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It is now at the Art Institute of Chicago.","The Colosso dell’Appennino, a giant crouching figure personifying the Apennine mountains, created by the sculptor Giambologna around 1580 for the Medici villa at Pratolino near Florence, rises beside its pool in this etching by Stefano della Bella.","A work made of etching in black on ivory laid paper.",{"_294":373,"_296":374,"_298":375},"https://img.ochreeditions.com/m/300.jpg?dl=1","/art/the-colossal-statue-of-the-apennines-from-views-of-villa-di-aic-121416","/galleries/style/baroque/the-colossal-statue-of-the-apennines-from-views-of-villa-di-aic-121416",{"_290":371,"_292":372},{"_224":363,"_125":364,"_284":365},{"_275":360,"_277":361,"_279":344,"_281":362},62,51.84922976073418,27.849229760734183,{"_286":224,"_123":369,"_154":370,"_140":97},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/stefano-della-bella","More by Stefano della Bella","black","snow","https://img.ochreeditions.com/a/300/480.jpg","https://img.ochreeditions.com/a/300/960.jpg","https://img.ochreeditions.com/a/300/1920.jpg",{"_310":389,"_312":390},{"_310":387,"_312":388},{"_310":385,"_312":386},{"_310":383,"_312":384},{"_310":381,"_312":382},"#a79e8c",0.1237,"#726957",0.1277,"#cbc3b3",0.1576,"#8c8370",0.1825,"#e7e2d7",0.4085,"Stefano della Bella","stefano-della-bella","Italian, 1610–1664",1610,1664,"Della Bella trained in Florence and became one of the finest etchers of the seventeenth century, working for the Medici and drawing inspiration from Jacques Callot. He spent about ten years in Paris from 1639, working for publishers and the court, before returning to Florence.","the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)",{"_42":448,"_221":449,"_324":450,"_326":327,"_328":451,"_330":452,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1690/1710","watercolour","Drawing and Watercolor","Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper","36.3 × 22.3 cm (14 5/16 × 8 13/16 in.)",22,36,0.5987786259541985,[433,434,435,436,437],{"_220":300,"_221":301,"_42":302,"_303":304},"2019.884","Pietro Antonio di Pietri painted this in 1690/1710, aged about 27. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper.",{"_294":430,"_296":431,"_298":432},"https://img.ochreeditions.com/m/378.jpg?dl=1","/art/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","/galleries/style/baroque/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311",{"_290":371,"_292":372},{"_224":423,"_125":424,"_284":425},{"_275":420,"_277":421,"_279":422,"_281":406},45.556030534351144,60,21.556030534351144,{"_286":224,"_123":428,"_154":429,"_140":89},{"_286":125,"_123":426,"_154":427,"_140":230},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-pietro-antonio-di-pietri","Pietro Antonio di Pietri's contemporaries","https://img.ochreeditions.com/a/378/480.jpg","https://img.ochreeditions.com/a/378/960.jpg","https://img.ochreeditions.com/a/378/1920.jpg",{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},{"_310":440,"_312":441},{"_310":438,"_312":439},"#584c42",0.0921,"#9b8c7f",0.2027,"#9b7e64",0.2079,"#7a6a5c",0.2159,"#beaa95",0.2814,"Pietro Antonio di Pietri","pietro-antonio-di-pietri","Italian, 1663–1716",1663,1716,"adam-and-eve-in-paradise-aic-101077","Adam and Eve in Paradise",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":335,"_140":99},"128.2 × 101 cm (50 1/2 × 39 3/4 in.); Framed: 145.1 × 117.2 × 6.4 cm (57 1/8 × 46 1/8 × 2 1/2 