[{"_1":2,"_3":4},"root",{"_5":1125},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Dutch and Flemish Baroque, in the galleries · Ochre Editions","description","The Low Countries in the 1600s: Rubens's Antwerp and the painters of the Dutch Republic. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/dutch-and-flemish-baroque","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/dutch-and-flemish-baroque.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Dutch and Flemish Baroque, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/still-life-with-dead-game-fruits-and-vegetables-in-a-market-aic-62042",15,"https://www.ochreeditions.com/art/view-of-amsterdam-from-the-northwest-nga-9903",14,"https://www.ochreeditions.com/art/portrait-of-isabella-brant-cma-125247",13,"https://www.ochreeditions.com/art/dunes-by-the-sea-nga-210038",12,"https://www.ochreeditions.com/art/bouquet-of-flowers-in-a-glass-vase-nga-94743",11,"https://www.ochreeditions.com/art/saint-jerome-reading-in-an-italian-landscape-aic-43244",10,"https://www.ochreeditions.com/art/aristotle-with-a-bust-of-homer-met-437394",9,"https://www.ochreeditions.com/art/portrait-of-nicolas-trigault-in-chinese-costume-met-337844",8,"https://www.ochreeditions.com/art/girl-standing-before-a-mirror-aic-16539",7,"https://www.ochreeditions.com/art/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185",6,"https://www.ochreeditions.com/art/cow-bull-and-calf-nga-54020",5,"https://www.ochreeditions.com/art/portrait-of-a-lady-aic-105945",4,"https://www.ochreeditions.com/art/the-meeting-of-abraham-and-melchizedek-nga-45640",3,"https://www.ochreeditions.com/art/a-bouquet-of-flowers-met-827660",2,"https://www.ochreeditions.com/art/portrait-of-gerard-de-lairesse-met-459082",1,"https://www.ochreeditions.com/art/the-flight-into-egypt-aic-16497","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~dutch-and-flemish-baroque.94ccb73daa.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~dutch-and-flemish-baroque.94ccb73daa.jpg","alt","Dutch and Flemish Baroque, a room in the galleries: three of its 94 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Dutch and Flemish Baroque: 94 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~dutch-and-flemish-baroque.jpg","key","style/dutch-and-flemish-baroque","style","Dutch and Flemish Baroque","intro","The Low Countries in the 1600s: Rubens's Antwerp and the painters of the Dutch Republic.","wing","Style galleries","floor","layout","enfilade","hang",4587,"/galleries/style/dutch-and-flemish-baroque","total",94,"page","works",[204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219],"walls",[172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NDU4NywiaSI6bnVsbCwiZyI6IjRGWjJOMFM2In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/dutch-and-flemish-baroque?hang=4587&cursor=eyJvIjoxNiwiaCI6NDU4NywiaSI6bnVsbCwiZyI6IjRGWjJOMFM2In0&via=continue","label","Dutch and Flemish Baroque, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/1337/480.jpg","https://img.ochreeditions.com/a/3/480.jpg","https://img.ochreeditions.com/a/1542/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":89},{"_154":165,"_123":166,"_44":167,"_140":168},"17th-century Flanders","era/17-flanders","/galleries/era/17-flanders?hang=4587&via=continue",30,"Frans Snyders's contemporaries","artist/contemporaries-of-frans-snyders","/galleries/artist/contemporaries-of-frans-snyders?hang=4587&via=continue",{"_42":198,"_178":199},{"_42":192,"_178":193},{"_42":186,"_178":187},{"_42":182,"_178":183},{"_42":177,"_178":179},"Third room, north wall","work_ids",[180,181],1354,181,"Second room, north wall",[184,185],1694,577,"Second room, south wall",[188,189,190,191],1031,1141,144,1631,"First room, south wall",[194,195,196,197],266,1569,1633,59,"First room, north wall",[200,201,202,203],56,1256,1289,1506,{"_220":200,"_221":1073,"_20":1074,"_224":1075,"_226":-5,"_227":1076,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":736,"_240":1077,"_242":1078,"_244":1079,"_246":1080,"_248":1081,"_250":1082,"_252":253,"_254":1083,"_256":257,"_258":1084,"_154":1085,"_261":-5,"_111":745,"_263":1086,"_265":1087,"_267":1088,"_269":1089,"_271":1090,"_144":1091,"_274":1092},{"_220":201,"_221":1028,"_20":1029,"_224":1030,"_226":-5,"_227":1031,"_229":230,"_231":344,"_233":-5,"_125":234,"_28":235,"_236":634,"_238":239,"_240":1032,"_242":1033,"_244":1034,"_246":1035,"_248":1036,"_250":1037,"_252":641,"_254":1038,"_256":257,"_258":1039,"_154":-5,"_261":1040,"_111":1041,"_263":1042,"_265":1043,"_267":1044,"_269":1045,"_271":1046,"_144":1047,"_274":1048},{"_220":202,"_221":976,"_20":977,"_224":978,"_226":-5,"_227":979,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":634,"_238":980,"_240":981,"_242":982,"_244":420,"_246":983,"_248":984,"_250":985,"_252":641,"_254":986,"_256":257,"_258":987,"_154":-5,"_261":-5,"_111":988,"_263":989,"_265":990,"_267":991,"_269":992,"_271":993,"_144":994,"_274":995},{"_220":203,"_221":931,"_20":932,"_224":933,"_226":-5,"_227":934,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":481,"_240":935,"_242":936,"_244":937,"_246":938,"_248":939,"_250":940,"_252":354,"_254":941,"_256":257,"_258":942,"_154":-5,"_261":943,"_111":944,"_263":945,"_265":946,"_267":947,"_269":948,"_271":949,"_144":950,"_274":951},{"_220":194,"_221":877,"_20":878,"_224":879,"_226":-5,"_227":880,"_229":230,"_231":344,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":881,"_242