-5,"_111":688,"_259":689,"_261":690,"_263":691,"_265":692,"_267":693,"_144":694,"_270":695},{"_216":103,"_217":619,"_20":620,"_220":621,"_222":-5,"_223":622,"_225":623,"_227":228,"_229":-5,"_125":230,"_28":231,"_232":447,"_234":624,"_236":625,"_238":626,"_240":627,"_242":628,"_244":629,"_246":630,"_248":347,"_250":631,"_252":253,"_254":632,"_154":-5,"_256":-5,"_111":633,"_259":634,"_261":635,"_263":636,"_265":637,"_267":638,"_144":639,"_270":640},{"_216":186,"_217":550,"_20":551,"_220":552,"_222":-5,"_223":553,"_225":226,"_227":554,"_229":-5,"_125":230,"_28":231,"_232":447,"_234":555,"_236":556,"_238":557,"_240":558,"_242":559,"_244":560,"_246":561,"_248":562,"_250":563,"_252":253,"_254":564,"_154":565,"_256":-5,"_111":566,"_259":567,"_261":568,"_263":569,"_265":570,"_267":571,"_144":572,"_270":573},{"_216":187,"_217":497,"_20":498,"_220":499,"_222":-5,"_223":500,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":231,"_232":233,"_234":235,"_236":501,"_238":502,"_240":503,"_242":504,"_244":505,"_246":506,"_248":249,"_250":507,"_252":253,"_254":508,"_154":-5,"_256":509,"_111":510,"_259":511,"_261":512,"_263":513,"_265":514,"_267":515,"_144":516,"_270":517},{"_216":99,"_217":443,"_20":444,"_220":445,"_222":-5,"_223":446,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":231,"_232":447,"_234":235,"_236":448,"_238":449,"_240":450,"_242":451,"_244":452,"_246":453,"_248":347,"_250":454,"_252":253,"_254":455,"_154":-5,"_256":456,"_111":457,"_259":458,"_261":459,"_263":460,"_265":461,"_267":462,"_144":463,"_270":464},{"_216":180,"_217":391,"_20":392,"_220":393,"_222":-5,"_223":394,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":231,"_232":233,"_234":235,"_236":395,"_238":396,"_240":397,"_242":398,"_244":399,"_246":400,"_248":249,"_250":401,"_252":253,"_254":402,"_154":-5,"_256":-5,"_111":403,"_259":404,"_261":405,"_263":406,"_265":407,"_267":408,"_144":409,"_270":410},{"_216":181,"_217":335,"_20":336,"_220":337,"_222":-5,"_223":338,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":339,"_232":340,"_234":341,"_236":342,"_238":226,"_240":343,"_242":344,"_244":345,"_246":346,"_248":347,"_250":348,"_252":253,"_254":349,"_154":-5,"_256":350,"_111":351,"_259":352,"_261":353,"_263":354,"_265":355,"_267":356,"_144":357,"_270":358},{"_216":182,"_217":218,"_20":219,"_220":221,"_222":-5,"_223":224,"_225":226,"_227":228,"_229":-5,"_125":230,"_28":231,"_232":233,"_234":235,"_236":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_154":-5,"_256":257,"_111":258,"_259":260,"_261":262,"_263":264,"_265":266,"_267":268,"_144":269,"_270":271},"id","slug","self-portrait-met-437397","Self-Portrait","artist",{"_42":319,"_217":320,"_321":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_140":77},"unrecorded","date","1660","century",17,"place","netherlands","movement","dutch-and-flemish-baroque","painting","classification","Paintings","medium","Oil on canvas","dimensions","31 5/8 x 26 1/2 in. (80.3 x 67.3 cm)","width_cm",67.3,"height_cm",80.3,"aspect",0.8245,"palette",[302,303,304,305,306],"museum",{"_216":297,"_217":298,"_42":299,"_300":301},"credit","Courtesy of The Metropolitan Museum of Art","accession","14.40.618","licence","CC0","story","Rembrandt van Rijn painted this in 1660, aged 54. It is now at The Met in New York.","note","Rembrandt, at fifty-four, looks out at us with a steady, weary gaze, wearing a dark beret and a plain coat, his face built up in thick, mottled paint that records every fold and blemish.","Self-Portrait, by Rembrandt van Rijn, 1660","images",{"_291":292,"_293":294,"_295":296},"download_url","https://img.ochreeditions.com/m/1142.jpg?dl=1","page_url","/art/self-portrait-met-437397","walk_url","/galleries/style/dutch-and-flemish-baroque/self-portrait-met-437397","frame",{"_287":288,"_289":290},{"_220":279,"_125":280,"_281":282},"size",{"_272":273,"_274":275,"_276":277,"_278":241},"w",81.20735,"h",95.3,"image_w",66.20735,"image_h",{"_283":220,"_123":171,"_154":170,"_140":77},{"_283":125,"_123":284,"_154":285,"_140":286},"era",{"_283":281,"_123":167,"_154":166,"_140":169},"facet","style/painting-17","More