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Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”",{"_291":428,"_293":429,"_295":430},"https://img.ochreeditions.com/m/1697.jpg?dl=1","/art/insects-and-a-sprig-of-rosemary-nga-216025","/galleries/style/dutch-and-flemish-baroque/insects-and-a-sprig-of-rosemary-nga-216025",{"_287":426,"_289":427},{"_223":418,"_125":419,"_281":420},{"_271":414,"_273":415,"_275":416,"_277":417},40,35.6787109375,25,20.6787109375,{"_283":223,"_123":424,"_154":425,"_140":89},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":166,"_154":165,"_140":168},"style/painting-17","More paintings of the 17th century",168,"artist/contemporaries-of-jan-van-kessel-the-elder","Jan van Kessel the Elder's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1697/480.jpg","https://img.ochreeditions.com/a/1697/960.jpg","https://img.ochreeditions.com/a/1697/1920.jpg",{"_307":444,"_309":445},{"_307":442,"_309":443},{"_307":440,"_309":441},{"_307":438,"_309":439},{"_307":436,"_309":437},"#675440",0.0394,"#a19a76",0.0619,"#5a6c63",0.0904,"#81877f",0.1572,"#aaa296",0.6511,"Jan van Kessel the Elder","jan-van-kessel-the-elder","Flemish, 1626–1679",1626,1679,"cow-bull-and-calf-nga-54020","Cow, Bull and Calf",{"_42":493,"_220":494,"_321":495,"_323":389,"_325":449,"_327":496,"_329":-5,"_330":-5,"_331":-5,"_140":101},"etching",1.1251051893408135,[478,479,480,481,482],{"_219":297,"_220":298,"_42":299,"_300":301},"1973.54.3","Karel Dujardin made this. It is now at the National Gallery of Art in Washington, DC.","Cow, Bull and Calf, by Karel Dujardin",{"_291":475,"_293":476,"_295":477},"https://img.ochreeditions.com/m/1569.jpg?dl=1","/art/cow-bull-and-calf-nga-54020","/galleries/style/dutch-and-flemish-baroque/cow-bull-and-calf-nga-54020",{"_287":288,"_289":290},{"_223":470,"_125":471,"_281":472},{"_271":274,"_273":468,"_275":278,"_277":469},77.32834704562453,53.32834704562453,{"_283":223,"_123":473,"_154":474,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-karel-dujardin","Karel Dujardin's contemporaries","https://img.ochreeditions.com/a/1569/480.jpg","https://img.ochreeditions.com/a/1569/960.jpg","https://img.ochreeditions.com/a/1569/1920.jpg",{"_307":491,"_309":492},{"_307":489,"_309":490},{"_307":487,"_309":488},{"_307":485,"_309":486},{"_307":483,"_309":484},"#63584e",0.0603,"#837668",0.0715,"#a29381",0.0888,"#c2b09a",0.1916,"#d9c6ae",0.5878,"Karel Dujardin","karel-dujardin","Dutch, 1626–1678",1678,"portrait-of-a-man-aic-31176","Portrait of a Man",{"_42":548,"_220":549,"_321":550,"_323":389,"_325":551,"_327":552,"_329":-5,"_330":-5,"_331":-5,"_140":103},"c. 1650","Oil on copper","36.5 × 30.2 cm (14 3/8 × 11 7/8 in.); Framed: 61 × 54.9 × 3.8 cm (24 × 21 5/8 × 1 1/2 in.)",36,0.8290875405280222,[533,534,535,536,537],{"_219":529,"_220":530,"_42":531,"_300":532},"Courtesy of the Art Institute of Chicago","1969.111","Jan Baptist Weenix painted this in about 1650, aged about 19. It is now at the Art Institute of Chicago.","A work made of oil on copper.",{"_291":526,"_293":527,"_295":528},"https://img.ochreeditions.com/m/126.jpg?dl=1","/art/portrait-of-a-man-aic-31176","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-man-aic-31176",{"_287":426,"_289":427},{"_223":521,"_125":522,"_281":523},{"_271":518,"_273":519,"_275":520,"_277":503},44.8471514590088,51,29.8471514590088,{"_283":223,"_123":524,"_154":525,"_140":89},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-jan-baptist-weenix","Jan Baptist Weenix's