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In order to continue using the plate, Rembrandt reworked it, changing the image somewhat.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":462,"_312":463},{"_310":460,"_312":461},{"_310":458,"_312":459},{"_310":456,"_312":457},{"_310":454,"_312":455},"#d3c9b6",0.0379,"#998770",0.1635,"#706150",0.2023,"#4f4539",0.2477,"#332e28",0.3486,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","the-two-statues-nga-56624","The Two Statues",{"_42":516,"_221":517,"_324":518,"_326":327,"_328":181,"_330":519,"_332":-5,"_334":-5,"_336":-5,"_140":103},"etching",1.5047759000734753,[501,502,503,504,505],{"_220":376,"_221":377,"_42":378,"_303":379},"1978.25.5","Abraham Genoels II made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a formal garden or park with a symmetrical view. It is taken from a slightly elevated position, revealing the vast space beyond a foreground of foliage and low-growing plants. The horizon line is positioned near the midpoint, where a tree-lined pathway extends into the distance. Flanking the pathway are two statues on pedestals under leafy trees. The scene is detailed with intricate line work emphasizing textures and forms. The color palette is monochromatic in various shades of brown, creating a classic appearance. Paved steps and a bridge over a small body of water add to the ordered elegance of the garden.",{"_294":498,"_296":499,"_298":500},"https://img.ochreeditions.com/m/1586.jpg?dl=1","/art/the-two-statues-nga-56624","/galleries/style/dutch-and-flemish-baroque/the-two-statues-nga-56624",{"_290":437,"_292":438},{"_224":493,"_125":494,"_284":495},{"_275":489,"_277":490,"_279":491,"_280":492},84,63.873046875,60,39.873046875,{"_286":224,"_123":496,"_154":497,"_140":89},{"_286":125,"_123":432,"_154":433,"_140":434},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-abraham-genoels-ii","Abraham Genoels II's contemporaries","https://img.ochreeditions.com/a/1586/480.jpg","https://img.ochreeditions.com/a/1586/960.jpg","https://img.ochreeditions.com/a/1586/1920.jpg",{"_310":514,"_312":515},{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},"#736557",0.1295,"#8b7c6b",0.1927,"#d4c2a9",0.1975,"#b5a48e",0.2128,"#a0907c",0.2675,"Abraham Genoels II","abraham-genoels-ii","Flemish, 1640–1723",1723,"the-music-lesson-aic-16398","The Music Lesson",{"_42":575,"_221":576,"_324":577,"_326":398,"_328":578,"_330":579,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1671","Oil on canvas","80.2 × 65.5 cm (31 × 25 3/16 in.); Framed: 98.4 × 81.6 × 6.4 cm (38 3/4 × 32 1/8 × 2 1/2 in.)",65,80,0.8047812529528489,[560,561,562,563,564],{"_220":556,"_221":557,"_42":558,"_303":559},"Courtesy of the Art Institute of Chicago","1933.1088","Jacob Ochtervelt painted this in 1671, aged 37. It is now at the Art Institute of Chicago.",{"_118":554,"_443":555},"A work made of oil on canvas.",{"_294":551,"_296":552,"_298":553},"https://img.ochreeditions.com/m/52.jpg?dl=1","/art/the-music-lesson-aic-16398","/galleries/style/dutch-and-flemish-baroque/the-music-lesson-aic-16398",{"_290":291,"_292":293},{"_224":546,"_125":547,"_284":548},{"_275":543,"_277":544,"_279":545,"_280":527},79.38250023622791,95,64.38250023622791,{"_286":224,"_123":549,"_154":550,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-jacob-ochtervelt","Jacob Ochtervelt's contemporaries","https://img.ochreeditions.com/a/52/480.jpg","https://img.ochreeditions.com/a/52/960.jpg","https://img.ochreeditions.com/a/52/1920.jpg","One of Ochtervelt’s finest works, The Music Lesson was probably painted in Rotterdam, where the artist spent most of his career. The delicate light, which illuminates the girl and leaves the youth partly in shadow, is indebted to Johannes Vermeer, who worked in the nearby city of Delft.