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It is now at The Met in New York.","Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38",{"_301":448,"_303":449,"_305":450},"https://img.ochreeditions.com/m/1033.jpg?dl=1","/art/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894","/galleries/style/drawing/three-standing-figures-recto-seated-woman-and-a-male-hermit-met-337894",{"_297":298,"_299":300},{"_230":437,"_125":438,"_291":439},{"_282":434,"_284":435,"_286":436,"_287":419},46.8975,54,22.8975,{"_293":230,"_123":446,"_154":447,"_140":89},{"_293":125,"_123":443,"_154":444,"_140":445},{"_293":291,"_123":440,"_154":441,"_140":442},"era/15-italy","15th-century Italy",57,"style/italian-renaissance","More Italian Renaissance",61,"artist/contemporaries-of-stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)'s contemporaries","https://img.ochreeditions.com/a/1033/480.jpg","https://img.ochreeditions.com/a/1033/960.jpg","https://img.ochreeditions.com/a/1033/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_320":468,"_322":469},{"_320":466,"_322":467},{"_320":464,"_322":465},{"_320":462,"_322":463},{"_320":460,"_322":461},"#a48b6e",0.029,"#c1aa89",0.1475,"#d9cbb5",0.1943,"#ccb89b",0.278,"#d5c4a9",0.3512,"Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)","stefano-da-verona-stefano-di-giovanni-d-arbosio-di-francia","Italian, 1374–1438",1374,1438,"Paris or Pavia","Verona","saint-jerome-nga-91442","Saint Jerome",{"_42":529,"_227":530,"_334":531,"_336":408,"_338":532,"_340":533,"_342":-5,"_344":-5,"_346":-5,"_140":103},"1565/1570","pen and brown ink over red chalk over leadpoint, reworked with reed pen and brown ink","overall: 30.9 × 21.8 cm (12 3/16 × 8 9/16 in.)",21.8,30.9,0.705810546875,[514,515,516,517,518],{"_226":510,"_227":511,"_42":512,"_313":513},"Courtesy National Gallery of Art, Washington","1995.8.1","Alessandro Vittoria drew this in 1565/1570, aged about 40. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of a seated bearded figure holding an orb. The figure appears muscular, with a beard merging into long hair. The face is not detailed, and draped fabric covers part of the body. There is no jewelry, and the background is plain.",{"_301":507,"_303":508,"_305":509},"https://img.ochreeditions.com/m/1626.jpg?dl=1","/art/saint-jerome-nga-91442","/galleries/style/drawing/saint-jerome-nga-91442",{"_297":298,"_299":300},{"_230":502,"_125":503,"_291":504},{"_282":499,"_284":500,"_286":501,"_287":484},45.8095458984375,54.9,21.8095458984375,{"_293":230,"_123":505,"_154":506,"_140":89},{"_293":125,"_123":443,"_154":444,"_140":445},{"_293":291,"_123":378,"_154":379,"_140":380},"artist/contemporaries-of-alessandro-vittoria","Alessandro Vittoria's contemporaries","https://img.ochreeditions.com/a/1626/480.jpg","https://img.ochreeditions.com/a/1626/960.jpg","https://img.ochreeditions.com/a/1626/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_320":527,"_322":528},{"_320":525,"_322":526},{"_320":523,"_322":524},{"_320":521,"_322":522},{"_320":519,"_322":520},"#886750",0.0531,"#b68d6b",0.1135,"#d3af8a",0.1285,"#e7cfad",0.1868,"#f1e3c7",0.5181,"Alessandro Vittoria","alessandro-vittoria","Venetian, 1525–1608",1525,1608,"fire-hose-reel-nga-22350","Fire Hose Reel",{"_42":590,"_227":591,"_334":592,"_336":592,"_338":-5,"_340":593,"_342":-5,"_344":-5,"_346":-5,"_140":103},"c. 1938",20,"united-states","american-folk-design","watercolor and graphite on paper","overall: 36.6 x 44.5 cm (14 7/16 x 17 1/2 in.)",44.5,36.6,1.2252467843254562,[575,576,577,578,579],{"_226":510,"_227":511,"_42":512,"_313":513},"1943.8.10254","Hans