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It is now at the Art Institute of Chicago.","A watermill with a striking red roof stands beside a muddy brown river at the right, water churning through its wheel, while a twisting tree leans across the foreground and three small figures pass in the distance under a grey and blue sky.","Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.",{"_298":431,"_300":432,"_302":433},"https://img.ochreeditions.com/m/3.jpg?dl=1","/art/the-watermill-with-the-great-red-roof-aic-869","/galleries/style/dutch-and-flemish-baroque/the-watermill-with-the-great-red-roof-aic-869",{"_294":295,"_296":297},{"_227":426,"_125":427,"_288":428},{"_279":423,"_281":424,"_283":406,"_284":425},125,96.15747114264535,81.15747114264535,{"_290":227,"_123":429,"_154":430,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/3/480.jpg","https://img.ochreeditions.com/a/3/960.jpg","https://img.ochreeditions.com/a/3/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":451,"_316":452},{"_314":449,"_316":450},{"_314":447,"_316":448},{"_314":445,"_316":446},{"_314":443,"_316":444},"#5e563d",0.133,"#9d9685",0.1469,"#39301d",0.2337,"#211a10",0.2367,"#7e8179",0.2497,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","head-of-medusa-aic-242705","Head of Medusa",{"_42":516,"_224":517,"_328":518,"_330":519,"_332":520,"_334":521,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1680","flanders","watercolour","Drawing and Watercolor","Pen and brown ink, with traces of black chalk, on cream laid paper","24.5 × 18.1 cm (9 11/16 × 7 3/16 in.)",18,24,0.7411255411255411,[501,502,503,504,505],{"_223":434,"_224":435,"_42":436,"_307":437},"2018.59","Godfried Maes painted this in 1680, aged 31. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with traces of black chalk, on cream laid paper.",{"_298":498,"_300":499,"_302":500},"https://img.ochreeditions.com/m/370.jpg?dl=1","/art/head-of-medusa-aic-242705","/galleries/style/dutch-and-flemish-baroque/head-of-medusa-aic-242705",{"_294":496,"_296":497},{"_227":486,"_125":487,"_288":488},{"_279":483,"_281":484,"_283":485,"_284":368},42.52813852813853,49,18.528138528138527,{"_290":227,"_123":494,"_154":495,"_140":89},{"_290":125,"_123":492,"_154":493,"_140":233},{"_290":288,"_123":489,"_154":490,"_140":491},"era/17-flanders","17th-century Flanders",30,"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-godfried-maes","Godfried Maes's contemporaries","black","snow","https://img.ochreeditions.com/a/370/480.jpg","https://img.ochreeditions.com/a/370/960.jpg","https://img.ochreeditions.com/a/370/1920.jpg",{"_314":514,"_316":515},{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},"#7f5f4a",0.0728,"#cdb097",0.134,"#9e7d65",0.1479,"#b49680",0.1692,"#e1c7b1",0.4761,"Godfried Maes","godfried-maes","Flemish, 1649–1700","Flemish",1649,1700,"the-meeting-of-abraham-and-melchizedek-nga-45640","The Meeting of Abraham and Melchizedek",{"_42":569,"_224":570,"_328":571,"_330":519,"_332":572,"_334":182,"_336":573,"_338":574,"_340":575,"_140":95},"c. 1626","overall: 65.5 x 82.4 cm (25 13/16 x 32 7/16 in.) framed: 96.8 x 113.4 cm (38 1/8 x 44 5/8 in.)",82.4,65.5,1.2529825634750689,[554,555,556,557,558],{"_223":377,"_224":378,"_42":379,"_307":380},"1958.4.1","Peter Paul Rubens painted this in about 1626, aged 49. It is now at the National Gallery of Art in Washington, DC.","The scene is painted as if it were a tapestry, unfurled by winged putti between grey and gold columns: within it, the armoured Abraham, returning from battle, meets the white-bearded priest-king Melchizedek, who brings bread and wine, while attendants carry loaves and huge silver