[{"_1":2,"_3":4},"root",{"_5":1142},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Baroque, in the galleries · Ochre Editions","description","Drama, movement and deep shadow in European art of the 1600s. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/baroque","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/baroque.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Baroque, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/the-angel-departing-from-the-family-of-tobit-aic-24932",15,"https://www.ochreeditions.com/art/the-supper-at-emmaus-cma-112626",14,"https://www.ochreeditions.com/art/adoration-of-the-magi-cma-144303",13,"https://www.ochreeditions.com/art/the-holy-family-aic-262134",12,"https://www.ochreeditions.com/art/cupid-chastised-aic-59847",11,"https://www.ochreeditions.com/art/sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302",10,"https://www.ochreeditions.com/art/the-crucifixion-of-saint-andrew-cma-148758",9,"https://www.ochreeditions.com/art/the-grotto-of-pan-and-fame-aic-121412",8,"https://www.ochreeditions.com/art/the-creation-of-adam-aic-105073",7,"https://www.ochreeditions.com/art/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311",6,"https://www.ochreeditions.com/art/salome-with-the-head-of-saint-john-the-baptist-aic-11434",5,"https://www.ochreeditions.com/art/jacopo-butera-aic-58050",4,"https://www.ochreeditions.com/art/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308",3,"https://www.ochreeditions.com/art/antique-carved-marble-candelabra-base-aic-248307",2,"https://www.ochreeditions.com/art/one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307",1,"https://www.ochreeditions.com/art/holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~baroque.a8c64045c0.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~baroque.a8c64045c0.jpg","alt","Baroque, a room in the galleries: three of its 32 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Baroque: 32 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~baroque.jpg","key","style/baroque","style","Baroque","intro","Drama, movement and deep shadow in European art of the 1600s.","wing","Style galleries","floor","layout","long","hang",7523,"/galleries/style/baroque","total",32,"page","works",[204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219],"walls",[172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NzUyMywiaSI6bnVsbCwiZyI6Im9KNDYycWEwIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/baroque?hang=7523&cursor=eyJvIjoxNiwiaCI6NzUyMywiaSI6bnVsbCwiZyI6Im9KNDYycWEwIn0&via=continue","label","Baroque, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/399/480.jpg","https://img.ochreeditions.com/a/678/480.jpg","https://img.ochreeditions.com/a/406/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":97},{"_154":165,"_123":166,"_44":167,"_140":168},"17th-century Italy","era/17-italy","/galleries/era/17-italy?hang=7523&via=continue",39,"More by Giovanni Benedetto Castiglione","artist/giovanni-benedetto-castiglione","/galleries/artist/giovanni-benedetto-castiglione?hang=7523&via=continue",{"_42":198,"_178":199},{"_42":193,"_178":194},{"_42":187,"_178":188},{"_42":182,"_178":183},{"_42":177,"_178":179},"Section 3, north wall","work_ids",[180,181],528,105,"Section 2, north wall",[184,185,186],173,407,673,"Section 2, south wall",[189,190,191,192],265,299,701,672,"Section 1, south wall",[195,196,197],172,21,378,"Section 1, north wall",[200,201,202,203],449,1734,374,375,{"_220":200,"_221":1091,"_20":1092,"_224":1093,"_226":-5,"_227":1094,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":471,"_236":472,"_238":1095,"_240":1096,"_242":786,"_244":1097,"_246":1098,"_248":1099,"_250":1100,"_252":253,"_254":1101,"_256":257,"_258":1102,"_154":-5,"_260":-5,"_111":1103,"_262":1104,"_264":1105,"_266":1106,"_268":1107,"_270":1108,"_144":1109,"_273":1110},{"_220":201,"_221":1029,"_20":1030,"_224":1031,"_226":-5,"_227":1032,"_229":230,"_231":-5,"_233":234,"_125":-5,"_28":1033,"_236":1034,"_238":1035,"_240":1036,"_242":-5,"_244":-5,"_246":1037,"_248":1038,"_250":1039,"_252":1040,"_254":1041,"_256":257,"_258":1042,"_154":1043,"_260":-5,"_111":1044,"_262":1045,"_264":1046,"_266":1047,"_268":1048,"_270":1049,"_144":1050,"_273":1051},{"_220":202,"_221":980,"_20":981,"_224":982,"_226":-5,"_227":983,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":235,"_236":237,"_238":984,"_240":985,"_242":230,"_244":986,"_246":987,"_248":988,"_250":989,"_252":253,"_254":990,"_256":257,"_258":991,"_154":-5,"_260":-5,"_111":992,"_262":993,"_264":994,"_266":995,"_268":996,"_270":997,"_144":998,"_273":999},{"_220":203,"_221":929