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It is now at the Cleveland Museum of Art.",{"_118":302,"_303":304},"note","White Mare, by Winslow Homer, c. 1868","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/624.jpg?dl=1","page_url","/art/white-mare-cma-135323","walk_url","/galleries/style/antebellum-america/white-mare-cma-135323","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":244,"_282":283},"w",47.6,"h",34.770941176470586,"image_w","image_h",19.77094117647059,{"_288":225,"_123":171,"_154":170,"_140":53},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/624/480.jpg","960","https://img.ochreeditions.com/a/624/960.jpg","1920","https://img.ochreeditions.com/a/624/1920.jpg","In August 1868 Winslow Homer, then working as a free-lance illustrator, visited the White Mountains of New Hampshire. As early as the 1820s, American artists used the White Mountains as a setting for landscape paintings.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#bdb29a","weight",0.0765,"#53463c",0.1302,"#746c5c",0.2296,"#928975",0.2444,"#301d1b",0.3193,"Winslow Homer","winslow-homer","bio","American, 1836–1910","nationality","American","birth_year",1836,"death_year",1910,"birth_place","Boston, Massachusetts","death_place","Prouts Neck, Maine","about_excerpt","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","portrait-of-a-child-nga-59907","Portrait of a Child",{"_42":396,"_222":397,"_329":398,"_331":332,"_333":399,"_335":400,"_337":401,"_339":402,"_341":403,"_140":95},"c. 1840","oil on wood","overall: 44.2 x 36.8 cm (17 3/8 x 14 1/2 in.)",36.8,44.2,0.81640625,[381,382,383,384,385],{"_221":377,"_222":378,"_42":379,"_308":380},"Courtesy National Gallery of Art, Washington","1980.62.14","Edward Hicks painted this in about 1840, aged 60. It is now at the National Gallery of Art in Washington, DC.","A small girl in a crimson dress and frothy lace bonnet stands before a dark forest, her large head and solemn face giving her the look of a tiny adult.","A pale-skinned child wearing a short-sleeved red dress and a white bonnet stands before a shadowy green forest under dark clouds in this vertical portrait painting. The child’s over-large head is out of scale with the rest of her body. She looks toward us with brown eyes in her wide, round-jawed face. She has a broad nose, and her pale lips are set in a line. Her lace bonnet lines her black hair like frothy seafoam and is tied with spring-green bows at the top and under her right ear, to our left. The low neckline of her crimson dress is lined with a wide white ruffle. Red fabric covers her hands, which are gathered in front of her waist. Gray clouds sweep over the hazy green forest in the background. A gnarled tree grows up the left side of the painting, framing the girl.",{"_296":374,"_298":375,"_300":376},"https://img.ochreeditions.com/m/1599.jpg?dl=1","/art/portrait-of-a-child-nga-59907","/galleries/style/antebellum-america/portrait-of-a-child-nga-59907",{"_292":293,"_294":295},{"_225":369,"_125":370,"_286":371},{"_277":366,"_279":367,"_281":368,"_282":350},51.085156250000004,59.2,36.085156250000004,{"_288":225,"_123":372,"_154":373,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/edward-hicks","More by Edward