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He spent about ten years in Paris from 1639, working for publishers and the court, before returning to Florence.","the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)",{"_42":439,"_221":440,"_323":441,"_325":326,"_327":442,"_329":443,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1690/1710","Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper","36.3 × 22.3 cm (14 5/16 × 8 13/16 in.)",22,36,0.5987786259541985,[424,425,426,427,428],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.884","Pietro Antonio di Pietri painted this in 1690/1710, aged about 27. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper.",{"_293":421,"_295":422,"_297":423},"https://img.ochreeditions.com/m/378.jpg?dl=1","/art/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","/galleries/style/baroque/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311",{"_289":290,"_291":292},{"_224":416,"_125":417,"_284":418},{"_275":413,"_277":414,"_279":415,"_281":399},45.556030534351144,60,21.556030534351144,{"_286":224,"_123":419,"_154":420,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":230},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pietro-antonio-di-pietri","Pietro Antonio di Pietri's contemporaries","https://img.ochreeditions.com/a/378/480.jpg","https://img.ochreeditions.com/a/378/960.jpg","https://img.ochreeditions.com/a/378/1920.jpg",{"_309":437,"_311":438},{"_309":435,"_311":436},{"_309":433,"_311":434},{"_309":431,"_311":432},{"_309":429,"_311":430},"#584c42",0.0921,"#9b8c7f",0.2027,"#9b7e64",0.2079,"#7a6a5c",0.2159,"#beaa95",0.2814,"Pietro Antonio di Pietri","pietro-antonio-di-pietri","Italian, 1663–1716",1663,1716,"holy-family-with-st-john-and-two-angels-aic-262599","Holy Family with St. John and Two Angels",{"_42":495,"_221":496,"_323":497,"_325":326,"_327":498,"_329":499,"_331":500,"_332":501,"_333":502,"_140":85},"n.d.",18,"Pen and brown ink and brush and brown ink wash on ivory laid paper","25.8 × 20 cm (10 3/16 × 7 7/8 in.)",20,25,0.7924726661059714,[480,481,482,483,484],{"_220":299,"_221":300,"_42":301,"_302":303},"2021.578","Giovanni Battista Tiepolo painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown ink wash on ivory laid paper.",{"_293":477,"_295":478,"_297":479},"https://img.ochreeditions.com/m/411.jpg?dl=1","/art/holy-family-with-st-john-and-two-angels-aic-262599","/galleries/style/baroque/holy-family-with-st-john-and-two-angels-aic-262599",{"_289":290,"_291":292},{"_224":468,"_125":469,"_284":470},{"_275":466,"_277":245,"_279":467,"_281":452},43.811816652649284,19.811816652649288,{"_286":224,"_123":475,"_154":476,"_140":85},{"_286":125,"_123":473,"_154":474,"_140":53},{"_286":284,"_123":471,"_154":472,"_140":245},"era/18-italy","18th-century Italy","style/watercolour-18","More watercolours of the 18th century","artist/giovanni-battista-tiepolo","More by Giovanni Battista Tiepolo","https://img.ochreeditions.com/a/411/480.jpg","https://img.ochreeditions.com/a/411/960.jpg","https://img.ochreeditions.com/a/411/1920.jpg",{"_309":493,"_311":494},{"_309":491,"_311":492},{"_309":489,"_311":490},{"_309":487,"_311":488},{"_309":485,"_311":486},"#dbb893",0.0343,"#bbb5ae",0.0689,"#e7cfb7",0.1023,"#ebded3",0.257,"#faebdd",0.5375,"Giovanni Battista Tiepolo","giovanni-battista-tiepolo","Italian, 1696–1770",1696,1770,"Venice","Madrid","Tiepolo