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It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":373,"_295":374,"_297":375},"https://img.ochreeditions.com/m/342.jpg?dl=1","/art/the-ecstasy-of-saint-francis-aic-160030","/galleries/style/baroque/the-ecstasy-of-saint-francis-aic-160030",{"_289":371,"_291":372},{"_224":363,"_125":364,"_284":365},{"_275":360,"_277":361,"_279":362,"_280":346},132.3158545379623,170,117.3158545379623,{"_286":224,"_123":369,"_154":370,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":167,"_154":166,"_140":169},"style/painting-17","More paintings of the 17th century",168,"artist/contemporaries-of-giovanni-baglione","Giovanni Baglione's contemporaries","natural","ivory","https://img.ochreeditions.com/a/342/480.jpg","https://img.ochreeditions.com/a/342/960.jpg","https://img.ochreeditions.com/a/342/1920.jpg",{"_309":389,"_311":390},{"_309":387,"_311":388},{"_309":385,"_311":386},{"_309":383,"_311":384},{"_309":381,"_311":382},"#263948",0.0231,"#a27f69",0.0837,"#5b3a24",0.1628,"#331f15",0.2799,"#160f0a",0.4505,"Giovanni Baglione","giovanni-baglione","Italian, 1566–1643",1566,1643,"landscape-with-rock-and-fortress-aic-8097","Landscape with Rock and Fortress",{"_42":441,"_221":442,"_323":443,"_325":444,"_327":328,"_329":445,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1645","56.6 × 88.6 cm (22 1/4 × 34 7/8 in.); Framed: 73.7 × 105.8 × 6.4 cm (29 × 41 5/8 × 2 1/2 in.)",88,56,1.5803508771929824,[426,427,428,429,430],{"_220":299,"_221":300,"_42":301,"_302":303},"1958.326","Domenico Gargiuli (Micco Spadaro) painted this in about 1645, aged about 31. It is now at the Art Institute of Chicago.",{"_293":423,"_295":424,"_297":425},"https://img.ochreeditions.com/m/13.jpg?dl=1","/art/landscape-with-rock-and-fortress-aic-8097","/galleries/style/baroque/landscape-with-rock-and-fortress-aic-8097",{"_289":371,"_291":372},{"_224":418,"_125":419,"_284":420},{"_275":415,"_277":416,"_279":401,"_280":417},103,70.68383658969805,55.683836589698046,{"_286":224,"_123":421,"_154":422,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-domenico-gargiuli-micco-spadaro","Domenico Gargiuli (Micco Spadaro)'s contemporaries","https://img.ochreeditions.com/a/13/480.jpg","https://img.ochreeditions.com/a/13/960.jpg","https://img.ochreeditions.com/a/13/1920.jpg",{"_309":439,"_311":440},{"_309":437,"_311":438},{"_309":435,"_311":436},{"_309":433,"_311":434},{"_309":431,"_311":432},"#aba386",0.0988,"#846d4b",0.1539,"#392c1c",0.2004,"#5d4c33",0.2336,"#959482",0.3133,"Domenico Gargiuli (Micco Spadaro)","domenico-gargiuli-micco-spadaro","Micco Spadaro; Italian, 1609–1675","Micco Spadaro; Italian",1675,"portrait-of-a-girl-aic-28876","Portrait of a Girl",{"_42":490,"_221":491,"_323":492,"_325":326,"_327":493,"_329":494,"_331":-5,"_333":-5,"_335":495,"_140":99},"c. 1700","56.3 × 43.2 cm (22 3/16 × 17 in.); Framed: 82 × 69.6 × 5.1 cm (32 1/4 × 27 3/8 × 2 in.)",43,0.7491119005328597,[475,476,477,478,479],{"_220":299,"_221":300,"_42":301,"_302":303},"1968.97","Francesco Solimena painted this in about 1700, aged about 38. It is now at the Art Institute of Chicago.",{"_293":472,"_295":473,"_297":474},"https://img.ochreeditions.com/m/119.jpg?dl=1","/art/portrait-of-a-girl-aic-28876","/galleries/style/baroque/portrait-of-a-girl-aic-28876",{"_289":371,"_291":372},{"_224":467,"_125":468,"_284":469},{"_275":464,"_277":465,"_279":466,"_280":402},56.95026642984014,71,41.95026642984014,{"_286":224,"_123":470,"_154":471,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/francesco-solimena","More