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The illustration is framed by the margins of an open book.",{"_296":439,"_298":440,"_300":441},"https://img.ochreeditions.com/m/1633.jpg?dl=1","/art/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185","/galleries/style/dutch-and-flemish-baroque/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185",{"_292":293,"_294":295},{"_225":431,"_125":432,"_286":433},{"_277":427,"_279":428,"_281":429,"_283":430},67.916015625,84,43.916015625,60,{"_288":225,"_123":437,"_154":438,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":434,"_154":435,"_140":436},"era/17-flanders","17th-century Flanders",30,"artist/contemporaries-of-cornelis-galle-i","Cornelis Galle I's contemporaries","https://img.ochreeditions.com/a/1633/480.jpg","https://img.ochreeditions.com/a/1633/960.jpg","https://img.ochreeditions.com/a/1633/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":458,"_314":459},{"_312":456,"_314":457},{"_312":455,"_314":317},{"_312":453,"_314":454},{"_312":451,"_314":452},"#e2d9cb",0.0432,"#332223",0.0771,"#6e5a52","#a09081",0.1828,"#d7c0a2",0.5533,"Cornelis Galle I","cornelis-galle-i","Flemish, 1576–1650","Flemish",1576,1650,"aristotle-with-a-bust-of-homer-met-437394","Aristotle with a Bust of Homer",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":77},"1653","56 1/2 x 53 3/4 in. (143.5 x 136.5 cm)",136.5,143.5,0.948,[496,497,498,499,500],{"_221":381,"_222":382,"_42":383,"_305":384},"61.198","Rembrandt van Rijn painted this in 1653, aged 47. It is now at The Met in New York.","A philosopher in a broad black hat rests his hand on a marble bust of the blind poet Homer, while a heavy gold chain falls across his chest, carrying a medallion that bears the image of Alexander the Great, Aristotle’s most famous pupil.","Aristotle with a Bust of Homer, by Rembrandt van Rijn, 1653",{"_296":493,"_298":494,"_300":495},"https://img.ochreeditions.com/m/1141.jpg?dl=1","/art/aristotle-with-a-bust-of-homer-met-437394","/galleries/style/dutch-and-flemish-baroque/aristotle-with-a-bust-of-homer-met-437394",{"_292":376,"_294":377},{"_225":490,"_125":491,"_286":492},{"_277":487,"_279":488,"_281":489,"_283":472},151.03799999999998,158.5,136.03799999999998,{"_288":225,"_123":171,"_154":170,"_140":77},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1141/480.jpg","https://img.ochreeditions.com/a/1141/960.jpg","https://img.ochreeditions.com/a/1141/1920.jpg",{"_312":509,"_314":510},{"_312":507,"_314":508},{"_312":505,"_314":506},{"_312":503,"_314":504},{"_312":501,"_314":502},"#685135",0.0272,"#43301c",0.0564,"#2c1d11",0.1255,"#1d120b",0.1565,"#0c0705",0.6344,"portrait-of-a-man-aic-31176","Portrait of a Man",{"_42":558,"_222":559,"_326":560,"_328":329,"_330":561,"_332":562,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1650","Painting","Oil on copper","36.5 × 30.2 cm (14 3/8 × 11 7/8 in.); Framed: 61 × 54.9 × 3.8 cm (24 × 21 5/8 × 1 1/2 in.)",36,0.8290875405280222,[543,544,545,546,547],{"_221":302,"_222":303,"_42":304,"_305":306},"1969.111","Jan Baptist Weenix painted this in about 1650, aged about 19. It is now at the Art Institute of Chicago.","A work made of oil on copper.",{"_296":540,"_298":541,"_300":542},"https://img.ochreeditions.com/m/126.jpg?dl=1","/art/portrait-of-a-man-aic-31176","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-man-aic-31176",{"_292":376,"_294":377},{"_225":535,"_125":536,"_286":537},{"_277":532,"_279":533,"_281":534,"_283":518},44.8471514590088,51,29.8471514590088,{"_288":225,"_123":538,"_154":539,"_140":89},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jan-baptist-weenix","Jan Baptist Weenix's