[{"_1":2,"_3":4},"root",{"_5":1126},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Dutch and Flemish Baroque, in the galleries · Ochre Editions","description","The Low Countries in the 1600s: Rubens's Antwerp and the painters of the Dutch Republic. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/dutch-and-flemish-baroque","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/dutch-and-flemish-baroque.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Dutch and Flemish Baroque, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/girl-standing-before-a-mirror-aic-16539",15,"https://www.ochreeditions.com/art/a-bouquet-of-flowers-met-827660",14,"https://www.ochreeditions.com/art/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185",13,"https://www.ochreeditions.com/art/portrait-of-gerard-de-lairesse-met-459082",12,"https://www.ochreeditions.com/art/the-boulder-crowned-with-trees-nga-53886",11,"https://www.ochreeditions.com/art/a-genoese-lady-with-her-child-cma-131819",10,"https://www.ochreeditions.com/art/christ-crucified-between-the-two-thieves-the-three-crosses-met-354631",9,"https://www.ochreeditions.com/art/cottage-among-trees-met-337491",8,"https://www.ochreeditions.com/art/merry-company-on-a-terrace-met-437749",7,"https://www.ochreeditions.com/art/boat-at-a-river-bank-with-three-goats-nga-53695",6,"https://www.ochreeditions.com/art/johann-georg-von-godelmann-law-professor-diplomat-aic-267736",5,"https://www.ochreeditions.com/art/portrait-of-the-artist-s-parents-salomon-de-bray-and-anna-we-nga-108661",4,"https://www.ochreeditions.com/art/the-dutch-whaling-fleet-aic-111728",3,"https://www.ochreeditions.com/art/a-view-on-a-high-road-nga-69",2,"https://www.ochreeditions.com/art/two-men-seated-near-the-waterside-nga-53889",1,"https://www.ochreeditions.com/art/bust-of-a-bearded-man-nga-106946","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~dutch-and-flemish-baroque.94ccb73daa.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~dutch-and-flemish-baroque.94ccb73daa.jpg","alt","Dutch and Flemish Baroque, a room in the galleries: three of its 94 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Dutch and Flemish Baroque: 94 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~dutch-and-flemish-baroque.jpg","key","style/dutch-and-flemish-baroque","style","Dutch and Flemish Baroque","intro","The Low Countries in the 1600s: Rubens's Antwerp and the painters of the Dutch Republic.","wing","Style galleries","floor","layout","enfilade","hang",4586,"/galleries/style/dutch-and-flemish-baroque","total",94,"page","works",[204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219],"walls",[172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NDU4NiwiaSI6bnVsbCwiZyI6IjRGWjJOMFM2In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/dutch-and-flemish-baroque?hang=4586&cursor=eyJvIjoxNiwiaCI6NDU4NiwiaSI6bnVsbCwiZyI6IjRGWjJOMFM2In0&via=continue","label","Dutch and Flemish Baroque, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/1680/480.jpg","https://img.ochreeditions.com/a/1027/480.jpg","https://img.ochreeditions.com/a/1151/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":89},{"_154":165,"_123":166,"_44":167,"_140":168},"17th-century Netherlands","era/17-netherlands","/galleries/era/17-netherlands?hang=4586&via=continue",91,"Caspar Netscher's contemporaries","artist/contemporaries-of-caspar-netscher","/galleries/artist/contemporaries-of-caspar-netscher?hang=4586&via=continue",{"_42":199,"_178":200},{"_42":193,"_178":194},{"_42":188,"_178":189},{"_42":183,"_178":184},{"_42":177,"_178":179},"Third room, north wall","work_ids",[180,181,182],1633,1289,59,"Second room, north wall",[185,186,187],605,1566,1256,"Second room, south wall",[190,191,192],1161,1019,1045,"First room, south wall",[195,196,197,198],287,1642,423,1562,"First room, north wall",[201,202,203],1640,1568,1302,{"_220":201,"_221":1076,"_20":1077,"_224":1078,"_226":-5,"_227":1079,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":890,"_240":1080,"_242":1081,"_244":1082,"_246":1083,"_248":1084,"_250":1085,"_252":410,"_254":1086,"_256":257,"_258":1087,"_154":-5,"_260":-5,"_111":1088,"_262":1089,"_264":1090,"_266":1091,"_268":1092,"_270":1093,"_144":1094,"_273":1095},{"_220":202,"_221":1040,"_20":1041,"_224":1042,"_226":-5,"_227":-5,"_229":53,"_231":232,"_233":-5,"_125":234,"_28":404,"_236":405,"_238":521,"_240":-5,"_242":-5,"_244":-5,"_246":1043,"_248":1044,"_250":1045,"_252":410,"_254":1046,"_256":257,"_258":526,"_154":-5,"_260":-5,"_111":1047,"_262":1048,"_264":1049,"_266":1050,"_268":1051,"_270":1052,"_144":1053,"_273":1054},{"_220":203,"_221":988,"_20":989,"_224":990,"_226":-5,"_227":991,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":576,"_240":992,"_242":993,"_244":908,"_246":994,"_248":995,"_250":996,"_252":410,"_254":997,"_256":257,"_258":998,"_154":-5,"_260":999,"_111":1000,"_262":1001,"_264":1002,"_266":1003,"_268":1004,"_270":1005,"_144":1006,"_273":1007},{"_220":195,"_221":938,"_20":939,"_224":940,"_226":-5,"_227":941,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":466,"_240":942,"_242