contemporaries","https://img.ochreeditions.com/a/126/480.jpg","https://img.ochreeditions.com/a/126/960.jpg","https://img.ochreeditions.com/a/126/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_307":546,"_309":547},{"_307":544,"_309":545},{"_307":542,"_309":543},{"_307":540,"_309":541},{"_307":538,"_309":539},"#8c6b49",0.0162,"#5a4835",0.0298,"#322b24",0.2857,"#3a332a",0.3007,"#262321",0.3676,"Jan Baptist Weenix","jan-baptist-weenix","Dutch, 1621–1660/69",1621,1660,"the-meeting-of-abraham-and-melchizedek-nga-45640","The Meeting of Abraham and Melchizedek",{"_42":601,"_220":602,"_321":603,"_323":324,"_325":604,"_327":605,"_329":606,"_330":607,"_331":608,"_140":95},"c. 1626","oil on panel","overall: 65.5 x 82.4 cm (25 13/16 x 32 7/16 in.) framed: 96.8 x 113.4 cm (38 1/8 x 44 5/8 in.)",82.4,65.5,1.2529825634750689,[586,587,588,589,590],{"_219":297,"_220":298,"_42":299,"_300":301},"1958.4.1","Peter Paul Rubens painted this in about 1626, aged 49. It is now at the National Gallery of Art in Washington, DC.","The scene is painted as if it were a tapestry, unfurled by winged putti between grey and gold columns: within it, the armoured Abraham, returning from battle, meets the white-bearded priest-king Melchizedek, who brings bread and wine, while attendants carry loaves and huge silver and gold vessels.","This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition. Taking up most of the composition, the tapestry shows two ranks of men, women, and children gathered behind two central men, who meet at the center. All the people have light or tanned skin, and the bodies we can see are muscular. In the central pair of men, the one to our left, Abraham, faces our right in profile as he holds two loaves of bread. He has a brown beard and short, wavy hair, and dark brows over a prominent nose. He looks at the other man with dark eyes and leans toward him, to our right. Abraham wears an armored breastplate over silver chainmail edged with gold, which falls to mid-thigh. A crimson-red cape wraps around his shoulders and swirls around his back. A sword hangs by his hip, and tan sandals cover his heels and shins. Behind him are seven men and one brown horse, who gnaws at its foreleg. Most of the men are bearded and five wear armored helmets. A cleanshaven man wearing a lavender-purple tunic stands with his arm slung over the horse’s neck, holding the rein between thumb and forefinger. The man to our right, Melchizedek has a long white beard and short white hair. His red cap is encircled with a wreath of dark green leaves. He wears a long-sleeved, waist-length, aquamarine-blue garment over a white skirt. A heavy, golden-yellow cape with a broad, white fur collar and lining drapes over his shoulders, and is supported by at least one attendant. Behind and around Melchizedek are eight men, women, and children, standing near stone, gray ruins. Behind Melchizedek, one portly person wearing a dark pink mantle reaches into a basket of bread held across the shoulders of a blond, bearded, bare-chested man. Closer to us, in the lower right corner of the tapestry, one man wearing a green toga and another wearing blue kneel and sit, holding oversized silver and gold urns, the size of their torsos. The man in blue, to our right, turns to look at us over his shoulder. A third large urn sits near the other man. A view into the landscape with a low, green hill and a pale blue sky is glimpsed between the groups. The tapestry showing this scene curls over at the edges where the pudgy angels lift the top edge. The top right corner of the tapestry wraps around the edge of an unseen feature of the building, next to a gray column that rises the height of the painting up along the right edge. The border of the tapestry is rose pink with stylized gold designs. One putto with brown hair holds