Hicks","https://img.ochreeditions.com/a/1599/480.jpg","https://img.ochreeditions.com/a/1599/960.jpg","https://img.ochreeditions.com/a/1599/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":394,"_317":395},{"_315":392,"_317":393},{"_315":390,"_317":391},{"_315":388,"_317":389},{"_315":386,"_317":387},"#833316",0.1265,"#d1b9a1",0.134,"#786646",0.1541,"#554639",0.2136,"#332320",0.3718,"Edward Hicks","edward-hicks","American, 1780–1849",1780,1849,"Langhorne, Pennsylvania","Newtown, Pennsylvania","Hicks was a Quaker minister in Bucks County, Pennsylvania, who earned his living as a coach and sign painter.","portrait-of-a-young-girl-with-rose-si-saam-2019-6-1","Portrait of a Young Girl with Rose",{"_42":454,"_222":455,"_329":456,"_331":332,"_333":457,"_335":458,"_337":-5,"_339":-5,"_341":-5,"_140":99},"ca. 1838","oil on wood panel","39 x 29 in.",0.738,[439,440,441,442,443],{"_221":436,"_222":437,"_42":438,"_308":380},"Courtesy of the Smithsonian American Art Museum","2019.6.1","Oliver Tarbell Eddy painted this in about 1838, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of a Young Girl with Rose, by Oliver Tarbell Eddy, ca. 1838",{"_296":433,"_298":434,"_300":435},"https://img.ochreeditions.com/m/1997.jpg?dl=1","/art/portrait-of-a-young-girl-with-rose-si-saam-2019-6-1","/galleries/style/antebellum-america/portrait-of-a-young-girl-with-rose-si-saam-2019-6-1",{"_292":293,"_294":295},{"_225":428,"_125":429,"_286":430},{"_277":424,"_279":425,"_281":426,"_282":427},59.28,75,44.28,60,{"_288":225,"_123":431,"_154":432,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/oliver-tarbell-eddy","More by Oliver Tarbell Eddy","https://img.ochreeditions.com/a/1997/480.jpg","https://img.ochreeditions.com/a/1997/960.jpg","https://img.ochreeditions.com/a/1997/1920.jpg","si","smithsonian","Smithsonian Institution",{"_315":452,"_317":453},{"_315":450,"_317":451},{"_315":448,"_317":449},{"_315":446,"_317":447},{"_315":444,"_317":445},"#7f6e5b",0.1207,"#4c2718",0.1912,"#9b6c49",0.1978,"#69200f",0.2098,"#34271b",0.2805,"Oliver Tarbell Eddy","oliver-tarbell-eddy","1799–1868",1799,1868,"rio-de-janeiro-bay-nga-50281","Rio de Janeiro Bay",{"_42":507,"_222":508,"_329":509,"_331":332,"_333":510,"_335":511,"_337":-5,"_339":-5,"_341":512,"_140":97},"1864","oil on canvas","overall: 45.5 x 91.1 cm (17 15/16 x 35 7/8 in.) framed: 70.2 x 115.9 x 12.1 cm (27 5/8 x 45 5/8 x 4 3/4 in.)",91.1,45.5,2.025717111770524,[492,493,494,495,496],{"_221":377,"_222":378,"_42":379,"_308":380},"1965.2.1","Martin Johnson Heade painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_296":489,"_298":490,"_300":491},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/antebellum-america/rio-de-janeiro-bay-nga-50281",{"_292":293,"_294":295},{"_225":484,"_125":485,"_286":486},{"_277":481,"_279":482,"_281":465,"_282":483},106.1,59.971728515624996,44.971728515624996,{"_288":225,"_123":487,"_154":488,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg",{"_315":505,"_317":506},{"_315":503,"_317":504},{"_315":501,"_317":502},{"_315":499,"_317":500},{"_315":497,"_317":498},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","study-for-scientific-group-si-chndm-1942-50-250","Study for \"Scientific Group\"",{"_42":571,"_222":572,"_329":573,"_331":332,"_333":574,"_335":575,"_337":-5,"_339":-5,"_341":576,"_140":99},"1858","drawing","Drawing","Graphite on lined white laid paper","30.8 x 20 cm (12 1/8 x 7 7/8 in.)",30.8,0.6676502145922747,[556,557,558,559,560],{"_221":436,"_222":437,"_42":438,"_308":555},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1942-50-250","Daniel Huntington drew this in 1858, aged 42. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":553,"_303":554},"STUDY FOR \"SCIENTIFIC GROUP\"",{"_296":550,"_298":551,"_300":552},"https://img.ochreeditions.com/m/1746.jpg?dl=1","/art/study-for-scientific-group-si-chndm-1942-50-250","/galleries/style/antebellum-america/study-for-scientific-group-si-chndm-1942-50-250",{"_292":548,"_294":549},{"_225":540,"_125":541,"_286":542},{"_277":537,"_279":538,"_281":539,"_282":521},44.56362660944206,54.8,20.56362660944206,{"_288":225,"_123":546,"_154":547,"_140":99},{"_288":125,"_123":543,"_154":544,"_140":545},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/daniel-huntington","More by Daniel Huntington","white","snow","https://img.ochreeditions.com/a/1746/480.jpg","https://img.ochreeditions.com/a/1746/960.jpg","https://img.ochreeditions.com/a/1746/1920.jpg","Man with a beard, facing left, his left hand gesturing upwards. The lower half of his coat outlined.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_315":569,"_317":570},{"_315":567,"_317":568},{"_315":565,"_317":566},{"_315":563,"_317":564},{"_315":561,"_317":562},"#c2beb6",0.0465,"#acadaa",0.0673,"#d1ccc1",0.0967,"#e7dcd1",0.2861,"#dfd9cd",0.5034,"Daniel Huntington","daniel-huntington","American, 1816–1906",1816,1906,"Huntington studied with Samuel F. B. Morse and Henry Inman in New York and made several journeys to Italy, which shaped his early allegorical and religious pictures, such as Mercy’s Dream.","the-artist-s-wife-sophie-si-chndm-1942-50-2","The Artist's Wife Sophie",{"_42":571,"_222":572,"_329":573,"_331":332,"_333":574,"_335":575,"_337":-5,"_339":-5,"_341":576,"_140":99},"1853","Black and white crayon on brown wove paper, laid down","40.8 x 31.8 cm (16 1/16 x 12 1/2 in.)",31.8,40.8,0.7827768729641694,[609,610,611,612,613],{"_221":436,"_222":437,"_42":438,"_308":555},"1942-50-2","Daniel Huntington drew this in 1853, aged 37. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":608,"_303":554},"THE ARTIST'S WIFE SOPHIE",{"_296":605,"_298":606,"_300":607},"https://img.ochreeditions.com/m/1745.jpg?dl=1","/art/the-artist-s-wife-sophie-si-chndm-1942-50-2","/galleries/style/antebellum-america/the-artist-s-wife-sophie-si-chndm-1942-50-2",{"_292":548,"_294":549},{"_225":602,"_125":603,"_286":604},{"_277":599,"_279":600,"_281":601,"_282":584},55.93729641693811,64.8,31.93729641693811,{"_288":225,"_123":546,"_154":547,"_140":99},{"_288":125,"_123":543,"_154":544,"_140":545},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1745/480.jpg","https://img.ochreeditions.com/a/1745/960.jpg","https://img.ochreeditions.com/a/1745/1920.jpg","Portrait of Sophie Huntington showing the left profile of her lowered head.",{"_315":622,"_317":623},{"_315":620,"_317":621},{"_315":618,"_317":619},{"_315":616,"_317":617},{"_315":614,"_317":615},"#e4d5c2",0.0819,"#6d5948",0.1116,"#54473c",0.1128,"#413b34",0.1297,"#866e5a",0.564,"study-of-foliage-si-chndm-1953-179-16","Study of foliage",{"_42":674,"_222":675,"_329":676,"_331":332,"_333":677,"_335":678,"_337":-5,"_339":-5,"_341":-5,"_140":101},"October 25, 1862","Graphite on paper","15.1 × 22.3 cm (5 15/16 × 8 3/4 in.)",22.3,15.1,1.4374358974358974,[659,660,661,662,663],{"_221":436,"_222":437,"_42":438,"_308":555},"1953-179-16","William Trost Richards drew this (October 25, 1862), aged 29. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":658,"_303":554},"STUDY OF FOLIAGE",{"_296":655,"_298":656,"_300":657},"https://img.ochreeditions.com/m/1751.jpg?dl=1","/art/study-of-foliage-si-chndm-1953-179-16","/galleries/style/antebellum-america/study-of-foliage-si-chndm-1953-179-16",{"_292":548,"_294":549},{"_225":650,"_125":651,"_286":652},{"_277":646,"_279":647,"_281":648,"_282":649},49,41.392079914377454,25,17.392079914377454,{"_288":225,"_123":653,"_154":654,"_140":89},{"_288":125,"_123":543,"_154":544,"_140":545},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-trost-richards","William Trost Richards's contemporaries","https://img.ochreeditions.com/a/1751/480.jpg","https://img.ochreeditions.com/a/1751/960.jpg","https://img.ochreeditions.com/a/1751/1920.jpg","Sketch of a tree with foliage.",{"_315":672,"_317":673},{"_315":670,"_317":671},{"_315":668,"_317":669},{"_315":666,"_317":667},{"_315":664,"_317":665},"#e5d3bc",0.0518,"#968979",0.0746,"#fef2de",0.0795,"#b19e87",0.2251,"#c3ae93",0.569,"William Trost Richards","william-trost-richards","American, 1833–1905",1833,1905,"girl-with-reticule-and-rose-nga-59901","Girl with Reticule and Rose",{"_42":723,"_222":724,"_329":725,"_331":332,"_333":726,"_335":727,"_337":-5,"_339":-5,"_341":-5,"_140":101},"overall: 118.6 x 75 cm (46 11/16 x 29 1/2 in.)",118.6,0.63037109375,[708,709,710,711,712],{"_221":377,"_222":378,"_42":379,"_308":380},"1980.62.8","Joseph Whiting Stock painted this in about 1840, aged 25. It is now at the National Gallery of Art in Washington, DC.","The image shows a child standing upright, facing forward. They have fair skin, rounded cheeks, short reddish-brown hair, and are wearing a white dress with lace details and a pink ribbon, white pants with lace trim, blue shoes, a red necklace and a heart-shaped pendant. They hold a light pink rose in their left hand and a small black drawstring purse with red accents in their right hand. The background is a gradient from dark green to light green, with a floral-patterned carpet in black, brown, and red on the floor.",{"_296":705,"_298":706,"_300":707},"https://img.ochreeditions.com/m/1595.jpg?dl=1","/art/girl-with-reticule-and-rose-nga-59901","/galleries/style/antebellum-america/girl-with-reticule-and-rose-nga-59901",{"_292":293,"_294":295},{"_225":700,"_125":701,"_286":702},{"_277":697,"_279":698,"_281":699,"_282":683},89.76201171875,133.6,74.76201171875,{"_288":225,"_123":703,"_154":704,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-whiting-stock","Joseph Whiting Stock's contemporaries","https://img.ochreeditions.com/a/1595/480.jpg","https://img.ochreeditions.com/a/1595/960.jpg","https://img.ochreeditions.com/a/1595/1920.jpg",{"_315":721,"_317":722},{"_315":719,"_317":720},{"_315":717,"_317":718},{"_315":715,"_317":716},{"_315":713,"_317":714},"#844a24",0.0867,"#5b5e45",0.1645,"#2a202b",0.1961,"#968f6c",0.2551,"#f4ddc8",0.2976,"Joseph Whiting Stock","joseph-whiting-stock","American, 1815–1855",1815,1855,"winter-in-the-country-nga-109732","Winter in the Country",{"_42":774,"_222":775,"_329":776,"_331":332,"_333":777,"_335":778,"_337":-5,"_339":-5,"_341":-5,"_140":103},"c. 1859","overall: 66.7 x 