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Bolswert's contemporaries","black","snow","https://img.ochreeditions.com/a/267/480.jpg","https://img.ochreeditions.com/a/267/960.jpg","https://img.ochreeditions.com/a/267/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":459,"_311":460},{"_309":457,"_311":458},{"_309":455,"_311":456},{"_309":453,"_311":454},{"_309":451,"_311":452},"#cebdae",0.0558,"#9a8d80",0.1839,"#796f65",0.2418,"#49443e",0.2429,"#605850",0.2756,"Schelte Adamsz. Bolswert","schelte-adamsz-bolswert",1659,"goat-on-a-small-bridge-nga-53694","Goat on a small Bridge",{"_42":514,"_220":515,"_323":516,"_325":326,"_327":517,"_329":518,"_331":-5,"_333":-5,"_335":519,"_140":99},"probably c. 1645/1656","etching with engraving",1.4217285664699757,[499,500,501,502,503],{"_219":495,"_220":496,"_42":497,"_302":498},"Courtesy National Gallery of Art, Washington","1973.15.98","Allart van Everdingen made this (probably c. 1645/1656), aged about 24. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with rocky terrain, trees, and a stream. In the foreground, there is a bridge with a traveler and a dog crossing over the stream. The scene features detailed linework and cross-hatching to depict texture. The color palette is monochrome brown, resembling an etching or drawing style.",{"_293":492,"_295":493,"_297":494},"https://img.ochreeditions.com/m/1561.jpg?dl=1","/art/goat-on-a-small-bridge-nga-53694","/galleries/style/dutch-and-flemish-baroque/goat-on-a-small-bridge-nga-53694",{"_289":437,"_291":438},{"_223":487,"_125":488,"_283":489},{"_274":483,"_276":484,"_278":485,"_280":486},84,66.2021484375,60,42.2021484375,{"_285":223,"_123":490,"_154":491,"_140":99},{"_285":125,"_123":432,"_154":433,"_140":434},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/allart-van-everdingen","More by Allart van Everdingen","https://img.ochreeditions.com/a/1561/480.jpg","https://img.ochreeditions.com/a/1561/960.jpg","https://img.ochreeditions.com/a/1561/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":512,"_311":513},{"_309":510,"_311":511},{"_309":508,"_311":509},{"_309":506,"_311":507},{"_309":504,"_311":505},"#645543",0.0778,"#b59e7f",0.2021,"#d0b898",0.2295,"#978369",0.2417,"#816f58",0.2489,"Allart van Everdingen","allart-van-everdingen","Dutch, 1621–1675",1621,1675,"Everdingen trained in Utrecht and Haarlem and in 1644 travelled to Scandinavia, where he sketched the mountains, forests and waterfalls of Norway and Sweden.","wheat-fields-met-437549","Wheat Fields",{"_42":567,"_220":568,"_323":569,"_325":326,"_327":570,"_329":191,"_331":571,"_333":334,"_335":572,"_140":97},"ca. 1670","39 3/8 x 51 1/4 in. (100 x 130.2 cm)",130.2,100,1.2914266350389698,[552,553,554,555,556],{"_219":299,"_220":300,"_42":301,"_302":303},"14.40.623","Jacob van Ruisdael painted this in about 1670, aged about 37. It is now at The Met in New York.","A sandy road runs between ripening fields of wheat towards a distant horizon, beneath a sky of towering clouds that fills most of the canvas, with sunlight and shadow moving across the land.","Wheat Fields, by Jacob van Ruisdael, ca. 