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Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.",{"_295":437,"_297":438,"_299":439},"https://img.ochreeditions.com/m/1566.jpg?dl=1","/art/the-boulder-crowned-with-trees-nga-53886","/galleries/style/dutch-and-flemish-baroque/the-boulder-crowned-with-trees-nga-53886",{"_291":292,"_293":294},{"_227":426,"_125":427,"_285":428},{"_276":422,"_278":423,"_280":424,"_281":425},84,63.66605791807983,60,39.66605791807983,{"_287":227,"_123":435,"_154":436,"_140":97},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":429,"_154":430,"_140":431},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1566/480.jpg","https://img.ochreeditions.com/a/1566/960.jpg","https://img.ochreeditions.com/a/1566/1920.jpg",{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},{"_311":447,"_313":448},{"_311":445,"_313":446},"#615549",0.1332,"#cfbda5",0.2065,"#7c6e5e",0.2098,"#968775",0.2143,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","the-watermill-with-the-great-red-roof-aic-869","The Watermill with the Great Red Roof",{"_42":508,"_224":509,"_325":510,"_327":328,"_329":511,"_331":512,"_333":-5,"_334":-5,"_335":513,"_140":97},"c. 1665","81.3 × 110 cm (32 × 43 1/4 in.); Framed: 101.3 × 130.5 × 8.3 cm (39 7/8 × 51 3/8 × 3 1/4 in.)",110,81,1.3553896942730013,[493,494,495,496,497],{"_223":379,"_224":380,"_42":381,"_304":382},"1894.1031","Meindert Hobbema painted this in about 1665, aged about 22. It is now at the Art Institute of Chicago.","A watermill with a striking red roof stands beside a muddy brown river at the right, water churning through its wheel, while a twisting tree leans across the foreground and three small figures pass in the distance under a grey and blue sky.","Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.",{"_295":490,"_297":491,"_299":492},"https://img.ochreeditions.com/m/3.jpg?dl=1","/art/the-watermill-with-the-great-red-roof-aic-869","/galleries/style/dutch-and-flemish-baroque/the-watermill-with-the-great-red-roof-aic-869",{"_291":371,"_293":372},{"_227":485,"_125":486,"_285":487},{"_276":482,"_278":483,"_280":466,"_281":484},125,96.15747114264535,81.15747114264535,{"_287":227,"_123":488,"_154":489,"_140":97},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/3/480.jpg","https://img.ochreeditions.com/a/3/960.jpg","https://img.ochreeditions.com/a/3/1920.jpg",{"_311":506,"_313":507},{"_311":504,"_313":505},{"_311":502,"_313":503},{"_311":500,"_313":501},{"_311":498,"_313":499},"#5e563d",0.133,"#9d9685",0.1469,"#39301d",0.2337,"#211a10",0.2367,"#7e8179",0.2497,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","robbers-on-horseback-nga-56197","Robbers on Horseback",{"_42":560,"_224":561,"_325":562,"_327":328,"_329":563,"_331":564,"_333":-5,"_334":-5,"_335":-5,"_140":103},"late 17th/early 18th century","mezzotint",1.3178893178893178,[545,546,547,548,549],{"_223":301,"_224":302,"_42":303,"_304":305},"1976.79.6","Jan van Huchtenburgh made this in the late 17th/early 18th century. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a rural scene with horses and figures. The image shows an interaction between several figures and two horses within a pastoral setting. In the foreground, two individuals are seated on the ground, accompanied by a small child. Nearby, a figure atop a horse reaches towards another figure who leads a laden horse. A dog is present, standing alert at the horse's hooves. The backdrop showcases lush trees and distant hills, suggesting a serene countryside environment. The attention to detail and shading creates a realistic depiction of this rustic