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":573,"_312":574},{"_310":571,"_312":572},{"_310":569,"_312":570},{"_310":567,"_312":568},{"_310":565,"_312":566},"#7d6847",0.0592,"#534226",0.0643,"#3d3224",0.1617,"#231c16",0.2794,"#5d5342",0.4354,"Jacob Ochtervelt","jacob-ochtervelt","Dutch, 1634–1682",1634,1682,"dunes-by-the-sea-nga-210038","Dunes by the Sea",{"_42":627,"_221":628,"_324":629,"_326":398,"_328":630,"_330":579,"_332":631,"_334":470,"_336":632,"_140":97},"1648","overall: 45.4 × 61.6 cm (17 7/8 × 24 1/4 in.) framed: 64.77 × 83.19 cm (25 1/2 × 32 3/4 in.)",61.6,45.4,1.3589913735899137,[612,613,614,615,616],{"_220":376,"_221":377,"_42":378,"_303":379},"2017.55.1","Jacob van Ruisdael painted this in 1648, aged 20. It is now at the National Gallery of Art in Washington, DC.","A steep sandy dune, thick with grass, shrubs and broken trees, rises at the right above a curving shore where white ripples swirl in steel-blue water; a red brick wall cuts up through the vegetation, and cattle graze on a distant rise.","Water laps at a curving shoreline in front of a steep sandy dune carpeted in grass, shrubs, and trees in this horizontal landscape painting. The dune takes up the lower right quadrant of the composition. A few broken tree trunks are overgrown with vines and plants across the top and down the sloping side of the dune facing us. A red brick wall cuts through the vegetation up the side of the dune and disappears into the shrubbery at the top. The twisting branches and canopies of three large trees reach into the upper right quadrant of the composition. The vegetation stops abruptly along the sheer edge of the dune where it faces the water. The land curves like a backward capital letter C so it almost reaches the left edge of the painting along the horizon, which comes a quarter of the way up the composition. A cow and three more animals, perhaps sheep or more cows, graze or lie on a grassy mound in the distance, and sailboats line the horizon in the deep distance. White ripples swirl in the steel-blue water. The artist signed and dated the lower center, “J Ruisdael . 1648.”",{"_294":609,"_296":610,"_298":611},"https://img.ochreeditions.com/m/1694.jpg?dl=1","/art/dunes-by-the-sea-nga-210038","/galleries/style/dutch-and-flemish-baroque/dunes-by-the-sea-nga-210038",{"_290":291,"_292":293},{"_224":604,"_125":605,"_284":606},{"_275":601,"_277":602,"_279":585,"_280":603},76.6,60.327734375,45.327734375,{"_286":224,"_123":607,"_154":608,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/1694/480.jpg","https://img.ochreeditions.com/a/1694/960.jpg","https://img.ochreeditions.com/a/1694/1920.jpg",{"_310":625,"_312":626},{"_310":623,"_312":624},{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},"#705835",0.0682,"#636751",0.1443,"#95958a",0.1852,"#393324",0.2237,"#aeb6b4",0.3786,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1628,"Haarlem","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","peacocks-met-436671","Peacocks",{"_42":679,"_221":680,"_324":681,"_326":398,"_328":682,"_330":683,"_332":684,"_334":470,"_336":-5,"_140":103},"1683","74 7/8 x 53 in. (190.2 x 134.6 cm)",134.6,190.2,0.7133609528741585,[664,665,666,667,668],{"_220":300,"_221":301,"_42":302,"_303":304},"27.250.1","Melchior d' Hondecoeter painted this in 1683, aged 47. It is now at The Met in New York.","Peacocks, by Melchior d' Hondecoeter, 1683",{"_294":661,"_296":662,"_298":663},"https://img.ochreeditions.com/m/1104.jpg?dl=1","/art/peacocks-met-436671","/galleries/style/dutch-and-flemish-baroque/peacocks-met-436671",{"_290":291,"_292":293},{"_224":656,"_125":657,"_284":658},{"_275":653,"_277":654,"_279":655,"_280":639},150.68125323666493,205.2,135.68125323666493,{"_286":224,"_123":659,"_154":660,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-melchior-d-hondecoeter","Melchior