was the leading decorative painter of eighteenth-century Europe, covering ceilings and walls with airy skies, foreshortened figures and luminous colour.","landscape-with-rock-and-fortress-aic-8097","Landscape with Rock and Fortress",{"_42":557,"_221":558,"_323":559,"_325":560,"_327":561,"_329":562,"_331":-5,"_332":-5,"_333":-5,"_140":103},"c. 1645","painting","Painting","Oil on canvas","56.6 × 88.6 cm (22 1/4 × 34 7/8 in.); Framed: 73.7 × 105.8 × 6.4 cm (29 × 41 5/8 × 2 1/2 in.)",88,56,1.5803508771929824,[542,543,544,545,546],{"_220":299,"_221":300,"_42":301,"_302":303},"1958.326","Domenico Gargiuli (Micco Spadaro) painted this in about 1645, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":539,"_295":540,"_297":541},"https://img.ochreeditions.com/m/13.jpg?dl=1","/art/landscape-with-rock-and-fortress-aic-8097","/galleries/style/baroque/landscape-with-rock-and-fortress-aic-8097",{"_289":537,"_291":538},{"_224":529,"_125":530,"_284":531},{"_275":526,"_277":527,"_279":511,"_281":528},103,70.68383658969805,55.683836589698046,{"_286":224,"_123":535,"_154":536,"_140":89},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":167,"_154":166,"_140":169},"style/painting-17","More paintings of the 17th century",168,"artist/contemporaries-of-domenico-gargiuli-micco-spadaro","Domenico Gargiuli (Micco Spadaro)'s contemporaries","natural","ivory","https://img.ochreeditions.com/a/13/480.jpg","https://img.ochreeditions.com/a/13/960.jpg","https://img.ochreeditions.com/a/13/1920.jpg",{"_309":555,"_311":556},{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},{"_309":547,"_311":548},"#aba386",0.0988,"#846d4b",0.1539,"#392c1c",0.2004,"#5d4c33",0.2336,"#959482",0.3133,"Domenico Gargiuli (Micco Spadaro)","domenico-gargiuli-micco-spadaro","Micco Spadaro; Italian, 1609–1675","Micco Spadaro; Italian",1609,1675,"one-set-of-trophies-of-weapons-of-war-as-a-decoration-for-ho-si-chndm-1938-88-2299","One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved",{"_42":625,"_221":626,"_323":-5,"_325":-5,"_327":-5,"_329":-5,"_331":-5,"_332":-5,"_333":-5,"_140":99},"1675-1699","drawing","Drawing","Pen, brush, sepia","H: 19.8cm W: 27.5cm",1.335995436394752,[610,611,612,613,614],{"_220":606,"_221":607,"_42":608,"_302":609},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-2299","Francesco Bedeschini, Italian drew this in 1675-1699. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":603,"_604":605},"ONE SET OF TROPHIES OF WEAPONS OF WAR AS A DECORATION FOR HORIZONTAL PANELS. INTENDED TO BE ENGRAVED",{"_293":600,"_295":601,"_297":602},"https://img.ochreeditions.com/m/1733.jpg?dl=1","/art/one-set-of-trophies-of-weapons-of-war-as-a-decoration-for-ho-si-chndm-1938-88-2299","/galleries/style/baroque/one-set-of-trophies-of-weapons-of-war-as-a-decoration-for-ho-si-chndm-1938-88-2299",{"_289":290,"_291":292},{"_224":589,"_125":590,"_284":591},{"_275":586,"_277":587,"_279":414,"_281":588},84,68.91033304867634,44.91033304867634,{"_286":224,"_123":598,"_154":599,"_140":99},{"_286":125,"_123":595,"_154":596,"_140":597},{"_286":284,"_123":592,"_154":593,"_140":594},"era/17","The 17th century",266,"style/drawing-17","More drawings of the 17th century",23,"artist/francesco-bedeschini-italian","More by Francesco Bedeschini, Italian","https://img.ochreeditions.com/a/1733/480.jpg","https://img.ochreeditions.com/a/1733/960.jpg","https://img.ochreeditions.com/a/1733/1920.jpg","The