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(24.4 x 20.2 cm)",20.2,24.4,0.8197588944428109,[441,442,443,444,445],{"_220":300,"_221":301,"_42":302,"_303":304},"1997.117.10","Adriaen van Ostade painted this in 1673, aged 63. It is now at The Met in New York.","Reading the News at the Weavers' Cottage, by Adriaen van Ostade, 1673",{"_294":438,"_296":439,"_298":440},"https://img.ochreeditions.com/m/1027.jpg?dl=1","/art/reading-the-news-at-the-weavers-cottage-met-337632","/galleries/style/dutch-and-flemish-baroque/reading-the-news-at-the-weavers-cottage-met-337632",{"_290":373,"_292":374},{"_224":430,"_125":431,"_284":432},{"_275":426,"_277":427,"_279":428,"_280":429},44.49397236107028,49,20.493972361070274,25,{"_286":224,"_123":436,"_154":437,"_140":89},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-adriaen-van-ostade","Adriaen van Ostade's contemporaries","https://img.ochreeditions.com/a/1027/480.jpg","https://img.ochreeditions.com/a/1027/960.jpg","https://img.ochreeditions.com/a/1027/1920.jpg",{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},{"_310":448,"_312":449},{"_310":446,"_312":447},"#cfbda3",0.0996,"#aa967e",0.1341,"#62564d",0.2005,"#897a69",0.2382,"#766859",0.3276,"Adriaen van Ostade","adriaen-van-ostade","Dutch, 1610–1685",1610,1685,"Haarlem","still-life-with-meat-fish-vegetables-and-fruit-cma-315934","Still Life with Meat, Fish, Vegetables, and Fruit",{"_42":523,"_221":524,"_324":525,"_326":526,"_328":527,"_330":528,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1615–20","flanders","Painting","Oil on panel, the reverse prepared with gesso","71.5 x 104 cm (28 1/8 x 40 15/16 in.)",104,71.5,1.4505119453924915,[508,509,510,511,512],{"_220":504,"_221":505,"_42":506,"_303":507},"Courtesy of the Cleveland Museum of Art","2018.258","Jacob van Hulsdonck painted this in about 1615–20, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":501,"_502":503},"Still Life with Meat, Fish, Vegetables, and Fruit, by Jacob van Hulsdonck, c. 1615–20",{"_294":498,"_296":499,"_298":500},"https://img.ochreeditions.com/m/787.jpg?dl=1","/art/still-life-with-meat-fish-vegetables-and-fruit-cma-315934","/galleries/style/dutch-and-flemish-baroque/still-life-with-meat-fish-vegetables-and-fruit-cma-315934",{"_290":291,"_292":293},{"_224":490,"_125":491,"_284":492},{"_275":487,"_277":488,"_279":470,"_280":489},119,86.69882352941177,71.69882352941177,{"_286":224,"_123":496,"_154":497,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":493,"_154":494,"_140":495},"era/17-flanders","17th-century Flanders",30,"artist/contemporaries-of-jacob-van-hulsdonck","Jacob van Hulsdonck's contemporaries","https://img.ochreeditions.com/a/787/480.jpg","https://img.ochreeditions.com/a/787/960.jpg","https://img.ochreeditions.com/a/787/1920.jpg","Jacob van Hulsdonck depicted a colorful array of foods, and tablewares ranging from an earthenware trencher to delicate Chinese porcelain—an expensive luxury made possible by international trade.