scene.",{"_295":542,"_297":543,"_299":544},"https://img.ochreeditions.com/m/1585.jpg?dl=1","/art/robbers-on-horseback-nga-56197","/galleries/style/dutch-and-flemish-baroque/robbers-on-horseback-nga-56197",{"_291":292,"_293":294},{"_227":534,"_125":535,"_285":536},{"_276":422,"_278":532,"_280":424,"_281":533},69.52734375,45.52734375,{"_287":227,"_123":540,"_154":541,"_140":89},{"_287":125,"_123":537,"_154":538,"_140":539},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-jan-van-huchtenburgh","Jan van Huchtenburgh's contemporaries","https://img.ochreeditions.com/a/1585/480.jpg","https://img.ochreeditions.com/a/1585/960.jpg","https://img.ochreeditions.com/a/1585/1920.jpg",{"_311":558,"_313":559},{"_311":556,"_313":557},{"_311":554,"_313":555},{"_311":552,"_313":553},{"_311":550,"_313":551},"#988978",0.081,"#c6b59f",0.0826,"#776a5c",0.2188,"#4e443a",0.2781,"#63574a",0.3395,"Jan van Huchtenburgh","jan-van-huchtenburgh","Dutch, 1647–1733",1647,1733,"three-men-carrying-staffs-nga-53888","Three Men Carrying Staffs",{"_42":455,"_224":456,"_325":457,"_327":328,"_329":458,"_331":459,"_333":-5,"_334":-5,"_335":460,"_140":97},1.5108055009823183,[588,589,590,591,592],{"_223":301,"_224":302,"_42":303,"_304":305},"1973.32.20","The image shows a landscape scene viewed from an elevated perspective. The horizon is low, with mountains visible in the distance. The scene features detailed brushstroke technique and a monochromatic palette. Trees dominate the left side, with two figures walking along a path towards the horizon. The color palette is black and white, accentuating details, light, and shadow.",{"_295":585,"_297":586,"_299":587},"https://img.ochreeditions.com/m/1567.jpg?dl=1","/art/three-men-carrying-staffs-nga-53888","/galleries/style/dutch-and-flemish-baroque/three-men-carrying-staffs-nga-53888",{"_291":292,"_293":294},{"_227":582,"_125":583,"_285":584},{"_276":422,"_278":580,"_280":424,"_281":581},63.713914174252274,39.713914174252274,{"_287":227,"_123":435,"_154":436,"_140":97},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":429,"_154":430,"_140":431},"https://img.ochreeditions.com/a/1567/480.jpg","https://img.ochreeditions.com/a/1567/960.jpg","https://img.ochreeditions.com/a/1567/1920.jpg",{"_311":601,"_313":602},{"_311":599,"_313":600},{"_311":597,"_313":598},{"_311":595,"_313":596},{"_311":593,"_313":594},"#b4a38c",0.1589,"#958472",0.1637,"#615448",0.2061,"#7a6b5c",0.231,"#d0bea6",0.2403,"saint-jerome-reading-in-an-italian-landscape-aic-43244","Saint Jerome Reading in an Italian Landscape",{"_42":651,"_224":652,"_325":653,"_327":328,"_329":654,"_331":655,"_333":656,"_334":657,"_335":658,"_140":77},"c. 1653","Etching, burin, and drypoint on ivory laid paper","Image/plate: 26 × 21 cm (10 1/4 × 8 5/16 in.); Sheet: 27 × 21.9 cm (10 11/16 × 8 5/8 in.)",21,26,0.8163897493663756,[636,637,638,639,640],{"_223":379,"_224":380,"_42":381,"_304":382},"1941.1048","Rembrandt van Rijn made this in about 1653, aged about 42. It is now at the Art Institute of Chicago.","Saint Jerome sits reading in the sunlight while his lion peers out from behind a tree, and a hill town with Italian buildings rises in the distance. Rembrandt drew on Venetian prints and drawings he owned, by Titian and his circle, for the landscape, combining it with his own free, varied line.","A work made of etching, burin, and drypoint on ivory laid