[{"_1":2,"_3":4},"root",{"_5":1100},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Baroque, in the galleries · Ochre Editions","description","Drama, movement and deep shadow in European art of the 1600s. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/baroque","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/baroque.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Baroque, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/adam-and-eve-in-paradise-aic-101077",15,"https://www.ochreeditions.com/art/adoration-of-the-magi-cma-144303",14,"https://www.ochreeditions.com/art/putto-holding-staff-aic-83729",13,"https://www.ochreeditions.com/art/the-colossal-statue-of-the-apennines-from-views-of-villa-di-aic-121416",12,"https://www.ochreeditions.com/art/the-resurrection-aic-19336",11,"https://www.ochreeditions.com/art/portrait-of-a-girl-aic-28876",10,"https://www.ochreeditions.com/art/cupid-chastised-aic-59847",9,"https://www.ochreeditions.com/art/jacopo-butera-aic-58050",8,"https://www.ochreeditions.com/art/soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561",7,"https://www.ochreeditions.com/art/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311",6,"https://www.ochreeditions.com/art/one-set-of-trophies-of-weapons-of-war-as-a-decoration-for-ho-si-chndm-1938-88-2299",5,"https://www.ochreeditions.com/art/equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054",4,"https://www.ochreeditions.com/art/the-supper-at-emmaus-cma-112626",3,"https://www.ochreeditions.com/art/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308",2,"https://www.ochreeditions.com/art/one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307",1,"https://www.ochreeditions.com/art/salome-with-the-head-of-saint-john-the-baptist-aic-11434","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~baroque.a8c64045c0.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~baroque.a8c64045c0.jpg","alt","Baroque, a room in the galleries: three of its 32 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Baroque: 32 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~baroque.jpg","key","style/baroque","style","Baroque","intro","Drama, movement and deep shadow in European art of the 1600s.","wing","Style galleries","floor","layout","long","hang",1470,"/galleries/style/baroque","total",32,"page","works",[205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6MTQ3MCwiaSI6bnVsbCwiZyI6Im9KNDYycWEwIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/baroque?hang=1470&cursor=eyJvIjoxNiwiaCI6MTQ3MCwiaSI6bnVsbCwiZyI6Im9KNDYycWEwIn0&via=continue","label","Baroque, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/265/480.jpg","https://img.ochreeditions.com/a/374/480.jpg","https://img.ochreeditions.com/a/1554/480.jpg","https://img.ochreeditions.com/a/1735/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":99},{"_154":166,"_123":167,"_44":168,"_140":169},"17th-century Italy","era/17-italy","/galleries/era/17-italy?hang=1470&via=continue",39,"More by Francesco Solimena","artist/francesco-solimena","/galleries/artist/francesco-solimena?hang=1470&via=continue",{"_42":200,"_179":201},{"_42":194,"_179":195},{"_42":188,"_179":189},{"_42":183,"_179":184},{"_42":178,"_179":180},"Section 3, north wall","work_ids",[181,182],673,262,"Section 2, north wall",[185,186,187],72,300,225,"Section 2, south wall",[190,191,192,193],410,172,173,119,"Section 1, south wall",[196,197,198,199],528,320,1733,378,"Section 1, north wall",[202,203,204],21,1734,375,{"_221":202,"_222":1055,"_20":1056,"_225":1057,"_227":-5,"_228":1058,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":1059,"_243":1060,"_245":1061,"_247":1062,"_249":1063,"_251":1064,"_253":254,"_255":1065,"_257":258,"_259":1066,"_154":1067,"_261":-5,"_111":1068,"_263":1069,"_265":1070,"_267":1071,"_269":1072,"_271":1073,"_144":1074,"_274":1075},{"_221":203,"_222":1015,"_20":1016,"_225":1017,"_227":-5,"_228":802,"_230":231,"_232":-5,"_234":235,"_125":-5,"_28":803,"_237":804,"_239":805,"_241":1018,"_243":-5,"_245":-5,"_247":1019,"_249":1020,"_251":1021,"_253":810,"_255":1022,"_257":258,"_259":812,"_154":1023,"_261":-5,"_111":1024,"_263":1025,"_265":1026,"_267":1027,"_269":1028,"_271":1029,"_144":1030,"_274":1031},{"_221":204,"_222":965,"_20":966,"_225":967,"_227":-5,"_228":968,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":405,"_237":406,"_239":969,"_241":970,"_243":460,"_245":717,"_247":971