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Intended to be engraved","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_314":401,"_316":402},{"_314":399,"_316":400},{"_314":397,"_316":398},{"_314":395,"_316":396},{"_314":393,"_316":394},"#775e4a",0.0721,"#b59f85",0.1174,"#987e65",0.1187,"#d3c5ac",0.2297,"#e6dfc7",0.4621,"Francesco Bedeschini, Italian","francesco-bedeschini-italian","jacopo-butera-aic-58050","Jacopo Butera",{"_42":451,"_221":452,"_328":453,"_330":331,"_332":454,"_334":455,"_336":-5,"_337":-5,"_338":456,"_140":99},"c. 1695","117 × 91.6 cm (46 1/16 × 36 1/16 in.); Framed: 116.9 × 91.8 × 2.6 cm (46 × 36 1/8 × 1 in.)",91,117,0.7774438600884882,[436,437,438,439,440],{"_220":304,"_221":305,"_42":306,"_307":308},"1979.304","Francesco Solimena painted this in about 1695, aged about 33. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":433,"_297":434,"_299":435},"https://img.ochreeditions.com/m/172.jpg?dl=1","/art/jacopo-butera-aic-58050","/galleries/style/baroque/jacopo-butera-aic-58050",{"_291":292,"_293":294},{"_224":428,"_125":429,"_285":430},{"_276":425,"_278":426,"_280":427,"_282":411},105.96093163035312,132,90.96093163035312,{"_287":224,"_123":431,"_154":432,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/francesco-solimena","More by Francesco Solimena","https://img.ochreeditions.com/a/172/480.jpg","https://img.ochreeditions.com/a/172/960.jpg","https://img.ochreeditions.com/a/172/1920.jpg",{"_314":449,"_316":450},{"_314":447,"_316":448},{"_314":445,"_316":446},{"_314":443,"_316":444},{"_314":441,"_316":442},"#937e6a",0.0322,"#5d4d41",0.0491,"#3e291d",0.2813,"#592218",0.3019,"#271f1b",0.3355,"Francesco Solimena","francesco-solimena","Italian, 1657–1747",1657,1747,"Solimena was the dominant painter in Naples for half a century, continuing the grand decorative manner of Luca Giordano while giving it firmer drawing and stronger contrasts of light and shade.","adam-and-eve-in-paradise-aic-101077","Adam and Eve in Paradise",{"_42":451,"_221":452,"_328":453,"_330":331,"_332":454,"_334":455,"_336":-5,"_337":-5,"_338":456,"_140":99},"c. 1700","128.2 × 101 cm (50 1/2 × 39 3/4 in.); Framed: 145.1 × 117.2 × 6.4 cm (57 1/8 × 46 1/8 × 2 1/2 in.)",101,128,0.7773950131233596,[485,486,487,488,489],{"_220":304,"_221":305,"_42":306,"_307":308},"1983.1047","Francesco Solimena painted this in about 1700, aged about 38. It is now at the Art Institute of Chicago.",{"_295":482,"_297":483,"_299":484},"https://img.ochreeditions.com/m/262.jpg?dl=1","/art/adam-and-eve-in-paradise-aic-101077","/galleries/style/baroque/adam-and-eve-in-paradise-aic-101077",{"_291":292,"_293":294},{"_224":479,"_125":480,"_285":481},{"_276":476,"_278":477,"_280":478,"_282":463},114.50656167979002,143,99.50656167979002,{"_287":224,"_123":431,"_154":432,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/262/480.jpg","https://img.ochreeditions.com/a/262/960.jpg","https://img.ochreeditions.com/a/262/1920.jpg",{"_314":498,"_316":499},{"_314":496,"_316":497},{"_314":494,"_316":495},{"_314":492,"_316":493},{"_314":490,"_316":491},"#404745",0.1047,"#8d755b",0.1222,"#67503a",0.2125,"#483021",0.2609,"#302319",0.2997,"the-ecstasy-of-saint-francis-aic-160030","The Ecstasy of Saint Francis",{"_42":545,"_221":546,"_328":547,"_330":331,"_332":548,"_334":549,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1601","155.3 × 116.8 cm (61 1/8 × 46 in.); Framed: 188.6 × 151.1 × 7.6 cm (74 1/4 × 59 1/2 × 3 in.)",116,155,0.7568764808900793,[530,531,532,533,534],{"_220":304,"_221":305,"_42":306,"_307":308},"2002.378","Giovanni Baglione painted this in 1601, aged 35. It is now at the Art Institute of