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The sky is overcast, with dark gray clouds, and the color palette of the painting consists of earth tones with variations of grey and brown among the white snow.",{"_294":364,"_296":365,"_298":366},"https://img.ochreeditions.com/m/1645.jpg?dl=1","/art/winter-in-the-country-nga-109732","/galleries/style/antebellum-america/winter-in-the-country-nga-109732",{"_290":291,"_292":293},{"_224":359,"_125":360,"_284":361},{"_275":356,"_277":357,"_279":340,"_281":358},107.1,81.0169921875,66.0169921875,{"_286":224,"_123":362,"_154":363,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-george-henry-durrie","George Henry Durrie's contemporaries","https://img.ochreeditions.com/a/1645/480.jpg","https://img.ochreeditions.com/a/1645/960.jpg","https://img.ochreeditions.com/a/1645/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":384,"_312":385},{"_310":382,"_312":383},{"_310":380,"_312":381},{"_310":378,"_312":379},{"_310":376,"_312":377},"#4c4131",0.1205,"#7b6751",0.1378,"#ccbcb0",0.2361,"#746a68",0.2503,"#a89488",0.2553,"George Henry Durrie","george-henry-durrie","American, 1820–1863",1820,1863,"portrait-of-a-young-girl-with-rose-si-saam-2019-6-1","Portrait of a Young Girl with Rose",{"_42":441,"_221":442,"_324":443,"_326":327,"_328":444,"_330":445,"_332":-5,"_333":-5,"_334":-5,"_140":99},"ca. 1838","oil on wood panel","39 x 29 in.",0.738,[426,427,428,429,430],{"_220":423,"_221":424,"_42":425,"_303":370},"Courtesy of the Smithsonian American Art Museum","2019.6.1","Oliver Tarbell Eddy painted this in about 1838, aged 39. 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It is now at the National Gallery of Art in Washington, DC.","Columbus and his companions, in plumed helmets and bright red, blue and gold, row towards a palm-fringed shore, one man standing in the prow with a white banner, while their ships wait offshore and the island’s inhabitants watch from the hillside and trees.","The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water. The central boat has around eight men in it, all with tan skin and dark hair, dressed in bright garments in shades of red, blue, and gold. Many of them wear plumed helmets and have jewelry or badges adorning them. The boat is heading towards land on the left, and one man stands at the front of the boat, holding a white flag. The land on the left is green, with tall palm trees and a rocky gray mountain. People with dark skin can be seen in on the land in the distance, some climbing the mountain and others standing beneath trees. The sky is a gradient from pinkish-orange near the horizon to light blue at the top of the painting, with a few faint gray clouds.",{"_294":473,"_296":474,"_298":475},"https://img.ochreeditions.com/m/1598.jpg?dl=1","/art/the-landing-of-columbus-nga-59906","/galleries/style/antebellum-america/the-landing-of-columbus-nga-59906",{"_290":291,"_292":293},{"_224":468,"_125":469,"_284":470},{"_275":412,"_277":466,"_279":414,"_281":467},59.6630859375,44.6630859375,{"_286":224,"_123":471,"_154":472,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/edward-hicks","More by Edward Hicks","https://img.ochreeditions.com/a/1598/480.jpg","https://img.ochreeditions.com/a/1598/960.jpg","https://img.ochreeditions.com/a/1598/1920.jpg",{"_310":489,"_312":490},{"_310":487,"_312":488},{"_310":485,"_312":486},{"_310":483,"_312":484},{"_310":481,"_312":482},"#bcc3a1",0.128,"#795f21",0.1569,"#7fa188",0.1639,"#cdb47d",0.2078,"#3b2f18",0.3434,"Edward Hicks","edward-hicks","American, 1780–1849",1780,1849,"Langhorne, Pennsylvania","Newtown, Pennsylvania","Hicks was a Quaker minister in Bucks County, Pennsylvania, who earned his living as a coach and sign painter.","the-coleman-sisters-nga-33963","The Coleman Sisters",{"_42":546,"_221":547,"_324":548,"_326":327,"_328":549,"_330":550,"_332":551,"_333":552,"_334":553,"_140":91},"1844","overall: 