":943,"_244":855,"_246":944,"_248":945,"_250":946,"_252":253,"_254":947,"_256":257,"_258":948,"_154":-5,"_260":-5,"_111":949,"_262":950,"_264":951,"_266":952,"_268":953,"_270":954,"_144":955,"_273":956},{"_220":196,"_221":886,"_20":887,"_224":888,"_226":-5,"_227":889,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":890,"_240":891,"_242":892,"_244":893,"_246":894,"_248":895,"_250":896,"_252":410,"_254":897,"_256":257,"_258":898,"_154":-5,"_260":-5,"_111":899,"_262":900,"_264":901,"_266":902,"_268":903,"_270":904,"_144":905,"_273":906},{"_220":197,"_221":835,"_20":836,"_224":837,"_226":-5,"_227":838,"_229":230,"_231":339,"_233":-5,"_125":234,"_28":404,"_236":405,"_238":839,"_240":840,"_242":77,"_244":230,"_246":841,"_248":842,"_250":843,"_252":253,"_254":844,"_256":257,"_258":845,"_154":-5,"_260":-5,"_111":846,"_262":847,"_264":848,"_266":849,"_268":850,"_270":851,"_144":852,"_273":853},{"_220":198,"_221":786,"_20":787,"_224":788,"_226":-5,"_227":789,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":404,"_236":405,"_238":521,"_240":-5,"_242":-5,"_244":-5,"_246":790,"_248":791,"_250":792,"_252":410,"_254":793,"_256":257,"_258":794,"_154":-5,"_260":795,"_111":796,"_262":797,"_264":798,"_266":799,"_268":800,"_270":801,"_144":802,"_273":803},{"_220":190,"_221":734,"_20":735,"_224":736,"_226":-5,"_227":737,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":340,"_238":466,"_240":738,"_242":739,"_244":740,"_246":741,"_248":742,"_250":743,"_252":348,"_254":744,"_256":257,"_258":745,"_154":-5,"_260":-5,"_111":746,"_262":747,"_264":748,"_266":749,"_268":750,"_270":751,"_144":752,"_273":753},{"_220":191,"_221":683,"_20":684,"_224":685,"_226":-5,"_227":686,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":687,"_236":688,"_238":689,"_240":690,"_242":691,"_244":692,"_246":693,"_248":694,"_250":695,"_252":348,"_254":696,"_256":257,"_258":697,"_154":-5,"_260":698,"_111":699,"_262":700,"_264":701,"_266":702,"_268":703,"_270":704,"_144":705,"_273":706},{"_220":192,"_221":636,"_20":637,"_224":638,"_226":-5,"_227":639,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":404,"_236":640,"_238":641,"_240":642,"_242":643,"_244":644,"_246":645,"_248":646,"_250":647,"_252":348,"_254":648,"_256":257,"_258":649,"_154":-5,"_260":650,"_111":651,"_262":652,"_264":653,"_266":654,"_268":655,"_270":656,"_144":657,"_273":658},{"_220":185,"_221":572,"_20":573,"_224":574,"_226":-5,"_227":575,"_229":230,"_231":339,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":576,"_240":577,"_242":578,"_244":579,"_246":580,"_248":581,"_250":582,"_252":583,"_254":584,"_256":257,"_258":585,"_154":586,"_260":-5,"_111":587,"_262":588,"_264":589,"_266":590,"_268":591,"_270":592,"_144":593,"_273":594},{"_220":186,"_221":518,"_20":519,"_224":520,"_226":-5,"_227":-5,"_229":53,"_231":232,"_233":-5,"_125":234,"_28":404,"_236":405,"_238":521,"_240":-5,"_242":-5,"_244":-5,"_246":522,"_248":523,"_250":524,"_252":410,"_254":525,"_256":257,"_258":526,"_154":-5,"_260":527,"_111":528,"_262":529,"_264":530,"_266":531,"_268":532,"_270":533,"_144":534,"_273":535},{"_220":187,"_221":462,"_20":463,"_224":464,"_226":-5,"_227":465,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":340,"_238":466,"_240":467,"_242":468,"_244":469,"_246":470,"_248":471,"_250":472,"_252":348,"_254":473,"_256":257,"_258":474,"_154":-5,"_260":475,"_111":476,"_262":477,"_264":478,"_266":479,"_268":480,"_270":481,"_144":482,"_273":483},{"_220":180,"_221":400,"_20":401,"_224":402,"_226":-5,"_227":403,"_229":230,"_231":339,"_233":-5,"_125":234,"_28":404,"_236":405,"_238":406,"_240":-5,"_242":-5,"_244":-5,"_246":407,"_248":408,"_250":409,"_252":410,"_254":411,"_256":257,"_258":412,"_154":-5,"_260":-5,"_111":413,"_262":414,"_264":415,"_266":416,"_268":417,"_270":418,"_144":419,"_273":420},{"_220":181,"_221":335,"_20":336,"_224":337,"_226":-5,"_227":338,"_229":230,"_231":339,"_233":-5,"_125":234,"_28":235,"_236":340,"_238":341,"_240":342,"_242":343,"_244":344,"_246":345,"_248":346,"_250":347,"_252":348,"_254":349,"_256":257,"_258":350,"_154":-5,"_260":-5,"_111":351,"_262":352,"_264":353,"_266":354,"_268":355,"_270":356,"_144":357,"_273":358},{"_220":182,"_221":222,"_20":223,"_224":225,"_226":-5,"_227":228,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_154":-5,"_260":-5,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","girl-standing-before-a-mirror-aic-16539","Girl Standing before a Mirror","artist",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":101},"unrecorded","date","1668","century",17,"place","netherlands","movement","dutch-and-flemish-baroque","painting","classification","Painting","medium","Oil on panel","dimensions","35.8 × 28 cm (14 1/8 × 11 7/8 in.); Framed: 50.2 × 42.6 × 7.6 cm (19 3/4 × 16 3/4 × 3 in.)","width_cm",28,"height_cm",35,"aspect",0.7754048763125111,"palette",[305,306,307,308,309],"museum",{"_220":300,"_221":301,"_42":302,"_303":304},"credit","Courtesy of the Art Institute of Chicago","accession","1925.718","licence","CC0","story","Caspar Netscher painted this in 1668, aged 29. It is now at the Art Institute of Chicago.","note","A work made of oil on panel.