paper.",{"_295":633,"_297":634,"_299":635},"https://img.ochreeditions.com/m/144.jpg?dl=1","/art/saint-jerome-reading-in-an-italian-landscape-aic-43244","/galleries/style/dutch-and-flemish-baroque/saint-jerome-reading-in-an-italian-landscape-aic-43244",{"_291":292,"_293":294},{"_227":628,"_125":629,"_285":630},{"_276":625,"_278":626,"_280":627,"_281":610},45.22613348352577,50,21.226133483525768,{"_287":227,"_123":631,"_154":632,"_140":77},{"_287":125,"_123":537,"_154":538,"_140":539},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/144/480.jpg","https://img.ochreeditions.com/a/144/960.jpg","https://img.ochreeditions.com/a/144/1920.jpg",{"_311":649,"_313":650},{"_311":647,"_313":648},{"_311":645,"_313":646},{"_311":643,"_313":644},{"_311":641,"_313":642},"#60564d",0.1424,"#3e3832",0.1436,"#897b6d",0.1475,"#b4a392",0.1923,"#ddccba",0.3742,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","lady-and-gentleman-on-horseback-nga-1152","Lady and Gentleman on Horseback",{"_42":706,"_224":707,"_325":708,"_327":328,"_329":330,"_331":709,"_333":-5,"_334":-5,"_335":710,"_140":99},"c. 1655, reworked 1660/1665","oil on canvas","overall: 123 x 172 cm (48 7/16 x 67 11/16 in.) framed: 164.8 x 214 x 16.2 cm (64 7/8 x 84 1/4 x 6 3/8 in.)",172,123,1.4104683195592287,[692,693,694,695,696],{"_223":301,"_224":302,"_42":303,"_304":305},"1942.9.15","Aelbert Cuyp painted this in about 1655, reworked 1660/1665, aged about 35. It is now at the National Gallery of Art in Washington, DC.","An elegantly dressed couple ride out with their hounds: she sits side-saddle on a white horse with blue bows on its bridle, he on a chestnut with a white blaze, riding crop at his hip. Dogs nose through the undergrowth, a huntsman leads a pair of greyhounds along the path, and two more riders follow behind.","An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition. Both people have pale skin and look at us. The woman has a high forehead, a straight nose, a round face, and curly blond hair falling to her shoulders. She wears a sapphire-blue dress with slashed sleeves to reveal a white garment beneath. Her hat is adorned with blue and white feathers, and she wears a string of pearls around her neck. The legs of her white horse darken to black below the knees, and the bridle is tied with blue bows near the horse’s ears. The sidesaddle sits on a woven, rug-like blanket. Next to her, to our right, the man rides a larger chestnut-brown horse with a white triangle between its eyes. The man looks at us out of the corners of his dark eyes under gathered brows. He has a long, straight nose and is cleanshaven, though a hint of a five o’clock shadow slightly darkens his cleft chin. His light brown hair falls in curls down past his shoulders, and he wears a dark brown coat with voluminous white fabric rippling out above tan-colored gloves. He holds a riding crop in his right hand, on our left, resting against his hip. Near the white horse’s feet, to our left, a dark brown dog with a white nose sniffs at a plant. Behind it, another reddish-brown dog sniffs the ground near the horse’s back hoof. A third dog stands beyond, partially obscured by bushes and plants growing in the lower left corner of the canvas. A man wearing a tall black, wide-brimmed hat and carrying a long staff leads two slender dogs resembling grayhounds on leashes along the path, a little behind the riders. Two more elegantly dressed men ride horses toward us father back on the path. Sand-colored stone buildings, hazy in the distance, are clustered around a squared tower, possibly a bell tower, to our left. The land dips gently to the horizon line in the deep distance. The riders are silhouetted against a swirling slate-blue cloud that fills most of the sky in the top two-thirds of the painting. The sky clears to pale blue to our left and then warms to golden yellow along the horizon, beyond the buildings. The artist signed the painting near the lower left corner: “A. Cuijp.”",{"_295":689,"_297":690,"_299":691},"https://img.ochreeditions.com/m/1332.jpg?dl=1","/art/lady-and-gentleman-on-horseback-nga-1152","/galleries/style/dutch-and-flemish-baroque/lady-and-gentleman-on-horseback-nga-1152",{"_291":371,"_293":372},{"_227":684,"_125":685,"_285":686},{"_276":681,"_278":682,"_280":665,"_281":683},187,136.9453125,121.9453125,{"_287":227,"_123":687,"_154":688,"_140":99},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/aelbert-cuyp","More by Aelbert Cuyp","https://img.ochreeditions.com/a/1332/480.jpg","https://img.ochreeditions.com/a/1332/960.jpg","https://img.ochreeditions.com/a/1332/1920.jpg",{"_311":704,"_313":705},{"_311":703,"_313":507},{"_311":701,"_313":702},{"_311":699,"_313":700},{"_311":697,"_313":698},"#8a7652",0.1236,"#332929",0.1694,"#c4c5b6",0.2021,"#594e3b","#8d8e88",0.2552,"Aelbert Cuyp","aelbert-cuyp","Dutch, 1620–1691",1691,"Cuyp spent his life in Dordrecht, where he trained with his father, the portraitist Jacob Gerritsz. Cuyp. Influenced by Dutch painters returning from Italy, such as Jan Both, he bathed river views, cattle in meadows and riders in a warm, golden light.","peacocks-met-436671","Peacocks",{"_42":763,"_224":764,"_325":765,"_327":328,"_329":766,"_331":767,"_333":768,"_334":657,"_335":-5,"_140":103},"1683","Paintings","74 7/8 x 53 in. (190.2 x 134.6 cm)",134.6,190.2,0.7133609528741585,[748,749,750,751,752],{"_223":744,"_224":745,"_42":746,"_304":747},"Courtesy of The Metropolitan Museum of Art","27.250.1","Melchior d' Hondecoeter painted this in 1683, aged 47. It is now at The Met in New York.","Peacocks, by Melchior d' Hondecoeter, 1683",{"_295":741,"_297":742,"_299":743},"https://img.ochreeditions.com/m/1104.jpg?dl=1","/art/peacocks-met-436671","/galleries/style/dutch-and-flemish-baroque/peacocks-met-436671",{"_291":371,"_293":372},{"_227":736,"_125":737,"_285":738},{"_276":733,"_278":734,"_280":735,"_281":718},150.68125323666493,205.2,135.68125323666493,{"_287":227,"_123":739,"_154":740,"_140":89},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-melchior-d-hondecoeter","Melchior d' Hondecoeter's contemporaries","https://img.ochreeditions.com/a/1104/480.jpg","https://img.ochreeditions.com/a/1104/960.jpg","https://img.ochreeditions.com/a/1104/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":761,"_313":762},{"_311":759,"_313":760},{"_311":757,"_313":758},{"_311":755,"_313":756},{"_311":753,"_313":754},"#8c8065",0.0781,"#575548",0.0903,"#6f4f26",0.1507,"#49361f",0.2938,"#2a2117",0.3871,"Melchior d' Hondecoeter","melchior-d-hondecoeter","Dutch, 1636–1695",1636,1695,"Utrecht","piazza-presso-alla-porta-al-prato-nga-51387","Piazza Presso alla Porta al Prato",{"_42":820,"_224":821,"_325":822,"_327":823,"_329":458,"_331":824,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1621","flanders","woodcut on laid paper","sheet: 6 × 8.3 cm (2 3/8 × 3 1/4 in.)",8.3,1.3875968992248062,[805,806,807,808,809],{"_223":301,"_224":302,"_42":303,"_304":305},"1969.15.243","Edouard Eckman made this in 1621, aged 21. It is now at the National Gallery of Art in Washington, DC.","The image shows a wide aerial view of a public gathering. Buildings line the horizon overlooking the scene below. The detailed illustration features various individuals and animals in motion, including groups of people, horse riders, and carts. The monochromatic color palette contributes to a classic aesthetic.",{"_295":802,"_297":803,"_299":804},"https://img.ochreeditions.com/m/1542.jpg?dl=1","/art/piazza-presso-alla-porta-al-prato-nga-51387","/galleries/style/dutch-and-flemish-baroque/piazza-presso-alla-porta-al-prato-nga-51387",{"_291":292,"_293":294},{"_227":794,"_125":795,"_285":796},{"_276":790,"_278":791,"_280":792,"_281":793},49,42.01675977653631,25,18.01675977653631,{"_287":227,"_123":800,"_154":801,"_140":89},{"_287":125,"_123":537,"_154":538,"_140":539},{"_287":285,"_123":797,"_154":798,"_140":799},"era/17-flanders","17th-century