contemporaries","https://img.ochreeditions.com/a/126/480.jpg","https://img.ochreeditions.com/a/126/960.jpg","https://img.ochreeditions.com/a/126/1920.jpg",{"_312":556,"_314":557},{"_312":554,"_314":555},{"_312":552,"_314":553},{"_312":550,"_314":551},{"_312":548,"_314":549},"#8c6b49",0.0162,"#5a4835",0.0298,"#322b24",0.2857,"#3a332a",0.3007,"#262321",0.3676,"Jan Baptist Weenix","jan-baptist-weenix","Dutch, 1621–1660/69",1621,1660,"adam-and-eve-before-the-tree-of-knowledge-nga-90146","Adam and Eve before the Tree of Knowledge",{"_42":609,"_222":610,"_326":611,"_328":329,"_330":612,"_332":613,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1604","plate: 27.5 x 19.9 cm (10 13/16 x 7 13/16 in.) sheet: 29.4 x 22.4 cm (11 9/16 x 8 13/16 in.)",19.9,27.5,0.762939453125,[594,595,596,597,598],{"_221":442,"_222":443,"_42":444,"_305":445},"1994.50.2","Jan Saenredam made this in 1604, aged 39. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of two nude figures standing beneath a fruit-bearing tree surrounded by elements of nature. The drawing depicts a scene in a lush outdoor setting, featuring intricately detailed branches and leaves of the large tree as well as an eagle-like bird perched nearby. In the background are additional trees extending into a forested area, and a winding path leading into the distance. The foreground includes various plants and the ground is littered with their leaves. The figures are positioned at the center, engaged in a gesture of pointing towards the fruit in the tree. The scene is rendered in fine details with attention to the texture and flow of the natural elements surrounding the figures.",{"_296":591,"_298":592,"_300":593},"https://img.ochreeditions.com/m/1624.jpg?dl=1","/art/adam-and-eve-before-the-tree-of-knowledge-nga-90146","/galleries/style/dutch-and-flemish-baroque/adam-and-eve-before-the-tree-of-knowledge-nga-90146",{"_292":293,"_294":295},{"_225":586,"_125":587,"_286":588},{"_277":583,"_279":584,"_281":585,"_283":569},44.9808349609375,51.5,20.9808349609375,{"_288":225,"_123":589,"_154":590,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jan-saenredam","Jan Saenredam's contemporaries","https://img.ochreeditions.com/a/1624/480.jpg","https://img.ochreeditions.com/a/1624/960.jpg","https://img.ochreeditions.com/a/1624/1920.jpg",{"_312":607,"_314":608},{"_312":605,"_314":606},{"_312":603,"_314":604},{"_312":601,"_314":602},{"_312":599,"_314":600},"#8f806e",0.1629,"#ad9b86",0.1783,"#706457",0.2028,"#534940",0.2031,"#ccb99f",0.2529,"Jan Saenredam","jan-saenredam","Dutch, 1565–1607",1565,1607,"nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","Nude Old Man Seated, Leaning on His Forearm, Facing Left",{"_42":664,"_222":665,"_326":666,"_328":463,"_330":667,"_332":668,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1640","watercolour","Drawing and Watercolor","Red and black chalk, with touches of white chalk, on cream laid paper","34.4 × 21.7 cm (13 9/16 × 8 9/16 in.)",34,0.6339606378393909,[649,650,651,652,653],{"_221":302,"_222":303,"_42":304,"_305":306},"1990.139","Jacob Jordaens painted this in about 1640, aged about 42. It is now at the Art Institute of Chicago.","A work made of red and black chalk, with touches of white chalk, on cream laid paper.",{"_296":646,"_298":647,"_300":648},"https://img.ochreeditions.com/m/192.jpg?dl=1","/art/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291","/galleries/style/dutch-and-flemish-baroque/nude-old-man-seated-leaning-on-his-forearm-facing-left-aic-76291",{"_292":293,"_294":295},{"_225":639,"_125":640,"_286":641},{"_277":636,"_279":637,"_281":638,"_283":622},45.55466168653929,58,21.55466168653929,{"_288":225,"_123":644,"_154":645,"_140":89},{"_288":125,"_123":642,"_154":643,"_140":231},{"_288":286,"_123":434,"_154":435,"_140":436},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-jacob-jordaens","Jacob