and gold vessels.","This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition. Taking up most of the composition, the tapestry shows two ranks of men, women, and children gathered behind two central men, who meet at the center. All the people have light or tanned skin, and the bodies we can see are muscular. In the central pair of men, the one to our left, Abraham, faces our right in profile as he holds two loaves of bread. He has a brown beard and short, wavy hair, and dark brows over a prominent nose. He looks at the other man with dark eyes and leans toward him, to our right. Abraham wears an armored breastplate over silver chainmail edged with gold, which falls to mid-thigh. A crimson-red cape wraps around his shoulders and swirls around his back. A sword hangs by his hip, and tan sandals cover his heels and shins. Behind him are seven men and one brown horse, who gnaws at its foreleg. Most of the men are bearded and five wear armored helmets. A cleanshaven man wearing a lavender-purple tunic stands with his arm slung over the horse’s neck, holding the rein between thumb and forefinger. The man to our right, Melchizedek has a long white beard and short white hair. His red cap is encircled with a wreath of dark green leaves. He wears a long-sleeved, waist-length, aquamarine-blue garment over a white skirt. A heavy, golden-yellow cape with a broad, white fur collar and lining drapes over his shoulders, and is supported by at least one attendant. Behind and around Melchizedek are eight men, women, and children, standing near stone, gray ruins. Behind Melchizedek, one portly person wearing a dark pink mantle reaches into a basket of bread held across the shoulders of a blond, bearded, bare-chested man. Closer to us, in the lower right corner of the tapestry, one man wearing a green toga and another wearing blue kneel and sit, holding oversized silver and gold urns, the size of their torsos. The man in blue, to our right, turns to look at us over his shoulder. A third large urn sits near the other man. A view into the landscape with a low, green hill and a pale blue sky is glimpsed between the groups. The tapestry showing this scene curls over at the edges where the pudgy angels lift the top edge. The top right corner of the tapestry wraps around the edge of an unseen feature of the building, next to a gray column that rises the height of the painting up along the right edge. The border of the tapestry is rose pink with stylized gold designs. One putto with brown hair holds up the left corner, and one with light gray hair holds up the middle one arm slung over the front of the tapestry. The third putto, with blond hair, hooks an arm over a leafy garland with fruit that hangs from the cornice near the top center of the composition.",{"_298":551,"_300":552,"_302":553},"https://img.ochreeditions.com/m/1506.jpg?dl=1","/art/the-meeting-of-abraham-and-melchizedek-nga-45640","/galleries/style/dutch-and-flemish-baroque/the-meeting-of-abraham-and-melchizedek-nga-45640",{"_294":295,"_296":297},{"_227":546,"_125":547,"_288":548},{"_279":543,"_281":544,"_283":527,"_284":545},97.4,80.76308593750001,65.76308593750001,{"_290":227,"_123":549,"_154":550,"_140":95},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":489,"_154":490,"_140":491},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1506/480.jpg","https://img.ochreeditions.com/a/1506/960.jpg","https://img.ochreeditions.com/a/1506/1920.jpg",{"_314":567,"_316":568},{"_314":565,"_316":566},{"_314":563,"_316":564},{"_314":561,"_316":562},{"_314":559,"_316":560},"#9e8671",0.1563,"#966431",0.1857,"#281e11",0.1927,"#675848",0.2175,"#573717",0.2478,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","insects-and-a-sprig-of-rosemary-nga-216025","Insects