Flanders",30,"artist/contemporaries-of-edouard-eckman","Edouard Eckman's contemporaries","https://img.ochreeditions.com/a/1542/480.jpg","https://img.ochreeditions.com/a/1542/960.jpg","https://img.ochreeditions.com/a/1542/1920.jpg",{"_311":818,"_313":819},{"_311":816,"_313":817},{"_311":814,"_313":815},{"_311":812,"_313":813},{"_311":810,"_313":811},"#7d6e5d",0.0958,"#c5b59e",0.1362,"#988875",0.1447,"#af9e8a",0.2154,"#e0ceb6",0.4079,"Edouard Eckman","edouard-eckman","Flemish, born c. 1600","Flemish",1680,"rubens-helena-fourment-1614-1673-and-their-son-frans-1633-16-met-437532","Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)",{"_42":873,"_224":874,"_325":875,"_327":823,"_329":876,"_331":877,"_333":878,"_334":879,"_335":880,"_140":95},"ca. 1635","Oil on wood","80 1/4 x 62 1/4 in. (203.8 x 158.1 cm)",158.1,203.8,0.777749811225774,[858,859,860,861,862],{"_223":744,"_224":745,"_42":746,"_304":747},"1981.238","Peter Paul Rubens painted this in about 1635, aged about 53. It is now at The Met in New York.","Rubens, then in his late fifties, poses in a garden with his young second wife, Helena Fourment, and their small son Frans. He married Helena, the sixteen-year-old daughter of an Antwerp silk merchant, in 1630, four years after the death of his first wife, and she became the inspiration for many of his late paintings.","Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), by Peter Paul Rubens, ca. 1635",{"_295":855,"_297":856,"_299":857},"https://img.ochreeditions.com/m/1150.jpg?dl=1","/art/rubens-helena-fourment-1614-1673-and-their-son-frans-1633-16-met-437532","/galleries/style/dutch-and-flemish-baroque/rubens-helena-fourment-1614-1673-and-their-son-frans-1633-16-met-437532",{"_291":371,"_293":372},{"_227":850,"_125":851,"_285":852},{"_276":847,"_278":848,"_280":849,"_281":832},173.50541152781275,218.8,158.50541152781275,{"_287":227,"_123":853,"_154":854,"_140":95},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":797,"_154":798,"_140":799},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1150/480.jpg","https://img.ochreeditions.com/a/1150/960.jpg","https://img.ochreeditions.com/a/1150/1920.jpg",{"_311":871,"_313":872},{"_311":869,"_313":870},{"_311":867,"_313":868},{"_311":865,"_313":866},{"_311":863,"_313":864},"#4a5147",0.0788,"#8c7a5b",0.1024,"#5c4f36",0.177,"#3b3426",0.2548,"#1e1b19",0.387,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,1640,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","firs-in-the-defile-nga-53711","Firs in the Defile",{"_42":924,"_224":925,"_325":926,"_327":328,"_329":927,"_331":928,"_333":-5,"_334":-5,"_335":929,"_140":99},"probably c. 1645/1656",1.688375927452597,[909,910,911,912,913],{"_223":301,"_224":302,"_42":303,"_304":305},"1973.15.115","Allart van Everdingen made this (probably c. 1645/1656), aged about 24. It is now at the National Gallery of Art in Washington, DC.","A narrow mountain pass opens before us, choked with rocks and dark firs, and a building stands silhouetted on the heights in the distance.","The image shows a slightly elevated perspective of a rugged landscape with dense vegetation and rock formations. The horizon is high in the upper third of the image, with a distant building or castle on a hill. The structure is silhouetted against the sky and partially obscured by foliage. Intricate line work and hatching create detailed textures and shading, especially in the trees and clouds. The color palette is monochromatic, using varying shades of brown and sepia to give the artwork an antiquated and rustic