d' Hondecoeter's contemporaries","https://img.ochreeditions.com/a/1104/480.jpg","https://img.ochreeditions.com/a/1104/960.jpg","https://img.ochreeditions.com/a/1104/1920.jpg",{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},"#8c8065",0.0781,"#575548",0.0903,"#6f4f26",0.1507,"#49361f",0.2938,"#2a2117",0.3871,"Melchior d' Hondecoeter","melchior-d-hondecoeter","Dutch, 1636–1695",1636,1695,"Utrecht","lady-playing-with-a-dog-aic-49068","Lady Playing with a Dog",{"_42":729,"_221":730,"_324":731,"_326":398,"_328":578,"_330":732,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1670","48.5 × 38 cm (19 1/8 × 14 15/16 in.); Framed: 63.2 × 52.8 × 6.4 cm (24 7/8 × 20 3/4 × 2 1/2 in.)",38,48,0.7778744561839652,[715,716,717,718,719],{"_220":556,"_221":557,"_42":558,"_303":559},"1943.1183","Eglon van der Neer painted this in about 1670, aged about 31. It is now at the Art Institute of Chicago.",{"_294":712,"_296":713,"_298":714},"https://img.ochreeditions.com/m/157.jpg?dl=1","/art/lady-playing-with-a-dog-aic-49068","/galleries/style/dutch-and-flemish-baroque/lady-playing-with-a-dog-aic-49068",{"_290":291,"_292":293},{"_224":707,"_125":708,"_284":709},{"_275":704,"_277":705,"_279":706,"_280":691},52.337973896830334,63,37.337973896830334,{"_286":224,"_123":710,"_154":711,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-eglon-van-der-neer","Eglon van der Neer's contemporaries","https://img.ochreeditions.com/a/157/480.jpg","https://img.ochreeditions.com/a/157/960.jpg","https://img.ochreeditions.com/a/157/1920.jpg",{"_310":727,"_312":728},{"_310":725,"_312":726},{"_310":723,"_312":724},{"_310":721,"_312":722},{"_310":720,"_312":672},"#857140","#5a4c2d",0.1228,"#292015",0.1709,"#41301d",0.1822,"#1d1a13",0.4338,"Eglon van der Neer","eglon-van-der-neer","Dutch, 1634–1703",1703,"a-mother-feeding-her-child-the-happy-mother-aic-497","A Mother Feeding her Child (The Happy Mother)",{"_42":785,"_221":786,"_324":787,"_326":398,"_328":788,"_330":789,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1707",18,"Oil on panel","56.9 × 48.4 cm (22 3/8 × 19 1/16 in.); Framed: 83.2 × 74.6 × 6.4 cm (32 3/4 × 29 3/8 × 2 1/2 in.)",56,0.8391334015694303,[770,771,772,773,774],{"_220":556,"_221":557,"_42":558,"_303":559},"1890.42","Willem van Mieris painted this in 1707, aged 45. It is now at the Art Institute of Chicago.","Painting of a scene in a dimly-lit, cavernous room with a bassinet and small table. A shaft of light falls on four figures: a light-skinned woman in a white head covering, a baby on her lap, a male figure at her side, and a small dog at their feet. The couple feeds the fussing baby from a bowl, smiling.",{"_294":767,"_296":768,"_298":769},"https://img.ochreeditions.com/m/1.jpg?dl=1","/art/a-mother-feeding-her-child-the-happy-mother-aic-497","/galleries/style/dutch-and-flemish-baroque/a-mother-feeding-her-child-the-happy-mother-aic-497",{"_290":291,"_292":293},{"_224":757,"_125":758,"_284":759},{"_275":754,"_277":755,"_279":756,"_280":740},61.991470487888094,71,46.991470487888094,{"_286":224,"_123":765,"_154":766,"_140":89},{"_286":125,"_123":763,"_154":764,"_140":289},{"_286":284,"_123":760,"_154":761,"_140":762},"era/18","The 18th century",347,"style/painting-18","More paintings of the 18th century","artist/contemporaries-of-willem-van-mieris","Willem van Mieris's contemporaries","https://img.ochreeditions.com/a/1/480.jpg","https://img.ochreeditions.com/a/1/960.jpg","https://img.ochreeditions.com/a/1/1920.jpg",{"_310":783,"_312":784},{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},"#867158",0.0475,"#67451e",0.0477,"#1b130c",0.237,"#42331f",0.2428,"#2e1e12",0.425,"Willem van Mieris","willem-van-mieris","Dutch, 1662–1747",1662,1747,"aristotle-with-a-bust-of-homer-met-437394","Aristotle with a Bust of