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It is now at the National Gallery of Art in Washington, DC.","note","This is a painting of a vintage fire hose cart. It is intricately designed, featuring a four-wheeled cart meant to hold a coiled fire hose. The painting showcases the cart's wooden spoked wheels and hose mechanism, as well as ornate wrought iron designs and a brass figure. A bell is depicted above one wheel. The painting captures the craftsmanship of the era and is reminiscent of the style of Charles Demuth, known for his attention to detail and focus on industrial and architectural elements.","images",{"_297":298,"_299":300,"_301":302},"download_url","https://img.ochreeditions.com/m/1420.jpg?dl=1","page_url","/art/fire-hose-reel-nga-22350","walk_url","/galleries/style/drawing/fire-hose-reel-nga-22350","frame",{"_293":294,"_295":296},{"_227":285,"_125":286,"_287":288},"size",{"_278":279,"_280":281,"_282":246,"_283":284},"w",68.5,"h",60.3192138671875,"image_w","image_h",36.3192138671875,{"_289":227,"_123":170,"_154":169,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},"era",{"_289":287,"_123":166,"_154":165,"_140":168},"facet","style/american-folk-design","More American folk and design",90,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1420/480.jpg","960","https://img.ochreeditions.com/a/1420/960.jpg","1920","https://img.ochreeditions.com/a/1420/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_313":323,"_315":324},{"_313":321,"_315":322},{"_313":319,"_315":320},{"_313":317,"_315":318},{"_313":314,"_315":316},"hex","#9a7d60","weight",0.0279,"#b19b7b",0.0898,"#c2af91",0.1004,"#d0c3a9",0.2284,"#d6cbb5",0.5535,"Hans Mangelsdorf","hans-mangelsdorf","bio","American","nationality","birth_year","death_year",1995,"birth_place","death_place","about_excerpt","mt-katahdin-from-south-turner-mountain-maine-si-chndm-1917-4-630-a","Mt. Katahdin from South Turner Mountain, Maine",{"_42":400,"_224":401,"_327":402,"_329":328,"_330":403,"_331":404,"_333":405,"_334":384,"_335":406,"_140":89},"1877–78",19,"hudson-river-school","Oil and graphite on paperboard","30.7 × 50.8 cm (12 1/16 × 20 in.)",50.8,30.7,1.6397771817619147,[385,386,387,388,389],{"_223":381,"_224":382,"_42":383,"_306":384},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1917-4-630-a","Frederic Edwin Church painted this in 1877–78, aged 51. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":378,"_379":380},"MT. KATAHDIN FROM SOUTH TURNER MOUNTAIN, MAINE",{"_297":375,"_299":376,"_301":377},"https://img.ochreeditions.com/m/1724.jpg?dl=1","/art/mt-katahdin-from-south-turner-mountain-maine-si-chndm-1917-4-630-a","/galleries/style/drawing/mt-katahdin-from-south-turner-mountain-maine-si-chndm-1917-4-630-a",{"_293":294,"_295":296},{"_227":364,"_125":365,"_287":366},{"_278":361,"_280":362,"_282":344,"_283":363},74.8,54.97981882234524,30.97981882234524,{"_289":227,"_123":373,"_154":374,"_140":89},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"era/19-united-states","19th-century United States",198,"style/hudson-river-school","More Hudson River School",27,"artist/frederic-edwin-church","More by Frederic Edwin Church","https://img.ochreeditions.com/a/1724/480.jpg","https://img.ochreeditions.com/a/1724/960.jpg","https://img.ochreeditions.com/a/1724/1920.jpg","Landscape study showing a view of Mt. Katahdin in Maine from Turner Mountain to the east. Trees and a nearby rocky prominence are visible in the immediate foreground at right.