up the left corner, and one with light gray hair holds up the middle one arm slung over the front of the tapestry. The third putto, with blond hair, hooks an arm over a leafy garland with fruit that hangs from the cornice near the top center of the composition.",{"_291":583,"_293":584,"_295":585},"https://img.ochreeditions.com/m/1506.jpg?dl=1","/art/the-meeting-of-abraham-and-melchizedek-nga-45640","/galleries/style/dutch-and-flemish-baroque/the-meeting-of-abraham-and-melchizedek-nga-45640",{"_287":426,"_289":427},{"_223":578,"_125":579,"_281":580},{"_271":575,"_273":576,"_275":559,"_277":577},97.4,80.76308593750001,65.76308593750001,{"_283":223,"_123":581,"_154":582,"_140":95},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/1506/480.jpg","https://img.ochreeditions.com/a/1506/960.jpg","https://img.ochreeditions.com/a/1506/1920.jpg",{"_307":599,"_309":600},{"_307":597,"_309":598},{"_307":595,"_309":596},{"_307":593,"_309":594},{"_307":591,"_309":592},"#9e8671",0.1563,"#966431",0.1857,"#281e11",0.1927,"#675848",0.2175,"#573717",0.2478,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,1640,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","head-of-medusa-aic-242705","Head of Medusa",{"_42":660,"_220":661,"_321":662,"_323":324,"_325":663,"_327":664,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1680","watercolour","Drawing and Watercolor","Pen and brown ink, with traces of black chalk, on cream laid paper","24.5 × 18.1 cm (9 11/16 × 7 3/16 in.)",18,24,0.7411255411255411,[645,646,647,648,649],{"_219":529,"_220":530,"_42":531,"_300":532},"2018.59","Godfried Maes painted this in 1680, aged 31. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with traces of black chalk, on cream laid paper.",{"_291":642,"_293":643,"_295":644},"https://img.ochreeditions.com/m/370.jpg?dl=1","/art/head-of-medusa-aic-242705","/galleries/style/dutch-and-flemish-baroque/head-of-medusa-aic-242705",{"_287":288,"_289":290},{"_223":635,"_125":636,"_281":637},{"_271":632,"_273":633,"_275":634,"_277":416},42.52813852813853,49,18.528138528138527,{"_283":223,"_123":640,"_154":641,"_140":89},{"_283":125,"_123":638,"_154":639,"_140":229},{"_283":281,"_123":166,"_154":165,"_140":168},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-godfried-maes","Godfried Maes's contemporaries","https://img.ochreeditions.com/a/370/480.jpg","https://img.ochreeditions.com/a/370/960.jpg","https://img.ochreeditions.com/a/370/1920.jpg",{"_307":658,"_309":659},{"_307":656,"_309":657},{"_307":654,"_309":655},{"_307":652,"_309":653},{"_307":650,"_309":651},"#7f5f4a",0.0728,"#cdb097",0.134,"#9e7d65",0.1479,"#b49680",0.1692,"#e1c7b1",0.4761,"Godfried Maes","godfried-maes","Flemish, 1649–1700",1649,1700,"the-lovesick-maiden-met-437748","The Lovesick Maiden",{"_42":719,"_220":720,"_321":721,"_323":389,"_325":449,"_327":450,"_329":722,"_330":722,"_331":723,"_140":99},"ca. 1660","Paintings","Oil on canvas","34 x 39 in. (86.4 x 99.1 cm)",99.1,86.4,1.1515783204288266,[704,705,706,707,708],{"_219":700,"_220":701,"_42":702,"_300":703},"Courtesy of The Metropolitan Museum of Art","46.13.2","Jan Steen painted this in about 1660, aged about 29. It is now at The Met in New York.","A pale young woman sits slumped and listless, attended by a doctor, while others look on.","The Lovesick Maiden, by Jan Steen, ca. 1660",{"_291":697,"_293":698,"_295":699},"https://img.ochreeditions.com/m/1160.jpg?dl=1","/art/the-lovesick-maiden-met-437748","/galleries/style/dutch-and-flemish-baroque/the-lovesick-maiden-met-437748",{"_287":426,"_289":427},{"_223":692,"_125":693,"_281":694},{"_271":689,"_273":690,"_275":672,"_277":691},114.1,101.05580553400569,86.05580553400569,{"_283":223,"_123":695,"_154":696,"_140":99},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":360,"_154":361,"_140":362},"artist/jan-steen","More