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/59.jpg?dl=1","page_url","/art/girl-standing-before-a-mirror-aic-16539","walk_url","/galleries/style/dutch-and-flemish-baroque/girl-standing-before-a-mirror-aic-16539","frame",{"_290":291,"_292":293},{"_224":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":280,"_281":245},"w",42.13917067093789,"h",50,"image_w",27.139170670937887,"image_h",{"_286":224,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/painting-17","More paintings of the 17th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/59/480.jpg","960","https://img.ochreeditions.com/a/59/960.jpg","1920","https://img.ochreeditions.com/a/59/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#77632f","weight",0.0544,"#5c3e07",0.0806,"#402c09",0.1531,"#2b1c06",0.2253,"#171306",0.4866,"Caspar Netscher","caspar-netscher","bio","Dutch, 1639–1684","nationality","Dutch","birth_year",1639,"death_year",1684,"birth_place","death_place","about_excerpt","a-bouquet-of-flowers-met-827660","A Bouquet of Flowers",{"_42":392,"_221":393,"_324":394,"_326":395,"_328":396,"_330":397,"_332":398,"_333":399,"_334":-5,"_140":103},"ca. 1612","flanders","Paintings","Oil on wood","18 1/8 × 12 5/8 in. (46 × 32 cm)",32,46,0.73075,[377,378,379,380,381],{"_220":373,"_221":374,"_42":375,"_303":376},"Courtesy of The Metropolitan Museum of Art","2020.22","Clara Peeters painted this in about 1612, aged about 25. It is now at The Met in New York.","A Bouquet of Flowers, by Clara Peeters, ca. 1612",{"_294":370,"_296":371,"_298":372},"https://img.ochreeditions.com/m/1289.jpg?dl=1","/art/a-bouquet-of-flowers-met-827660","/galleries/style/dutch-and-flemish-baroque/a-bouquet-of-flowers-met-827660",{"_290":291,"_292":293},{"_224":362,"_125":363,"_284":364},{"_275":359,"_277":360,"_279":361,"_281":344},48.6145,61,33.6145,{"_286":224,"_123":368,"_154":369,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":365,"_154":366,"_140":367},"era/17-flanders","17th-century Flanders",30,"artist/contemporaries-of-clara-peeters","Clara Peeters's contemporaries","https://img.ochreeditions.com/a/1289/480.jpg","https://img.ochreeditions.com/a/1289/960.jpg","https://img.ochreeditions.com/a/1289/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":390,"_312":391},{"_310":388,"_312":389},{"_310":386,"_312":387},{"_310":384,"_312":385},{"_310":382,"_312":383},"#9e5a4a",0.0339,"#6a251b",0.0489,"#6f5d49",0.0758,"#3a2e1f",0.1316,"#180b06",0.7098,"Clara Peeters","clara-peeters","Flemish, 1582–1636","Flemish",1582,1636,"Mechelen","Ghent","title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185","Title Page for Balthasar Cordier, Catena Sexaginta Qvinqve Graecorvm Patrvm in S. Lvcam...",{"_42":457,"_221":458,"_324":459,"_326":395,"_328":460,"_330":461,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1628","print","Print","engraving on laid paper",0.73193359375,[442,443,444,445,446],{"_220":438,"_221":439,"_42":440,"_303":441},"Courtesy National Gallery of Art, Washington","1996.78.21","Cornelis Galle I made this in 1628, aged 52. It is now at the National Gallery of Art in Washington, DC.","The image features a detailed black and white illustration with multiple human and animal figures in a symbolic arrangement. In the foreground, two full-body figures are depicted in long robes and sandals, positioned on either side of a large draped banner with text. One figure holds an open book. Above the banner are celestial figures in dynamic poses. To the left is a winged bull-like creature and a seated male figure with a beard, next to a female figure in classical attire. They are all surrounded by flowing fabric and a lion-like animal. In the lower center foreground, there is an emblem resembling a coat of arms with an eagle and a crowned shield. The background is textured, with no natural landscape or architecture present, allowing the figures to stand out. The illustration is framed by the margins of an open book.",{"_294":435,"_296":436,"_298":437},"https://img.ochreeditions.com/m/1633.jpg?dl=1","/art/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185","/galleries/style/dutch-and-flemish-baroque/title-page-for-balthasar-cordier-catena-sexaginta-qvinqve-gr-nga-97185",{"_290":433,"_292":434},{"_224":425,"_125":426,"_284":427},{"_275":421,"_277":422,"_279":423,"_281":424},67.916015625,84,43.916015625,60,{"_286":224,"_123":431,"_154":432,"_140":89},{"_286":125,"_123":428,"_154":429,"_140":430},{"_286":284,"_123":365,"_154":366,"_140":367},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-cornelis-galle-i","Cornelis Galle I's contemporaries","black","snow","https://img.ochreeditions.com/a/1633/480.jpg","https://img.ochreeditions.com/a/1633/960.jpg","https://img.ochreeditions.com/a/1633/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},{"_310":447,"_312":448},"#e2d9cb",0.0432,"#332223",0.0771,"#6e5a52",0.1436,"#a09081",0.1828,"#d7c0a2",0.5533,"Cornelis Galle I","cornelis-galle-i","Flemish, 1576–1650",1576,1650,"portrait-of-gerard-de-lairesse-met-459082","Portrait of Gerard de