paintings of the 17th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1142/480.jpg","960","https://img.ochreeditions.com/a/1142/960.jpg","1920","https://img.ochreeditions.com/a/1142/1920.jpg","met","the-met","The Metropolitan Museum of Art","city","New York",{"_307":317,"_309":318},{"_307":315,"_309":316},{"_307":313,"_309":314},{"_307":311,"_309":312},{"_307":308,"_309":310},"hex","#78502f","weight",0.0598,"#452f19",0.158,"#120804",0.1748,"#322112",0.2751,"#221408",0.3323,"Rembrandt van Rijn","rembrandt-van-rijn","bio","Dutch, 1606–1669","nationality","Dutch","birth_year",1606,"death_year",1669,"birth_place","Leiden","death_place","Amsterdam","about_excerpt","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","seated-female-nude-aic-90536","Seated Female Nude",{"_42":319,"_217":320,"_321":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_140":77},"1660/62","watercolour","Drawing and Watercolor","Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card","Primary/secondary supports: 21.2 × 17.5 cm (8 3/8 × 6 15/16 in.)",21,0.8259301442672741,[377,378,379,380,381],{"_216":373,"_217":374,"_42":375,"_300":376},"Courtesy of the Art Institute of Chicago","1953.38","Rembrandt van Rijn painted this in 1660/62, aged about 54. It is now at the Art Institute of Chicago.","A nude woman sits on a low stool, her head bowed, drawn with a few rapid pen lines and broad sweeps of brown wash. Rembrandt drew from the model with his pupils in the studio, and he rejected the idealised bodies of classical art in favour of real, unglamorous flesh, a choice that troubled some later critics.","Brown-tone drawing of a nude woman seated on a small stool, looking downward.",{"_291":370,"_293":371,"_295":372},"https://img.ochreeditions.com/m/250.jpg?dl=1","/art/seated-female-nude-aic-90536","/galleries/style/dutch-and-flemish-baroque/seated-female-nude-aic-90536",{"_287":368,"_289":369},{"_220":363,"_125":364,"_281":365},{"_272":359,"_274":360,"_276":361,"_278":362},44.64825360668185,49,20.648253606681852,25,{"_283":220,"_123":171,"_154":170,"_140":77},{"_283":125,"_123":366,"_154":367,"_140":226},{"_283":281,"_123":167,"_154":166,"_140":169},"style/watercolour-17","More watercolours of the 17th century","black","snow","https://img.ochreeditions.com/a/250/480.jpg","https://img.ochreeditions.com/a/250/960.jpg","https://img.ochreeditions.com/a/250/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_307":389,"_309":390},{"_307":387,"_309":388},{"_307":386,"_309":385},{"_307":384,"_309":385},{"_307":382,"_309":383},"#7b6859",0.1533,"#9e8570",0.1807,"#e9dac8","#bda48d",0.2406,"#d2bba4",0.2447,"young-woman-with-a-water-pitcher-met-437881","Young Woman with a Water Pitcher",{"_42":437,"_217":438,"_321":439,"_323":324,"_325":440,"_327":441,"_329":442,"_331":442,"_333":-5,"_140":101},"ca. 1662","18 x 16 in. (45.7 x 40.6 cm)",40.6,45.7,0.8890325918261769,[422,423,424,425,426],{"_216":297,"_217":298,"_42":299,"_300":301},"89.15.21","Johannes Vermeer painted this in about 1662, aged about 25. It is now at The Met in New York.","Young Woman with a Water Pitcher, by Johannes Vermeer, ca. 1662",{"_291":419,"_293":420,"_295":421},"https://img.ochreeditions.com/m/1173.jpg?dl=1","/art/young-woman-with-a-water-pitcher-met-437881","/galleries/style/dutch-and-flemish-baroque/young-woman-with-a-water-pitcher-met-437881",{"_287":288,"_289":290},{"_220":414,"_125":415,"_281":416},{"_272":411,"_274":412,"_276":413,"_278":397},55.62878944645629,60.7,40.62878944645629,{"_283":220,"_123":417,"_154":418,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johannes-vermeer","Johannes Vermeer's contemporaries","https://img.ochreeditions.com/a/1173/480.jpg","https://img.ochreeditions.com/a/1173/960.jpg","https://img.ochreeditions.com/a/1173/1920.jpg",{"_307":435,"_309":436},{"_307":433,"_309":434},{"_307":431,"_309":432},{"_307":429,"_309":430},{"_307":427,"_309":428},"#1d1c25",0.1678,"#35342f",0.1815,"#8a816f",0.1883,"#656660",0.2111,"#534330",0.2513,"Johannes