,"_20":930,"_224":931,"_226":-5,"_227":932,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":235,"_236":237,"_238":933,"_240":934,"_242":935,"_244":371,"_246":936,"_248":937,"_250":938,"_252":253,"_254":939,"_256":257,"_258":940,"_154":-5,"_260":-5,"_111":941,"_262":942,"_264":943,"_266":944,"_268":945,"_270":946,"_144":947,"_273":948},{"_220":195,"_221":877,"_20":878,"_224":879,"_226":-5,"_227":880,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":342,"_236":343,"_238":526,"_240":881,"_242":882,"_244":883,"_246":884,"_248":885,"_250":886,"_252":253,"_254":887,"_256":257,"_258":888,"_154":-5,"_260":-5,"_111":889,"_262":890,"_264":891,"_266":892,"_268":893,"_270":894,"_144":895,"_273":896},{"_220":196,"_221":832,"_20":833,"_224":834,"_226":-5,"_227":835,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":342,"_236":343,"_238":526,"_240":836,"_242":837,"_244":838,"_246":839,"_248":840,"_250":841,"_252":253,"_254":842,"_256":257,"_258":843,"_154":844,"_260":-5,"_111":845,"_262":846,"_264":847,"_266":848,"_268":849,"_270":850,"_144":851,"_273":852},{"_220":197,"_221":780,"_20":781,"_224":782,"_226":-5,"_227":783,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":235,"_236":237,"_238":784,"_240":785,"_242":786,"_244":787,"_246":788,"_248":789,"_250":790,"_252":253,"_254":791,"_256":257,"_258":792,"_154":-5,"_260":-5,"_111":793,"_262":794,"_264":795,"_266":796,"_268":797,"_270":798,"_144":799,"_273":800},{"_220":189,"_221":735,"_20":736,"_224":737,"_226":-5,"_227":738,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":471,"_236":472,"_238":739,"_240":740,"_242":741,"_244":742,"_246":743,"_248":744,"_250":745,"_252":253,"_254":746,"_256":257,"_258":747,"_154":-5,"_260":748,"_111":749,"_262":750,"_264":751,"_266":752,"_268":753,"_270":754,"_144":755,"_273":756},{"_220":190,"_221":684,"_20":685,"_224":686,"_226":-5,"_227":687,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":471,"_236":472,"_238":688,"_240":689,"_242":690,"_244":691,"_246":692,"_248":693,"_250":694,"_252":253,"_254":695,"_256":257,"_258":696,"_154":-5,"_260":-5,"_111":697,"_262":698,"_264":699,"_266":700,"_268":701,"_270":702,"_144":703,"_273":704},{"_220":191,"_221":629,"_20":630,"_224":631,"_226":-5,"_227":632,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":342,"_236":343,"_238":344,"_240":633,"_242":634,"_244":635,"_246":636,"_248":637,"_250":638,"_252":351,"_254":639,"_256":257,"_258":640,"_154":641,"_260":-5,"_111":642,"_262":643,"_264":644,"_266":645,"_268":646,"_270":647,"_144":648,"_273":649},{"_220":192,"_221":577,"_20":578,"_224":579,"_226":-5,"_227":580,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":342,"_236":343,"_238":344,"_240":581,"_242":496,"_244":582,"_246":583,"_248":584,"_250":585,"_252":351,"_254":586,"_256":257,"_258":587,"_154":588,"_260":-5,"_111":589,"_262":590,"_264":591,"_266":592,"_268":593,"_270":594,"_144":595,"_273":596},{"_220":184,"_221":522,"_20":523,"_224":524,"_226":-5,"_227":525,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":342,"_236":343,"_238":526,"_240":527,"_242":528,"_244":529,"_246":530,"_248":531,"_250":532,"_252":253,"_254":533,"_256":257,"_258":534,"_154":535,"_260":-5,"_111":536,"_262":537,"_264":538,"_266":539,"_268":540,"_270":541,"_144":542,"_273":543},{"_220":185,"_221":467,"_20":468,"_224":469,"_226":-5,"_227":470,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":471,"_236":472,"_238":473,"_240":474,"_242":81,"_244":53,"_246":475,"_248":476,"_250":477,"_252":253,"_254":478,"_256":257,"_258":479,"_154":-5,"_260":-5,"_111":480,"_262":481,"_264":482,"_266":483,"_268":484,"_270":485,"_144":486,"_273":487},{"_220":186,"_221":409,"_20":410,"_224":411,"_226":-5,"_227":412,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":342,"_236":343,"_238":344,"_240":413,"_242":414,"_244":415,"_246":416,"_248":417,"_250":418,"_252":351,"_254":419,"_256":257,"_258":420,"_154":421,"_260":-5,"_111":422,"_262":423,"_264":424,"_266":425,"_268":426,"_270":427,"_144":428,"_273":429},{"_220":180,"_221":337,"_20":338,"_224":339,"_226":-5,"_227":340,"_229":341,"_231":232,"_233":234,"_125":-5,"_28":342,"_236":343,"_238":344,"_240":345,"_242":346,"_244":347,"_246":348,"_248":349,"_250":350,"_252":351,"_254":352,"_256":257,"_258":353,"_154":354,"_260":-5,"_111":355,"_262":356,"_264":357,"_266":358,"_268":359,"_270":360,"_144":361,"_273":362},{"_220":181,"_221":222,"_20":223,"_224":225,"_226":-5,"_227":228,"_229":230,"_231":232,"_233":234,"_125":-5,"_28":235,"_236":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_154":-5,"_260":-5,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","the-angel-departing-from-the-family-of-tobit-aic-24932","The