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_313":398,"_315":399},{"_313":396,"_315":397},{"_313":394,"_315":395},{"_313":392,"_315":393},{"_313":390,"_315":391},"#e8dbcb",0.0998,"#c9ac88",0.1322,"#9e7e64",0.2115,"#806752",0.25,"#5c4936",0.3065,"Frederic Edwin Church","frederic-edwin-church","American, 1826–1900",1826,1900,"Hartford, Connecticut","Church studied with Thomas Cole in the Catskills and became the most celebrated American landscape painter of the mid-nineteenth century.","madonna-nursing-the-christ-child-cma-144216","Madonna Nursing the Christ Child",{"_42":471,"_224":472,"_327":473,"_329":474,"_330":475,"_331":476,"_333":477,"_334":477,"_335":478,"_140":99},"c. 1670–72",17,"spain","spanish-golden-age","pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink","Sheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)",15.4,21.4,0.7258823529411764,[456,457,458,459,460],{"_223":452,"_224":453,"_42":454,"_306":455},"Courtesy of the Cleveland Museum of Art","1968.66","Bartolomé Esteban Murillo drew this in about 1670–72, aged about 48. It is now at the Cleveland Museum of Art.",{"_118":450,"_379":451},"Madonna Nursing the Christ Child, by Bartolomé Esteban Murillo, c. 1670–72",{"_297":447,"_299":448,"_301":449},"https://img.ochreeditions.com/m/671.jpg?dl=1","/art/madonna-nursing-the-christ-child-cma-144216","/galleries/style/drawing/madonna-nursing-the-christ-child-cma-144216",{"_293":294,"_295":296},{"_227":437,"_125":438,"_287":439},{"_278":433,"_280":434,"_282":435,"_283":436},42.147058823529406,49,18.14705882352941,25,{"_289":227,"_123":445,"_154":446,"_140":99},{"_289":125,"_123":442,"_154":443,"_140":444},{"_289":287,"_123":440,"_154":441,"_140":75},"era/17-spain","17th-century Spain","style/spanish-golden-age","More Spanish Golden Age",21,"artist/bartolome-esteban-murillo","More by Bartolomé Esteban Murillo","https://img.ochreeditions.com/a/671/480.jpg","https://img.ochreeditions.com/a/671/960.jpg","https://img.ochreeditions.com/a/671/1920.jpg","One of the finest of the rare drawings by Murillo, this sheet is a study for Virgin and Child , commissioned for the family chapel of the Marques de Santiago in Madrid and now at the Metropolitan Museum of Art, New York.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":469,"_315":470},{"_313":467,"_315":468},{"_313":465,"_315":466},{"_313":463,"_315":464},{"_313":461,"_315":462},"#7d5d3b",0.0851,"#a28157",0.1639,"#d8ccb2",0.2118,"#c6b291",0.241,"#bc9e72",0.2982,"Bartolomé Esteban Murillo","bartolome-esteban-murillo","Spanish, 1617–1682","Spanish",1617,1682,"Seville","Murillo spent nearly all his life in Seville, where he became the city’s leading painter after Zurbarán.","sacrifice-of-noah-si-chndm-1938-88-8324","Sacrifice of Noah",{"_42":535,"_224":536,"_327":537,"_329":538,"_330":539,"_331":540,"_333":-5,"_334":-5,"_335":-5,"_140":103},"early 17th century","italy","Brush and brown wash, pen and ink on white laid paper","33.9 x 25.8 cm (13 3/8 x 10 3/16 in.)",25.8,33.9,0.786929425635843,[520,521,522,523,524],{"_223":381,"_224":382,"_42":383,"_306":384},"1938-88-8324","Pietro Novelli drew this in the early 17th century. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":519,"_379":380},"SACRIFICE OF NOAH",{"_297":516,"_299":517,"_301":518},"https://img.ochreeditions.com/m/1742.jpg?dl=1","/art/sacrifice-of-noah-si-chndm-1938-88-8324","/galleries/style/drawing/sacrifice-of-noah-si-chndm-1938-88-8324",{"_293":294,"_295":296},{"_227":505,"_125":506,"_287":507},{"_278":502,"_280":503,"_282":504,"_283":487},50.67690752905507,57.9,26.676907529055075,{"_289":227,"_123":514,"_154":515,"_140":89},{"_289":125,"_123":511,"_154":512,"_140":513},{"_289":287,"_123":508,"_154":509,"_140":510},"era/italy","Italy",244,"style/colour-brown","More in brown",1086,"artist/contemporaries-of-pietro-novelli","Pietro Novelli's contemporaries","https://img.ochreeditions.com/a/1742/480.jpg","https://img.ochreeditions.com/a/1742/960.jpg","https://img.ochreeditions.com/a/1742/1920.jpg","Depiction of the Sacrifice of Noah. At