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Around this time, the artist made numerous watercolors of nightclubs, performers, and bathhouses.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":402,"_313":403},{"_311":400,"_313":401},{"_311":398,"_313":399},{"_311":396,"_313":397},{"_311":394,"_313":395},"#5e554e",0.133,"#a68e77",0.1336,"#5e6976",0.1737,"#878884",0.2797,"#bcb09b",0.28,"Charles Demuth","charles-demuth","American, 1883–1935","American",1883,1935,"italian-girl-si-chndm-1955-38-12-a","Italian girl",{"_42":471,"_224":472,"_325":473,"_327":407,"_329":474,"_331":475,"_333":305,"_335":476,"_337":-5,"_140":101},"ca. 1885","american-gilded-age","Pastel crayon on tan paper","32.3 x 25.4 cm (12 11/16 x 10 in.)",25.4,32.3,0.9348353552859618,[456,457,458,459,460],{"_223":453,"_224":454,"_42":455,"_304":305},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1955-38-12-a","Elihu Vedder drew this in about 1885, aged 49. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":451,"_383":452},"ITALIAN GIRL",{"_295":448,"_297":449,"_299":450},"https://img.ochreeditions.com/m/1752.jpg?dl=1","/art/italian-girl-si-chndm-1955-38-12-a","/galleries/style/drawing/italian-girl-si-chndm-1955-38-12-a",{"_291":292,"_293":294},{"_227":437,"_125":438,"_285":439},{"_276":434,"_278":435,"_280":436,"_281":418},54.19518197573656,56.3,30.195181975736563,{"_287":227,"_123":446,"_154":447,"_140":89},{"_287":125,"_123":443,"_154":444,"_140":445},{"_287":285,"_123":440,"_154":441,"_140":442},"era/19-united-states","19th-century United States",198,"style/american-gilded-age","More American Gilded Age",67,"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","https://img.ochreeditions.com/a/1752/480.jpg","https://img.ochreeditions.com/a/1752/960.jpg","https://img.ochreeditions.com/a/1752/1920.jpg","Head of a young female figure, turned toward the right.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_311":469,"_313":470},{"_311":467,"_313":468},{"_311":465,"_313":466},{"_311":463,"_313":464},{"_311":461,"_313":462},"#e2d0ba",0.0315,"#b19981",0.0805,"#f8ebd8",0.0818,"#cab39e",0.1039,"#c8ac90",0.7023,"Elihu Vedder","elihu-vedder","American, 1836–1923",1836,1923,"Rome","armchair-nga-16282","Armchair",{"_42":533,"_224":534,"_325":535,"_327":407,"_329":536,"_331":537,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1936","american-folk-design","watercolor and graphite on paperboard","overall: 29.3 x 23.1 cm (11 9/16 x 9 1/8 in.) Original IAD Object: none given.",23.1,29.3,0.79345703125,[518,519,520,521,522],{"_223":514,"_224":515,"_42":516,"_304":517},"Courtesy National Gallery of Art, Washington","1943.8.4078","Agnes Karlin painted this in about 1936, aged 21. It is now at the National Gallery of Art in Washington, DC.","The image shows an ornate chair with a high back, decorative carvings along its arms, legs, and backrest, a woven or cane seat and back, and intricate patterns. The chair is detailed with earthy brown tones and subtle shading accentuating the wood texture and design motifs. It is placed in the center of the image, facing slightly to the left, with linear guides indicating perspective and depth on a plain