Angel Departing from the Family of Tobit (?)","artist",{"_42":321,"_221":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_140":97},"unrecorded","date","c. 1655","century",17,"place","italy","movement","baroque","watercolour","classification","Drawing and Watercolor","medium","Red oil paint on ivory laid paper","dimensions","41.9 × 54.6 cm (16 1/2 × 21 1/2 in.)","width_cm",54,"height_cm",41,"aspect",1.31025507548152,"palette",[304,305,306,307,308],"museum",{"_220":299,"_221":300,"_42":301,"_302":303},"credit","Courtesy of the Art Institute of Chicago","accession","1966.34","licence","CC0","story","Giovanni Benedetto Castiglione painted this in about 1655, aged about 36. It is now at the Art Institute of Chicago.","note","A work made of red oil paint on ivory laid paper.","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/105.jpg?dl=1","page_url","/art/the-angel-departing-from-the-family-of-tobit-aic-24932","walk_url","/galleries/style/baroque/the-angel-departing-from-the-family-of-tobit-aic-24932","frame",{"_289":290,"_291":292},{"_224":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":243,"_280":281},"w",78,"h",65.21334922526817,"image_w","image_h",41.213349225268175,{"_286":224,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":230},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/watercolour-17","More watercolours of the 17th century","moulding","black","mount","snow","480","https://img.ochreeditions.com/a/105/480.jpg","960","https://img.ochreeditions.com/a/105/960.jpg","1920","https://img.ochreeditions.com/a/105/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#bd855e","weight",0.0644,"#b39c80",0.0772,"#cda27d",0.1441,"#d3b392",0.2347,"#d5bea2",0.4796,"Giovanni Benedetto Castiglione","giovanni-benedetto-castiglione","bio","Italian, 1609–1664","nationality","Italian","birth_year",1609,"death_year",1664,"birth_place","Genoa","death_place","Mantua","about_excerpt","Castiglione, nicknamed Il Grechetto, trained in his native Genoa and worked in Rome before becoming court painter to the Gonzaga in Mantua.","the-supper-at-emmaus-cma-112626","The Supper at Emmaus",{"_42":404,"_221":405,"_323":406,"_325":326,"_327":407,"_329":408,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1720",18,"painting","Painting","oil on canvas","Framed: 133.4 x 167 x 9.5 cm (52 1/2 x 65 3/4 x 3 3/4 in.); Unframed: 108 x 140.6 cm (42 1/2 x 55 3/8 in.)",140.6,108,1.3097072419106317,[389,390,391,392,393],{"_220":385,"_221":386,"_42":387,"_302":388},"Courtesy of the Cleveland Museum of Art","1931.245","Giovanni Battista Piazzetta painted this in about 1720, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":382,"_383":384},"The Supper at Emmaus, by Giovanni Battista Piazzetta, c. 1720",{"_293":379,"_295":380,"_297":381},"https://img.ochreeditions.com/m/528.jpg?dl=1","/art/the-supper-at-emmaus-cma-112626","/galleries/style/baroque/the-supper-at-emmaus-cma-112626",{"_289":377,"_291":378},{"_224":366,"_125":367,"_284":368},{"_275":363,"_277":364,"_279":346,"_280":365},155.6,122.35223529411765,107.35223529411765,{"_286":224,"_123":375,"_154":376,"_140":89},{"_286":125,"_123":372,"_154":373,"_140":374},{"_286":284,"_123":369,"_154":370,"_140":371},"era/18-italy","18th-century Italy",49,"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","natural","ivory","https://img.ochreeditions.com/a/528/480.jpg","https://img.ochreeditions.com/a/528/960.jpg","https://img.ochreeditions.com/a/528/1920.jpg","This painting depicts the biblical story of the Supper at Emmaus, when the disguised, resurrected Christ suddenly reveals himself to two astonished disciples as they all sit down to dinner.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":402,"_311":403},{"_309":400,"_311":401},{"_309":398,"_311":399},{"_309":396,"_311":397},{"_309":394,"_311":395},"#303637",0.0236,"#6a6962",0.0344,"#b1957c",0.052,"#57382b",0.1964,"#2a211b",0.6936,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754",1682,1754,"adoration-of-the-magi-cma-144303","Adoration of the Magi",{"_42":460,"_221":461,"_323":462,"_325":326,"_327":463,"_329":464,"_331":465,"_333":465,"_335":466,"_140":93},"1642","Framed: 378 x 280.5 x 10.5 cm (148 13/16 x 110 7/16 x 4 1/8 in.); Unframed: 367.3 x 268.6 cm (144 5/8 x 105 3/4 in.)",268.6,367.3,0.7237831420656905,[445,446,447,448,449],{"_220":385,"_221":386,"_42":387,"_302":388},"1969.132","Guido Reni painted this in 1642, aged 67. It is now at the Cleveland Museum of Art.",{"_118":444,"_383":384},"Adoration of the Magi, by Guido Reni, 