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Music Lesson","artist",{"_42":325,"_220":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":-5,"_336":-5,"_337":-5,"_140":103},"unrecorded","date","1671","century",17,"place","netherlands","movement","dutch-and-flemish-baroque","painting","classification","Painting","medium","Oil on canvas","dimensions","80.2 × 65.5 cm (31 × 25 3/16 in.); Framed: 98.4 × 81.6 × 6.4 cm (38 3/4 × 32 1/8 × 2 1/2 in.)","width_cm",65,"height_cm",80,"aspect",0.8047812529528489,"palette",[308,309,310,311,312],"museum",{"_219":303,"_220":304,"_42":305,"_306":307},"credit","Courtesy of the Art Institute of Chicago","accession","1933.1088","licence","CC0","story","Jacob Ochtervelt painted this in 1671, aged 37. It is now at the Art Institute of Chicago.",{"_118":300,"_301":302},"note","A work made of oil on canvas.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/52.jpg?dl=1","page_url","/art/the-music-lesson-aic-16398","walk_url","/galleries/style/dutch-and-flemish-baroque/the-music-lesson-aic-16398","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":280,"_281":244},"w",79.38250023622791,"h",95,"image_w",64.38250023622791,"image_h",{"_286":223,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/painting-17","More paintings of the 17th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/52/480.jpg","960","https://img.ochreeditions.com/a/52/960.jpg","1920","https://img.ochreeditions.com/a/52/1920.jpg","One of Ochtervelt’s finest works, The Music Lesson was probably painted in Rotterdam, where the artist spent most of his career. The delicate light, which illuminates the girl and leaves the youth partly in shadow, is indebted to Johannes Vermeer, who worked in the nearby city of Delft.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#7d6847","weight",0.0592,"#534226",0.0643,"#3d3224",0.1617,"#231c16",0.2794,"#5d5342",0.4354,"Jacob Ochtervelt","jacob-ochtervelt","bio","Dutch, 1634–1682","nationality","Dutch","birth_year",1634,"death_year",1682,"birth_place","death_place","about_excerpt","amsterdam-harbor-scene-nga-154215","Amsterdam Harbor Scene",{"_42":390,"_220":391,"_327":392,"_329":330,"_331":393,"_333":394,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1654/1655","oil on canvas","overall: 61 x 81.8 cm (24 x 32 3/16 in.) framed: 81.9 × 102.2 × 5.72 cm (32 1/4 × 40 1/4 × 2 1/4 in.)",81.8,61,1.3544973544973544,[375,376,377,378,379],{"_219":371,"_220":372,"_42":373,"_306":374},"Courtesy National Gallery of Art, Washington","2011.3.1","Reinier Nooms, called Zeeman painted this in about 1654/1655, aged about 31. It is now at the National Gallery of Art in Washington, DC.","A sage-green harbor teems with more than a dozen sailing ships and rowboats under a pale gray sky in this horizontal painting. The horizon comes about one-fifth of the way up the composition, and dark gray and white clouds tower above. Light filters onto the scene through the clouds from our left to fall across the ships while casting shadows on the water nearest us. Painted in tones of slate gray and warm brown, most of the ships closest to us have their sails furled so the masts and horizontal yard arms bristle against the sky. The larger ships have cannons poking out of square portholes. On our right, a war ship floats with its ornately carved and gilded stern facing us. A flag flying from the tallest of the three masts has red, white, and green stripes. The artist painted his name on that flag, “R. Zeeman.” The ship is tied to a buoy with a length of rope, and an empty rowboat is tethered to the right side of the ship. A similar ship but with the sails hanging loosely is tied to a buoy just beyond this one. A row of pickets, like a fence, extends into the water behind these two ships. To our left, a rowboat full of men has pulled up alongside a partially