Lairesse",{"_42":510,"_221":511,"_324":512,"_326":327,"_328":513,"_330":514,"_332":515,"_333":516,"_334":517,"_140":77},"1665–67","Oil on canvas","44 3/8 x 34 1/2 in. (112.7 x 87.6 cm)",87.6,112.7,0.7787100157315154,[495,496,497,498,499],{"_220":373,"_221":374,"_42":375,"_303":376},"1975.1.140","Rembrandt van Rijn painted this in 1665–67, aged about 57. It is now at The Met in New York.","The young painter Gerard de Lairesse, recently arrived in Amsterdam from Liège, sits for Rembrandt, his face marked by the effects of congenital syphilis, which Rembrandt records with unsentimental compassion.","Portrait of Gerard de Lairesse, by Rembrandt van Rijn, 1665–67",{"_294":492,"_296":493,"_298":494},"https://img.ochreeditions.com/m/1256.jpg?dl=1","/art/portrait-of-gerard-de-lairesse-met-459082","/galleries/style/dutch-and-flemish-baroque/portrait-of-gerard-de-lairesse-met-459082",{"_290":291,"_292":293},{"_224":487,"_125":488,"_284":489},{"_275":484,"_277":485,"_279":486,"_281":469},102.7606187729418,127.7,87.7606187729418,{"_286":224,"_123":490,"_154":491,"_140":77},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/rembrandt-van-rijn","More by Rembrandt van Rijn","https://img.ochreeditions.com/a/1256/480.jpg","https://img.ochreeditions.com/a/1256/960.jpg","https://img.ochreeditions.com/a/1256/1920.jpg",{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},"#856042",0.0265,"#4e3624",0.0526,"#321e11",0.1327,"#1e120a",0.1964,"#0b0805",0.5918,"Rembrandt van Rijn","rembrandt-van-rijn","Dutch, 1606–1669",1606,1669,"Leiden","Amsterdam","Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist.","the-boulder-crowned-with-trees-nga-53886","The Boulder Crowned with Trees",{"_42":566,"_221":567,"_324":568,"_326":327,"_328":569,"_330":570,"_332":-5,"_333":-5,"_334":571,"_140":97},"etching",1.5126282557221784,[551,552,553,554,555],{"_220":438,"_221":439,"_42":440,"_303":441},"1973.32.18","Herman van Swanevelt made this. It is now at the National Gallery of Art in Washington, DC.","A boulder crowned with trees rises in an oval landscape framed by overhanging branches, with distant mountains and a winding path where a small figure gives the scene its scale.","The image shows a landscape viewed from above. The scene is oval, framed by tree branches on each side. Distant mountains form a boundary near the top. Delicate, finely executed lines create detailed foliage and landscape features. A winding path with a small figure adds scale. Lush trees climb upwards, with a muted color palette of the paper and dark brown and black lines providing contrast.",{"_294":548,"_296":549,"_298":550},"https://img.ochreeditions.com/m/1566.jpg?dl=1","/art/the-boulder-crowned-with-trees-nga-53886","/galleries/style/dutch-and-flemish-baroque/the-boulder-crowned-with-trees-nga-53886",{"_290":433,"_292":434},{"_224":538,"_125":539,"_284":540},{"_275":422,"_277":536,"_279":424,"_281":537},63.66605791807983,39.66605791807983,{"_286":224,"_123":546,"_154":547,"_140":97},{"_286":125,"_123":543,"_154":544,"_140":545},{"_286":284,"_123":541,"_154":542,"_140":245},"era/16-netherlands","16th-century Netherlands","style/print-16","More prints of the 16th century",54,"artist/herman-van-swanevelt","More by Herman van Swanevelt","https://img.ochreeditions.com/a/1566/480.jpg","https://img.ochreeditions.com/a/1566/960.jpg","https://img.ochreeditions.com/a/1566/1920.jpg",{"_310":564,"_312":565},{"_310":562,"_312":563},{"_310":560,"_312":561},{"_310":558,"_312":559},{"_310":556,"_312":557},"#615549",0.1332,"#cfbda5",0.2065,"#7c6e5e",0.2098,"#968775",0.2143,"#b4a38e",0.2362,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","a-genoese-lady-with-her-child-cma-131819","A Genoese Lady with Her Child",{"_42":628,"_221":629,"_324":630,"_326":395,"_328":631,"_330":632,"_332":633,"_333":634,"_334":635,"_140":97},"c. 1623–25","oil on canvas","Framed: 266.5 x 184 x 12 cm (104 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 217.8 x 146 cm (85 3/4 x 57 1/2 in.)",146,217.8,0.6661764705882353,[613,614,615,616,617],{"_220":609,"_221":610,"_42":611,"_303":612},"Courtesy of the Cleveland Museum of Art","1954.392","Anthony van Dyck painted this in about 1623–25, aged about 24. It is now at the Cleveland Museum of Art.",{"_118":606,"_607":608},"A Genoese Lady with Her Child, by Anthony van Dyck, c. 1623–25",{"_294":603,"_296":604,"_298":605},"https://img.ochreeditions.com/m/605.jpg?dl=1","/art/a-genoese-lady-with-her-child-cma-131819","/galleries/style/dutch-and-flemish-baroque/a-genoese-lady-with-her-child-cma-131819",{"_290":291,"_292":293},{"_224":598,"_125":599,"_284":600},{"_275":595,"_277":596,"_279":597,"_281":579},160.09323529411765,232.8,145.09323529411765,{"_286":224,"_123":601,"_154":602,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/anthony-van-dyck","More by Anthony van Dyck","https://img.ochreeditions.com/a/605/480.jpg","https://img.ochreeditions.com/a/605/960.jpg","https://img.ochreeditions.com/a/605/1920.jpg","Prior to the 1600s, large, full-length portraits of wealthy clients usually emphasized the trappings of status above any other qualities. The accuracy of the likeness and vivacity of the person remained subordinate to an easily readable sense of the sitter’s power and position in society.