1642",{"_293":441,"_295":442,"_297":443},"https://img.ochreeditions.com/m/673.jpg?dl=1","/art/adoration-of-the-magi-cma-144303","/galleries/style/baroque/adoration-of-the-magi-cma-144303",{"_289":377,"_291":378},{"_224":434,"_125":435,"_284":436},{"_275":430,"_277":431,"_279":432,"_280":433},188.70795409576573,255,173.70795409576573,240,{"_286":224,"_123":439,"_154":440,"_140":93},{"_286":125,"_123":437,"_154":438,"_140":374},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-17","More paintings of the 17th century","artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/673/480.jpg","https://img.ochreeditions.com/a/673/960.jpg","https://img.ochreeditions.com/a/673/1920.jpg","This large altarpiece was in the artist's studio when he died, and parts of the composition appear incomplete. Some figures lack color, and Reni never finished the wooden structure.",{"_309":458,"_311":459},{"_309":456,"_311":457},{"_309":454,"_311":455},{"_309":452,"_311":453},{"_309":450,"_311":451},"#c9b88c",0.124,"#826847",0.1332,"#b7b1aa",0.1607,"#393527",0.2891,"#6b6559",0.293,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","the-holy-family-aic-262134","The Holy Family",{"_42":517,"_221":518,"_323":519,"_325":326,"_327":520,"_329":521,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1613/15","print","Print","Etching in black on tan laid paper","Plate/sheet: 16.5 × 12.5 cm (6 1/2 × 4 15/16 in.)",0.7525284055437632,[502,503,504,505,506],{"_220":299,"_221":300,"_42":301,"_302":303},"2022.54","Giulio Cesare Procaccini made this in 1613/15, aged about 39. It is now at the Art Institute of Chicago.","A work made of etching in black on tan laid paper.",{"_293":499,"_295":500,"_297":501},"https://img.ochreeditions.com/m/407.jpg?dl=1","/art/the-holy-family-aic-262134","/galleries/style/baroque/the-holy-family-aic-262134",{"_289":290,"_291":292},{"_224":491,"_125":492,"_284":493},{"_275":488,"_277":371,"_279":489,"_280":490},42.81321013859408,18.81321013859408,25,{"_286":224,"_123":497,"_154":498,"_140":89},{"_286":125,"_123":494,"_154":495,"_140":496},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-giulio-cesare-procaccini","Giulio Cesare Procaccini's contemporaries","https://img.ochreeditions.com/a/407/480.jpg","https://img.ochreeditions.com/a/407/960.jpg","https://img.ochreeditions.com/a/407/1920.jpg",{"_309":515,"_311":516},{"_309":513,"_311":514},{"_309":511,"_311":512},{"_309":509,"_311":510},{"_309":507,"_311":508},"#f0e0cf",0.0934,"#5b5148",0.1348,"#bba28c",0.2048,"#7c6c5f",0.2757,"#998574",0.2913,"Giulio Cesare Procaccini","giulio-cesare-procaccini","Italian, 1574–1625",1574,1625,"cupid-chastised-aic-59847","Cupid Chastised",{"_42":572,"_221":573,"_323":574,"_325":326,"_327":575,"_329":576,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1613","Oil on canvas","175.3 × 130.6 cm (69 × 51 3/8 in.)",130,175,0.7140801841549971,[557,558,559,560,561],{"_220":299,"_221":300,"_42":301,"_302":303},"1947.58","Bartolomeo Manfredi painted this in 1613, aged 31. It is now at the Art Institute of Chicago.",{"_118":555,"_383":556},"Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.",{"_293":552,"_295":553,"_297":554},"https://img.ochreeditions.com/m/173.jpg?dl=1","/art/cupid-chastised-aic-59847","/galleries/style/baroque/cupid-chastised-aic-59847",{"_289":377,"_291":378},{"_224":547,"_125":548,"_284":549},{"_275":544,"_277":545,"_279":546,"_280":529},139.9640322271245,190,124.96403222712449,{"_286":224,"_123":550,"_154":551,"_140":89},{"_286":125,"_123":437,"_154":438,"_140":374},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-bartolomeo-manfredi","Bartolomeo Manfredi's contemporaries","https://img.ochreeditions.com/a/173/480.jpg","https://img.ochreeditions.com/a/173/960.jpg","https://img.ochreeditions.com/a/173/1920.jpg","This dramatic scene by Bartolomeo Manfredi shows Mars, the god of war, beating Cupid for having caused his affair with Venus, the goddess of love. The sheer physicality of the figures as well as the bold illumination from the left further the work's dynamism.","Text from the Art Institute of Chicago.",{"_309":570,"_311":571},{"_309":568,"_311":569},{"_309":566,"_311":567},{"_309":564,"_311":565},{"_309":562,"_311":563},"#b99d7b",0.0832,"#753f25",0.0944,"#574a3a",0.1685,"#3b281a",0.2354,"#1e1a16",0.4185,"Bartolomeo Manfredi","bartolomeo-manfredi","Italian, 1582–1622",1582,1622,"sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302","Sketch for \"The Four Prophets of Israel\" (for Il Gesù, Rome)",{"_42":624,"_221":625,"_323":626,"_325":326,"_327":627,"_329":628,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1675–1677","Framed: 