Jordaens's contemporaries","https://img.ochreeditions.com/a/192/480.jpg","https://img.ochreeditions.com/a/192/960.jpg","https://img.ochreeditions.com/a/192/1920.jpg",{"_312":662,"_314":663},{"_312":660,"_314":661},{"_312":658,"_314":659},{"_312":656,"_314":657},{"_312":654,"_314":655},"#a37d64",0.0461,"#a39a90",0.1117,"#ca9473",0.1261,"#caa98b",0.279,"#d8bda0",0.4371,"Jacob Jordaens","jacob-jordaens","Flemish, 1593–1678",1593,1678,"the-dutch-whaling-fleet-aic-111728","The Dutch Whaling Fleet",{"_42":715,"_222":716,"_326":717,"_328":329,"_330":718,"_332":719,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1695","49 × 63.7 cm (19 1/4 × 25 in.); Framed: 67.4 × 82 × 6.4 cm (26 1/2 × 32 1/4 × 2 1/2 in.)",63,49,1.3084126496776174,[700,701,702,703,704],{"_221":302,"_222":303,"_42":304,"_305":306},"2019.1423","Abraham Storck painted this in about 1695, aged about 41. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":697,"_298":698,"_300":699},"https://img.ochreeditions.com/m/287.jpg?dl=1","/art/the-dutch-whaling-fleet-aic-111728","/galleries/style/dutch-and-flemish-baroque/the-dutch-whaling-fleet-aic-111728",{"_292":376,"_294":377},{"_225":692,"_125":693,"_286":694},{"_277":689,"_279":690,"_281":674,"_283":691},78,63.14994720168955,48.14994720168955,{"_288":225,"_123":695,"_154":696,"_140":89},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-abraham-storck","Abraham Storck's contemporaries","https://img.ochreeditions.com/a/287/480.jpg","https://img.ochreeditions.com/a/287/960.jpg","https://img.ochreeditions.com/a/287/1920.jpg",{"_312":713,"_314":714},{"_312":711,"_314":712},{"_312":709,"_314":710},{"_312":707,"_314":708},{"_312":705,"_314":706},"#624f35",0.11,"#615e52",0.1556,"#93816e",0.1926,"#423828",0.2175,"#767c73",0.3243,"Abraham Storck","abraham-storck","Dutch, 1644–1710",1644,1710,"goat-on-a-small-bridge-nga-53694","Goat on a small Bridge",{"_42":763,"_222":764,"_326":765,"_328":329,"_330":561,"_332":766,"_334":-5,"_336":-5,"_338":767,"_140":99},"probably c. 1645/1656","etching with engraving",1.4217285664699757,[748,749,750,751,752],{"_221":442,"_222":443,"_42":444,"_305":445},"1973.15.98","Allart van Everdingen made this (probably c. 1645/1656), aged about 24. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with rocky terrain, trees, and a stream. In the foreground, there is a bridge with a traveler and a dog crossing over the stream. The scene features detailed linework and cross-hatching to depict texture. The color palette is monochrome brown, resembling an etching or drawing style.",{"_296":745,"_298":746,"_300":747},"https://img.ochreeditions.com/m/1561.jpg?dl=1","/art/goat-on-a-small-bridge-nga-53694","/galleries/style/dutch-and-flemish-baroque/goat-on-a-small-bridge-nga-53694",{"_292":293,"_294":295},{"_225":740,"_125":741,"_286":742},{"_277":428,"_279":738,"_281":430,"_283":739},66.2021484375,42.2021484375,{"_288":225,"_123":743,"_154":744,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/allart-van-everdingen","More by Allart van Everdingen","https://img.ochreeditions.com/a/1561/480.jpg","https://img.ochreeditions.com/a/1561/960.jpg","https://img.ochreeditions.com/a/1561/1920.jpg",{"_312":761,"_314":762},{"_312":759,"_314":760},{"_312":757,"_314":758},{"_312":755,"_314":756},{"_312":753,"_314":754},"#645543",0.0778,"#b59e7f",0.2021,"#d0b898",0.2295,"#978369",0.2417,"#816f58",0.2489,"Allart van Everdingen","allart-van-everdingen","Dutch, 