right, figure of Noah is kneeling at the foot of a brick altar. His sacrifice of a ram is shown on the altar amongst the fire, while a cloud of smoke rises from it. At left, a crowd looks on. Vase with handle in the foreground, perhaps for pouring libations.",{"_313":533,"_315":534},{"_313":531,"_315":532},{"_313":529,"_315":530},{"_313":527,"_315":528},{"_313":525,"_315":526},"#c6a47e",0.0266,"#d8be9c",0.12,"#eae3d1",0.2044,"#dfccaf",0.2541,"#e4d6bf",0.3949,"Pietro Novelli","pietro-novelli","Italian, 1603–1647","Italian",1603,1647,"utility-chest-nga-16860","Utility Chest",{"_42":587,"_224":588,"_327":589,"_329":328,"_330":590,"_331":591,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1937","watercolor, colored pencil, and graphite on paperboard","overall: 25.4 x 3.8 cm (10 x 1 1/2 in.) Original IAD Object: 6' x 30\"",3.8,25.4,1.5136733185513673,[572,573,574,575,576],{"_223":303,"_224":304,"_42":305,"_306":307},"1943.8.4658","Henry Tomaszewski painted this in 1937, aged 19. It is now at the National Gallery of Art in Washington, DC.","The image shows a large wooden chest with a rectangular design and a keyhole on its front panel. The chest has a weathered look in muted browns and grays. It is positioned in the center with its top, front, and side panels visible. The background is plain and light in color.",{"_297":569,"_299":570,"_301":571},"https://img.ochreeditions.com/m/1394.jpg?dl=1","/art/utility-chest-nga-16860","/galleries/style/drawing/utility-chest-nga-16860",{"_293":294,"_295":296},{"_227":564,"_125":565,"_287":566},{"_278":434,"_280":562,"_282":436,"_283":563},40.51611328125,16.51611328125,{"_289":227,"_123":567,"_154":568,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henry-tomaszewski","Henry Tomaszewski's contemporaries","https://img.ochreeditions.com/a/1394/480.jpg","https://img.ochreeditions.com/a/1394/960.jpg","https://img.ochreeditions.com/a/1394/1920.jpg",{"_313":585,"_315":586},{"_313":583,"_315":584},{"_313":581,"_315":582},{"_313":579,"_315":580},{"_313":577,"_315":578},"#514a43",0.0219,"#726350",0.0722,"#908270",0.0785,"#a89880",0.0964,"#cabba3",0.731,"Henry Tomaszewski","henry-tomaszewski","American, 1918–1998",1918,1998,"otter-cliffs-si-chndm-1948-47-249","Otter Cliffs",{"_42":644,"_224":645,"_327":646,"_329":328,"_330":647,"_331":648,"_333":-5,"_334":-5,"_335":649,"_140":99},"1879–80","american-gilded-age","Graphite and white heightening on gray paper","15.1 × 22.5 cm (5 15/16 × 8 7/8 in.)",22.5,15.1,1.473545842918173,[629,630,631,632,633],{"_223":381,"_224":382,"_42":383,"_306":384},"1948-47-249","Arnold William Brunner drew this in 1879–80, aged 22. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":628,"_379":380},"OTTER CLIFFS",{"_297":625,"_299":626,"_301":627},"https://img.ochreeditions.com/m/1749.jpg?dl=1","/art/otter-cliffs-si-chndm-1948-47-249","/galleries/style/drawing/otter-cliffs-si-chndm-1948-47-249",{"_293":294,"_295":296},{"_227":617,"_125":618,"_287":619},{"_278":434,"_280":615,"_282":436,"_283":616},40.96587867975022,16.965878679750222,{"_289":227,"_123":623,"_154":624,"_140":99},{"_289":125,"_123":620,"_154":621,"_140":622},{"_289":287,"_123":367,"_154":368,"_140":369},"style/american-gilded-age","More American Gilded Age",67,"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1749/480.jpg","https://img.ochreeditions.com/a/1749/960.jpg","https://img.ochreeditions.com/a/1749/1920.jpg","Enclosed scene of mountains, top. Bottom, larger scene looking out to sea, lower right two figures sitting.",{"_313":642,"_315":643},{"_313":640,"_315":641},{"_313":638,"_315":639},{"_313":636,"_315":637},{"_313":634,"_315":635},"#a9abae",0.0425,"#98958e",0.1163,"#aba292",0.141,"#a6a299",0.2307,"#b0aca2",0.4695,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1857,1925,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","rookwood-pottery-si-chndm-1950-56-2","Rookwood Pottery",{"_42":705,"_224":706,"_327":707,"_329":-5,"_330":708,"_331":709,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1886","realism","Pen and ink, brush and black and brown watercolor, grey gouache, graphite on illustration board","53.6 × 36.6 cm (21 1/8 × 14 7/16 in.)",53.6,0.6903466500854967,[690,691,692,693,694],{"_223":381,"_224":382,"_42":383,"_306":384},"1950-56-2","George Gibson painted this in 1886, aged 66. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":689,"_379":380},"ROOKWOOD POTTERY",{"_297":686,"_299":687,"_301":688},"https://img.ochreeditions.com/m/1750.jpg?dl=1","/art/rookwood-pottery-si-chndm-1950-56-2","/galleries/style/drawing/rookwood-pottery-si-chndm-1950-56-2",{"_293":294,"_295":296},{"_227":675,"_125":676,"_287":677},{"_278":672,"_280":673,"_282":674,"_283":657},61.00258044458262,77.6,37.00258044458262,{"_289":227,"_123":684,"_154":685,"_140":89},{"_289":125,"_123":681,"_154":682,"_140":683},{"_289":287,"_123":678,"_154":679,"_140":680},"era/19","The 19th century",731,"style/realism","More Realism",41,"artist/contemporaries-of-george-gibson","George Gibson's contemporaries","https://img.ochreeditions.com/a/1750/480.jpg","https://img.ochreeditions.com/a/1750/960.jpg","https://img.ochreeditions.com/a/1750/1920.jpg","Groups of pottery arranged on four shelves, along the top of the page and to the left.",{"_313":703,"_315":704},{"_313":701,"_315":702},{"_313":699,"_315":700},{"_313":697,"_315":698},{"_313":695,"_315":696},"#454540",0.0412,"#757166",0.081,"#a49989",0.0973,"#cebca8",0.1357,"#e7d1bc",0.6448,"George Gibson","george-gibson","1820–1896",1820,1896,"one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","One of a set of projects for a title page and the decoration of a horizontal panel",{"_42":765,"_224":766,"_327":-5,"_329":-5,"_330":-5,"_331":-5,"_333":-5,"_334":-5,"_335":-5,"_140":99},"1675-1699","baroque","Pen, brush, sepia","H: 21.5cm W: 27.8cm",1.4352757137270238,[750,751,752,753,754],{"_223":381,"_224":382,"_42":383,"_306":384},"1938-88-2330","Francesco Bedeschini, Italian drew this in 1675-1699. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":749,"_379":380},"ONE OF A SET OF PROJECTS FOR A TITLE PAGE AND THE DECORATION OF A HORIZONTAL PANEL",{"_297":746,"_299":747,"_301":748},"https://img.ochreeditions.com/m/1735.jpg?dl=1","/art/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","/galleries/style/drawing/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330",{"_293":294,"_295":296},{"_227":735,"_125":736,"_287":737},{"_278":731,"_280":732,"_282":733,"_283":734},84,65.80381471389646,60,41.80381471389646,{"_289":227,"_123":744,"_154":745,"_140":99},{"_289":125,"_123":741,"_154":742,"_140":743},{"_289":287,"_123":738,"_154":739,"_140":740},"era/17","The 17th century",266,"style/baroque","More Baroque",32,"artist/francesco-bedeschini-italian","More by Francesco Bedeschini, Italian","https://img.ochreeditions.com/a/1735/480.jpg","https://img.ochreeditions.com/a/1735/960.jpg","https://img.ochreeditions.com/a/1735/1920.jpg","The panel has an elaborated frame, the outermost borderline of which is framing the drawing. Acanthus rinceau with two winged putti. Intended to be engraved",{"_313":763,"_315":764},{"_313":761,"_315":762},{"_313":759,"_315":760},{"_313":757,"_315":758},{"_313":755,"_315":756},"#7c5d49",0.1495,"#e6ddc2",0.1555,"#987a60",0.1822,"#b59b80",0.239,"#cdbca2",0.2738,"Francesco Bedeschini, Italian","francesco-bedeschini-italian","lamp-nga-29757","Lamp",{"_42":813,"_224":814,"_327":815,"_329":328,"_330":816,"_331":817,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1936","graphite on