by Jan Steen","https://img.ochreeditions.com/a/1160/480.jpg","https://img.ochreeditions.com/a/1160/960.jpg","https://img.ochreeditions.com/a/1160/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_307":717,"_309":718},{"_307":715,"_309":716},{"_307":713,"_309":714},{"_307":711,"_309":712},{"_307":709,"_309":710},"#917b5f",0.1159,"#5f4e37",0.148,"#413527",0.1526,"#281f18",0.1872,"#1a1614",0.3963,"Jan Steen","jan-steen","Dutch, 1626–1679","Leiden","Steen was born in Leiden, the son of a brewer, and worked there and in The Hague, Delft and Haarlem; for a time he also ran a brewery and later an inn.","title-page-for-g-de-st-vincent-opus-geometricum-quadraturae-nga-97183","Title Page for G. de St. Vincent, Opus Geometricum Quadraturae Circuli",{"_42":767,"_220":768,"_321":769,"_323":770,"_325":771,"_327":496,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1647","engraving on laid paper [proof before letters]",0.741455078125,[752,753,754,755,756],{"_219":297,"_220":298,"_42":299,"_300":301},"1996.78.19","Cornelis Galle II made this in 1647, aged 32. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a mythological or allegorical scene. The scene features various figures of different ages engaged in activities around a central structure resembling an ornate draped curtain held up by columns. There is a celestial element shining down from the top, and an emblem or coat of arms held by winged figures at the very top. The figures are dressed in flowing robes and interact with each other and objects such as a globe and a staff. The composition is rich with symbolism, typical of artwork focused on narrative depth and storytelling.",{"_291":749,"_293":750,"_295":751},"https://img.ochreeditions.com/m/1632.jpg?dl=1","/art/title-page-for-g-de-st-vincent-opus-geometricum-quadraturae-nga-97183","/galleries/style/dutch-and-flemish-baroque/title-page-for-g-de-st-vincent-opus-geometricum-quadraturae-nga-97183",{"_287":288,"_289":290},{"_223":744,"_125":745,"_281":746},{"_271":742,"_273":274,"_275":743,"_277":278},68.4873046875,44.4873046875,{"_283":223,"_123":747,"_154":748,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-cornelis-galle-ii","Cornelis Galle II's contemporaries","https://img.ochreeditions.com/a/1632/480.jpg","https://img.ochreeditions.com/a/1632/960.jpg","https://img.ochreeditions.com/a/1632/1920.jpg",{"_307":765,"_309":766},{"_307":763,"_309":764},{"_307":761,"_309":762},{"_307":759,"_309":760},{"_307":757,"_309":758},"#7c3d40",0.0429,"#c1a482",0.0638,"#36312d",0.0811,"#958a7f",0.2287,"#dac6ab",0.5835,"Cornelis Galle II","cornelis-galle-ii","Netherlandish, 1615–1678","Netherlandish",1615,"lady-and-gentleman-on-horseback-nga-1152","Lady and Gentleman on Horseback",{"_42":820,"_220":821,"_321":822,"_323":389,"_325":390,"_327":823,"_329":-5,"_330":-5,"_331":824,"_140":99},"c. 1655, reworked 1660/1665","oil on canvas","overall: 123 x 172 cm (48 7/16 x 67 11/16 in.) framed: 164.8 x 214 x 16.2 cm (64 7/8 x 84 1/4 x 6 3/8 in.)",172,123,1.4104683195592287,[805,806,807,808,809],{"_219":297,"_220":298,"_42":299,"_300":301},"1942.9.15","Aelbert Cuyp painted this in about 1655, reworked 1660/1665, aged about 35. It is now at the National Gallery of Art in Washington, DC.","An elegantly dressed couple ride out with their hounds: she sits side-saddle on a white horse with blue bows on its bridle, he on a chestnut with a white blaze, riding crop at his hip. Dogs nose through the undergrowth, a huntsman leads a pair of greyhounds along