Homer",{"_42":464,"_221":465,"_324":466,"_326":398,"_328":467,"_330":468,"_332":469,"_334":470,"_336":471,"_140":77},"1653","56 1/2 x 53 3/4 in. (143.5 x 136.5 cm)",136.5,143.5,0.948,[820,821,822,823,824],{"_220":300,"_221":301,"_42":302,"_303":304},"61.198","Rembrandt van Rijn painted this in 1653, aged 47. It is now at The Met in New York.","A philosopher in a broad black hat rests his hand on a marble bust of the blind poet Homer, while a heavy gold chain falls across his chest, carrying a medallion that bears the image of Alexander the Great, Aristotle’s most famous pupil.","Aristotle with a Bust of Homer, by Rembrandt van Rijn, 1653",{"_294":817,"_296":818,"_298":819},"https://img.ochreeditions.com/m/1141.jpg?dl=1","/art/aristotle-with-a-bust-of-homer-met-437394","/galleries/style/dutch-and-flemish-baroque/aristotle-with-a-bust-of-homer-met-437394",{"_290":291,"_292":293},{"_224":814,"_125":815,"_284":816},{"_275":811,"_277":812,"_279":813,"_280":796},151.03799999999998,158.5,136.03799999999998,{"_286":224,"_123":435,"_154":436,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/1141/480.jpg","https://img.ochreeditions.com/a/1141/960.jpg","https://img.ochreeditions.com/a/1141/1920.jpg",{"_310":833,"_312":834},{"_310":831,"_312":832},{"_310":829,"_312":830},{"_310":827,"_312":828},{"_310":825,"_312":826},"#685135",0.0272,"#43301c",0.0564,"#2c1d11",0.1255,"#1d120b",0.1565,"#0c0705",0.6344,"johann-georg-von-godelmann-law-professor-diplomat-aic-267736","Johann Georg von Gödelmann, Law Professor, Diplomat",{"_42":879,"_221":880,"_324":881,"_326":327,"_328":882,"_330":883,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1601","Engraving on paper","Sheet (trimmed): 17.4 × 14.7 cm (6 7/8 × 5 13/16 in.)",0.8366604168964377,[865,866,867,868,869],{"_220":556,"_221":557,"_42":558,"_303":559},"2023.101","Aegidius Sadeler, II made this in about 1601, aged 31. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_294":862,"_296":863,"_298":864},"https://img.ochreeditions.com/m/423.jpg?dl=1","/art/johann-georg-von-godelmann-law-professor-diplomat-aic-267736","/galleries/style/dutch-and-flemish-baroque/johann-georg-von-godelmann-law-professor-diplomat-aic-267736",{"_290":437,"_292":438},{"_224":857,"_125":858,"_284":859},{"_275":854,"_277":855,"_279":856,"_280":364},44.91651042241094,49,20.91651042241094,{"_286":224,"_123":860,"_154":861,"_140":89},{"_286":125,"_123":432,"_154":433,"_140":434},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-aegidius-sadeler-ii","Aegidius Sadeler, II's contemporaries","https://img.ochreeditions.com/a/423/480.jpg","https://img.ochreeditions.com/a/423/960.jpg","https://img.ochreeditions.com/a/423/1920.jpg",{"_310":877,"_312":878},{"_310":875,"_312":876},{"_310":873,"_312":874},{"_310":871,"_312":872},{"_310":870,"_312":670},"#f8e8d5","#645b51",0.1389,"#928477",0.1892,"#cebba9",0.2917,"#b0a090",0.3021,"Aegidius Sadeler, II","aegidius-sadeler-ii","Flemish, c. 1570–1629",1570,1629,"sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","Sheet with Two Studies: a Tree, and the Upper Part of a Head of the Artist Wearing a Velvet Cap",{"_42":464,"_221":465,"_324":466,"_326":398,"_328":467,"_330":468,"_332":469,"_334":470,"_336":471,"_140":77},"c. 1642","etching on laid paper","sheet (sheet trimmed to platemark): 8 × 7.1 cm (3 1/8 × 2 13/16 in.)",7.1,0.8754914809960681,[912,913,914,915,916],{"_220":376,"_221":377,"_42":378,"_303":379},"1943.3.7202","Rembrandt van Rijn made this in about 1642, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image displays intricate, swirling lines and textured shading to create an abstract scene. On the left side are fine lines resembling branches and leaves, with a small figure nearby. On the right side is a large, densely shaded form reminiscent of mountains or a rock formation. The