Vermeer","johannes-vermeer","Dutch, 1632–1675",1632,1675,"Delft","the-watermill-with-the-great-red-roof-aic-869","The Watermill with the Great Red Roof",{"_42":491,"_217":492,"_321":493,"_323":324,"_325":494,"_327":495,"_329":-5,"_331":-5,"_333":496,"_140":97},"c. 1665","Painting","81.3 × 110 cm (32 × 43 1/4 in.); Framed: 101.3 × 130.5 × 8.3 cm (39 7/8 × 51 3/8 × 3 1/4 in.)",110,81,1.3553896942730013,[476,477,478,479,480],{"_216":373,"_217":374,"_42":375,"_300":376},"1894.1031","Meindert Hobbema painted this in about 1665, aged about 22. It is now at the Art Institute of Chicago.","A watermill with a striking red roof stands beside a muddy brown river at the right, water churning through its wheel, while a twisting tree leans across the foreground and three small figures pass in the distance under a grey and blue sky.","Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.",{"_291":473,"_293":474,"_295":475},"https://img.ochreeditions.com/m/3.jpg?dl=1","/art/the-watermill-with-the-great-red-roof-aic-869","/galleries/style/dutch-and-flemish-baroque/the-watermill-with-the-great-red-roof-aic-869",{"_287":288,"_289":290},{"_220":468,"_125":469,"_281":470},{"_272":465,"_274":466,"_276":449,"_278":467},125,96.15747114264535,81.15747114264535,{"_283":220,"_123":471,"_154":472,"_140":97},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/3/480.jpg","https://img.ochreeditions.com/a/3/960.jpg","https://img.ochreeditions.com/a/3/1920.jpg",{"_307":489,"_309":490},{"_307":487,"_309":488},{"_307":485,"_309":486},{"_307":483,"_309":484},{"_307":481,"_309":482},"#5e563d",0.133,"#9d9685",0.1469,"#39301d",0.2337,"#211a10",0.2367,"#7e8179",0.2497,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","the-dissolute-household-met-437747","The Dissolute Household",{"_42":544,"_217":545,"_321":546,"_323":324,"_325":547,"_327":548,"_329":330,"_331":330,"_333":549,"_140":99},"ca. 1663–64","42 1/2 x 35 1/2 in. (108 x 90.2 cm)",90.2,108,0.8473560823131023,[529,530,531,532,533],{"_216":297,"_217":298,"_42":299,"_300":301},"1982.60.31","Jan Steen painted this in about 1663–64, aged about 37. It is now at The Met in New York.","A household has slid into disorder: someone has nodded off at the table, a lute lies about, and food, drink and idle company are everywhere. Jan Steen made such scenes his speciality, so much so that ‘a Jan Steen household’ became a Dutch expression for a chaotic home.","The Dissolute Household, by Jan Steen, ca. 1663–64",{"_291":526,"_293":527,"_295":528},"https://img.ochreeditions.com/m/1159.jpg?dl=1","/art/the-dissolute-household-met-437747","/galleries/style/dutch-and-flemish-baroque/the-dissolute-household-met-437747",{"_287":288,"_289":290},{"_220":521,"_125":522,"_281":523},{"_272":518,"_274":519,"_276":520,"_278":503},106.51445688981505,123,91.51445688981505,{"_283":220,"_123":524,"_154":525,"_140":99},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/jan-steen","More by Jan Steen","https://img.ochreeditions.com/a/1159/480.jpg","https://img.ochreeditions.com/a/1159/960.jpg","https://img.ochreeditions.com/a/1159/1920.jpg",{"_307":542,"_309":543},{"_307":540,"_309":541},{"_307":538,"_309":539},{"_307":536,"_309":537},{"_307":534,"_309":535},"#7e7a66",0.0749,"#50341a",0.1753,"#5f4f33",0.2083,"#24211a",0.2127,"#392d1d",0.3288,"Jan Steen","jan-steen","Dutch, 1626–1679",1626,1679,"Steen was born in Leiden, the son of a brewer, and worked there and in The Hague, Delft and Haarlem; for a time he also ran a brewery and later an inn.","portrait-of-isabella-brant-cma-125247","Portrait of Isabella Brant",{"_42":610,"_217":611,"_321":612,"_323":613,"_325":614,"_327":615,"_329":616,"_331":617,"_333":618,"_140":95},"c. 1620–25","flanders","oil on wood","Framed: 83 x 73.5 x 9 cm (32 11/16 x 28 15/16 x 3 9/16 in.); Unframed: 53 x 46 cm (20 7/8 x 18 1/8 in.)",46,53,0.8461764705882353,[595,596,597,598,599],{"_216":591,"_217":592,"_42":593,"_300":594},"Courtesy of the Cleveland Museum of Art","1947.207","Peter