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":521,"_312":522},{"_310":519,"_312":520},{"_310":517,"_312":518},{"_310":515,"_312":516},{"_310":513,"_312":514},"#7d432f",0.0845,"#816e4c",0.141,"#7c7c79",0.1925,"#484438",0.1967,"#251f1b",0.3853,"Jacob van Hulsdonck","jacob-van-hulsdonck","Flemish, 1582–1647","Flemish",1582,1647,"portrait-of-nicolas-trigault-in-chinese-costume-met-337844","Portrait of Nicolas Trigault in Chinese Costume",{"_42":577,"_221":578,"_324":579,"_326":526,"_328":580,"_330":581,"_332":582,"_334":583,"_336":584,"_140":95},"1617","Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper","17 9/16 x 9 3/4 in. (44.6 x 24.8 cm)",24.8,44.6,0.5847639484978541,[562,563,564,565,566],{"_220":300,"_221":301,"_42":302,"_303":304},"1999.222","Peter Paul Rubens drew this in 1617, aged 40. It is now at The Met in New York.","The Flemish Jesuit Nicolas Trigault, who had worked as a missionary in China, wears the robes and hat of a Chinese scholar in this drawing made by Rubens in Antwerp in 1617, while Trigault was touring Europe to win support for the mission.","Portrait of Nicolas Trigault in Chinese Costume, by Peter Paul Rubens, 1617",{"_294":559,"_296":560,"_298":561},"https://img.ochreeditions.com/m/1031.jpg?dl=1","/art/portrait-of-nicolas-trigault-in-chinese-costume-met-337844","/galleries/style/dutch-and-flemish-baroque/portrait-of-nicolas-trigault-in-chinese-costume-met-337844",{"_290":373,"_292":374},{"_224":554,"_125":555,"_284":556},{"_275":551,"_277":552,"_279":553,"_280":536},50.0804721030043,68.6,26.080472103004293,{"_286":224,"_123":557,"_154":558,"_140":95},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":493,"_154":494,"_140":495},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1031/480.jpg","https://img.ochreeditions.com/a/1031/960.jpg","https://img.ochreeditions.com/a/1031/1920.jpg",{"_310":575,"_312":576},{"_310":573,"_312":574},{"_310":571,"_312":572},{"_310":569,"_312":570},{"_310":567,"_312":568},"#c9ad81",0.0976,"#7d7160",0.1288,"#b79f7d",0.1318,"#9c8c75",0.2145,"#b7a489",0.4273,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,1640,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","aristotle-with-a-bust-of-homer-met-437394","Aristotle with a Bust of Homer",{"_42":632,"_221":633,"_324":634,"_326":327,"_328":635,"_330":636,"_332":637,"_334":335,"_336":638,"_140":77},"1653","56 1/2 x 53 3/4 in. (143.5 x 136.5 cm)",136.5,143.5,0.948,[617,618,619,620,621],{"_220":300,"_221":301,"_42":302,"_303":304},"61.198","Rembrandt van Rijn painted this in 1653, aged 47. It is now at The Met in New York.","A philosopher in a broad black hat rests his hand on a marble bust of the blind poet Homer, while a heavy gold chain falls across his chest, carrying a medallion that bears the image of Alexander the Great, Aristotle’s most famous pupil.","Aristotle with a Bust of Homer, by Rembrandt van Rijn, 1653",{"_294":614,"_296":615,"_298":616},"https://img.ochreeditions.com/m/1141.jpg?dl=1","/art/aristotle-with-a-bust-of-homer-met-437394","/galleries/style/dutch-and-flemish-baroque/aristotle-with-a-bust-of-homer-met-437394",{"_290":291,"_292":293},{"_224":609,"_125":610,"_284":611},{"_275":606,"_277":607,"_279":608,"_280":591},151.03799999999998,158.5,136.03799999999998,{"_286":224,"_123":612,"_154":613,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/1141/480.jpg","https://img.ochreeditions.com/a/1141/960.jpg","https://img.ochreeditions.com/a/1141/1920.jpg",{"_310":630,"_312":631},{"_310":628,"_312":629},{"_310":626,"_312":627},{"_310":624,"_312":625},{"_310":622,"_312":623},"#685135",0.0272,"#43301c",0.0564,"#2c1d11",0.1255,"#1d120b",0.1565,"#0c0705",0.6344,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","cottage-among-trees-met-337491","Cottage among Trees",{"_42":632,"_221":633,"_324":634,"_326":327,"_328":635,"_330":636,"_332":637,"_334":335,"_336":638,"_140":77},"ca. 1650","Pen and brown ink, brush and brown wash, on paper washed with brown","6 3/4 x 10 7/8 