":882,"_244":883,"_246":884,"_248":885,"_250":886,"_252":253,"_254":887,"_256":257,"_258":888,"_154":889,"_261":-5,"_111":890,"_263":891,"_265":892,"_267":893,"_269":894,"_271":895,"_144":896,"_274":897},{"_220":195,"_221":831,"_20":832,"_224":833,"_226":-5,"_227":-5,"_229":230,"_231":344,"_233":-5,"_125":234,"_28":345,"_236":346,"_238":347,"_240":-5,"_242":-5,"_244":-5,"_246":834,"_248":835,"_250":836,"_252":354,"_254":837,"_256":257,"_258":838,"_154":-5,"_261":-5,"_111":839,"_263":840,"_265":841,"_267":842,"_269":843,"_271":844,"_144":845,"_274":846},{"_220":196,"_221":782,"_20":783,"_224":784,"_226":-5,"_227":785,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":345,"_236":346,"_238":786,"_240":-5,"_242":-5,"_244":-5,"_246":787,"_248":788,"_250":789,"_252":354,"_254":790,"_256":257,"_258":791,"_154":-5,"_261":-5,"_111":792,"_263":793,"_265":794,"_267":795,"_269":796,"_271":797,"_144":798,"_274":799},{"_220":197,"_221":732,"_20":733,"_224":734,"_226":-5,"_227":735,"_229":230,"_231":344,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":736,"_240":737,"_242":738,"_244":739,"_246":740,"_248":741,"_250":742,"_252":253,"_254":743,"_256":257,"_258":744,"_154":-5,"_261":-5,"_111":745,"_263":746,"_265":747,"_267":748,"_269":749,"_271":750,"_144":751,"_274":752},{"_220":188,"_221":681,"_20":682,"_224":683,"_226":-5,"_227":684,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":685,"_236":686,"_238":687,"_240":688,"_242":689,"_244":690,"_246":691,"_248":692,"_250":693,"_252":641,"_254":694,"_256":257,"_258":695,"_154":-5,"_261":696,"_111":697,"_263":698,"_265":699,"_267":700,"_269":701,"_271":702,"_144":703,"_274":704},{"_220":189,"_221":630,"_20":631,"_224":632,"_226":-5,"_227":633,"_229":230,"_231":344,"_233":-5,"_125":234,"_28":235,"_236":634,"_238":239,"_240":635,"_242":636,"_244":637,"_246":638,"_248":639,"_250":640,"_252":641,"_254":642,"_256":257,"_258":643,"_154":-5,"_261":644,"_111":645,"_263":646,"_265":647,"_267":648,"_269":649,"_271":650,"_144":651,"_274":652},{"_220":190,"_221":584,"_20":585,"_224":586,"_226":-5,"_227":587,"_229":230,"_231":344,"_233":-5,"_125":234,"_28":345,"_236":346,"_238":588,"_240":589,"_242":590,"_244":591,"_246":592,"_248":593,"_250":594,"_252":253,"_254":595,"_256":257,"_258":596,"_154":-5,"_261":597,"_111":598,"_263":599,"_265":600,"_267":601,"_269":602,"_271":603,"_144":604,"_274":605},{"_220":191,"_221":532,"_20":533,"_224":534,"_226":-5,"_227":535,"_229":230,"_231":344,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":536,"_240":537,"_242":538,"_244":539,"_246":540,"_248":541,"_250":542,"_252":354,"_254":543,"_256":257,"_258":544,"_154":-5,"_261":-5,"_111":545,"_263":546,"_265":547,"_267":548,"_269":549,"_271":550,"_144":551,"_274":552},{"_220":184,"_221":477,"_20":478,"_224":479,"_226":-5,"_227":480,"_229":230,"_231":344,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":481,"_240":482,"_242":483,"_244":484,"_246":485,"_248":486,"_250":487,"_252":354,"_254":488,"_256":257,"_258":489,"_154":-5,"_261":490,"_111":491,"_263":492,"_265":493,"_267":494,"_269":495,"_271":496,"_144":497,"_274":498},{"_220":185,"_221":414,"_20":415,"_224":416,"_226":-5,"_227":417,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":418,"_240":419,"_242":420,"_244":421,"_246":422,"_248":423,"_250":424,"_252":425,"_254":426,"_256":257,"_258":427,"_154":428,"_261":-5,"_111":429,"_263":430,"_265":431,"_267":432,"_269":433,"_271":434,"_144":435,"_274":436},{"_220":180,"_221":340,"_20":341,"_224":342,"_226":-5,"_227":343,"_229":230,"_231":344,"_233":-5,"_125":234,"_28":345,"_236":346,"_238":347,"_240":348,"_242":349,"_244":350,"_246":351,"_248":352,"_250":353,"_252":354,"_254":355,"_256":257,"_258":356,"_154":-5,"_261":357,"_111":358,"_263":359,"_265":360,"_267":361,"_269":362,"_271":363,"_144":364,"_274":365},{"_220":181,"_221":222,"_20":223,"_224":225,"_226":-5,"_227":228,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_154":260,"_261":-5,"_111":262,"_263":264,"_265":266,"_267":268,"_269":270,"_271":272,"_144":273,"_274":275},"id","slug","still-life-with-dead-game-fruits-and-vegetables-in-a-market-aic-62042","Still Life with Dead Game, Fruits, and Vegetables in a Market","artist",{"_42":327,"_221":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":-5,"_338":-5,"_339":-5,"_140":103},"unrecorded","date","1614","century",17,"place","flanders","movement","dutch-and-flemish-baroque","painting","classification","Painting","medium","Oil on canvas","dimensions","212 × 308 cm (83 1/2 × 121 1/4 in.); Framed: 251.5 × 348 × 10.2 cm (99 × 137 × 4 in.)","width_cm",308,"height_cm",212,"aspect",1.5282144630150587,"palette",[310,311,312,313,314],"museum",{"_220":305,"_221":306,"_42":307,"_308":309},"credit","Courtesy of the Art Institute of Chicago","accession","1981.182","licence","CC0","story","Frans Snyders painted this in 1614, aged 35. It is now at the Art Institute of Chicago.",{"_118":302,"_303":304},"note","An older man at left in red raises his hat toward a central table chaotically overflowing with dead game, fruits, and vegetables. The wings of dead birds and limbs of animals are splayed out at dramatic angles; a deer at center is suspended by his back legs. Live birds and a cat animate the scene.