92.1 cm (26 1/4 x 36 1/4 in.) framed: 94.6 x 120.3 x 8.3 cm (37 1/4 x 47 3/8 x 3 1/4 in.)",92.1,66.7,1.3950953678474114,[759,760,761,762,763],{"_221":377,"_222":378,"_42":379,"_308":380},"1999.42.1","George Henry Durrie painted this in about 1859, aged 39. It is now at the National Gallery of Art in Washington, DC.","This painting shows a winter landscape with snowy, rural terrain. It includes a large barn, a farmhouse, and some bare trees covered in snow. Some brown cows are fenced in by the barn on the left, and a person walking along a snowy path brings them a bundle of golden hay. The sky is overcast, with dark gray clouds, and the color palette of the painting consists of earth tones with variations of grey and brown among the white snow.",{"_296":756,"_298":757,"_300":758},"https://img.ochreeditions.com/m/1645.jpg?dl=1","/art/winter-in-the-country-nga-109732","/galleries/style/antebellum-america/winter-in-the-country-nga-109732",{"_292":293,"_294":295},{"_225":751,"_125":752,"_286":753},{"_277":748,"_279":749,"_281":733,"_282":750},107.1,81.0169921875,66.0169921875,{"_288":225,"_123":754,"_154":755,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-george-henry-durrie","George Henry Durrie's contemporaries","https://img.ochreeditions.com/a/1645/480.jpg","https://img.ochreeditions.com/a/1645/960.jpg","https://img.ochreeditions.com/a/1645/1920.jpg",{"_315":772,"_317":773},{"_315":770,"_317":771},{"_315":768,"_317":769},{"_315":766,"_317":767},{"_315":764,"_317":765},"#4c4131",0.1205,"#7b6751",0.1378,"#ccbcb0",0.2361,"#746a68",0.2503,"#a89488",0.2553,"George Henry Durrie","george-henry-durrie","American, 1820–1863",1820,1863,"symphony-in-white-no-1-the-white-girl-nga-12198","Symphony in White, No. 1: The White Girl",{"_42":826,"_222":827,"_329":828,"_331":332,"_333":829,"_335":830,"_337":831,"_339":832,"_341":833,"_140":231},"1861-1863, 1872","overall: 213 x 107.9 cm (83 7/8 x 42 1/2 in.) framed: 244.2 x 136.5 x 8.3 cm (96 1/8 x 53 3/4 x 3 1/4 in.)",107.9,213,0.502685546875,[811,812,813,814,815],{"_221":377,"_222":378,"_42":379,"_308":380},"1943.6.2","James McNeill Whistler painted this in 1861-1863, 1872, aged about 27. It is now at the National Gallery of Art in Washington, DC.","A young woman in a long white dress stands against a white curtain, a lily drooping from her hand and flowers scattered on the animal-skin rug at her feet, whose snarling head stares out at us. The model was Joanna Hiffernan, Whistler’s companion.","A young woman with pale, peachy skin, wearing a long, flowing white dress, stands in front of a white curtain in this vertical portrait painting. Her auburn-red hair cascades down over and behind her shoulders. She looks to our left with green eyes, and her pink, full lips are closed. Her dress has puffed shoulders above a white-on-white striped pattern on the long sleeves. She stands on an animal pelt; it is not clear whether it is a wolf or a bear. The pelt spans the width of the painting and overlaps a blue patterned carpet. The animal’s mouth gapes to show sharp teeth. Its glassy eyes are wide open, and it seems to look at us. The edges of the animal skin are red. The woman holds a white lily by her side in her left hand, while yellow and purple flowers lie scattered on the