,"_249":972,"_251":973,"_253":254,"_255":974,"_257":258,"_259":975,"_154":-5,"_261":-5,"_111":976,"_263":977,"_265":978,"_267":979,"_269":980,"_271":981,"_144":982,"_274":983},{"_221":196,"_222":908,"_20":909,"_225":910,"_227":-5,"_228":911,"_230":409,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":341,"_241":912,"_243":913,"_245":914,"_247":915,"_249":916,"_251":917,"_253":348,"_255":918,"_257":258,"_259":919,"_154":920,"_261":-5,"_111":921,"_263":922,"_265":923,"_267":924,"_269":925,"_271":926,"_144":927,"_274":928},{"_221":197,"_222":862,"_20":863,"_225":864,"_227":-5,"_228":865,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":456,"_237":457,"_239":866,"_241":867,"_243":868,"_245":869,"_247":870,"_249":871,"_251":872,"_253":254,"_255":873,"_257":258,"_259":874,"_154":-5,"_261":875,"_111":876,"_263":877,"_265":878,"_267":879,"_269":880,"_271":881,"_144":882,"_274":883},{"_221":198,"_222":799,"_20":800,"_225":801,"_227":-5,"_228":802,"_230":231,"_232":-5,"_234":235,"_125":-5,"_28":803,"_237":804,"_239":805,"_241":806,"_243":-5,"_245":-5,"_247":807,"_249":808,"_251":809,"_253":810,"_255":811,"_257":258,"_259":812,"_154":813,"_261":-5,"_111":814,"_263":815,"_265":816,"_267":817,"_269":818,"_271":819,"_144":820,"_274":821},{"_221":199,"_222":747,"_20":748,"_225":749,"_227":-5,"_228":750,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":405,"_237":406,"_239":751,"_241":752,"_243":753,"_245":754,"_247":755,"_249":756,"_251":757,"_253":254,"_255":758,"_257":258,"_259":759,"_154":-5,"_261":-5,"_111":760,"_263":761,"_265":762,"_267":763,"_269":764,"_271":765,"_144":766,"_274":767},{"_221":190,"_222":697,"_20":698,"_225":699,"_227":-5,"_228":700,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":456,"_237":457,"_239":701,"_241":702,"_243":87,"_245":81,"_247":703,"_249":704,"_251":705,"_253":254,"_255":706,"_257":258,"_259":707,"_154":-5,"_261":-5,"_111":708,"_263":709,"_265":710,"_267":711,"_269":712,"_271":713,"_144":714,"_274":715},{"_221":191,"_222":654,"_20":655,"_225":656,"_227":-5,"_228":657,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":658,"_243":659,"_245":660,"_247":661,"_249":662,"_251":663,"_253":254,"_255":664,"_257":258,"_259":665,"_154":-5,"_261":-5,"_111":262,"_263":666,"_265":667,"_267":668,"_269":669,"_271":670,"_144":671,"_274":672},{"_221":192,"_222":600,"_20":601,"_225":602,"_227":-5,"_228":603,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":604,"_243":605,"_245":606,"_247":607,"_249":608,"_251":609,"_253":254,"_255":610,"_257":258,"_259":611,"_154":612,"_261":-5,"_111":613,"_263":614,"_265":615,"_267":616,"_269":617,"_271":618,"_144":619,"_274":620},{"_221":193,"_222":559,"_20":560,"_225":561,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":562,"_243":563,"_245":564,"_247":565,"_249":566,"_251":567,"_253":254,"_255":568,"_257":258,"_259":260,"_154":-5,"_261":-5,"_111":262,"_263":569,"_265":570,"_267":571,"_269":572,"_271":573,"_144":574,"_274":575},{"_221":185,"_222":511,"_20":512,"_225":513,"_227":-5,"_228":514,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":515,"_243":516,"_245":517,"_247":518,"_249":519,"_251":520,"_253":254,"_255":521,"_257":258,"_259":522,"_154":-5,"_261":-5,"_111":262,"_263":523,"_265":524,"_267":525,"_269":526,"_271":527,"_144":528,"_274":529},{"_221":186,"_222":452,"_20":453,"_225":454,"_227":-5,"_228":455,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":456,"_237":457,"_239":458,"_241":459,"_243":460,"_245":461,"_247":462,"_249":463,"_251":464,"_253":254,"_255":465,"_257":258,"_259":466,"_154":-5,"_261":467,"_111":468,"_263":469,"_265":470,"_267":471,"_269":472,"_271":473,"_144":474,"_274":475},{"_221":187,"_222":401,"_20":402,"_225":403,"_227":-5,"_228":404,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":405,"_237":406,"_239":407,"_241":408,"_243":409,"_245":410,"_247":411,"_249":412,"_251":413,"_253":254,"_255":414,"_257":258,"_259":415,"_154":-5,"_261":-5,"_111":416,"_263":417,"_265":418,"_267":419,"_269":420,"_271":421,"_144":422,"_274":423},{"_221":181,"_222":337,"_20":338,"_225":339,"_227":-5,"_228":340,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":341,"_241":342,"_243":343,"_245":344,"_247":345,"_249":346,"_251":347,"_253":348,"_255":349,"_257":258,"_259":350,"_154":351,"_261":-5,"_111":352,"_263":353,"_265":354,"_267":355,"_269":356,"_271":357,"_144":358,"_274":359},{"_221":182,"_222":223,"_20":224,"_225":226,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":235,"_125":-5,"_28":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_259":260,"_154":-5,"_261":-5,"_111":262,"_263":264,"_265":266,"_267":268,"_269":270,"_271":272,"_144":273,"_274":275},"id","slug","adam-and-eve-in-paradise-aic-101077","Adam