by Francesco Solimena","https://img.ochreeditions.com/a/119/480.jpg","https://img.ochreeditions.com/a/119/960.jpg","https://img.ochreeditions.com/a/119/1920.jpg",{"_309":488,"_311":489},{"_309":486,"_311":487},{"_309":484,"_311":485},{"_309":482,"_311":483},{"_309":480,"_311":481},"#9f7f60",0.0908,"#806550",0.0934,"#634d3c",0.1266,"#473223",0.2448,"#33231e",0.4444,"Francesco Solimena","francesco-solimena","Italian, 1657–1747",1657,1747,"Solimena was the dominant painter in Naples for half a century, continuing the grand decorative manner of Luca Giordano while giving it firmer drawing and stronger contrasts of light and shade.","the-supper-at-emmaus-cma-112626","The Supper at Emmaus",{"_42":558,"_221":559,"_323":560,"_325":326,"_327":561,"_329":562,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1720",18,"oil on canvas","Framed: 133.4 x 167 x 9.5 cm (52 1/2 x 65 3/4 x 3 3/4 in.); Unframed: 108 x 140.6 cm (42 1/2 x 55 3/8 in.)",140.6,108,1.3097072419106317,[543,544,545,546,547],{"_220":539,"_221":540,"_42":541,"_302":542},"Courtesy of the Cleveland Museum of Art","1931.245","Giovanni Battista Piazzetta painted this in about 1720, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":536,"_537":538},"The Supper at Emmaus, by Giovanni Battista Piazzetta, c. 1720",{"_293":533,"_295":534,"_297":535},"https://img.ochreeditions.com/m/528.jpg?dl=1","/art/the-supper-at-emmaus-cma-112626","/galleries/style/baroque/the-supper-at-emmaus-cma-112626",{"_289":371,"_291":372},{"_224":523,"_125":524,"_284":525},{"_275":520,"_277":521,"_279":503,"_280":522},155.6,122.35223529411765,107.35223529411765,{"_286":224,"_123":531,"_154":532,"_140":89},{"_286":125,"_123":529,"_154":530,"_140":368},{"_286":284,"_123":526,"_154":527,"_140":528},"era/18-italy","18th-century Italy",49,"style/painting-18","More paintings of the 18th century","artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","https://img.ochreeditions.com/a/528/480.jpg","https://img.ochreeditions.com/a/528/960.jpg","https://img.ochreeditions.com/a/528/1920.jpg","This painting depicts the biblical story of the Supper at Emmaus, when the disguised, resurrected Christ suddenly reveals himself to two astonished disciples as they all sit down to dinner.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":556,"_311":557},{"_309":554,"_311":555},{"_309":552,"_311":553},{"_309":550,"_311":551},{"_309":548,"_311":549},"#303637",0.0236,"#6a6962",0.0344,"#b1957c",0.052,"#57382b",0.1964,"#2a211b",0.6936,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754",1682,1754,"the-creation-of-adam-aic-105073","The Creation of Adam",{"_42":321,"_221":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_140":97},"c. 1645/50","print","Print","Monotype in black ink on ivory laid paper","30.3 × 20.3 cm (11 15/16 × 8 in.)",20,30,0.6740412979351033,[598,599,600,601,602],{"_220":299,"_221":300,"_42":301,"_302":303},"1985.1113","Giovanni Benedetto Castiglione made this in about 1645/50, aged about 28. It is now at the Art Institute of Chicago.","God the Father, surrounded by radiating light, reaches down from the clouds to touch Adam and bring him to life.","Drawing of god, radiating light, reaching down from clouds, touching male