background.",{"_295":511,"_297":512,"_299":513},"https://img.ochreeditions.com/m/1391.jpg?dl=1","/art/armchair-nga-16282","/galleries/style/drawing/armchair-nga-16282",{"_291":292,"_293":294},{"_227":503,"_125":504,"_285":505},{"_276":500,"_278":501,"_280":502,"_281":485},47.248291015625,53.3,23.248291015625,{"_287":227,"_123":509,"_154":510,"_140":89},{"_287":125,"_123":506,"_154":507,"_140":508},{"_287":285,"_123":371,"_154":372,"_140":373},"style/american-folk-design","More American folk and design",90,"artist/contemporaries-of-agnes-karlin","Agnes Karlin's contemporaries","https://img.ochreeditions.com/a/1391/480.jpg","https://img.ochreeditions.com/a/1391/960.jpg","https://img.ochreeditions.com/a/1391/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":531,"_313":532},{"_311":529,"_313":530},{"_311":527,"_313":528},{"_311":525,"_313":526},{"_311":523,"_313":524},"#734c38",0.0438,"#ab8f77",0.0582,"#93705a",0.1057,"#c9b394",0.2206,"#cfbca1",0.5717,"Agnes Karlin","agnes-karlin","American, 1915–2008",1915,2008,"mt-katahdin-from-south-turner-mountain-maine-si-chndm-1917-4-630-a","Mt. Katahdin from South Turner Mountain, Maine",{"_42":591,"_224":592,"_325":593,"_327":407,"_329":594,"_331":595,"_333":596,"_335":305,"_337":597,"_140":89},"1877–78","hudson-river-school","Oil and graphite on paperboard","30.7 × 50.8 cm (12 1/16 × 20 in.)",50.8,30.7,1.6397771817619147,[576,577,578,579,580],{"_223":453,"_224":454,"_42":455,"_304":305},"1917-4-630-a","Frederic Edwin Church painted this in 1877–78, aged 51. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":575,"_383":452},"MT. KATAHDIN FROM SOUTH TURNER MOUNTAIN, MAINE",{"_295":572,"_297":573,"_299":574},"https://img.ochreeditions.com/m/1724.jpg?dl=1","/art/mt-katahdin-from-south-turner-mountain-maine-si-chndm-1917-4-630-a","/galleries/style/drawing/mt-katahdin-from-south-turner-mountain-maine-si-chndm-1917-4-630-a",{"_291":292,"_293":294},{"_227":564,"_125":565,"_285":566},{"_276":561,"_278":562,"_280":545,"_281":563},74.8,54.97981882234524,30.97981882234524,{"_287":227,"_123":570,"_154":571,"_140":89},{"_287":125,"_123":567,"_154":568,"_140":569},{"_287":285,"_123":440,"_154":441,"_140":442},"style/hudson-river-school","More Hudson River School",27,"artist/frederic-edwin-church","More by Frederic Edwin Church","https://img.ochreeditions.com/a/1724/480.jpg","https://img.ochreeditions.com/a/1724/960.jpg","https://img.ochreeditions.com/a/1724/1920.jpg","Landscape study showing a view of Mt. Katahdin in Maine from Turner Mountain to the east. Trees and a nearby rocky prominence are visible in the immediate foreground at right.",{"_311":589,"_313":590},{"_311":587,"_313":588},{"_311":585,"_313":586},{"_311":583,"_313":584},{"_311":581,"_313":582},"#e8dbcb",0.0998,"#c9ac88",0.1322,"#9e7e64",0.2115,"#806752",0.25,"#5c4936",0.3065,"Frederic Edwin Church","frederic-edwin-church","American, 1826–1900",1826,1900,"Hartford, Connecticut","Church studied with Thomas Cole in the Catskills and became the most celebrated American landscape painter of the mid-nineteenth century.","fence-nga-29083","Fence",{"_42":645,"_224":646,"_325":647,"_327":407,"_329":648,"_331":649,"_333":-5,"_335":-5,"_337":-5,"_140":101},"c. 1940","watercolor, pen and ink, and graphite on paperboard","overall: 35.9 x 28 cm (14 1/8 x 11 in.)",28,35.9,0.8795340217103521,[630,631,632,633,634],{"_223":514,"_224":515,"_42":516,"_304":517},"1943.8.16992","Rose Campbell-Gerke painted this in about 1940, aged 61. It is now at the National Gallery of Art in Washington, DC.","The image depicts an iron sculpture with grapevine