1670",{"_293":549,"_295":550,"_297":551},"https://img.ochreeditions.com/m/1151.jpg?dl=1","/art/wheat-fields-met-437549","/galleries/style/dutch-and-flemish-baroque/wheat-fields-met-437549",{"_289":290,"_291":292},{"_223":544,"_125":545,"_283":546},{"_274":541,"_276":542,"_278":525,"_280":543},145.2,115.81873524009445,100.81873524009445,{"_285":223,"_123":547,"_154":548,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/1151/480.jpg","https://img.ochreeditions.com/a/1151/960.jpg","https://img.ochreeditions.com/a/1151/1920.jpg",{"_309":565,"_311":566},{"_309":563,"_311":564},{"_309":561,"_311":562},{"_309":559,"_311":560},{"_309":557,"_311":558},"#6b7a86",0.1384,"#534a38",0.1681,"#383025",0.1941,"#98907c",0.2025,"#6e6b5f",0.2969,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1628,"Haarlem","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","study-of-a-young-woman-met-437879","Study of a Young Woman",{"_42":619,"_220":620,"_323":621,"_325":326,"_327":622,"_329":518,"_331":623,"_333":623,"_335":-5,"_140":101},"ca. 1665–67","17 1/2 x 15 3/4 in. (44.5 x 40 cm)",40,44.5,0.8934299017071909,[604,605,606,607,608],{"_219":299,"_220":300,"_42":301,"_302":303},"1979.396.1","Johannes Vermeer painted this in about 1665–67, aged about 33. It is now at The Met in New York.","Study of a Young Woman, by Johannes Vermeer, ca. 1665–67",{"_293":601,"_295":602,"_297":603},"https://img.ochreeditions.com/m/1172.jpg?dl=1","/art/study-of-a-young-woman-met-437879","/galleries/style/dutch-and-flemish-baroque/study-of-a-young-woman-met-437879",{"_289":290,"_291":292},{"_223":596,"_125":597,"_283":598},{"_274":593,"_276":594,"_278":595,"_280":579},54.757630625969995,59.5,39.757630625969995,{"_285":223,"_123":599,"_154":600,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-johannes-vermeer","Johannes Vermeer's contemporaries","https://img.ochreeditions.com/a/1172/480.jpg","https://img.ochreeditions.com/a/1172/960.jpg","https://img.ochreeditions.com/a/1172/1920.jpg",{"_309":617,"_311":618},{"_309":615,"_311":616},{"_309":613,"_311":614},{"_309":611,"_311":612},{"_309":609,"_311":610},"#a8866e",0.048,"#8f908d",0.0833,"#444b49",0.0853,"#523f2f",0.1135,"#14120b",0.6699,"Johannes Vermeer","johannes-vermeer","Dutch, 1632–1675",1632,"Delft","a-woman-feeding-a-parrot-with-a-page-nga-163917","A Woman Feeding a Parrot, with a Page",{"_42":671,"_220":672,"_323":673,"_325":326,"_327":674,"_329":675,"_331":-5,"_333":-5,"_335":-5,"_140":101},"1666","oil on panel","overall: 45.7 × 36.2 cm (18 × 14 1/4 in.)",36.2,45.7,0.793701171875,[656,657,658,659,660],{"_219":495,"_220":496,"_42":497,"_302":498},"2016.118.1","Caspar Netscher painted this in 1666, aged 27. It is now at the National Gallery of Art in Washington, DC.","Shown from about the knees up, a pale-skinned young woman stands within a stone niche, with a parrot perched on her finger as she gazes out at us in this vertical painting. The woman’s hands are raised to chest height, and she balances the spruce-blue parrot on the index finger of her far hand while her other hand holds an indistinct, white object. Her body is angled to our left, and she looks at us from the corner of her green eyes under faint brows. Her round face has a small nose, flushed cheeks, and her coral-red mouth curls up in a slight smile, her lips parted. Her honey-blond hair is gathered at the back of her head with curly tendrils framing her face and falling to her shoulders. She wears a golden-brown gown trimmed with a narrow ruffle of white fabric along the low neckline that reveals her décolletage. The bird faces the woman and lifts something, presumably a bit of food, up with one dark claw. The underside of its tail is crimson red. A light-skinned boy stands in deep shadow