Paul Rubens painted this in about 1620–25, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":588,"_589":590},"Portrait of Isabella Brant, by Peter Paul Rubens, c. 1620–25",{"_291":585,"_293":586,"_295":587},"https://img.ochreeditions.com/m/577.jpg?dl=1","/art/portrait-of-isabella-brant-cma-125247","/galleries/style/dutch-and-flemish-baroque/portrait-of-isabella-brant-cma-125247",{"_287":288,"_289":290},{"_220":577,"_125":578,"_281":579},{"_272":574,"_274":575,"_276":576,"_278":558},59.847352941176474,68,44.847352941176474,{"_283":220,"_123":583,"_154":584,"_140":95},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":580,"_154":581,"_140":582},"era/17-flanders","17th-century Flanders",30,"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/577/480.jpg","https://img.ochreeditions.com/a/577/960.jpg","https://img.ochreeditions.com/a/577/1920.jpg","Isabella Brant was Rubens’s first wife. He painted her many times in many different ways before she died at the age of 35 (she is a model for a nymph in the other work by Rubens in this room).","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_307":608,"_309":609},{"_307":606,"_309":607},{"_307":604,"_309":605},{"_307":602,"_309":603},{"_307":600,"_309":601},"#7c6248",0.0544,"#ac9171",0.1131,"#463727",0.1806,"#11110c",0.2983,"#2e271c",0.3536,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640","Flemish",1577,1640,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","a-mother-feeding-her-child-the-happy-mother-aic-497","A Mother Feeding her Child (The Happy Mother)",{"_42":672,"_217":673,"_321":674,"_323":324,"_325":675,"_327":676,"_329":-5,"_331":-5,"_333":-5,"_140":103},"1707",18,"Oil on panel","56.9 × 48.4 cm (22 3/8 × 19 1/16 in.); Framed: 83.2 × 74.6 × 6.4 cm (32 3/4 × 29 3/8 × 2 1/2 in.)",48,56,0.8391334015694303,[657,658,659,660,661],{"_216":373,"_217":374,"_42":375,"_300":376},"1890.42","Willem van Mieris painted this in 1707, aged 45. It is now at the Art Institute of Chicago.","Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.",{"_291":654,"_293":655,"_295":656},"https://img.ochreeditions.com/m/1.jpg?dl=1","/art/a-mother-feeding-her-child-the-happy-mother-aic-497","/galleries/style/dutch-and-flemish-baroque/a-mother-feeding-her-child-the-happy-mother-aic-497",{"_287":288,"_289":290},{"_220":644,"_125":645,"_281":646},{"_272":641,"_274":642,"_276":643,"_278":627},61.991470487888094,71,46.991470487888094,{"_283":220,"_123":652,"_154":653,"_140":89},{"_283":125,"_123":650,"_154":651,"_140":286},{"_283":281,"_123":647,"_154":648,"_140":649},"era/18","The 18th century",347,"style/painting-18","More paintings of the 18th century","artist/contemporaries-of-willem-van-mieris","Willem van Mieris's contemporaries","https://img.ochreeditions.com/a/1/480.jpg","https://img.ochreeditions.com/a/1/960.jpg","https://img.ochreeditions.com/a/1/1920.jpg",{"_307":670,"_309":671},{"_307":668,"_309":669},{"_307":666,"_309":667},{"_307":664,"_309":665},{"_307":662,"_309":663},"#867158",0.0475,"#67451e",0.0477,"#1b130c",0.237,"#42331f",0.2428,"#2e1e12",0.425,"Willem van Mieris","willem-van-mieris","Dutch, 1662–1747",1662,1747,"lady-playing-with-a-dog-aic-49068","Lady Playing with a Dog",{"_42":722,"_217":723,"_321":724,"_323":324,"_325":725,"_327":726,"_329":-5,"_331":-5,"_333":-5,"_140":103},"c. 1670","48.5 × 38 cm (19 1/8 × 14 15/16 in.); Framed: 63.2 × 52.8 × 6.4 cm (24 7/8 × 20 3/4 × 2 1/2 in.)",38,0.7778744561839652,[707,708,709,710,711],{"_216":373,"_217":374,"_42":375,"_300":376},"1943.1183","Eglon van der Neer painted this in about 1670, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_291":704,"_293":705,"_295":706},"https://img.ochreeditions.com/m/157.jpg?dl=1","/art/lady-playing-with-a-dog-aic-49068","/galleries/style/dutch-and-flemish-baroque/lady-playing-with-a-dog-aic-49068",{"_287":288,"_289":290},{"_220":699,"_125":700,"_281":701},{"_272":696,"_274":697,"_276":698,"_278":626},52.337973896830334,63,37.337973896830334,{"_283":220,"_123":702,"_154":703,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-eglon-van-der-neer","Eglon