drawing has two borderlines, the background bearing horizontal lines. Intended to be engraved","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_309":623,"_311":624},{"_309":621,"_311":622},{"_309":619,"_311":620},{"_309":617,"_311":618},{"_309":615,"_311":616},"#775e4a",0.0721,"#b59f85",0.1174,"#987e65",0.1187,"#d3c5ac",0.2297,"#e6dfc7",0.4621,"Francesco Bedeschini, Italian","francesco-bedeschini-italian","portrait-of-a-girl-aic-28876","Portrait of a Girl",{"_42":671,"_221":672,"_323":673,"_325":326,"_327":674,"_329":675,"_331":-5,"_332":-5,"_333":676,"_140":99},"c. 1700","56.3 × 43.2 cm (22 3/16 × 17 in.); Framed: 82 × 69.6 × 5.1 cm (32 1/4 × 27 3/8 × 2 in.)",43,0.7491119005328597,[656,657,658,659,660],{"_220":299,"_221":300,"_42":301,"_302":303},"1968.97","Francesco Solimena painted this in about 1700, aged about 38. It is now at the Art Institute of Chicago.",{"_293":653,"_295":654,"_297":655},"https://img.ochreeditions.com/m/119.jpg?dl=1","/art/portrait-of-a-girl-aic-28876","/galleries/style/baroque/portrait-of-a-girl-aic-28876",{"_289":537,"_291":538},{"_224":648,"_125":649,"_284":650},{"_275":645,"_277":646,"_279":647,"_281":512},56.95026642984014,71,41.95026642984014,{"_286":224,"_123":651,"_154":652,"_140":99},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/francesco-solimena","More by Francesco Solimena","https://img.ochreeditions.com/a/119/480.jpg","https://img.ochreeditions.com/a/119/960.jpg","https://img.ochreeditions.com/a/119/1920.jpg",{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},{"_309":661,"_311":662},"#9f7f60",0.0908,"#806550",0.0934,"#634d3c",0.1266,"#473223",0.2448,"#33231e",0.4444,"Francesco Solimena","francesco-solimena","Italian, 1657–1747",1657,1747,"Solimena was the dominant painter in Naples for half a century, continuing the grand decorative manner of Luca Giordano while giving it firmer drawing and stronger contrasts of light and shade.","adam-and-eve-in-paradise-aic-101077","Adam and Eve in Paradise",{"_42":671,"_221":672,"_323":673,"_325":326,"_327":674,"_329":675,"_331":-5,"_332":-5,"_333":676,"_140":99},"128.2 × 101 cm (50 1/2 × 39 3/4 in.); Framed: 145.1 × 117.2 × 6.4 cm (57 1/8 × 46 1/8 × 2 1/2 in.)",101,128,0.7773950131233596,[703,704,705,706,707],{"_220":299,"_221":300,"_42":301,"_302":303},"1983.1047",{"_293":700,"_295":701,"_297":702},"https://img.ochreeditions.com/m/262.jpg?dl=1","/art/adam-and-eve-in-paradise-aic-101077","/galleries/style/baroque/adam-and-eve-in-paradise-aic-101077",{"_289":537,"_291":538},{"_224":697,"_125":698,"_284":699},{"_275":694,"_277":695,"_279":696,"_281":682},114.50656167979002,143,99.50656167979002,{"_286":224,"_123":651,"_154":652,"_140":99},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/262/480.jpg","https://img.ochreeditions.com/a/262/960.jpg","https://img.ochreeditions.com/a/262/1920.jpg",{"_309":716,"_311":717},{"_309":714,"_311":715},{"_309":712,"_311":713},{"_309":710,"_311":711},{"_309":708,"_311":709},"#404745",0.1047,"#8d755b",0.1222,"#67503a",0.2125,"#483021",0.2609,"#302319",0.2997,"equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054","Equestrian Ballet in the Amphitheater of the Boboli Gardens",{"_42":386,"_221":387,"_323":388,"_325":326,"_327":389,"_329":390,"_331":-5,"_332":-5,"_333":391,"_140":97},"1661","Etching on ivory laid paper","Image/plate: 29.2 × 44.5 cm (11 1/2 × 17 9/16 in.); Sheet: 39.2 × 54.8 cm (15 7/16 × 21 5/8 in.)",44,29,1.3755496921723835,[749,750,751,752,753],{"_220":299,"_221":300,"_42":301,"_302":303},"1995.28","Stefano della Bella made this in 1661, aged 51. It is now at the Art Institute of Chicago.","In the amphitheatre of the Boboli Gardens behind the Pitti Palace in Florence, horsemen perform an elaborate equestrian ballet before crowds of spectators.","A work made of etching on ivory laid paper.",{"_293":746,"_295":747,"_297":748},"https://img.ochreeditions.com/m/320.jpg?dl=1","/art/equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054","/galleries/style/baroque/equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054",{"_289":290,"_291":292},{"_224":743,"_125":744,"_284":745},{"_275":740,"_277":741,"_279":724,"_281":742},68,55.987212276214834,31.987212276214834,{"_286":224,"_123":366,"_154":367,"_140":97},{"_286":125,"_123":363,"_154":364,"_140":365},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/320/480.jpg","https://img.ochreeditions.com/a/320/960.jpg","https://img.ochreeditions.com/a/320/1920.jpg",{"_309":762,"_311":763},{"_309":760,"_311":761},{"_309":758,"_311":759},{"_309":756,"_311":757},{"_309":754,"_311":755},"#766d5a",0.0907,"#928a77",0.123,"#c6beb0",0.16,"#ada594",0.1814,"#e4e0d7",0.4449,"the-holy-family-aic-262134","The Holy Family",{"_42":807,"_221":808,"_323":809,"_325":326,"_327":810,"_329":811,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1613/15","Etching in black on tan laid paper","Plate/sheet: 16.5 × 12.5 cm (6 1/2 × 4 15/16 in.)",0.7525284055437632,[793,794,795,796,797],{"_220":299,"_221":300,"_42":301,"_302":303},"2022.54","Giulio Cesare Procaccini made this in 1613/15, aged about 39. It is now at the Art Institute of Chicago.","A work made of etching in black on tan laid paper.",{"_293":790,"_295":791,"_297":792},"https://img.ochreeditions.com/m/407.jpg?dl=1","/art/the-holy-family-aic-262134","/galleries/style/baroque/the-holy-family-aic-262134",{"_289":290,"_291":292},{"_224":785,"_125":786,"_284":787},{"_275":783,"_277":245,"_279":784,"_281":452},42.81321013859408,18.81321013859408,{"_286":224,"_123":788,"_154":789,"_140":89},{"_286":125,"_123":363,"_154":364,"_140":365},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giulio-cesare-procaccini","Giulio Cesare Procaccini's contemporaries","https://img.ochreeditions.com/a/407/480.jpg","https://img.ochreeditions.com/a/407/960.jpg","https://img.ochreeditions.com/a/407/1920.jpg",{"_309":805,"_311":806},{"_309":803,"_311":804},{"_309":801,"_311":802},{"_309":799,"_311":800},{"_309":798,"_311":664},"#f0e0cf","#5b5148",0.1348,"#bba28c",0.2048,"#7c6c5f",0.2757,"#998574",0.2913,"Giulio Cesare Procaccini","giulio-cesare-procaccini","Italian, 1574–1625",1574,1625,"portrait-of-a-man-in-a-military-uniform-nga-52296","Portrait of a Man in a Military Uniform","Unrecorded French maker","18th century","france","black, blue, and red chalk heightened with white on laid paper","overall (oval): 19.3 x 15.9 cm (7 5/8 x 6 1/4 in.)",15.9,19.3,0.8271484375,[852,853,854,855,856],{"_220":848,"_221":849,"_42":850,"_302":851},"Courtesy National Gallery of Art, Washington","1970.17.152","An unrecorded French artist drew this in 18th century. It is now at the National Gallery of Art in