in.)",101,128,0.7773950131233596,[479,480,481,482,483],{"_220":300,"_221":301,"_42":302,"_303":304},"1983.1047",{"_294":476,"_296":477,"_298":478},"https://img.ochreeditions.com/m/262.jpg?dl=1","/art/adam-and-eve-in-paradise-aic-101077","/galleries/style/baroque/adam-and-eve-in-paradise-aic-101077",{"_290":291,"_292":293},{"_224":473,"_125":474,"_284":475},{"_275":470,"_277":471,"_279":472,"_281":458},114.50656167979002,143,99.50656167979002,{"_286":224,"_123":170,"_154":169,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/262/480.jpg","https://img.ochreeditions.com/a/262/960.jpg","https://img.ochreeditions.com/a/262/1920.jpg",{"_310":492,"_312":493},{"_310":490,"_312":491},{"_310":488,"_312":489},{"_310":486,"_312":487},{"_310":484,"_312":485},"#404745",0.1047,"#8d755b",0.1222,"#67503a",0.2125,"#483021",0.2609,"#302319",0.2997,"the-supper-at-emmaus-cma-112626","The Supper at Emmaus",{"_42":556,"_221":557,"_324":558,"_326":327,"_328":559,"_330":560,"_332":-5,"_333":-5,"_334":-5,"_140":101},"c. 1720",18,"oil on canvas","Framed: 133.4 x 167 x 9.5 cm (52 1/2 x 65 3/4 x 3 3/4 in.); Unframed: 108 x 140.6 cm (42 1/2 x 55 3/8 in.)",140.6,108,1.3097072419106317,[541,542,543,544,545],{"_220":537,"_221":538,"_42":539,"_303":540},"Courtesy of the Cleveland Museum of Art","1931.245","Giovanni Battista Piazzetta painted this in about 1720, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":534,"_535":536},"The Supper at Emmaus, by Giovanni Battista Piazzetta, c. 1720",{"_294":531,"_296":532,"_298":533},"https://img.ochreeditions.com/m/528.jpg?dl=1","/art/the-supper-at-emmaus-cma-112626","/galleries/style/baroque/the-supper-at-emmaus-cma-112626",{"_290":291,"_292":293},{"_224":521,"_125":522,"_284":523},{"_275":518,"_277":519,"_279":501,"_281":520},155.6,122.35223529411765,107.35223529411765,{"_286":224,"_123":529,"_154":530,"_140":89},{"_286":125,"_123":527,"_154":528,"_140":289},{"_286":284,"_123":524,"_154":525,"_140":526},"era/18-italy","18th-century Italy",49,"style/painting-18","More paintings of the 18th century","artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","https://img.ochreeditions.com/a/528/480.jpg","https://img.ochreeditions.com/a/528/960.jpg","https://img.ochreeditions.com/a/528/1920.jpg","This painting depicts the biblical story of the Supper at Emmaus, when the disguised, resurrected Christ suddenly reveals himself to two astonished disciples as they all sit down to dinner.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":554,"_312":555},{"_310":552,"_312":553},{"_310":550,"_312":551},{"_310":548,"_312":549},{"_310":546,"_312":547},"#303637",0.0236,"#6a6962",0.0344,"#b1957c",0.052,"#57382b",0.1964,"#2a211b",0.6936,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754",1682,1754,"the-resurrection-aic-19336","The Resurrection",{"_42":607,"_221":608,"_324":609,"_326":610,"_328":-5,"_330":-5,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1619-20","339.1 × 199.5 cm (133 1/2 × 78 1/2 in.); Framed: 389.9 × 246.4 × 10.2 cm (153 1/2 × 97 × 4 in.)",199,339,0.5671824557497496,[592,593,594,595,596],{"_220":300,"_221":301,"_42":302,"_303":304},"1934.390","Cecco del Caravaggio painted this in about 1619-20. It is now at the Art Institute of Chicago.",{"_294":589,"_296":590,"_298":591},"https://img.ochreeditions.com/m/72.jpg?dl=1","/art/the-resurrection-aic-19336","/galleries/style/baroque/the-resurrection-aic-19336",{"_290":291,"_292":293},{"_224":584,"_125":585,"_284":586},{"_275":580,"_277":581,"_279":582,"_281":583},151.1237893799399,255,136.1237893799399,240,{"_286":224,"_123":587,"_154":588,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-cecco-del-caravaggio","Cecco del Caravaggio's contemporaries","https://img.ochreeditions.com/a/72/480.jpg","https://img.ochreeditions.com/a/72/960.jpg","https://img.ochreeditions.com/a/72/1920.jpg",{"_310":605,"_312":606},{"_310":603,"_312":604},{"_310":601,"_312":602},{"_310":599,"_312":600},{"_310":597,"_312":598},"#c4b5a4",0.0868,"#6d4a33",0.1111,"#8b7766",0.1141,"#432e26",0.2869,"#211a1a",0.4011,"Cecco del Caravaggio","cecco-del-caravaggio","Francesco Boneri; Italian, 1588/90–after 1620","Francesco Boneri; Italian","a-young-woman-holding-a-cushion-aic-261215","A Young Woman Holding a