figure.",{"_293":595,"_295":596,"_297":597},"https://img.ochreeditions.com/m/265.jpg?dl=1","/art/the-creation-of-adam-aic-105073","/galleries/style/baroque/the-creation-of-adam-aic-105073",{"_289":290,"_291":292},{"_224":589,"_125":590,"_284":591},{"_275":587,"_277":243,"_279":588,"_280":572},44.2212389380531,20.221238938053098,{"_286":224,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":592,"_154":593,"_140":594},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-17","More prints of the 17th century",55,"https://img.ochreeditions.com/a/265/480.jpg","https://img.ochreeditions.com/a/265/960.jpg","https://img.ochreeditions.com/a/265/1920.jpg",{"_309":611,"_311":612},{"_309":609,"_311":610},{"_309":607,"_311":608},{"_309":605,"_311":606},{"_309":603,"_311":604},"#897d71",0.1294,"#726558",0.1504,"#5d5348",0.1537,"#4b433c",0.2188,"#3c3632",0.3477,"jacopo-butera-aic-58050","Jacopo Butera",{"_42":490,"_221":491,"_323":492,"_325":326,"_327":493,"_329":494,"_331":-5,"_333":-5,"_335":495,"_140":99},"c. 1695","117 × 91.6 cm (46 1/16 × 36 1/16 in.); Framed: 116.9 × 91.8 × 2.6 cm (46 × 36 1/8 × 1 in.)",91,117,0.7774438600884882,[641,642,643,644,645],{"_220":299,"_221":300,"_42":301,"_302":303},"1979.304","Francesco Solimena painted this in about 1695, aged about 33. It is now at the Art Institute of Chicago.",{"_293":638,"_295":639,"_297":640},"https://img.ochreeditions.com/m/172.jpg?dl=1","/art/jacopo-butera-aic-58050","/galleries/style/baroque/jacopo-butera-aic-58050",{"_289":371,"_291":372},{"_224":635,"_125":636,"_284":637},{"_275":632,"_277":633,"_279":634,"_280":619},105.96093163035312,132,90.96093163035312,{"_286":224,"_123":470,"_154":471,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/172/480.jpg","https://img.ochreeditions.com/a/172/960.jpg","https://img.ochreeditions.com/a/172/1920.jpg",{"_309":654,"_311":655},{"_309":652,"_311":653},{"_309":650,"_311":651},{"_309":648,"_311":649},{"_309":646,"_311":647},"#937e6a",0.0322,"#5d4d41",0.0491,"#3e291d",0.2813,"#592218",0.3019,"#271f1b",0.3355,"soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561","Soldier in Profile Holding a Pike, from Capricci e habiti militari",{"_42":701,"_221":702,"_323":703,"_325":326,"_327":704,"_329":705,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1610/29","Etching in black on cream laid paper","Plate: 12 × 9.5 cm (4 3/4 × 3 3/4 in.); Sheet: 13 × 10.4 cm (5 1/8 × 4 1/8 in.)",0.7956465237166992,[686,687,688,689,690],{"_220":299,"_221":300,"_42":301,"_302":303},"2021.582","Filippo Napoletano made this in 1610/29, aged about 21. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_293":683,"_295":684,"_297":685},"https://img.ochreeditions.com/m/410.jpg?dl=1","/art/soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561","/galleries/style/baroque/soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561",{"_289":290,"_291":292},{"_224":678,"_125":679,"_284":680},{"_275":675,"_277":528,"_279":676,"_280":677},43.89116309291748,19.89116309291748,25,{"_286":224,"_123":681,"_154":682,"_140":89},{"_286":125,"_123":592,"_154":593,"_140":594},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-filippo-napoletano","Filippo Napoletano's contemporaries","https://img.ochreeditions.com/a/410/480.jpg","https://img.ochreeditions.com/a/410/960.jpg","https://img.ochreeditions.com/a/410/1920.jpg",{"_309":699,"_311":700},{"_309":697,"_311":698},{"_309":695,"_311":696},{"_309":693,"_311":694},{"_309":691,"_311":692},"#736456",0.0542,"#f0d9c4",0.0944,"#9b8875",0.1039,"#bea690",0.2184,"#d6bca4",0.5291,"Filippo