pelt.",{"_296":808,"_298":809,"_300":810},"https://img.ochreeditions.com/m/1367.jpg?dl=1","/art/symphony-in-white-no-1-the-white-girl-nga-12198","/galleries/style/antebellum-america/symphony-in-white-no-1-the-white-girl-nga-12198",{"_292":293,"_294":295},{"_225":803,"_125":804,"_286":805},{"_277":800,"_279":801,"_281":802,"_282":785},122.072021484375,228,107.072021484375,{"_288":225,"_123":806,"_154":807,"_140":231},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1367/480.jpg","https://img.ochreeditions.com/a/1367/960.jpg","https://img.ochreeditions.com/a/1367/1920.jpg",{"_315":824,"_317":825},{"_315":822,"_317":823},{"_315":820,"_317":821},{"_315":818,"_317":819},{"_315":816,"_317":817},"#624630",0.0527,"#575752",0.0649,"#907f64",0.2036,"#b0a48a",0.3237,"#c9bea7",0.3551,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","the-lackawanna-valley-nga-30776","The Lackawanna Valley",{"_42":881,"_222":882,"_329":883,"_331":332,"_333":884,"_335":885,"_337":886,"_339":887,"_341":888,"_140":95},"c. 1856","overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.) framed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)",127.5,86,1.490538573508006,[866,867,868,869,870],{"_221":377,"_222":378,"_42":379,"_308":380},"1945.4.1","George Inness painted this in about 1856, aged 31. It is now at the National Gallery of Art in Washington, DC.","A figure reclines beneath a tree in a meadow scattered with stumps, looking out over a valley where a steam train puffs across a bridge, leaving behind a roundhouse, smoking chimneys and a church steeple.","We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”",{"_296":863,"_298":864,"_300":865},"https://img.ochreeditions.com/m/1460.jpg?dl=1","/art/the-lackawanna-valley-nga-30776","/galleries/style/antebellum-america/the-lackawanna-valley-nga-30776",{"_292":293,"_294":295},{"_225":858,"_125":859,"_286":860},{"_277":855,"_279":856,"_281":839,"_282":857},142.5,100.53955078125,85.53955078125,{"_288":225,"_123":861,"_154":862,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/1460/480.jpg","https://img.ochreeditions.com/a/1460/960.jpg","https://img.ochreeditions.com/a/1460/1920.jpg",{"_315":879,"_317":880},{"_315":877,"_317":878},{"_315":875,"_317":876},{"_315":873,"_317":874},{"_315":871,"_317":872},"#896f2e",0.0981,"#8b8a70",0.1246,"#444126",0.1915,"#655a2a",0.2485,"#d6c8a0",0.3373,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","major-thomas-biddle-nga-1125","Major Thomas Biddle",{"_42":935,"_222":936,"_329":937,"_331":332,"_333":938,"_335":939,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1832","overall: 90.5 x 69.5 cm (35 5/8 x 27 3/8 in.) framed: 122.9 x 102.4 x 11.6 cm (48 3/8 x 40 5/16 x 4 9/16 in.)",69.5,90.5,0.758544921875,[920,921,922,923,924],{"_221":377,"_222":378,"_42":379,"_308":380},"1942.8.31","Thomas Wilcocks Sully painted this in 1832, aged 21. It is now at the National Gallery of Art in Washington, DC.","Major Thomas Biddle, by Thomas Wilcocks Sully, 1832",{"_296":917,"_298":918,"_300":919},"https://img.ochreeditions.com/m/1310.jpg?dl=1","/art/major-thomas-biddle-nga-1125","/galleries/style/antebellum-america/major-thomas-biddle-nga-1125",{"_292":293,"_294":295},{"_225":912,"_125":913,"_286":914},{"_277":909,"_279":910,"_281":911,"_282":895},83.6483154296875,105.5,68.6483154296875,{"_288":225,"_123":915,"_154":916,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-thomas-wilcocks-sully","Thomas