Cushion",{"_42":657,"_221":658,"_324":659,"_326":660,"_328":-5,"_330":-5,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1643","Etching in black ink on cream laid paper","Image/sheet: 23.4 × 14.1 cm (9 1/4 × 5 9/16 in.)",23,0.6126793695601035,[642,643,644,645,646],{"_220":300,"_221":301,"_42":302,"_303":304},"2021.170","Monogrammist VCP made this in 1643. It is now at the Art Institute of Chicago.","A work made of etching in black ink on cream laid paper.",{"_294":639,"_296":640,"_298":641},"https://img.ochreeditions.com/m/406.jpg?dl=1","/art/a-young-woman-holding-a-cushion-aic-261215","/galleries/style/baroque/a-young-woman-holding-a-cushion-aic-261215",{"_290":371,"_292":372},{"_224":634,"_125":635,"_284":636},{"_275":631,"_277":526,"_279":632,"_281":633},39.316984239002586,15.316984239002588,25,{"_286":224,"_123":637,"_154":638,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-monogrammist-vcp","Monogrammist VCP's contemporaries","https://img.ochreeditions.com/a/406/480.jpg","https://img.ochreeditions.com/a/406/960.jpg","https://img.ochreeditions.com/a/406/1920.jpg",{"_310":655,"_312":656},{"_310":653,"_312":654},{"_310":651,"_312":652},{"_310":649,"_312":650},{"_310":647,"_312":648},"#f6e7d9",0.059,"#6f6359",0.1219,"#b9a799",0.1238,"#928276",0.1664,"#dbc8b9",0.5289,"Monogrammist VCP","monogrammist-vcp","Italian or French, 17th century","Italian or French","the-holy-family-aic-262134","The Holy Family",{"_42":704,"_221":705,"_324":706,"_326":327,"_328":707,"_330":708,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1613/15","Etching in black on tan laid paper","Plate/sheet: 16.5 × 12.5 cm (6 1/2 × 4 15/16 in.)",0.7525284055437632,[690,691,692,693,694],{"_220":300,"_221":301,"_42":302,"_303":304},"2022.54","Giulio Cesare Procaccini made this in 1613/15, aged about 39. It is now at the Art Institute of Chicago.","A work made of etching in black on tan laid paper.",{"_294":687,"_296":688,"_298":689},"https://img.ochreeditions.com/m/407.jpg?dl=1","/art/the-holy-family-aic-262134","/galleries/style/baroque/the-holy-family-aic-262134",{"_290":371,"_292":372},{"_224":682,"_125":683,"_284":684},{"_275":680,"_277":526,"_279":681,"_281":633},42.81321013859408,18.81321013859408,{"_286":224,"_123":685,"_154":686,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giulio-cesare-procaccini","Giulio Cesare Procaccini's contemporaries","https://img.ochreeditions.com/a/407/480.jpg","https://img.ochreeditions.com/a/407/960.jpg","https://img.ochreeditions.com/a/407/1920.jpg",{"_310":702,"_312":703},{"_310":700,"_312":701},{"_310":698,"_312":699},{"_310":696,"_312":697},{"_310":695,"_312":315},"#f0e0cf","#5b5148",0.1348,"#bba28c",0.2048,"#7c6c5f",0.2757,"#998574",0.2913,"Giulio Cesare Procaccini","giulio-cesare-procaccini","Italian, 1574–1625",1574,1625,"putto-holding-staff-aic-83729","Putto Holding Staff",{"_42":755,"_221":756,"_324":757,"_326":327,"_328":758,"_330":759,"_332":760,"_333":760,"_334":761,"_140":93},"n.d.","Black chalk with pen and brown ink on cream laid paper","27.8 × 18.8 cm (11 × 7 7/16 in.)",27,0.7040203327171903,[740,741,742,743,744],{"_220":300,"_221":301,"_42":302,"_303":304},"1922.1737","Guido Reni painted this (n.d.). It is now at the Art Institute of Chicago.","A work made of black chalk with pen and brown ink on cream laid paper.",{"_294":737,"_296":738,"_298":739},"https://img.ochreeditions.com/m/225.jpg?dl=1","/art/putto-holding-staff-aic-83729","/galleries/style/baroque/putto-holding-staff-aic-83729",{"_290":371,"_292":372},{"_224":732,"_125":733,"_284":734},{"_275":729,"_277":730,"_279":731,"_281":715},43.008548983364136,51,19.00854898336414,{"_286":224,"_123":735,"_154":736,"_140":93},{"_286":125,"_123":426,"_154":427,"_140":230},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/225/480.jpg","https://img.ochreeditions.com/a/225/960.jpg","https://img.ochreeditions.com/a/225/1920.jpg",{"_310":753,"_312":754},{"_310":751,"_312":752},{"_310":749,"_312":750},{"_310":747,"_312":748},{"_310":745,"_312":746},"#838687",0.0174,"#aba9a3",0.0823,"#c0b7a6",0.1399,"#d0c4b1",0.3413,"#d8cfbb",0.4191,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","adoration-of-the-magi-cma-144303","Adoration