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/181.jpg?dl=1","page_url","/art/still-life-with-dead-game-fruits-and-vegetables-in-a-market-aic-62042","walk_url","/galleries/style/dutch-and-flemish-baroque/still-life-with-dead-game-fruits-and-vegetables-in-a-market-aic-62042","frame",{"_292":293,"_294":295},{"_224":284,"_125":285,"_286":287},"size",{"_276":277,"_278":279,"_280":281,"_282":283},"w",255,"h",172.04602057390363,"image_w",240,"image_h",157.04602057390363,{"_288":224,"_123":170,"_154":169,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":166,"_154":165,"_140":168},"facet","style/painting-17","More paintings of the 17th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/181/480.jpg","960","https://img.ochreeditions.com/a/181/960.jpg","1920","https://img.ochreeditions.com/a/181/1920.jpg","This overflowing Flemish market stall is enlivened by dead animals splayed on the table, fighting roosters, and a pickpocket. An early example of Frans Snyders’s combination of ornamental still-life elements with secondary figures, this scene might have adorned the dining room of an aristocratic collector.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#9e382b","weight",0.0253,"#d5c8bf",0.074,"#8f7963",0.1711,"#4e3a2f",0.2504,"#1c1517",0.4792,"Frans Snyders","frans-snyders","bio","Flemish, 1579–1657","nationality","Flemish","birth_year",1579,"death_year",1657,"birth_place","death_place","about_excerpt","view-of-amsterdam-from-the-northwest-nga-9903","View of Amsterdam from the Northwest",{"_42":405,"_221":406,"_329":407,"_331":408,"_333":409,"_335":410,"_337":411,"_338":412,"_339":413,"_140":77},"c. 1640","netherlands","print","Print","etching","plate: 11.3 × 15.4 cm (4 7/16 × 6 1/16 in.) sheet: 11.8 × 15.8 cm (4 5/8 × 6 1/4 in.)",15.4,11.3,1.3735747820254862,[390,391,392,393,394],{"_220":386,"_221":387,"_42":388,"_308":389},"Courtesy National Gallery of Art, Washington","1943.3.7107","Rembrandt van Rijn made this in about 1640, aged 34. It is now at the National Gallery of Art in Washington, DC.","Amsterdam’s skyline stretches low across the horizon, its church towers and windmills seen across flat meadows and water from the northwest, beneath a great empty sky.","View of Amsterdam from the Northwest, by Rembrandt van Rijn, c. 1640",{"_296":383,"_298":384,"_300":385},"https://img.ochreeditions.com/m/1354.jpg?dl=1","/art/view-of-amsterdam-from-the-northwest-nga-9903","/galleries/style/dutch-and-flemish-baroque/view-of-amsterdam-from-the-northwest-nga-9903",{"_292":381,"_294":382},{"_224":370,"_125":371,"_286":372},{"_276":366,"_278":367,"_280":368,"_282":369},49,42.20068359375,25,18.20068359375,{"_288":224,"_123":379,"_154":380,"_140":77},{"_288":125,"_123":376,"_154":377,"_140":378},{"_288":286,"_123":373,"_154":374,"_140":375},"era/17-netherlands","17th-century Netherlands",91,"style/print-17","More prints of the 17th century",55,"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","black","snow","https://img.ochreeditions.com/a/1354/480.jpg","https://img.ochreeditions.com/a/1354/960.jpg","https://img.ochreeditions.com/a/1354/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":403,"_317":404},{"_315":401,"_317":402},{"_315":399,"_317":400},{"_315":397,"_317":398},{"_315":395,"_317":396},"#5f5954",0.0221,"#8c847c",0.0696,"#aea49b",0.1016,"#d0c4b9",0.1321,"#e6dcd0",0.6746,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669","Dutch",1606,1669,"Leiden","Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","portrait-of-isabella-brant-cma-125247","Portrait of Isabella Brant",{"_42":469,"_221":470,"_329":471,"_331":332,"_333":472,"_335":473,"_337":474,"_338":475,"_339":476,"_140":95},"c. 1620–25","oil on wood","Framed: 83 x 73.5 x 9 cm (32 11/16 x 28 15/16 x 3 9/16 in.); Unframed: 53 x 46 cm (20 7/8 x 18 1/8 in.)",46,53,0.8461764705882353,[454,455,456,457,458],{"_220":450,"_221":451,"_42":452,"_308":453},"Courtesy of the Cleveland Museum of Art","1947.207","Peter Paul Rubens painted this in about 1620–25, aged about 43. It is now at the Cleveland Museum of Art.",{"_118":448,"_303":449},"Portrait of Isabella Brant, by Peter Paul Rubens, c. 1620–25",{"_296":445,"_298":446,"_300":447},"https://img.ochreeditions.com/m/577.jpg?dl=1","/art/portrait-of-isabella-brant-cma-125247","/galleries/style/dutch-and-flemish-baroque/portrait-of-isabella-brant-cma-125247",{"_292":293,"_294":295},{"_224":440,"_125":441,"_286":442},{"_276":437,"_278":438,"_280":439,"_282":421},59.847352941176474,68,44.847352941176474,{"_288":224,"_123":443,"_154":444,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/peter-paul-rubens","More by Peter Paul Rubens","https://img.ochreeditions.com/a/577/480.jpg","https://img.ochreeditions.com/a/577/960.jpg","https://img.ochreeditions.com/a/577/1920.jpg","Isabella Brant was Rubens’s first wife. He painted her many times in many different ways before she died at the age of 35 (she is a model for a nymph in the other work by Rubens in this room).","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":467,"_317":468},{"_315":465,"_317":466},{"_315":463,"_317":464},{"_315":461,"_317":462},{"_315":459,"_317":460},"#7c6248",0.0544,"#ac9171",0.1131,"#463727",0.1806,"#11110c",0.2983,"#2e271c",0.3536,"Peter Paul Rubens","peter-paul-rubens","Flemish, 1577–1640",1577,1640,"Siegen","Antwerp","Rubens was born in Siegen, raised in Antwerp and spent eight formative years in Italy, mainly in the service of the Duke of Mantua.","dunes-by-the-sea-nga-210038","Dunes by the Sea",{"_42":525,"_221":526,"_329":527,"_331":408,"_333":528,"_335":529,"_337":530,"_338":412,"_339":531,"_140":97},"1648","oil