and a Sprig of Rosemary",{"_42":621,"_224":622,"_328":623,"_330":519,"_332":624,"_334":625,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1653","oil on copper","overall: 11.5 × 14 cm (4 1/2 × 5 1/2 in.)",11.5,1.2089728453364816,[606,607,608,609,610],{"_223":377,"_224":378,"_42":379,"_307":380},"2018.41.1","Jan van Kessel the Elder painted this in 1653, aged 27. It is now at the National Gallery of Art in Washington, DC.","A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”",{"_298":603,"_300":604,"_302":605},"https://img.ochreeditions.com/m/1697.jpg?dl=1","/art/insects-and-a-sprig-of-rosemary-nga-216025","/galleries/style/dutch-and-flemish-baroque/insects-and-a-sprig-of-rosemary-nga-216025",{"_294":295,"_296":297},{"_227":598,"_125":599,"_288":600},{"_279":366,"_281":596,"_283":368,"_284":597},35.6787109375,20.6787109375,{"_290":227,"_123":601,"_154":602,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":489,"_154":490,"_140":491},"artist/contemporaries-of-jan-van-kessel-the-elder","Jan van Kessel the Elder's contemporaries","https://img.ochreeditions.com/a/1697/480.jpg","https://img.ochreeditions.com/a/1697/960.jpg","https://img.ochreeditions.com/a/1697/1920.jpg",{"_314":619,"_316":620},{"_314":617,"_316":618},{"_314":615,"_316":616},{"_314":613,"_316":614},{"_314":611,"_316":612},"#675440",0.0394,"#a19a76",0.0619,"#5a6c63",0.0904,"#81877f",0.1572,"#aaa296",0.6511,"Jan van Kessel the Elder","jan-van-kessel-the-elder","Flemish, 1626–1679",1626,1679,"the-dissolute-household-met-437747","The Dissolute Household",{"_42":673,"_224":674,"_328":675,"_330":331,"_332":624,"_334":625,"_336":676,"_338":676,"_340":677,"_140":99},"ca. 1663–64","42 1/2 x 35 1/2 in. (108 x 90.2 cm)",90.2,108,0.8473560823131023,[658,659,660,661,662],{"_223":304,"_224":305,"_42":306,"_307":308},"1982.60.31","Jan Steen painted this in about 1663–64, aged about 37. It is now at The Met in New York.","A household has slid into disorder: someone has nodded off at the table, a lute lies about, and food, drink and idle company are everywhere. Jan Steen made such scenes his speciality, so much so that ‘a Jan Steen household’ became a Dutch expression for a chaotic home.","The Dissolute Household, by Jan Steen, ca. 1663–64",{"_298":655,"_300":656,"_302":657},"https://img.ochreeditions.com/m/1159.jpg?dl=1","/art/the-dissolute-household-met-437747","/galleries/style/dutch-and-flemish-baroque/the-dissolute-household-met-437747",{"_294":295,"_296":297},{"_227":650,"_125":651,"_288":652},{"_279":647,"_281":648,"_283":649,"_284":632},106.51445688981505,123,91.51445688981505,{"_290":227,"_123":653,"_154":654,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/jan-steen","More by Jan Steen","https://img.ochreeditions.com/a/1159/480.jpg","https://img.ochreeditions.com/a/1159/960.jpg","https://img.ochreeditions.com/a/1159/1920.jpg",{"_314":671,"_316":672},{"_314":669,"_316":670},{"_314":667,"_316":668},{"_314":665,"_316":666},{"_314":663,"_316":664},"#7e7a66",0.0749,"#50341a",0.1753,"#5f4f33",0.2083,"#24211a",0.2127,"#392d1d",0.3288,"Jan Steen","jan-steen","Dutch, 1626–1679","Leiden","Steen was born in Leiden, the son of a brewer, and worked there and in The Hague, Delft and Haarlem; for a time he also ran a brewery and later an inn.","still-life-with-meat-fish-vegetables-and-fruit-cma-315934","Still Life with Meat, Fish, Vegetables, and Fruit",{"_42":734,"_224":735,"_328":736,"_330":519,"_332":737,"_334":738,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1615–20","Oil on panel, the reverse