the path, and two more riders follow behind.","An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition. Both people have pale skin and look at us. The woman has a high forehead, a straight nose, a round face, and curly blond hair falling to her shoulders. She wears a sapphire-blue dress with slashed sleeves to reveal a white garment beneath. Her hat is adorned with blue and white feathers, and she wears a string of pearls around her neck. The legs of her white horse darken to black below the knees, and the bridle is tied with blue bows near the horse’s ears. The sidesaddle sits on a woven, rug-like blanket. Next to her, to our right, the man rides a larger chestnut-brown horse with a white triangle between its eyes. The man looks at us out of the corners of his dark eyes under gathered brows. He has a long, straight nose and is cleanshaven, though a hint of a five o’clock shadow slightly darkens his cleft chin. His light brown hair falls in curls down past his shoulders, and he wears a dark brown coat with voluminous white fabric rippling out above tan-colored gloves. He holds a riding crop in his right hand, on our left, resting against his hip. Near the white horse’s feet, to our left, a dark brown dog with a white nose sniffs at a plant. Behind it, another reddish-brown dog sniffs the ground near the horse’s back hoof. A third dog stands beyond, partially obscured by bushes and plants growing in the lower left corner of the canvas. A man wearing a tall black, wide-brimmed hat and carrying a long staff leads two slender dogs resembling grayhounds on leashes along the path, a little behind the riders. Two more elegantly dressed men ride horses toward us father back on the path. Sand-colored stone buildings, hazy in the distance, are clustered around a squared tower, possibly a bell tower, to our left. The land dips gently to the horizon line in the deep distance. The riders are silhouetted against a swirling slate-blue cloud that fills most of the sky in the top two-thirds of the painting. The sky clears to pale blue to our left and then warms to golden yellow along the horizon, beyond the buildings. The artist signed the painting near the lower left corner: “A. Cuijp.”",{"_291":802,"_293":803,"_295":804},"https://img.ochreeditions.com/m/1332.jpg?dl=1","/art/lady-and-gentleman-on-horseback-nga-1152","/galleries/style/dutch-and-flemish-baroque/lady-and-gentleman-on-horseback-nga-1152",{"_287":426,"_289":427},{"_223":797,"_125":798,"_281":799},{"_271":794,"_273":795,"_275":778,"_277":796},187,136.9453125,121.9453125,{"_283":223,"_123":800,"_154":801,"_140":99},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":360,"_154":361,"_140":362},"artist/aelbert-cuyp","More by Aelbert Cuyp","https://img.ochreeditions.com/a/1332/480.jpg","https://img.ochreeditions.com/a/1332/960.jpg","https://img.ochreeditions.com/a/1332/1920.jpg",{"_307":818,"_309":819},{"_307":816,"_309":817},{"_307":814,"_309":815},{"_307":812,"_309":813},{"_307":810,"_309":811},"#8a7652",0.1236,"#332929",0.1694,"#c4c5b6",0.2021,"#594e3b",0.2497,"#8d8e88",0.2552,"Aelbert Cuyp","aelbert-cuyp","Dutch, 1620–1691",1691,"Cuyp spent his life in Dordrecht, where he trained with his father, the portraitist Jacob Gerritsz. Cuyp. Influenced by Dutch painters returning from Italy, such as Jan Both, he bathed river views, cattle in meadows and riders in a warm, golden light.","resurrection-of-christ-aic-31173","Resurrection of Christ",{"_42":871,"_220":872,"_321":873,"_323":389,"_325":874,"_327":496,"_329":-5,"_330":-5,"_331":-5,"_140":101},"c. 1665","81 × 64.9 cm (31 7/8 × 25 1/2 in.); Framed: 100.1 × 84.8 × 8.6 cm (39 3/8 × 33 3/8 × 3 3/8 in.)",64,81,0.800248376003057,[856,857,858,859,860],{"_219":529,"_220":530,"_42":531,"_300":532},"1969.110","Samuel van Hoogstraten painted this in about 1665, aged about 33. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_291":853,"_293":854,"_295":855},"https://img.ochreeditions.com/m/125.jpg?dl=1","/art/resurrection-of-christ-aic-31173","/galleries/style/dutch-and-flemish-baroque/resurrection-of-christ-aic-31173",{"_287":426,"_289":427},{"_223":848,"_125":849,"_281":850},{"_271":845,"_273":846,"_275":847,"_277":831},79.82011845624761,96,64.82011845624761,{"_283":223,"_123":851,"_154":852,"_140":89},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-samuel-van-hoogstraten","Samuel van Hoogstraten's contemporaries","https://img.ochreeditions.com/a/125/480.jpg","https://img.ochreeditions.com/a/125/960.jpg","https://img.ochreeditions.com/a/125/1920.jpg",{"_307":869,"_309":870},{"_307":867,"_309":868},{"_307":865,"_309":866},{"_307":863,"_309":864},{"_307":861,"_309":862},"#625547",0.0438,"#95795e",0.0585,"#64432a",0.1394,"#402f21",0.2782,"#271f18",0.4801,"Samuel van Hoogstraten","samuel-van-hoogstraten","Dutch, 1627–1678",1627,"dunes-by-the-sea-nga-210038","Dunes by the Sea",{"_42":922,"_220":923,"_321":924,"_323":389,"_325":925,"_327":926,"_329":927,"_330":928,"_331":929,"_140":97},"1648","overall: 45.4 × 61.6 cm (17 7/8 × 24 1/4 in.) framed: 64.77 × 83.19 cm (25 1/2 × 32 3/4 in.)",61.6,45.4,1.3589913735899137,[907,908,909,910,911],{"_219":297,"_220":298,"_42":299,"_300":301},"2017.55.1","Jacob van Ruisdael painted this in 1648, aged 20. It is now at the National Gallery of Art in Washington, DC.","A steep sandy dune, thick with grass, shrubs and broken trees, rises at the right above a curving shore where white ripples swirl in steel-blue water; a red brick wall cuts up through the vegetation, and cattle graze on a distant rise.","Water laps at a curving shoreline in front of a steep sandy dune carpeted in grass, shrubs, and trees in this horizontal landscape painting. The dune takes up the lower right quadrant of the composition. A few broken tree trunks are overgrown with vines and plants across the top and down the sloping side of the dune facing us. A red brick wall cuts through the vegetation up the side of the dune and disappears into the shrubbery at the top. The twisting branches and canopies of three large trees reach into the upper right quadrant of the composition. The vegetation stops abruptly along the sheer edge of the dune where it faces the water. The land curves like a backward capital letter C so it almost reaches the left edge of the painting along the horizon, which comes a quarter of the way up the composition. A cow and three more animals, perhaps sheep or more cows, graze or lie on a grassy mound in the distance, and sailboats line the horizon in the deep distance. White ripples swirl in the steel-blue water. The artist signed and dated the lower center, “J Ruisdael . 1648.”",{"_291":904,"_293":905,"_295":906},"https://img.ochreeditions.com/m/1694.jpg?dl=1","/art/dunes-by-the-sea-nga-210038","/galleries/style/dutch-and-flemish-baroque/dunes-by-the-sea-nga-210038",{"_287":426,"_289":427},{"_223":899,"_125":900,"_281":901},{"_271":896,"_273":897,"_275":880,"_277":898},76.6,60.327734375,45.327734375,{"_283":223,"_123":902,"_154":903,"_140":97},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":360,"_154":361,"_140":362},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/1694/480.jpg","https://img.ochreeditions.com/a/1694/960.jpg","https://img.ochreeditions.com/a/1694/1920.jpg",{"_307":920,"_309":921},{"_307":918,"_309":919},{"_307":916,"_309":917},{"_307":914,"_309":915},{"_307":912,"_309":913},"#705835",0.0682,"#636751",0.1443,"#95958a",0.1852,"#393324",0.2237,"#aeb6b4",0.3786,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1628,1682,"Haarlem","Amsterdam","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","cottage-among-trees-met-337491","Cottage