motifs. The color scheme is primarily brown, with a textured appearance. The grapevine design is arranged vertically and includes grape clusters and leaves. The sculpture is mounted on a base and includes an iron bar at the top. The artist's signature \"ROSE CAMPBELL GERKE\" is visible in the lower right corner of the image.",{"_295":627,"_297":628,"_299":629},"https://img.ochreeditions.com/m/1454.jpg?dl=1","/art/fence-nga-29083","/galleries/style/drawing/fence-nga-29083",{"_291":292,"_293":294},{"_227":622,"_125":623,"_285":624},{"_276":619,"_278":620,"_280":621,"_281":605},55.57527137940164,59.9,31.575271379401638,{"_287":227,"_123":625,"_154":626,"_140":89},{"_287":125,"_123":506,"_154":507,"_140":508},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-rose-campbell-gerke","Rose Campbell-Gerke's contemporaries","https://img.ochreeditions.com/a/1454/480.jpg","https://img.ochreeditions.com/a/1454/960.jpg","https://img.ochreeditions.com/a/1454/1920.jpg",{"_311":643,"_313":644},{"_311":641,"_313":642},{"_311":639,"_313":640},{"_311":637,"_313":638},{"_311":635,"_313":636},"#a99176",0.0555,"#89725a",0.0689,"#584231",0.0781,"#705742",0.0843,"#ceb899",0.7132,"Rose Campbell-Gerke","rose-campbell-gerke","American, 1879–1964",1879,1964,"end-of-the-march-recto-nga-98212","End of the March [recto]",{"_42":702,"_224":703,"_325":704,"_327":407,"_329":474,"_331":705,"_333":706,"_335":707,"_337":708,"_140":53},"1862","antebellum-america","graphite on bristol board","sheet: 9.1 x 12.4 cm (3 9/16 x 4 7/8 in.)",12.4,9.1,1.3657885961987328,[687,688,689,690,691],{"_223":514,"_224":515,"_42":516,"_304":517},"1996.121.4.a","Winslow Homer drew this in 1862, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image displays curved and angular lines creating an abstract composition hinting at humanoid shapes and possible vegetation or trees. The lines suggest motion and activity, with shapes resembling drums and sticks scattered around. The overall impression is of a gathering or event, with figures depicted standing or moving, along with lines indicating movement or sound waves from musical instruments.",{"_295":684,"_297":685,"_299":686},"https://img.ochreeditions.com/m/1635.jpg?dl=1","/art/end-of-the-march-recto-nga-98212","/galleries/style/drawing/end-of-the-march-recto-nga-98212",{"_291":292,"_293":294},{"_227":676,"_125":677,"_285":678},{"_276":672,"_278":673,"_280":674,"_281":675},49,42.304443359375,25,18.304443359375,{"_287":227,"_123":682,"_154":683,"_140":53},{"_287":125,"_123":679,"_154":680,"_140":681},{"_287":285,"_123":440,"_154":441,"_140":442},"style/antebellum-america","More Antebellum America",33,"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1635/480.jpg","https://img.ochreeditions.com/a/1635/960.jpg","https://img.ochreeditions.com/a/1635/1920.jpg",{"_311":700,"_313":701},{"_311":698,"_313":699},{"_311":696,"_313":697},{"_311":694,"_313":695},{"_311":692,"_313":693},"#beaa8f",0.0316,"#dbc9ad",0.0416,"#bd9f7d",0.0947,"#b18d6a",0.2696,"#b99671",0.5625,"Winslow Homer","winslow-homer","American, 1836–1910",1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","cuff-lace-nga-12720","Cuff Lace",{"_42":756,"_224":757,"_325":758,"_327":407,"_329":759,"_331":760,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1937","watercolor and pen and ink on paperboard","overall: 30.5 x 22.8 cm (12 x 9 