prepared with gesso","71.5 x 104 cm (28 1/8 x 40 15/16 in.)",104,71.5,1.4505119453924915,[719,720,721,722,723],{"_223":715,"_224":716,"_42":717,"_307":718},"Courtesy of the Cleveland Museum of Art","2018.258","Jacob van Hulsdonck painted this in about 1615–20, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":712,"_713":714},"Still Life with Meat, Fish, Vegetables, and Fruit, by Jacob van Hulsdonck, c. 1615–20",{"_298":709,"_300":710,"_302":711},"https://img.ochreeditions.com/m/787.jpg?dl=1","/art/still-life-with-meat-fish-vegetables-and-fruit-cma-315934","/galleries/style/dutch-and-flemish-baroque/still-life-with-meat-fish-vegetables-and-fruit-cma-315934",{"_294":295,"_296":297},{"_227":704,"_125":705,"_288":706},{"_279":701,"_281":702,"_283":684,"_284":703},119,86.69882352941177,71.69882352941177,{"_290":227,"_123":707,"_154":708,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":489,"_154":490,"_140":491},"artist/contemporaries-of-jacob-van-hulsdonck","Jacob van Hulsdonck's contemporaries","https://img.ochreeditions.com/a/787/480.jpg","https://img.ochreeditions.com/a/787/960.jpg","https://img.ochreeditions.com/a/787/1920.jpg","Jacob van Hulsdonck depicted a colorful array of foods, and tablewares ranging from an earthenware trencher to delicate Chinese porcelain—an expensive luxury made possible by international trade.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},{"_314":726,"_316":727},{"_314":724,"_316":725},"#7d432f",0.0845,"#816e4c",0.141,"#7c7c79",0.1925,"#484438",0.1967,"#251f1b",0.3853,"Jacob van Hulsdonck","jacob-van-hulsdonck","Flemish, 1582–1647",1582,1647,"the-two-statues-nga-56624","The Two Statues",{"_42":787,"_224":788,"_328":789,"_330":519,"_332":182,"_334":790,"_336":-5,"_338":-5,"_340":-5,"_140":103},"print","Print","etching",1.5047759000734753,[773,774,775,776,777],{"_223":377,"_224":378,"_42":379,"_307":380},"1978.25.5","Abraham Genoels II made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a formal garden or park with a symmetrical view. It is taken from a slightly elevated position, revealing the vast space beyond a foreground of foliage and low-growing plants. The horizon line is positioned near the midpoint, where a tree-lined pathway extends into the distance. Flanking the pathway are two statues on pedestals under leafy trees. The scene is detailed with intricate line work emphasizing textures and forms. The color palette is monochromatic in various shades of brown, creating a classic appearance. Paved steps and a bridge over a small body of water add to the ordered elegance of the garden.",{"_298":770,"_300":771,"_302":772},"https://img.ochreeditions.com/m/1586.jpg?dl=1","/art/the-two-statues-nga-56624","/galleries/style/dutch-and-flemish-baroque/the-two-statues-nga-56624",{"_294":496,"_296":497},{"_227":762,"_125":763,"_288":764},{"_279":758,"_281":759,"_283":760,"_284":761},84,63.873046875,60,39.873046875,{"_290":227,"_123":768,"_154":769,"_140":89},{"_290":125,"_123":765,"_154":766,"_140":767},{"_290":288,"_123":489,"_154":490,"_140":491},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-abraham-genoels-ii","Abraham Genoels II's contemporaries","https://img.ochreeditions.com/a/1586/480.jpg","https://img.ochreeditions.com/a/1586/960.jpg","https://img.ochreeditions.com/a/1586/1920.jpg",{"_314":785,"_316":786},{"_314":783,"_316":784},{"_314":781,"_316":782},{"_314":780,"_316":564},{"_314":778,"_316":779},"#736557",0.1295,"#8b7c6b","#d4c2a9",0.1975,"#b5a48e",0.2128,"#a0907c",0.2675,"Abraham Genoels II","abraham-genoels-ii","Flemish, 1640–1723",1723,"horsemen-and-herdsmen-with-cattle-nga-1153","Horsemen and Herdsmen with