1621–1675",1675,"Everdingen trained in Utrecht and Haarlem and in 1644 travelled to Scandinavia, where he sketched the mountains, forests and waterfalls of Norway and Sweden.","the-mill-nga-1201","The Mill",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":77},"1645/1648","oil on canvas","overall: 87.6 x 105.6 cm (34 1/2 x 41 9/16 in.) framed: 125.1 × 142.24 cm (49 1/4 × 56 in.)",105.6,87.6,1.1973107278573516,[799,800,801,802,803],{"_221":442,"_222":443,"_42":444,"_305":445},"1942.9.62","Rembrandt van Rijn painted this in 1645/1648, aged about 39. It is now at the National Gallery of Art in Washington, DC.","A windmill stands dark on a bastion above the water, its sails catching the light against a stormy sky, while a woman washes clothes at the bank, a mother and child walk down the path and a man in a red jacket rows past.","A windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landcape painting. The promontory and mill are painted in muted tones of brown and rust orange, while steel-gray and white clouds encircle a topaz-blue sky above. The promontory juts into the scene from our left, and the front of the windmill is angled to our right so its golden-tan sails catch the light. Silvery water winds around the base of the promontory and extends to a dark green, shadowy bank on the far side. A boat in the lower right corner of the composition is rowed by a man wearing a red jacket and cap. A path runs to the water’s edge from the left edge of the painting, in front of the promontory’s retaining wall, which is shored up with stones or panels. A person in dark clothing close to the windmill seems to rest their arms on the retaining wall, their back to us. Closer to us, a woman holds a child’s hand as they walk down the path to the bank. A bearded man with tattered brown clothes and bare feet stands leaning against the wall near a woman wearing burnt-orange garment. She sits or kneels at the water’s edge in front of a basket of clothes and holds up a brown cloth. The olive-green forms of the trees on the far bank are reflected in the water, and closer inspection reveals two cows near the water there. Charcoal-gray clouds pile up along the left of the painting and span the top edge. There is a brilliant blue sky beyond and a screen of white clouds near the horizon, which comes about a third of the way up the canvas.",{"_296":796,"_298":797,"_300":798},"https://img.ochreeditions.com/m/1337.jpg?dl=1","/art/the-mill-nga-1201","/galleries/style/dutch-and-flemish-baroque/the-mill-nga-1201",{"_292":376,"_294":377},{"_225":793,"_125":794,"_286":795},{"_277":790,"_279":791,"_281":774,"_283":792},120.6,103.19765625,88.19765625,{"_288":225,"_123":171,"_154":170,"_140":77},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1337/480.jpg","https://img.ochreeditions.com/a/1337/960.jpg","https://img.ochreeditions.com/a/1337/1920.jpg",{"_312":812,"_314":813},{"_312":810,"_314":811},{"_312":808,"_314":809},{"_312":806,"_314":807},{"_312":804,"_314":805},"#7e8073",0.1657,"#c2c3b0",0.1675,"#564733",0.176,"#3b271c",0.1904,"#2a2520",0.3004,"the-meeting-of-abraham-and-melchizedek-nga-45640","The Meeting of Abraham and Melchizedek",{"_42":861,"_222":862,"_326":863,"_328":463,"_330":864,"_332":865,"_334":866,"_336":867,"_338":868,"_140":95},"c. 1626","oil on panel","overall: 65.5 x 82.4 cm (25 13/16 x 32 7/16 in.) framed: 96.8 x 113.4 cm (38 1/8 x 44 5/8 in.)",82.4,65.5,1.2529825634750689,[847,848,849,850,851],{"_221":442,"_222":443,"_42":444,"_305":445},"1958.4.1","Peter Paul Rubens painted this in about 1626, aged 49. It is now at the National Gallery of Art in Washington, DC.","The