in.)",22.8,30.5,0.743408203125,[741,742,743,744,745],{"_223":514,"_224":515,"_42":516,"_304":517},"1943.8.511","Erwin Schwabe painted this in about 1937, aged 51. It is now at the National Gallery of Art in Washington, DC.","The image shows a lace-trimmed sleeve with a floral lace design in the center, primarily in shades of gray and off-white. The sleeve is positioned vertically in the center of the image, with the top slightly obscured by shadow and the ruffled lace edge at the bottom. The lace details are intricate and precise, enhancing the texture and complexity of the design.",{"_295":738,"_297":739,"_299":740},"https://img.ochreeditions.com/m/1372.jpg?dl=1","/art/cuff-lace-nga-12720","/galleries/style/drawing/cuff-lace-nga-12720",{"_291":292,"_293":294},{"_227":733,"_125":734,"_285":735},{"_276":730,"_278":731,"_280":732,"_281":716},46.6739501953125,54.5,22.6739501953125,{"_287":227,"_123":736,"_154":737,"_140":89},{"_287":125,"_123":506,"_154":507,"_140":508},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-erwin-schwabe","Erwin Schwabe's contemporaries","https://img.ochreeditions.com/a/1372/480.jpg","https://img.ochreeditions.com/a/1372/960.jpg","https://img.ochreeditions.com/a/1372/1920.jpg",{"_311":754,"_313":755},{"_311":752,"_313":753},{"_311":750,"_313":751},{"_311":748,"_313":749},{"_311":746,"_313":747},"#766d5d",0.0908,"#a1957e",0.119,"#8c826e",0.1443,"#c8b89d",0.2327,"#c1b297",0.4132,"Erwin Schwabe","erwin-schwabe","American, 1886–1977",1886,1977,"ancient-ruins-on-the-bank-of-the-tiber-nga-110206","Ancient Ruins on the Bank of the Tiber",{"_42":814,"_224":815,"_325":816,"_327":328,"_329":817,"_331":818,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1752/1756",18,"french-eighteenth-century","pen and brown ink over black chalk on laid paper","overall: 18 x 12.3 cm (7 1/16 x 4 13/16 in.)",12.3,0.690673828125,[799,800,801,802,803],{"_223":514,"_224":515,"_42":516,"_304":517},"1999.75.5.b","Augustin Pajou drew this in 1752/1756, aged about 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of an architectural scene with structures lining a road or pathway. The horizon is not clearly defined, and the sketch focuses on architectural details. The drawing features loose, freehand lines outlining buildings and trees, with classical elements like columns and entablatures. The color palette is monochromatic, with light parchment and dark ink strokes creating contrast. Close-up details are lightly shaded for depth, while distant details are less defined. The composition is open and airy, emphasizing architectural features over precision.",{"_295":796,"_297":797,"_299":798},"https://img.ochreeditions.com/m/1647.jpg?dl=1","/art/ancient-ruins-on-the-bank-of-the-tiber-nga-110206","/galleries/style/drawing/ancient-ruins-on-the-bank-of-the-tiber-nga-110206",{"_291":292,"_293":294},{"_227":785,"_125":786,"_285":787},{"_276":783,"_278":672,"_280":784,"_281":674},41.266845703125,17.266845703125,{"_287":227,"_123":794,"_154":795,"_140":89},{"_287":125,"_123":791,"_154":792,"_140":793},{"_287":285,"_123":788,"_154":789,"_140":790},"era/18-france","18th-century France",75,"style/french-eighteenth-century","More French eighteenth century",35,"artist/contemporaries-of-augustin-pajou","Augustin Pajou's