sunken ship, its masts tilting toward us. A few people stand on two more ships nearby. A black temporary dock floats next to the leftmost ship here. A person mixes something that smokes on the platform, and another person stands on a board lifted halfway up the ship’s side, presumably working on a repair. Two women in another rowboat next to the floating dock lean over the side, washing clothes. Another fence encloses the harbor to our left, and a hut in the middle of the harbor is surrounded by a similar structure. Two rowboats closer to us are filled with men wearing tall hats and black or brown coats, and women wearing black bonnets and white shawls. More sailing ships and rowboats move back or around beyond the harbor, out to sea. Visible cracks cover the surface of the painting.",{"_294":368,"_296":369,"_298":370},"https://img.ochreeditions.com/m/1680.jpg?dl=1","/art/amsterdam-harbor-scene-nga-154215","/galleries/style/dutch-and-flemish-baroque/amsterdam-harbor-scene-nga-154215",{"_290":291,"_292":293},{"_223":363,"_125":364,"_284":365},{"_275":360,"_277":361,"_279":344,"_281":362},96.8,75.39140625,60.39140625,{"_286":223,"_123":366,"_154":367,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-reinier-nooms-called-zeeman","Reinier Nooms, called Zeeman's contemporaries","https://img.ochreeditions.com/a/1680/480.jpg","https://img.ochreeditions.com/a/1680/960.jpg","https://img.ochreeditions.com/a/1680/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_313":388,"_315":389},{"_313":386,"_315":387},{"_313":384,"_315":385},{"_313":382,"_315":383},{"_313":380,"_315":381},"#6a6554",0.0977,"#463f35",0.1223,"#b8b7aa",0.2031,"#6c6d6c",0.254,"#8e8f88",0.3229,"Reinier Nooms, called Zeeman","reinier-nooms-called-zeeman","Dutch, 1623 or 1624–1664",1623,1664,"dune-landscape-with-oak-tree-met-337493","Dune Landscape with Oak Tree",{"_42":455,"_220":456,"_327":457,"_329":330,"_331":458,"_333":334,"_335":459,"_336":460,"_337":461,"_140":97},"1650–55","drawing","Drawings","Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink","8 1/4 x 7 1/2 in. 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It is now at The Met in New York.","Dune Landscape with Oak Tree, by Jacob van Ruisdael, 1650–55",{"_294":433,"_296":434,"_298":435},"https://img.ochreeditions.com/m/1020.jpg?dl=1","/art/dune-landscape-with-oak-tree-met-337493","/galleries/style/dutch-and-flemish-baroque/dune-landscape-with-oak-tree-met-337493",{"_290":431,"_292":432},{"_223":423,"_125":424,"_284":425},{"_275":419,"_277":420,"_279":421,"_281":422},46.624398073836275,49,22.62439807383628,25,{"_286":223,"_123":429,"_154":430,"_140":97},{"_286":125,"_123":426,"_154":427,"_140":428},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","black","snow","https://img.ochreeditions.com/a/1020/480.jpg","https://img.ochreeditions.com/a/1020/960.jpg","https://img.ochreeditions.com/a/1020/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":453,"_315":454},{"_313":451,"_315":452},{"_313":449,"_315":450},{"_313":447,"_315":448},{"_313":445,"_315":446},"#736c65",0.0907,"#d1bfaa",0.1502,"#8f867b",0.2083,"#a59a8b",0.2733,"#baab99",0.2775,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1628,"Haarlem","Amsterdam","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","two-men-seated-near-the-waterside-nga-53889","Two Men Seated Near the Waterside",{"_42":514,"_220":515,"_327":516,"_329":330,"_331":517,"_333":518,"_335":-5,"_336":-5,"_337":519,"_140":97},"print","Print","etching",1.4931506849315068,[499,500,501,502,503],{"_219":371,"_220":372,"_42":373,"_306":374},"1973.32.21","Herman van Swanevelt made this. It is now at the National Gallery of Art in Washington, DC.","The image shows an oval framing a scene with mountains, clouds, and trees. Delicate etched lines create textures in the landscape. The color palette is monochrome. Two