on panel","overall: 45.4 × 61.6 cm (17 7/8 × 24 1/4 in.) framed: 64.77 × 83.19 cm (25 1/2 × 32 3/4 in.)",61.6,45.4,1.3589913735899137,[510,511,512,513,514],{"_220":386,"_221":387,"_42":388,"_308":389},"2017.55.1","Jacob van Ruisdael painted this in 1648, aged 20. It is now at the National Gallery of Art in Washington, DC.","A steep sandy dune, thick with grass, shrubs and broken trees, rises at the right above a curving shore where white ripples swirl in steel-blue water; a red brick wall cuts up through the vegetation, and cattle graze on a distant rise.","Water laps at a curving shoreline in front of a steep sandy dune carpeted in grass, shrubs, and trees in this horizontal landscape painting. The dune takes up the lower right quadrant of the composition. A few broken tree trunks are overgrown with vines and plants across the top and down the sloping side of the dune facing us. A red brick wall cuts through the vegetation up the side of the dune and disappears into the shrubbery at the top. The twisting branches and canopies of three large trees reach into the upper right quadrant of the composition. The vegetation stops abruptly along the sheer edge of the dune where it faces the water. The land curves like a backward capital letter C so it almost reaches the left edge of the painting along the horizon, which comes a quarter of the way up the composition. A cow and three more animals, perhaps sheep or more cows, graze or lie on a grassy mound in the distance, and sailboats line the horizon in the deep distance. White ripples swirl in the steel-blue water. The artist signed and dated the lower center, “J Ruisdael . 1648.”",{"_296":507,"_298":508,"_300":509},"https://img.ochreeditions.com/m/1694.jpg?dl=1","/art/dunes-by-the-sea-nga-210038","/galleries/style/dutch-and-flemish-baroque/dunes-by-the-sea-nga-210038",{"_292":293,"_294":295},{"_224":502,"_125":503,"_286":504},{"_276":499,"_278":500,"_280":483,"_282":501},76.6,60.327734375,45.327734375,{"_288":224,"_123":505,"_154":506,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":373,"_154":374,"_140":375},"artist/jacob-van-ruisdael","More by Jacob van Ruisdael","https://img.ochreeditions.com/a/1694/480.jpg","https://img.ochreeditions.com/a/1694/960.jpg","https://img.ochreeditions.com/a/1694/1920.jpg",{"_315":523,"_317":524},{"_315":521,"_317":522},{"_315":519,"_317":520},{"_315":517,"_317":518},{"_315":515,"_317":516},"#705835",0.0682,"#636751",0.1443,"#95958a",0.1852,"#393324",0.2237,"#aeb6b4",0.3786,"Jacob van Ruisdael","jacob-van-ruisdael","Dutch, 1628/29–1682",1628,1682,"Haarlem","Ruisdael was the leading Dutch landscape painter of the seventeenth century.","bouquet-of-flowers-in-a-glass-vase-nga-94743","Bouquet of Flowers in a Glass Vase",{"_42":579,"_221":580,"_329":581,"_331":408,"_333":582,"_335":583,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1621","oil on copper","overall: 31.6 x 21.6 cm (12 7/16 x 8 1/2 in.) framed: 53.3 x 43.8 x 5.7 cm (21 x 17 1/4 x 2 1/4 in.)",21.6,31.6,0.68212890625,[564,565,566,567,568],{"_220":386,"_221":387,"_42":388,"_308":389},"1996.35.1","Ambrosius Bosschaert painted this in 1621, aged 48. It is now at the National Gallery of Art in Washington, DC.","Gathered in a round glass vase, a tall bouquet of flowers in shades of light and deep pink, sunshine yellow, and white with pine-green leaves nearly fills this vertical still life painting. Shown against an gray background, the vase sits on a narrow ledge, perhaps made of wood. A label with looping, cursive French text painted in gold against a baby blue background is affixed to the front of the ledge, along the bottom edge of the composition. The text reads, “C'est l'Angelicq main du grad Peinctre de Flore AMBROISE, renommé jusqu' au Rivage Moré.” A few of the flowers draw the eye, including a tulip and iris at the top of the bouquet. To our left, the tulip is mauve pink with cream-colored streaks, and one petal folds down to reveal the stamen inside. Next to it, a damselfly, an insect like a delicate dragonfly, rests on the vibrant yellow iris. The petals curling down from the iris are veined in muted burgundy red. Flowers filling in the bouquet below include a shell-pink cyclamen, a white gardenia, a closed blue and white striped columbine, a slate-blue grape hyacinth, lily of the valley, pale blue forget-me-nots, and a pink peony interspersed with leaves and greenery. The round glass vase has a narrow opening. A sprig of viola rests to our left of the vase on the ledge, and an orange, black, white, and brown butterfly perches on the stem of a pink cyclamen laying to our right of the vase. The artist signed the painting with a monogram and dated it in dark paint to our right on the face of the ledge: “AB 1621.”",{"_296":561,"_298":562,"_300":563},"https://img.ochreeditions.com/m/1631.jpg?dl=1","/art/bouquet-of-flowers-in-a-glass-vase-nga-94743","/galleries/style/dutch-and-flemish-baroque/bouquet-of-flowers-in-a-glass-vase-nga-94743",{"_292":293,"_294":295},{"_224":556,"_125":557,"_286":558},{"_276":553,"_278":554,"_280":555,"_282":539},36.555273437500006,46.6,21.555273437500002,{"_288":224,"_123":559,"_154":560,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-ambrosius-bosschaert","Ambrosius Bosschaert's