Cattle",{"_42":839,"_224":840,"_328":841,"_330":331,"_332":842,"_334":843,"_336":-5,"_338":-5,"_340":844,"_140":99},"1655/1660","oil on canvas","overall: 120 x 171.5 cm (47 1/4 x 67 1/2 in.) framed: 164.2 x 214.3 x 17.2 cm (64 5/8 x 84 3/8 x 6 3/4 in.)",171.5,120,1.4351786965662228,[824,825,826,827,828],{"_223":377,"_224":378,"_42":379,"_307":380},"1942.9.16","Aelbert Cuyp painted this in 1655/1660, aged about 35. It is now at the National Gallery of Art in Washington, DC.","Late golden light rakes across a pasture where two horsemen, one on a white horse and one on a brown, pause beside a herdsman and his flock; the rider in red points with his whip towards the seated figures.","Golden sunlight pours across a landscape with three people on horseback and two more people near a flock of sheep, a cow, and a mule in this horizontal painting. The people all have pale, peachy skin. The horizon is about a third of the way up the composition and is lined with towers on distant, hazy, pale yellow hills. Two of the horses are to the right of center, both facing us. The horse on the left is white, and the rider wears an azure-blue tunic and red brimless cap. The other horse is brown with a white blaze, and its rider wears a red tunic and black cap. That second rider points with a whip to the sitting and standing people near the sheep, to the right. Those two people wear brown jackets, and the standing man has a mustache. The seated person rests a long staff over one shoulder. About half of the nine sheep there lie on the ground, and the others stand. The cow dips her head down to the sheep, and the splay-footed donkey has baskets hung to each side. This grouping is in front of a copse of tall trees that nearly reach the top edge of the composition. The third rider is to our left and a short distance away. That dark brown horse gallops to our right. A short distance away, another herdsman along the left edge of the composition wears a red tunic and brown pants, and he rests a long staff on one shoulder. One cow stands and one lies down next to that herdsman. Sunlight rakes across twigs, leafy plants, scrubby growth, and rocks in the foreground, closest to us. Sailboats float on the waterways that stretch horizontally across the painting in the distance, and the land separating those bodies of water is dotted with spires, windmills, towers, and other structures. A dozen dark birds fly high in the sky, which takes up the top two-thirds of the picture. A bank of iridescent yellow and pearly white clouds trundle across the pale blue sky. The artist signed the painting in the lower right corner, “A.cuijp.”",{"_298":821,"_300":822,"_302":823},"https://img.ochreeditions.com/m/1333.jpg?dl=1","/art/horsemen-and-herdsmen-with-cattle-nga-1153","/galleries/style/dutch-and-flemish-baroque/horsemen-and-herdsmen-with-cattle-nga-1153",{"_294":295,"_296":297},{"_227":816,"_125":817,"_288":818},{"_279":813,"_281":814,"_283":797,"_284":815},186.5,134.497314453125,119.497314453125,{"_290":227,"_123":819,"_154":820,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/aelbert-cuyp","More by Aelbert Cuyp","https://img.ochreeditions.com/a/1333/480.jpg","https://img.ochreeditions.com/a/1333/960.jpg","https://img.ochreeditions.com/a/1333/1920.jpg",{"_314":837,"_316":838},{"_314":835,"_316":836},{"_314":833,"_316":834},{"_314":831,"_316":832},{"_314":829,"_316":830},"#aaa590",0.1399,"#d7bd86",0.146,"#b5c6ca",0.2166,"#70603e",0.2266,"#40341f",0.2709,"Aelbert Cuyp","aelbert-cuyp","Dutch, 1620–1691",1620,1691,"Cuyp spent his life in Dordrecht, where he trained with his father, the portraitist Jacob Gerritsz. Cuyp. Influenced by