van der Neer's contemporaries","https://img.ochreeditions.com/a/157/480.jpg","https://img.ochreeditions.com/a/157/960.jpg","https://img.ochreeditions.com/a/157/1920.jpg",{"_307":720,"_309":721},{"_307":718,"_309":719},{"_307":716,"_309":717},{"_307":714,"_309":715},{"_307":712,"_309":713},"#857140",0.0903,"#5a4c2d",0.1228,"#292015",0.1709,"#41301d",0.1822,"#1d1a13",0.4338,"Eglon van der Neer","eglon-van-der-neer","Dutch, 1634–1703",1634,1703,"the-boulder-crowned-with-trees-nga-53886","The Boulder Crowned with Trees",{"_42":785,"_217":786,"_321":787,"_323":324,"_325":788,"_327":789,"_329":-5,"_331":-5,"_333":790,"_140":97},"print","Print","etching",1.5126282557221784,[770,771,772,773,774],{"_216":766,"_217":767,"_42":768,"_300":769},"Courtesy National Gallery of Art, Washington","1973.32.18","Herman van Swanevelt made this. It is now at the National Gallery of Art in Washington, DC.","A boulder crowned with trees rises in an oval landscape framed by overhanging branches, with distant mountains and a winding path where a small figure gives the scene its scale.","The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.",{"_291":763,"_293":764,"_295":765},"https://img.ochreeditions.com/m/1566.jpg?dl=1","/art/the-boulder-crowned-with-trees-nga-53886","/galleries/style/dutch-and-flemish-baroque/the-boulder-crowned-with-trees-nga-53886",{"_287":368,"_289":369},{"_220":752,"_125":753,"_281":754},{"_272":748,"_274":749,"_276":750,"_278":751},84,63.66605791807983,60,39.66605791807983,{"_283":220,"_123":761,"_154":762,"_140":97},{"_283":125,"_123":758,"_154":759,"_140":760},{"_283":281,"_123":755,"_154":756,"_140":757},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1566/480.jpg","https://img.ochreeditions.com/a/1566/960.jpg","https://img.ochreeditions.com/a/1566/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_307":783,"_309":784},{"_307":781,"_309":782},{"_307":779,"_309":780},{"_307":777,"_309":778},{"_307":775,"_309":776},"#615549",0.1332,"#cfbda5",0.2065,"#7c6e5e",0.2098,"#968775",0.2143,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","portrait-of-a-woman-aic-80524","Portrait of a woman",{"_42":834,"_217":835,"_321":836,"_323":324,"_325":837,"_327":838,"_329":-5,"_331":-5,"_333":-5,"_140":103},"c. 1655","60 × 46.6 cm (23 5/8 × 18 5/16 in.); Framed: 78.5 × 65.5 × 9.6 cm (30 7/8 × 25 3/4 × 3 3/4 in.)",0.7874678512976385,[819,820,821,822,823],{"_216":373,"_217":374,"_42":375,"_300":376},"1954.281","Ferdinand Bol painted this in about 1655, aged about 34. It is now at the Art Institute of Chicago.",{"_291":816,"_293":817,"_295":818},"https://img.ochreeditions.com/m/210.jpg?dl=1","/art/portrait-of-a-woman-aic-80524","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-woman-aic-80524",{"_287":288,"_289":290},{"_220":811,"_125":812,"_281":813},{"_272":808,"_274":809,"_276":810,"_278":750},62.24807107785831,75,47.24807107785831,{"_283":220,"_123":814,"_154":815,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ferdinand-bol","Ferdinand Bol's contemporaries","https://img.ochreeditions.com/a/210/480.jpg","https://img.ochreeditions.com/a/210/960.jpg","https://img.ochreeditions.com/a/210/1920.jpg",{"_307":832,"_309":833},{"_307":830,"_309":831},{"_307":828,"_309":829},{"_307":826,"_309":827},{"_307":824,"_309":825},"#796343",0.0559,"#b1946b",0.0859,"#403320",0.1513,"#251d13",0.3072,"#16110c",0.3997,"Ferdinand Bol","ferdinand-bol","Dutch, 1616–1680",1616,1680,"woman-crossing-a-stream-nga-54023","Woman Crossing a Stream",{"_42":884,"_217":885,"_321":886,"_323":324,"_325":547,"_327":887,"_329":-5,"_331":-5,"_333":-5,"_140":101},"1662",1.2183224271267104,[869,870,871,872,873],{"_216":766,"_217":767,"_42":768,"_300":769},"1973.54.6","Karel Dujardin made this in 1662, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman standing close to us, slightly turned to the side, looking down, with a hand supporting her draped attire and the other grasping a stick. Next to her, a donkey drinks from a