just to the right of the woman. He looks up at her and holds a silver tray in both hands. They stand within a light brown, arched, stone opening beyond a ledge, which comes up to about the woman’s knees. A carpet patterned with stylized flowers in ruby red, burnt orange, teal blue, white, and black is bunched up and draped over the parapet, to our right. A tall, iron-gray cage sits to our left. The rug partly covers an inscription on the front face of the niche that reads, “M. DO,” with the O cut off. A copper-colored, fringe-lined drapery hangs from the upper right of the arch and is fastened to the inner edge of the opening to create a swag. The woman is brightly lit from the upper left, and the space behind her and the boy is ink black. The artist signed and dated the lower left corner as if he had carved into the front face of the arch. It reads, “CNetscher .Ao. 16.66,” with the C and N overlapping to make a monogram.",{"_293":653,"_295":654,"_297":655},"https://img.ochreeditions.com/m/1682.jpg?dl=1","/art/a-woman-feeding-a-parrot-with-a-page-nga-163917","/galleries/style/dutch-and-flemish-baroque/a-woman-feeding-a-parrot-with-a-page-nga-163917",{"_289":290,"_291":292},{"_223":648,"_125":649,"_283":650},{"_274":645,"_276":646,"_278":647,"_280":631},51.2721435546875,60.7,36.2721435546875,{"_285":223,"_123":651,"_154":652,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caspar-netscher","Caspar Netscher's contemporaries","https://img.ochreeditions.com/a/1682/480.jpg","https://img.ochreeditions.com/a/1682/960.jpg","https://img.ochreeditions.com/a/1682/1920.jpg",{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},"#b9a281",0.0221,"#775631",0.0787,"#331f14",0.1994,"#4d3721",0.2999,"#15100b",0.3999,"Caspar Netscher","caspar-netscher","Dutch, 1639–1684",1639,1684,"queen-henrietta-maria-met-438112","Queen Henrietta Maria",{"_42":722,"_220":723,"_323":724,"_325":400,"_327":725,"_329":726,"_331":727,"_333":728,"_335":729,"_140":97},"1636","41 5/8 × 33 1/4 in. (105.7 × 84.5 cm)",84.5,105.7,0.85225,[707,708,709,710,711],{"_219":299,"_220":300,"_42":301,"_302":303},"2019.141.10","Anthony van Dyck painted this in 1636, aged 37. It is now at The Met in New York.","Queen Henrietta Maria, by Anthony van Dyck, 1636",{"_293":704,"_295":705,"_297":706},"https://img.ochreeditions.com/m/1181.jpg?dl=1","/art/queen-henrietta-maria-met-438112","/galleries/style/dutch-and-flemish-baroque/queen-henrietta-maria-met-438112",{"_289":290,"_291":292},{"_223":699,"_125":700,"_283":701},{"_274":696,"_276":697,"_278":698,"_280":682},105.082825,120.7,90.082825,{"_285":223,"_123":702,"_154":703,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":367,"_154":368,"_140":369},"artist/anthony-van-dyck","More by Anthony van Dyck","https://img.ochreeditions.com/a/1181/480.jpg","https://img.ochreeditions.com/a/1181/960.jpg","https://img.ochreeditions.com/a/1181/1920.jpg",{"_309":720,"_311":721},{"_309":718,"_311":719},{"_309":716,"_311":717},{"_309":714,"_311":715},{"_309":712,"_311":713},"#83755e",0.1102,"#694317",0.1267,"#0c0805",0.1875,"#291a0f",0.2078,"#372515",0.3678,"Anthony van Dyck","anthony-van-dyck","Flemish, 1599–1641",1599,1641,"Antwerp","London","Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths.","clothing-the-naked-met-437769","Clothing the Naked",{"_42":776,"_220":777,"_323":778,"_325":400,"_327":779,"_329":780,"_331":781,"_333":782,"_335":-5,"_140":103},"ca. 1661","32 1/4 