figures are sitting under leafy trees, with a structure nearby.",{"_294":496,"_296":497,"_298":498},"https://img.ochreeditions.com/m/1568.jpg?dl=1","/art/two-men-seated-near-the-waterside-nga-53889","/galleries/style/dutch-and-flemish-baroque/two-men-seated-near-the-waterside-nga-53889",{"_290":431,"_292":432},{"_223":485,"_125":486,"_284":487},{"_275":481,"_277":482,"_279":483,"_281":484},84,64.18348623853211,60,40.18348623853211,{"_286":223,"_123":494,"_154":495,"_140":97},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":488,"_154":489,"_140":490},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1568/480.jpg","https://img.ochreeditions.com/a/1568/960.jpg","https://img.ochreeditions.com/a/1568/1920.jpg",{"_313":512,"_315":513},{"_313":510,"_315":511},{"_313":508,"_315":509},{"_313":506,"_315":507},{"_313":504,"_315":505},"#605449",0.1428,"#d0bfa6",0.1835,"#998977",0.2177,"#7d6f60",0.2198,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","the-watermill-with-the-great-red-roof-aic-869","The Watermill with the Great Red Roof",{"_42":567,"_220":568,"_327":569,"_329":330,"_331":570,"_333":571,"_335":-5,"_336":-5,"_337":572,"_140":97},"c. 1665","81.3 × 110 cm (32 × 43 1/4 in.); Framed: 101.3 × 130.5 × 8.3 cm (39 7/8 × 51 3/8 × 3 1/4 in.)",110,81,1.3553896942730013,[552,553,554,555,556],{"_219":303,"_220":304,"_42":305,"_306":307},"1894.1031","Meindert Hobbema painted this in about 1665, aged about 22. It is now at the Art Institute of Chicago.","A watermill with a striking red roof stands beside a muddy brown river at the right, water churning through its wheel, while a twisting tree leans across the foreground and three small figures pass in the distance under a grey and blue sky.","Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.",{"_294":549,"_296":550,"_298":551},"https://img.ochreeditions.com/m/3.jpg?dl=1","/art/the-watermill-with-the-great-red-roof-aic-869","/galleries/style/dutch-and-flemish-baroque/the-watermill-with-the-great-red-roof-aic-869",{"_290":291,"_292":293},{"_223":544,"_125":545,"_284":546},{"_275":541,"_277":542,"_279":525,"_281":543},125,96.15747114264535,81.15747114264535,{"_286":223,"_123":547,"_154":548,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/3/480.jpg","https://img.ochreeditions.com/a/3/960.jpg","https://img.ochreeditions.com/a/3/1920.jpg",{"_313":565,"_315":566},{"_313":563,"_315":564},{"_313":561,"_315":562},{"_313":559,"_315":560},{"_313":557,"_315":558},"#5e563d",0.133,"#9d9685",0.1469,"#39301d",0.2337,"#211a10",0.2367,"#7e8179",0.2497,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","lucas-van-uffel-died-1637-met-436253","Lucas van Uffel (died 1637)",{"_42":623,"_220":624,"_327":625,"_329":626,"_331":627,"_333":628,"_335":629,"_336":630,"_337":631,"_140":97},"ca. 1622","flanders","Paintings","49 x 39 5/8 in. (124.5 x 100.6 cm)",100.6,124.5,0.829,[609,610,611,612,613],{"_219":436,"_220":437,"_42":438,"_306":439},"14.40.619","Anthony van Dyck painted this in about 1622, aged about 22. It is now at The Met in New York.","Lucas van Uffel (died 1637), by Anthony van Dyck, ca. 1622",{"_294":606,"_296":607,"_298":608},"https://img.ochreeditions.com/m/1087.jpg?dl=1","/art/lucas-van-uffel-died-1637-met-436253","/galleries/style/dutch-and-flemish-baroque/lucas-van-uffel-died-1637-met-436253",{"_290":291,"_292":293},{"_223":598,"_125":599,"_284":600},{"_275":595,"_277":596,"_279":597,"_281":581},118.2105,139.5,103.2105,{"_286":223,"_123":604,"_154":605,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":601,"_154":602,"_140":603},"era/17-flanders","17th-century Flanders",30,"artist/anthony-van-dyck","More by Anthony van Dyck","https://img.ochreeditions.com/a/1087/480.jpg","https://img.ochreeditions.com/a/1087/960.jpg","https://img.ochreeditions.com/a/1087/1920.jpg",{"_313":621,"_315":622},{"_313":619,"_315":620},{"_313":618,"_315":566},{"_313":616,"_315":617},{"_313":614,"_315":615},"#8b6d4e",0.0271,"#563f2b",0.0802,"#36271c","#241c18",0.3037,"#0c0a09",0.3393,"Anthony