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":626,"_312":627},{"_310":624,"_312":625},{"_310":622,"_312":623},{"_310":620,"_312":621},{"_310":618,"_312":619},"#423c35",0.0669,"#482e21",0.1566,"#72604c",0.19,"#2c231c",0.2776,"#692c21",0.3089,"Anthony van Dyck","anthony-van-dyck","Flemish, 1599–1641",1599,1641,"Antwerp","London","Van Dyck was the leading assistant in Rubens’s Antwerp studio before spending six years in Italy, chiefly in Genoa, where he painted the local aristocracy in elegant full-lengths.","christ-crucified-between-the-two-thieves-the-three-crosses-met-354631","Christ Crucified between the Two Thieves: The Three Crosses",{"_42":510,"_221":511,"_324":512,"_326":327,"_328":513,"_330":514,"_332":515,"_333":516,"_334":517,"_140":77},"1653","Prints","Drypoint printed on vellum","Plate: 15 x 17 1/4 in. (38.1 x 43.8 cm) Sheet: 15 1/8 x 17 7/16 in. (38.4 x 44.3 cm) Mount: 22 x 28 in. (55.9 x 71.1 cm)",44.3,38.4,1.1482602118003025,[668,669,670,671,672],{"_220":373,"_221":374,"_42":375,"_303":376},"41.1.31","Rembrandt van Rijn made this in 1653, aged 47. It is now at The Met in New York.","A shaft of light pours down on the crucified Christ between the two thieves, illuminating the grieving figures at the foot of the cross, while darkness closes in at the edges.","Christ Crucified between the Two Thieves: The Three Crosses, by Rembrandt van Rijn, 1653",{"_294":665,"_296":666,"_298":667},"https://img.ochreeditions.com/m/1045.jpg?dl=1","/art/christ-crucified-between-the-two-thieves-the-three-crosses-met-354631","/galleries/style/dutch-and-flemish-baroque/christ-crucified-between-the-two-thieves-the-three-crosses-met-354631",{"_290":433,"_292":434},{"_224":662,"_125":663,"_284":664},{"_275":659,"_277":660,"_279":643,"_281":661},68.3,62.580105401844534,38.580105401844534,{"_286":224,"_123":490,"_154":491,"_140":77},{"_286":125,"_123":428,"_154":429,"_140":430},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1045/480.jpg","https://img.ochreeditions.com/a/1045/960.jpg","https://img.ochreeditions.com/a/1045/1920.jpg",{"_310":681,"_312":682},{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},"#bba991",0.1507,"#9a8771",0.1666,"#7c6956",0.1869,"#5e4e41",0.1914,"#423732",0.3044,"cottage-among-trees-met-337491","Cottage among Trees",{"_42":510,"_221":511,"_324":512,"_326":327,"_328":513,"_330":514,"_332":515,"_333":516,"_334":517,"_140":77},"ca. 1650","drawing","Drawings","Pen and brown ink, brush and brown wash, on paper washed with brown","6 3/4 x 10 7/8 in. (17.1 x 27.6 cm); vertical strip 6 3/4 x 1 1/4 in. (17.2 x 3.2 cm) added by artist to the sheet at right.",27.6,17.1,1.5860428231562251,[719,720,721,722,723],{"_220":373,"_221":374,"_42":375,"_303":376},"29.100.939","Rembrandt van Rijn drew this in about 1650, aged about 39. It is now at The Met in New York.","A thatched cottage stands half hidden among a dense cluster of trees, drawn in pen and brown ink with washes on paper prepared with a brown tone.","Cottage among Trees, by Rembrandt van Rijn, ca. 1650",{"_294":716,"_296":717,"_298":718},"https://img.ochreeditions.com/m/1019.jpg?dl=1","/art/cottage-among-trees-met-337491","/galleries/style/dutch-and-flemish-baroque/cottage-among-trees-met-337491",{"_290":433,"_292":434},{"_224":710,"_125":711,"_284":712},{"_275":707,"_277":708,"_279":691,"_281":709},51.6,41.4018,17.4018,{"_286":224,"_123":490,"_154":491,"_140":77},{"_286":125,"_123":713,"_154":714,"_140":715},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"https://img.ochreeditions.com/a/1019/480.jpg","https://img.ochreeditions.com/a/1019/960.jpg","https://img.ochreeditions.com/a/1019/1920.jpg",{"_310":732,"_312":733},{"_310":730,"_312":731},{"_310":728,"_312":729},{"_310":726,"_312":727},{"_310":724,"_312":725},"#7b6852",0.0633,"#efe3c9",0.0777,"#9c8468",0.1371,"#b79e7e",0.1996,"#cdb595",0.5223,"merry-company-on-a-terrace-met-437749","Merry Company on a Terrace",{"_42":780,"_221":781,"_324":782,"_326":327,"_328":783,"_330":784,"_332":515,"_333":515,"_334":785,"_140":99},"ca. 1670","55 1/2 x 51 3/4 in. (141 x 131.4 cm)",131.4,141,0.9287020109689214,[765,766,767,768,769],{"_220":373,"_221":374,"_42":375,"_303":376},"58.89","Jan Steen painted this in about 1670, aged about 39. It is now at The Met in New York.","Merry Company on a Terrace, by Jan Steen, ca. 1670",{"_294":762,"_296":763,"_298":764},"https://img.ochreeditions.com/m/1161.jpg?dl=1","/art/merry-company-on-a-terrace-met-437749","/galleries/style/dutch-and-flemish-baroque/merry-company-on-a-terrace-met-437749",{"_290":291,"_292":293},{"_224":757,"_125":758,"_284":759},{"_275":754,"_277":755,"_279":756,"_281":740},145.9469835466179,156,130.9469835466179,{"_286":224,"_123":760,"_154":761,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/jan-steen","More by Jan