112.5 x 87.5 cm (44 5/16 x 34 7/16 in.) framed: 146.7 x 121.9 x 14 cm (57 3/4 x 48 x 5 1/2 in.)",87.5,112.5,0.7744140625,[531,532,533,534,535],{"_220":367,"_221":368,"_42":369,"_303":370},"1947.9.3","Thomas Sully painted this in 1844, aged 61. It is now at the National Gallery of Art in Washington, DC.","Three sisters with dark ringlets gather around a small table: one turns to look back at us as she rests her hand on a red book, another, in golden yellow, lays a hand on her shoulder, and the third, seated in pale pink, gazes straight out beside a vase of flowers.","In this painting, three women are depicted standing and sitting closely together. The women have fair complexions and dark hair in ringlets, and they are smiling slightly. The woman on the left appears to be standing, and her body is turned to the right while her head is turned over her shoulder to face us. She wears a light blue dress with a brown shawl, and she is holding the edge of a red book that rests on a small table in the bottom right corner. The woman in the middle also appears to be standing, and she is wearing a golden-yellow off-the-shoulder garment. One of her hands is on the shoulder of the woman on the left. The woman on the right is seated at the small table, and she wears a pale pink off-the-shoulder dress. She looks directly out at us. The small table is covered in a golden cloth, and on the right is a vase of colorful flowers. The wall behind the woman is a blend of brown, tan, and pale blue tones.",{"_294":528,"_296":529,"_298":530},"https://img.ochreeditions.com/m/1490.jpg?dl=1","/art/the-coleman-sisters-nga-33963","/galleries/style/antebellum-america/the-coleman-sisters-nga-33963",{"_290":291,"_292":293},{"_224":523,"_125":524,"_284":525},{"_275":520,"_277":521,"_279":522,"_281":505},102.12158203125,127.5,87.12158203125,{"_286":224,"_123":526,"_154":527,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-sully","More by Thomas Sully","https://img.ochreeditions.com/a/1490/480.jpg","https://img.ochreeditions.com/a/1490/960.jpg","https://img.ochreeditions.com/a/1490/1920.jpg",{"_310":544,"_312":545},{"_310":542,"_312":543},{"_310":540,"_312":541},{"_310":538,"_312":539},{"_310":536,"_312":537},"#95613e",0.0973,"#66492f",0.1142,"#c18d5b",0.1215,"#47341e",0.2513,"#3a200f",0.4157,"Thomas Sully","thomas-sully","American, 1783–1872",1783,1872,"Horncastle, Lincolnshire","Philadelphia, Pennsylvania","Sully was taken from England to America as a child by his actor parents and settled in Philadelphia in 1808. After brief study with Gilbert Stuart, he went to London, where he worked under Benjamin West and came under the influence of Thomas Lawrence.","mary-and-francis-wilcox-nga-45956","Mary and Francis Wilcox",{"_42":600,"_221":601,"_324":602,"_326":327,"_328":603,"_330":604,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1845","overall: 122 x 101.6 cm (48 1/16 x 40 in.)",101.6,122,0.837890625,[585,586,587,588,589],{"_220":367,"_221":368,"_42":369,"_303":370},"1959.11.2","Joseph Whiting Stock painted this in 1845, aged 30. It is now at the National Gallery of Art in Washington, DC.","The image features two young children standing side by side. The child on the left extends one arm sideways and has the other arm lowered, while the child on the right has both arms relaxed by their sides, one holding a string. Both children have round faces with light complexions; the child on the left has dark brown hair styled in waves down to the shoulders, while the child on the right has light brown hair. The child on the left is dressed in a blue dress with a loosely gathered waist and short sleeves, white stockings, white shoes, and a red beaded necklace. The child on the right wears a green dress with similar design features, white stockings, and black shoes. Near their feet are a toy doll in a