Wilcocks Sully's contemporaries","https://img.ochreeditions.com/a/1310/480.jpg","https://img.ochreeditions.com/a/1310/960.jpg","https://img.ochreeditions.com/a/1310/1920.jpg",{"_315":933,"_317":934},{"_315":931,"_317":932},{"_315":929,"_317":930},{"_315":927,"_317":928},{"_315":925,"_317":926},"#362320",0.1087,"#936726",0.1315,"#5a3f21",0.1338,"#130d1d",0.1849,"#a79167",0.4411,"Thomas Wilcocks Sully","thomas-wilcocks-sully","American, 1811–1847",1811,1847,"the-power-of-music-cma-155783","The Power of Music",{"_42":988,"_222":989,"_329":990,"_331":332,"_333":991,"_335":458,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1847","Framed: 67 x 78 x 7.5 cm (26 3/8 x 30 11/16 x 2 15/16 in.); Unframed: 43.4 x 53.5 cm (17 1/16 x 21 1/16 in.)",53.5,43.4,1.238615664845173,[973,974,975,976,977],{"_221":305,"_222":306,"_42":307,"_308":309},"1991.110","William Sidney Mount painted this in 1847, aged 40. It is now at the Cleveland Museum of Art.",{"_118":972,"_303":304},"The Power of Music, by William Sidney Mount, 1847",{"_296":969,"_298":970,"_300":971},"https://img.ochreeditions.com/m/749.jpg?dl=1","/art/the-power-of-music-cma-155783","/galleries/style/antebellum-america/the-power-of-music-cma-155783",{"_292":293,"_294":295},{"_225":964,"_125":965,"_286":966},{"_277":961,"_279":962,"_281":945,"_282":963},68.5,58.19338235294118,43.19338235294118,{"_288":225,"_123":967,"_154":968,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-sidney-mount","William Sidney Mount's contemporaries","https://img.ochreeditions.com/a/749/480.jpg","https://img.ochreeditions.com/a/749/960.jpg","https://img.ochreeditions.com/a/749/1920.jpg","Set in rural Long Island before the Civil War, Mount's complex painting presents an African American laborer listening intently to a fiddle tune enjoyed by white men.",{"_315":986,"_317":987},{"_315":984,"_317":985},{"_315":982,"_317":983},{"_315":980,"_317":981},{"_315":978,"_317":979},"#867e64",0.053,"#b8935f",0.1857,"#5f462c",0.2108,"#392d20",0.2184,"#8f683e",0.3321,"William Sidney Mount","william-sidney-mount","American, 1807–1868",1807,"soldier-with-sword-and-pipe-si-chndm-1912-12-159","Soldier with Sword and Pipe",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":53},"1862","13.1 x 9 cm (5 3/16 x 3 9/16 in.)",13.1,0.7058195408435665,[1021,1022,1023,1024,1025],{"_221":436,"_222":437,"_42":438,"_308":555},"1912-12-159","Winslow Homer drew this in 1862, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1020,"_303":554},"SOLDIER WITH SWORD AND PIPE",{"_296":1017,"_298":1018,"_300":1019},"https://img.ochreeditions.com/m/1713.jpg?dl=1","/art/soldier-with-sword-and-pipe-si-chndm-1912-12-159","/galleries/style/antebellum-america/soldier-with-sword-and-pipe-si-chndm-1912-12-159",{"_292":548,"_294":549},{"_225":1014,"_125":1015,"_286":1016},{"_277":1012,"_279":646,"_281":1013,"_282":648},41.64548852108916,17.645488521089163,{"_288":225,"_123":171,"_154":170,"_140":53},{"_288":125,"_123":543,"_154":544,"_140":545},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1713/480.jpg","https://img.ochreeditions.com/a/1713/960.jpg","https://img.ochreeditions.com/a/1713/1920.jpg","Vertical view of a soldier with sword, standing with a pipe in his mouth, looking