in. (17.1 x 27.6 cm); vertical strip 6 3/4 x 1 1/4 in. (17.2 x 3.2 cm) added by artist to the sheet at right.",27.6,17.1,1.5860428231562251,[670,671,672,673,674],{"_220":300,"_221":301,"_42":302,"_303":304},"29.100.939","Rembrandt van Rijn drew this in about 1650, aged about 39. It is now at The Met in New York.","A thatched cottage stands half hidden among a dense cluster of trees, drawn in pen and brown ink with washes on paper prepared with a brown tone.","Cottage among Trees, by Rembrandt van Rijn, ca. 1650",{"_294":667,"_296":668,"_298":669},"https://img.ochreeditions.com/m/1019.jpg?dl=1","/art/cottage-among-trees-met-337491","/galleries/style/dutch-and-flemish-baroque/cottage-among-trees-met-337491",{"_290":373,"_292":374},{"_224":664,"_125":665,"_284":666},{"_275":661,"_277":662,"_279":645,"_280":663},51.6,41.4018,17.4018,{"_286":224,"_123":612,"_154":613,"_140":77},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1019/480.jpg","https://img.ochreeditions.com/a/1019/960.jpg","https://img.ochreeditions.com/a/1019/1920.jpg",{"_310":683,"_312":684},{"_310":681,"_312":682},{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},"#7b6852",0.0633,"#efe3c9",0.0777,"#9c8468",0.1371,"#b79e7e",0.1996,"#cdb595",0.5223,"young-woman-with-a-water-pitcher-met-437881","Young Woman with a Water Pitcher",{"_42":731,"_221":732,"_324":733,"_326":327,"_328":734,"_330":735,"_332":736,"_334":736,"_336":-5,"_140":101},"ca. 1662","18 x 16 in. (45.7 x 40.6 cm)",40.6,45.7,0.8890325918261769,[716,717,718,719,720],{"_220":300,"_221":301,"_42":302,"_303":304},"89.15.21","Johannes Vermeer painted this in about 1662, aged about 25. It is now at The Met in New York.","Young Woman with a Water Pitcher, by Johannes Vermeer, ca. 1662",{"_294":713,"_296":714,"_298":715},"https://img.ochreeditions.com/m/1173.jpg?dl=1","/art/young-woman-with-a-water-pitcher-met-437881","/galleries/style/dutch-and-flemish-baroque/young-woman-with-a-water-pitcher-met-437881",{"_290":291,"_292":293},{"_224":708,"_125":709,"_284":710},{"_275":705,"_277":706,"_279":707,"_280":691},55.62878944645629,60.7,40.62878944645629,{"_286":224,"_123":711,"_154":712,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-johannes-vermeer","Johannes Vermeer's contemporaries","https://img.ochreeditions.com/a/1173/480.jpg","https://img.ochreeditions.com/a/1173/960.jpg","https://img.ochreeditions.com/a/1173/1920.jpg",{"_310":729,"_312":730},{"_310":727,"_312":728},{"_310":725,"_312":726},{"_310":723,"_312":724},{"_310":721,"_312":722},"#1d1c25",0.1678,"#35342f",0.1815,"#8a816f",0.1883,"#656660",0.2111,"#534330",0.2513,"Johannes Vermeer","johannes-vermeer","Dutch, 1632–1675",1632,1675,"Delft","dune-landscape-with-oak-tree-met-337493","Dune Landscape with Oak Tree",{"_42":783,"_221":784,"_324":785,"_326":327,"_328":786,"_330":787,"_332":461,"_334":335,"_336":788,"_140":97},"1650–55","Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink","8 1/4 x 7 1/2 in. (21.0 x 19.1 cm)",19.1,21,0.9049759229534511,[768,769,770,771,772],{"_220":300,"_221":301,"_42":302,"_303":304},"1995.196","Jacob van Ruisdael painted this in 1650–55, aged about 22. It is now at The Met in New York.","Dune Landscape with Oak Tree, by Jacob van Ruisdael, 