elements come together to suggest landscapes and nature through imaginative shapes and line work.",{"_294":909,"_296":910,"_298":911},"https://img.ochreeditions.com/m/1355.jpg?dl=1","/art/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998","/galleries/style/dutch-and-flemish-baroque/sheet-with-two-studies-a-tree-and-the-upper-part-of-a-head-o-nga-9998",{"_290":437,"_292":438},{"_224":906,"_125":907,"_284":908},{"_275":904,"_277":855,"_279":905,"_280":364},45.8872870249017,21.887287024901703,{"_286":224,"_123":435,"_154":436,"_140":77},{"_286":125,"_123":432,"_154":433,"_140":434},{"_286":284,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/1355/480.jpg","https://img.ochreeditions.com/a/1355/960.jpg","https://img.ochreeditions.com/a/1355/1920.jpg",{"_310":925,"_312":926},{"_310":923,"_312":924},{"_310":921,"_312":922},{"_310":919,"_312":920},{"_310":917,"_312":918},"#423a34",0.0801,"#6e6255",0.0918,"#918271",0.1462,"#b19f8a",0.2148,"#cbb89f",0.4671,"interior-with-a-young-couple-met-436675","Interior with a Young Couple",{"_42":973,"_221":974,"_324":975,"_326":398,"_328":883,"_330":976,"_332":977,"_334":470,"_336":978,"_140":99},"probably ca. 1662–65","21 5/8 x 24 3/4 in. (54.9 x 62.9 cm)",62.9,54.9,1.127267320844484,[958,959,960,961,962],{"_220":300,"_221":301,"_42":302,"_303":304},"14.40.613","Pieter de Hooch painted this (probably ca. 1662–65), aged about 33. It is now at The Met in New York.","Interior with a Young Couple, by Pieter de Hooch, probably ca. 1662–65",{"_294":955,"_296":956,"_298":957},"https://img.ochreeditions.com/m/1105.jpg?dl=1","/art/interior-with-a-young-couple-met-436675","/galleries/style/dutch-and-flemish-baroque/interior-with-a-young-couple-met-436675",{"_290":291,"_292":293},{"_224":950,"_125":951,"_284":952},{"_275":947,"_277":948,"_279":932,"_280":949},77.9,70.79865470852017,55.798654708520175,{"_286":224,"_123":953,"_154":954,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":368,"_154":369,"_140":370},"artist/pieter-de-hooch","More by Pieter de Hooch","https://img.ochreeditions.com/a/1105/480.jpg","https://img.ochreeditions.com/a/1105/960.jpg","https://img.ochreeditions.com/a/1105/1920.jpg",{"_310":971,"_312":972},{"_310":969,"_312":970},{"_310":967,"_312":968},{"_310":965,"_312":966},{"_310":963,"_312":964},"#938563",0.0354,"#594123",0.0977,"#3c2d18",0.1789,"#261d12",0.3435,"#19130d",0.3445,"Pieter de Hooch","pieter-de-hooch","Dutch, 1629–1684",1684,"Rotterdam","De Hooch was born in Rotterdam and trained, according to an early biographer, with Nicolaes Berchem in Haarlem.","ceres-and-bacchus-cma-97169","Ceres and Bacchus",{"_42":1032,"_221":1033,"_324":1034,"_326":327,"_328":1035,"_330":1036,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1600s","oil on canvas","Framed: 197.2 x 133.7 x 9.5 cm (77 5/8 x 52 5/8 x 3 3/4 in.); Unframed: 163.5 x 100 cm (64 3/8 x 39 3/8 in.)",100,163.5,0.6079411764705882,[1017,1018,1019,1020,1021],{"_220":445,"_221":446,"_42":447,"_303":448},"1916.805","Bartholomaeus Spranger painted this in the 1600s, aged about 54. It is now at the Cleveland Museum of Art.",{"_118":1016,"_443":444},"Ceres and Bacchus, by Bartholomaeus Spranger, 1600s",{"_294":1013,"_296":1014,"_298":1015},"https://img.ochreeditions.com/m/484.jpg?dl=1","/art/ceres-and-bacchus-cma-97169","/galleries/style/dutch-and-flemish-baroque/ceres-and-bacchus-cma-97169",{"_290":291,"_292":293},{"_224":1004,"_125":1005,"_284":1006},{"_275":1001,"_277":1002,"_279":1003,"_280":986},114.39838235294117,178.5,99.39838235294117,{"_286":224,"_123":1011,"_154":1012,"_140":89},{"_286":125,"_123":1009,"_154":1010,"_140":544},{"_286":284,"_123":1007,"_154":1008,"_140":230},"era/16-flanders","16th-century Flanders","style/painting-16","More paintings of the 16th century","artist/contemporaries-of-bartholomaeus-spranger","Bartholomaeus