of the Magi",{"_42":755,"_221":756,"_324":757,"_326":327,"_328":758,"_330":759,"_332":760,"_333":760,"_334":761,"_140":93},"1642","Framed: 378 x 280.5 x 10.5 cm (148 13/16 x 110 7/16 x 4 1/8 in.); Unframed: 367.3 x 268.6 cm (144 5/8 x 105 3/4 in.)",268.6,367.3,0.7237831420656905,[792,793,794,795,796],{"_220":537,"_221":538,"_42":539,"_303":540},"1969.132","Guido Reni painted this in 1642, aged 67. It is now at the Cleveland Museum of Art.",{"_118":791,"_535":536},"Adoration of the Magi, by Guido Reni, 1642",{"_294":788,"_296":789,"_298":790},"https://img.ochreeditions.com/m/673.jpg?dl=1","/art/adoration-of-the-magi-cma-144303","/galleries/style/baroque/adoration-of-the-magi-cma-144303",{"_290":291,"_292":293},{"_224":785,"_125":786,"_284":787},{"_275":783,"_277":581,"_279":784,"_281":583},188.70795409576573,173.70795409576573,{"_286":224,"_123":735,"_154":736,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/673/480.jpg","https://img.ochreeditions.com/a/673/960.jpg","https://img.ochreeditions.com/a/673/1920.jpg","This large altarpiece was in the artist's studio when he died, and parts of the composition appear incomplete. Some figures lack color, and Reni never finished the wooden structure.",{"_310":805,"_312":806},{"_310":803,"_312":804},{"_310":801,"_312":802},{"_310":799,"_312":800},{"_310":797,"_312":798},"#c9b88c",0.124,"#826847",0.1332,"#b7b1aa",0.1607,"#393527",0.2891,"#6b6559",0.293,"sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302","Sketch for \"The Four Prophets of Israel\" (for Il Gesù, Rome)",{"_42":854,"_221":855,"_324":856,"_326":327,"_328":857,"_330":858,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1675–1677","Framed: 81.3 x 68 x 9 cm (32 x 26 3/4 x 3 9/16 in.); Unframed: 67.3 x 55 cm (26 1/2 x 21 5/8 in.)",67.3,0.8161764705882353,[839,840,841,842,843],{"_220":537,"_221":538,"_42":539,"_303":540},"1969.131","Giovanni Battista Gaulli painted this in about 1675–1677, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":838,"_535":536},"Sketch for \"The Four Prophets of Israel\" (for Il Gesù, Rome), by Giovanni Battista Gaulli, c. 1675–1677",{"_294":835,"_296":836,"_298":837},"https://img.ochreeditions.com/m/672.jpg?dl=1","/art/sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302","/galleries/style/baroque/sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302",{"_290":291,"_292":293},{"_224":830,"_125":831,"_284":832},{"_275":827,"_277":828,"_279":829,"_281":812},69.92867647058823,82.3,54.92867647058823,{"_286":224,"_123":833,"_154":834,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-battista-gaulli","Giovanni Battista Gaulli's contemporaries","https://img.ochreeditions.com/a/672/480.jpg","https://img.ochreeditions.com/a/672/960.jpg","https://img.ochreeditions.com/a/672/1920.jpg","This small painting represents the four prophets of Israel: Isaiah, Jeremiah, Ezekiel, and Daniel. It is one of seven oil sketches made in preparation for the decoration of the four pendentives in the Jesuit Church of the Gesù in Rome.",{"_310":852,"_312":853},{"_310":850,"_312":851},{"_310":848,"_312":849},{"_310":846,"_312":847},{"_310":844,"_312":845},"#241e19",0.0682,"#764332",0.0685,"#8b6a54",0.07,"#433027",0.143,"#58382a",0.6503,"Giovanni Battista Gaulli","giovanni-battista-gaulli","Italian, 1639–1709",1639,1709,"jacopo-butera-aic-58050","Jacopo Butera",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":335,"_140":99},"c. 1695","117 × 91.6 cm (46 1/16 × 36 1/16 in.); Framed: 116.9 × 91.8 × 2.6 cm (46 × 36 1/8 × 1 