81.3 x 68 x 9 cm (32 x 26 3/4 x 3 9/16 in.); Unframed: 67.3 x 55 cm (26 1/2 x 21 5/8 in.)",67.3,0.8161764705882353,[609,610,611,612,613],{"_220":385,"_221":386,"_42":387,"_302":388},"1969.131","Giovanni Battista Gaulli painted this in about 1675–1677, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":608,"_383":384},"Sketch for \"The Four Prophets of Israel\" (for Il Gesù, Rome), by Giovanni Battista Gaulli, c. 1675–1677",{"_293":605,"_295":606,"_297":607},"https://img.ochreeditions.com/m/672.jpg?dl=1","/art/sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302","/galleries/style/baroque/sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302",{"_289":377,"_291":378},{"_224":600,"_125":601,"_284":602},{"_275":597,"_277":598,"_279":599,"_280":582},69.92867647058823,82.3,54.92867647058823,{"_286":224,"_123":603,"_154":604,"_140":89},{"_286":125,"_123":437,"_154":438,"_140":374},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-battista-gaulli","Giovanni Battista Gaulli's contemporaries","https://img.ochreeditions.com/a/672/480.jpg","https://img.ochreeditions.com/a/672/960.jpg","https://img.ochreeditions.com/a/672/1920.jpg","This small painting represents the four prophets of Israel: Isaiah, Jeremiah, Ezekiel, and Daniel. It is one of seven oil sketches made in preparation for the decoration of the four pendentives in the Jesuit Church of the Gesù in Rome.",{"_309":622,"_311":623},{"_309":620,"_311":621},{"_309":618,"_311":619},{"_309":616,"_311":617},{"_309":614,"_311":615},"#241e19",0.0682,"#764332",0.0685,"#8b6a54",0.07,"#433027",0.143,"#58382a",0.6503,"Giovanni Battista Gaulli","giovanni-battista-gaulli","Italian, 1639–1709",1639,1709,"the-crucifixion-of-saint-andrew-cma-148758","The Crucifixion of Saint Andrew",{"_42":677,"_221":678,"_323":679,"_325":326,"_327":680,"_329":681,"_331":682,"_333":683,"_335":-5,"_140":101},"1606–7","Framed: 233.5 x 184 x 12 cm (91 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 202.5 x 152.7 cm (79 3/4 x 60 1/8 in.)",152.7,202.5,0.7538235294117647,[662,663,664,665,666],{"_220":385,"_221":386,"_42":387,"_302":388},"1976.2","Caravaggio painted this in 1606–7, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":661,"_383":384},"The Crucifixion of Saint Andrew, by Caravaggio, 1606–7",{"_293":658,"_295":659,"_297":660},"https://img.ochreeditions.com/m/701.jpg?dl=1","/art/the-crucifixion-of-saint-andrew-cma-148758","/galleries/style/baroque/the-crucifixion-of-saint-andrew-cma-148758",{"_289":377,"_291":378},{"_224":653,"_125":654,"_284":655},{"_275":650,"_277":651,"_279":652,"_280":635},167.64926470588236,217.5,152.64926470588236,{"_286":224,"_123":656,"_154":657,"_140":89},{"_286":125,"_123":437,"_154":438,"_140":374},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/701/480.jpg","https://img.ochreeditions.com/a/701/960.jpg","https://img.ochreeditions.com/a/701/1920.jpg","Saint Andrew’s efforts to introduce Christianity to Greece in the first century CE were met with hostility from local authorities. He was sentenced to die on the cross because he refused to acknowledge pagan gods. For two days, Andrew preached from his martyr’s station to an increasingly sympathetic crowd.",{"_309":675,"_311":676},{"_309":673,"_311":674},{"_309":671,"_311":672},{"_309":669,"_311":670},{"_309":667,"_311":668},"#7f7768",0.0498,"#9d7048",0.0807,"#623d24",0.125,"#342215",0.2559,"#1b120b",0.4886,"Caravaggio","caravaggio","Italian, 1571–1610",1571,1610,"Milan or Caravaggio","Porto Ercole","the-grotto-of-pan-and-fame-aic-121412","The Grotto of Pan and Fame",{"_42":731,"_221":732,"_323":733,"_325":326,"_327":681,"_329":330,"_331":-5,"_333":-5,"_335":734,"_140":97},"1653/55","Etching on ivory laid paper","Image/plate: 24.5 × 37 cm (9 11/16 × 14 5/8 in.); Sheet: 32.9 × 45 cm (13 × 17 3/4 in.)",37,24,1.3667100130039012,[716,717,718,719,720],{"_220":299,"_221":300,"_42":301,"_302":303},"1990.501.4","Stefano della Bella made this in 1653/55, aged about 43. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_293":713,"_295":714,"_297":715},"https://img.ochreeditions.com/m/299.jpg?dl=1","/art/the-grotto-of-pan-and-fame-aic-121412","/galleries/style/baroque/the-grotto-of-pan-and-fame-aic-121412",{"_289":290,"_291":292},{"_224":708,"_125":709,"_284":710},{"_275":705,"_277":706,"_279":690,"_280":707},61,51.072312083729784,27.07231208372978,{"_286":224,"_123":711,"_154":712,"_140":97},{"_286":125,"_123":494,"_154":495,"_140":496},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/stefano-della-bella","More by Stefano della Bella","https://img.ochreeditions.com/a/299/480.jpg","https://img.ochreeditions.com/a/299/960.jpg","https://img.ochreeditions.com/a/299/1920.jpg",{"_309":729,"_311":730},{"_309":727,"_311":728},{"_309":725,"_311":726},{"_309":723,"_311":724},{"_309":721,"_311":722},"#6d6453",0.0818,"#c5bdad",0.121,"#8d8573",0.1536,"#a8a08f",0.1712,"#e6e1d8",0.4724,"Stefano della Bella","stefano-della-bella","Italian, 1610–1664","Della Bella trained in Florence and became one of the finest etchers of the seventeenth century, working for the Medici and drawing inspiration from Jacques Callot. He spent about ten years in Paris from 1639, working for publishers and the court, before returning to Florence.","the-creation-of-adam-aic-105073","The Creation of Adam",{"_42":321,"_221":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_140":97},"c. 1645/50","Monotype in black ink on ivory laid paper","30.3 × 20.3 cm (11 15/16 × 8 in.)",20,30,0.6740412979351033,[765,766,767,768,769],{"_220":299,"_221":300,"_42":301,"_302":303},"1985.1113","Giovanni Benedetto Castiglione made this in about 1645/50, aged about 28. It is now at the Art Institute of Chicago.","God the Father, surrounded by radiating light, reaches down from the clouds to touch Adam and bring him to life.","Drawing of god, radiating light, reaching down from clouds, touching male figure.",{"_293":762,"_295":763,"_297":764},"https://img.ochreeditions.com/m/265.jpg?dl=1","/art/the-creation-of-adam-aic-105073","/galleries/style/baroque/the-creation-of-adam-aic-105073",{"_289":290,"_291":292},{"_224":759,"_125":760,"_284":761},{"_275":757,"_277":243,"_279":758,"_280":742},44.2212389380531,20.221238938053098,{"_286":224,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":494,"_154":495,"_140":496},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/265/480.jpg","https://img.ochreeditions.com/a/265/960.jpg","https://img.ochreeditions.com/a/265/1920.jpg",{"_309":778,"_311":779},{"_309":776,"_311":777},{"_309":774,"_311":775},{"_309":772,"_311":773},{"_309":770,"_311":771},"#897d71",0.1294,"#726558",0.1504,"#5d5348",0.1537,"#4b433c",0.2188,"#3c3632",0.3477,"the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)",{"_42":827,"_221":828,"_323":829,"_325":326,"_327":830,"_329":831,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1690/1710","Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper","36.3 × 22.3 cm (14 5/16 × 8 13/16 in.)",22,36,0.5987786259541985,[812,813,814,815,816],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.884","Pietro Antonio di Pietri painted this in 1690/1710, aged about 27. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper.",{"_293":809,"_295":810,"_297":811},"https://img.ochreeditions.com/m/378.jpg?dl=1","/art/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","/galleries/style/baroque/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311",{"_289":290,"_291":292},{"_224":804,"_125":805,"_284":806},{"_275":801,"_277":802,"_279":803,"_280":787},45.556030534351144,60,21.556030534351144,{"_286":224,"_123":807,"_154":808,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":230},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pietro-antonio-di-pietri","Pietro Antonio di Pietri's contemporaries","https://img.ochreeditions.com/a/378/480.jpg","https://img.ochreeditions.com/a/378/960.jpg","https://img.ochreeditions.com/a/378/1920.jpg",{"_309":825,"_311":826},{"_309":823,"_311":824},{"_309":821,"_311":822},{"_309":819,"_311":820},{"_309":817,"_311":818},"#584c42",0.0921,"#9b8c7f",0.2027,"#9b7e64",0.2079,"#7a6a5c",0.2159,"#beaa95",0.2814,"Pietro Antonio di Pietri","pietro-antonio-di-pietri","Italian, 1663–1716",1663,1716,"salome-with-the-head-of-saint-john-the-baptist-aic-11434","Salome with the Head of Saint John the Baptist",{"_42":460,"_221":461,"_323":462,"_325":326,"_327":463,"_329":464,"_331":465,"_333":465,"_335":466,"_140":93},"c. 1639–42","248.5 × 174 cm (97 3/4 × 68 1/2 in.); Framed: 285 × 210.2 × 8.9 cm (112 3/16 × 82 3/4 × 3 1/2 in.)",174,248,0.6927996094703441,[862,863,864,865,866],{"_220":299,"_221":300,"_42":301,"_302":303},"1960.3","Guido Reni painted this in about 1639–42, aged about 59. It is now at the Art Institute of Chicago.",{"_118":861,"_383":556},"Large painting of woman, in gold and pink dress, placing severed head on platter.",{"_293":858,"_295":859,"_297":860},"https://img.ochreeditions.com/m/21.