Chicago.",{"_295":527,"_297":528,"_299":529},"https://img.ochreeditions.com/m/342.jpg?dl=1","/art/the-ecstasy-of-saint-francis-aic-160030","/galleries/style/baroque/the-ecstasy-of-saint-francis-aic-160030",{"_291":292,"_293":294},{"_224":522,"_125":523,"_285":524},{"_276":519,"_278":520,"_280":521,"_282":506},132.3158545379623,170,117.3158545379623,{"_287":224,"_123":525,"_154":526,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-baglione","Giovanni Baglione's contemporaries","https://img.ochreeditions.com/a/342/480.jpg","https://img.ochreeditions.com/a/342/960.jpg","https://img.ochreeditions.com/a/342/1920.jpg",{"_314":543,"_316":544},{"_314":541,"_316":542},{"_314":539,"_316":540},{"_314":537,"_316":538},{"_314":535,"_316":536},"#263948",0.0231,"#a27f69",0.0837,"#5b3a24",0.1628,"#331f15",0.2799,"#160f0a",0.4505,"Giovanni Baglione","giovanni-baglione","Italian, 1566–1643",1566,1643,"saint-jerome-and-a-pope-with-two-putti-saint-jerome-and-pope-aic-259147","Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)",{"_42":599,"_221":600,"_328":601,"_330":331,"_332":602,"_334":603,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1611","print","Print","Etching in black on cream laid paper","210 x 147 mm (plate), 211 x 148 mm (sheet)",0.663664323374341,[584,585,586,587,588],{"_220":304,"_221":305,"_42":306,"_307":308},"2020.269","Jacopo Palma il Giovane made this in about 1611, aged about 58. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_295":581,"_297":582,"_299":583},"https://img.ochreeditions.com/m/399.jpg?dl=1","/art/saint-jerome-and-a-pope-with-two-putti-saint-jerome-and-pope-aic-259147","/galleries/style/baroque/saint-jerome-and-a-pope-with-two-putti-saint-jerome-and-pope-aic-259147",{"_291":377,"_293":378},{"_224":573,"_125":574,"_285":575},{"_276":571,"_278":362,"_280":572,"_282":364},63.81985940246046,39.81985940246046,{"_287":224,"_123":579,"_154":580,"_140":89},{"_287":125,"_123":576,"_154":577,"_140":578},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","https://img.ochreeditions.com/a/399/480.jpg","https://img.ochreeditions.com/a/399/960.jpg","https://img.ochreeditions.com/a/399/1920.jpg",{"_314":597,"_316":598},{"_314":595,"_316":596},{"_314":593,"_316":594},{"_314":591,"_316":592},{"_314":589,"_316":590},"#695e54",0.0629,"#c2b0a2",0.0919,"#8c7d71",0.1079,"#a79789",0.1199,"#f2e0d3",0.6174,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,"a-young-woman-holding-a-cushion-aic-261215","A Young Woman Holding a Cushion",{"_42":650,"_221":651,"_328":652,"_330":653,"_332":-5,"_334":-5,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1643","Etching in black ink on cream laid paper","Image/sheet: 23.4 × 14.1 cm (9 1/4 × 5 9/16 in.)",0.6126793695601035,[635,636,637,638,639],{"_220":304,"_221":305,"_42":306,"_307":308},"2021.170","Monogrammist VCP made this in 1643. It is now at the Art Institute of Chicago.","A work made of etching in black ink on cream laid paper.",{"_295":632,"_297":633,"_299":634},"https://img.ochreeditions.com/m/406.jpg?dl=1","/art/a-young-woman-holding-a-cushion-aic-261215","/galleries/style/baroque/a-young-woman-holding-a-cushion-aic-261215",{"_291":377,"_293":378},{"_224":627,"_125":628,"_285":629},{"_276":623,"_278":624,"_280":625,"_282":626},39.316984239002586,49,15.316984239002588,25,{"_287":224,"_123":630,"_154":631,"_140":89},{"_287":125,"_123":576,"_154":577,"_140":578},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-monogrammist-vcp","Monogrammist VCP's contemporaries","https://img.ochreeditions.com/a/406/480.jpg","https://img.ochreeditions.com/a/406/960.jpg","https://img.ochreeditions.com/a/406/1920.jpg",{"_314":648,"_316":649},{"_314":646,"_316":647},{"_314":644,"_316":645},{"_314":642,"_316":643},{"_314":640,"_316":641},"#f6e7d9",0.059,"#6f6359",0.1219,"#b9a799",0.1238,"#928276",0.1664,"#dbc8b9",0.5289,"Monogrammist