in.)",91,117,0.7774438600884882,[887,888,889,890,891],{"_220":300,"_221":301,"_42":302,"_303":304},"1979.304","Francesco Solimena painted this in about 1695, aged about 33. It is now at the Art Institute of Chicago.",{"_294":884,"_296":885,"_298":886},"https://img.ochreeditions.com/m/172.jpg?dl=1","/art/jacopo-butera-aic-58050","/galleries/style/baroque/jacopo-butera-aic-58050",{"_290":291,"_292":293},{"_224":881,"_125":882,"_284":883},{"_275":878,"_277":879,"_279":880,"_281":865},105.96093163035312,132,90.96093163035312,{"_286":224,"_123":170,"_154":169,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/172/480.jpg","https://img.ochreeditions.com/a/172/960.jpg","https://img.ochreeditions.com/a/172/1920.jpg",{"_310":900,"_312":901},{"_310":898,"_312":899},{"_310":896,"_312":897},{"_310":894,"_312":895},{"_310":892,"_312":893},"#937e6a",0.0322,"#5d4d41",0.0491,"#3e291d",0.2813,"#592218",0.3019,"#271f1b",0.3355,"one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","One of a set of projects for a title page and the decoration of a horizontal panel",{"_42":962,"_221":963,"_324":-5,"_326":-5,"_328":-5,"_330":-5,"_332":-5,"_333":-5,"_334":-5,"_140":99},"1675-1699","drawing","Drawing","Pen, brush, sepia","H: 21.5cm W: 27.8cm",1.4352757137270238,[947,948,949,950,951],{"_220":943,"_221":944,"_42":945,"_303":946},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-2330","Francesco Bedeschini, Italian drew this in 1675-1699. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":941,"_535":942},"ONE OF A SET OF PROJECTS FOR A TITLE PAGE AND THE DECORATION OF A HORIZONTAL PANEL",{"_294":938,"_296":939,"_298":940},"https://img.ochreeditions.com/m/1735.jpg?dl=1","/art/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","/galleries/style/baroque/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330",{"_290":371,"_292":372},{"_224":928,"_125":929,"_284":930},{"_275":925,"_277":926,"_279":421,"_281":927},84,65.80381471389646,41.80381471389646,{"_286":224,"_123":936,"_154":937,"_140":99},{"_286":125,"_123":934,"_154":935,"_140":617},{"_286":284,"_123":931,"_154":932,"_140":933},"era/17","The 17th century",266,"style/drawing-17","More drawings of the 17th century","artist/francesco-bedeschini-italian","More by Francesco Bedeschini, Italian","https://img.ochreeditions.com/a/1735/480.jpg","https://img.ochreeditions.com/a/1735/960.jpg","https://img.ochreeditions.com/a/1735/1920.jpg","The panel has an elaborated frame, the outermost borderline of which is framing the drawing. Acanthus rinceau with two winged putti. Intended to be engraved","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_310":960,"_312":961},{"_310":958,"_312":959},{"_310":956,"_312":957},{"_310":954,"_312":955},{"_310":952,"_312":953},"#7c5d49",0.1495,"#e6ddc2",0.1555,"#987a60",0.1822,"#b59b80",0.239,"#cdbca2",0.2738,"Francesco Bedeschini, Italian","francesco-bedeschini-italian","portrait-of-a-man-in-a-military-uniform-nga-52296","Portrait of a Man in a Military Uniform","Unrecorded French maker","18th century","france","black, blue, and red chalk heightened with white on laid paper","overall (oval): 19.3 x 15.9 cm (7 5/8 x 6 1/4 in.)",15.9,19.3,0.8271484375,[1004,1005,1006,1007,1008],{"_220":1000,"_221":1001,"_42":1002,"_303":1003},"Courtesy National Gallery of Art, Washington","1970.17.152","An unrecorded French artist drew this in 18th century. It is now at the National Gallery of Art in Washington, DC.","The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.",{"_294":997,"_296":998,"_298":999},"https://img.ochreeditions.com/m/1554.jpg?dl=1","/art/portrait-of-a-man-in-a-military-uniform-nga-52296","/galleries/style/baroque/portrait-of-a-man-in-a-military-uniform-nga-52296",{"_290":371,"_292":372},{"_224":989,"_125":990,"_284":991},{"_275":987,"_277":526,"_279":988,"_281":633},44.6787109375,20.6787109375,{"_286":224,"_123":995,"_154":996,"_140":87},{"_286":125,"_123":934,"_154":935,"_140":617},{"_286":284,"_123":992,"_154":993,"_140":994},"era/17-france","17th-century