and Eve in Paradise","artist",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":99},"unrecorded","date","c. 1700","century",17,"place","italy","movement","baroque","painting","classification","Painting","medium","Oil on canvas","dimensions","128.2 × 101 cm (50 1/2 × 39 3/4 in.); Framed: 145.1 × 117.2 × 6.4 cm (57 1/8 × 46 1/8 × 2 1/2 in.)","width_cm",101,"height_cm",128,"aspect",0.7773950131233596,"palette",[306,307,308,309,310],"museum",{"_221":301,"_222":302,"_42":303,"_304":305},"credit","Courtesy of the Art Institute of Chicago","accession","1983.1047","licence","CC0","story","Francesco Solimena painted this in about 1700, aged about 38. It is now at the Art Institute of Chicago.","note","A work made of oil on canvas.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/262.jpg?dl=1","page_url","/art/adam-and-eve-in-paradise-aic-101077","walk_url","/galleries/style/baroque/adam-and-eve-in-paradise-aic-101077","frame",{"_291":292,"_293":294},{"_225":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":281,"_282":246},"w",114.50656167979002,"h",143,"image_w",99.50656167979002,"image_h",{"_287":225,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-17","More paintings of the 17th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/262/480.jpg","960","https://img.ochreeditions.com/a/262/960.jpg","1920","https://img.ochreeditions.com/a/262/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#404745","weight",0.1047,"#8d755b",0.1222,"#67503a",0.2125,"#483021",0.2609,"#302319",0.2997,"Francesco Solimena","francesco-solimena","bio","Italian, 1657–1747","nationality","Italian","birth_year",1657,"death_year",1747,"birth_place","death_place","about_excerpt","Solimena was the dominant painter in Naples for half a century, continuing the grand decorative manner of Luca Giordano while giving it firmer drawing and stronger contrasts of light and shade.","adoration-of-the-magi-cma-144303","Adoration of the Magi",{"_42":394,"_222":395,"_325":396,"_327":328,"_329":397,"_331":398,"_333":399,"_334":399,"_335":400,"_140":93},"1642","oil on canvas","Framed: 378 x 280.5 x 10.5 cm (148 13/16 x 110 7/16 x 4 1/8 in.); Unframed: 367.3 x 268.6 cm (144 5/8 x 105 3/4 in.)",268.6,367.3,0.7237831420656905,[379,380,381,382,383],{"_221":375,"_222":376,"_42":377,"_304":378},"Courtesy of the Cleveland Museum of Art","1969.132","Guido Reni painted this in 1642, aged 67. It is now at the Cleveland Museum of Art.",{"_118":372,"_373":374},"Adoration of the Magi, by Guido Reni, 1642",{"_295":369,"_297":370,"_299":371},"https://img.ochreeditions.com/m/673.jpg?dl=1","/art/adoration-of-the-magi-cma-144303","/galleries/style/baroque/adoration-of-the-magi-cma-144303",{"_291":292,"_293":294},{"_225":364,"_125":365,"_285":366},{"_276":360,"_278":361,"_280":362,"_282":363},188.70795409576573,255,173.70795409576573,240,{"_287":225,"_123":367,"_154":368,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/673/480.jpg","https://img.ochreeditions.com/a/673/960.jpg","https://img.ochreeditions.com/a/673/1920.jpg","This large altarpiece was in the artist's studio when he died, and parts of the composition appear incomplete. Some figures lack color, and Reni never finished the wooden structure.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":392,"_313":393},{"_311":390,"_313":391},{"_311":388,"_313":389},{"_311":386,"_313":387},{"_311":384,"_313":385},"#c9b88c",0.124,"#826847",0.1332,"#b7b1aa",0.1607,"#393527",0.2891,"#6b6559",0.293,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","putto-holding-staff-aic-83729","Putto Holding Staff",{"_42":394,"_222":395,"_325":396,"_327":328,"_329":397,"_331":398,"_333":399,"_334":399,"_335":400,"_140":93},"n.d.","watercolour","Drawing and Watercolor","Black chalk with pen and brown ink on cream laid paper","27.8 × 18.8 cm (11 × 7 7/16 in.)",18,27,0.7040203327171903,[437,438,439,440,441],{"_221":301,"_222":302,"_42":303,"_304":305},"1922.1737","Guido Reni painted this (n.d.). It is now at the Art Institute of Chicago.","A work made of black chalk with pen and brown ink on cream laid