appearance.",{"_295":906,"_297":907,"_299":908},"https://img.ochreeditions.com/m/1563.jpg?dl=1","/art/firs-in-the-defile-nga-53711","/galleries/style/dutch-and-flemish-baroque/firs-in-the-defile-nga-53711",{"_291":292,"_293":294},{"_227":901,"_125":902,"_285":903},{"_276":422,"_278":899,"_280":424,"_281":900},59.537109375,35.537109375,{"_287":227,"_123":904,"_154":905,"_140":99},{"_287":125,"_123":537,"_154":538,"_140":539},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/allart-van-everdingen","More by Allart van Everdingen","https://img.ochreeditions.com/a/1563/480.jpg","https://img.ochreeditions.com/a/1563/960.jpg","https://img.ochreeditions.com/a/1563/1920.jpg",{"_311":922,"_313":923},{"_311":920,"_313":921},{"_311":918,"_313":919},{"_311":916,"_313":917},{"_311":914,"_313":915},"#ccb69a",0.1369,"#493f35",0.1657,"#695b4a",0.1891,"#897862",0.2356,"#a79379",0.2727,"Allart van Everdingen","allart-van-everdingen","Dutch, 1621–1675",1621,1675,"Everdingen trained in Utrecht and Haarlem and in 1644 travelled to Scandinavia, where he sketched the mountains, forests and waterfalls of Norway and Sweden.","portrait-of-the-artist-s-parents-salomon-de-bray-and-anna-we-nga-108661","Portrait of the Artist's Parents, Salomon de Bray and Anna Westerbaen",{"_42":977,"_224":978,"_325":979,"_327":328,"_329":980,"_331":981,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1664","oil on panel","overall: 78.1 x 63.5 cm (30 3/4 x 25 in.) framed: 99.7 x 85.7 x 8.9 cm (39 1/4 x 33 3/4 x 3 1/2 in.)",63.5,78.1,0.82568359375,[962,963,964,965,966],{"_223":301,"_224":302,"_42":303,"_304":305},"2001.86.1","Jan de Bray painted this in 1664, aged 37. It is now at the National Gallery of Art in Washington, DC.","Shown from the shoulders up, a man and woman face our left in profile against a shadowy, dark green curtain in this vertical portrait painting. They both look steadily to our left, they and have pale skin and wear black. The man is closer to us so he overlaps the woman, whose profile is shifted to our left. A black cap sits on the man's curly, silver, shoulder-length hair. He has a slight double chin and soft jowls. A thin mustache curves over his upper lip, and a line of hair runs down his chin as a narrow beard. A broad, flat, white collar lies across his shoulders over a velvety black coat. He lifts his left hand, closer to us, in front of his chest with the fingers curled gently inward. The woman also has a double chin and soft jowls. Her thin lips are closed and downturned. Her hair is pulled back under a black covering, and her black garment has a sheen, suggesting satin.",{"_295":959,"_297":960,"_299":961},"https://img.ochreeditions.com/m/1642.jpg?dl=1","/art/portrait-of-the-artist-s-parents-salomon-de-bray-and-anna-we-nga-108661","/galleries/style/dutch-and-flemish-baroque/portrait-of-the-artist-s-parents-salomon-de-bray-and-anna-we-nga-108661",{"_291":371,"_293":372},{"_227":954,"_125":955,"_285":956},{"_276":951,"_278":952,"_280":953,"_281":937},79.48588867187499,93.1,64.48588867187499,{"_287":227,"_123":957,"_154":958,"_140":89},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jan-de-bray","Jan de Bray's contemporaries","https://img.ochreeditions.com/a/1642/480.jpg","https://img.ochreeditions.com/a/1642/960.jpg","https://img.ochreeditions.com/a/1642/1920.jpg",{"_311":975,"_313":976},{"_311":973,"_313":974},{"_311":971,"_313":972},{"_311":969,"_313":970},{"_311":967,"_313":968},"#cca876",0.0433,"#8d6a43",0.0454,"#3c3726",0.0938,"#0e0e14",0.308,"#221917",0.5095,"Jan de Bray","jan-de-bray","Dutch, c. 1627–1688",1627,1688,"sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","Sheet with Two Studies: a Tree, and the Upper Part of a Head of the Artist Wearing a Velvet