contemporaries","https://img.ochreeditions.com/a/1631/480.jpg","https://img.ochreeditions.com/a/1631/960.jpg","https://img.ochreeditions.com/a/1631/1920.jpg",{"_315":577,"_317":578},{"_315":575,"_317":576},{"_315":573,"_317":574},{"_315":571,"_317":572},{"_315":569,"_317":570},"#c9b655",0.0376,"#667672",0.0629,"#b3a38c",0.0646,"#6d4e38",0.1609,"#393122",0.674,"Ambrosius Bosschaert","ambrosius-bosschaert","Dutch, 1573–1621",1573,1621,"saint-jerome-reading-in-an-italian-landscape-aic-43244","Saint Jerome Reading in an Italian Landscape",{"_42":405,"_221":406,"_329":407,"_331":408,"_333":409,"_335":410,"_337":411,"_338":412,"_339":413,"_140":77},"c. 1653","Etching, burin, and drypoint on ivory laid paper","Image/plate: 26 × 21 cm (10 1/4 × 8 5/16 in.); Sheet: 27 × 21.9 cm (10 11/16 × 8 5/8 in.)",21,26,0.8163897493663756,[615,616,617,618,619],{"_220":305,"_221":306,"_42":307,"_308":309},"1941.1048","Rembrandt van Rijn made this in about 1653, aged about 42. It is now at the Art Institute of Chicago.","Saint Jerome sits reading in the sunlight while his lion peers out from behind a tree, and a hill town with Italian buildings rises in the distance. Rembrandt drew on Venetian prints and drawings he owned, by Titian and his circle, for the landscape, combining it with his own free, varied line.","A work made of etching, burin, and drypoint on ivory laid paper.",{"_296":612,"_298":613,"_300":614},"https://img.ochreeditions.com/m/144.jpg?dl=1","/art/saint-jerome-reading-in-an-italian-landscape-aic-43244","/galleries/style/dutch-and-flemish-baroque/saint-jerome-reading-in-an-italian-landscape-aic-43244",{"_292":381,"_294":382},{"_224":609,"_125":610,"_286":611},{"_276":606,"_278":607,"_280":608,"_282":591},45.22613348352577,50,21.226133483525768,{"_288":224,"_123":379,"_154":380,"_140":77},{"_288":125,"_123":376,"_154":377,"_140":378},{"_288":286,"_123":373,"_154":374,"_140":375},"https://img.ochreeditions.com/a/144/480.jpg","https://img.ochreeditions.com/a/144/960.jpg","https://img.ochreeditions.com/a/144/1920.jpg",{"_315":628,"_317":629},{"_315":626,"_317":627},{"_315":624,"_317":625},{"_315":622,"_317":623},{"_315":620,"_317":621},"#60564d",0.1424,"#3e3832",0.1436,"#897b6d",0.1475,"#b4a392",0.1923,"#ddccba",0.3742,"aristotle-with-a-bust-of-homer-met-437394","Aristotle with a Bust of Homer",{"_42":405,"_221":406,"_329":407,"_331":408,"_333":409,"_335":410,"_337":411,"_338":412,"_339":413,"_140":77},"1653","Paintings","56 1/2 x 53 3/4 in. (143.5 x 136.5 cm)",136.5,143.5,0.948,[666,667,668,669,670],{"_220":662,"_221":663,"_42":664,"_308":665},"Courtesy of The Metropolitan Museum of Art","61.198","Rembrandt van Rijn painted this in 1653, aged 47. It is now at The Met in New York.","A philosopher in a broad black hat rests his hand on a marble bust of the blind poet Homer, while a heavy gold chain falls across his chest, carrying a medallion that bears the image of Alexander the Great, Aristotle’s most famous pupil.","Aristotle with a Bust of Homer, by Rembrandt van Rijn, 1653",{"_296":659,"_298":660,"_300":661},"https://img.ochreeditions.com/m/1141.jpg?dl=1","/art/aristotle-with-a-bust-of-homer-met-437394","/galleries/style/dutch-and-flemish-baroque/aristotle-with-a-bust-of-homer-met-437394",{"_292":293,"_294":295},{"_224":656,"_125":657,"_286":658},{"_276":653,"_278":654,"_280":655,"_282":637},151.03799999999998,158.5,136.03799999999998,{"_288":224,"_123":379,"_154":380,"_140":77},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":373,"_154":374,"_140":375},"https://img.ochreeditions.com/a/1141/480.jpg","https://img.ochreeditions.com/a/1141/960.jpg","https://img.ochreeditions.com/a/1141/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":679,"_317":680},{"_315":677,"_317":678},{"_315":675,"_317":676},{"_315":673,"_317":674},{"_315":671,"_317":672},"#685135",0.0272,"#43301c",0.0564,"#2c1d11",0.1255,"#1d120b",0.1565,"#0c0705",0.6344,"portrait-of-nicolas-trigault-in-chinese-costume-met-337844","Portrait of Nicolas Trigault in Chinese Costume",{"_42":469,"_221":470,"_329":471,"_331":332,"_333":472,"_335":473,"_337":474,"_338":475,"_339":476,"_140":95},"1617","drawing","Drawings","Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper","17 9/16 x 9 3/4 in. (44.6 x 24.8 cm)",24.8,44.6,0.5847639484978541,[717,718,719,720,721],{"_220":662,"_221":663,"_42":664,"_308":665},"1999.222","Peter Paul Rubens drew this in 1617, aged 40. It is now at The Met in New York.","The Flemish Jesuit Nicolas Trigault, who had worked as a missionary in China, wears the robes and hat of a Chinese scholar in this drawing made by Rubens in Antwerp in 1617, while Trigault was touring Europe to win support for the mission.","Portrait of Nicolas Trigault in Chinese Costume, by Peter Paul Rubens, 1617",{"_296":714,"_298":715,"_300":716},"https://img.ochreeditions.com/m/1031.jpg?dl=1","/art/portrait-of-nicolas-trigault-in-chinese-costume-met-337844","/galleries/style/dutch-and-flemish-baroque/portrait-of-nicolas-trigault-in-chinese-costume-met-337844",{"_292":381,"_294":382},{"_224":708,"_125":709,"_286":710},{"_276":705,"_278":706,"_280":707,"_282":690},50.0804721030043,68.6,26.080472103004293,{"_288":224,"_123":443,"_154":444,"_140":95},{"_288":125,"_123":711,"_154":712,"_140":713},{"_288":286,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"https://img.ochreeditions.com/a/1031/480.jpg","https://img.ochreeditions.com/a/1031/960.jpg","https://img.ochreeditions.com/a/1031/1920.jpg",{"_315":730,"_317":731},{"_315":728,"_317":729},{"_315":726,"_317":727},{"_315":724,"_317":725},{"_315":722,"_317":723},"#c9ad81",0.0976,"#7d7160",0.1288,"#b79f7d",0.1318,"#9c8c75",0.2145,"#b7a489",0.4273,"girl-standing-before-a-mirror-aic-16539","Girl Standing before a Mirror",{"_42":777,"_221":778,"_329":779,"_331":408,"_333":780,"_335":781,"_337":-5,"_338":-5,"_339":-5,"_140":101},"1668","Oil on panel","35.8 × 28 cm (14 1/8 × 11 7/8 in.); Framed: 50.2 × 42.6 × 7.6 cm (19 3/4 × 16 3/4 × 3 in.)",28,35,0.7754048763125111,[763,764,765,766,767],{"_220":305,"_221":306,"_42":307,"_308":309},"1925.718","Caspar Netscher painted this in 1668, aged 29. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_296":760,"_298":761,"_300":762},"https://img.ochreeditions.com/m/59.jpg?dl=1","/art/girl-standing-before-a-mirror-aic-16539","/galleries/style/dutch-and-flemish-baroque/girl-standing-before-a-mirror-aic-16539",{"_292":293,"_294":295},{"_224":755,"_125":756,"_286":757},{"_276":753,"_278":607,"_280":754,"_282":739},42.13917067093789,27.139170670937887,{"_288":224,"_123":758,"_154":759,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-caspar-netscher","Caspar Netscher's contemporaries","https://img.ochreeditions.com/a/59/480.jpg","https://img.ochreeditions.com/a/59/960.jpg","https://img.ochreeditions.com/a/59/1920.jpg",{"_315":775,"_317":776},{"_315":773,"_317":774},{"_315":771,"_317":772},{"_315":769,"_317":770},{"_315":768,"_317":460},"#77632f","#5c3e07",0.0806,"#402c09",0.1531,"#2b1c06",0.2253,"#171306",0.4866,"Caspar Netscher","caspar-netscher","Dutch, 1639–1684",1639,1684,"title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185","Title Page for Balthasar Cordier, Catena Sexaginta Qvinqve Graecorvm Patrvm in S. Lvcam...",{"_42":826,"_221":827,"_329":828,"_331":332,"_333":829,"_335":830,"_337":-5,"_338":-5,"_339":-5,"_140":103},"1628","engraving on laid paper",0.73193359375,[812,813,814,815,816],{"_220":386,"_221":387,"_42":388,"_308":389},"1996.78.21","Cornelis Galle I made this in 1628, aged 52. It is now at the National Gallery of Art in Washington, DC.","The image features a detailed black and white illustration with multiple human and animal figures in a symbolic arrangement. In the foreground, two full-body figures are depicted in long robes and sandals, positioned on either side of a large draped banner with text. One figure holds an open book. Above the banner are celestial figures in dynamic poses. To the left is a winged bull-like creature and a seated male figure with a beard, next to a female figure in classical attire. They are all surrounded by flowing fabric and a lion-like animal. In the lower center foreground, there is an emblem resembling a coat of arms with an eagle and a crowned shield. The background is textured, with no natural landscape or architecture present, allowing the figures to stand out. The illustration is framed by the margins of an open book.",{"_296":809,"_298":810,"_300":811},"https://img.ochreeditions.com/m/1633.jpg?dl=1","/art/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185","/galleries/style/dutch-and-flemish-baroque/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185",{"_292":381,"_294":382},{"_224":804,"_125":805,"_286":806},{"_276":800,"_278":801,"_280":802,"_282":803},67.916015625,84,43.916015625,60,{"_288":224,"_123":807,"_154":808,"_140":89},{"_288":125,"_123":376,"_154":377,"_140":378},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-cornelis-galle-i","Cornelis Galle I's contemporaries","https://img.ochreeditions.com/a/1633/480.jpg","https://img.ochreeditions.com/a/1633/960.jpg","https://img.ochreeditions.com/a/1633/1920.jpg",{"_315":824,"_317":825},{"_315":822,"_317":823},{"_315":821,"_317":623},{"_315":819,"_317":820},{"_315":817,"_317":818},"#e2d9cb",0.0432,"#332223",0.0771,"#6e5a52","#a09081",0.1828,"#d7c0a2",0.5533,"Cornelis Galle I","cornelis-galle-i","Flemish, 1576–1650",1576,1650,"cow-bull-and-calf-nga-54020","Cow, Bull and Calf",{"_42":872,"_221":873,"_329":874,"_331":408,"_333":875,"_335":876,"_337":-5,"_338":-5,"_339":-5,"_140":101},1.1251051893408135,[857,858,859,860,861],{"_220":386,"_221":387,"_42":388,"_308":389},"1973.54.3","Karel Dujardin made this. It is now at the National Gallery of Art in Washington, DC.","Cow, Bull and Calf, by Karel Dujardin",{"_296":854,"_298":855,"_300":856},"https://img.ochreeditions.com/m/1569.jpg?dl=1","/art/cow-bull-and-calf-nga-54020","/galleries/style/dutch-and-flemish-baroque/cow-bull-and-calf-nga-54020",{"_292":381,"_294":382},{"_224":849,"_125":850,"_286":851},{"_276":801,"_278":847,"_280":803,"_282":848},77.32834704562453,53.32834704562453,{"_288":224,"_123":852,"_154":853,"_140":89},{"_288":125,"_123":376,"_154":377,"_140":378},{"_288":286,"_123":373,"_154":374,"_140":375},"artist/contemporaries-of-karel-dujardin","Karel Dujardin's contemporaries","https://img.ochreeditions.com/a/1569/480.jpg","https://img.ochreeditions.com/a/1569/960.jpg","https://img.ochreeditions.com/a/1569/1920.jpg",{"_315":870,"_317":871},{"_315":868,"_317":869},{"_315":866,"_317":867},{"_315":864,"_317":865},{"_315":862,"_317":863},"#63584e",0.0603,"#837668",0.0715,"#a29381",0.0888,"#c2b09a",0.1916,"#d9c6ae",0.5878,"Karel Dujardin","karel-dujardin","Dutch, 1626–1678",1626,1678,"portrait-of-a-lady-aic-105945","Portrait of a Lady",{"_42":925,"_221":926,"_329":927,"_331":408,"_333":928,"_335":929,"_337":475,"_338":530,"_339":930,"_140":99},"1627","86.5 × 70.7 cm (34 1/4 × 27 13/16 in.); Framed: 107 × 91.4 × 6.4 cm (42 1/8 × 36 × 2 1/2 