paper.",{"_295":434,"_297":435,"_299":436},"https://img.ochreeditions.com/m/225.jpg?dl=1","/art/putto-holding-staff-aic-83729","/galleries/style/baroque/putto-holding-staff-aic-83729",{"_291":432,"_293":433},{"_225":427,"_125":428,"_285":429},{"_276":424,"_278":425,"_280":426,"_282":410},43.008548983364136,51,19.00854898336414,{"_287":225,"_123":367,"_154":368,"_140":93},{"_287":125,"_123":430,"_154":431,"_140":231},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-17","More watercolours of the 17th century","black","snow","https://img.ochreeditions.com/a/225/480.jpg","https://img.ochreeditions.com/a/225/960.jpg","https://img.ochreeditions.com/a/225/1920.jpg",{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},"#838687",0.0174,"#aba9a3",0.0823,"#c0b7a6",0.1399,"#d0c4b1",0.3413,"#d8cfbb",0.4191,"the-colossal-statue-of-the-apennines-from-views-of-villa-di-aic-121416","The Colossal Statue of the Apennines, from Views of Villa di Pratolino",{"_42":505,"_222":506,"_325":507,"_327":328,"_329":508,"_331":509,"_333":-5,"_334":-5,"_335":510,"_140":97},"c. 1653","print","Print","Etching in black on ivory laid paper","Image: 24.4 × 38.4 cm (9 5/8 × 15 1/8 in.); Plate: 25.5 × 38.7 cm (10 1/16 × 15 1/4 in.); Sheet: 32.9 × 45 cm (13 × 17 3/4 in.)",38,24,1.364490161001789,[490,491,492,493,494],{"_221":301,"_222":302,"_42":303,"_304":305},"1990.501.6","Stefano della Bella made this in about 1653, aged about 42. It is now at the Art Institute of Chicago.","The Colosso dell’Appennino, a giant crouching figure personifying the Apennine mountains, created by the sculptor Giambologna around 1580 for the Medici villa at Pratolino near Florence, rises beside its pool in this etching by Stefano della Bella.","A work made of etching in black on ivory laid paper.",{"_295":487,"_297":488,"_299":489},"https://img.ochreeditions.com/m/300.jpg?dl=1","/art/the-colossal-statue-of-the-apennines-from-views-of-villa-di-aic-121416","/galleries/style/baroque/the-colossal-statue-of-the-apennines-from-views-of-villa-di-aic-121416",{"_291":432,"_293":433},{"_225":479,"_125":480,"_285":481},{"_276":476,"_278":477,"_280":460,"_282":478},62,51.84922976073418,27.849229760734183,{"_287":225,"_123":485,"_154":486,"_140":97},{"_287":125,"_123":482,"_154":483,"_140":484},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-17","More prints of the 17th century",55,"artist/stefano-della-bella","More by Stefano della Bella","https://img.ochreeditions.com/a/300/480.jpg","https://img.ochreeditions.com/a/300/960.jpg","https://img.ochreeditions.com/a/300/1920.jpg",{"_311":503,"_313":504},{"_311":501,"_313":502},{"_311":499,"_313":500},{"_311":497,"_313":498},{"_311":495,"_313":496},"#a79e8c",0.1237,"#726957",0.1277,"#cbc3b3",0.1576,"#8c8370",0.1825,"#e7e2d7",0.4085,"Stefano della Bella","stefano-della-bella","Italian, 1610–1664",1610,1664,"Della Bella trained in Florence and became one of the finest etchers of the seventeenth century, working for the Medici and drawing inspiration from Jacques Callot. He spent about ten years in Paris from 1639, working for publishers and the court, before returning to Florence.","the-resurrection-aic-19336","The Resurrection",{"_42":555,"_222":556,"_325":557,"_327":558,"_329":-5,"_331":-5,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1619-20","339.1 × 199.5 cm (133 1/2 × 78 1/2 in.); Framed: 389.9 × 246.4 × 10.2 cm (153 1/2 × 97 × 4 in.)",199,339,0.5671824557497496,[540,541,542,543,544],{"_221":301,"_222":302,"_42":303,"_304":305},"1934.390","Cecco del Caravaggio painted this in about 1619-20. It is now at the Art Institute of Chicago.",{"_295":537,"_297":538,"_299":539},"https://img.ochreeditions.com/m/72.jpg?dl=1","/art/the-resurrection-aic-19336","/galleries/style/baroque/the-resurrection-aic-19336",{"_291":292,"_293":294},{"_225":532,"_125":533,"_285":534},{"_276":530,"_278":361,"_280":531,"_282":363},151.1237893799399,136.1237893799399,{"_287":225,"_123":535,"_154":536,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-cecco-del-caravaggio","Cecco del Caravaggio's contemporaries","https://img.ochreeditions.com/a/72/480.jpg","https://img.ochreeditions.com/a/72/960.jpg","https://img.ochreeditions.com/a/72/1920.jpg",{"_311":553,"_313":554},{"_311":551,"_313":552},{"_311":549,"_313":550},{"_311":547,"_313":548},{"_311":545,"_313":546},"#c4b5a4",0.0868,"#6d4a33",0.1111,"#8b7766",0.1141,"#432e26",0.2869,"#211a1a",0.4011,"Cecco del Caravaggio","cecco-del-caravaggio","Francesco