scene is painted as if it were a tapestry, unfurled by winged putti between grey and gold columns: within it, the armoured Abraham, returning from battle, meets the white-bearded priest-king Melchizedek, who brings bread and wine, while attendants carry loaves and huge silver and gold vessels.","This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition. Taking up most of the composition, the tapestry shows two ranks of men, women, and children gathered behind two central men, who meet at the center. All the people have light or tanned skin, and the bodies we can see are muscular. In the central pair of men, the one to our left, Abraham, faces our right in profile as he holds two loaves of bread. He has a brown beard and short, wavy hair, and dark brows over a prominent nose. He looks at the other man with dark eyes and leans toward him, to our right. Abraham wears an armored breastplate over silver chainmail edged with gold, which falls to mid-thigh. A crimson-red cape wraps around his shoulders and swirls around his back. A sword hangs by his hip, and tan sandals cover his heels and shins. Behind him are seven men and one brown horse, who gnaws at its foreleg. Most of the men are bearded and five wear armored helmets. A cleanshaven man wearing a lavender-purple tunic stands with his arm slung over the horse’s neck, holding the rein between thumb and forefinger. The man to our right, Melchizedek has a long white beard and short white hair. His red cap is encircled with a wreath of dark green leaves. He wears a long-sleeved, waist-length, aquamarine-blue garment over a white skirt. A heavy, golden-yellow cape with a broad, white fur collar and lining drapes over his shoulders, and is supported by at least one attendant. Behind and around Melchizedek are eight men, women, and children, standing near stone, gray ruins. Behind Melchizedek, one portly person wearing a dark pink mantle reaches into a basket of bread held across the shoulders of a blond, bearded, bare-chested man. Closer to us, in the lower right corner of the tapestry, one man wearing a green toga and another wearing blue kneel and sit, holding oversized silver and gold urns, the size of their torsos. The man in blue, to our right, turns to look at us over his shoulder. A third large urn sits near the other man. A view into the landscape with a low, green hill and a pale blue sky is glimpsed between the groups. The tapestry showing this scene curls over at the edges where the pudgy angels lift the top edge. The top right corner of the tapestry wraps around the edge of an unseen feature of the building, next to a gray column that rises the height of the painting up along the right edge. The border of the tapestry is rose pink with stylized gold designs. One putto with brown hair holds up the left corner, and one with light gray hair holds up the middle one arm slung over the front of the tapestry. The third putto, with blond hair, hooks an arm over a leafy garland with fruit that hangs from the cornice near the top center of the composition.",{"_296":844,"_298":845,"_300":846},"https://img.ochreeditions.com/m/1506.jpg?dl=1","/art/the-meeting-of-abraham-and-melchizedek-nga-45640","/galleries/style/dutch-and-flemish-baroque/the-meeting-of-abraham-and-melchizedek-nga-45640",{"_292":376,"_294":377},{"_225":839,"_125":840,"_286":841},{"_277":836,"_279":837,"_281":820,"_283":838},97.4,80.76308593750001,65.76308593750001,{"_288":225,"_123":842,"_154":843,"_140":95},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":434,"_154":435,"_140":436},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1506/480.jpg","https://img.ochreeditions.com/a/1506/960.jpg","https://img.ochreeditions.com/a/1506/1920.jpg",{"_312":859,"_314":860},{"_312":858,"_314":712},{"_312":856,"_314":857},{"_312":854,"_314":855},{"_312":852,"_314":853},"#9e8671",0.1563,"#966431",0.1857,"#281e11",0.1927,"#675848","#573717",0.2478,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,1640,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","amsterdam-harbor-scene-nga-154215","Amsterdam