in.)",70,86,0.8087576712555979,[910,911,912,913,914],{"_220":305,"_221":306,"_42":307,"_308":309},"1954.287","Frans Hals painted this in 1627, aged 45. It is now at the Art Institute of Chicago.",{"_118":909,"_303":304},"A work made of oil on canvas.",{"_296":906,"_298":907,"_300":908},"https://img.ochreeditions.com/m/266.jpg?dl=1","/art/portrait-of-a-lady-aic-105945","/galleries/style/dutch-and-flemish-baroque/portrait-of-a-lady-aic-105945",{"_292":293,"_294":295},{"_224":901,"_125":902,"_286":903},{"_276":898,"_278":899,"_280":900,"_282":883},84.55315972798142,101,69.55315972798142,{"_288":224,"_123":904,"_154":905,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":373,"_154":374,"_140":375},"artist/frans-hals","More by Frans Hals","https://img.ochreeditions.com/a/266/480.jpg","https://img.ochreeditions.com/a/266/960.jpg","https://img.ochreeditions.com/a/266/1920.jpg","Frans Hals, one of the most celebrated portrait painters of the 17th century, demonstrated here his signature verve in inscribing decoration on black satin and capturing the freshness of his subject’s skin.",{"_315":923,"_317":924},{"_315":921,"_317":922},{"_315":919,"_317":920},{"_315":917,"_317":918},{"_315":915,"_317":916},"#9c7059",0.0421,"#a79a8f",0.0595,"#6a5e53",0.0601,"#30261d",0.3924,"#13110f",0.4459,"Frans Hals","frans-hals","Dutch, 1582–1666",1582,1666,"Hals was born in Antwerp but spent his whole career in Haarlem, where he became its leading portraitist.","the-meeting-of-abraham-and-melchizedek-nga-45640","The Meeting of Abraham and Melchizedek",{"_42":469,"_221":470,"_329":471,"_331":332,"_333":472,"_335":473,"_337":474,"_338":475,"_339":476,"_140":95},"c. 1626","overall: 65.5 x 82.4 cm (25 13/16 x 32 7/16 in.) framed: 96.8 x 113.4 cm (38 1/8 x 44 5/8 in.)",82.4,65.5,1.2529825634750689,[961,962,963,964,965],{"_220":386,"_221":387,"_42":388,"_308":389},"1958.4.1","Peter Paul Rubens painted this in about 1626, aged 49. It is now at the National Gallery of Art in Washington, DC.","The scene is painted as if it were a tapestry, unfurled by winged putti between grey and gold columns: within it, the armoured Abraham, returning from battle, meets the white-bearded priest-king Melchizedek, who brings bread and wine, while attendants carry loaves and huge silver and gold vessels.","This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition. Taking up most of the composition, the tapestry shows two ranks of men, women, and children gathered behind two central men, who meet at the center. All the people have light or tanned skin, and the bodies we can see are muscular. In the central pair of men, the one to our left, Abraham, faces our right in profile as he holds two loaves of bread. He has a brown beard and short, wavy hair, and dark brows over a prominent nose. He looks at the other man with dark eyes and leans toward him, to our right. Abraham wears an armored breastplate over silver chainmail edged with gold, which falls to mid-thigh. A crimson-red cape wraps around his shoulders and swirls around his back. A sword hangs by his hip, and tan sandals cover his heels and shins. Behind him are seven men and one brown horse, who gnaws at its foreleg. Most of the men are bearded and five wear armored helmets. A cleanshaven man wearing a lavender-purple tunic stands with his arm slung over the horse’s neck, holding the rein between thumb and forefinger. The man to our right, Melchizedek has a long white beard and short white hair. His red cap is encircled with a wreath of dark green leaves. He wears a long-sleeved, waist-length, aquamarine-blue garment over a white skirt. A heavy, golden-yellow cape with a broad, white fur collar and lining drapes over his shoulders, and is supported by at least one attendant. Behind and around Melchizedek are eight men, women, and children, standing near stone, gray ruins. Behind Melchizedek, one portly person wearing a dark pink mantle reaches into a basket of bread held across the shoulders of a blond, bearded, bare-chested man. Closer to us, in the lower right corner of the tapestry, one man wearing a green toga and another wearing blue kneel and sit, holding oversized silver and gold urns, the size of their torsos. The man in blue, to our right, turns to look at us over his shoulder. A third large urn sits near the other man. A view into the landscape with a low, green hill and a pale blue sky is glimpsed between the groups. The tapestry showing this scene curls over at the edges where the pudgy angels lift the top edge. The top right corner of the tapestry wraps around the edge of an unseen feature of the building, next to a gray column that rises the height of the painting up along the right edge. The border of the tapestry is rose pink with stylized gold designs. One putto with brown hair holds up the left corner, and one with light gray hair holds up the middle one arm slung over the front of the tapestry. The third putto, with blond hair, hooks an arm over a leafy garland with fruit that hangs from the cornice near the top center of the