Spranger's contemporaries","https://img.ochreeditions.com/a/484/480.jpg","https://img.ochreeditions.com/a/484/960.jpg","https://img.ochreeditions.com/a/484/1920.jpg","This painting is a copy of a print by Jan Harmensz Muller (Dutch, 1571–1628), originally based on a painting by Spranger. Spranger often used the iconography of Ceres and Bacchus, two important agricultural deities.",{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},{"_310":1022,"_312":1023},"#8c734d",0.0441,"#765b3f",0.1554,"#604c39",0.1683,"#493e33",0.2396,"#36322d",0.3926,"Bartholomaeus Spranger","bartholomaeus-spranger","Flemish, 1546–1611",1546,1611,"queen-henrietta-maria-met-438112","Queen Henrietta Maria",{"_42":1083,"_221":1084,"_324":1085,"_326":327,"_328":1086,"_330":1087,"_332":333,"_334":1088,"_336":1089,"_140":97},"1636","41 5/8 × 33 1/4 in. (105.7 × 84.5 cm)",84.5,105.7,0.85225,[1068,1069,1070,1071,1072],{"_220":300,"_221":301,"_42":302,"_303":304},"2019.141.10","Anthony van Dyck painted this in 1636, aged 37. It is now at The Met in New York.","Queen Henrietta Maria, by Anthony van Dyck, 1636",{"_294":1065,"_296":1066,"_298":1067},"https://img.ochreeditions.com/m/1181.jpg?dl=1","/art/queen-henrietta-maria-met-438112","/galleries/style/dutch-and-flemish-baroque/queen-henrietta-maria-met-438112",{"_290":291,"_292":293},{"_224":1060,"_125":1061,"_284":1062},{"_275":1057,"_277":1058,"_279":1059,"_280":1043},105.082825,120.7,90.082825,{"_286":224,"_123":1063,"_154":1064,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/anthony-van-dyck","More by Anthony van Dyck","https://img.ochreeditions.com/a/1181/480.jpg","https://img.ochreeditions.com/a/1181/960.jpg","https://img.ochreeditions.com/a/1181/1920.jpg",{"_310":1081,"_312":1082},{"_310":1079,"_312":1080},{"_310":1077,"_312":1078},{"_310":1075,"_312":1076},{"_310":1073,"_312":1074},"#83755e",0.1102,"#694317",0.1267,"#0c0805",0.1875,"#291a0f",0.2078,"#372515",0.3678,"Anthony van Dyck","anthony-van-dyck","Flemish, 1599–1641",1599,1641,"London","Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths.","the-boulder-crowned-with-trees-nga-53886","The Boulder Crowned with Trees",{"_42":1138,"_221":1139,"_324":1140,"_326":398,"_328":1141,"_330":1142,"_332":-5,"_334":-5,"_336":1143,"_140":97},1.5126282557221784,[1123,1124,1125,1126,1127],{"_220":376,"_221":377,"_42":378,"_303":379},"1973.32.18","Herman van Swanevelt made this. It is now at the National Gallery of Art in Washington, DC.","A boulder crowned with trees rises in an oval landscape framed by overhanging branches, with distant mountains and a winding path where a small figure gives the scene its scale.","The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.",{"_294":1120,"_296":1121,"_298":1122},"https://img.ochreeditions.com/m/1566.jpg?dl=1","/art/the-boulder-crowned-with-trees-nga-53886","/galleries/style/dutch-and-flemish-baroque/the-boulder-crowned-with-trees-nga-53886",{"_290":437,"_292":438},{"_224":1109,"_125":1110,"_284":1111},{"_275":489,"_277":1107,"_279":491,"_280":1108},63.66605791807983,39.66605791807983,{"_286":224,"_123":1118,"_154":1119,"_140":97},{"_286":125,"_123":1115,"_154":1116,"_140":1117},{"_286":284,"_123":1112,"_154":1113,"_140":1114},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1566/480.jpg","https://img.ochreeditions.com/a/1566/960.jpg","https://img.ochreeditions.com/a/1566/1920.jpg",{"_310":1136,"_312":1137},{"_310":1134,"_312":1135},{"_310":1132,"_312":1133},{"_310":1130,"_312":1131},{"_310":1128,"_312":1129},"#615549",0.1332,"#cfbda5",0.2065,"#7c6e5e",0.2098,"#968775",0.2143,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.",{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","4d286e37c381b05e831be792e4cac230aa88e616","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]