Harbor Scene",{"_42":914,"_222":915,"_326":916,"_328":329,"_330":917,"_332":918,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1654/1655","overall: 61 x 81.8 cm (24 x 32 3/16 in.) framed: 81.9 × 102.2 × 5.72 cm (32 1/4 × 40 1/4 × 2 1/4 in.)",81.8,61,1.3544973544973544,[900,901,902,903,904],{"_221":442,"_222":443,"_42":444,"_305":445},"2011.3.1","Reinier Nooms, called Zeeman painted this in about 1654/1655, aged about 31. It is now at the National Gallery of Art in Washington, DC.","A sage-green harbor teems with more than a dozen sailing ships and rowboats under a pale gray sky in this horizontal painting. The horizon comes about one-fifth of the way up the composition, and dark gray and white clouds tower above. Light filters onto the scene through the clouds from our left to fall across the ships while casting shadows on the water nearest us. Painted in tones of slate gray and warm brown, most of the ships closest to us have their sails furled so the masts and horizontal yard arms bristle against the sky. The larger ships have cannons poking out of square portholes. On our right, a war ship floats with its ornately carved and gilded stern facing us. A flag flying from the tallest of the three masts has red, white, and green stripes. The artist painted his name on that flag, “R. Zeeman.” The ship is tied to a buoy with a length of rope, and an empty rowboat is tethered to the right side of the ship. A similar ship but with the sails hanging loosely is tied to a buoy just beyond this one. A row of pickets, like a fence, extends into the water behind these two ships. To our left, a rowboat full of men has pulled up alongside a partially sunken ship, its masts tilting toward us. A few people stand on two more ships nearby. A black temporary dock floats next to the leftmost ship here. A person mixes something that smokes on the platform, and another person stands on a board lifted halfway up the ship’s side, presumably working on a repair. Two women in another rowboat next to the floating dock lean over the side, washing clothes. Another fence encloses the harbor to our left, and a hut in the middle of the harbor is surrounded by a similar structure. Two rowboats closer to us are filled with men wearing tall hats and black or brown coats, and women wearing black bonnets and white shawls. More sailing ships and rowboats move back or around beyond the harbor, out to sea. Visible cracks cover the surface of the painting.",{"_296":897,"_298":898,"_300":899},"https://img.ochreeditions.com/m/1680.jpg?dl=1","/art/amsterdam-harbor-scene-nga-154215","/galleries/style/dutch-and-flemish-baroque/amsterdam-harbor-scene-nga-154215",{"_292":376,"_294":377},{"_225":892,"_125":893,"_286":894},{"_277":889,"_279":890,"_281":874,"_283":891},96.8,75.39140625,60.39140625,{"_288":225,"_123":895,"_154":896,"_140":89},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-reinier-nooms-called-zeeman","Reinier Nooms, called Zeeman's contemporaries","https://img.ochreeditions.com/a/1680/480.jpg","https://img.ochreeditions.com/a/1680/960.jpg","https://img.ochreeditions.com/a/1680/1920.jpg",{"_312":912,"_314":913},{"_312":910,"_314":911},{"_312":909,"_314":606},{"_312":907,"_314":908},{"_312":905,"_314":906},"#6a6554",0.0977,"#463f35",0.1223,"#b8b7aa","#6c6d6c",0.254,"#8e8f88",0.3229,"Reinier