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-aic-11434","/galleries/style/baroque/salome-with-the-head-of-saint-john-the-baptist-aic-11434",{"_289":377,"_291":378},{"_224":855,"_125":856,"_284":857},{"_275":853,"_277":431,"_279":854,"_280":433},181.2719062728826,166.2719062728826,{"_286":224,"_123":439,"_154":440,"_140":93},{"_286":125,"_123":437,"_154":438,"_140":374},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/21/480.jpg","https://img.ochreeditions.com/a/21/960.jpg","https://img.ochreeditions.com/a/21/1920.jpg","Guido Reni was the most famous and successful Italian painter of his day. This painting depicts Salome receiving the head of John the Baptist on a platter, the gruesome reward she chose for having pleased her stepfather, Herod, by performing a seductive dance.",{"_309":875,"_311":876},{"_309":873,"_311":874},{"_309":871,"_311":872},{"_309":869,"_311":870},{"_309":867,"_311":868},"#5c4429",0.0632,"#7e6e59",0.0991,"#60473e",0.1154,"#453e2f",0.2237,"#302921",0.4986,"jacopo-butera-aic-58050","Jacopo Butera",{"_42":923,"_221":924,"_323":925,"_325":326,"_327":926,"_329":927,"_331":-5,"_333":-5,"_335":928,"_140":99},"c. 1695","117 × 91.6 cm (46 1/16 × 36 1/16 in.); Framed: 116.9 × 91.8 × 2.6 cm (46 × 36 1/8 × 1 in.)",91,117,0.7774438600884882,[908,909,910,911,912],{"_220":299,"_221":300,"_42":301,"_302":303},"1979.304","Francesco Solimena painted this in about 1695, aged about 33. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":905,"_295":906,"_297":907},"https://img.ochreeditions.com/m/172.jpg?dl=1","/art/jacopo-butera-aic-58050","/galleries/style/baroque/jacopo-butera-aic-58050",{"_289":377,"_291":378},{"_224":900,"_125":901,"_284":902},{"_275":897,"_277":898,"_279":899,"_280":883},105.96093163035312,132,90.96093163035312,{"_286":224,"_123":903,"_154":904,"_140":99},{"_286":125,"_123":437,"_154":438,"_140":374},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/francesco-solimena","More by Francesco Solimena","https://img.ochreeditions.com/a/172/480.jpg","https://img.ochreeditions.com/a/172/960.jpg","https://img.ochreeditions.com/a/172/1920.jpg",{"_309":921,"_311":922},{"_309":919,"_311":920},{"_309":917,"_311":918},{"_309":915,"_311":916},{"_309":913,"_311":914},"#937e6a",0.0322,"#5d4d41",0.0491,"#3e291d",0.2813,"#592218",0.3019,"#271f1b",0.3355,"Francesco Solimena","francesco-solimena","Italian, 1657–1747",1657,1747,"Solimena was the dominant painter in Naples for half a century, continuing the grand decorative manner of Luca Giordano while giving it firmer drawing and stronger contrasts of light and shade.","allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V",{"_42":975,"_221":976,"_323":977,"_325":326,"_327":978,"_329":979,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1700","Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard","49.5 × 38.6 cm (19 1/2 × 15 1/4 in.)",38,0.7737306843267108,[960,961,962,963,964],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.882","Benedetto Luti painted this in 1700, aged 34. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard.",{"_293":957,"_295":958,"_297":959},"https://img.ochreeditions.com/m/375.jpg?dl=1","/art/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","/galleries/style/baroque/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308",{"_289":290,"_291":292},{"_224":952,"_125":953,"_284":954},{"_275":949,"_277":950,"_279":951,"_280":371},61.91280353200883,73,37.91280353200883,{"_286":224,"_123":955,"_154":956,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":230},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-benedetto-luti","Benedetto Luti's contemporaries","https://img.ochreeditions.com/a/375/480.jpg","https://img.ochreeditions.com/a/375/960.jpg","https://img.ochreeditions.com/a/375/1920.jpg",{"_309":973,"_311":974},{"_309":971,"_311":972},{"_309":969,"_311":970},{"_309":967,"_311":968},{"_309":965,"_311":966},"#957257",0.0728,"#b28f73",0.1691,"#c3a389",0.2241,"#ddc5b2",0.2638,"#d0b59f",0.2702,"Benedetto Luti","benedetto-luti","Italian, 1666–1724",1666,1724,"antique-carved-marble-candelabra-base-aic-248307","Antique Carved Marble Candelabra Base",{"_42":1025,"_221":1026,"_323":1027,"_325":326,"_327":681,"_329":1028,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1642/44 or 1647/51","Pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper","Primary support: 23.4 × 17.1 cm (9 1/4 × 6 3/4 in.); Secondary support: 26 × 19 cm (10 1/4 × 7 1/2 in.)",23,0.7270531400966184,[1010,1011,1012,1013,1014],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.881","Andrea di Lione painted this in 1642/44 or 1647/51, aged about 32. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper.",{"_293":1007,"_295":1008,"_297":1009},"https://img.ochreeditions.com/m/374.jpg?dl=1","/art/antique-carved-marble-candelabra-base-aic-248307","/galleries/style/baroque/antique-carved-marble-candelabra-base-aic-248307",{"_289":290,"_291":292},{"_224":1002,"_125":1003,"_284":1004},{"_275":1000,"_277":371,"_279":1001,"_280":490},42.17632850241546,18.17632850241546,{"_286":224,"_123":1005,"_154":1006,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":230},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-andrea-di-lione","Andrea di Lione's contemporaries","https://img.ochreeditions.com/a/374/480.jpg","https://img.ochreeditions.com/a/374/960.jpg","https://img.ochreeditions.com/a/374/1920.jpg",{"_309":1023,"_311":1024},{"_309":1021,"_311":1022},{"_309":1019,"_311":1020},{"_309":1017,"_311":1018},{"_309":1015,"_311":1016},"#aeaca7",0.0861,"#9e8065",0.1007,"#e9dfd1",0.1772,"#c4a688",0.245,"#e2c9ae",0.391,"Andrea di Lione","andrea-di-lione","Italian, 1610–1685",1685,"one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307","One of a set of trophies of weapons of war as a decoration of a horizontal panel",{"_42":1089,"_221":1090,"_323":-5,"_325":-5,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_140":99},"1675-1699","drawing","Drawing","Pen, brush, sepia","H: 19.6cm W: 27.5cm",1.6568627450980393,[1074,1075,1076,1077,1078],{"_220":1070,"_221":1071,"_42":1072,"_302":1073},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-2307","Francesco Bedeschini, Italian drew this in 1675-1699. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1068,"_383":1069},"ONE OF A SET OF TROPHIES OF WEAPONS OF WAR AS A DECORATION OF A HORIZONTAL PANEL",{"_293":1065,"_295":1066,"_297":1067},"https://img.ochreeditions.com/m/1734.jpg?dl=1","/art/one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307","/galleries/style/baroque/one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307",{"_289":290,"_291":292},{"_224":1055,"_125":1056,"_284":1057},{"_275":1052,"_277":1053,"_279":802,"_280":1054},84,60.213017751479285,36.213017751479285,{"_286":224,"_123":1063,"_154":1064,"_140":99},{"_286":125,"_123":1061,"_154":1062,"_140":986},{"_286":284,"_123":1058,"_154":1059,"_140":1060},"era/17","The 17th century",266,"style/drawing-17","More drawings of the 17th century","artist/francesco-bedeschini-italian","More by Francesco Bedeschini, Italian","https://img.ochreeditions.com/a/1734/480.jpg","https://img.ochreeditions.com/a/1734/960.jpg","https://img.ochreeditions.com/a/1734/1920.jpg","The drawing has two borderlines, the background bearing horizontal lines. Intended to be engraved","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},{"_309":1083,"_311":1084},{"_309":1081,"_311":1082},{"_309":1079,"_311":1080},"#715745",0.101,"#b59e83",0.1422,"#947960",0.1514,"#e7dfc3",0.2965,"#d5c5a9",0.3089,"Francesco Bedeschini, Italian","francesco-bedeschini-italian","holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409","Holy Family with Saint Elizabeth and Saint John the Baptist",{"_42":1137,"_221":1138,"_323":1139,"_325":326,"_327":1140,"_329":1141,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1650/60","Etching in black on cream laid paper","Plate: 29.8 × 22 cm (11 3/4 × 8 11/16 in.); sheet: 30.9 × 23 cm (12 3/16 × 9 1/16 in.)",29,0.7470017728647409,[1122,1123,1124,1125,1126],{"_220":299,"_221":300,"_42":301,"_302":303},"2024.156","Elisabetta Sirani made this in 1650/60, aged about 12. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_293":1119,"_295":1120,"_297":1121},"https://img.ochreeditions.com/m/449.jpg?dl=1","/art/holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409","/galleries/style/baroque/holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409",{"_289":290,"_291":292},{"_224":1114,"_125":1115,"_284":1116},{"_275":1111,"_277":1112,"_279":1113,"_280":1097},45.66305141307748,53,21.663051413077486,{"_286":224,"_123":1117,"_154":1118,"_140":89},{"_286":125,"_123":494,"_154":495,"_140":496},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-elisabetta-sirani","Elisabetta Sirani's contemporaries","https://img.ochreeditions.com/a/449/480.jpg","https://img.ochreeditions.com/a/449/960.jpg","https://img.ochreeditions.com/a/449/1920.jpg",{"_309":1135,"_311":1136},{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},{"_309":1129,"_311":1130},{"_309":1127,"_311":1128},"#f7e3d1",0.0723,"#786c60",0.1146,"#9b8b7d",0.1647,"#baa898",0.2933,"#d6c0ae",0.3551,"Elisabetta Sirani","elisabetta-sirani","Italian, 1638–1665",1638,1665,{"_1143":-5,"_1144":1145,"_1146":1147,"_1148":8,"_1149":1150,"_1151":8},"user","csrf","f346eee0bac9e3a79d131008235119af45b63935","cartCount",0,"dropLive","legal",[1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163],"uploadsEnabled",{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]