paper","overall: 29.6 x 22 cm (11 5/8 x 8 11/16 in.)",22,29.6,0.748779296875,[798,799,800,801,802],{"_223":303,"_224":304,"_42":305,"_306":307},"1943.8.17668","Arsen Maralian drew this in about 1936, aged 52. It is now at the National Gallery of Art in Washington, DC.","The image depicts a detailed drawing of a wall-mounted vessel. It consists of a large, spherical body attached to a flat disc, with two smaller protrusions resembling handles or clips. The color palette is monochromatic with shades of gray, giving it a metallic or ceramic appearance. The objects are centrally positioned, with a small inset illustration in the bottom left corner showing annotations. The artist's signature, \"A. Marshall,\" is located near the lower right corner of the image.",{"_297":795,"_299":796,"_301":797},"https://img.ochreeditions.com/m/1458.jpg?dl=1","/art/lamp-nga-29757","/galleries/style/drawing/lamp-nga-29757",{"_293":294,"_295":296},{"_227":790,"_125":791,"_287":792},{"_278":788,"_280":657,"_282":789,"_283":774},46.1638671875,22.1638671875,{"_289":227,"_123":793,"_154":794,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-arsen-maralian","Arsen Maralian's contemporaries","https://img.ochreeditions.com/a/1458/480.jpg","https://img.ochreeditions.com/a/1458/960.jpg","https://img.ochreeditions.com/a/1458/1920.jpg",{"_313":811,"_315":812},{"_313":809,"_315":810},{"_313":807,"_315":808},{"_313":805,"_315":806},{"_313":803,"_315":804},"#aea796",0.0892,"#79746c",0.0918,"#918c80",0.1038,"#e3d7b9",0.2275,"#ebe2c8",0.4877,"Arsen Maralian","arsen-maralian","American, born Turkey, 1884–1948",1884,1948,"fence-sea-horse-design-nga-29082","Fence - Sea Horse Design",{"_42":864,"_224":865,"_327":328,"_329":328,"_330":-5,"_331":332,"_333":-5,"_334":-5,"_335":-5,"_140":101},"c. 1939","watercolor, pen and ink, and graphite on paperboard","overall: 27.9 x 35.4 cm (11 x 13 15/16 in.)",35.4,27.9,1.3823827202159973,[850,851,852,853,854],{"_223":303,"_224":304,"_42":305,"_306":307},"1943.8.16991","Pearl Torell painted this in about 1939. It is now at the National Gallery of Art in Washington, DC.","The image shows an ornate metalwork design with a winged creature. The design features intricate wrought iron decoration with a mythical figure, resembling a Pegasus, enclosed within a circular frame. The central circle is surrounded by symmetrical, stylized scrollwork motifs and horizontal bars, suggesting an architectural or ornamental fixture intended for use in structures like gates or window grills. The detailed craftsmanship and balanced design highlight the creature's form and the harmonious symmetry of the patterns.",{"_297":847,"_299":848,"_301":849},"https://img.ochreeditions.com/m/1453.jpg?dl=1","/art/fence-sea-horse-design-nga-29082","/galleries/style/drawing/fence-sea-horse-design-nga-29082",{"_293":294,"_295":296},{"_227":842,"_125":843,"_287":844},{"_278":839,"_280":840,"_282":824,"_283":841},59.4,49.607958984375,25.607958984375,{"_289":227,"_123":845,"_154":846,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pearl-torell","Pearl Torell's contemporaries","https://img.ochreeditions.com/a/1453/480.jpg","https://img.ochreeditions.com/a/1453/960.jpg","https://img.ochreeditions.com/a/1453/1920.jpg",{"_313":862,"_315":863},{"_313":861,"_315":582},{"_313":859,"_315":860},{"_313":857,"_315":858},{"_313":855,"_315":856},"#797065",0.0469,"#574f47",0.0584,"#aca190",0.074,"#3e3732","#d4c8b1",0.7422,"Pearl Torell","pearl-torell","footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","Footpaths and Pavilion in the Dresden Grosser Garten",{"_42":921,"_224":922,"_327":923,"_329":924,"_330":925,"_331":926,"_333":-5,"_334":-5,"_335":927,"_140":99},"c. 1909","germany","early-modernism","black crayon on brown wove paper","overall: 