Boneri; Italian, 1588/90–after 1620","Francesco Boneri; Italian","portrait-of-a-girl-aic-28876","Portrait of a Girl",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":99},"56.3 × 43.2 cm (22 3/16 × 17 in.); Framed: 82 × 69.6 × 5.1 cm (32 1/4 × 27 3/8 × 2 in.)",43,56,0.7491119005328597,[585,586,587,588,589],{"_221":301,"_222":302,"_42":303,"_304":305},"1968.97",{"_295":582,"_297":583,"_299":584},"https://img.ochreeditions.com/m/119.jpg?dl=1","/art/portrait-of-a-girl-aic-28876","/galleries/style/baroque/portrait-of-a-girl-aic-28876",{"_291":292,"_293":294},{"_225":579,"_125":580,"_285":581},{"_276":576,"_278":577,"_280":578,"_282":564},56.95026642984014,71,41.95026642984014,{"_287":225,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/119/480.jpg","https://img.ochreeditions.com/a/119/960.jpg","https://img.ochreeditions.com/a/119/1920.jpg",{"_311":598,"_313":599},{"_311":596,"_313":597},{"_311":594,"_313":595},{"_311":592,"_313":593},{"_311":590,"_313":591},"#9f7f60",0.0908,"#806550",0.0934,"#634d3c",0.1266,"#473223",0.2448,"#33231e",0.4444,"cupid-chastised-aic-59847","Cupid Chastised",{"_42":649,"_222":650,"_325":651,"_327":328,"_329":652,"_331":653,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1613","175.3 × 130.6 cm (69 × 51 3/8 in.)",130,175,0.7140801841549971,[634,635,636,637,638],{"_221":301,"_222":302,"_42":303,"_304":305},"1947.58","Bartolomeo Manfredi painted this in 1613, aged 31. It is now at the Art Institute of Chicago.",{"_118":632,"_373":633},"Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.",{"_295":629,"_297":630,"_299":631},"https://img.ochreeditions.com/m/173.jpg?dl=1","/art/cupid-chastised-aic-59847","/galleries/style/baroque/cupid-chastised-aic-59847",{"_291":292,"_293":294},{"_225":624,"_125":625,"_285":626},{"_276":621,"_278":622,"_280":623,"_282":606},139.9640322271245,190,124.96403222712449,{"_287":225,"_123":627,"_154":628,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-bartolomeo-manfredi","Bartolomeo Manfredi's contemporaries","https://img.ochreeditions.com/a/173/480.jpg","https://img.ochreeditions.com/a/173/960.jpg","https://img.ochreeditions.com/a/173/1920.jpg","This dramatic scene by Bartolomeo Manfredi shows Mars, the god of war, beating Cupid for having caused his affair with Venus, the goddess of love. The sheer physicality of the figures as well as the bold illumination from the left further the work's dynamism.","Text from the Art Institute of Chicago.",{"_311":647,"_313":648},{"_311":645,"_313":646},{"_311":643,"_313":644},{"_311":641,"_313":642},{"_311":639,"_313":640},"#b99d7b",0.0832,"#753f25",0.0944,"#574a3a",0.1685,"#3b281a",0.2354,"#1e1a16",0.4185,"Bartolomeo Manfredi","bartolomeo-manfredi","Italian, 1582–1622",1582,1622,"jacopo-butera-aic-58050","Jacopo Butera",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":-5,"_334":-5,"_335":336,"_140":99},"c. 1695","117 × 91.6 cm (46 1/16 × 36 1/16 in.); Framed: 116.9 × 91.8 × 2.6 cm (46 × 36 1/8 × 1 in.)",91,117,0.7774438600884882,[682,683,684,685,686],{"_221":301,"_222":302,"_42":303,"_304":305},"1979.304","Francesco Solimena painted this in about 1695, aged about 33. It is now at the Art Institute of Chicago.",{"_295":679,"_297":680,"_299":681},"https://img.ochreeditions.com/m/172.jpg?dl=1","/art/jacopo-butera-aic-58050","/galleries/style/baroque/jacopo-butera-aic-58050",{"_291":292,"_293":294},{"_225":676,"_125":677,"_285":678},{"_276":673,"_278":674,"_280":675,"_282":660},105.96093163035312,132,90.96093163035312,{"_287":225,"_123":171,"_154":170,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/172/480.jpg","https://img.ochreeditions.com/a/172/960.jpg","https://img.ochreeditions.com/a/172/1920.jpg",{"_311":695,"_313":696},{"_311":693,"_313":694},{"_311":691,"_313":692},{"_311":689,"_313":690},{"_311":687,"_313":688},"#937e6a",0.0322,"#5d4d41",0.0491,"#3e291d",0.2813,"#592218",0.3019,"#271f1b",0.3355,"soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561","Soldier in Profile Holding a Pike, from Capricci e habiti militari",{"_42":742,"_222":743,"_325":744,"_327":328,"_329":745,"_331":746,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1610/29","Etching in black on cream laid paper","Plate: 12 × 9.5 cm (4 3/4 × 3 3/4 in.); Sheet: 13 × 10.4 cm (5 1/8 × 4 1/8 in.)",0.7956465237166992,[728,729,730,731,732],{"_221":301,"_222":302,"_42":303,"_304":305},"2021.582","Filippo Napoletano made this in 1610/29, aged about 21. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_295":725,"_297":726,"_299":727},"https://img.ochreeditions.com/m/410.jpg?dl=1","/art/soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561","/galleries/style/baroque/soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561",{"_291":432,"_293":433},{"_225":720,"_125":721,"_285":722},{"_276":716,"_278":717,"_280":718,"_282":719},43.89116309291748,49,19.89116309291748,25,{"_287":225,"_123":723,"_154":724,"_140":89},{"_287":125,"_123":482,"_154":483,"_140":484},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-filippo-napoletano","Filippo Napoletano's contemporaries","https://img.ochreeditions.com/a/410/480.jpg","https://img.ochreeditions.com/a/410/960.jpg","https://img.ochreeditions.com/a/410/1920.jpg",{"_311":740,"_313":741},{"_311":738,"_313":739},{"_311":736,"_313":737},{"_311":735,"_313":642},{"_311":733,"_313":734},"#736456",0.0542,"#f0d9c4","#9b8875",0.1039,"#bea690",0.2184,"#d6bca4",0.5291,"Filippo Napoletano","filippo-napoletano","Italian, 1589–1629",1589,1629,"the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)",{"_42":794,"_222":795,"_325":796,"_327":328,"_329":797,"_331":798,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1690/1710","Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper","36.3 × 22.3 cm (14 5/16 × 8 13/16 in.)",22,36,0.5987786259541985,[779,780,781,782,783],{"_221":301,"_222":302,"_42":303,"_304":305},"2019.884","Pietro Antonio di Pietri painted this in 1690/1710, aged about 27. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper.",{"_295":776,"_297":777,"_299":778},"https://img.ochreeditions.com/m/378.jpg?dl=1","/art/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","/galleries/style/baroque/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311",{"_291":432,"_293":433},{"_225":771,"_125":772,"_285":773},{"_276":768,"_278":769,"_280":770,"_282":754},45.556030534351144,60,21.556030534351144,{"_287":225,"_123":774,"_154":775,"_140":89},{"_287":125,"_123":430,"_154":431,"_140":231},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-pietro-antonio-di-pietri","Pietro Antonio di Pietri's contemporaries","https://img.ochreeditions.com/a/378/480.jpg","https://img.ochreeditions.com/a/378/960.jpg","https://img.ochreeditions.com/a/378/1920.jpg",{"_311":792,"_313":793},{"_311":790,"_313":791},{"_311":788,"_313":789},{"_311":786,"_313":787},{"_311":784,"_313":785},"#584c42",0.0921,"#9b8c7f",0.2027,"#9b7e64",0.2079,"#7a6a5c",0.2159,"#beaa95",0.2814,"Pietro Antonio di Pietri","pietro-antonio-di-pietri","Italian, 1663–1716",1663,1716,"one-set-of-trophies-of-weapons-of-war-as-a-decoration-for-ho-si-chndm-1938-88-2299","One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved",{"_42":860,"_222":861,"_325":-5,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_334":-5,"_335":-5,"_140":99},"1675-1699","drawing","Drawing","Pen, brush, sepia","H: 19.8cm W: 27.5cm",1.335995436394752,[845,846,847,848,849],{"_221":841,"_222":842,"_42":843,"_304":844},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1938-88-2299","Francesco Bedeschini, Italian drew this in 1675-1699. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":839,"_373":840},"ONE SET OF TROPHIES OF WEAPONS OF WAR AS A DECORATION FOR HORIZONTAL PANELS. INTENDED TO BE ENGRAVED",{"_295":836,"_297":837,"_299":838},"https://img.ochreeditions.com/m/1733.jpg?dl=1","/art/one-set-of-trophies-of-weapons-of-war-as-a-decoration-for-ho-si-chndm-1938-88-2299","/galleries/style/baroque/one-set-of-trophies-of-weapons-of-war-as-a-decoration-for-ho-si-chndm-1938-88-2299",{"_291":432,"_293":433},{"_225":825,"_125":826,"_285":827},{"_276":822,"_278":823,"_280":769,"_282":824},84,68.91033304867634,44.91033304867634,{"_287":225,"_123":834,"_154":835,"_140":99},{"_287":125,"_123":831,"_154":832,"_140":833},{"_287":285,"_123":828,"_154":829,"_140":830},"era/17","The 17th century",266,"style/drawing-17","More drawings of the 17th century",23,"artist/francesco-bedeschini-italian","More by Francesco Bedeschini, Italian","https://img.ochreeditions.com/a/1733/480.jpg","https://img.ochreeditions.com/a/1733/960.jpg","https://img.ochreeditions.com/a/1733/1920.jpg","The drawing has two borderlines, the background bearing horizontal lines. Intended to be