x 45 in. (81.9 x 114.3 cm)",114.3,81.9,1.361933946203609,[761,762,763,764,765],{"_219":299,"_220":300,"_42":301,"_302":303},"1984.459.1","Michiel Sweerts painted this in about 1661, aged about 38. It is now at The Met in New York.","Clothing the Naked, by Michiel Sweerts, ca. 1661",{"_293":758,"_295":759,"_297":760},"https://img.ochreeditions.com/m/1162.jpg?dl=1","/art/clothing-the-naked-met-437769","/galleries/style/dutch-and-flemish-baroque/clothing-the-naked-met-437769",{"_289":290,"_291":292},{"_223":753,"_125":754,"_283":755},{"_274":750,"_276":751,"_278":735,"_280":752},129.3,98.924775,83.924775,{"_285":223,"_123":756,"_154":757,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-michiel-sweerts","Michiel Sweerts's contemporaries","https://img.ochreeditions.com/a/1162/480.jpg","https://img.ochreeditions.com/a/1162/960.jpg","https://img.ochreeditions.com/a/1162/1920.jpg",{"_309":774,"_311":775},{"_309":772,"_311":773},{"_309":770,"_311":771},{"_309":768,"_311":769},{"_309":766,"_311":767},"#91826a",0.0742,"#5c2621",0.1354,"#3d2a1f",0.1481,"#6f5137",0.151,"#1a1715",0.4913,"Michiel Sweerts","michiel-sweerts","Flemish, 1618–1664",1618,1664,"Brussels","Goa","nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","Nude Old Man Seated, Leaning on His Forearm, Facing Left",{"_42":834,"_220":835,"_323":836,"_325":400,"_327":837,"_329":838,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1640","watercolour","Drawing and Watercolor","Red and black chalk, with touches of white chalk, on cream laid paper","34.4 × 21.7 cm (13 9/16 × 8 9/16 in.)",21,34,0.6339606378393909,[819,820,821,822,823],{"_219":442,"_220":443,"_42":444,"_302":445},"1990.139","Jacob Jordaens painted this in about 1640, aged about 42. It is now at the Art Institute of Chicago.","A work made of red and black chalk, with touches of white chalk, on cream laid paper.",{"_293":816,"_295":817,"_297":818},"https://img.ochreeditions.com/m/192.jpg?dl=1","/art/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","/galleries/style/dutch-and-flemish-baroque/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291",{"_289":437,"_291":438},{"_223":809,"_125":810,"_283":811},{"_274":806,"_276":807,"_278":808,"_280":792},45.55466168653929,58,21.55466168653929,{"_285":223,"_123":814,"_154":815,"_140":89},{"_285":125,"_123":812,"_154":813,"_140":229},{"_285":283,"_123":367,"_154":368,"_140":369},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-jacob-jordaens","Jacob Jordaens's contemporaries","https://img.ochreeditions.com/a/192/480.jpg","https://img.ochreeditions.com/a/192/960.jpg","https://img.ochreeditions.com/a/192/1920.jpg",{"_309":832,"_311":833},{"_309":830,"_311":831},{"_309":828,"_311":829},{"_309":826,"_311":827},{"_309":824,"_311":825},"#a37d64",0.0461,"#a39a90",0.1117,"#ca9473",0.1261,"#caa98b",0.279,"#d8bda0",0.4371,"Jacob Jordaens","jacob-jordaens","Flemish, 1593–1678",1593,1678,"paying-the-hostess-met-436677","Paying the Hostess",{"_42":884,"_220":885,"_323":886,"_325":326,"_327":887,"_329":675,"_331":888,"_333":334,"_335":889,"_140":99},"37 1/4 x 43 3/4 in. (94.6 x 111.1 cm)",111.1,94.6,1.172892868169188,[869,870,871,872,873],{"_219":299,"_220":300,"_42":301,"_302":303},"58.144","Pieter de Hooch painted this in about 1670, aged about 36. It is now at The Met in New York.","Paying the Hostess, by Pieter de Hooch, ca. 