contemporaries","https://img.ochreeditions.com/a/1647/480.jpg","https://img.ochreeditions.com/a/1647/960.jpg","https://img.ochreeditions.com/a/1647/1920.jpg",{"_311":812,"_313":813},{"_311":810,"_313":811},{"_311":808,"_313":809},{"_311":806,"_313":807},{"_311":804,"_313":805},"#bdac92",0.0487,"#b3af9f",0.1349,"#c4bfaa",0.1516,"#bdbcae",0.2102,"#c9c7b9",0.4546,"Augustin Pajou","augustin-pajou","French, 1730–1809",1730,1809,"figure-study-for-decorative-panel-si-saam-1930-12-47","Figure Study for Decorative Panel",{"_42":872,"_224":873,"_325":874,"_327":-5,"_329":875,"_331":876,"_333":-5,"_335":-5,"_337":-5,"_140":101},"n.d.","pencil and watercolor on paper mounted on paperboard","sheet: 9 3/4 x 7 in. (24.8 x 17.8 cm)",17.8,24.8,0.7176666666666667,[857,858,859,860,861],{"_223":453,"_224":454,"_42":455,"_304":517},"Courtesy of the Smithsonian American Art Museum","1930.12.47","Walter Shirlaw painted this (n.d.). It is now at the Smithsonian American Art Museum in Washington, DC.","Figure Study for Decorative Panel, by Walter Shirlaw, n.d.",{"_295":854,"_297":855,"_299":856},"https://img.ochreeditions.com/m/1888.jpg?dl=1","/art/figure-study-for-decorative-panel-si-saam-1930-12-47","/galleries/style/drawing/figure-study-for-decorative-panel-si-saam-1930-12-47",{"_291":292,"_293":294},{"_227":843,"_125":844,"_285":845},{"_276":841,"_278":672,"_280":842,"_281":674},41.94166666666666,17.941666666666666,{"_287":227,"_123":852,"_154":853,"_140":89},{"_287":125,"_123":849,"_154":850,"_140":851},{"_287":285,"_123":846,"_154":847,"_140":848},"era/museum-smithsonian","Now at Smithsonian Institution",300,"style/colour-ochre","More in ochre",37,"artist/contemporaries-of-walter-shirlaw","Walter Shirlaw's contemporaries","https://img.ochreeditions.com/a/1888/480.jpg","https://img.ochreeditions.com/a/1888/960.jpg","https://img.ochreeditions.com/a/1888/1920.jpg",{"_311":870,"_313":871},{"_311":868,"_313":869},{"_311":866,"_313":867},{"_311":864,"_313":865},{"_311":862,"_313":863},"#837370",0.0646,"#aa7e5f",0.1226,"#8a544c",0.1476,"#cc9b44",0.2701,"#d9ba7b",0.3951,"Walter Shirlaw","walter-shirlaw","1838–1909",1838,1909,"quaker-doll-nga-27449","Quaker Doll",{"_42":924,"_224":925,"_325":926,"_327":407,"_329":927,"_331":928,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1935/1942","watercolor, graphite, and gouache on paperboard","overall: 35.4 x 24.5 cm (13 15/16 x 9 5/8 in.) Original IAD Object: 9\" high",24.5,35.4,0.693115234375,[909,910,911,912,913],{"_223":514,"_224":515,"_42":516,"_304":517},"1943.8.15358","Jacob Gielens painted this in 1935/1942, aged about 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a young person standing upright with distinct facial features including rounded cheeks, a small mouth, and large eyes. They are wearing a brown dress with a cream-colored shawl, a bonnet with dark trim, and a pouch hanging from their left side. The background is plain and cream-colored.",{"_295":906,"_297":907,"_299":908},"https://img.ochreeditions.com/m/1443.jpg?dl=1","/art/quaker-doll-nga-27449","/galleries/style/drawing/quaker-doll-nga-27449",{"_291":292,"_293":294},{"_227":901,"_125":902,"_285":903},{"_276":898,"_278":899,"_280":900,"_281":884},48.536279296874994,59.4,24.536279296874998,{"_287":227,"_123":904,"_154":905,"_140":89},{"_287":125,"_123":506,"_154":507,"_140":508},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-jacob-gielens","Jacob Gielens's