Napoletano","filippo-napoletano","Italian, 1589–1629",1589,1629,"danae-cma-145463","Danaë",{"_42":754,"_221":755,"_323":756,"_325":326,"_327":757,"_329":758,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1623","Framed: 202.5 x 270 x 9 cm (79 3/4 x 106 5/16 x 3 9/16 in.); Unframed: 162 x 228.5 cm (63 3/4 x 89 15/16 in.)",228.5,162,1.3957307060755337,[739,740,741,742,743],{"_220":539,"_221":540,"_42":541,"_302":542},"1971.101","Orazio Gentileschi painted this in about 1623, aged about 55. It is now at the Cleveland Museum of Art.",{"_118":738,"_537":538},"Danaë, by Orazio Gentileschi, c. 1623",{"_293":735,"_295":736,"_297":737},"https://img.ochreeditions.com/m/678.jpg?dl=1","/art/danae-cma-145463","/galleries/style/baroque/danae-cma-145463",{"_289":371,"_291":372},{"_224":730,"_125":731,"_284":732},{"_275":727,"_277":728,"_279":711,"_280":729},243.5,178.7135294117647,163.7135294117647,{"_286":224,"_123":733,"_154":734,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-orazio-gentileschi","Orazio Gentileschi's contemporaries","https://img.ochreeditions.com/a/678/480.jpg","https://img.ochreeditions.com/a/678/960.jpg","https://img.ochreeditions.com/a/678/1920.jpg","Danaë’s father feared a prophecy that his grandson would kill him, so he imprisoned his daughter to protect her from suitors. Yet Jupiter, king of the gods, fell in love with Danaë, and he came to her in the form of gold streaming from the sky.",{"_309":752,"_311":753},{"_309":750,"_311":751},{"_309":748,"_311":749},{"_309":746,"_311":747},{"_309":744,"_311":745},"#772a14",0.016,"#aa876a",0.1111,"#513a22",0.2052,"#908981",0.2065,"#1a150e",0.4612,"Orazio Gentileschi","orazio-gentileschi","Italian, 1563–1639",1563,1639,"the-resurrection-aic-19336","The Resurrection",{"_42":804,"_221":805,"_323":806,"_325":807,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1619-20","339.1 × 199.5 cm (133 1/2 × 78 1/2 in.); Framed: 389.9 × 246.4 × 10.2 cm (153 1/2 × 97 × 4 in.)",199,339,0.5671824557497496,[790,791,792,793,794],{"_220":299,"_221":300,"_42":301,"_302":303},"1934.390","Cecco del Caravaggio painted this in about 1619-20. It is now at the Art Institute of Chicago.",{"_293":787,"_295":788,"_297":789},"https://img.ochreeditions.com/m/72.jpg?dl=1","/art/the-resurrection-aic-19336","/galleries/style/baroque/the-resurrection-aic-19336",{"_289":371,"_291":372},{"_224":782,"_125":783,"_284":784},{"_275":778,"_277":779,"_279":780,"_280":781},151.1237893799399,255,136.1237893799399,240,{"_286":224,"_123":785,"_154":786,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-cecco-del-caravaggio","Cecco del Caravaggio's contemporaries","https://img.ochreeditions.com/a/72/480.jpg","https://img.ochreeditions.com/a/72/960.jpg","https://img.ochreeditions.com/a/72/1920.jpg",{"_309":802,"_311":803},{"_309":800,"_311":801},{"_309":798,"_311":799},{"_309":797,"_311":747},{"_309":795,"_311":796},"#c4b5a4",0.0868,"#6d4a33","#8b7766",0.1141,"#432e26",0.2869,"#211a1a",0.4011,"Cecco del Caravaggio","cecco-del-caravaggio","Francesco Boneri; Italian, 1588/90–after 1620","Francesco Boneri; Italian","one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","One of a set of projects for a title page and the decoration of a horizontal panel",{"_42":870,"_221":871,"_323":-5,"_325":-5,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_335":-5,"_140":99},"1675-1699","drawing","Drawing","Pen, brush, sepia","H: 21.5cm W: 27.8cm",1.4352757137270238,[855,856,857,858,859],{"_220":851,"_221":852,"_42":853,"_302":854},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-2330","Francesco Bedeschini, Italian drew this in 1675-1699. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":849,"_537":850},"ONE OF A SET OF PROJECTS FOR A TITLE PAGE AND THE DECORATION OF A HORIZONTAL PANEL",{"_293":846,"_295":847,"_297":848},"https://img.ochreeditions.com/m/1735.jpg?dl=1","/art/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","/galleries/style/baroque/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330",{"_289":290,"_291":292},{"_224":835,"_125":836,"_284":837},{"_275":831,"_277":832,"_279":833,"_280":834},84,65.80381471389646,60,41.80381471389646,{"_286":224,"_123":844,"_154":845,"_140":99},{"_286":125,"_123":841,"_154":842,"_140":843},{"_286":284,"_123":838,"_154":839,"_140":840},"era/17","The 17th century",266,"style/drawing-17","More drawings of the 17th century",23,"artist/francesco-bedeschini-italian","More by Francesco Bedeschini, Italian","https://img.ochreeditions.com/a/1735/480.jpg","https://img.ochreeditions.com/a/1735/960.jpg","https://img.ochreeditions.com/a/1735/1920.jpg","The panel has an elaborated frame, the outermost borderline of which is framing the drawing. Acanthus rinceau with two winged putti. Intended to be engraved","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_309":868,"_311":869},{"_309":866,"_311":867},{"_309":864,"_311":865},{"_309":862,"_311":863},{"_309":860,"_311":861},"#7c5d49",0.1495,"#e6ddc2",0.1555,"#987a60",0.1822,"#b59b80",0.239,"#cdbca2",0.2738,"Francesco Bedeschini, Italian","francesco-bedeschini-italian","putto-holding-staff-aic-83729","Putto Holding Staff",{"_42":918,"_221":919,"_323":920,"_325":326,"_327":921,"_329":922,"_331":923,"_333":923,"_335":924,"_140":93},"n.d.","Black chalk with pen and brown ink on cream laid paper","27.8 × 18.8 cm (11 × 7 7/16 in.)",27,0.7040203327171903,[903,904,905,906,907],{"_220":299,"_221":300,"_42":301,"_302":303},"1922.1737","Guido Reni painted this (n.d.). It is now at the Art Institute of Chicago.","A work made of black chalk with pen and brown ink on cream laid paper.",{"_293":900,"_295":901,"_297":902},"https://img.ochreeditions.com/m/225.jpg?dl=1","/art/putto-holding-staff-aic-83729","/galleries/style/baroque/putto-holding-staff-aic-83729",{"_289":290,"_291":292},{"_224":895,"_125":896,"_284":897},{"_275":892,"_277":893,"_279":894,"_280":878},43.008548983364136,51,19.00854898336414,{"_286":224,"_123":898,"_154":899,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":230},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/225/480.jpg","https://img.ochreeditions.com/a/225/960.jpg","https://img.ochreeditions.com/a/225/1920.jpg",{"_309":916,"_311":917},{"_309":914,"_311":915},{"_309":912,"_311":913},{"_309":910,"_311":911},{"_309":908,"_311":909},"#838687",0.0174,"#aba9a3",0.0823,"#c0b7a6",0.1399,"#d0c4b1",0.3413,"#d8cfbb",0.4191,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","cupid-chastised-aic-59847","Cupid Chastised",{"_42":973,"_221":974,"_323":975,"_325":326,"_327":976,"_329":977,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1613","175.3 × 130.6 cm (69 × 51 3/8 in.)",130,175,0.7140801841549971,[959,960,961,962,963],{"_220":299,"_221":300,"_42":301,"_302":303},"1947.58","Bartolomeo