1670",{"_293":866,"_295":867,"_297":868},"https://img.ochreeditions.com/m/1106.jpg?dl=1","/art/paying-the-hostess-met-436677","/galleries/style/dutch-and-flemish-baroque/paying-the-hostess-met-436677",{"_289":290,"_291":292},{"_223":861,"_125":862,"_283":863},{"_274":858,"_276":859,"_278":843,"_280":860},126.1,109.72305869965781,94.72305869965781,{"_285":223,"_123":864,"_154":865,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/pieter-de-hooch","More by Pieter de Hooch","https://img.ochreeditions.com/a/1106/480.jpg","https://img.ochreeditions.com/a/1106/960.jpg","https://img.ochreeditions.com/a/1106/1920.jpg",{"_309":882,"_311":883},{"_309":880,"_311":881},{"_309":878,"_311":879},{"_309":876,"_311":877},{"_309":874,"_311":875},"#644a29",0.0446,"#4a2f19",0.0868,"#342516",0.1623,"#19140f",0.3409,"#251b12",0.3654,"Pieter de Hooch","pieter-de-hooch","Dutch, 1629–1684",1629,"Rotterdam","De Hooch was born in Rotterdam and trained, according to an early biographer, with Nicolaes Berchem in Haarlem.","the-music-lesson-aic-16398","The Music Lesson",{"_42":939,"_220":940,"_323":941,"_325":326,"_327":942,"_329":191,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1671","80.2 × 65.5 cm (31 × 25 3/16 in.); Framed: 98.4 × 81.6 × 6.4 cm (38 3/4 × 32 1/8 × 2 1/2 in.)",65,80,0.8047812529528489,[924,925,926,927,928],{"_219":442,"_220":443,"_42":444,"_302":445},"1933.1088","Jacob Ochtervelt painted this in 1671, aged 37. It is now at the Art Institute of Chicago.",{"_118":922,"_376":923},"A work made of oil on canvas.",{"_293":919,"_295":920,"_297":921},"https://img.ochreeditions.com/m/52.jpg?dl=1","/art/the-music-lesson-aic-16398","/galleries/style/dutch-and-flemish-baroque/the-music-lesson-aic-16398",{"_289":290,"_291":292},{"_223":914,"_125":915,"_283":916},{"_274":911,"_276":912,"_278":913,"_280":896},79.38250023622791,95,64.38250023622791,{"_285":223,"_123":917,"_154":918,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacob-ochtervelt","Jacob Ochtervelt's contemporaries","https://img.ochreeditions.com/a/52/480.jpg","https://img.ochreeditions.com/a/52/960.jpg","https://img.ochreeditions.com/a/52/1920.jpg","One of Ochtervelt’s finest works, The Music Lesson was probably painted in Rotterdam, where the artist spent most of his career. The delicate light, which illuminates the girl and leaves the youth partly in shadow, is indebted to Johannes Vermeer, who worked in the nearby city of Delft.","Text from the Art Institute of Chicago.",{"_309":937,"_311":938},{"_309":935,"_311":936},{"_309":933,"_311":934},{"_309":931,"_311":932},{"_309":929,"_311":930},"#7d6847",0.0592,"#534226",0.0643,"#3d3224",0.1617,"#231c16",0.2794,"#5d5342",0.4354,"Jacob Ochtervelt","jacob-ochtervelt","Dutch, 1634–1682",1634,"a-mother-feeding-her-child-the-happy-mother-aic-497","A Mother Feeding her Child (The Happy Mother)",{"_42":996,"_220":997,"_323":998,"_325":326,"_327":999,"_329":1000,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1707",18,"Oil on panel","56.9 × 48.4 cm (22 3/8 × 19 1/16 in.); Framed: 83.2 × 74.6 × 6.4 cm (32 3/4 × 29 3/8 × 2 1/2 in.)",48,56,0.8391334015694303,[981,982,983,984,985],{"_219":442,"_220":443,"_42":444,"_302":445},"1890.42","Willem van Mieris painted this in 1707, aged 45. It is now at the Art Institute of