1650–55",{"_294":765,"_296":766,"_298":767},"https://img.ochreeditions.com/m/1020.jpg?dl=1","/art/dune-landscape-with-oak-tree-met-337493","/galleries/style/dutch-and-flemish-baroque/dune-landscape-with-oak-tree-met-337493",{"_290":373,"_292":374},{"_224":760,"_125":761,"_284":762},{"_275":758,"_277":427,"_279":759,"_280":429},46.624398073836275,22.62439807383628,{"_286":224,"_123":763,"_154":764,"_140":97},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/1020/480.jpg","https://img.ochreeditions.com/a/1020/960.jpg","https://img.ochreeditions.com/a/1020/1920.jpg",{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},"#736c65",0.0907,"#d1bfaa",0.1502,"#8f867b",0.2083,"#a59a8b",0.2733,"#baab99",0.2775,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1628,1682,"Ruisdael was the leading Dutch landscape painter of the seventeenth century.","portrait-of-a-lady-aic-105945","Portrait of a Lady",{"_42":843,"_221":844,"_324":845,"_326":327,"_328":527,"_330":846,"_332":583,"_334":461,"_336":847,"_140":99},"1627","86.5 × 70.7 cm (34 1/4 × 27 13/16 in.); Framed: 107 × 91.4 × 6.4 cm (42 1/8 × 36 × 2 1/2 in.)",70,86,0.8087576712555979,[828,829,830,831,832],{"_220":824,"_221":825,"_42":826,"_303":827},"Courtesy of the Art Institute of Chicago","1954.287","Frans Hals painted this in 1627, aged 45. It is now at the Art Institute of Chicago.",{"_118":822,"_502":823},"A work made of oil on canvas.",{"_294":819,"_296":820,"_298":821},"https://img.ochreeditions.com/m/266.jpg?dl=1","/art/portrait-of-a-lady-aic-105945","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-lady-aic-105945",{"_290":291,"_292":293},{"_224":814,"_125":815,"_284":816},{"_275":811,"_277":812,"_279":813,"_280":795},84.55315972798142,101,69.55315972798142,{"_286":224,"_123":817,"_154":818,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/frans-hals","More by Frans Hals","https://img.ochreeditions.com/a/266/480.jpg","https://img.ochreeditions.com/a/266/960.jpg","https://img.ochreeditions.com/a/266/1920.jpg","Frans Hals, one of the most celebrated portrait painters of the 17th century, demonstrated here his signature verve in inscribing decoration on black satin and capturing the freshness of his subject’s skin.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":841,"_312":842},{"_310":839,"_312":840},{"_310":837,"_312":838},{"_310":835,"_312":836},{"_310":833,"_312":834},"#9c7059",0.0421,"#a79a8f",0.0595,"#6a5e53",0.0601,"#30261d",0.3924,"#13110f",0.4459,"Frans Hals","frans-hals","Dutch, 1582–1666",1666,"Hals was born in Antwerp but spent his whole career in Haarlem, where he became its leading portraitist.","bouquet-of-flowers-in-a-glass-vase-nga-94743","Bouquet of Flowers in a Glass Vase",{"_42":895,"_221":896,"_324":897,"_326":327,"_328":898,"_330":899,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1621","oil on copper","overall: 31.6 x 21.6 cm (12 7/16 x 8 1/2 in.) framed: 53.3 x 43.8 x 5.7 cm (21 x 17 1/4 x 2 1/4 in.)",21.6,31.6,0.68212890625,[880,881,882,883,884],{"_220":378,"_221":379,"_42":380,"_303":381},"1996.35.1","Ambrosius Bosschaert painted this in 1621, aged 48. It is now at the National Gallery of Art in Washington, DC.","Gathered in a round glass vase, a tall bouquet of flowers in shades of light and deep pink, sunshine yellow, and white with pine-green leaves nearly fills this vertical still life painting. Shown against an gray background, the vase sits on a narrow ledge, perhaps made of wood. A label with looping, cursive French text painted in gold against a baby blue background is affixed to the front of the ledge, along the bottom edge of the composition. The text reads, “C'est l'Angelicq main du grad Peinctre de Flore AMBROISE, renommé jusqu' au Rivage Moré.” A few of the flowers