red cradle and a small toy house. In the background, there is a plain dark wall, a deep red drapery, a carpet with elaborate patterns, and a small wooden table with a box on top.",{"_294":582,"_296":583,"_298":584},"https://img.ochreeditions.com/m/1511.jpg?dl=1","/art/mary-and-francis-wilcox-nga-45956","/galleries/style/antebellum-america/mary-and-francis-wilcox-nga-45956",{"_290":291,"_292":293},{"_224":577,"_125":578,"_284":579},{"_275":574,"_277":575,"_279":576,"_281":560},117.22265625,137,102.22265625,{"_286":224,"_123":580,"_154":581,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-whiting-stock","Joseph Whiting Stock's contemporaries","https://img.ochreeditions.com/a/1511/480.jpg","https://img.ochreeditions.com/a/1511/960.jpg","https://img.ochreeditions.com/a/1511/1920.jpg",{"_310":598,"_312":599},{"_310":596,"_312":597},{"_310":594,"_312":595},{"_310":592,"_312":593},{"_310":590,"_312":591},"#8d5333",0.1312,"#d4c0a7",0.1409,"#687126",0.1563,"#4e5553",0.2795,"#3b221e",0.2921,"Joseph Whiting Stock","joseph-whiting-stock","American, 1815–1855",1815,1855,"symphony-in-white-no-1-the-white-girl-nga-12198","Symphony in White, No. 1: The White Girl",{"_42":652,"_221":653,"_324":654,"_326":327,"_328":655,"_330":656,"_332":657,"_333":658,"_334":659,"_140":230},"1861-1863, 1872","overall: 213 x 107.9 cm (83 7/8 x 42 1/2 in.) framed: 244.2 x 136.5 x 8.3 cm (96 1/8 x 53 3/4 x 3 1/4 in.)",107.9,213,0.502685546875,[637,638,639,640,641],{"_220":367,"_221":368,"_42":369,"_303":370},"1943.6.2","James McNeill Whistler painted this in 1861-1863, 1872, aged about 27. It is now at the National Gallery of Art in Washington, DC.","A young woman in a long white dress stands against a white curtain, a lily drooping from her hand and flowers scattered on the animal-skin rug at her feet, whose snarling head stares out at us. The model was Joanna Hiffernan, Whistler’s companion.","A young woman with pale, peachy skin, wearing a long, flowing white dress, stands in front of a white curtain in this vertical portrait painting. Her auburn-red hair cascades down over and behind her shoulders. She looks to our left with green eyes, and her pink, full lips are closed. Her dress has puffed shoulders above a white-on-white striped pattern on the long sleeves. She stands on an animal pelt; it is not clear whether it is a wolf or a bear. The pelt spans the width of the painting and overlaps a blue patterned carpet. The animal’s mouth gapes to show sharp teeth. Its glassy eyes are wide open, and it seems to look at us. The edges of the animal skin are red. The woman holds a white lily by her side in her left hand, while yellow and purple flowers lie scattered on the pelt.",{"_294":634,"_296":635,"_298":636},"https://img.ochreeditions.com/m/1367.jpg?dl=1","/art/symphony-in-white-no-1-the-white-girl-nga-12198","/galleries/style/antebellum-america/symphony-in-white-no-1-the-white-girl-nga-12198",{"_290":291,"_292":293},{"_224":629,"_125":630,"_284":631},{"_275":626,"_277":627,"_279":628,"_281":611},122.072021484375,228,107.072021484375,{"_286":224,"_123":632,"_154":633,"_140":230},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1367/480.jpg","https://img.ochreeditions.com/a/1367/960.jpg","https://img.ochreeditions.com/a/1367/1920.jpg",{"_310":650,"_312":651},{"_310":648,"_312":649},{"_310":646,"_312":647},{"_310":644,"_312":645},{"_310":642,"_312":643},"#624630",0.0527,"#575752",0.0649,"#907f64",0.2036,"#b0a48a",0.3237,"#c9bea7",0.3551,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","aaron-baldwin-nga-32581","Aaron Baldwin",{"_42":707,"_221":708,"_324":709,"_326":327,"_328":710,"_330":711,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1835","oil on wood","overall: 64.5 x 54.2 cm (25 3/8 x 21 5/16 in.)",54.2,64.5,0.8359375,[692,693,694,695,696],{"_220":367,"_221":368,"_42":369,"_303":370},"1945.11.1","Francis