VCP","monogrammist-vcp","Italian or French, 17th century","Italian or French","soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561","Soldier in Profile Holding a Pike, from Capricci e habiti militari",{"_42":695,"_221":696,"_328":697,"_330":331,"_332":698,"_334":699,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1610/29","Plate: 12 × 9.5 cm (4 3/4 × 3 3/4 in.); Sheet: 13 × 10.4 cm (5 1/8 × 4 1/8 in.)",0.7956465237166992,[681,682,683,684,685],{"_220":304,"_221":305,"_42":306,"_307":308},"2021.582","Filippo Napoletano made this in 1610/29, aged about 21. It is now at the Art Institute of Chicago.",{"_295":678,"_297":679,"_299":680},"https://img.ochreeditions.com/m/410.jpg?dl=1","/art/soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561","/galleries/style/baroque/soldier-in-profile-holding-a-pike-from-capricci-e-habiti-mil-aic-262561",{"_291":377,"_293":378},{"_224":673,"_125":674,"_285":675},{"_276":671,"_278":624,"_280":672,"_282":626},43.89116309291748,19.89116309291748,{"_287":224,"_123":676,"_154":677,"_140":89},{"_287":125,"_123":576,"_154":577,"_140":578},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-filippo-napoletano","Filippo Napoletano's contemporaries","https://img.ochreeditions.com/a/410/480.jpg","https://img.ochreeditions.com/a/410/960.jpg","https://img.ochreeditions.com/a/410/1920.jpg",{"_314":693,"_316":694},{"_314":691,"_316":692},{"_314":689,"_316":690},{"_314":688,"_316":319},{"_314":686,"_316":687},"#736456",0.0542,"#f0d9c4","#9b8875",0.1039,"#bea690",0.2184,"#d6bca4",0.5291,"Filippo Napoletano","filippo-napoletano","Italian, 1589–1629",1589,1629,"the-grotto-of-pan-and-fame-aic-121412","The Grotto of Pan and Fame",{"_42":747,"_221":748,"_328":749,"_330":331,"_332":750,"_334":751,"_336":-5,"_337":-5,"_338":752,"_140":97},"1653/55","Etching on ivory laid paper","Image/plate: 24.5 × 37 cm (9 11/16 × 14 5/8 in.); Sheet: 32.9 × 45 cm (13 × 17 3/4 in.)",37,24,1.3667100130039012,[732,733,734,735,736],{"_220":304,"_221":305,"_42":306,"_307":308},"1990.501.4","Stefano della Bella made this in 1653/55, aged about 43. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_295":729,"_297":730,"_299":731},"https://img.ochreeditions.com/m/299.jpg?dl=1","/art/the-grotto-of-pan-and-fame-aic-121412","/galleries/style/baroque/the-grotto-of-pan-and-fame-aic-121412",{"_291":377,"_293":378},{"_224":724,"_125":725,"_285":726},{"_276":721,"_278":722,"_280":706,"_282":723},61,51.072312083729784,27.07231208372978,{"_287":224,"_123":727,"_154":728,"_140":97},{"_287":125,"_123":576,"_154":577,"_140":578},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/stefano-della-bella","More by Stefano della Bella","https://img.ochreeditions.com/a/299/480.jpg","https://img.ochreeditions.com/a/299/960.jpg","https://img.ochreeditions.com/a/299/1920.jpg",{"_314":745,"_316":746},{"_314":743,"_316":744},{"_314":741,"_316":742},{"_314":739,"_316":740},{"_314":737,"_316":738},"#6d6453",0.0818,"#c5bdad",0.121,"#8d8573",0.1536,"#a8a08f",0.1712,"#e6e1d8",0.4724,"Stefano della Bella","stefano-della-bella","Italian, 1610–1664",1610,1664,"Della Bella trained in Florence and became one of the finest etchers of the seventeenth century, working for the Medici and drawing inspiration from Jacques Callot. He spent about ten years in Paris from 1639, working for publishers and the court, before returning to Florence.","equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054","Equestrian Ballet in the Amphitheater of the Boboli Gardens",{"_42":747,"_221":748,"_328":749,"_330":331,"_332":750,"_334":751,"_336":-5,"_337":-5,"_338":752,"_140":97},"1661","Image/plate: 29.2 × 44.5 cm (11 1/2 × 17 9/16 in.); Sheet: 39.2 × 54.8 cm (15 7/16 × 21 5/8 in.)",44,29,1.3755496921723835,[782,783,784,785,786],{"_220":304,"_221":305,"_42":306,"_307":308},"1995.28","Stefano della Bella made this in 1661, aged 51. It is now at the Art Institute of Chicago.","In the amphitheatre of the Boboli Gardens behind the Pitti Palace in Florence, horsemen perform an elaborate equestrian ballet before crowds of spectators.",{"_295":779,"_297":780,"_299":781},"https://img.ochreeditions.com/m/320.jpg?dl=1","/art/equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054","/galleries/style/baroque/equestrian-ballet-in-the-amphitheater-of-the-boboli-gardens-aic-137054",{"_291":377,"_293":378},{"_224":776,"_125":777,"_285":778},{"_276":773,"_278":774,"_280":758,"_282":775},68,55.987212276214834,31.987212276214834,{"_287":224,"_123":727,"_154":728,"_140":97},{"_287":125,"_123":576,"_154":577,"_140":578},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/320/480.jpg","https://img.ochreeditions.com/a/320/960.jpg","https://img.ochreeditions.com/a/320/1920.jpg",{"_314":795,"_316":796},{"_314":793,"_316":794},{"_314":791,"_316":792},{"_314":789,"_316":790},{"_314":787,"_316":788},"#766d5a",0.0907,"#928a77",0.123,"#c6beb0",0.16,"#ada594",0.1814,"#e4e0d7",0.4449,"holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409","Holy Family with Saint Elizabeth and Saint John the Baptist",{"_42":841,"_221":842,"_328":843,"_330":331,"_332":844,"_334":845,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1650/60","Plate: 29.8 × 22 cm (11 3/4 × 8 11/16 in.); sheet: 30.9 × 23 cm (12 3/16 × 9 1/16 in.)",22,0.7470017728647409,[826,827,828,829,830],{"_220":304,"_221":305,"_42":306,"_307":308},"2024.156","Elisabetta Sirani made this in 1650/60, aged about 12. It is now at the Art Institute of Chicago.",{"_295":823,"_297":824,"_299":825},"https://img.ochreeditions.com/m/449.jpg?dl=1","/art/holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409","/galleries/style/baroque/holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409",{"_291":377,"_293":378},{"_224":818,"_125":819,"_285":820},{"_276":815,"_278":816,"_280":817,"_282":759},45.66305141307748,53,21.663051413077486,{"_287":224,"_123":821,"_154":822,"_140":89},{"_287":125,"_123":576,"_154":577,"_140":578},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-elisabetta-sirani","Elisabetta Sirani's contemporaries","https://img.ochreeditions.com/a/449/480.jpg","https://img.ochreeditions.com/a/449/960.jpg","https://img.ochreeditions.com/a/449/1920.jpg",{"_314":839,"_316":840},{"_314":837,"_316":838},{"_314":835,"_316":836},{"_314":833,"_316":834},{"_314":831,"_316":832},"#f7e3d1",0.0723,"#786c60",0.1146,"#9b8b7d",0.1647,"#baa898",0.2933,"#d6c0ae",0.3551,"Elisabetta Sirani","elisabetta-sirani","Italian, 1638–1665",1638,1665,"the-crucifixion-of-saint-andrew-cma-148758","The Crucifixion of Saint Andrew",{"_42":901,"_221":902,"_328":903,"_330":331,"_332":904,"_334":750,"_336":905,"_337":906,"_338":-5,"_140":101},"1606–7","oil on canvas","Framed: 233.5 x 184 x 12 cm (91 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 202.5 x 152.7 cm (79 3/4 x 60 1/8 in.)",152.7,202.5,0.7538235294117647,[886,887,888,889,890],{"_220":882,"_221":883,"_42":884,"_307":885},"Courtesy of the Cleveland Museum of Art","1976.2","Caravaggio painted this in 1606–7, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":880,"_302":881},"The Crucifixion of Saint Andrew, by Caravaggio, 