33.1 x 43.6 cm (13 1/16 x 17 3/16 in.)",43.6,33.1,1.3086261980830671,[906,907,908,909,910],{"_223":303,"_224":304,"_42":305,"_306":307},"1982.71.1","Ernst Ludwig Kirchner drew this in about 1909, aged 29. It is now at the National Gallery of Art in Washington, DC.","Paths curve between trees towards a pavilion in Dresden’s Grosser Garten, the city’s great public park, set down in rapid strokes of black crayon on brown paper.","The image shows a landscape drawing with buildings, trees, and a winding path or water feature. The drawing is done in black charcoal on brownish background paper, creating a monochromatic color palette.",{"_297":903,"_299":904,"_301":905},"https://img.ochreeditions.com/m/1604.jpg?dl=1","/art/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","/galleries/style/drawing/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242",{"_293":294,"_295":296},{"_227":893,"_125":894,"_287":895},{"_278":890,"_280":891,"_282":874,"_283":892},67.6,57.3173828125,33.3173828125,{"_289":227,"_123":901,"_154":902,"_140":99},{"_289":125,"_123":898,"_154":899,"_140":900},{"_289":287,"_123":896,"_154":897,"_140":93},"era/20-germany","20th-century Germany","style/early-modernism","More Early modernism",68,"artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","https://img.ochreeditions.com/a/1604/480.jpg","https://img.ochreeditions.com/a/1604/960.jpg","https://img.ochreeditions.com/a/1604/1920.jpg",{"_313":919,"_315":920},{"_313":917,"_315":918},{"_313":915,"_315":916},{"_313":913,"_315":914},{"_313":911,"_315":912},"#695b4c",0.0195,"#d5c3a8",0.0402,"#988166",0.1142,"#ad9272",0.272,"#be9f7c",0.5541,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1880,1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","american-plains-with-mountain-range-in-the-distance-si-chndm-1917-17-15-a","American Plains with Mountain Range in the Distance",{"_42":976,"_224":977,"_327":978,"_329":328,"_330":979,"_331":980,"_333":-5,"_334":-5,"_335":981,"_140":95},"before 1872","Graphite, brush and watercolor on paper","19.1 x 12.3 cm (7 1/2 x 4 13/16 in.)",12.3,19.1,0.7217546131434122,[961,962,963,964,965],{"_223":381,"_224":382,"_42":383,"_306":384},"1917-17-15-a","Thomas Moran painted this (before 1872), aged 35. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":960,"_379":380},"AMERICAN PLAINS WITH MOUNTAIN RANGE IN THE DISTANCE",{"_297":957,"_299":958,"_301":959},"https://img.ochreeditions.com/m/1720.jpg?dl=1","/art/american-plains-with-mountain-range-in-the-distance-si-chndm-1917-17-15-a","/galleries/style/drawing/american-plains-with-mountain-range-in-the-distance-si-chndm-1917-17-15-a",{"_293":294,"_295":296},{"_227":952,"_125":953,"_287":954},{"_278":950,"_280":434,"_282":951,"_283":436},42.043865328585305,18.043865328585305,{"_289":227,"_123":955,"_154":956,"_140":95},{"_289":125,"_123":370,"_154":371,"_140":372},{"_289":287,"_123":367,"_154":368,"_140":369},"artist/thomas-moran","More by Thomas Moran","https://img.ochreeditions.com/a/1720/480.jpg","https://img.ochreeditions.com/a/1720/960.jpg","https://img.ochreeditions.com/a/1720/1920.jpg","Plains with mountain range in the distance.",{"_313":974,"_315":975},{"_313":972,"_315":973},{"_313":970,"_315":971},{"_313":968,"_315":969},{"_313":966,"_315":967},"#aba6a4",0.0394,"#c2b3a6",0.0914,"#d2b18c",0.2058,"#ebe5d7",0.3274,"#dbc9b3",0.336,"Thomas Moran","thomas-moran","American, born England, 1837–1926",1837,1926,"Moran came to Philadelphia from England as a child, trained as a wood engraver and largely taught himself to paint, deeply influenced by Turner’s work, which he studied in London.","self-portrait-met-334004","Self-Portrait",{"_42":1039,"_224":1040,"_327":1041,"_329":474,"_330":1042,"_331":1043,"_333":1044,"_334":1045,"_335":1046,"_140":81},"ca. 