van Dyck","anthony-van-dyck","Flemish, 1599–1641","Flemish",1599,1641,"Antwerp","London","Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths.","christ-crucified-between-the-two-thieves-the-three-crosses-met-354631","Christ Crucified between the Two Thieves: The Three Crosses",{"_42":684,"_220":685,"_327":686,"_329":330,"_331":687,"_333":688,"_335":689,"_336":460,"_337":690,"_140":77},"1653","Prints","Drypoint printed on vellum","Plate: 15 x 17 1/4 in. (38.1 x 43.8 cm) Sheet: 15 1/8 x 17 7/16 in. (38.4 x 44.3 cm) Mount: 22 x 28 in. (55.9 x 71.1 cm)",44.3,38.4,1.1482602118003025,[669,670,671,672,673],{"_219":436,"_220":437,"_42":438,"_306":439},"41.1.31","Rembrandt van Rijn made this in 1653, aged 47. It is now at The Met in New York.","A shaft of light pours down on the crucified Christ between the two thieves, illuminating the grieving figures at the foot of the cross, while darkness closes in at the edges.","Christ Crucified between the Two Thieves: The Three Crosses, by Rembrandt van Rijn, 1653",{"_294":666,"_296":667,"_298":668},"https://img.ochreeditions.com/m/1045.jpg?dl=1","/art/christ-crucified-between-the-two-thieves-the-three-crosses-met-354631","/galleries/style/dutch-and-flemish-baroque/christ-crucified-between-the-two-thieves-the-three-crosses-met-354631",{"_290":431,"_292":432},{"_223":658,"_125":659,"_284":660},{"_275":655,"_277":656,"_279":639,"_281":657},68.3,62.580105401844534,38.580105401844534,{"_286":223,"_123":664,"_154":665,"_140":77},{"_286":125,"_123":661,"_154":662,"_140":663},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/1045/480.jpg","https://img.ochreeditions.com/a/1045/960.jpg","https://img.ochreeditions.com/a/1045/1920.jpg",{"_313":682,"_315":683},{"_313":680,"_315":681},{"_313":678,"_315":679},{"_313":676,"_315":677},{"_313":674,"_315":675},"#bba991",0.1507,"#9a8771",0.1666,"#7c6956",0.1869,"#5e4e41",0.1914,"#423732",0.3044,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","guardroom-with-the-deliverance-of-saint-peter-met-437777","Guardroom with the Deliverance of Saint Peter",{"_42":738,"_220":739,"_327":740,"_329":626,"_331":741,"_333":742,"_335":629,"_336":743,"_337":-5,"_140":101},"ca. 1645–47","Oil on wood","21 3/4 x 29 7/8 in. (55.2 x 75.9 cm)",75.9,55.2,1.3136288998357963,[723,724,725,726,727],{"_219":436,"_220":437,"_42":438,"_306":439},"64.65.5","David Teniers the Younger painted this in about 1645–47, aged about 35. It is now at The Met in New York.","Guardroom with the Deliverance of Saint Peter, by David Teniers the Younger, ca. 1645–47",{"_294":720,"_296":721,"_298":722},"https://img.ochreeditions.com/m/1164.jpg?dl=1","/art/guardroom-with-the-deliverance-of-saint-peter-met-437777","/galleries/style/dutch-and-flemish-baroque/guardroom-with-the-deliverance-of-saint-peter-met-437777",{"_290":291,"_292":293},{"_223":715,"_125":716,"_284":717},{"_275":712,"_277":713,"_279":697,"_281":714},90.9,72.778875,57.778875000000006,{"_286":223,"_123":718,"_154":719,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":601,"_154":602,"_140":603},"artist/contemporaries-of-david-teniers-the-younger","David Teniers the Younger's contemporaries","https://img.ochreeditions.com/a/1164/480.jpg","https://img.ochreeditions.com/a/1164/960.jpg","https://img.ochreeditions.com/a/1164/1920.jpg",{"_313":736,"_315":737},{"_313":734,"_315":735},{"_313":732,"_315":733},{"_313":730,"_315":731},{"_313":728,"_315":729},"#835c3c",0.0606,"#6b604f",0.0823,"#1f1b17",0.228,"#4a3e31",0.2937,"#332e27",0.3354,"David Teniers the Younger","david-teniers-the-younger","Flemish, 1610–1690",1610,1690,"Brussels","seated-female-nude-aic-74224","Seated Female