1606–7",{"_295":877,"_297":878,"_299":879},"https://img.ochreeditions.com/m/701.jpg?dl=1","/art/the-crucifixion-of-saint-andrew-cma-148758","/galleries/style/baroque/the-crucifixion-of-saint-andrew-cma-148758",{"_291":292,"_293":294},{"_224":872,"_125":873,"_285":874},{"_276":869,"_278":870,"_280":871,"_282":853},167.64926470588236,217.5,152.64926470588236,{"_287":224,"_123":875,"_154":876,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/701/480.jpg","https://img.ochreeditions.com/a/701/960.jpg","https://img.ochreeditions.com/a/701/1920.jpg","Saint Andrew’s efforts to introduce Christianity to Greece in the first century CE were met with hostility from local authorities. He was sentenced to die on the cross because he refused to acknowledge pagan gods. For two days, Andrew preached from his martyr’s station to an increasingly sympathetic crowd.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":899,"_316":900},{"_314":897,"_316":898},{"_314":895,"_316":896},{"_314":893,"_316":894},{"_314":891,"_316":892},"#7f7768",0.0498,"#9d7048",0.0807,"#623d24",0.125,"#342215",0.2559,"#1b120b",0.4886,"Caravaggio","caravaggio","Italian, 1571–1610",1571,"Milan or Caravaggio","Porto Ercole","the-holy-family-aic-262134","The Holy Family",{"_42":951,"_221":952,"_328":953,"_330":331,"_332":954,"_334":955,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1613/15","Etching in black on tan laid paper","Plate/sheet: 16.5 × 12.5 cm (6 1/2 × 4 15/16 in.)",0.7525284055437632,[936,937,938,939,940],{"_220":304,"_221":305,"_42":306,"_307":308},"2022.54","Giulio Cesare Procaccini made this in 1613/15, aged about 39. It is now at the Art Institute of Chicago.","A work made of etching in black on tan laid paper.",{"_295":933,"_297":934,"_299":935},"https://img.ochreeditions.com/m/407.jpg?dl=1","/art/the-holy-family-aic-262134","/galleries/style/baroque/the-holy-family-aic-262134",{"_291":377,"_293":378},{"_224":928,"_125":929,"_285":930},{"_276":926,"_278":624,"_280":927,"_282":626},42.81321013859408,18.81321013859408,{"_287":224,"_123":931,"_154":932,"_140":89},{"_287":125,"_123":576,"_154":577,"_140":578},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giulio-cesare-procaccini","Giulio Cesare Procaccini's contemporaries","https://img.ochreeditions.com/a/407/480.jpg","https://img.ochreeditions.com/a/407/960.jpg","https://img.ochreeditions.com/a/407/1920.jpg",{"_314":949,"_316":950},{"_314":947,"_316":948},{"_314":945,"_316":946},{"_314":943,"_316":944},{"_314":941,"_316":942},"#f0e0cf",0.0934,"#5b5148",0.1348,"#bba28c",0.2048,"#7c6c5f",0.2757,"#998574",0.2913,"Giulio Cesare Procaccini","giulio-cesare-procaccini","Italian, 1574–1625",1574,1625,"allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V",{"_42":1006,"_221":1007,"_328":1008,"_330":331,"_332":1009,"_334":1010,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1700","watercolour","Drawing and Watercolor","Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard","49.5 × 38.6 cm (19 1/2 × 15 1/4 in.)",38,0.7737306843267108,[991,992,993,994,995],{"_220":304,"_221":305,"_42":306,"_307":308},"2019.882","Benedetto Luti painted this in 1700, aged 34. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard.",{"_295":988,"_297":989,"_299":990},"https://img.ochreeditions.com/m/375.jpg?dl=1","/art/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308","/galleries/style/baroque/allegory-of-the-elevation-of-cardinal-deacon-oddone-colonna-aic-248308",{"_291":377,"_293":378},{"_224":981,"_125":982,"_285":983},{"_276":978,"_278":979,"_280":980,"_282":624},61.91280353200883,73,37.91280353200883,{"_287":224,"_123":986,"_154":987,"_140":89},{"_287":125,"_123":984,"_154":985,"_140":230},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-benedetto-luti","Benedetto Luti's