Mangelsdorf painted this in about 1938. It is now at the National Gallery of Art in Washington, DC.","This is a painting of a vintage fire hose cart. It is intricately designed, featuring a four-wheeled cart meant to hold a coiled fire hose. The painting showcases the cart's wooden spoked wheels and hose mechanism, as well as ornate wrought iron designs and a brass figure. A bell is depicted above one wheel. The painting captures the craftsmanship of the era and is reminiscent of the style of Charles Demuth, known for his attention to detail and focus on industrial and architectural elements.",{"_301":572,"_303":573,"_305":574},"https://img.ochreeditions.com/m/1420.jpg?dl=1","/art/fire-hose-reel-nga-22350","/galleries/style/drawing/fire-hose-reel-nga-22350",{"_297":298,"_299":300},{"_230":561,"_125":562,"_291":563},{"_282":558,"_284":559,"_286":543,"_287":560},68.5,60.3192138671875,36.3192138671875,{"_293":230,"_123":570,"_154":571,"_140":89},{"_293":125,"_123":567,"_154":568,"_140":569},{"_293":291,"_123":564,"_154":565,"_140":566},"era/20-united-states","20th-century United States",124,"style/american-folk-design","More American folk and design",90,"artist/contemporaries-of-hans-mangelsdorf","Hans Mangelsdorf's contemporaries","https://img.ochreeditions.com/a/1420/480.jpg","https://img.ochreeditions.com/a/1420/960.jpg","https://img.ochreeditions.com/a/1420/1920.jpg",{"_320":588,"_322":589},{"_320":586,"_322":587},{"_320":584,"_322":585},{"_320":582,"_322":583},{"_320":580,"_322":581},"#9a7d60",0.0279,"#b19b7b",0.0898,"#c2af91",0.1004,"#d0c3a9",0.2284,"#d6cbb5",0.5535,"Hans Mangelsdorf","hans-mangelsdorf","American",1995,"blossom-si-saam-1951-14-9","Blossom",{"_42":651,"_227":652,"_334":653,"_336":-5,"_338":654,"_340":655,"_342":-5,"_344":-5,"_346":-5,"_140":101},"n.d.","pastel on paper","11 3/8 x 14 1/4 in. (29.0 x 36.2 cm)",36.2,29,1.2526096033402923,[636,637,638,639,640],{"_226":633,"_227":634,"_42":635,"_313":513},"Courtesy of the Smithsonian American Art Museum","1951.14.9","Alice Pike Barney drew this (n.d.). It is now at the Smithsonian American Art Museum in Washington, DC.","Blossom, by Alice Pike Barney, n.d.",{"_301":630,"_303":631,"_305":632},"https://img.ochreeditions.com/m/1901.jpg?dl=1","/art/blossom-si-saam-1951-14-9","/galleries/style/drawing/blossom-si-saam-1951-14-9",{"_297":298,"_299":300},{"_230":619,"_125":620,"_291":621},{"_282":616,"_284":617,"_286":600,"_287":618},60.2,52.89966666666667,28.89966666666667,{"_293":230,"_123":628,"_154":629,"_140":89},{"_293":125,"_123":625,"_154":626,"_140":627},{"_293":291,"_123":622,"_154":623,"_140":624},"era/museum-smithsonian","Now at Smithsonian Institution",300,"style/colour-olive","More in olive",194,"artist/contemporaries-of-alice-pike-barney","Alice Pike Barney's contemporaries","https://img.ochreeditions.com/a/1901/480.jpg","https://img.ochreeditions.com/a/1901/960.jpg","https://img.ochreeditions.com/a/1901/1920.jpg","si","smithsonian","Smithsonian Institution",{"_320":649,"_322":650},{"_320":647,"_322":648},{"_320":645,"_322":646},{"_320":643,"_322":644},{"_320":641,"_322":642},"#8a794d",0.1192,"#a89f80",0.129,"#d2bb94",0.2169,"#bfaf61",0.2194,"#b8a06c",0.3155,"Alice Pike Barney","alice-pike-barney","born Cincinnati, OH 1857-died Los Angeles, CA 1931",1857,1931,"rookwood-pottery-si-chndm-1950-56-2","Rookwood Pottery",{"_42":714,"_227":715,"_334":716,"_336":-5,"_338":717,"_340":718,"_342":-5,"_344":-5,"_346":-5,"_140":103},"1886",19,"realism","Pen and ink, brush and black and brown watercolor, grey gouache, graphite on illustration board","53.6 × 36.6 cm (21 1/8 × 14 7/16 in.)",53.6,0.6903466500854967,[699,700,701,702,703],{"_226":633,"_227":634,"_42":635,"_313":454},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1950-56-2","George Gibson painted this in 1886, aged 66. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":697,"_308":698},"ROOKWOOD POTTERY",{"_301":694,"_303":695,"_305":696},"https://img.ochreeditions.com/m/1750.jpg?dl=1","/art/rookwood-pottery-si-chndm-1950-56-2","/galleries/style/drawing/rookwood-pottery-si-chndm-1950-56-2",{"_297":298,"_299":300},{"_230":683,"_125":684,"_291":685},{"_282":680,"_284":681,"_286":682,"_287":664},61.00258044458262,77.6,37.00258044458262,{"_293":230,"_123":692,"_154":693,"_140":89},{"_293":125,"_123":689,"_154":690,"_140":691},{"_293":291,"_123":686,"_154":687,"_140":688},"era/19","The 19th century",731,"style/realism","More Realism",41,"artist/contemporaries-of-george-gibson","George Gibson's contemporaries","https://img.ochreeditions.com/a/1750/480.jpg","https://img.ochreeditions.com/a/1750/960.jpg","https://img.ochreeditions.com/a/1750/1920.jpg","Groups of pottery arranged on four shelves, along the top of the page and to the left.","Text from Cooper Hewitt, Smithsonian Design Museum.",{"_320":712,"_322":713},{"_320":710,"_322":711},{"_320":708,"_322":709},{"_320":706,"_322":707},{"_320":704,"_322":705},"#454540",0.0412,"#757166",0.081,"#a49989",0.0973,"#cebca8",0.1357,"#e7d1bc",0.6448,"George Gibson","george-gibson","1820–1896",1820,1896,"young-woman-possibly-a-sex-worker-with-a-man-recto-young-wom-cma-157643","Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)",{"_42":771,"_227":772,"_334":773,"_336":774,"_338":775,"_340":776,"_342":777,"_344":778,"_346":779,"_140":81},"1796–97","spain","brush and gray and black washes on laid paper","Image: 18.7 x 12 cm (7 3/8 x 4 3/4 in.); Sheet: 23.5 x 14.5 cm (9 1/4 x 5 11/16 in.)",18.7,1.272931486334706,[756,757,758,759,760],{"_226":310,"_227":311,"_42":312,"_313":314},"1995.15","Francisco Goya drew this in 1796–97, aged about 50. It is now at the Cleveland Museum of Art.",{"_118":755,"_308":309},"Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), by Francisco Goya, 1796–97",{"_301":752,"_303":753,"_305":754},"https://img.ochreeditions.com/m/752.jpg?dl=1","/art/young-woman-possibly-a-sex-worker-with-a-man-recto-young-wom-cma-157643","/galleries/style/drawing/young-woman-possibly-a-sex-worker-with-a-man-recto-young-wom-cma-157643",{"_297":298,"_299":300},{"_230":745,"_125":746,"_291":747},{"_282":741,"_284":742,"_286":743,"_287":744},49,43.63970588235294,25,19.639705882352942,{"_293":230,"_123":750,"_154":751,"_140":81},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":748,"_154":749,"_140":85},"era/18-spain","18th-century Spain","artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/752/480.jpg","https://img.ochreeditions.com/a/752/960.jpg","https://img.ochreeditions.com/a/752/1920.jpg","Among the great figures of the pictorial arts in the West, Francisco de Goya is one of the very few whose work as a graphic artist is arguably even more important than his paintings. Alongside a prodigious output of prints, he created eight sketchbooks of drawings over the course of 30 years.",{"_320":769,"_322":770},{"_320":767,"_322":768},{"_320":765,"_322":766},{"_320":763,"_322":764},{"_320":761,"_322":762},"#807b70",0.0384,"#a6a296",0.1228,"#b9b5a8",0.2216,"#cecbbe",0.23,"#e0ded2",0.3872,"Francisco Goya","francisco-goya","Spanish, 1746–1828","Spanish",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","vase-nga-23352","Vase",{"_42":826,"_227":827,"_334":592,"_336":592,"_338":-5,"_340":593,"_342":-5,"_344":-5,"_346":-5,"_140":103},"c. 