Manfredi painted this in 1613, aged 31. It is now at the Art Institute of Chicago.",{"_118":957,"_537":958},"Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.",{"_293":954,"_295":955,"_297":956},"https://img.ochreeditions.com/m/173.jpg?dl=1","/art/cupid-chastised-aic-59847","/galleries/style/baroque/cupid-chastised-aic-59847",{"_289":371,"_291":372},{"_224":949,"_125":950,"_284":951},{"_275":946,"_277":947,"_279":948,"_280":931},139.9640322271245,190,124.96403222712449,{"_286":224,"_123":952,"_154":953,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-bartolomeo-manfredi","Bartolomeo Manfredi's contemporaries","https://img.ochreeditions.com/a/173/480.jpg","https://img.ochreeditions.com/a/173/960.jpg","https://img.ochreeditions.com/a/173/1920.jpg","This dramatic scene by Bartolomeo Manfredi shows Mars, the god of war, beating Cupid for having caused his affair with Venus, the goddess of love. The sheer physicality of the figures as well as the bold illumination from the left further the work's dynamism.","Text from the Art Institute of Chicago.",{"_309":971,"_311":972},{"_309":969,"_311":970},{"_309":967,"_311":968},{"_309":966,"_311":694},{"_309":964,"_311":965},"#b99d7b",0.0832,"#753f25","#574a3a",0.1685,"#3b281a",0.2354,"#1e1a16",0.4185,"Bartolomeo Manfredi","bartolomeo-manfredi","Italian, 1582–1622",1582,1622,"allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V",{"_42":1024,"_221":1025,"_323":1026,"_325":326,"_327":1027,"_329":1028,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1700","Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard","49.5 × 38.6 cm (19 1/2 × 15 1/4 in.)",38,0.7737306843267108,[1009,1010,1011,1012,1013],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.882","Benedetto Luti painted this in 1700, aged 34. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard.",{"_293":1006,"_295":1007,"_297":1008},"https://img.ochreeditions.com/m/375.jpg?dl=1","/art/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","/galleries/style/baroque/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308",{"_289":290,"_291":292},{"_224":1001,"_125":1002,"_284":1003},{"_275":998,"_277":999,"_279":1000,"_280":528},61.91280353200883,73,37.91280353200883,{"_286":224,"_123":1004,"_154":1005,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":230},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-benedetto-luti","Benedetto Luti's contemporaries","https://img.ochreeditions.com/a/375/480.jpg","https://img.ochreeditions.com/a/375/960.jpg","https://img.ochreeditions.com/a/375/1920.jpg",{"_309":1022,"_311":1023},{"_309":1020,"_311":1021},{"_309":1018,"_311":1019},{"_309":1016,"_311":1017},{"_309":1014,"_311":1015},"#957257",0.0728,"#b28f73",0.1691,"#c3a389",0.2241,"#ddc5b2",0.2638,"#d0b59f",0.2702,"Benedetto Luti","benedetto-luti","Italian, 1666–1724",1666,1724,"holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409","Holy Family with Saint Elizabeth and Saint John the Baptist",{"_42":1074,"_221":1075,"_323":1076,"_325":326,"_327":1077,"_329":1078,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1650/60","Plate: 29.8 × 22 cm (11 3/4 × 8 11/16 in.); sheet: 30.9 × 23 cm (12 3/16 × 9 1/16 in.)",22,29,0.7470017728647409,[1059,1060,1061,1062,1063],{"_220":299,"_221":300,"_42":301,"_302":303},"2024.156","Elisabetta Sirani made this in 1650/60, aged about 12. It is now at the