Cap",{"_42":651,"_224":652,"_325":653,"_327":328,"_329":654,"_331":655,"_333":656,"_334":657,"_335":658,"_140":77},"c. 1642","etching on laid paper","sheet (sheet trimmed to platemark): 8 × 7.1 cm (3 1/8 × 2 13/16 in.)",7.1,0.8754914809960681,[1010,1011,1012,1013,1014],{"_223":301,"_224":302,"_42":303,"_304":305},"1943.3.7202","Rembrandt van Rijn made this in about 1642, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image displays intricate, swirling lines and textured shading to create an abstract scene. On the left side are fine lines resembling branches and leaves, with a small figure nearby. On the right side is a large, densely shaded form reminiscent of mountains or a rock formation. The elements come together to suggest landscapes and nature through imaginative shapes and line work.",{"_295":1007,"_297":1008,"_299":1009},"https://img.ochreeditions.com/m/1355.jpg?dl=1","/art/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","/galleries/style/dutch-and-flemish-baroque/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998",{"_291":292,"_293":294},{"_227":1004,"_125":1005,"_285":1006},{"_276":1002,"_278":790,"_280":1003,"_281":792},45.8872870249017,21.887287024901703,{"_287":227,"_123":631,"_154":632,"_140":77},{"_287":125,"_123":537,"_154":538,"_140":539},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1355/480.jpg","https://img.ochreeditions.com/a/1355/960.jpg","https://img.ochreeditions.com/a/1355/1920.jpg",{"_311":1023,"_313":1024},{"_311":1021,"_313":1022},{"_311":1019,"_313":1020},{"_311":1017,"_313":1018},{"_311":1015,"_313":1016},"#423a34",0.0801,"#6e6255",0.0918,"#918271",0.1462,"#b19f8a",0.2148,"#cbb89f",0.4671,"the-rape-of-europa-aic-228863","The Rape of Europa",{"_42":1075,"_224":1076,"_325":1077,"_327":823,"_329":1078,"_331":459,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1635/40","watercolour","Drawing and Watercolor","Black chalk, with touches of white chalk, on ivory laid paper","26.3 × 38.9 cm (10 3/8 × 15 3/8 in.)",38,1.46752688172043,[1060,1061,1062,1063,1064],{"_223":379,"_224":380,"_42":381,"_304":382},"2015.210","Cornelis Schut, I painted this in 1635/40, aged about 38. It is now at the Art Institute of Chicago.","A work made of black chalk, with touches of white chalk, on ivory laid paper.",{"_295":1057,"_297":1058,"_299":1059},"https://img.ochreeditions.com/m/366.jpg?dl=1","/art/the-rape-of-europa-aic-228863","/galleries/style/dutch-and-flemish-baroque/the-rape-of-europa-aic-228863",{"_291":292,"_293":294},{"_227":1050,"_125":1051,"_285":1052},{"_276":1047,"_278":1048,"_280":1033,"_281":1049},62,49.893903868698715,25.89390386869871,{"_287":227,"_123":1055,"_154":1056,"_140":89},{"_287":125,"_123":1053,"_154":1054,"_140":232},{"_287":285,"_123":797,"_154":798,"_140":799},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-cornelis-schut-i","Cornelis Schut, I's contemporaries","https://img.ochreeditions.com/a/366/480.jpg","https://img.ochreeditions.com/a/366/960.jpg","https://img.ochreeditions.com/a/366/1920.jpg",{"_311":1073,"_313":1074},{"_311":1071,"_313":1072},{"_311":1069,"_313":1070},{"_311":1067,"_313":1068},{"_311":1065,"_313":1066},"#f6edeb",0.0696,"#aea194",0.1072,"#c6b7a8",0.2159,"#dbcab9",0.2976,"#ebdac7",0.3097,"Cornelis Schut, I","cornelis-schut-i","Flemish, 1597–1655",1597,"horsemen-and-herdsmen-with-cattle-nga-1153","Horsemen and Herdsmen with Cattle",{"_42":706,"_224":707,"_325":708,"_327":328,"_329":330,"_331":709,"_333":-5,"_334":-5,"_335":710,"_140":99},"1655/1660","overall: 120 x 171.5 cm (47 1/4 x 67 1/2 in.) framed: 164.2 x 214.3 x 17.2 cm (64 5/8 x 84 3/8 x 6 3/4 in.)",171.5,120,1.4351786965662228,[1109,1110,1111,1112,1113],{"_223":301,"_224":302,"_42":303,"_304":305},"1942.9.16","Aelbert