France",30,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1554/480.jpg","https://img.ochreeditions.com/a/1554/960.jpg","https://img.ochreeditions.com/a/1554/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":1017,"_312":1018},{"_310":1015,"_312":1016},{"_310":1013,"_312":1014},{"_310":1011,"_312":1012},{"_310":1009,"_312":1010},"#586567",0.0787,"#baaa95",0.1094,"#877b6c",0.2016,"#6f675d",0.2629,"#eae4cf",0.3474,"allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V",{"_42":1064,"_221":1065,"_324":1066,"_326":327,"_328":1067,"_330":1068,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1700","Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard","49.5 × 38.6 cm (19 1/2 × 15 1/4 in.)",0.7737306843267108,[1049,1050,1051,1052,1053],{"_220":300,"_221":301,"_42":302,"_303":304},"2019.882","Benedetto Luti painted this in 1700, aged 34. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard.",{"_294":1046,"_296":1047,"_298":1048},"https://img.ochreeditions.com/m/375.jpg?dl=1","/art/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","/galleries/style/baroque/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308",{"_290":371,"_292":372},{"_224":1041,"_125":1042,"_284":1043},{"_275":1038,"_277":1039,"_279":1040,"_281":526},61.91280353200883,73,37.91280353200883,{"_286":224,"_123":1044,"_154":1045,"_140":89},{"_286":125,"_123":426,"_154":427,"_140":230},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-benedetto-luti","Benedetto Luti's contemporaries","https://img.ochreeditions.com/a/375/480.jpg","https://img.ochreeditions.com/a/375/960.jpg","https://img.ochreeditions.com/a/375/1920.jpg",{"_310":1062,"_312":1063},{"_310":1060,"_312":1061},{"_310":1058,"_312":1059},{"_310":1056,"_312":1057},{"_310":1054,"_312":1055},"#957257",0.0728,"#b28f73",0.1691,"#c3a389",0.2241,"#ddc5b2",0.2638,"#d0b59f",0.2702,"Benedetto Luti","benedetto-luti","Italian, 1666–1724",1666,1724,"the-ecstasy-of-saint-francis-aic-160030","The Ecstasy of Saint Francis",{"_42":1114,"_221":1115,"_324":1116,"_326":327,"_328":1117,"_330":1118,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1601","155.3 × 116.8 cm (61 1/8 × 46 in.); Framed: 188.6 × 151.1 × 7.6 cm (74 1/4 × 59 1/2 × 3 in.)",116,155,0.7568764808900793,[1099,1100,1101,1102,1103],{"_220":300,"_221":301,"_42":302,"_303":304},"2002.378","Giovanni Baglione painted this in 1601, aged 35. It is now at the Art Institute of Chicago.",{"_294":1096,"_296":1097,"_298":1098},"https://img.ochreeditions.com/m/342.jpg?dl=1","/art/the-ecstasy-of-saint-francis-aic-160030","/galleries/style/baroque/the-ecstasy-of-saint-francis-aic-160030",{"_290":291,"_292":293},{"_224":1091,"_125":1092,"_284":1093},{"_275":1088,"_277":1089,"_279":1090,"_281":1075},132.3158545379623,170,117.3158545379623,{"_286":224,"_123":1094,"_154":1095,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-baglione","Giovanni Baglione's contemporaries","https://img.ochreeditions.com/a/342/480.jpg","https://img.ochreeditions.com/a/342/960.jpg","https://img.ochreeditions.com/a/342/1920.jpg",{"_310":1112,"_312":1113},{"_310":1110,"_312":1111},{"_310":1108,"_312":1109},{"_310":1106,"_312":1107},{"_310":1104,"_312":1105},"#263948",0.0231,"#a27f69",0.0837,"#5b3a24",0.1628,"#331f15",0.2799,"#160f0a",0.4505,"Giovanni Baglione","giovanni-baglione","Italian, 1566–1643",1566,1643,{"_1120":-5,"_1121":1122,"_1123":1124,"_1125":8,"_1126":1127,"_1128":8},"user","csrf","11699eae57ca0d61915d0b629c3ac5f928d2cc0e","cartCount",0,"dropLive","legal",[1129,1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140],"uploadsEnabled",{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},{"_221":1143,"_20":1144},{"_221":1141,"_20":1142},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]