Nude",{"_42":794,"_220":795,"_327":796,"_329":330,"_331":797,"_333":798,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1647/78","watercolour","Drawing and Watercolor","Pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper","Primary support: 28.4 × 19.2 cm (11 3/16 × 7 9/16 in.)",19,28,0.7266113778553761,[779,780,781,782,783],{"_219":303,"_220":304,"_42":305,"_306":307},"1989.203","Samuel van Hoogstraten painted this in 1647/78, aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper.",{"_294":776,"_296":777,"_298":778},"https://img.ochreeditions.com/m/189.jpg?dl=1","/art/seated-female-nude-aic-74224","/galleries/style/dutch-and-flemish-baroque/seated-female-nude-aic-74224",{"_290":431,"_292":432},{"_223":769,"_125":770,"_284":771},{"_275":767,"_277":182,"_279":768,"_281":753},44.34511857995053,20.34511857995053,{"_286":223,"_123":774,"_154":775,"_140":89},{"_286":125,"_123":772,"_154":773,"_140":229},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-samuel-van-hoogstraten","Samuel van Hoogstraten's contemporaries","https://img.ochreeditions.com/a/189/480.jpg","https://img.ochreeditions.com/a/189/960.jpg","https://img.ochreeditions.com/a/189/1920.jpg",{"_313":792,"_315":793},{"_313":790,"_315":791},{"_313":788,"_315":789},{"_313":786,"_315":787},{"_313":784,"_315":785},"#856b52",0.0652,"#a8896b",0.1586,"#c3a381",0.2055,"#d5b798",0.2789,"#e4cbad",0.2918,"Samuel van Hoogstraten","samuel-van-hoogstraten","Dutch, 1627–1678",1627,1678,"self-portrait-met-437397","Self-Portrait",{"_42":684,"_220":685,"_327":686,"_329":330,"_331":687,"_333":688,"_335":689,"_336":460,"_337":690,"_140":77},"1660","31 5/8 x 26 1/2 in. (80.3 x 67.3 cm)",67.3,80.3,0.8245,[829,830,831,832,833],{"_219":436,"_220":437,"_42":438,"_306":439},"14.40.618","Rembrandt van Rijn painted this in 1660, aged 54. It is now at The Met in New York.","Rembrandt, at fifty-four, looks out at us with a steady, weary gaze, wearing a dark beret and a plain coat, his face built up in thick, mottled paint that records every fold and blemish.","Self-Portrait, by Rembrandt van Rijn, 1660",{"_294":826,"_296":827,"_298":828},"https://img.ochreeditions.com/m/1142.jpg?dl=1","/art/self-portrait-met-437397","/galleries/style/dutch-and-flemish-baroque/self-portrait-met-437397",{"_290":291,"_292":293},{"_223":823,"_125":824,"_284":825},{"_275":820,"_277":821,"_279":822,"_281":805},81.20735,95.3,66.20735,{"_286":223,"_123":664,"_154":665,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1142/480.jpg","https://img.ochreeditions.com/a/1142/960.jpg","https://img.ochreeditions.com/a/1142/1920.jpg",{"_313":842,"_315":843},{"_313":840,"_315":841},{"_313":838,"_315":839},{"_313":836,"_315":837},{"_313":834,"_315":835},"#78502f",0.0598,"#452f19",0.158,"#120804",0.1748,"#322112",0.2751,"#221408",0.3323,"insects-and-a-sprig-of-rosemary-nga-216025","Insects and a Sprig of Rosemary",{"_42":889,"_220":890,"_327":891,"_329":626,"_331":892,"_333":893,"_335":-5,"_336":-5,"_337":-5,"_140":103},"oil on copper","overall: 11.5 × 14 cm (4 1/2 × 5 1/2 in.)",11.5,1.2089728453364816,[874,875,876,877,878],{"_219":371,"_220":372,"_42":373,"_306":374},"2018.41.1","Jan van Kessel the Elder painted this in 1653, aged 27. It is now at the National Gallery of Art in Washington, DC.","A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”",{"_294":871,"_296":872,"_298":873},"https://img.ochreeditions.com/m/1697.jpg?dl=1","/art/insects-and-a-sprig-of-rosemary-nga-216025","/galleries/style/dutch-and-flemish-baroque/insects-and-a-sprig-of-rosemary-nga-216025",{"_290":291,"_292":293},{"_223":866,"_125":867,"_284":868},{"_275":863,"_277":864,"_279":422,"_281":865},40,35.6787109375,20.6787109375,{"_286":223,"_123":869,"_154":870,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":601,"_154":602,"_140":603},"artist/contemporaries-of-jan-van-kessel-the-elder","Jan van Kessel the Elder's