among Trees",{"_42":979,"_220":980,"_321":981,"_323":389,"_325":982,"_327":983,"_329":722,"_330":928,"_331":984,"_140":77},"ca. 1650","Drawings","Pen and brown ink, brush and brown wash, on paper washed with brown","6 3/4 x 10 7/8 in. (17.1 x 27.6 cm); vertical strip 6 3/4 x 1 1/4 in. (17.2 x 3.2 cm) added by artist to the sheet at right.",27.6,17.1,1.5860428231562251,[964,965,966,967,968],{"_219":700,"_220":701,"_42":702,"_300":703},"29.100.939","Rembrandt van Rijn drew this in about 1650, aged about 39. It is now at The Met in New York.","A thatched cottage stands half hidden among a dense cluster of trees, drawn in pen and brown ink with washes on paper prepared with a brown tone.","Cottage among Trees, by Rembrandt van Rijn, ca. 1650",{"_291":961,"_293":962,"_295":963},"https://img.ochreeditions.com/m/1019.jpg?dl=1","/art/cottage-among-trees-met-337491","/galleries/style/dutch-and-flemish-baroque/cottage-among-trees-met-337491",{"_287":288,"_289":290},{"_223":956,"_125":957,"_281":958},{"_271":953,"_273":954,"_275":937,"_277":955},51.6,41.4018,17.4018,{"_283":223,"_123":959,"_154":960,"_140":77},{"_283":125,"_123":363,"_154":364,"_140":365},{"_283":281,"_123":360,"_154":361,"_140":362},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/1019/480.jpg","https://img.ochreeditions.com/a/1019/960.jpg","https://img.ochreeditions.com/a/1019/1920.jpg",{"_307":977,"_309":978},{"_307":975,"_309":976},{"_307":973,"_309":974},{"_307":971,"_309":972},{"_307":969,"_309":970},"#7b6852",0.0633,"#efe3c9",0.0777,"#9c8468",0.1371,"#b79e7e",0.1996,"#cdb595",0.5223,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","the-watermill-with-the-great-red-roof-aic-869","The Watermill with the Great Red Roof",{"_42":1028,"_220":1029,"_321":1030,"_323":389,"_325":1031,"_327":1032,"_329":-5,"_330":-5,"_331":1033,"_140":97},"81.3 × 110 cm (32 × 43 1/4 in.); Framed: 101.3 × 130.5 × 8.3 cm (39 7/8 × 51 3/8 × 3 1/4 in.)",110,1.3553896942730013,[1014,1015,1016,1017,1018],{"_219":529,"_220":530,"_42":531,"_300":532},"1894.1031","Meindert Hobbema painted this in about 1665, aged about 22. It is now at the Art Institute of Chicago.","A watermill with a striking red roof stands beside a muddy brown river at the right, water churning through its wheel, while a twisting tree leans across the foreground and three small figures pass in the distance under a grey and blue sky.","Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown. Water flows through the mill wheel under a cloudy sky of gray and blue. Three individuals can be seen in the distance at left.",{"_291":1011,"_293":1012,"_295":1013},"https://img.ochreeditions.com/m/3.jpg?dl=1","/art/the-watermill-with-the-great-red-roof-aic-869","/galleries/style/dutch-and-flemish-baroque/the-watermill-with-the-great-red-roof-aic-869",{"_287":426,"_289":427},{"_223":1006,"_125":1007,"_281":1008},{"_271":192,"_273":1004,"_275":989,"_277":1005},96.15747114264535,81.15747114264535,{"_283":223,"_123":1009,"_154":1010,"_140":97},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":360,"_154":361,"_140":362},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/3/480.jpg","https://img.ochreeditions.com/a/3/960.jpg","https://img.ochreeditions.com/a/3/1920.jpg",{"_307":1027,"_309":817},{"_307":1025,"_309":1026},{"_307":1023,"_309":1024},{"_307":1021,"_309":1022},{"_307":1019,"_309":1020},"#5e563d",0.133,"#9d9685",0.1469,"#39301d",0.2337,"#211a10",0.2367,"#7e8179","Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","queen-henrietta-maria-met-438112","Queen