1937","watercolor, pen and ink, and graphite on paperboard","overall: 29 x 22.5 cm (11 7/16 x 8 7/8 in.)",22.5,0.7392578125,[811,812,813,814,815],{"_226":510,"_227":511,"_42":512,"_313":513},"1943.8.11257","Janet Riza painted this in about 1937. It is now at the National Gallery of Art in Washington, DC.","The image shows a tall, intricately designed purple candlestick against a light beige background. The overall color palette is dominated by shades of purple. The candlestick is centrally positioned and stands upright with detailed patterns visible.",{"_301":808,"_303":809,"_305":810},"https://img.ochreeditions.com/m/1426.jpg?dl=1","/art/vase-nga-23352","/galleries/style/drawing/vase-nga-23352",{"_297":298,"_299":300},{"_230":803,"_125":804,"_291":805},{"_282":800,"_284":801,"_286":802,"_287":601},45.4384765625,53,21.4384765625,{"_293":230,"_123":806,"_154":807,"_140":89},{"_293":125,"_123":567,"_154":568,"_140":569},{"_293":291,"_123":564,"_154":565,"_140":566},"artist/contemporaries-of-janet-riza","Janet Riza's contemporaries","https://img.ochreeditions.com/a/1426/480.jpg","https://img.ochreeditions.com/a/1426/960.jpg","https://img.ochreeditions.com/a/1426/1920.jpg",{"_320":824,"_322":825},{"_320":822,"_322":823},{"_320":820,"_322":821},{"_320":818,"_322":819},{"_320":816,"_322":817},"#816a6e",0.0196,"#69425d",0.0376,"#392239",0.0399,"#4b264a",0.0578,"#cbba9e",0.8451,"Janet Riza","janet-riza","study-of-landscape-delaware-river-si-chndm-1969-121-73","Study of landscape, Delaware River",{"_42":884,"_227":885,"_334":886,"_336":592,"_338":887,"_340":888,"_342":-5,"_344":-5,"_346":889,"_140":99},"ca. 1855","antebellum-america","Graphite on paper","38.1 × 54.8 cm (15 in. × 21 9/16 in.)",54.8,38.1,1.4174568965517242,[869,870,871,872,873],{"_226":633,"_227":634,"_42":635,"_313":454},"1969-121-73","William Stanley Haseltine drew this in about 1855, aged 20. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":868,"_308":698},"STUDY OF LANDSCAPE, DELAWARE RIVER",{"_301":865,"_303":866,"_305":867},"https://img.ochreeditions.com/m/1755.jpg?dl=1","/art/study-of-landscape-delaware-river-si-chndm-1969-121-73","/galleries/style/drawing/study-of-landscape-delaware-river-si-chndm-1969-121-73",{"_297":298,"_299":300},{"_230":854,"_125":855,"_291":856},{"_282":851,"_284":852,"_286":835,"_287":853},78.8,62.66078759312756,38.66078759312756,{"_293":230,"_123":863,"_154":864,"_140":99},{"_293":125,"_123":860,"_154":861,"_140":862},{"_293":291,"_123":857,"_154":858,"_140":859},"era/19-united-states","19th-century United States",198,"style/antebellum-america","More Antebellum America",33,"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/1755/480.jpg","https://img.ochreeditions.com/a/1755/960.jpg","https://img.ochreeditions.com/a/1755/1920.jpg","Sketch of a river with figures fishing.",{"_320":882,"_322":883},{"_320":880,"_322":881},{"_320":878,"_322":879},{"_320":876,"_322":877},{"_320":874,"_322":875},"#bab7b8",0.0743,"#cabca8",0.1059,"#d7c7b3",0.1556,"#cfc3b0",0.2472,"#d3c8b4",0.417,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,1900,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":947,"_227":948,"_334":949,"_336":950,"_338":951,"_340":952,"_342":-5,"_344":-5,"_346":-5,"_140":103},"1807","britain","georgian-britain","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[932,933,934,935,936],{"_226":310,"_227":311,"_42":312,"_313":314},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":931,"_308":309},"Bray Church Yard, by John