downward.",{"_315":1034,"_317":1035},{"_315":1032,"_317":1033},{"_315":1030,"_317":1031},{"_315":1028,"_317":1029},{"_315":1026,"_317":1027},"#cbc0af",0.0733,"#f0eee0",0.1118,"#e5dfd1",0.1833,"#ded2be",0.2274,"#e6dccb",0.4042,"landscape-cma-98043","Landscape",{"_42":1082,"_222":1083,"_329":1084,"_331":332,"_333":1085,"_335":1086,"_337":-5,"_339":-5,"_341":-5,"_140":103},"before 1918","Unframed: 34.3 x 59.5 cm (13 1/2 x 23 7/16 in.)",59.5,34.3,1.8640350877192982,[1067,1068,1069,1070,1071],{"_221":305,"_222":306,"_42":307,"_308":309},"1917.67","Jasper F. Cropsey painted this (before 1918), aged about 22. It is now at the Cleveland Museum of Art.","Landscape, by Jasper F. Cropsey, before 1918",{"_296":1064,"_298":1065,"_300":1066},"https://img.ochreeditions.com/m/492.jpg?dl=1","/art/landscape-cma-98043","/galleries/style/antebellum-america/landscape-cma-98043",{"_292":293,"_294":295},{"_225":1059,"_125":1060,"_286":1061},{"_277":1056,"_279":1057,"_281":1041,"_282":1058},74.5,46.92,31.92,{"_288":225,"_123":1062,"_154":1063,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jasper-f-cropsey","Jasper F. Cropsey's contemporaries","https://img.ochreeditions.com/a/492/480.jpg","https://img.ochreeditions.com/a/492/960.jpg","https://img.ochreeditions.com/a/492/1920.jpg",{"_315":1080,"_317":1081},{"_315":1078,"_317":1079},{"_315":1076,"_317":1077},{"_315":1074,"_317":1075},{"_315":1072,"_317":1073},"#9e9c90",0.097,"#635038",0.1494,"#423627",0.1503,"#27251f",0.1953,"#bdb9ab",0.408,"Jasper F. Cropsey","jasper-f-cropsey","American, 1823–1900",1823,1900,"eagle-lake-mt-desert-si-chndm-1942-50-101","Eagle Lake, Mt. Desert",{"_42":571,"_222":572,"_329":573,"_331":332,"_333":574,"_335":575,"_337":-5,"_339":-5,"_341":576,"_140":99},"August 23, 1856","Graphite and chalk on brown-grey paper","28.1 × 47.3 cm (11 1/16 × 18 5/8 in.)",47.3,28.1,1.6506829410055217,[1119,1120,1121,1122,1123],{"_221":436,"_222":437,"_42":438,"_308":555},"1942-50-101","Daniel Huntington drew this (August 23, 1856), aged 40. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1118,"_303":554},"EAGLE LAKE, MT. DESERT",{"_296":1115,"_298":1116,"_300":1117},"https://img.ochreeditions.com/m/1744.jpg?dl=1","/art/eagle-lake-mt-desert-si-chndm-1942-50-101","/galleries/style/antebellum-america/eagle-lake-mt-desert-si-chndm-1942-50-101",{"_292":548,"_294":549},{"_225":1112,"_125":1113,"_286":1114},{"_277":1109,"_279":1110,"_281":1093,"_282":1111},71.3,52.654806338028166,28.654806338028166,{"_288":225,"_123":546,"_154":547,"_140":99},{"_288":125,"_123":543,"_154":544,"_140":545},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1744/480.jpg","https://img.ochreeditions.com/a/1744/960.jpg","https://img.ochreeditions.com/a/1744/1920.jpg","The shores of lake at right and at rear, beneath a mountain range. Three rowboats on the water.",{"_315":1132,"_317":1133},{"_315":1130,"_317":1131},{"_315":1128,"_317":1129},{"_315":1126,"_317":1127},{"_315":1124,"_317":1125},"#928b7d",0.0288,"#b9b7b7",0.0845,"#a69684",0.1703,"#ac9e8c",0.3333,"#b1a592",0.3831,{"_1135":-5,"_1136":1137,"_1138":1139,"_1140":8,"_1141":1142,"_1143":8},"user","csrf","cd30c915c91270ab9c5cb1ce9db60b51c64081fd","cartCount",0,"dropLive","legal",[1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155],"uploadsEnabled",{"_222":1178,"_20":1179},{"_222":1176,"_20":1177},{"_222":1174,"_20":1175},{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]