Steen","https://img.ochreeditions.com/a/1161/480.jpg","https://img.ochreeditions.com/a/1161/960.jpg","https://img.ochreeditions.com/a/1161/1920.jpg",{"_310":778,"_312":779},{"_310":776,"_312":777},{"_310":774,"_312":775},{"_310":772,"_312":773},{"_310":770,"_312":771},"#a0845e",0.089,"#5c3d23",0.0964,"#625c48",0.1459,"#3d3423",0.2749,"#232117",0.3938,"Jan Steen","jan-steen","Dutch, 1626–1679",1626,1679,"Steen was born in Leiden, the son of a brewer, and worked there and in The Hague, Delft and Haarlem; for a time he also ran a brewery and later an inn.","boat-at-a-river-bank-with-three-goats-nga-53695","Boat at a River Bank with Three Goats",{"_42":829,"_221":830,"_324":831,"_326":327,"_328":832,"_330":833,"_332":-5,"_333":-5,"_334":834,"_140":99},"probably c. 1645/1656",1.3342019543973942,[814,815,816,817,818],{"_220":438,"_221":439,"_42":440,"_303":441},"1973.15.99","Allart van Everdingen made this (probably c. 1645/1656), aged about 24. It is now at the National Gallery of Art in Washington, DC.","Log-built houses and sheds cluster at the water’s edge, figures gather near one of the buildings and a boat is drawn up on the bank, with three goats nearby, as the title notes, and trees rising behind.","The image shows a landscape with figures near a body of water. There are buildings made of logs, people gathered near a structure, and trees in the background. The style is detailed with precise linework, shading, and hatching. The color palette is monochrome, emphasizing light and shadow.",{"_294":811,"_296":812,"_298":813},"https://img.ochreeditions.com/m/1562.jpg?dl=1","/art/boat-at-a-river-bank-with-three-goats-nga-53695","/galleries/style/dutch-and-flemish-baroque/boat-at-a-river-bank-with-three-goats-nga-53695",{"_290":433,"_292":434},{"_224":806,"_125":807,"_284":808},{"_275":422,"_277":804,"_279":424,"_281":805},68.970703125,44.970703125,{"_286":224,"_123":809,"_154":810,"_140":99},{"_286":125,"_123":428,"_154":429,"_140":430},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/allart-van-everdingen","More by Allart van Everdingen","https://img.ochreeditions.com/a/1562/480.jpg","https://img.ochreeditions.com/a/1562/960.jpg","https://img.ochreeditions.com/a/1562/1920.jpg",{"_310":827,"_312":828},{"_310":825,"_312":826},{"_310":823,"_312":824},{"_310":821,"_312":822},{"_310":819,"_312":820},"#706050",0.0492,"#92806b",0.1299,"#aa977f",0.1989,"#c0aa90",0.3057,"#ceb89c",0.3163,"Allart van Everdingen","allart-van-everdingen","Dutch, 1621–1675",1621,1675,"Everdingen trained in Utrecht and Haarlem and in 1644 travelled to Scandinavia, where he sketched the mountains, forests and waterfalls of Norway and Sweden.","johann-georg-von-godelmann-law-professor-diplomat-aic-267736","Johann Georg von Gödelmann, Law Professor, Diplomat",{"_42":881,"_221":882,"_324":883,"_326":395,"_328":884,"_330":885,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1601","Engraving on paper","Sheet (trimmed): 17.4 × 14.7 cm (6 7/8 × 5 13/16 in.)",0.8366604168964377,[866,867,868,869,870],{"_220":300,"_221":301,"_42":302,"_303":304},"2023.101","Aegidius Sadeler, II made this in about 1601, aged 31. It is now at the Art Institute of Chicago.","A work made of engraving on paper.",{"_294":863,"_296":864,"_298":865},"https://img.ochreeditions.com/m/423.jpg?dl=1","/art/johann-georg-von-godelmann-law-professor-diplomat-aic-267736","/galleries/style/dutch-and-flemish-baroque/johann-georg-von-godelmann-law-professor-diplomat-aic-267736",{"_290":433,"_292":434},{"_224":858,"_125":859,"_284":860},{"_275":854,"_277":855,"_279":856,"_281":857},44.91651042241094,49,20.91651042241094,25,{"_286":224,"_123":861,"_154":862,"_140":89},{"_286":125,"_123":428,"_154":429,"_140":430},{"_286":284,"_123":365,"_154":366,"_140":367},"artist/contemporaries-of-aegidius-sadeler-ii","Aegidius Sadeler, II's contemporaries","https://img.ochreeditions.com/a/423/480.jpg","https://img.ochreeditions.com/a/423/960.jpg","https://img.ochreeditions.com/a/423/1920.jpg",{"_310":879,"_312":880},{"_310":877,"_312":878},{"_310":875,"_312":876},{"_310":873,"_312":874},{"_310":871,"_312":872},"#f8e8d5",0.0781,"#645b51",0.1389,"#928477",0.1892,"#cebba9",0.2917,"#b0a090",0.3021,"Aegidius Sadeler, II","aegidius-sadeler-ii","Flemish, c. 1570–1629",1570,1629,"portrait-of-the-artist-s-parents-salomon-de-bray-and-anna-we-nga-108661","Portrait of the Artist's Parents, Salomon de Bray and Anna Westerbaen",{"_42":933,"_221":934,"_324":935,"_326":327,"_328":936,"_330":937,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1664","oil on panel","overall: 78.1 x 63.5 cm (30 3/4 x 25 in.) framed: 99.7 x 85.7 x 8.9 cm (39 1/4 x 33 3/4 x 3 1/2 in.)",63.5,78.1,0.82568359375,[918,919,920,921,922],{"_220":438,"_221":439,"_42":440,"_303":441},"2001.86.1","Jan de Bray painted this in 1664, aged 37. It is now at the National Gallery of Art in Washington, DC.","Shown from the shoulders up, a man and woman face our left in profile against a shadowy, dark green curtain in this vertical portrait painting. They both look steadily to our left, they and have pale skin and wear black. The man is closer to us so he overlaps the woman, whose profile is shifted to our left. A black cap sits on the man's curly, silver, shoulder-length hair. He has a slight double chin