contemporaries","https://img.ochreeditions.com/a/1697/480.jpg","https://img.ochreeditions.com/a/1697/960.jpg","https://img.ochreeditions.com/a/1697/1920.jpg",{"_313":887,"_315":888},{"_313":885,"_315":886},{"_313":883,"_315":884},{"_313":881,"_315":882},{"_313":879,"_315":880},"#675440",0.0394,"#a19a76",0.0619,"#5a6c63",0.0904,"#81877f",0.1572,"#aaa296",0.6511,"Jan van Kessel the Elder","jan-van-kessel-the-elder","Flemish, 1626–1679",1626,1679,"the-dissolute-household-met-437747","The Dissolute Household",{"_42":940,"_220":941,"_327":942,"_329":330,"_331":892,"_333":893,"_335":689,"_336":689,"_337":943,"_140":99},"ca. 1663–64","42 1/2 x 35 1/2 in. (108 x 90.2 cm)",90.2,108,0.8473560823131023,[926,927,928,929,930],{"_219":436,"_220":437,"_42":438,"_306":439},"1982.60.31","Jan Steen painted this in about 1663–64, aged about 37. It is now at The Met in New York.","A household has slid into disorder: someone has nodded off at the table, a lute lies about, and food, drink and idle company are everywhere. Jan Steen made such scenes his speciality, so much so that ‘a Jan Steen household’ became a Dutch expression for a chaotic home.","The Dissolute Household, by Jan Steen, ca. 1663–64",{"_294":923,"_296":924,"_298":925},"https://img.ochreeditions.com/m/1159.jpg?dl=1","/art/the-dissolute-household-met-437747","/galleries/style/dutch-and-flemish-baroque/the-dissolute-household-met-437747",{"_290":291,"_292":293},{"_223":918,"_125":919,"_284":920},{"_275":915,"_277":916,"_279":917,"_281":900},106.51445688981505,123,91.51445688981505,{"_286":223,"_123":921,"_154":922,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/jan-steen","More by Jan Steen","https://img.ochreeditions.com/a/1159/480.jpg","https://img.ochreeditions.com/a/1159/960.jpg","https://img.ochreeditions.com/a/1159/1920.jpg",{"_313":938,"_315":939},{"_313":936,"_315":937},{"_313":935,"_315":450},{"_313":933,"_315":934},{"_313":931,"_315":932},"#7e7a66",0.0749,"#50341a",0.1753,"#5f4f33","#24211a",0.2127,"#392d1d",0.3288,"Jan Steen","jan-steen","Dutch, 1626–1679","Steen was born in Leiden, the son of a brewer, and worked there and in The Hague, Delft and Haarlem; for a time he also ran a brewery and later an inn.","pomegranates-and-other-fruit-in-a-landscape-met-436752","Pomegranates and Other Fruit in a Landscape",{"_42":989,"_220":990,"_327":991,"_329":626,"_331":992,"_333":196,"_335":-5,"_336":-5,"_337":-5,"_140":103},"24 3/8 x 29 1/8 in. (61.9 x 74 cm)",74,61.9,1.188125,[974,975,976,977,978],{"_219":436,"_220":437,"_42":438,"_306":439},"71.118","Abraham Brueghel painted this, aged about 19. It is now at The Met in New York.","Pomegranates and Other Fruit in a Landscape, by Abraham Brueghel",{"_294":971,"_296":972,"_298":973},"https://img.ochreeditions.com/m/1108.jpg?dl=1","/art/pomegranates-and-other-fruit-in-a-landscape-met-436752","/galleries/style/dutch-and-flemish-baroque/pomegranates-and-other-fruit-in-a-landscape-met-436752",{"_290":291,"_292":293},{"_223":966,"_125":967,"_284":968},{"_275":963,"_277":964,"_279":948,"_281":965},89,77.28300894266175,62.28300894266175,{"_286":223,"_123":969,"_154":970,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":601,"_154":602,"_140":603},"artist/contemporaries-of-abraham-brueghel","Abraham Brueghel's contemporaries","https://img.ochreeditions.com/a/1108/480.jpg","https://img.ochreeditions.com/a/1108/960.jpg","https://img.ochreeditions.com/a/1108/1920.jpg",{"_313":987,"_315":988},{"_313":985,"_315":986},{"_313":983,"_315":984},{"_313":981,"_315":982},{"_313":979,"_315":980},"#b68438",0.046,"#8d6e3d",0.1305,"#6e4925",0.2147,"#4b3420",0.2344,"#2d231a",0.3744,"Abraham Brueghel","abraham-brueghel","Flemish, 1631–1697",1631,"a-vanitas-still-life-with-a-flag-candlestick-musical-instrum-aic-258490","A Vanitas Still Life with a Flag, Candlestick, Musical Instruments, Books, Writing Paraphernalia, Globes, and