Dutch painters returning from Italy, such as Jan Both, he bathed river views, cattle in meadows and riders in a warm, golden light.","merry-company-on-a-terrace-met-437749","Merry Company on a Terrace",{"_42":673,"_224":674,"_328":675,"_330":331,"_332":624,"_334":625,"_336":676,"_338":676,"_340":677,"_140":99},"55 1/2 x 51 3/4 in. (141 x 131.4 cm)",131.4,141,0.9287020109689214,[873,874,875,876,877],{"_223":304,"_224":305,"_42":306,"_307":308},"58.89","Jan Steen painted this in about 1670, aged about 39. It is now at The Met in New York.","Merry Company on a Terrace, by Jan Steen, ca. 1670",{"_298":870,"_300":871,"_302":872},"https://img.ochreeditions.com/m/1161.jpg?dl=1","/art/merry-company-on-a-terrace-met-437749","/galleries/style/dutch-and-flemish-baroque/merry-company-on-a-terrace-met-437749",{"_294":295,"_296":297},{"_227":867,"_125":868,"_288":869},{"_279":864,"_281":865,"_283":866,"_284":850},145.9469835466179,156,130.9469835466179,{"_290":227,"_123":653,"_154":654,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1161/480.jpg","https://img.ochreeditions.com/a/1161/960.jpg","https://img.ochreeditions.com/a/1161/1920.jpg",{"_314":886,"_316":887},{"_314":884,"_316":885},{"_314":882,"_316":883},{"_314":880,"_316":881},{"_314":878,"_316":879},"#a0845e",0.089,"#5c3d23",0.0964,"#625c48",0.1459,"#3d3423",0.2749,"#232117",0.3938,"woman-crossing-a-stream-nga-54023","Woman Crossing a Stream",{"_42":930,"_224":931,"_328":932,"_330":331,"_332":624,"_334":933,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1662",1.2183224271267104,[915,916,917,918,919],{"_223":377,"_224":378,"_42":379,"_307":380},"1973.54.6","Karel Dujardin made this in 1662, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a woman standing close to us, slightly turned to the side, looking down, with a hand supporting her draped attire and the other grasping a stick. Next to her, a donkey drinks from a shallow stream, carrying a large wicker basket with barrels inside. A dog is splashing in the water beside them. The horizon is low, meeting a rise of land with trees and shrubs, leading the eye to a distant pathway where a couple of small figures can be seen. The sky above has sketchily rendered clouds. The style involves fine, detailed linework, characteristic of etching, emphasizing textures such as the fur of the donkey and the folds of the fabric. The color palette is monochromatic, relying on various intensities of ink and line density to render shadows and highlights.",{"_298":912,"_300":913,"_302":914},"https://img.ochreeditions.com/m/1570.jpg?dl=1","/art/woman-crossing-a-stream-nga-54023","/galleries/style/dutch-and-flemish-baroque/woman-crossing-a-stream-nga-54023",{"_294":496,"_296":497},{"_227":907,"_125":908,"_288":909},{"_279":758,"_281":905,"_283":760,"_284":906},73.248046875,49.248046875,{"_290":227,"_123":910,"_154":911,"_140":89},{"_290":125,"_123":765,"_154":766,"_140":767},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-karel-dujardin","Karel Dujardin's contemporaries","https://img.ochreeditions.com/a/1570/480.jpg","https://img.ochreeditions.com/a/1570/960.jpg","https://img.ochreeditions.com/a/1570/1920.jpg",{"_314":928,"_316":929},{"_314":926,"_316":927},{"_314":924,"_316":925},{"_314":922,"_316":923},{"_314":920,"_316":921},"#706358",0.0646,"#8f8072",0.1358,"#aa9988",0.2163,"#c2b09b",0.2803,"#d7c5af",0.303,"Karel Dujardin","karel-dujardin","Dutch, 1626–1678",1678,"a-bouquet-of-flowers-met-827660","A Bouquet of Flowers",{"_42":981,"_224":982,"_328":983,"_330":519,"_332":737,"_334":984,"_336":985,"_338":986,"_340":-5,"_140":103},"ca. 1612","Oil on wood","18 1/8 × 12 5/8 in. (46 × 32 