composition.",{"_296":958,"_298":959,"_300":960},"https://img.ochreeditions.com/m/1506.jpg?dl=1","/art/the-meeting-of-abraham-and-melchizedek-nga-45640","/galleries/style/dutch-and-flemish-baroque/the-meeting-of-abraham-and-melchizedek-nga-45640",{"_292":293,"_294":295},{"_224":955,"_125":956,"_286":957},{"_276":952,"_278":953,"_280":936,"_282":954},97.4,80.76308593750001,65.76308593750001,{"_288":224,"_123":443,"_154":444,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1506/480.jpg","https://img.ochreeditions.com/a/1506/960.jpg","https://img.ochreeditions.com/a/1506/1920.jpg",{"_315":974,"_317":975},{"_315":972,"_317":973},{"_315":970,"_317":971},{"_315":968,"_317":969},{"_315":966,"_317":967},"#9e8671",0.1563,"#966431",0.1857,"#281e11",0.1927,"#675848",0.2175,"#573717",0.2478,"a-bouquet-of-flowers-met-827660","A Bouquet of Flowers",{"_42":1022,"_221":1023,"_329":1024,"_331":332,"_333":928,"_335":1025,"_337":1026,"_338":1027,"_339":-5,"_140":103},"ca. 1612","Oil on wood","18 1/8 × 12 5/8 in. (46 × 32 cm)",32,0.73075,[1007,1008,1009,1010,1011],{"_220":662,"_221":663,"_42":664,"_308":665},"2020.22","Clara Peeters painted this in about 1612, aged about 25. It is now at The Met in New York.","A Bouquet of Flowers, by Clara Peeters, ca. 1612",{"_296":1004,"_298":1005,"_300":1006},"https://img.ochreeditions.com/m/1289.jpg?dl=1","/art/a-bouquet-of-flowers-met-827660","/galleries/style/dutch-and-flemish-baroque/a-bouquet-of-flowers-met-827660",{"_292":293,"_294":295},{"_224":999,"_125":1000,"_286":1001},{"_276":996,"_278":997,"_280":998,"_282":420},48.6145,61,33.6145,{"_288":224,"_123":1002,"_154":1003,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-clara-peeters","Clara Peeters's contemporaries","https://img.ochreeditions.com/a/1289/480.jpg","https://img.ochreeditions.com/a/1289/960.jpg","https://img.ochreeditions.com/a/1289/1920.jpg",{"_315":1020,"_317":1021},{"_315":1018,"_317":1019},{"_315":1016,"_317":1017},{"_315":1014,"_317":1015},{"_315":1012,"_317":1013},"#9e5a4a",0.0339,"#6a251b",0.0489,"#6f5d49",0.0758,"#3a2e1f",0.1316,"#180b06",0.7098,"Clara Peeters","clara-peeters","Flemish, 1582–1636",1636,"Mechelen","Ghent","portrait-of-gerard-de-lairesse-met-459082","Portrait of Gerard de Lairesse",{"_42":405,"_221":406,"_329":407,"_331":408,"_333":409,"_335":410,"_337":411,"_338":412,"_339":413,"_140":77},"1665–67","44 3/8 x 34 1/2 in. (112.7 x 87.6 cm)",87.6,112.7,0.7787100157315154,[1058,1059,1060,1061,1062],{"_220":662,"_221":663,"_42":664,"_308":665},"1975.1.140","Rembrandt van Rijn painted this in 1665–67, aged about 57. It is now at The Met in New York.","The young painter Gerard de Lairesse, recently arrived in Amsterdam from Liège, sits for Rembrandt, his face marked by the effects of congenital syphilis, which Rembrandt records with unsentimental compassion.","Portrait of Gerard de Lairesse, by Rembrandt van Rijn, 1665–67",{"_296":1055,"_298":1056,"_300":1057},"https://img.ochreeditions.com/m/1256.jpg?dl=1","/art/portrait-of-gerard-de-lairesse-met-459082","/galleries/style/dutch-and-flemish-baroque/portrait-of-gerard-de-lairesse-met-459082",{"_292":293,"_294":295},{"_224":1052,"_125":1053,"_286":1054},{"_276":1049,"_278":1050,"_280":1051,"_282":1034},102.7606187729418,127.7,87.7606187729418,{"_288":224,"_123":379,"_154":380,"_140":77},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":373,"_154":374,"_140":375},"https://img.ochreeditions.com/a/1256/480.jpg","https://img.ochreeditions.com/a/1256/960.jpg","https://img.ochreeditions.com/a/1256/1920.jpg",{"_315":1071,"_317":1072},{"_315":1069,"_317":1070},{"_315":1067,"_317":1068},{"_315":1065,"_317":1066},{"_315":1063,"_317":1064},"#856042",0.0265,"#4e3624",0.0526,"#321e11",0.1327,"#1e120a",0.1964,"#0b0805",0.5918,"the-flight-into-egypt-aic-16497","The Flight into Egypt",{"_42":1120,"_221":1121,"_329":1122,"_331":332,"_333":1123,"_335":1124,"_337":-5,"_338":-5,"_339":-5,"_140":103},"c. 1650","43.8 × 31.8 cm (17 1/4 × 12 1/2 in.); Framed: 64.8 × 53.4 × 10.2 cm (25 1/2 × 21 × 4 in.)",31,43,0.7347624565469293,[1105,1106,1107,1108,1109],{"_220":305,"_221":306,"_42":307,"_308":309},"1963.44","Abraham Jansz. van Diepenbeeck painted this in about 1650, aged about 44. It is now at the Art Institute of Chicago.",{"_118":1104,"_303":304},{"_296":1101,"_298":1102,"_300":1103},"https://img.ochreeditions.com/m/56.jpg?dl=1","/art/the-flight-into-egypt-aic-16497","/galleries/style/dutch-and-flemish-baroque/the-flight-into-egypt-aic-16497",{"_292":293,"_294":295},{"_224":1096,"_125":1097,"_286":1098},{"_276":1093,"_278":1094,"_280":1095,"_282":1079},46.59478563151796,58,31.594785631517958,{"_288":224,"_123":1099,"_154":1100,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abraham-jansz-van-diepenbeeck","Abraham Jansz. van Diepenbeeck's contemporaries","https://img.ochreeditions.com/a/56/480.jpg","https://img.ochreeditions.com/a/56/960.jpg","https://img.ochreeditions.com/a/56/1920.jpg","The flight into Egypt—a common subject in European art—refers to an episode in the life of Christ when his family fled King Herod, who sought to kill the infant Jesus. Abraham van Diepenbeeck made the theme his own by including an angel and the inquisitive cow at bottom right.",{"_315":1118,"_317":1119},{"_315":1116,"_317":1117},{"_315":1114,"_317":1115},{"_315":1112,"_317":1113},{"_315":1110,"_317":1111},"#382f27",0.1476,"#8f8477",0.1772,"#4e443b",0.2028,"#63584d",0.2038,"#7a7166",0.2686,"Abraham Jansz. van Diepenbeeck","abraham-jansz-van-diepenbeeck","Flemish, 1596–1675",1596,1675,{"_1126":-5,"_1127":1128,"_1129":1130,"_1131":8,"_1132":1133,"_1134":8},"user","csrf","a0dd3b64e0c2a787068fafc1a25deed684f512aa","cartCount",0,"dropLive","legal",[1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146],"uploadsEnabled",{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]