Hourglass",{"_42":1040,"_220":1041,"_327":1042,"_329":330,"_331":1043,"_333":1044,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1662","98 × 129.7 cm (38 1/2 × 51 in.); Framed: 122 × 152.4 cm (48 × 60 in.)",129,98,1.3262243285939967,[1025,1026,1027,1028,1029],{"_219":303,"_220":304,"_42":305,"_306":307},"2020.317","Edwaert Collier painted this in 1662, aged 20. It is now at the Art Institute of Chicago.",{"_118":1024,"_301":302},{"_294":1021,"_296":1022,"_298":1023},"https://img.ochreeditions.com/m/398.jpg?dl=1","/art/a-vanitas-still-life-with-a-flag-candlestick-musical-instrum-aic-258490","/galleries/style/dutch-and-flemish-baroque/a-vanitas-still-life-with-a-flag-candlestick-musical-instrum-aic-258490",{"_290":291,"_292":293},{"_223":1016,"_125":1017,"_284":1018},{"_275":1013,"_277":1014,"_279":998,"_281":1015},144,112.26861226920786,97.26861226920786,{"_286":223,"_123":1019,"_154":1020,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-edwaert-collier","Edwaert Collier's contemporaries","https://img.ochreeditions.com/a/398/480.jpg","https://img.ochreeditions.com/a/398/960.jpg","https://img.ochreeditions.com/a/398/1920.jpg","Collier was well known in his own time for his still lifes, which replicated in intricate detail actual maps and globes.",{"_313":1038,"_315":1039},{"_313":1036,"_315":1037},{"_313":1034,"_315":1035},{"_313":1032,"_315":1033},{"_313":1030,"_315":1031},"#673f25",0.0947,"#8c877e",0.1585,"#65594b",0.1615,"#3f3226",0.2542,"#241c17",0.3311,"Edwaert Collier","edwaert-collier","Dutch, 1642–1708",1642,1708,"nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","Nude Old Man Seated, Leaning on His Forearm, Facing Left",{"_42":1091,"_220":1092,"_327":1093,"_329":626,"_331":1094,"_333":798,"_335":-5,"_336":-5,"_337":-5,"_140":103},"c. 1640","Red and black chalk, with touches of white chalk, on cream laid paper","34.4 × 21.7 cm (13 9/16 × 8 9/16 in.)",34,0.6339606378393909,[1076,1077,1078,1079,1080],{"_219":303,"_220":304,"_42":305,"_306":307},"1990.139","Jacob Jordaens painted this in about 1640, aged about 42. It is now at the Art Institute of Chicago.","A work made of red and black chalk, with touches of white chalk, on cream laid paper.",{"_294":1073,"_296":1074,"_298":1075},"https://img.ochreeditions.com/m/192.jpg?dl=1","/art/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","/galleries/style/dutch-and-flemish-baroque/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291",{"_290":431,"_292":432},{"_223":1068,"_125":1069,"_284":1070},{"_275":1065,"_277":1066,"_279":1067,"_281":1051},45.55466168653929,58,21.55466168653929,{"_286":223,"_123":1071,"_154":1072,"_140":89},{"_286":125,"_123":772,"_154":773,"_140":229},{"_286":284,"_123":601,"_154":602,"_140":603},"artist/contemporaries-of-jacob-jordaens","Jacob Jordaens's contemporaries","https://img.ochreeditions.com/a/192/480.jpg","https://img.ochreeditions.com/a/192/960.jpg","https://img.ochreeditions.com/a/192/1920.jpg",{"_313":1089,"_315":1090},{"_313":1087,"_315":1088},{"_313":1085,"_315":1086},{"_313":1083,"_315":1084},{"_313":1081,"_315":1082},"#a37d64",0.0461,"#a39a90",0.1117,"#ca9473",0.1261,"#caa98b",0.279,"#d8bda0",0.4371,"Jacob Jordaens","jacob-jordaens","Flemish, 1593–1678",1593,"lady-and-gentleman-on-horseback-nga-1152","Lady and Gentleman on Horseback",{"_42":1140,"_220":1141,"_327":1142,"_329":330,"_331":1143,"_333":1144,"_335":-5,"_336":-5,"_337":1145,"_140":99},"c. 1655, reworked 1660/1665","overall: 123 x 172 cm (48 7/16 x 67 11/16 in.) framed: 164.8 x 214 x 16.2 cm (64 7/8 x 84 1/4 x 6 3/8 in.)",172,1.4104683195592287,[1126,1127,1128,1129,1130],{"_219":371,"_220":372,"_42":373,"_306":374},"1942.9.15","Aelbert Cuyp painted this in about 1655, reworked 1660/1665, aged about 35. It is now at the National Gallery of Art in Washington, DC.","An elegantly dressed couple ride out