Nooms, called Zeeman","reinier-nooms-called-zeeman","Dutch, 1623 or 1624–1664",1623,1664,"cascade-under-a-stone-bridge-nga-119790","Cascade under a Stone Bridge",{"_42":966,"_222":967,"_326":968,"_328":329,"_330":667,"_332":969,"_334":-5,"_336":-5,"_338":-5,"_140":101},"c. 1616","etching on laid paper","plate: 12.1 x 19 cm (4 3/4 x 7 1/2 in.) sheet: 12.7 x 19.5 cm (5 x 7 11/16 in.)",19,12.1,1.5119970468807677,[951,952,953,954,955],{"_221":442,"_222":443,"_42":444,"_305":445},"2002.98.68","Jan van de Velde II made this in about 1616, aged 23. It is now at the National Gallery of Art in Washington, DC.","The image shows a pastoral scene in black and white with fine line work. A small bridge with a circular archway crosses a stream. A dirt path winds through the landscape flanked by grass and bushes. A rocky cliff ascends on the left with a tower-like structure partially obscured by vegetation. The horizon features a cloudy sky, with swirling lines indicating motion. In the distance, a tall, thin structure, possibly a spire or chimney, stands amid faint hills and trees. The scene conveys a serene atmosphere through hatching and cross-hatching techniques.",{"_296":948,"_298":949,"_300":950},"https://img.ochreeditions.com/m/1652.jpg?dl=1","/art/cascade-under-a-stone-bridge-nga-119790","/galleries/style/dutch-and-flemish-baroque/cascade-under-a-stone-bridge-nga-119790",{"_292":293,"_294":295},{"_225":943,"_125":944,"_286":945},{"_277":675,"_279":940,"_281":941,"_283":942},40.534423828125,25,16.534423828125,{"_288":225,"_123":946,"_154":947,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jan-van-de-velde-ii","Jan van de Velde II's contemporaries","https://img.ochreeditions.com/a/1652/480.jpg","https://img.ochreeditions.com/a/1652/960.jpg","https://img.ochreeditions.com/a/1652/1920.jpg",{"_312":964,"_314":965},{"_312":962,"_314":963},{"_312":960,"_314":961},{"_312":958,"_314":959},{"_312":956,"_314":957},"#6c6155",0.1205,"#a49583",0.1254,"#897b6c",0.1451,"#c3b19a",0.189,"#dbc8af",0.42,"Jan van de Velde II","jan-van-de-velde-ii","Dutch, c. 1593–1641",1641,"the-boulder-crowned-with-trees-nga-53886","The Boulder Crowned with Trees",{"_42":1019,"_222":1020,"_326":1021,"_328":329,"_330":1022,"_332":1023,"_334":-5,"_336":-5,"_338":1024,"_140":97},"etching",1.5126282557221784,[1004,1005,1006,1007,1008],{"_221":442,"_222":443,"_42":444,"_305":445},"1973.32.18","Herman van Swanevelt made this. It is now at the National Gallery of Art in Washington, DC.","A boulder crowned with trees rises in an oval landscape framed by overhanging branches, with distant mountains and a winding path where a small figure gives the scene its scale.","The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.",{"_296":1001,"_298":1002,"_300":1003},"https://img.ochreeditions.com/m/1566.jpg?dl=1","/art/the-boulder-crowned-with-trees-nga-53886","/galleries/style/dutch-and-flemish-baroque/the-boulder-crowned-with-trees-nga-53886",{"_292":293,"_294":295},{"_225":990,"_125":991,"_286":992},{"_277":428,"_279":988,"_281":430,"_283":989},63.66605791807983,39.66605791807983,{"_288":225,"_123":999,"_154":1000,"_140":97},{"_288":125,"_123":996,"_154":997,"_140":998},{"_288":286,"_123":993,"_154":994,"_140":995},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1566/480.jpg","https://img.ochreeditions.com/a/1566/960.jpg","https://img.ochreeditions.com/a/1566/1920.jpg",{"_312":1017,"_314":1018},{"_312":1015,"_314":1016},{"_312":1013,"_314":1014},{"_312":1011,"_314":1012},{"_312":1009,"_314":1010},"#615549",0.1332,"#cfbda5",0.2065,"#7c6e5e",0.2098,"#968775",0.2143,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","head-of-medusa-aic-242705","Head