contemporaries","https://img.ochreeditions.com/a/1443/480.jpg","https://img.ochreeditions.com/a/1443/960.jpg","https://img.ochreeditions.com/a/1443/1920.jpg",{"_311":922,"_313":923},{"_311":920,"_313":921},{"_311":918,"_313":919},{"_311":916,"_313":917},{"_311":914,"_313":915},"#807364",0.0355,"#a69c8c",0.0479,"#c7b9a2",0.0554,"#928372",0.0898,"#dbd0b6",0.7714,"Jacob Gielens","jacob-gielens","American, born Germany, 1870–1946",1870,1946,"portrait-of-a-man-in-a-military-uniform-nga-52296","Portrait of a Man in a Military Uniform","Unrecorded French maker","18th century",17,"baroque","black, blue, and red chalk heightened with white on laid paper","overall (oval): 19.3 x 15.9 cm (7 5/8 x 6 1/4 in.)",15.9,19.3,0.8271484375,[968,969,970,971,972],{"_223":514,"_224":515,"_42":516,"_304":517},"1970.17.152","An unrecorded French artist drew this in 18th century. It is now at the National Gallery of Art in Washington, DC.","The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.",{"_295":965,"_297":966,"_299":967},"https://img.ochreeditions.com/m/1554.jpg?dl=1","/art/portrait-of-a-man-in-a-military-uniform-nga-52296","/galleries/style/drawing/portrait-of-a-man-in-a-military-uniform-nga-52296",{"_291":292,"_293":294},{"_227":954,"_125":955,"_285":956},{"_276":952,"_278":672,"_280":953,"_281":674},44.6787109375,20.6787109375,{"_287":227,"_123":963,"_154":964,"_140":87},{"_287":125,"_123":960,"_154":961,"_140":962},{"_287":285,"_123":957,"_154":958,"_140":959},"era/17-france","17th-century France",30,"style/baroque","More Baroque",32,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1554/480.jpg","https://img.ochreeditions.com/a/1554/960.jpg","https://img.ochreeditions.com/a/1554/1920.jpg",{"_311":981,"_313":982},{"_311":979,"_313":980},{"_311":977,"_313":978},{"_311":975,"_313":976},{"_311":973,"_313":974},"#586567",0.0787,"#baaa95",0.1094,"#877b6c",0.2016,"#6f675d",0.2629,"#eae4cf",0.3474,"francois-tronchin-cma-149399","François Tronchin",{"_42":1038,"_224":1039,"_325":1040,"_327":1041,"_329":1042,"_331":1043,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1757","switzerland","pastel on parchment","Unframed: 38 x 46.3 cm (14 15/16 x 18 1/4 in.)",46.3,38,1.2048192771084338,[1023,1024,1025,1026,1027],{"_223":385,"_224":386,"_42":387,"_304":388},"1978.54","Jean Etienne Liotard drew this in 1757, aged 55. It is now at the Cleveland Museum of Art.",{"_118":1022,"_383":384},"François Tronchin, by Jean Etienne Liotard, 1757",{"_295":1019,"_297":1020,"_299":1021},"https://img.ochreeditions.com/m/709.jpg?dl=1","/art/francois-tronchin-cma-149399","/galleries/style/drawing/francois-tronchin-cma-149399",{"_291":292,"_293":294},{"_227":1009,"_125":1010,"_285":1011},{"_276":1006,"_278":1007,"_280":990,"_281":1008},70.3,62.428999999999995,38.428999999999995,{"_287":227,"_123":1017,"_154":1018,"_140":89},{"_287":125,"_123":1014,"_154":1015,"_140":1016},{"_287":285,"_123":1012,"_154":1013,"_140":89},"era/18-switzerland","18th-century Switzerland","style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-jean-etienne-liotard","Jean Etienne Liotard's contemporaries","https://img.ochreeditions.com/a/709/480.jpg","https://img.ochreeditions.com/a/709/960.jpg","https://img.ochreeditions.com/a/709/1920.jpg","This pastel drawing depicts François Tronchin, a prominent figure in his native Geneva and an impassioned patron of the arts. The table before Tronchin features a book, mathematical instruments, and papers that indicate