shallow stream, carrying a large wicker basket with barrels inside. A dog is splashing in the water beside them. The horizon is low, meeting a rise of land with trees and shrubs, leading the eye to a distant pathway where a couple of small figures can be seen. The sky above has sketchily rendered clouds. The style involves fine, detailed linework, characteristic of etching, emphasizing textures such as the fur of the donkey and the folds of the fabric. The color palette is monochromatic, relying on various intensities of ink and line density to render shadows and highlights.",{"_291":866,"_293":867,"_295":868},"https://img.ochreeditions.com/m/1570.jpg?dl=1","/art/woman-crossing-a-stream-nga-54023","/galleries/style/dutch-and-flemish-baroque/woman-crossing-a-stream-nga-54023",{"_287":368,"_289":369},{"_220":858,"_125":859,"_281":860},{"_272":748,"_274":856,"_276":750,"_278":857},73.248046875,49.248046875,{"_283":220,"_123":864,"_154":865,"_140":89},{"_283":125,"_123":861,"_154":862,"_140":863},{"_283":281,"_123":167,"_154":166,"_140":169},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-karel-dujardin","Karel Dujardin's contemporaries","https://img.ochreeditions.com/a/1570/480.jpg","https://img.ochreeditions.com/a/1570/960.jpg","https://img.ochreeditions.com/a/1570/1920.jpg",{"_307":882,"_309":883},{"_307":880,"_309":881},{"_307":878,"_309":879},{"_307":876,"_309":877},{"_307":874,"_309":875},"#706358",0.0646,"#8f8072",0.1358,"#aa9988",0.2163,"#c2b09b",0.2803,"#d7c5af",0.303,"Karel Dujardin","karel-dujardin","Dutch, 1626–1678",1678,"reading-the-news-at-the-weavers-cottage-met-337632","Reading the News at the Weavers' Cottage",{"_42":939,"_217":940,"_321":941,"_323":324,"_325":942,"_327":943,"_329":944,"_331":944,"_333":-5,"_140":103},"1673","drawing","Drawings","Pen and brown ink, watercolor, white heightening, over graphite; framing lines in pen and brown ink and gold","9 5/8 x 7 15/16 in. (24.4 x 20.2 cm)",20.2,24.4,0.8197588944428109,[924,925,926,927,928],{"_216":297,"_217":298,"_42":299,"_300":301},"1997.117.10","Adriaen van Ostade painted this in 1673, aged 63. It is now at The Met in New York.","Reading the News at the Weavers' Cottage, by Adriaen van Ostade, 1673",{"_291":921,"_293":922,"_295":923},"https://img.ochreeditions.com/m/1027.jpg?dl=1","/art/reading-the-news-at-the-weavers-cottage-met-337632","/galleries/style/dutch-and-flemish-baroque/reading-the-news-at-the-weavers-cottage-met-337632",{"_287":368,"_289":369},{"_220":913,"_125":914,"_281":915},{"_272":911,"_274":360,"_276":912,"_278":362},44.49397236107028,20.493972361070274,{"_283":220,"_123":919,"_154":920,"_140":89},{"_283":125,"_123":916,"_154":917,"_140":918},{"_283":281,"_123":167,"_154":166,"_140":169},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-adriaen-van-ostade","Adriaen van Ostade's contemporaries","https://img.ochreeditions.com/a/1027/480.jpg","https://img.ochreeditions.com/a/1027/960.jpg","https://img.ochreeditions.com/a/1027/1920.jpg",{"_307":937,"_309":938},{"_307":935,"_309":936},{"_307":933,"_309":934},{"_307":931,"_309":932},{"_307":929,"_309":930},"#cfbda3",0.0996,"#aa967e",0.1341,"#62564d",0.2005,"#897a69",0.2382,"#766859",0.3276,"Adriaen van Ostade","adriaen-van-ostade","Dutch, 1610–1685",1610,1685,"Haarlem","the-mill-nga-1201","The Mill",{"_42":319,"_217":320,"_321":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_140":77},"1645/1648","oil on canvas","overall: 87.6 x 105.6 cm (34 1/2 x 41 9/16 in.) framed: 125.1 × 142.24 cm (49 1/4 × 56 in.)",105.6,87.6,1.1973107278573516,[976,977,978,979,980],{"_216":766,"_217":767,"_42":768,"_300":769},"1942.9.62","Rembrandt van Rijn painted this in 1645/1648, aged about 39. It is now at the National Gallery of Art in Washington, DC.","A windmill stands dark on a bastion above the water, its sails catching the light against a stormy sky, while a woman washes clothes at the bank, a mother and child walk down the path and a man in a red jacket rows past.","A windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landcape