draw the eye, including a tulip and iris at the top of the bouquet. To our left, the tulip is mauve pink with cream-colored streaks, and one petal folds down to reveal the stamen inside. Next to it, a damselfly, an insect like a delicate dragonfly, rests on the vibrant yellow iris. The petals curling down from the iris are veined in muted burgundy red. Flowers filling in the bouquet below include a shell-pink cyclamen, a white gardenia, a closed blue and white striped columbine, a slate-blue grape hyacinth, lily of the valley, pale blue forget-me-nots, and a pink peony interspersed with leaves and greenery. The round glass vase has a narrow opening. A sprig of viola rests to our left of the vase on the ledge, and an orange, black, white, and brown butterfly perches on the stem of a pink cyclamen laying to our right of the vase. The artist signed the painting with a monogram and dated it in dark paint to our right on the face of the ledge: “AB 1621.”",{"_294":877,"_296":878,"_298":879},"https://img.ochreeditions.com/m/1631.jpg?dl=1","/art/bouquet-of-flowers-in-a-glass-vase-nga-94743","/galleries/style/dutch-and-flemish-baroque/bouquet-of-flowers-in-a-glass-vase-nga-94743",{"_290":291,"_292":293},{"_224":872,"_125":873,"_284":874},{"_275":869,"_277":870,"_279":871,"_280":855},36.555273437500006,46.6,21.555273437500002,{"_286":224,"_123":875,"_154":876,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-ambrosius-bosschaert","Ambrosius Bosschaert's contemporaries","https://img.ochreeditions.com/a/1631/480.jpg","https://img.ochreeditions.com/a/1631/960.jpg","https://img.ochreeditions.com/a/1631/1920.jpg",{"_310":893,"_312":894},{"_310":891,"_312":892},{"_310":889,"_312":890},{"_310":887,"_312":888},{"_310":885,"_312":886},"#c9b655",0.0376,"#667672",0.0629,"#b3a38c",0.0646,"#6d4e38",0.1609,"#393122",0.674,"Ambrosius Bosschaert","ambrosius-bosschaert","Dutch, 1573–1621",1573,1621,"a-genoese-lady-with-her-child-cma-131819","A Genoese Lady with Her Child",{"_42":949,"_221":950,"_324":951,"_326":526,"_328":952,"_330":953,"_332":583,"_334":954,"_336":955,"_140":97},"c. 1623–25","oil on canvas","Framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.)",146,217.8,0.6661764705882353,[934,935,936,937,938],{"_220":504,"_221":505,"_42":506,"_303":507},"1954.392","Anthony van Dyck painted this in about 1623–25, aged about 24. It is now at the Cleveland Museum of Art.",{"_118":933,"_502":503},"A Genoese Lady with Her Child, by Anthony van Dyck, c. 1623–25",{"_294":930,"_296":931,"_298":932},"https://img.ochreeditions.com/m/605.jpg?dl=1","/art/a-genoese-lady-with-her-child-cma-131819","/galleries/style/dutch-and-flemish-baroque/a-genoese-lady-with-her-child-cma-131819",{"_290":291,"_292":293},{"_224":925,"_125":926,"_284":927},{"_275":922,"_277":923,"_279":924,"_280":907},160.09323529411765,232.8,145.09323529411765,{"_286":224,"_123":928,"_154":929,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":493,"_154":494,"_140":495},"artist/anthony-van-dyck","More by Anthony van Dyck","https://img.ochreeditions.com/a/605/480.jpg","https://img.ochreeditions.com/a/605/960.jpg","https://img.ochreeditions.com/a/605/1920.jpg","Prior to the 1600s, large, full-length portraits of wealthy clients usually emphasized the trappings of status above any other qualities. The accuracy of the likeness and vivacity of the person remained subordinate to an easily readable sense of the sitter’s power and position in