contemporaries","https://img.ochreeditions.com/a/375/480.jpg","https://img.ochreeditions.com/a/375/960.jpg","https://img.ochreeditions.com/a/375/1920.jpg",{"_314":1004,"_316":1005},{"_314":1002,"_316":1003},{"_314":1000,"_316":1001},{"_314":998,"_316":999},{"_314":996,"_316":997},"#957257",0.0728,"#b28f73",0.1691,"#c3a389",0.2241,"#ddc5b2",0.2638,"#d0b59f",0.2702,"Benedetto Luti","benedetto-luti","Italian, 1666–1724",1666,1724,"one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","One of a set of projects for a title page and the decoration of a horizontal panel",{"_42":403,"_221":404,"_328":-5,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_337":-5,"_338":-5,"_140":99},"H: 21.5cm W: 27.8cm",1.4352757137270238,[1037,1038,1039,1040,1041],{"_220":384,"_221":385,"_42":386,"_307":387},"1938-88-2330",{"_118":1036,"_302":383},"ONE OF A SET OF PROJECTS FOR A TITLE PAGE AND THE DECORATION OF A HORIZONTAL PANEL",{"_295":1033,"_297":1034,"_299":1035},"https://img.ochreeditions.com/m/1735.jpg?dl=1","/art/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330","/galleries/style/baroque/one-of-a-set-of-projects-for-a-title-page-and-the-decoration-si-chndm-1938-88-2330",{"_291":377,"_293":378},{"_224":1030,"_125":1031,"_285":1032},{"_276":362,"_278":1028,"_280":364,"_282":1029},65.80381471389646,41.80381471389646,{"_287":224,"_123":375,"_154":376,"_140":99},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1735/480.jpg","https://img.ochreeditions.com/a/1735/960.jpg","https://img.ochreeditions.com/a/1735/1920.jpg","The panel has an elaborated frame, the outermost borderline of which is framing the drawing. Acanthus rinceau with two winged putti. Intended to be engraved",{"_314":1050,"_316":1051},{"_314":1048,"_316":1049},{"_314":1046,"_316":1047},{"_314":1044,"_316":1045},{"_314":1042,"_316":1043},"#7c5d49",0.1495,"#e6ddc2",0.1555,"#987a60",0.1822,"#b59b80",0.239,"#cdbca2",0.2738,"putto-holding-staff-aic-83729","Putto Holding Staff",{"_42":1099,"_221":1100,"_328":1101,"_330":331,"_332":1102,"_334":1103,"_336":1104,"_337":1104,"_338":1105,"_140":93},"n.d.","Black chalk with pen and brown ink on cream laid paper","27.8 × 18.8 cm (11 × 7 7/16 in.)",18,27,0.7040203327171903,[1084,1085,1086,1087,1088],{"_220":304,"_221":305,"_42":306,"_307":308},"1922.1737","Guido Reni painted this (n.d.). It is now at the Art Institute of Chicago.","A work made of black chalk with pen and brown ink on cream laid paper.",{"_295":1081,"_297":1082,"_299":1083},"https://img.ochreeditions.com/m/225.jpg?dl=1","/art/putto-holding-staff-aic-83729","/galleries/style/baroque/putto-holding-staff-aic-83729",{"_291":377,"_293":378},{"_224":1076,"_125":1077,"_285":1078},{"_276":1073,"_278":1074,"_280":1075,"_282":1059},43.008548983364136,51,19.00854898336414,{"_287":224,"_123":1079,"_154":1080,"_140":93},{"_287":125,"_123":984,"_154":985,"_140":230},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/225/480.jpg","https://img.ochreeditions.com/a/225/960.jpg","https://img.ochreeditions.com/a/225/1920.jpg",{"_314":1097,"_316":1098},{"_314":1095,"_316":1096},{"_314":1093,"_316":1094},{"_314":1091,"_316":1092},{"_314":1089,"_316":1090},"#838687",0.0174,"#aba9a3",0.0823,"#c0b7a6",0.1399,"#d0c4b1",0.3413,"#d8cfbb",0.4191,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.",{"_1107":-5,"_1108":1109,"_1110":1111,"_1112":8,"_1113":1114,"_1115":8},"user","csrf","44081b2d244fb070b7cb3518da991e64b9556ed3","cartCount",0,"dropLive","legal",[1116,1117,1118,1119,1120,1121,1122,1123,1124,1125,1126,1127],"uploadsEnabled",{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},{"_221":1144,"_20":1145},{"_221":1142,"_20":1143},{"_221":1140,"_20":1141},{"_221":1138,"_20":1139},{"_221":1136,"_20":1137},{"_221":1134,"_20":1135},{"_221":1132,"_20":1133},{"_221":1130,"_20":1131},{"_221":1128,"_20":1129},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]