with their hounds: she sits side-saddle on a white horse with blue bows on its bridle, he on a chestnut with a white blaze, riding crop at his hip. Dogs nose through the undergrowth, a huntsman leads a pair of greyhounds along the path, and two more riders follow behind.","An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition. Both people have pale skin and look at us. The woman has a high forehead, a straight nose, a round face, and curly blond hair falling to her shoulders. She wears a sapphire-blue dress with slashed sleeves to reveal a white garment beneath. Her hat is adorned with blue and white feathers, and she wears a string of pearls around her neck. The legs of her white horse darken to black below the knees, and the bridle is tied with blue bows near the horse’s ears. The sidesaddle sits on a woven, rug-like blanket. Next to her, to our right, the man rides a larger chestnut-brown horse with a white triangle between its eyes. The man looks at us out of the corners of his dark eyes under gathered brows. He has a long, straight nose and is cleanshaven, though a hint of a five o’clock shadow slightly darkens his cleft chin. His light brown hair falls in curls down past his shoulders, and he wears a dark brown coat with voluminous white fabric rippling out above tan-colored gloves. He holds a riding crop in his right hand, on our left, resting against his hip. Near the white horse’s feet, to our left, a dark brown dog with a white nose sniffs at a plant. Behind it, another reddish-brown dog sniffs the ground near the horse’s back hoof. A third dog stands beyond, partially obscured by bushes and plants growing in the lower left corner of the canvas. A man wearing a tall black, wide-brimmed hat and carrying a long staff leads two slender dogs resembling grayhounds on leashes along the path, a little behind the riders. Two more elegantly dressed men ride horses toward us father back on the path. Sand-colored stone buildings, hazy in the distance, are clustered around a squared tower, possibly a bell tower, to our left. The land dips gently to the horizon line in the deep distance. The riders are silhouetted against a swirling slate-blue cloud that fills most of the sky in the top two-thirds of the painting. The sky clears to pale blue to our left and then warms to golden yellow along the horizon, beyond the buildings. The artist signed the painting near the lower left corner: “A. Cuijp.”",{"_294":1123,"_296":1124,"_298":1125},"https://img.ochreeditions.com/m/1332.jpg?dl=1","/art/lady-and-gentleman-on-horseback-nga-1152","/galleries/style/dutch-and-flemish-baroque/lady-and-gentleman-on-horseback-nga-1152",{"_290":291,"_292":293},{"_223":1118,"_125":1119,"_284":1120},{"_275":1115,"_277":1116,"_279":1100,"_281":1117},187,136.9453125,121.9453125,{"_286":223,"_123":1121,"_154":1122,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/aelbert-cuyp","More by Aelbert Cuyp","https://img.ochreeditions.com/a/1332/480.jpg","https://img.ochreeditions.com/a/1332/960.jpg","https://img.ochreeditions.com/a/1332/1920.jpg",{"_313":1138,"_315":1139},{"_313":1137,"_315":566},{"_313":1135,"_315":1136},{"_313":1133,"_315":1134},{"_313":1131,"_315":1132},"#8a7652",0.1236,"#332929",0.1694,"#c4c5b6",0.2021,"#594e3b","#8d8e88",0.2552,"Aelbert Cuyp","aelbert-cuyp","Dutch, 1620–1691",1620,1691,"Cuyp spent his life in Dordrecht, where he trained with his father, the portraitist Jacob Gerritsz. Cuyp. Influenced by Dutch painters returning from Italy, such as Jan Both, he bathed river views, cattle in meadows and riders in a warm, golden light.",{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","22a45edc6888fc77c9b34174ced28872c0ef2ebc","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_220":1190,"_20":1191},{"_220":1188,"_20":1189},{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]