Chicago.","Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.",{"_293":978,"_295":979,"_297":980},"https://img.ochreeditions.com/m/1.jpg?dl=1","/art/a-mother-feeding-her-child-the-happy-mother-aic-497","/galleries/style/dutch-and-flemish-baroque/a-mother-feeding-her-child-the-happy-mother-aic-497",{"_289":290,"_291":292},{"_223":968,"_125":969,"_283":970},{"_274":965,"_276":966,"_278":967,"_280":951},61.991470487888094,71,46.991470487888094,{"_285":223,"_123":976,"_154":977,"_140":89},{"_285":125,"_123":974,"_154":975,"_140":288},{"_285":283,"_123":971,"_154":972,"_140":973},"era/18","The 18th century",347,"style/painting-18","More paintings of the 18th century","artist/contemporaries-of-willem-van-mieris","Willem van Mieris's contemporaries","https://img.ochreeditions.com/a/1/480.jpg","https://img.ochreeditions.com/a/1/960.jpg","https://img.ochreeditions.com/a/1/1920.jpg",{"_309":994,"_311":995},{"_309":992,"_311":993},{"_309":990,"_311":991},{"_309":988,"_311":989},{"_309":986,"_311":987},"#867158",0.0475,"#67451e",0.0477,"#1b130c",0.237,"#42331f",0.2428,"#2e1e12",0.425,"Willem van Mieris","willem-van-mieris","Dutch, 1662–1747",1662,1747,"cascade-under-a-stone-bridge-nga-119790","Cascade under a Stone Bridge",{"_42":1049,"_220":1050,"_323":1051,"_325":326,"_327":837,"_329":726,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1616","etching on laid paper","plate: 12.1 x 19 cm (4 3/4 x 7 1/2 in.) sheet: 12.7 x 19.5 cm (5 x 7 11/16 in.)",19,12.1,1.5119970468807677,[1034,1035,1036,1037,1038],{"_219":495,"_220":496,"_42":497,"_302":498},"2002.98.68","Jan van de Velde II made this in about 1616, aged 23. It is now at the National Gallery of Art in Washington, DC.","The image shows a pastoral scene in black and white with fine line work. A small bridge with a circular archway crosses a stream. A dirt path winds through the landscape flanked by grass and bushes. A rocky cliff ascends on the left with a tower-like structure partially obscured by vegetation. The horizon features a cloudy sky, with swirling lines indicating motion. In the distance, a tall, thin structure, possibly a spire or chimney, stands amid faint hills and trees. The scene conveys a serene atmosphere through hatching and cross-hatching techniques.",{"_293":1031,"_295":1032,"_297":1033},"https://img.ochreeditions.com/m/1652.jpg?dl=1","/art/cascade-under-a-stone-bridge-nga-119790","/galleries/style/dutch-and-flemish-baroque/cascade-under-a-stone-bridge-nga-119790",{"_289":437,"_291":438},{"_223":1026,"_125":1027,"_283":1028},{"_274":1022,"_276":1023,"_278":1024,"_280":1025},49,40.534423828125,25,16.534423828125,{"_285":223,"_123":1029,"_154":1030,"_140":89},{"_285":125,"_123":432,"_154":433,"_140":434},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jan-van-de-velde-ii","Jan van de Velde II's contemporaries","https://img.ochreeditions.com/a/1652/480.jpg","https://img.ochreeditions.com/a/1652/960.jpg","https://img.ochreeditions.com/a/1652/1920.jpg",{"_309":1047,"_311":1048},{"_309":1045,"_311":1046},{"_309":1043,"_311":1044},{"_309":1041,"_311":1042},{"_309":1039,"_311":1040},"#6c6155",0.1205,"#a49583",0.1254,"#897b6c",0.1451,"#c3b19a",0.189,"#dbc8af",0.42,"Jan van de Velde II","jan-van-de-velde-ii","Dutch, c. 1593–1641","a-genoese-lady-with-her-child-cma-131819","A Genoese Lady with Her Child",{"_42":722,"_220":723,"_323":724,"_325":400,"_327":725,"_329":726,"_331":727,"_333":728,"_335":729,"_140":97},"c. 1623–25","oil on canvas","Framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.)",146,217.8,0.6661764705882353,[1084,1085,1086,1087,1088],{"_219":378,"_220":379,"_42":380,"_302":381},"1954.392","Anthony van Dyck