Washington, DC.","The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.",{"_293":845,"_295":846,"_297":847},"https://img.ochreeditions.com/m/1554.jpg?dl=1","/art/portrait-of-a-man-in-a-military-uniform-nga-52296","/galleries/style/baroque/portrait-of-a-man-in-a-military-uniform-nga-52296",{"_289":290,"_291":292},{"_224":837,"_125":838,"_284":839},{"_275":835,"_277":245,"_279":836,"_281":452},44.6787109375,20.6787109375,{"_286":224,"_123":843,"_154":844,"_140":87},{"_286":125,"_123":595,"_154":596,"_140":597},{"_286":284,"_123":840,"_154":841,"_140":842},"era/17-france","17th-century France",30,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1554/480.jpg","https://img.ochreeditions.com/a/1554/960.jpg","https://img.ochreeditions.com/a/1554/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":865,"_311":866},{"_309":863,"_311":864},{"_309":861,"_311":862},{"_309":859,"_311":860},{"_309":857,"_311":858},"#586567",0.0787,"#baaa95",0.1094,"#877b6c",0.2016,"#6f675d",0.2629,"#eae4cf",0.3474,"the-supper-at-emmaus-cma-112626","The Supper at Emmaus",{"_42":924,"_221":925,"_323":926,"_325":326,"_327":927,"_329":928,"_331":-5,"_332":-5,"_333":-5,"_140":101},"c. 1720","oil on canvas","Framed: 133.4 x 167 x 9.5 cm (52 1/2 x 65 3/4 x 3 3/4 in.); Unframed: 108 x 140.6 cm (42 1/2 x 55 3/8 in.)",140.6,108,1.3097072419106317,[909,910,911,912,913],{"_220":905,"_221":906,"_42":907,"_302":908},"Courtesy of the Cleveland Museum of Art","1931.245","Giovanni Battista Piazzetta painted this in about 1720, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":903,"_604":904},"The Supper at Emmaus, by Giovanni Battista Piazzetta, c. 1720",{"_293":900,"_295":901,"_297":902},"https://img.ochreeditions.com/m/528.jpg?dl=1","/art/the-supper-at-emmaus-cma-112626","/galleries/style/baroque/the-supper-at-emmaus-cma-112626",{"_289":537,"_291":538},{"_224":893,"_125":894,"_284":895},{"_275":890,"_277":891,"_279":873,"_281":892},155.6,122.35223529411765,107.35223529411765,{"_286":224,"_123":898,"_154":899,"_140":89},{"_286":125,"_123":896,"_154":897,"_140":534},{"_286":284,"_123":471,"_154":472,"_140":245},"style/painting-18","More paintings of the 18th century","artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","https://img.ochreeditions.com/a/528/480.jpg","https://img.ochreeditions.com/a/528/960.jpg","https://img.ochreeditions.com/a/528/1920.jpg","This painting depicts the biblical story of the Supper at Emmaus, when the disguised, resurrected Christ suddenly reveals himself to two astonished disciples as they all sit down to dinner.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":922,"_311":923},{"_309":920,"_311":921},{"_309":918,"_311":919},{"_309":916,"_311":917},{"_309":914,"_311":915},"#303637",0.0236,"#6a6962",0.0344,"#b1957c",0.052,"#57382b",0.1964,"#2a211b",0.6936,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754",1682,1754,"sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302","Sketch for \"The Four Prophets of Israel\" (for Il Gesù, Rome)",{"_42":976,"_221":977,"_323":978,"_325":326,"_327":979,"_329":980,"_331":-5,"_332":-5,"_333":-5,"_140":103},"c. 1675–1677","Framed: 81.3 x 68 x 9 cm (32 x 26 3/4 x 3 9/16 in.); Unframed: 67.3 x 55 cm (26 1/2 x 21 5/8 in.)",67.3,0.8161764705882353,[961,962,963,964,965],{"_220":905,"_221":906,"_42":907,"_302":908},"1969.131","Giovanni Battista Gaulli painted this in about 1675–1677, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":960,"_604":904},"Sketch for \"The