and soft jowls. A thin mustache curves over his upper lip, and a line of hair runs down his chin as a narrow beard. A broad, flat, white collar lies across his shoulders over a velvety black coat. He lifts his left hand, closer to us, in front of his chest with the fingers curled gently inward. The woman also has a double chin and soft jowls. Her thin lips are closed and downturned. Her hair is pulled back under a black covering, and her black garment has a sheen, suggesting satin.",{"_294":915,"_296":916,"_298":917},"https://img.ochreeditions.com/m/1642.jpg?dl=1","/art/portrait-of-the-artist-s-parents-salomon-de-bray-and-anna-we-nga-108661","/galleries/style/dutch-and-flemish-baroque/portrait-of-the-artist-s-parents-salomon-de-bray-and-anna-we-nga-108661",{"_290":291,"_292":293},{"_224":910,"_125":911,"_284":912},{"_275":907,"_277":908,"_279":909,"_281":893},79.48588867187499,93.1,64.48588867187499,{"_286":224,"_123":913,"_154":914,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jan-de-bray","Jan de Bray's contemporaries","https://img.ochreeditions.com/a/1642/480.jpg","https://img.ochreeditions.com/a/1642/960.jpg","https://img.ochreeditions.com/a/1642/1920.jpg",{"_310":931,"_312":932},{"_310":929,"_312":930},{"_310":927,"_312":928},{"_310":925,"_312":926},{"_310":923,"_312":924},"#cca876",0.0433,"#8d6a43",0.0454,"#3c3726",0.0938,"#0e0e14",0.308,"#221917",0.5095,"Jan de Bray","jan-de-bray","Dutch, c. 1627–1688",1627,1688,"the-dutch-whaling-fleet-aic-111728","The Dutch Whaling Fleet",{"_42":983,"_221":984,"_324":985,"_326":327,"_328":986,"_330":987,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1695","49 × 63.7 cm (19 1/4 × 25 in.); Framed: 67.4 × 82 × 6.4 cm (26 1/2 × 32 1/4 × 2 1/2 in.)",63,1.3084126496776174,[968,969,970,971,972],{"_220":300,"_221":301,"_42":302,"_303":304},"2019.1423","Abraham Storck painted this in about 1695, aged about 41. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":965,"_296":966,"_298":967},"https://img.ochreeditions.com/m/287.jpg?dl=1","/art/the-dutch-whaling-fleet-aic-111728","/galleries/style/dutch-and-flemish-baroque/the-dutch-whaling-fleet-aic-111728",{"_290":291,"_292":293},{"_224":960,"_125":961,"_284":962},{"_275":957,"_277":958,"_279":943,"_281":959},78,63.14994720168955,48.14994720168955,{"_286":224,"_123":963,"_154":964,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abraham-storck","Abraham Storck's contemporaries","https://img.ochreeditions.com/a/287/480.jpg","https://img.ochreeditions.com/a/287/960.jpg","https://img.ochreeditions.com/a/287/1920.jpg",{"_310":981,"_312":982},{"_310":979,"_312":980},{"_310":977,"_312":978},{"_310":975,"_312":976},{"_310":973,"_312":974},"#624f35",0.11,"#615e52",0.1556,"#93816e",0.1926,"#423828",0.2175,"#767c73",0.3243,"Abraham Storck","abraham-storck","Dutch, 1644–1710",1644,1710,"a-view-on-a-high-road-nga-69","A View on a High Road",{"_42":1034,"_221":1035,"_324":1036,"_326":327,"_328":1037,"_330":1038,"_332":-5,"_333":-5,"_334":1039,"_140":97},"1665","overall: 93.1 x 127.8 cm (36 5/8 x 50 5/16 in.) framed: 122.6 x 158.4 cm (48 1/4 x 62 3/8 in.)",127.8,1.3842514362960459,[1019,1020,1021,1022,1023],{"_220":438,"_221":439,"_42":440,"_303":441},"1937.1.62","Meindert Hobbema painted this in 1665, aged 27. It is now at the National Gallery of Art in Washington, DC.","A sandy road winds past cottages and gnarled trees under a vivid, cloud-studded sky, alive with everyday incident: a traveller resting on a log with a bundle on his back, a well-dressed couple strolling towards us, children launching a toy sailboat on a pond while a dog sniffs nearby, and a rider further on.","Several people sit, stand, or stroll along a dirt road that winds from the lower left corner of this horizontal landscape painting into the distance, past trees and cottages under a vivid blue sky. The horizon line comes about a third of the way up the canvas, and the cloud studded, azure-blue sky fills the space above. Sunlight filtered through puffy white and steel-gray clouds illuminates the scene from the upper right, creating patches of light and shadow throughout. The road meanders through the center of the composition and is lined with dark and sage-green shrubs, scrubby growth, and gnarled, crooked trees. Closest to us and to our left, two tan cottages are tucked into deep shade created by a grove of several tall trees. The cottages have steeply pitched roofs and windows flanked by gray or brick-red shutters. Three people sit and stand near the path outside the closest building. A short distance to our right, a man sitting on a fallen log carries walking stick and a bundle on his back. His body faces us but his head is turned to our right to gaze toward the man and woman about to stroll past him, headed in our direction. The woman wears a black dress over a white skirt, and a white head covering and shawl. The man wears a brimmed hat with a red decoration, a brown coat with gold buttons down the front and a wide white collar, and heeled shoes. Beyond them, the road curves to our left around a small pond in front of the second