Varley, 1807",{"_301":928,"_303":929,"_305":930},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/drawing/bray-church-yard-cma-119729",{"_297":298,"_299":300},{"_230":917,"_125":918,"_291":919},{"_282":914,"_284":915,"_286":898,"_287":916},60.9,48.95091176470588,24.950911764705882,{"_293":230,"_123":926,"_154":927,"_140":89},{"_293":125,"_123":923,"_154":924,"_140":925},{"_293":291,"_123":920,"_154":921,"_140":922},"era/19-britain","19th-century Britain",40,"style/georgian-britain","More Georgian Britain",63,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_320":945,"_322":946},{"_320":943,"_322":944},{"_320":941,"_322":942},{"_320":939,"_322":940},{"_320":937,"_322":938},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842","British",1778,1842,"snipe-decoy-nga-21720","Snipe Decoy",{"_42":998,"_227":999,"_334":1000,"_336":592,"_338":888,"_340":1001,"_342":-5,"_344":-5,"_346":-5,"_140":103},"1941","watercolor, graphite, and colored pencil on paperboard","overall: 53.6 x 34 cm (21 1/8 x 13 3/8 in.)",34,0.63720703125,[983,984,985,986,987],{"_226":510,"_227":511,"_42":512,"_313":513},"1943.8.9624","Lawrence Flynn painted this in 1941, aged 41. It is now at the National Gallery of Art in Washington, DC.","The image shows a painted decoy of a bird mounted on a wooden stake. The decoy has intricate details with spots of yellow and green on top of a dark body. The colors are naturalistic with brown, black, yellow, white, and beige. In the lower left section of the image, there are two line drawings of a bird.",{"_301":980,"_303":981,"_305":982},"https://img.ochreeditions.com/m/1416.jpg?dl=1","/art/snipe-decoy-nga-21720","/galleries/style/drawing/snipe-decoy-nga-21720",{"_297":298,"_299":300},{"_230":975,"_125":976,"_291":977},{"_282":973,"_284":681,"_286":974,"_287":664},58.154296875,34.154296875,{"_293":230,"_123":978,"_154":979,"_140":89},{"_293":125,"_123":567,"_154":568,"_140":569},{"_293":291,"_123":564,"_154":565,"_140":566},"artist/contemporaries-of-lawrence-flynn","Lawrence Flynn's contemporaries","https://img.ochreeditions.com/a/1416/480.jpg","https://img.ochreeditions.com/a/1416/960.jpg","https://img.ochreeditions.com/a/1416/1920.jpg",{"_320":996,"_322":997},{"_320":994,"_322":995},{"_320":992,"_322":993},{"_320":990,"_322":991},{"_320":988,"_322":989},"#3b342a",0.0297,"#97846b",0.032,"#665847",0.0348,"#d0c1a7",0.2039,"#d2c7b3",0.6996,"Lawrence Flynn","lawrence-flynn","American, 1900–1973",1973,"armor-met-339671","Armor",{"_42":1057,"_227":1058,"_334":1059,"_336":337,"_338":1060,"_340":1061,"_342":778,"_344":345,"_346":1062,"_140":91},"1891","post-impressionism","Charcoal and conté crayon","20 x 14 1/2 in. (50.7 x 36.8 cm)",36.8,50.7,0.7337998963193364,[1042,1043,1044,1045,1046],{"_226":451,"_227":452,"_42":453,"_313":454},"48.10.1","Odilon Redon drew this in 1891, aged 51. It is now at The Met in New York.","A head encased in a dark, close-fitting helmet emerges from shadow, its features barely visible, in this charcoal and conté crayon drawing of 1891. It belongs to Redon’s ‘noirs’, the black drawings and lithographs that occupied him for some three decades, in which ordinary forms become strange and haunting.","Armor, by Odilon Redon, 1891",{"_301":1039,"_303":1040,"_305":1041},"https://img.ochreeditions.com/m/1034.jpg?dl=1","/art/armor-met-339671","/galleries/style/drawing/armor-met-339671",{"_297":298,"_299":300},{"_230":1028,"_125":1029,"_291":1030},{"_282":1025,"_284":1026,"_286":1027,"_287":1010},61.20365474339036,74.7,37.20365474339036,{"_293":230,"_123":1037,"_154":1038,"_140":91},{"_293":125,"_123":1034,"_154":1035,"_140":1036},{"_293":291,"_123":1031,"_154":1032,"_140":1033},"era/19-france","19th-century