Alexander painted this in about 1835, aged 35. It is now at the National Gallery of Art in Washington, DC.","The image is a portrait painting showing a man's upper body. He is positioned slightly turned to his right, with his head facing the viewer. The man has fair skin, defined cheekbones, and small, bright eyes. His hair is short, neatly combed, and grey or white. He is wearing a dark coat over a white shirt with a high collar, partially visible. The background is a muted, dark color, providing a simple setting that emphasizes the subject. There are no visible jewelry or objects in the image.",{"_294":689,"_296":690,"_298":691},"https://img.ochreeditions.com/m/1466.jpg?dl=1","/art/aaron-baldwin-nga-32581","/galleries/style/antebellum-america/aaron-baldwin-nga-32581",{"_290":291,"_292":293},{"_224":684,"_125":685,"_284":686},{"_275":681,"_277":682,"_279":683,"_281":667},68.91796875,79.5,53.91796875,{"_286":224,"_123":687,"_154":688,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francis-alexander","Francis Alexander's contemporaries","https://img.ochreeditions.com/a/1466/480.jpg","https://img.ochreeditions.com/a/1466/960.jpg","https://img.ochreeditions.com/a/1466/1920.jpg",{"_310":705,"_312":706},{"_310":703,"_312":704},{"_310":701,"_312":702},{"_310":699,"_312":700},{"_310":697,"_312":698},"#dcc472",0.0301,"#7a5f29",0.0318,"#c68e32",0.0495,"#363625",0.3113,"#12161c",0.5773,"Francis Alexander","francis-alexander","American, 1800–1880",1800,1880,"landscape-cma-98043","Landscape",{"_42":758,"_221":759,"_324":760,"_326":327,"_328":761,"_330":762,"_332":-5,"_333":-5,"_334":-5,"_140":103},"before 1918","Unframed: 34.3 x 59.5 cm (13 1/2 x 23 7/16 in.)",59.5,34.3,1.8640350877192982,[743,744,745,746,747],{"_220":300,"_221":301,"_42":302,"_303":304},"1917.67","Jasper F. Cropsey painted this (before 1918), aged about 22. It is now at the Cleveland Museum of Art.","Landscape, by Jasper F. Cropsey, before 1918",{"_294":740,"_296":741,"_298":742},"https://img.ochreeditions.com/m/492.jpg?dl=1","/art/landscape-cma-98043","/galleries/style/antebellum-america/landscape-cma-98043",{"_290":291,"_292":293},{"_224":735,"_125":736,"_284":737},{"_275":732,"_277":733,"_279":717,"_281":734},74.5,46.92,31.92,{"_286":224,"_123":738,"_154":739,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jasper-f-cropsey","Jasper F. Cropsey's contemporaries","https://img.ochreeditions.com/a/492/480.jpg","https://img.ochreeditions.com/a/492/960.jpg","https://img.ochreeditions.com/a/492/1920.jpg",{"_310":756,"_312":757},{"_310":754,"_312":755},{"_310":752,"_312":753},{"_310":750,"_312":751},{"_310":748,"_312":749},"#9e9c90",0.097,"#635038",0.1494,"#423627",0.1503,"#27251f",0.1953,"#bdb9ab",0.408,"Jasper F. Cropsey","jasper-f-cropsey","American, 1823–1900",1823,1900,"the-power-of-music-cma-155783","The Power of Music",{"_42":813,"_221":814,"_324":815,"_326":327,"_328":816,"_330":445,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1847","Framed: 67 x 78 x 7.5 cm (26 3/8 x 30 11/16 x 2 15/16 in.); Unframed: 43.4 x 53.5 cm (17 1/16 x 21 1/16 in.)",53.5,43.4,1.238615664845173,[798,799,800,801,802],{"_220":300,"_221":301,"_42":302,"_303":304},"1991.110","William Sidney Mount painted this in 1847, aged 40. It is now at the Cleveland Museum of Art.",{"_118":795,"_796":797},"The Power of Music, by William Sidney Mount, 1847",{"_294":792,"_296":793,"_298":794},"https://img.ochreeditions.com/m/749.jpg?dl=1","/art/the-power-of-music-cma-155783","/galleries/style/antebellum-america/the-power-of-music-cma-155783",{"_290":291,"_292":293},{"_224":787,"_125":788,"_284":789},{"_275":784,"_277":785,"_279":768,"_281":786},68.5,58.19338235294118,43.19338235294118,{"_286":224,"_123":790,"_154":791,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-sidney-mount","William Sidney Mount's