society.",{"_310":947,"_312":948},{"_310":945,"_312":946},{"_310":943,"_312":944},{"_310":941,"_312":942},{"_310":939,"_312":940},"#423c35",0.0669,"#482e21",0.1566,"#72604c",0.19,"#2c231c",0.2776,"#692c21",0.3089,"Anthony van Dyck","anthony-van-dyck","Flemish, 1599–1641",1599,1641,"London","Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths.","seated-female-nude-aic-74224","Seated Female Nude",{"_42":1007,"_221":1008,"_324":1009,"_326":327,"_328":1010,"_330":1011,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1647/78","watercolour","Drawing and Watercolor","Pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper","Primary support: 28.4 × 19.2 cm (11 3/16 × 7 9/16 in.)",19,28,0.7266113778553761,[992,993,994,995,996],{"_220":824,"_221":825,"_42":826,"_303":827},"1989.203","Samuel van Hoogstraten painted this in 1647/78, aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper.",{"_294":989,"_296":990,"_298":991},"https://img.ochreeditions.com/m/189.jpg?dl=1","/art/seated-female-nude-aic-74224","/galleries/style/dutch-and-flemish-baroque/seated-female-nude-aic-74224",{"_290":373,"_292":374},{"_224":982,"_125":983,"_284":984},{"_275":979,"_277":980,"_279":981,"_280":965},44.34511857995053,52,20.34511857995053,{"_286":224,"_123":987,"_154":988,"_140":89},{"_286":125,"_123":985,"_154":986,"_140":230},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-samuel-van-hoogstraten","Samuel van Hoogstraten's contemporaries","https://img.ochreeditions.com/a/189/480.jpg","https://img.ochreeditions.com/a/189/960.jpg","https://img.ochreeditions.com/a/189/1920.jpg",{"_310":1005,"_312":1006},{"_310":1003,"_312":1004},{"_310":1001,"_312":1002},{"_310":999,"_312":1000},{"_310":997,"_312":998},"#856b52",0.0652,"#a8896b",0.1586,"#c3a381",0.2055,"#d5b798",0.2789,"#e4cbad",0.2918,"Samuel van Hoogstraten","samuel-van-hoogstraten","Dutch, 1627–1678",1627,1678,"insects-and-a-sprig-of-rosemary-nga-216025","Insects and a Sprig of Rosemary",{"_42":1056,"_221":1057,"_324":1058,"_326":526,"_328":1059,"_330":1060,"_332":-5,"_334":-5,"_336":-5,"_140":103},"overall: 11.5 × 14 cm (4 1/2 × 5 1/2 in.)",11.5,1.2089728453364816,[1041,1042,1043,1044,1045],{"_220":378,"_221":379,"_42":380,"_303":381},"2018.41.1","Jan van Kessel the Elder painted this in 1653, aged 27. It is now at the National Gallery of Art in Washington, DC.","A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”",{"_294":1038,"_296":1039,"_298":1040},"https://img.ochreeditions.com/m/1697.jpg?dl=1","/art/insects-and-a-sprig-of-rosemary-nga-216025","/galleries/style/dutch-and-flemish-baroque/insects-and-a-sprig-of-rosemary-nga-216025",{"_290":291,"_292":293},{"_224":1033,"_125":1034,"_284":1035},{"_275":1030,"_277":1031,"_279":429,"_280":1032},40,35.6787109375,20.6787109375,{"_286":224,"_123":1036,"_154":1037,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":493,"_154":494,"_140":495},"artist/contemporaries-of-jan-van-kessel-the-elder","Jan van Kessel the Elder's contemporaries","https://img.ochreeditions.com/a/1697/480.jpg","https://img.ochreeditions.com/a/1697/960.jpg","https://img.ochreeditions.com/a/1697/1920.jpg",{"_310":1054,"_312":1055},{"_310":1052,"_312":1053},{"_310":1050,"_312":1051},{"_310":1048,"_312":1049},{"_310":1046,"_312":1047},"#675440",0.0394,"#a19a76",0.0619,"#5a6c63",0.0904,"#81877f",0.1572,"#aaa296",0.6511,"Jan van Kessel the Elder","jan-van-kessel-the-elder","Flemish, 1626–1679",1626,1679,"sheep-nga-52280","Sheep",{"_42":1107,"_221":1108,"_324":1109,"_326":327,"_328":1110,"_330":1111,"_332":-5,"_334":-5,"_336":-5,"_140":101},"Drawing","black