painting. The promontory and mill are painted in muted tones of brown and rust orange, while steel-gray and white clouds encircle a topaz-blue sky above. The promontory juts into the scene from our left, and the front of the windmill is angled to our right so its golden-tan sails catch the light. Silvery water winds around the base of the promontory and extends to a dark green, shadowy bank on the far side. A boat in the lower right corner of the composition is rowed by a man wearing a red jacket and cap. A path runs to the water’s edge from the left edge of the painting, in front of the promontory’s retaining wall, which is shored up with stones or panels. A person in dark clothing close to the windmill seems to rest their arms on the retaining wall, their back to us. Closer to us, a woman holds a child’s hand as they walk down the path to the bank. A bearded man with tattered brown clothes and bare feet stands leaning against the wall near a woman wearing burnt-orange garment. She sits or kneels at the water’s edge in front of a basket of clothes and holds up a brown cloth. The olive-green forms of the trees on the far bank are reflected in the water, and closer inspection reveals two cows near the water there. Charcoal-gray clouds pile up along the left of the painting and span the top edge. There is a brilliant blue sky beyond and a screen of white clouds near the horizon, which comes about a third of the way up the canvas.",{"_291":973,"_293":974,"_295":975},"https://img.ochreeditions.com/m/1337.jpg?dl=1","/art/the-mill-nga-1201","/galleries/style/dutch-and-flemish-baroque/the-mill-nga-1201",{"_287":288,"_289":290},{"_220":970,"_125":971,"_281":972},{"_272":967,"_274":968,"_276":951,"_278":969},120.6,103.19765625,88.19765625,{"_283":220,"_123":171,"_154":170,"_140":77},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1337/480.jpg","https://img.ochreeditions.com/a/1337/960.jpg","https://img.ochreeditions.com/a/1337/1920.jpg",{"_307":989,"_309":990},{"_307":987,"_309":988},{"_307":985,"_309":986},{"_307":983,"_309":984},{"_307":981,"_309":982},"#7e8073",0.1657,"#c2c3b0",0.1675,"#564733",0.176,"#3b271c",0.1904,"#2a2520",0.3004,"landscape-with-sheep-from-the-small-landscapes-aic-108949","Landscape with Sheep, from The Small Landscapes",{"_42":1037,"_217":1038,"_321":324,"_323":324,"_325":-5,"_327":1039,"_329":-5,"_331":-5,"_333":-5,"_140":103},"c. 1638","Engraving on ivory laid paper","Image: 30.5 × 45.5 cm (12 1/16 × 17 15/16 in.); Sheet: 31.8 × 45.8 cm (12 9/16 × 18 1/16 in.)",45,1.430670626856339,[1022,1023,1024,1025,1026],{"_216":373,"_217":374,"_42":375,"_300":376},"1920.2021","Schelte Adamsz. Bolswert made this in about 1638. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_291":1019,"_293":1020,"_295":1021},"https://img.ochreeditions.com/m/267.jpg?dl=1","/art/landscape-with-sheep-from-the-small-landscapes-aic-108949","/galleries/style/dutch-and-flemish-baroque/landscape-with-sheep-from-the-small-landscapes-aic-108949",{"_287":368,"_289":369},{"_220":1014,"_125":1015,"_281":1016},{"_272":1011,"_274":1012,"_276":997,"_278":1013},69,55.45378059440559,31.453780594405593,{"_283":220,"_123":1017,"_154":1018,"_140":89},{"_283":125,"_123":861,"_154":862,"_140":863},{"_283":281,"_123":580,"_154":581,"_140":582},"artist/contemporaries-of-schelte-adamsz-bolswert","Schelte Adamsz. Bolswert's contemporaries","https://img.ochreeditions.com/a/267/480.jpg","https://img.ochreeditions.com/a/267/960.jpg","https://img.ochreeditions.com/a/267/1920.jpg",{"_307":1035,"_309":1036},{"_307":1033,"_309":1034},{"_307":1031,"_309":1032},{"_307":1029,"_309":1030},{"_307":1027,"_309":1028},"#cebdae",0.0558,"#9a8d80",0.1839,"#796f65",0.2418,"#49443e",0.2429,"#605850",0.2756,"Schelte Adamsz. Bolswert","schelte-adamsz-bolswert",1659,"firs-in-the-defile-nga-53711","Firs in the Defile",{"_42":1082,"_217":1083,"_321":1084,"_323":324,"_325":1085,"_327":441,"_329":-5,"_331":-5,"_333":1086,"_140":99},"probably c. 