France",237,"style/post-impressionism","More Post-Impressionism",62,"artist/odilon-redon","More by Odilon Redon","https://img.ochreeditions.com/a/1034/480.jpg","https://img.ochreeditions.com/a/1034/960.jpg","https://img.ochreeditions.com/a/1034/1920.jpg",{"_320":1055,"_322":1056},{"_320":1053,"_322":1054},{"_320":1051,"_322":1052},{"_320":1049,"_322":1050},{"_320":1047,"_322":1048},"#a1876c",0.125,"#726356",0.1516,"#3b3835",0.1705,"#27282a",0.2134,"#524a44",0.3395,"Odilon Redon","odilon-redon","French, 1840–1916",1840,1916,"Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers.","monsieur-boileau-at-the-cafe-cma-173263","Monsieur Boileau at the Café",{"_42":1112,"_227":1113,"_334":1114,"_336":337,"_338":1115,"_340":192,"_342":1116,"_344":1117,"_346":1118,"_140":89},"1893","oil and tempera with charcoal on millboard","Sheet: 80.3 x 65 cm (31 5/8 x 25 9/16 in.)",65,80.3,0.8152941176470588,[1097,1098,1099,1100,1101],{"_226":310,"_227":311,"_42":312,"_313":314},"1925.1409","Henri de Toulouse-Lautrec painted this in 1893, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1096,"_308":309},"Monsieur Boileau at the Café, by Henri de Toulouse-Lautrec, 1893",{"_301":1093,"_303":1094,"_305":1095},"https://img.ochreeditions.com/m/782.jpg?dl=1","/art/monsieur-boileau-at-the-cafe-cma-173263","/galleries/style/drawing/monsieur-boileau-at-the-cafe-cma-173263",{"_297":298,"_299":300},{"_230":1088,"_125":1089,"_291":1090},{"_282":1085,"_284":1086,"_286":1087,"_287":1070},89.46811764705882,104.3,65.46811764705882,{"_293":230,"_123":1091,"_154":1092,"_140":89},{"_293":125,"_123":1034,"_154":1035,"_140":1036},{"_293":291,"_123":1031,"_154":1032,"_140":1033},"artist/henri-de-toulouse-lautrec","More by Henri de Toulouse-Lautrec","https://img.ochreeditions.com/a/782/480.jpg","https://img.ochreeditions.com/a/782/960.jpg","https://img.ochreeditions.com/a/782/1920.jpg","Cleveland’s 1925 purchase of this work by Henri de Toulouse-Lautrec marked the first acquisition of one of the artist’s drawings by a museum in the United States. Its subject, Monsieur Boileau, was a gossip columnist known to drink heavily at Le Mirliton, a nightclub.",{"_320":1110,"_322":1111},{"_320":1108,"_322":1109},{"_320":1106,"_322":1107},{"_320":1104,"_322":1105},{"_320":1102,"_322":1103},"#435852",0.1478,"#4d4c51",0.1947,"#716d66",0.1986,"#968b79",0.2058,"#b2ada6",0.2531,"Henri de Toulouse-Lautrec","henri-de-toulouse-lautrec","French, 1864–1901",1864,"Albi","Saint-André-du-Bois","Toulouse-Lautrec came from an aristocratic family in Albi; after two leg fractures in his teens his legs stopped growing, and he turned to art.","two-draft-horses-with-a-sleeping-driver-met-337192","Two Draft Horses with a Sleeping Driver",{"_42":1167,"_227":1168,"_334":1169,"_336":337,"_338":1170,"_340":1171,"_342":1172,"_344":345,"_346":1173,"_140":99},"1820–22","Brush and brown and gray wash, over graphite","11 3/4 x 15 1/16 in. (29.9 x 38.2 cm)",38.2,29.9,1.2979222520107239,[1152,1153,1154,1155,1156],{"_226":451,"_227":452,"_42":453,"_313":454},"1996.365","Jean Louis André Théodore Géricault drew this in 1820–22, aged about 29. It is now at The Met in New York.","Two heavy draught horses stand patiently in harness while their driver dozes, set down in brush and brown and grey wash over pencil. Géricault spent much of 1820 and 1821 in England, where he was fascinated by the powerful working horses of London’s streets and made a series of lithographs of everyday English