cm)",32,46,0.73075,[966,967,968,969,970],{"_223":304,"_224":305,"_42":306,"_307":308},"2020.22","Clara Peeters painted this in about 1612, aged about 25. It is now at The Met in New York.","A Bouquet of Flowers, by Clara Peeters, ca. 1612",{"_298":963,"_300":964,"_302":965},"https://img.ochreeditions.com/m/1289.jpg?dl=1","/art/a-bouquet-of-flowers-met-827660","/galleries/style/dutch-and-flemish-baroque/a-bouquet-of-flowers-met-827660",{"_294":295,"_296":297},{"_227":958,"_125":959,"_288":960},{"_279":955,"_281":956,"_283":957,"_284":941},48.6145,61,33.6145,{"_290":227,"_123":961,"_154":962,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":489,"_154":490,"_140":491},"artist/contemporaries-of-clara-peeters","Clara Peeters's contemporaries","https://img.ochreeditions.com/a/1289/480.jpg","https://img.ochreeditions.com/a/1289/960.jpg","https://img.ochreeditions.com/a/1289/1920.jpg",{"_314":979,"_316":980},{"_314":977,"_316":978},{"_314":975,"_316":976},{"_314":973,"_316":974},{"_314":971,"_316":972},"#9e5a4a",0.0339,"#6a251b",0.0489,"#6f5d49",0.0758,"#3a2e1f",0.1316,"#180b06",0.7098,"Clara Peeters","clara-peeters","Flemish, 1582–1636",1636,"Mechelen","Ghent","christ-crucified-between-the-two-thieves-the-three-crosses-cma-135706","Christ Crucified Between the Two Thieves: 'The Three Crosses'",{"_42":1036,"_224":1037,"_328":1038,"_330":331,"_332":1039,"_334":1040,"_336":676,"_338":339,"_340":1041,"_140":77},"1653-c.1660","drypoint","Sheet: 37.5 x 44 cm (14 3/4 x 17 5/16 in.)",44,37.5,1.178101178101178,[1021,1022,1023,1024,1025],{"_223":715,"_224":716,"_42":717,"_307":718},"1959.241","Rembrandt van Rijn made this in 1653-c.1660, aged about 47. It is now at the Cleveland Museum of Art.",{"_118":1020,"_713":714},"Christ Crucified Between the Two Thieves: 'The Three Crosses', by Rembrandt van Rijn, 1653-c.1660",{"_298":1017,"_300":1018,"_302":1019},"https://img.ochreeditions.com/m/635.jpg?dl=1","/art/christ-crucified-between-the-two-thieves-the-three-crosses-cma-135706","/galleries/style/dutch-and-flemish-baroque/christ-crucified-between-the-two-thieves-the-three-crosses-cma-135706",{"_294":496,"_296":497},{"_227":1012,"_125":1013,"_288":1014},{"_279":1009,"_281":1010,"_283":993,"_284":1011},68,61.34823529411765,37.34823529411765,{"_290":227,"_123":1015,"_154":1016,"_140":77},{"_290":125,"_123":765,"_154":766,"_140":767},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/635/480.jpg","https://img.ochreeditions.com/a/635/960.jpg","https://img.ochreeditions.com/a/635/1920.jpg","Rembrandt’s Christ Crucified Between the Two Thieves is executed entirely in drypoint. Because of the delicacy of the technique, the copper plate was worn after the artist printed about 40 impressions of the first three states. In order to continue using the plate, Rembrandt reworked it, changing the image somewhat.",{"_314":1034,"_316":1035},{"_314":1032,"_316":1033},{"_314":1030,"_316":1031},{"_314":1028,"_316":1029},{"_314":1026,"_316":1027},"#d3c9b6",0.0379,"#998770",0.1635,"#706150",0.2023,"#4f4539",0.2477,"#332e28",0.3486,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","the-boulder-crowned-with-trees-nga-53886","The Boulder Crowned with Trees",{"_42":1090,"_224":1091,"_328":1092,"_330":331,"_332":1093,"_334":1094,"_336":-5,"_338":-5,"_340":1095,"_140":97},1.5126282557221784,[1075,1076,1077,1078,1079],{"_223":377,"_224":378,"_42":379,"_307":380},"1973.32.18","Herman van Swanevelt made this. It is now at the National Gallery of Art in Washington, DC.","A boulder crowned with trees rises in an oval landscape framed by overhanging branches, with distant mountains and a winding path where a small figure gives