contemporaries","https://img.ochreeditions.com/a/749/480.jpg","https://img.ochreeditions.com/a/749/960.jpg","https://img.ochreeditions.com/a/749/1920.jpg","Set in rural Long Island before the Civil War, Mount's complex painting presents an African American laborer listening intently to a fiddle tune enjoyed by white men.","source","Text from the Cleveland Museum of Art.",{"_310":811,"_312":812},{"_310":809,"_312":810},{"_310":807,"_312":808},{"_310":805,"_312":806},{"_310":803,"_312":804},"#867e64",0.053,"#b8935f",0.1857,"#5f462c",0.2108,"#392d20",0.2184,"#8f683e",0.3321,"William Sidney Mount","william-sidney-mount","American, 1807–1868",1807,"eagle-lake-mt-desert-si-chndm-1942-50-101","Eagle Lake, Mt. Desert",{"_42":876,"_221":877,"_324":878,"_326":327,"_328":879,"_330":880,"_332":-5,"_333":-5,"_334":881,"_140":99},"August 23, 1856","drawing","Drawing","Graphite and chalk on brown-grey paper","28.1 × 47.3 cm (11 1/16 × 18 5/8 in.)",47.3,28.1,1.6506829410055217,[861,862,863,864,865],{"_220":423,"_221":424,"_42":425,"_303":860},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1942-50-101","Daniel Huntington drew this (August 23, 1856), aged 40. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":858,"_796":859},"EAGLE LAKE, MT. DESERT",{"_294":855,"_296":856,"_298":857},"https://img.ochreeditions.com/m/1744.jpg?dl=1","/art/eagle-lake-mt-desert-si-chndm-1942-50-101","/galleries/style/antebellum-america/eagle-lake-mt-desert-si-chndm-1942-50-101",{"_290":853,"_292":854},{"_224":845,"_125":846,"_284":847},{"_275":842,"_277":843,"_279":825,"_281":844},71.3,52.654806338028166,28.654806338028166,{"_286":224,"_123":851,"_154":852,"_140":99},{"_286":125,"_123":848,"_154":849,"_140":850},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/daniel-huntington","More by Daniel Huntington","white","snow","https://img.ochreeditions.com/a/1744/480.jpg","https://img.ochreeditions.com/a/1744/960.jpg","https://img.ochreeditions.com/a/1744/1920.jpg","The shores of lake at right and at rear, beneath a mountain range. Three rowboats on the water.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_310":874,"_312":875},{"_310":872,"_312":873},{"_310":870,"_312":871},{"_310":868,"_312":869},{"_310":866,"_312":867},"#928b7d",0.0288,"#b9b7b7",0.0845,"#a69684",0.1703,"#ac9e8c",0.3333,"#b1a592",0.3831,"Daniel Huntington","daniel-huntington","American, 1816–1906",1816,1906,"Huntington studied with Samuel F. B. Morse and Henry Inman in New York and made several journeys to Italy, which shaped his early allegorical and religious pictures, such as Mercy’s Dream.","the-lackawanna-valley-nga-30776","The Lackawanna Valley",{"_42":928,"_221":929,"_324":930,"_326":327,"_328":931,"_330":932,"_332":933,"_333":934,"_334":935,"_140":95},"c. 1856","overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.) framed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)",86,1.490538573508006,[913,914,915,916,917],{"_220":367,"_221":368,"_42":369,"_303":370},"1945.4.1","George Inness painted this in about 1856, aged 31. It is now at the National Gallery of Art in Washington, DC.","A figure reclines beneath a tree in a meadow scattered with stumps, looking out over a valley where a steam train puffs across a bridge, leaving behind a roundhouse, smoking chimneys and a church steeple.","We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”",{"_294":910,"_296":911,"_298":912},"https://img.ochreeditions.com/m/1460.jpg?dl=1","/art/the-lackawanna-valley-nga-30776","/galleries/style/antebellum-america/the-lackawanna-valley-nga-30776",{"_290":291,"_292":293},{"_224":905,"_125":906,"_284":907},{"_275":902,"_277":903,"_279":521,"_281":904},142.5,100.53955078125,85.53955078125,{"_286":224,"_123":908,"_154":909,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/1460/480.jpg","https://img.ochreeditions.com/a/1460/960.jpg","https://img.ochreeditions.com/a/1460/1920.jpg",{"_310":926,"_312":927},{"_310":924,"_312":925},{"_310":922,"_312":923},{"_310":920,"_312":921},{"_310":918,"_312":919},"#896f2e",0.0981,"#8b8a70",0.1246,"#444126",0.1915,"#655a2a",0.2485,"#d6c8a0",0.3373,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","portrait-of-a-child-nga-59907","Portrait