1796",18,"neoclassicism","Brush and point of brush, carbon black ink","Sheet: 5 7/8 × 3 9/16 in. (15 × 9.1 cm)",9.1,0.5936022253129346,[1024,1025,1026,1027,1028],{"_223":1021,"_224":1022,"_42":1023,"_306":384},"Courtesy of The Metropolitan Museum of Art","35.103.1","Francisco Goya drew this in about 1796, aged about 45. It is now at The Met in New York.","Goya portrays himself in carbon black ink, drawing with the point of the brush as well as broader strokes, around 1796, a few years after a serious illness left him profoundly deaf. He models the face with remarkable economy, letting the white of the paper do much of the work.","Self-Portrait, by Francisco Goya, ca. 1796",{"_297":1018,"_299":1019,"_301":1020},"https://img.ochreeditions.com/m/990.jpg?dl=1","/art/self-portrait-met-334004","/galleries/style/drawing/self-portrait-met-334004",{"_293":294,"_295":296},{"_227":1008,"_125":1009,"_287":1010},{"_278":1006,"_280":434,"_282":1007,"_283":436},38.840055632823365,14.840055632823365,{"_289":227,"_123":1016,"_154":1017,"_140":81},{"_289":125,"_123":1013,"_154":1014,"_140":1015},{"_289":287,"_123":1011,"_154":1012,"_140":85},"era/18-spain","18th-century Spain","style/neoclassicism","More Neoclassicism",109,"artist/francisco-goya","More by Francisco Goya","https://img.ochreeditions.com/a/990/480.jpg","https://img.ochreeditions.com/a/990/960.jpg","https://img.ochreeditions.com/a/990/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_313":1037,"_315":1038},{"_313":1035,"_315":1036},{"_313":1033,"_315":1034},{"_313":1031,"_315":1032},{"_313":1029,"_315":1030},"#c5bbae",0.0674,"#746d66",0.0724,"#9d948a",0.0732,"#efe3d4",0.3076,"#f4ebe0",0.4794,"Francisco Goya","francisco-goya","Spanish, 1746–1828",1746,1828,"Fuendetodos","Bordeaux","Goya began with tapestry designs for the royal factory in Madrid and rose to become first painter to the Spanish court under Charles IV. After a serious illness left him deaf in the 1790s, his work grew darker and more personal.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":1104,"_224":1105,"_327":1106,"_329":1107,"_330":1108,"_331":1109,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1834","britain","georgian-britain","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[1089,1090,1091,1092,1093],{"_223":452,"_224":453,"_42":454,"_306":455},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":1088,"_379":451},"Descent into the Plain of Granada, by David Roberts, 1834",{"_297":1085,"_299":1086,"_301":1087},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/drawing/descent-into-the-plain-of-granada-cma-119728",{"_293":294,"_295":296},{"_227":1074,"_125":1075,"_287":1076},{"_278":1071,"_280":1072,"_282":1055,"_283":1073},56.5,47.45735294117647,23.45735294117647,{"_289":227,"_123":1083,"_154":1084,"_140":89},{"_289":125,"_123":1080,"_154":1081,"_140":1082},{"_289":287,"_123":1077,"_154":1078,"_140":1079},"era/19-britain","19th-century Britain",40,"style/georgian-britain","More Georgian Britain",63,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_313":1102,"_315":1103},{"_313":1100,"_315":1101},{"_313":1098,"_315":1099},{"_313":1096,"_315":1097},{"_313":1094,"_315":1095},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"sheep-nga-52280","Sheep",{"_42":1163,"_224":1164,"_327":1165,"_329":1166,"_330":1167,"_331":1168,"_333":-5,"_334":-5,"_335":-5,"_140":101},"netherlands","dutch-and-flemish-baroque","black and red chalk (possibly crayon)","overall: 15 x 25.5 cm (5 7/8 x 10 1/16 in.)",25.5,1.6814449917898193,[1148,1149,1150,1151,1152],{"_223":303,"_224":304,"_42":305,"_306":307},"1970.17.136","Nicolaes Berchem drew this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of multiple sheep in various poses. The full-page