the scene its scale.","The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.",{"_298":1072,"_300":1073,"_302":1074},"https://img.ochreeditions.com/m/1566.jpg?dl=1","/art/the-boulder-crowned-with-trees-nga-53886","/galleries/style/dutch-and-flemish-baroque/the-boulder-crowned-with-trees-nga-53886",{"_294":496,"_296":497},{"_227":1061,"_125":1062,"_288":1063},{"_279":758,"_281":1059,"_283":760,"_284":1060},63.66605791807983,39.66605791807983,{"_290":227,"_123":1070,"_154":1071,"_140":97},{"_290":125,"_123":1067,"_154":1068,"_140":1069},{"_290":288,"_123":1064,"_154":1065,"_140":1066},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1566/480.jpg","https://img.ochreeditions.com/a/1566/960.jpg","https://img.ochreeditions.com/a/1566/1920.jpg",{"_314":1088,"_316":1089},{"_314":1086,"_316":1087},{"_314":1084,"_316":1085},{"_314":1082,"_316":1083},{"_314":1080,"_316":1081},"#615549",0.1332,"#cfbda5",0.2065,"#7c6e5e",0.2098,"#968775",0.2143,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","adam-and-eve-before-the-tree-of-knowledge-nga-90146","Adam and Eve before the Tree of Knowledge",{"_42":1143,"_224":1144,"_328":1145,"_330":331,"_332":1146,"_334":1147,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1604","engraving on laid paper","plate: 27.5 x 19.9 cm (10 13/16 x 7 13/16 in.) sheet: 29.4 x 22.4 cm (11 9/16 x 8 13/16 in.)",19.9,27.5,0.762939453125,[1128,1129,1130,1131,1132],{"_223":377,"_224":378,"_42":379,"_307":380},"1994.50.2","Jan Saenredam made this in 1604, aged 39. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two nude figures standing beneath a fruit-bearing tree surrounded by elements of nature. The drawing depicts a scene in a lush outdoor setting, featuring intricately detailed branches and leaves of the large tree as well as an eagle-like bird perched nearby. In the background are additional trees extending into a forested area, and a winding path leading into the distance. The foreground includes various plants and the ground is littered with their leaves. The figures are positioned at the center, engaged in a gesture of pointing towards the fruit in the tree. The scene is rendered in fine details with attention to the texture and flow of the natural elements surrounding the figures.",{"_298":1125,"_300":1126,"_302":1127},"https://img.ochreeditions.com/m/1624.jpg?dl=1","/art/adam-and-eve-before-the-tree-of-knowledge-nga-90146","/galleries/style/dutch-and-flemish-baroque/adam-and-eve-before-the-tree-of-knowledge-nga-90146",{"_294":496,"_296":497},{"_227":1120,"_125":1121,"_288":1122},{"_279":1117,"_281":1118,"_283":1119,"_284":1103},44.9808349609375,51.5,20.9808349609375,{"_290":227,"_123":1123,"_154":1124,"_140":89},{"_290":125,"_123":765,"_154":766,"_140":767},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jan-saenredam","Jan Saenredam's contemporaries","https://img.ochreeditions.com/a/1624/480.jpg","https://img.ochreeditions.com/a/1624/960.jpg","https://img.ochreeditions.com/a/1624/1920.jpg",{"_314":1141,"_316":1142},{"_314":1139,"_316":1140},{"_314":1137,"_316":1138},{"_314":1135,"_316":1136},{"_314":1133,"_316":1134},"#8f806e",0.1629,"#ad9b86",0.1783,"#706457",0.2028,"#534940",0.2031,"#ccb99f",0.2529,"Jan Saenredam","jan-saenredam","Dutch, 1565–1607",1565,1607,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","340e0677ff8803069eee9ae42f9e36a3fdc958b5","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_224":1192,"_20":1193},{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},{"_224":1186,"_20":1187},{"_224":1184,"_20":1185},{"_224":1182,"_20":1183},{"_224":1180,"_20":1181},{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]