Art Institute of Chicago.",{"_293":1056,"_295":1057,"_297":1058},"https://img.ochreeditions.com/m/449.jpg?dl=1","/art/holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409","/galleries/style/baroque/holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409",{"_289":290,"_291":292},{"_224":1051,"_125":1052,"_284":1053},{"_275":1048,"_277":1049,"_279":1050,"_280":1035},45.66305141307748,53,21.663051413077486,{"_286":224,"_123":1054,"_154":1055,"_140":89},{"_286":125,"_123":592,"_154":593,"_140":594},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-elisabetta-sirani","Elisabetta Sirani's contemporaries","https://img.ochreeditions.com/a/449/480.jpg","https://img.ochreeditions.com/a/449/960.jpg","https://img.ochreeditions.com/a/449/1920.jpg",{"_309":1072,"_311":1073},{"_309":1070,"_311":1071},{"_309":1068,"_311":1069},{"_309":1066,"_311":1067},{"_309":1064,"_311":1065},"#f7e3d1",0.0723,"#786c60",0.1146,"#9b8b7d",0.1647,"#baa898",0.2933,"#d6c0ae",0.3551,"Elisabetta Sirani","elisabetta-sirani","Italian, 1638–1665",1638,1665,"equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054","Equestrian Ballet in the Amphitheater of the Boboli Gardens",{"_42":1126,"_221":1127,"_323":1128,"_325":326,"_327":1129,"_329":330,"_331":-5,"_333":-5,"_335":1130,"_140":97},"1661","Etching on ivory laid paper","Image/plate: 29.2 × 44.5 cm (11 1/2 × 17 9/16 in.); Sheet: 39.2 × 54.8 cm (15 7/16 × 21 5/8 in.)",44,1.3755496921723835,[1111,1112,1113,1114,1115],{"_220":299,"_221":300,"_42":301,"_302":303},"1995.28","Stefano della Bella made this in 1661, aged 51. It is now at the Art Institute of Chicago.","In the amphitheatre of the Boboli Gardens behind the Pitti Palace in Florence, horsemen perform an elaborate equestrian ballet before crowds of spectators.","A work made of etching on ivory laid paper.",{"_293":1108,"_295":1109,"_297":1110},"https://img.ochreeditions.com/m/320.jpg?dl=1","/art/equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054","/galleries/style/baroque/equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054",{"_289":290,"_291":292},{"_224":1103,"_125":1104,"_284":1105},{"_275":1100,"_277":1101,"_279":1085,"_280":1102},68,55.987212276214834,31.987212276214834,{"_286":224,"_123":1106,"_154":1107,"_140":97},{"_286":125,"_123":592,"_154":593,"_140":594},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/stefano-della-bella","More by Stefano della Bella","https://img.ochreeditions.com/a/320/480.jpg","https://img.ochreeditions.com/a/320/960.jpg","https://img.ochreeditions.com/a/320/1920.jpg",{"_309":1124,"_311":1125},{"_309":1122,"_311":1123},{"_309":1120,"_311":1121},{"_309":1118,"_311":1119},{"_309":1116,"_311":1117},"#766d5a",0.0907,"#928a77",0.123,"#c6beb0",0.16,"#ada594",0.1814,"#e4e0d7",0.4449,"Stefano della Bella","stefano-della-bella","Italian, 1610–1664",1610,"Della Bella trained in Florence and became one of the finest etchers of the seventeenth century, working for the Medici and drawing inspiration from Jacques Callot. He spent about ten years in Paris from 1639, working for publishers and the court, before returning to Florence.",{"_1132":-5,"_1133":1134,"_1135":1136,"_1137":8,"_1138":1139,"_1140":8},"user","csrf","f92b216ccd7cb9600f65a22227e353dc87bd251a","cartCount",0,"dropLive","legal",[1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152],"uploadsEnabled",{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]