his interests in architecture and music.",{"_311":1036,"_313":1037},{"_311":1034,"_313":1035},{"_311":1032,"_313":1033},{"_311":1030,"_313":1031},{"_311":1028,"_313":1029},"#bca896",0.0849,"#816c5a",0.1592,"#272421",0.1952,"#4b4b44",0.2745,"#5c483b",0.2862,"Jean Etienne Liotard","jean-etienne-liotard","Swiss, 1702–1789","Swiss",1702,1789,"the-madonna-of-the-rosary-nga-91441","The Madonna of the Rosary",{"_42":1096,"_224":1097,"_325":1098,"_327":1099,"_329":1100,"_331":1101,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1674","spain","spanish-golden-age","pen and brown ink on laid paper","overall: 32.3 x 24 cm (12 11/16 x 9 7/16 in.)",24,0.74365234375,[1081,1082,1083,1084,1085],{"_223":514,"_224":515,"_42":516,"_304":517},"1995.8.2","Vicente Salvador Gómez drew this in 1674, aged 37. It is now at the National Gallery of Art in Washington, DC.","The image depicts a woman seated with a child in her lap. The woman looks down at the child, who has curly hair. Both figures are intricately drawn in a detailed line drawing style. The woman wears a headdress and flowing garment, holding a cross-topped staff. The child clutches her arm. Surrounding them are cloud-like forms and cherubic figures with wings, some holding rosary beads. In the background, more clouds and angelic faces are sketched.",{"_295":1078,"_297":1079,"_299":1080},"https://img.ochreeditions.com/m/1625.jpg?dl=1","/art/the-madonna-of-the-rosary-nga-91441","/galleries/style/drawing/the-madonna-of-the-rosary-nga-91441",{"_291":292,"_293":294},{"_227":1068,"_125":1069,"_285":1070},{"_276":1066,"_278":435,"_280":1067,"_281":418},48.019970703125,24.019970703124997,{"_287":227,"_123":1076,"_154":1077,"_140":89},{"_287":125,"_123":1073,"_154":1074,"_140":1075},{"_287":285,"_123":1071,"_154":1072,"_140":75},"era/17-spain","17th-century Spain","style/spanish-golden-age","More Spanish Golden Age",21,"artist/contemporaries-of-vicente-salvador-gomez","Vicente Salvador Gómez's contemporaries","https://img.ochreeditions.com/a/1625/480.jpg","https://img.ochreeditions.com/a/1625/960.jpg","https://img.ochreeditions.com/a/1625/1920.jpg",{"_311":1094,"_313":1095},{"_311":1092,"_313":1093},{"_311":1090,"_313":1091},{"_311":1088,"_313":1089},{"_311":1086,"_313":1087},"#a2866a",0.0519,"#b69a7e",0.1423,"#c7ac90",0.2025,"#dec6ad",0.251,"#d4baa0",0.3523,"Vicente Salvador Gómez","vicente-salvador-gomez","Spanish, 1637 - c. 1680","Spanish",1637,1680,"a-young-woman-buying-a-pink-from-a-young-man-cma-117766","A Young Woman Buying a Pink from a Young Man",{"_42":1157,"_224":1158,"_325":1159,"_327":1160,"_329":1161,"_331":1162,"_333":-5,"_335":-5,"_337":-5,"_140":101},"c. 1740","italy","rococo","black crayon (wetted and rubbed) heightened with white chalk on faded blue paper","Sheet: 42.7 x 54.9 cm (16 13/16 x 21 5/8 in.)",54.9,42.7,1.2740885416666667,[1142,1143,1144,1145,1146],{"_223":385,"_224":386,"_42":387,"_304":388},"1938.387","Giovanni Battista Piazzetta drew this in about 1740, aged about 53. It is now at the Cleveland Museum of Art.",{"_118":1141,"_383":384},"A Young Woman Buying a Pink from a Young Man, by Giovanni Battista Piazzetta, c. 