engraved","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_311":858,"_313":859},{"_311":856,"_313":857},{"_311":854,"_313":855},{"_311":852,"_313":853},{"_311":850,"_313":851},"#775e4a",0.0721,"#b59f85",0.1174,"#987e65",0.1187,"#d3c5ac",0.2297,"#e6dfc7",0.4621,"Francesco Bedeschini, Italian","francesco-bedeschini-italian","equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054","Equestrian Ballet in the Amphitheater of the Boboli Gardens",{"_42":505,"_222":506,"_325":507,"_327":328,"_329":508,"_331":509,"_333":-5,"_334":-5,"_335":510,"_140":97},"1661","Etching on ivory laid paper","Image/plate: 29.2 × 44.5 cm (11 1/2 × 17 9/16 in.); Sheet: 39.2 × 54.8 cm (15 7/16 × 21 5/8 in.)",44,29,1.3755496921723835,[893,894,895,896,897],{"_221":301,"_222":302,"_42":303,"_304":305},"1995.28","Stefano della Bella made this in 1661, aged 51. It is now at the Art Institute of Chicago.","In the amphitheatre of the Boboli Gardens behind the Pitti Palace in Florence, horsemen perform an elaborate equestrian ballet before crowds of spectators.","A work made of etching on ivory laid paper.",{"_295":890,"_297":891,"_299":892},"https://img.ochreeditions.com/m/320.jpg?dl=1","/art/equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054","/galleries/style/baroque/equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054",{"_291":432,"_293":433},{"_225":887,"_125":888,"_285":889},{"_276":884,"_278":885,"_280":868,"_282":886},68,55.987212276214834,31.987212276214834,{"_287":225,"_123":485,"_154":486,"_140":97},{"_287":125,"_123":482,"_154":483,"_140":484},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/320/480.jpg","https://img.ochreeditions.com/a/320/960.jpg","https://img.ochreeditions.com/a/320/1920.jpg",{"_311":906,"_313":907},{"_311":904,"_313":905},{"_311":902,"_313":903},{"_311":900,"_313":901},{"_311":898,"_313":899},"#766d5a",0.0907,"#928a77",0.123,"#c6beb0",0.16,"#ada594",0.1814,"#e4e0d7",0.4449,"the-supper-at-emmaus-cma-112626","The Supper at Emmaus",{"_42":960,"_222":961,"_325":962,"_327":328,"_329":963,"_331":964,"_333":-5,"_334":-5,"_335":-5,"_140":101},"c. 1720","Framed: 133.4 x 167 x 9.5 cm (52 1/2 x 65 3/4 x 3 3/4 in.); Unframed: 108 x 140.6 cm (42 1/2 x 55 3/8 in.)",140.6,108,1.3097072419106317,[945,946,947,948,949],{"_221":375,"_222":376,"_42":377,"_304":378},"1931.245","Giovanni Battista Piazzetta painted this in about 1720, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":944,"_373":374},"The Supper at Emmaus, by Giovanni Battista Piazzetta, c. 1720",{"_295":941,"_297":942,"_299":943},"https://img.ochreeditions.com/m/528.jpg?dl=1","/art/the-supper-at-emmaus-cma-112626","/galleries/style/baroque/the-supper-at-emmaus-cma-112626",{"_291":292,"_293":294},{"_225":932,"_125":933,"_285":934},{"_276":929,"_278":930,"_280":913,"_282":931},155.6,122.35223529411765,107.35223529411765,{"_287":225,"_123":939,"_154":940,"_140":89},{"_287":125,"_123":937,"_154":938,"_140":290},{"_287":285,"_123":935,"_154":936,"_140":717},"era/18-italy","18th-century Italy","style/painting-18","More paintings of the 18th century","artist/contemporaries-of-giovanni-battista-piazzetta","Giovanni Battista Piazzetta's contemporaries","https://img.ochreeditions.com/a/528/480.jpg","https://img.ochreeditions.com/a/528/960.jpg","https://img.ochreeditions.com/a/528/1920.jpg","This painting depicts the biblical story of the Supper at Emmaus, when the disguised, resurrected Christ suddenly reveals himself to two astonished disciples as they all sit down to dinner.",{"_311":958,"_313":959},{"_311":956,"_313":957},{"_311":954,"_313":955},{"_311":952,"_313":953},{"_311":950,"_313":951},"#303637",0.0236,"#6a6962",0.0344,"#b1957c",0.052,"#57382b",0.1964,"#2a211b",0.6936,"Giovanni Battista Piazzetta","giovanni-battista-piazzetta","Italian, 1682–1754",1682,1754,"allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V",{"_42":1010,"_222":1011,"_325":1012,"_327":328,"_329":1013,"_331":1014,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1700","Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard","49.5 × 38.6 cm (19 1/2 × 15 1/4 in.)",0.7737306843267108,[995,996,997,998,999],{"_221":301,"_222":302,"_42":303,"_304":305},"2019.882","Benedetto Luti painted this in 1700, aged 34. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard.",{"_295":992,"_297":993,"_299":994},"https://img.ochreeditions.com/m/375.jpg?dl=1","/art/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","/galleries/style/baroque/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308",{"_291":432,"_293":433},{"_225":987,"_125":988,"_285":989},{"_276":984,"_278":985,"_280":986,"_282":717},61.91280353200883,73,37.91280353200883,{"_287":225,"_123":990,"_154":991,"_140":89},{"_287":125,"_123":430,"_154":431,"_140":231},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-benedetto-luti","Benedetto Luti's contemporaries","https://img.ochreeditions.com/a/375/480.jpg","https://img.ochreeditions.com/a/375/960.jpg","https://img.ochreeditions.com/a/375/1920.jpg",{"_311":1008,"_313":1009},{"_311":1006,"_313":1007},{"_311":1004,"_313":1005},{"_311":1002,"_313":1003},{"_311":1000,"_313":1001},"#957257",0.0728,"#b28f73",0.1691,"#c3a389",0.2241,"#ddc5b2",0.2638,"#d0b59f",0.2702,"Benedetto Luti","benedetto-luti","Italian, 1666–1724",1666,1724,"one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307","One of a set of trophies of weapons of war as a decoration of a horizontal panel",{"_42":860,"_222":861,"_325":-5,"_327":-5,"_329":-5,"_331":-5,"_333":-5,"_334":-5,"_335":-5,"_140":99},"H: 19.6cm W: 27.5cm",1.6568627450980393,[1040,1041,1042,1043,1044],{"_221":841,"_222":842,"_42":843,"_304":844},"1938-88-2307",{"_118":839,"_373":840},"ONE OF A SET OF TROPHIES OF WEAPONS OF WAR AS A DECORATION OF A HORIZONTAL PANEL",{"_295":1037,"_297":1038,"_299":1039},"https://img.ochreeditions.com/m/1734.jpg?dl=1","/art/one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307","/galleries/style/baroque/one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307",{"_291":432,"_293":433},{"_225":1034,"_125":1035,"_285":1036},{"_276":822,"_278":1032,"_280":769,"_282":1033},60.213017751479285,36.213017751479285,{"_287":225,"_123":834,"_154":835,"_140":99},{"_287":125,"_123":831,"_154":832,"_140":833},{"_287":285,"_123":828,"_154":829,"_140":830},"https://img.ochreeditions.com/a/1734/480.jpg","https://img.ochreeditions.com/a/1734/960.jpg","https://img.ochreeditions.com/a/1734/1920.jpg",{"_311":1053,"_313":1054},{"_311":1051,"_313":1052},{"_311":1049,"_313":1050},{"_311":1047,"_313":1048},{"_311":1045,"_313":1046},"#715745",0.101,"#b59e83",0.1422,"#947960",0.1514,"#e7dfc3",0.2965,"#d5c5a9",0.3089,"salome-with-the-head-of-saint-john-the-baptist-aic-11434","Salome with the Head of Saint John the Baptist",{"_42":394,"_222":395,"_325":396,"_327":328,"_329":397,"_331":398,"_333":399,"_334":399,"_335":400,"_140":93},"c. 1639–42","248.5 × 174 cm (97 3/4 × 68 1/2 in.); Framed: 285 × 210.2 × 8.9 cm (112 3/16 × 82 3/4 × 3 1/2 in.)",174,248,0.6927996094703441,[1085,1086,1087,1088,1089],{"_221":301,"_222":302,"_42":303,"_304":305},"1960.3","Guido Reni painted this in about 1639–42, aged about 59. It is now at the Art Institute of Chicago.",{"_118":1084,"_373":633},"Large painting of woman, in gold and pink dress, placing severed head on platter.",{"_295":1081,"_297":1082,"_299":1083},"https://img.ochreeditions.com/m/21.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-aic-11434","/galleries/style/baroque/salome-with-the-head-of-saint-john-the-baptist-aic-11434",{"_291":292,"_293":294},{"_225":1078,"_125":1079,"_285":1080},{"_276":1076,"_278":361,"_280":1077,"_282":363},181.2719062728826,166.2719062728826,{"_287":225,"_123":367,"_154":368,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/21/480.jpg","https://img.ochreeditions.com/a/21/960.jpg","https://img.ochreeditions.com/a/21/1920.jpg","Guido Reni was the most famous and successful Italian painter of his day. This painting depicts Salome receiving the head of John the Baptist on a platter, the gruesome reward she chose for having pleased her stepfather, Herod, by performing a seductive dance.",{"_311":1098,"_313":1099},{"_311":1096,"_313":1097},{"_311":1094,"_313":1095},{"_311":1092,"_313":1093},{"_311":1090,"_313":1091},"#5c4429",0.0632,"#7e6e59",0.0991,"#60473e",0.1154,"#453e2f",0.2237,"#302921",0.4986,{"_1101":-5,"_1102":1103,"_1104":1105,"_1106":8,"_1107":1108,"_1109":8},"user","csrf","716f88da62b7d86ffe28378ece32fee8c429dfa8","cartCount",0,"dropLive","legal",[1110,1111,1112,1113,1114,1115,1116,1117,1118,1119,1120,1121],"uploadsEnabled",{"_222":1144,"_20":1145},{"_222":1142,"_20":1143},{"_222":1140,"_20":1141},{"_222":1138,"_20":1139},{"_222":1136,"_20":1137},{"_222":1134,"_20":1135},{"_222":1132,"_20":1133},{"_222":1130,"_20":1131},{"_222":1128,"_20":1129},{"_222":1126,"_20":1127},{"_222":1124,"_20":1125},{"_222":1122,"_20":1123},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