Four Prophets of Israel\" (for Il Gesù, Rome), by Giovanni Battista Gaulli, c. 1675–1677",{"_293":957,"_295":958,"_297":959},"https://img.ochreeditions.com/m/672.jpg?dl=1","/art/sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302","/galleries/style/baroque/sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302",{"_289":537,"_291":538},{"_224":952,"_125":953,"_284":954},{"_275":949,"_277":950,"_279":951,"_281":934},69.92867647058823,82.3,54.92867647058823,{"_286":224,"_123":955,"_154":956,"_140":89},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giovanni-battista-gaulli","Giovanni Battista Gaulli's contemporaries","https://img.ochreeditions.com/a/672/480.jpg","https://img.ochreeditions.com/a/672/960.jpg","https://img.ochreeditions.com/a/672/1920.jpg","This small painting represents the four prophets of Israel: Isaiah, Jeremiah, Ezekiel, and Daniel. It is one of seven oil sketches made in preparation for the decoration of the four pendentives in the Jesuit Church of the Gesù in Rome.",{"_309":974,"_311":975},{"_309":972,"_311":973},{"_309":970,"_311":971},{"_309":968,"_311":969},{"_309":966,"_311":967},"#241e19",0.0682,"#764332",0.0685,"#8b6a54",0.07,"#433027",0.143,"#58382a",0.6503,"Giovanni Battista Gaulli","giovanni-battista-gaulli","Italian, 1639–1709",1639,1709,"salome-with-the-head-of-saint-john-the-baptist-aic-11434","Salome with the Head of Saint John the Baptist",{"_42":1031,"_221":1032,"_323":1033,"_325":326,"_327":1034,"_329":1035,"_331":1036,"_332":1036,"_333":1037,"_140":93},"c. 1639–42","248.5 × 174 cm (97 3/4 × 68 1/2 in.); Framed: 285 × 210.2 × 8.9 cm (112 3/16 × 82 3/4 × 3 1/2 in.)",174,248,0.6927996094703441,[1016,1017,1018,1019,1020],{"_220":299,"_221":300,"_42":301,"_302":303},"1960.3","Guido Reni painted this in about 1639–42, aged about 59. It is now at the Art Institute of Chicago.",{"_118":1014,"_604":1015},"Large painting of woman, in gold and pink dress, placing severed head on platter.",{"_293":1011,"_295":1012,"_297":1013},"https://img.ochreeditions.com/m/21.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-aic-11434","/galleries/style/baroque/salome-with-the-head-of-saint-john-the-baptist-aic-11434",{"_289":537,"_291":538},{"_224":1006,"_125":1007,"_284":1008},{"_275":1002,"_277":1003,"_279":1004,"_281":1005},181.2719062728826,255,166.2719062728826,240,{"_286":224,"_123":1009,"_154":1010,"_140":93},{"_286":125,"_123":532,"_154":533,"_140":534},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/21/480.jpg","https://img.ochreeditions.com/a/21/960.jpg","https://img.ochreeditions.com/a/21/1920.jpg","Guido Reni was the most famous and successful Italian painter of his day. This painting depicts Salome receiving the head of John the Baptist on a platter, the gruesome reward she chose for having pleased her stepfather, Herod, by performing a seductive dance.","Text from the Art Institute of Chicago.",{"_309":1029,"_311":1030},{"_309":1027,"_311":1028},{"_309":1025,"_311":1026},{"_309":1023,"_311":1024},{"_309":1021,"_311":1022},"#5c4429",0.0632,"#7e6e59",0.0991,"#60473e",0.1154,"#453e2f",0.2237,"#302921",0.4986,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","One of a set of projects for a title page and the decoration of a horizontal panel",{"_42":625,"_221":626,"_323":-5,"_325":-5,"_327":-5,"_329":-5,"_331":-5,"_332":-5,"_333":-5,"_140":99},"H: 21.5cm W: 