1645/1656",1.688375927452597,[1068,1069,1070,1071,1072],{"_216":766,"_217":767,"_42":768,"_300":769},"1973.15.115","Allart van Everdingen made this (probably c. 1645/1656), aged about 24. It is now at the National Gallery of Art in Washington, DC.","A narrow mountain pass opens before us, choked with rocks and dark firs, and a building stands silhouetted on the heights in the distance.","The image shows a slightly elevated perspective of a rugged landscape with dense vegetation and rock formations. The horizon is high in the upper third of the image, with a distant building or castle on a hill. The structure is silhouetted against the sky and partially obscured by foliage. Intricate line work and hatching create detailed textures and shading, especially in the trees and clouds. The color palette is monochromatic, using varying shades of brown and sepia to give the artwork an antiquated and rustic appearance.",{"_291":1065,"_293":1066,"_295":1067},"https://img.ochreeditions.com/m/1563.jpg?dl=1","/art/firs-in-the-defile-nga-53711","/galleries/style/dutch-and-flemish-baroque/firs-in-the-defile-nga-53711",{"_287":368,"_289":369},{"_220":1060,"_125":1061,"_281":1062},{"_272":748,"_274":1058,"_276":750,"_278":1059},59.537109375,35.537109375,{"_283":220,"_123":1063,"_154":1064,"_140":99},{"_283":125,"_123":861,"_154":862,"_140":863},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/allart-van-everdingen","More by Allart van Everdingen","https://img.ochreeditions.com/a/1563/480.jpg","https://img.ochreeditions.com/a/1563/960.jpg","https://img.ochreeditions.com/a/1563/1920.jpg",{"_307":1080,"_309":1081},{"_307":1078,"_309":1079},{"_307":1076,"_309":1077},{"_307":1075,"_309":982},{"_307":1073,"_309":1074},"#ccb69a",0.1369,"#493f35","#695b4a",0.1891,"#897862",0.2356,"#a79379",0.2727,"Allart van Everdingen","allart-van-everdingen","Dutch, 1621–1675",1621,"Everdingen trained in Utrecht and Haarlem and in 1644 travelled to Scandinavia, where he sketched the mountains, forests and waterfalls of Norway and Sweden.","portrait-of-a-man-aic-31176","Portrait of a Man",{"_42":1133,"_217":1134,"_321":1135,"_323":324,"_325":1085,"_327":1136,"_329":-5,"_331":-5,"_333":-5,"_140":103},"c. 1650","Oil on copper","36.5 × 30.2 cm (14 3/8 × 11 7/8 in.); Framed: 61 × 54.9 × 3.8 cm (24 × 21 5/8 × 1 1/2 in.)",36,0.8290875405280222,[1118,1119,1120,1121,1122],{"_216":373,"_217":374,"_42":375,"_300":376},"1969.111","Jan Baptist Weenix painted this in about 1650, aged about 19. It is now at the Art Institute of Chicago.","A work made of oil on copper.",{"_291":1115,"_293":1116,"_295":1117},"https://img.ochreeditions.com/m/126.jpg?dl=1","/art/portrait-of-a-man-aic-31176","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-man-aic-31176",{"_287":288,"_289":290},{"_220":1110,"_125":1111,"_281":1112},{"_272":1107,"_274":1108,"_276":1109,"_278":1093},44.8471514590088,51,29.8471514590088,{"_283":220,"_123":1113,"_154":1114,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jan-baptist-weenix","Jan Baptist Weenix's contemporaries","https://img.ochreeditions.com/a/126/480.jpg","https://img.ochreeditions.com/a/126/960.jpg","https://img.ochreeditions.com/a/126/1920.jpg",{"_307":1131,"_309":1132},{"_307":1129,"_309":1130},{"_307":1127,"_309":1128},{"_307":1125,"_309":1126},{"_307":1123,"_309":1124},"#8c6b49",0.0162,"#5a4835",0.0298,"#322b24",0.2857,"#3a332a",0.3007,"#262321",0.3676,"Jan Baptist Weenix","jan-baptist-weenix","Dutch, 1621–1660/69",1660,{"_1138":-5,"_1139":1140,"_1141":1142,"_1143":8,"_1144":1145,"_1146":8},"user","csrf","30322420ecf1cbf222d5230d3ab9bb719bb84d4e","cartCount",0,"dropLive","legal",[1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158],"uploadsEnabled",{"_217":1181,"_20":1182},{"_217":1179,"_20":1180},{"_217":1177,"_20":1178},{"_217":1175,"_20":1176},{"_217":1173,"_20":1174},{"_217":1171,"_20":1172},{"_217":1169,"_20":1170},{"_217":1167,"_20":1168},{"_217":1165,"_20":1166},{"_217":1163,"_20":1164},{"_217":1161,"_20":1162},{"_217":1159,"_20":1160},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]