of Medusa",{"_42":1071,"_222":1072,"_326":1073,"_328":463,"_330":1074,"_332":1075,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1680","Pen and brown ink, with traces of black chalk, on cream laid paper","24.5 × 18.1 cm (9 11/16 × 7 3/16 in.)",18,24,0.7411255411255411,[1056,1057,1058,1059,1060],{"_221":302,"_222":303,"_42":304,"_305":306},"2018.59","Godfried Maes painted this in 1680, aged 31. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with traces of black chalk, on cream laid paper.",{"_296":1053,"_298":1054,"_300":1055},"https://img.ochreeditions.com/m/370.jpg?dl=1","/art/head-of-medusa-aic-242705","/galleries/style/dutch-and-flemish-baroque/head-of-medusa-aic-242705",{"_292":293,"_294":295},{"_225":1048,"_125":1049,"_286":1050},{"_277":1046,"_279":675,"_281":1047,"_283":941},42.52813852813853,18.528138528138527,{"_288":225,"_123":1051,"_154":1052,"_140":89},{"_288":125,"_123":642,"_154":643,"_140":231},{"_288":286,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-godfried-maes","Godfried Maes's contemporaries","https://img.ochreeditions.com/a/370/480.jpg","https://img.ochreeditions.com/a/370/960.jpg","https://img.ochreeditions.com/a/370/1920.jpg",{"_312":1069,"_314":1070},{"_312":1067,"_314":1068},{"_312":1065,"_314":1066},{"_312":1063,"_314":1064},{"_312":1061,"_314":1062},"#7f5f4a",0.0728,"#cdb097",0.134,"#9e7d65",0.1479,"#b49680",0.1692,"#e1c7b1",0.4761,"Godfried Maes","godfried-maes","Flemish, 1649–1700",1649,1700,"portrait-of-gerard-de-lairesse-met-459082","Portrait of Gerard de Lairesse",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":77},"1665–67","44 3/8 x 34 1/2 in. (112.7 x 87.6 cm)",112.7,0.7787100157315154,[1105,1106,1107,1108,1109],{"_221":381,"_222":382,"_42":383,"_305":384},"1975.1.140","Rembrandt van Rijn painted this in 1665–67, aged about 57. It is now at The Met in New York.","The young painter Gerard de Lairesse, recently arrived in Amsterdam from Liège, sits for Rembrandt, his face marked by the effects of congenital syphilis, which Rembrandt records with unsentimental compassion.","Portrait of Gerard de Lairesse, by Rembrandt van Rijn, 1665–67",{"_296":1102,"_298":1103,"_300":1104},"https://img.ochreeditions.com/m/1256.jpg?dl=1","/art/portrait-of-gerard-de-lairesse-met-459082","/galleries/style/dutch-and-flemish-baroque/portrait-of-gerard-de-lairesse-met-459082",{"_292":376,"_294":377},{"_225":1099,"_125":1100,"_286":1101},{"_277":1096,"_279":1097,"_281":1098,"_283":1081},102.7606187729418,127.7,87.7606187729418,{"_288":225,"_123":171,"_154":170,"_140":77},{"_288":125,"_123":371,"_154":372,"_140":373},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1256/480.jpg","https://img.ochreeditions.com/a/1256/960.jpg","https://img.ochreeditions.com/a/1256/1920.jpg",{"_312":1118,"_314":1119},{"_312":1116,"_314":1117},{"_312":1114,"_314":1115},{"_312":1112,"_314":1113},{"_312":1110,"_314":1111},"#856042",0.0265,"#4e3624",0.0526,"#321e11",0.1327,"#1e120a",0.1964,"#0b0805",0.5918,{"_1121":-5,"_1122":1123,"_1124":1125,"_1126":8,"_1127":1128,"_1129":8},"user","csrf","ea1637cb59d06606775edf78495a42e3d779935c","cartCount",0,"dropLive","legal",[1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141],"uploadsEnabled",{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},{"_222":1152,"_20":1153},{"_222":1150,"_20":1151},{"_222":1148,"_20":1149},{"_222":1146,"_20":1147},{"_222":1144,"_20":1145},{"_222":1142,"_20":1143},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]