painted this in about 1623–25, aged about 24. It is now at the Cleveland Museum of Art.",{"_118":1083,"_376":377},"A Genoese Lady with Her Child, by Anthony van Dyck, c. 1623–25",{"_293":1080,"_295":1081,"_297":1082},"https://img.ochreeditions.com/m/605.jpg?dl=1","/art/a-genoese-lady-with-her-child-cma-131819","/galleries/style/dutch-and-flemish-baroque/a-genoese-lady-with-her-child-cma-131819",{"_289":290,"_291":292},{"_223":1077,"_125":1078,"_283":1079},{"_274":1074,"_276":1075,"_278":1076,"_280":1059},160.09323529411765,232.8,145.09323529411765,{"_285":223,"_123":702,"_154":703,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/605/480.jpg","https://img.ochreeditions.com/a/605/960.jpg","https://img.ochreeditions.com/a/605/1920.jpg","Prior to the 1600s, large, full-length portraits of wealthy clients usually emphasized the trappings of status above any other qualities. The accuracy of the likeness and vivacity of the person remained subordinate to an easily readable sense of the sitter’s power and position in society.",{"_309":1097,"_311":1098},{"_309":1095,"_311":1096},{"_309":1093,"_311":1094},{"_309":1091,"_311":1092},{"_309":1089,"_311":1090},"#423c35",0.0669,"#482e21",0.1566,"#72604c",0.19,"#2c231c",0.2776,"#692c21",0.3089,"merrymakers-at-shrovetide-met-436622","Merrymakers at Shrovetide",{"_42":1146,"_220":1147,"_323":1148,"_325":326,"_327":401,"_329":1149,"_331":727,"_333":571,"_335":1150,"_140":99},"ca. 1616–17","51 3/4 x 39 1/4 in. (131.4 x 99.7 cm)",99.7,131.4,0.7673293927995701,[1131,1132,1133,1134,1135],{"_219":299,"_220":300,"_42":301,"_302":303},"14.40.605","Frans Hals painted this in about 1616–17, aged about 34. It is now at The Met in New York.","An elaborately dressed young woman sits at a crowded table during the boisterous days before Lent, surrounded by grinning revellers, among them two stock characters of Dutch carnival theatre, Peeckelhaeringh and Hans Wurst.","Merrymakers at Shrovetide, by Frans Hals, ca. 1616–17",{"_293":1128,"_295":1129,"_297":1130},"https://img.ochreeditions.com/m/1102.jpg?dl=1","/art/merrymakers-at-shrovetide-met-436622","/galleries/style/dutch-and-flemish-baroque/merrymakers-at-shrovetide-met-436622",{"_289":290,"_291":292},{"_223":1123,"_125":1124,"_283":1125},{"_274":1120,"_276":1121,"_278":1122,"_280":1105},115.82708221386352,146.4,100.82708221386352,{"_285":223,"_123":1126,"_154":1127,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/frans-hals","More by Frans Hals","https://img.ochreeditions.com/a/1102/480.jpg","https://img.ochreeditions.com/a/1102/960.jpg","https://img.ochreeditions.com/a/1102/1920.jpg",{"_309":1144,"_311":1145},{"_309":1142,"_311":1143},{"_309":1140,"_311":1141},{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},"#7e6d55",0.085,"#524736",0.1237,"#5f3b28",0.1702,"#392b1e",0.2822,"#1f1c17",0.3389,"Frans Hals","frans-hals","Dutch, 1582–1666",1666,"Hals was born in Antwerp but spent his whole career in Haarlem, where he became its leading portraitist.",{"_1152":-5,"_1153":1154,"_1155":1156,"_1157":8,"_1158":1159,"_1160":8},"user","csrf","59b2d5f9dc61e0dc09327ff52d0dd85ceb22f4db","cartCount",0,"dropLive","legal",[1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172],"uploadsEnabled",{"_220":1195,"_20":1196},{"_220":1193,"_20":1194},{"_220":1191,"_20":1192},{"_220":1189,"_20":1190},{"_220":1187,"_20":1188},{"_220":1185,"_20":1186},{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]