and red chalk (possibly crayon)","overall: 15 x 25.5 cm (5 7/8 x 10 1/16 in.)",25.5,1.6814449917898193,[1092,1093,1094,1095,1096],{"_220":378,"_221":379,"_42":380,"_303":381},"1970.17.136","Nicolaes Berchem drew this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of multiple sheep in various poses. The full-page illustration depicts several sheep lying down. The fur of the sheep is textured with detailed pencil strokes, and there are subtle hints of shadow beneath each animal. There is a combination of different angles and poses, showing the sheep from different perspectives. The drawing also contains some rough sketches and outlines, suggesting movement and presence without complete detail. The background is plain.",{"_294":1089,"_296":1090,"_298":1091},"https://img.ochreeditions.com/m/1553.jpg?dl=1","/art/sheep-nga-52280","/galleries/style/dutch-and-flemish-baroque/sheep-nga-52280",{"_290":373,"_292":374},{"_224":1084,"_125":1085,"_284":1086},{"_275":1081,"_277":1082,"_279":1067,"_280":1083},49.5,39.16552734375,15.16552734375,{"_286":224,"_123":1087,"_154":1088,"_140":89},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-nicolaes-berchem","Nicolaes Berchem's contemporaries","https://img.ochreeditions.com/a/1553/480.jpg","https://img.ochreeditions.com/a/1553/960.jpg","https://img.ochreeditions.com/a/1553/1920.jpg",{"_310":1105,"_312":1106},{"_310":1103,"_312":1104},{"_310":1101,"_312":1102},{"_310":1099,"_312":1100},{"_310":1097,"_312":1098},"#b8906d",0.0452,"#7a6c5d",0.0485,"#a0907a",0.1382,"#beab8f",0.2282,"#d1bd9e",0.5399,"Nicolaes Berchem","nicolaes-berchem","Dutch, 1620–1683",1620,1683,"view-of-amsterdam-from-the-northwest-nga-9903","View of Amsterdam from the Northwest",{"_42":632,"_221":633,"_324":634,"_326":327,"_328":635,"_330":636,"_332":637,"_334":335,"_336":638,"_140":77},"c. 1640","plate: 11.3 × 15.4 cm (4 7/16 × 6 1/16 in.) sheet: 11.8 × 15.8 cm (4 5/8 × 6 1/4 in.)",15.4,11.3,1.3735747820254862,[1144,1145,1146,1147,1148],{"_220":378,"_221":379,"_42":380,"_303":381},"1943.3.7107","Rembrandt van Rijn made this in about 1640, aged 34. It is now at the National Gallery of Art in Washington, DC.","Amsterdam’s skyline stretches low across the horizon, its church towers and windmills seen across flat meadows and water from the northwest, beneath a great empty sky.","View of Amsterdam from the Northwest, by Rembrandt van Rijn, c. 1640",{"_294":1141,"_296":1142,"_298":1143},"https://img.ochreeditions.com/m/1354.jpg?dl=1","/art/view-of-amsterdam-from-the-northwest-nga-9903","/galleries/style/dutch-and-flemish-baroque/view-of-amsterdam-from-the-northwest-nga-9903",{"_290":373,"_292":374},{"_224":1135,"_125":1136,"_284":1137},{"_275":427,"_277":1133,"_279":429,"_280":1134},42.20068359375,18.20068359375,{"_286":224,"_123":612,"_154":613,"_140":77},{"_286":125,"_123":1138,"_154":1139,"_140":1140},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"https://img.ochreeditions.com/a/1354/480.jpg","https://img.ochreeditions.com/a/1354/960.jpg","https://img.ochreeditions.com/a/1354/1920.jpg",{"_310":1157,"_312":1158},{"_310":1155,"_312":1156},{"_310":1153,"_312":1154},{"_310":1151,"_312":1152},{"_310":1149,"_312":1150},"#5f5954",0.0221,"#8c847c",0.0696,"#aea49b",0.1016,"#d0c4b9",0.1321,"#e6dcd0",0.6746,{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","bca436d5703ce059cdb6499987e494904390dc55","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]