1740",{"_295":1138,"_297":1139,"_299":1140},"https://img.ochreeditions.com/m/535.jpg?dl=1","/art/a-young-woman-buying-a-pink-from-a-young-man-cma-117766","/galleries/style/drawing/a-young-woman-buying-a-pink-from-a-young-man-cma-117766",{"_291":292,"_293":294},{"_227":1129,"_125":1130,"_285":1131},{"_276":1126,"_278":1127,"_280":1110,"_281":1128},78.9,67.08962698007153,43.089626980071536,{"_287":227,"_123":1136,"_154":1137,"_140":89},{"_287":125,"_123":1134,"_154":1135,"_140":1075},{"_287":285,"_123":1132,"_154":1133,"_140":672},"era/18-italy","18th-century Italy","style/rococo","More Rococo","artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","https://img.ochreeditions.com/a/535/480.jpg","https://img.ochreeditions.com/a/535/960.jpg","https://img.ochreeditions.com/a/535/1920.jpg","Giovanni Battista Piazzetta was celebrated for his finished drawings of saints, portraits, and teste di carattere (character heads). Cleveland’s sheet belongs to the latter genre, which describes portraits embellished with props to suggest a character type or types.",{"_311":1155,"_313":1156},{"_311":1153,"_313":1154},{"_311":1151,"_313":1152},{"_311":1149,"_313":1150},{"_311":1147,"_313":1148},"#3a3d3c",0.1291,"#5d5c57",0.1744,"#182125",0.1913,"#968e84",0.2434,"#7c776f",0.2618,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754","Italian",1682,1754,"color-notes-on-iron-nga-29062","Color Notes on Iron",{"_42":1208,"_224":1209,"_325":407,"_327":407,"_329":-5,"_331":1210,"_333":-5,"_335":-5,"_337":-5,"_140":103},"watercolor and pen and ink on paper","overall: 34.9 x 26.7 cm (13 3/4 x 10 1/2 in.)",26.7,34.9,0.761962890625,[1194,1195,1196,1197,1198],{"_223":514,"_224":515,"_42":516,"_304":517},"1943.8.16971","Gerald Transpota painted this in 1935/1942. It is now at the National Gallery of Art in Washington, DC.","The image shows five metallic objects arranged in a vertical column. These include three L-shaped brackets and two circular rings, in muted gray and rust-brown shades with a metallic sheen. The objects are positioned against a light, neutral background.",{"_295":1191,"_297":1192,"_299":1193},"https://img.ochreeditions.com/m/1452.jpg?dl=1","/art/color-notes-on-iron-nga-29062","/galleries/style/drawing/color-notes-on-iron-nga-29062",{"_291":292,"_293":294},{"_227":1186,"_125":1187,"_285":1188},{"_276":1183,"_278":1184,"_280":1185,"_281":1169},50.5925048828125,58.9,26.5925048828125,{"_287":227,"_123":1189,"_154":1190,"_140":89},{"_287":125,"_123":506,"_154":507,"_140":508},{"_287":285,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-gerald-transpota","Gerald Transpota's contemporaries","https://img.ochreeditions.com/a/1452/480.jpg","https://img.ochreeditions.com/a/1452/960.jpg","https://img.ochreeditions.com/a/1452/1920.jpg",{"_311":1206,"_313":1207},{"_311":1205,"_313":1204},{"_311":1203,"_313":1204},{"_311":1201,"_313":1202},{"_311":1199,"_313":1200},"#807b78",0.0303,"#71614a",0.0325,"#514235",0.0459,"#b3ac9f","#e8e4d2",0.8454,"Gerald Transpota","gerald-transpota",1995,{"_1212":-5,"_1213":1214,"_1215":1216,"_1217":8,"_1218":1219,"_1220":8},"user","csrf","daf060bf97af2380f99e20a1bb7e6975a144ec92","cartCount",0,"dropLive","legal",[1221,1222,1223,1224,1225,1226,1227,1228,1229,1230,1231,1232],"uploadsEnabled",{"_224":1255,"_20":1256},{"_224":1253,"_20":1254},{"_224":1251,"_20":1252},{"_224":1249,"_20":1250},{"_224":1247,"_20":1248},{"_224":1245,"_20":1246},{"_224":1243,"_20":1244},{"_224":1241,"_20":1242},{"_224":1239,"_20":1240},{"_224":1237,"_20":1238},{"_224":1235,"_20":1236},{"_224":1233,"_20":1234},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]