27.8cm",1.4352757137270238,[1064,1065,1066,1067,1068],{"_220":606,"_221":607,"_42":608,"_302":609},"1938-88-2330",{"_118":1063,"_604":605},"ONE OF A SET OF PROJECTS FOR A TITLE PAGE AND THE DECORATION OF A HORIZONTAL PANEL",{"_293":1060,"_295":1061,"_297":1062},"https://img.ochreeditions.com/m/1735.jpg?dl=1","/art/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","/galleries/style/baroque/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330",{"_289":290,"_291":292},{"_224":1057,"_125":1058,"_284":1059},{"_275":586,"_277":1055,"_279":414,"_281":1056},65.80381471389646,41.80381471389646,{"_286":224,"_123":598,"_154":599,"_140":99},{"_286":125,"_123":595,"_154":596,"_140":597},{"_286":284,"_123":592,"_154":593,"_140":594},"https://img.ochreeditions.com/a/1735/480.jpg","https://img.ochreeditions.com/a/1735/960.jpg","https://img.ochreeditions.com/a/1735/1920.jpg","The panel has an elaborated frame, the outermost borderline of which is framing the drawing. Acanthus rinceau with two winged putti. Intended to be engraved",{"_309":1077,"_311":1078},{"_309":1075,"_311":1076},{"_309":1073,"_311":1074},{"_309":1071,"_311":1072},{"_309":1069,"_311":1070},"#7c5d49",0.1495,"#e6ddc2",0.1555,"#987a60",0.1822,"#b59b80",0.239,"#cdbca2",0.2738,"the-creation-of-adam-aic-105073","The Creation of Adam",{"_42":1125,"_221":1126,"_323":1127,"_325":326,"_327":561,"_329":390,"_331":1128,"_332":1129,"_333":1130,"_140":97},"c. 1645/50","Monotype in black ink on ivory laid paper","30.3 × 20.3 cm (11 15/16 × 8 in.)",0.6740412979351033,[1110,1111,1112,1113,1114],{"_220":299,"_221":300,"_42":301,"_302":303},"1985.1113","Giovanni Benedetto Castiglione made this in about 1645/50, aged about 28. It is now at the Art Institute of Chicago.","God the Father, surrounded by radiating light, reaches down from the clouds to touch Adam and bring him to life.","Drawing of god, radiating light, reaching down from clouds, touching male figure.",{"_293":1107,"_295":1108,"_297":1109},"https://img.ochreeditions.com/m/265.jpg?dl=1","/art/the-creation-of-adam-aic-105073","/galleries/style/baroque/the-creation-of-adam-aic-105073",{"_289":290,"_291":292},{"_224":1102,"_125":1103,"_284":1104},{"_275":1099,"_277":1100,"_279":1101,"_281":842},44.2212389380531,54,20.221238938053098,{"_286":224,"_123":1105,"_154":1106,"_140":97},{"_286":125,"_123":363,"_154":364,"_140":365},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/giovanni-benedetto-castiglione","More by Giovanni Benedetto Castiglione","https://img.ochreeditions.com/a/265/480.jpg","https://img.ochreeditions.com/a/265/960.jpg","https://img.ochreeditions.com/a/265/1920.jpg",{"_309":1123,"_311":1124},{"_309":1121,"_311":1122},{"_309":1119,"_311":1120},{"_309":1117,"_311":1118},{"_309":1115,"_311":1116},"#897d71",0.1294,"#726558",0.1504,"#5d5348",0.1537,"#4b433c",0.2188,"#3c3632",0.3477,"Giovanni Benedetto Castiglione","giovanni-benedetto-castiglione","Italian, 1609–1664","Genoa","Mantua","Castiglione, nicknamed Il Grechetto, trained in his native Genoa and worked in Rome before becoming court painter to the Gonzaga in Mantua.",{"_1132":-5,"_1133":1134,"_1135":1136,"_1137":8,"_1138":1139,"_1140":8},"user","csrf","1966d35387e9f8747f4b3e3b2cd6db303bff3c02","cartCount",0,"dropLive","legal",[1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152],"uploadsEnabled",{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]