life.","Two Draft Horses with a Sleeping Driver, by Jean Louis André Théodore Géricault, 1820–22",{"_301":1149,"_303":1150,"_305":1151},"https://img.ochreeditions.com/m/1015.jpg?dl=1","/art/two-draft-horses-with-a-sleeping-driver-met-337192","/galleries/style/drawing/two-draft-horses-with-a-sleeping-driver-met-337192",{"_297":298,"_299":300},{"_230":1144,"_125":1145,"_291":1146},{"_282":1141,"_284":1142,"_286":1125,"_287":1143},62.2,53.43165504776659,29.43165504776659,{"_293":230,"_123":1147,"_154":1148,"_140":99},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":1031,"_154":1032,"_140":1033},"artist/jean-louis-andre-theodore-gericault","More by Jean Louis André Théodore Géricault","https://img.ochreeditions.com/a/1015/480.jpg","https://img.ochreeditions.com/a/1015/960.jpg","https://img.ochreeditions.com/a/1015/1920.jpg",{"_320":1165,"_322":1166},{"_320":1163,"_322":1164},{"_320":1161,"_322":1162},{"_320":1159,"_322":1160},{"_320":1157,"_322":1158},"#7d7265",0.1269,"#ead9c3",0.191,"#554f49",0.1983,"#c8b79f",0.2156,"#a79884",0.2682,"Jean Louis André Théodore Géricault","jean-louis-andre-theodore-gericault","French, 1791–1824",1791,1824,"Rouen","Géricault trained with Carle Vernet and Pierre-Narcisse Guérin and studied the old masters in the Louvre, but his passion for horses and modern events shaped his art.","study-of-drapery-si-chndm-1914-38-149","Study of Drapery",{"_42":1225,"_227":1226,"_334":1227,"_336":592,"_338":1228,"_340":1229,"_342":-5,"_344":-5,"_346":1230,"_140":99},"ca. 1895","american-gilded-age","Black crayon on cream laid paper","24.3 × 18.7 cm (9 9/16 × 7 3/8 in.)",24.3,0.7880906971816063,[1210,1211,1212,1213,1214],{"_226":633,"_227":634,"_42":635,"_313":454},"1914-38-149","Francis Augustus Lathrop drew this in about 1895, aged 46. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1209,"_308":698},"STUDY OF DRAPERY",{"_301":1206,"_303":1207,"_305":1208},"https://img.ochreeditions.com/m/1717.jpg?dl=1","/art/study-of-drapery-si-chndm-1914-38-149","/galleries/style/drawing/study-of-drapery-si-chndm-1914-38-149",{"_297":298,"_299":300},{"_230":1198,"_125":1199,"_291":1200},{"_282":1196,"_284":741,"_286":1197,"_287":743},43.70226742954016,19.702267429540157,{"_293":230,"_123":1204,"_154":1205,"_140":99},{"_293":125,"_123":1201,"_154":1202,"_140":1203},{"_293":291,"_123":857,"_154":858,"_140":859},"style/american-gilded-age","More American Gilded Age",67,"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","https://img.ochreeditions.com/a/1717/480.jpg","https://img.ochreeditions.com/a/1717/960.jpg","https://img.ochreeditions.com/a/1717/1920.jpg","Drapery on a figure, probably an angel.",{"_320":1223,"_322":1224},{"_320":1221,"_322":1222},{"_320":1219,"_322":1220},{"_320":1217,"_322":1218},{"_320":1215,"_322":1216},"#b8b5b0",0.0338,"#a7a298",0.0534,"#b0b1b6",0.0609,"#c3bbad",0.0869,"#d6cab9",0.765,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909",1849,1909,"Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.",{"_1232":-5,"_1233":1234,"_1235":1236,"_1237":8,"_1238":1239,"_1240":8},"user","csrf","7b4976291050fc120c3de2132c4b69519b0a628f","cartCount",0,"dropLive","legal",[1241,1242,1243,1244,1245,1246,1247,1248,1249,1250,1251,1252],"uploadsEnabled",{"_227":1275,"_20":1276},{"_227":1273,"_20":1274},{"_227":1271,"_20":1272},{"_227":1269,"_20":1270},{"_227":1267,"_20":1268},{"_227":1265,"_20":1266},{"_227":1263,"_20":1264},{"_227":1261,"_20":1262},{"_227":1259,"_20":1260},{"_227":1257,"_20":1258},{"_227":1255,"_20":1256},{"_227":1253,"_20":1254},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]