Cuyp painted this in 1655/1660, aged about 35. It is now at the National Gallery of Art in Washington, DC.","Late golden light rakes across a pasture where two horsemen, one on a white horse and one on a brown, pause beside a herdsman and his flock; the rider in red points with his whip towards the seated figures.","Golden sunlight pours across a landscape with three people on horseback and two more people near a flock of sheep, a cow, and a mule in this horizontal painting. The people all have pale, peachy skin. The horizon is about a third of the way up the composition and is lined with towers on distant, hazy, pale yellow hills. Two of the horses are to the right of center, both facing us. The horse on the left is white, and the rider wears an azure-blue tunic and red brimless cap. The other horse is brown with a white blaze, and its rider wears a red tunic and black cap. That second rider points with a whip to the sitting and standing people near the sheep, to the right. Those two people wear brown jackets, and the standing man has a mustache. The seated person rests a long staff over one shoulder. About half of the nine sheep there lie on the ground, and the others stand. The cow dips her head down to the sheep, and the splay-footed donkey has baskets hung to each side. This grouping is in front of a copse of tall trees that nearly reach the top edge of the composition. The third rider is to our left and a short distance away. That dark brown horse gallops to our right. A short distance away, another herdsman along the left edge of the composition wears a red tunic and brown pants, and he rests a long staff on one shoulder. One cow stands and one lies down next to that herdsman. Sunlight rakes across twigs, leafy plants, scrubby growth, and rocks in the foreground, closest to us. Sailboats float on the waterways that stretch horizontally across the painting in the distance, and the land separating those bodies of water is dotted with spires, windmills, towers, and other structures. A dozen dark birds fly high in the sky, which takes up the top two-thirds of the picture. A bank of iridescent yellow and pearly white clouds trundle across the pale blue sky. The artist signed the painting in the lower right corner, “A.cuijp.”",{"_295":1106,"_297":1107,"_299":1108},"https://img.ochreeditions.com/m/1333.jpg?dl=1","/art/horsemen-and-herdsmen-with-cattle-nga-1153","/galleries/style/dutch-and-flemish-baroque/horsemen-and-herdsmen-with-cattle-nga-1153",{"_291":371,"_293":372},{"_227":1103,"_125":1104,"_285":1105},{"_276":1100,"_278":1101,"_280":1084,"_281":1102},186.5,134.497314453125,119.497314453125,{"_287":227,"_123":687,"_154":688,"_140":99},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1333/480.jpg","https://img.ochreeditions.com/a/1333/960.jpg","https://img.ochreeditions.com/a/1333/1920.jpg",{"_311":1122,"_313":1123},{"_311":1120,"_313":1121},{"_311":1118,"_313":1119},{"_311":1116,"_313":1117},{"_311":1114,"_313":1115},"#aaa590",0.1399,"#d7bd86",0.146,"#b5c6ca",0.2166,"#70603e",0.2266,"#40341f",0.2709,{"_1125":-5,"_1126":1127,"_1128":1129,"_1130":8,"_1131":1132,"_1133":8},"user","csrf","aeb48af8aefe6e71a430d9eb67247efcdbe64fd8","cartCount",0,"dropLive","legal",[1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145],"uploadsEnabled",{"_224":1168,"_20":1169},{"_224":1166,"_20":1167},{"_224":1164,"_20":1165},{"_224":1162,"_20":1163},{"_224":1160,"_20":1161},{"_224":1158,"_20":1159},{"_224":1156,"_20":1157},{"_224":1154,"_20":1155},{"_224":1152,"_20":1153},{"_224":1150,"_20":1151},{"_224":1148,"_20":1149},{"_224":1146,"_20":1147},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]