illustration depicts several sheep lying down. The fur of the sheep is textured with detailed pencil strokes, and there are subtle hints of shadow beneath each animal. There is a combination of different angles and poses, showing the sheep from different perspectives. The drawing also contains some rough sketches and outlines, suggesting movement and presence without complete detail. The background is plain.",{"_297":1145,"_299":1146,"_301":1147},"https://img.ochreeditions.com/m/1553.jpg?dl=1","/art/sheep-nga-52280","/galleries/style/drawing/sheep-nga-52280",{"_293":294,"_295":296},{"_227":1134,"_125":1135,"_287":1136},{"_278":1131,"_280":1132,"_282":1117,"_283":1133},49.5,39.16552734375,15.16552734375,{"_289":227,"_123":1143,"_154":1144,"_140":89},{"_289":125,"_123":1140,"_154":1141,"_140":1142},{"_289":287,"_123":1137,"_154":1138,"_140":1139},"era/17-netherlands","17th-century Netherlands",91,"style/dutch-and-flemish-baroque","More Dutch and Flemish Baroque",94,"artist/contemporaries-of-nicolaes-berchem","Nicolaes Berchem's contemporaries","https://img.ochreeditions.com/a/1553/480.jpg","https://img.ochreeditions.com/a/1553/960.jpg","https://img.ochreeditions.com/a/1553/1920.jpg",{"_313":1161,"_315":1162},{"_313":1159,"_315":1160},{"_313":1157,"_315":1158},{"_313":1155,"_315":1156},{"_313":1153,"_315":1154},"#b8906d",0.0452,"#7a6c5d",0.0485,"#a0907a",0.1382,"#beab8f",0.2282,"#d1bd9e",0.5399,"Nicolaes Berchem","nicolaes-berchem","Dutch, 1620–1683","Dutch",1620,1683,"locust-blossoms-si-chndm-1939-85-93","Locust Blossoms",{"_42":1218,"_224":1219,"_327":1220,"_329":328,"_330":1221,"_331":1222,"_333":-5,"_334":-5,"_335":-5,"_140":103},"June 6, 1877","Brush and watercolor, graphite on cream paper","39.8 × 28.5 cm (15 11/16 × 11 1/4 in.)",28.5,39.8,0.7338490487141961,[1203,1204,1205,1206,1207],{"_223":381,"_224":382,"_42":383,"_306":384},"1939-85-93","Samuel Colman painted this (June 6, 1877), aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1202,"_379":380},"LOCUST BLOSSOMS",{"_297":1199,"_299":1200,"_301":1201},"https://img.ochreeditions.com/m/1743.jpg?dl=1","/art/locust-blossoms-si-chndm-1939-85-93","/galleries/style/drawing/locust-blossoms-si-chndm-1939-85-93",{"_293":294,"_295":296},{"_227":1194,"_125":1195,"_287":1196},{"_278":1191,"_280":1192,"_282":1193,"_283":1176},53.20719213882501,63.8,29.207192138825004,{"_289":227,"_123":1197,"_154":1198,"_140":89},{"_289":125,"_123":620,"_154":621,"_140":622},{"_289":287,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-samuel-colman","Samuel Colman's contemporaries","https://img.ochreeditions.com/a/1743/480.jpg","https://img.ochreeditions.com/a/1743/960.jpg","https://img.ochreeditions.com/a/1743/1920.jpg","Studies of locust blossoms in watercolor, center; below, studies in graphite of horse-chestnut leaves; above, studies in graphite of apple blossoms. Verso: sweet pea; marshmallow leaves.",{"_313":1216,"_315":1217},{"_313":1214,"_315":1215},{"_313":1212,"_315":1213},{"_313":1210,"_315":1211},{"_313":1208,"_315":1209},"#bfb29d",0.0572,"#bab8bb",0.0725,"#d0c1af",0.1971,"#deccb9",0.2832,"#e8d4c0",0.39,"Samuel Colman","samuel-colman","American, 1832–1920",1832,1920,{"_1224":-5,"_1225":1226,"_1227":1228,"_1229":8,"_1230":1231,"_1232":8},"user","csrf","0a920520cfc957516aa32f7cf68f2db31965a923","cartCount",0,"dropLive","legal",[1233,1234,1235,1236,1237,1238,1239,1240,1241,1242,1243,1244],"uploadsEnabled",{"_224":1267,"_20":1268},{"_224":1265,"_20":1266},{"_224":1263,"_20":1264},{"_224":1261,"_20":1262},{"_224":1259,"_20":1260},{"_224":1257,"_20":1258},{"_224":1255,"_20":1256},{"_224":1253,"_20":1254},{"_224":1251,"_20":1252},{"_224":1249,"_20":1250},{"_224":1247,"_20":1248},{"_224":1245,"_20":1246},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]