of a Child",{"_42":491,"_221":492,"_324":493,"_326":327,"_328":494,"_330":495,"_332":496,"_333":497,"_334":498,"_140":95},"c. 1840","overall: 44.2 x 36.8 cm (17 3/8 x 14 1/2 in.)",36.8,44.2,0.81640625,[966,967,968,969,970],{"_220":367,"_221":368,"_42":369,"_303":370},"1980.62.14","Edward Hicks painted this in about 1840, aged 60. It is now at the National Gallery of Art in Washington, DC.","A small girl in a crimson dress and frothy lace bonnet stands before a dark forest, her large head and solemn face giving her the look of a tiny adult.","A pale-skinned child wearing a short-sleeved red dress and a white bonnet stands before a shadowy green forest under dark clouds in this vertical portrait painting. The child’s over-large head is out of scale with the rest of her body. She looks toward us with brown eyes in her wide, round-jawed face. She has a broad nose, and her pale lips are set in a line. Her lace bonnet lines her black hair like frothy seafoam and is tied with spring-green bows at the top and under her right ear, to our left. The low neckline of her crimson dress is lined with a wide white ruffle. Red fabric covers her hands, which are gathered in front of her waist. Gray clouds sweep over the hazy green forest in the background. A gnarled tree grows up the left side of the painting, framing the girl.",{"_294":963,"_296":964,"_298":965},"https://img.ochreeditions.com/m/1599.jpg?dl=1","/art/portrait-of-a-child-nga-59907","/galleries/style/antebellum-america/portrait-of-a-child-nga-59907",{"_290":291,"_292":293},{"_224":960,"_125":961,"_284":962},{"_275":957,"_277":958,"_279":959,"_281":942},51.085156250000004,59.2,36.085156250000004,{"_286":224,"_123":471,"_154":472,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1599/480.jpg","https://img.ochreeditions.com/a/1599/960.jpg","https://img.ochreeditions.com/a/1599/1920.jpg",{"_310":979,"_312":980},{"_310":977,"_312":978},{"_310":975,"_312":976},{"_310":973,"_312":974},{"_310":971,"_312":972},"#833316",0.1265,"#d1b9a1",0.134,"#786646",0.1541,"#554639",0.2136,"#332320",0.3718,"the-grave-of-william-penn-nga-59905","The Grave of William Penn",{"_42":491,"_221":492,"_324":493,"_326":327,"_328":494,"_330":495,"_332":496,"_333":497,"_334":498,"_140":95},"c. 1847/1848","overall: 60.4 x 75.5 cm (23 3/4 x 29 3/4 in.) framed: 81.4 x 96.5 cm (32 1/16 x 38 in.)",75.5,60.4,1.271654765600745,[1011,1012,1013,1014,1015],{"_220":367,"_221":368,"_42":369,"_303":370},"1980.62.12","Edward Hicks painted this in about 1847/1848, aged about 67. It is now at the National Gallery of Art in Washington, DC.","Herdsmen rest beneath a tree with a dog, a basket and a herd of cows and sheep, while in the distance figures and a wagon gather before a large house on a hill. The setting is Jordans in Buckinghamshire, where William Penn, the Quaker founder of Pennsylvania, was buried in 1718.","This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon. In the bottom right corner, two people sit in the grass under a tree, one dressed in red holding a tall crook and the other wearing a black garment and a yellow hat and petting a large brown-and-white dog. There is a basket on the ground between them, and next to them is a large herd of cows and sheep, all resting on the grass. The landscape includes trees with green leaves and yellow hills in the distance. The sky above is in pastel shades of pink and blue, with fluffy clouds. In the bottom left, a patch of yellow ground has several lines of text written over