cottage. Two people crouch to set a toy sailboat afloat by the edge of the pond, and a brown dog sniffs the ground nearby. Two more people stand talking at the doorway to the second cottage and another dog leaps up at the half-door. Further along the road, the light becomes stronger, illuminating a horse, rider, and another person walking alongside the horse. The road continues to curve around a butter-yellow cottage nestled in a grove of trees on the right. A sunny field is visible in the far distance.",{"_294":1016,"_296":1017,"_298":1018},"https://img.ochreeditions.com/m/1302.jpg?dl=1","/art/a-view-on-a-high-road-nga-69","/galleries/style/dutch-and-flemish-baroque/a-view-on-a-high-road-nga-69",{"_290":291,"_292":293},{"_224":1011,"_125":1012,"_284":1013},{"_275":1008,"_277":1009,"_279":993,"_281":1010},142.8,107.324267578125,92.324267578125,{"_286":224,"_123":1014,"_154":1015,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/1302/480.jpg","https://img.ochreeditions.com/a/1302/960.jpg","https://img.ochreeditions.com/a/1302/1920.jpg",{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},"#a7a389",0.0819,"#747c7e",0.1749,"#554d38",0.1984,"#797564",0.215,"#342e23",0.3298,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","two-men-seated-near-the-waterside-nga-53889","Two Men Seated Near the Waterside",{"_42":566,"_221":567,"_324":568,"_326":327,"_328":569,"_330":570,"_332":-5,"_333":-5,"_334":571,"_140":97},1.4931506849315068,[1063,1064,1065,1066,1067],{"_220":438,"_221":439,"_42":440,"_303":441},"1973.32.21","The image shows an oval framing a scene with mountains, clouds, and trees. Delicate etched lines create textures in the landscape. The color palette is monochrome. Two figures are sitting under leafy trees, with a structure nearby.",{"_294":1060,"_296":1061,"_298":1062},"https://img.ochreeditions.com/m/1568.jpg?dl=1","/art/two-men-seated-near-the-waterside-nga-53889","/galleries/style/dutch-and-flemish-baroque/two-men-seated-near-the-waterside-nga-53889",{"_290":433,"_292":434},{"_224":1057,"_125":1058,"_284":1059},{"_275":422,"_277":1055,"_279":424,"_281":1056},64.18348623853211,40.18348623853211,{"_286":224,"_123":546,"_154":547,"_140":97},{"_286":125,"_123":543,"_154":544,"_140":545},{"_286":284,"_123":541,"_154":542,"_140":245},"https://img.ochreeditions.com/a/1568/480.jpg","https://img.ochreeditions.com/a/1568/960.jpg","https://img.ochreeditions.com/a/1568/1920.jpg",{"_310":564,"_312":565},{"_310":1074,"_312":1075},{"_310":1072,"_312":1073},{"_310":1070,"_312":1071},{"_310":1068,"_312":1069},"#605449",0.1428,"#d0bfa6",0.1835,"#998977",0.2177,"#7d6f60",0.2198,"bust-of-a-bearded-man-nga-106946","Bust of a Bearded Man",{"_42":1122,"_221":1123,"_324":1124,"_326":327,"_328":1125,"_330":833,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1642/1645","overall (oval): 18.41 × 14.92 cm (7 1/4 × 5 7/8 in.) framed: 34 x 30.2 x 5.4 cm (13 3/8 x 11 7/8 x 2 1/8 in.)",14.9,18.4,0.806396484375,[1107,1108,1109,1110,1111],{"_220":438,"_221":439,"_42":440,"_303":441},"2014.136.32","Gerrit Dou painted this in about 1642/1645, aged about 29. It is now at the National Gallery of Art in Washington, DC.","Shown from the chest up, a light-skinned man with a wrinkled face and a silvery gray beard and hair gazes into the distance in this oval portrait painting. His chest is angled to our right but he turns his head to look off over his other shoulder, to our left. His slate-blue eyes are a little sunken and lined with wrinkles. Shading marks the hollows of the temple and cheek we can see. His thin lips are closed and framed by his curly mustache and beard. A dark, mahogany-brown cap is pushed back on his head, and his brown jacket has gold-colored buttons down the front. The collar of a cream-colored shirt shows through at the neckline. The background is dark olive green. The artist signed the work near the man’s shoulder, to our right: “GDOV.”",{"_294":1104,"_296":1105,"_298":1106},"https://img.ochreeditions.com/m/1640.jpg?dl=1","/art/bust-of-a-bearded-man-nga-106946","/galleries/style/dutch-and-flemish-baroque/bust-of-a-bearded-man-nga-106946",{"_290":291,"_292":293},{"_224":1099,"_125":1100,"_284":1101},{"_275":1096,"_277":1097,"_279":1098,"_281":857},35.159912109375,40,20.159912109375,{"_286":224,"_123":1102,"_154":1103,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-gerrit-dou","Gerrit Dou's contemporaries","https://img.ochreeditions.com/a/1640/480.jpg","https://img.ochreeditions.com/a/1640/960.jpg","https://img.ochreeditions.com/a/1640/1920.jpg",{"_310":1120,"_312":1121},{"_310":1118,"_312":1119},{"_310":1116,"_312":1117},{"_310":1114,"_312":1115},{"_310":1112,"_312":1113},"#a1743c",0.0325,"#695436",0.1011,"#f8f8f7",0.1795,"#211404",0.2929,"#33260e",0.394,"Gerrit Dou","gerrit-dou","Dutch, 1613–1675",1613,{"_1127":-5,"_1128":1129,"_1130":1131,"_1132":8,"_1133":1134,"_1135":8},"user","csrf","8d50dade1b601f6e70b4d93c6ac55a7fc100bf05","cartCount",0,"dropLive","legal",[1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147],"uploadsEnabled",{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]