Henrietta Maria",{"_42":1080,"_220":1081,"_321":1082,"_323":324,"_325":1083,"_327":1084,"_329":607,"_330":1085,"_331":1086,"_140":97},"1636","41 5/8 × 33 1/4 in. (105.7 × 84.5 cm)",84.5,105.7,0.85225,[1065,1066,1067,1068,1069],{"_219":700,"_220":701,"_42":702,"_300":703},"2019.141.10","Anthony van Dyck painted this in 1636, aged 37. It is now at The Met in New York.","Queen Henrietta Maria, by Anthony van Dyck, 1636",{"_291":1062,"_293":1063,"_295":1064},"https://img.ochreeditions.com/m/1181.jpg?dl=1","/art/queen-henrietta-maria-met-438112","/galleries/style/dutch-and-flemish-baroque/queen-henrietta-maria-met-438112",{"_287":426,"_289":427},{"_223":1057,"_125":1058,"_281":1059},{"_271":1054,"_273":1055,"_275":1056,"_277":1040},105.082825,120.7,90.082825,{"_283":223,"_123":1060,"_154":1061,"_140":97},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/anthony-van-dyck","More by Anthony van Dyck","https://img.ochreeditions.com/a/1181/480.jpg","https://img.ochreeditions.com/a/1181/960.jpg","https://img.ochreeditions.com/a/1181/1920.jpg",{"_307":1078,"_309":1079},{"_307":1076,"_309":1077},{"_307":1074,"_309":1075},{"_307":1072,"_309":1073},{"_307":1070,"_309":1071},"#83755e",0.1102,"#694317",0.1267,"#0c0805",0.1875,"#291a0f",0.2078,"#372515",0.3678,"Anthony van Dyck","anthony-van-dyck","Flemish, 1599–1641",1599,1641,"London","Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths.","aristotle-with-a-bust-of-homer-met-437394","Aristotle with a Bust of Homer",{"_42":979,"_220":980,"_321":981,"_323":389,"_325":982,"_327":983,"_329":722,"_330":928,"_331":984,"_140":77},"56 1/2 x 53 3/4 in. (143.5 x 136.5 cm)",136.5,143.5,0.948,[1116,1117,1118,1119,1120],{"_219":700,"_220":701,"_42":702,"_300":703},"61.198","Rembrandt van Rijn painted this in 1653, aged 47. It is now at The Met in New York.","A philosopher in a broad black hat rests his hand on a marble bust of the blind poet Homer, while a heavy gold chain falls across his chest, carrying a medallion that bears the image of Alexander the Great, Aristotle’s most famous pupil.","Aristotle with a Bust of Homer, by Rembrandt van Rijn, 1653",{"_291":1113,"_293":1114,"_295":1115},"https://img.ochreeditions.com/m/1141.jpg?dl=1","/art/aristotle-with-a-bust-of-homer-met-437394","/galleries/style/dutch-and-flemish-baroque/aristotle-with-a-bust-of-homer-met-437394",{"_287":426,"_289":427},{"_223":1110,"_125":1111,"_281":1112},{"_271":1107,"_273":1108,"_275":1109,"_277":1092},151.03799999999998,158.5,136.03799999999998,{"_283":223,"_123":959,"_154":960,"_140":77},{"_283":125,"_123":421,"_154":422,"_140":423},{"_283":281,"_123":360,"_154":361,"_140":362},"https://img.ochreeditions.com/a/1141/480.jpg","https://img.ochreeditions.com/a/1141/960.jpg","https://img.ochreeditions.com/a/1141/1920.jpg",{"_307":1129,"_309":1130},{"_307":1127,"_309":1128},{"_307":1125,"_309":1126},{"_307":1123,"_309":1124},{"_307":1121,"_309":1122},"#685135",0.0272,"#43301c",0.0564,"#2c1d11",0.1255,"#1d120b",0.1565,"#0c0705",0.6344,{"_1132":-5,"_1133":1134,"_1135":1136,"_1137":8,"_1138":1139,"_1140":8},"user","csrf","211cabb5082871985c70be8f93a0d38796321b11","cartCount",0,"dropLive","legal",[1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152],"uploadsEnabled",{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},{"_220":1161,"_20":1162},{"_220":1159,"_20":1160},{"_220":1157,"_20":1158},{"_220":1155,"_20":1156},{"_220":1153,"_20":1154},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]