it.",{"_294":1008,"_296":1009,"_298":1010},"https://img.ochreeditions.com/m/1597.jpg?dl=1","/art/the-grave-of-william-penn-nga-59905","/galleries/style/antebellum-america/the-grave-of-william-penn-nga-59905",{"_290":291,"_292":293},{"_224":1005,"_125":1006,"_284":1007},{"_275":1002,"_277":1003,"_279":986,"_281":1004},90.5,74.3714599609375,59.3714599609375,{"_286":224,"_123":471,"_154":472,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1597/480.jpg","https://img.ochreeditions.com/a/1597/960.jpg","https://img.ochreeditions.com/a/1597/1920.jpg",{"_310":1023,"_312":1024},{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},{"_310":1018,"_312":976},{"_310":1016,"_312":1017},"#554a1b",0.1466,"#af8d39","#757933",0.1841,"#2d2b14",0.2088,"#ded6ae",0.3064,"the-artist-s-wife-sophie-si-chndm-1942-50-2","The Artist's Wife Sophie",{"_42":876,"_221":877,"_324":878,"_326":327,"_328":879,"_330":880,"_332":-5,"_333":-5,"_334":881,"_140":99},"1853","Black and white crayon on brown wove paper, laid down","40.8 x 31.8 cm (16 1/16 x 12 1/2 in.)",31.8,40.8,0.7827768729641694,[1057,1058,1059,1060,1061],{"_220":423,"_221":424,"_42":425,"_303":860},"1942-50-2","Daniel Huntington drew this in 1853, aged 37. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1056,"_796":859},"THE ARTIST'S WIFE SOPHIE",{"_294":1053,"_296":1054,"_298":1055},"https://img.ochreeditions.com/m/1745.jpg?dl=1","/art/the-artist-s-wife-sophie-si-chndm-1942-50-2","/galleries/style/antebellum-america/the-artist-s-wife-sophie-si-chndm-1942-50-2",{"_290":853,"_292":854},{"_224":1050,"_125":1051,"_284":1052},{"_275":1047,"_277":1048,"_279":1049,"_281":1032},55.93729641693811,64.8,31.93729641693811,{"_286":224,"_123":851,"_154":852,"_140":99},{"_286":125,"_123":848,"_154":849,"_140":850},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1745/480.jpg","https://img.ochreeditions.com/a/1745/960.jpg","https://img.ochreeditions.com/a/1745/1920.jpg","Portrait of Sophie Huntington showing the left profile of her lowered head.",{"_310":1070,"_312":1071},{"_310":1068,"_312":1069},{"_310":1066,"_312":1067},{"_310":1064,"_312":1065},{"_310":1062,"_312":1063},"#e4d5c2",0.0819,"#6d5948",0.1116,"#54473c",0.1128,"#413b34",0.1297,"#866e5a",0.564,"mrs-goss-the-woman-in-fur-cma-97636","Mrs. Goss (The Woman in Fur)",{"_42":1118,"_221":1119,"_324":1120,"_326":327,"_328":1121,"_330":1122,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1850s","Unframed: 76 x 63.5 cm (29 15/16 x 25 in.)",63.5,76,0.8270588235294117,[1103,1104,1105,1106,1107],{"_220":300,"_221":301,"_42":302,"_303":304},"1917.279","Caroline L. Ransom painted this in about 1850s, aged about 11. It is now at the Cleveland Museum of Art.","Mrs. Goss (The Woman in Fur), by Caroline L. Ransom, c. 1850s",{"_294":1100,"_296":1101,"_298":1102},"https://img.ochreeditions.com/m/491.jpg?dl=1","/art/mrs-goss-the-woman-in-fur-cma-97636","/galleries/style/antebellum-america/mrs-goss-the-woman-in-fur-cma-97636",{"_290":291,"_292":293},{"_224":1095,"_125":1096,"_284":1097},{"_275":1092,"_277":1093,"_279":1094,"_281":1078},77.85647058823528,91,62.85647058823529,{"_286":224,"_123":1098,"_154":1099,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-caroline-l-ransom","Caroline L. Ransom's contemporaries","https://img.ochreeditions.com/a/491/480.jpg","https://img.ochreeditions.com/a/491/960.jpg","https://img.ochreeditions.com/a/491/1920.jpg",{"_310":1116,"_312":1117},{"_310":1114,"_312":1115},{"_310":1112,"_312":1113},{"_310":1110,"_312":1111},{"_310":1108,"_312":1109},"#a37454",0.0203,"#5e3e2f",0.0846,"#433026",0.2391,"#2f231c",0.2521,"#504132",0.4039,"Caroline L. Ransom","caroline-l-ransom","American, 1838–1910",1838,1910,{"_1124":-5,"_1125":1126,"_1127":1128,"_1129":8,"_1130":1131,"_1132":8},"user","csrf","755dfe057805e719c1339c576f2bae8a111726af","cartCount",0,"dropLive","legal",[1133,1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144],"uploadsEnabled",{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]