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Desert",{"_42":508,"_221":509,"_328":510,"_330":331,"_332":511,"_334":512,"_336":-5,"_338":-5,"_340":513,"_140":99},"August 23, 1856","Graphite and chalk on brown-grey paper","28.1 × 47.3 cm (11 1/16 × 18 5/8 in.)",47.3,28.1,1.6506829410055217,[493,494,495,496,497],{"_220":304,"_221":305,"_42":306,"_307":308},"1942-50-101","Daniel Huntington drew this (August 23, 1856), aged 40. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":492,"_302":303},"EAGLE LAKE, MT. DESERT",{"_295":489,"_297":490,"_299":491},"https://img.ochreeditions.com/m/1744.jpg?dl=1","/art/eagle-lake-mt-desert-si-chndm-1942-50-101","/galleries/style/antebellum-america/eagle-lake-mt-desert-si-chndm-1942-50-101",{"_291":292,"_293":294},{"_224":484,"_125":485,"_285":486},{"_275":481,"_277":482,"_279":465,"_281":483},71.3,52.654806338028166,28.654806338028166,{"_287":224,"_123":487,"_154":488,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/daniel-huntington","More by Daniel Huntington","https://img.ochreeditions.com/a/1744/480.jpg","https://img.ochreeditions.com/a/1744/960.jpg","https://img.ochreeditions.com/a/1744/1920.jpg","The shores of lake at right and at rear, beneath a mountain range. Three rowboats on the water.",{"_314":506,"_316":507},{"_314":504,"_316":505},{"_314":502,"_316":503},{"_314":500,"_316":501},{"_314":498,"_316":499},"#928b7d",0.0288,"#b9b7b7",0.0845,"#a69684",0.1703,"#ac9e8c",0.3333,"#b1a592",0.3831,"Daniel Huntington","daniel-huntington","American, 1816–1906",1816,1906,"Huntington studied with Samuel F. B. Morse and Henry Inman in New York and made several journeys to Italy, which shaped his early allegorical and religious pictures, such as Mercy’s Dream.","the-lackawanna-valley-nga-30776","The Lackawanna Valley",{"_42":566,"_221":567,"_328":568,"_330":331,"_332":569,"_334":570,"_336":571,"_338":572,"_340":573,"_140":95},"c. 1856","overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.) framed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)",127.5,86,1.490538573508006,[551,552,553,554,555],{"_220":547,"_221":548,"_42":549,"_307":550},"Courtesy National Gallery of Art, Washington","1945.4.1","George Inness painted this in about 1856, aged 31. It is now at the National Gallery of Art in Washington, DC.","A figure reclines beneath a tree in a meadow scattered with stumps, looking out over a valley where a steam train puffs across a bridge, leaving behind a roundhouse, smoking chimneys and a church steeple.","We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”",{"_295":544,"_297":545,"_299":546},"https://img.ochreeditions.com/m/1460.jpg?dl=1","/art/the-lackawanna-valley-nga-30776","/galleries/style/antebellum-america/the-lackawanna-valley-nga-30776",{"_291":377,"_293":378},{"_224":539,"_125":540,"_285":541},{"_275":536,"_277":537,"_279":519,"_281":538},142.5,100.53955078125,85.53955078125,{"_287":224,"_123":542,"_154":543,"_140":95},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/1460/480.jpg","https://img.ochreeditions.com/a/1460/960.jpg","https://img.ochreeditions.com/a/1460/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":564,"_316":565},{"_314":562,"_316":563},{"_314":560,"_316":561},{"_314":558,"_316":559},{"_314":556,"_316":557},"#896f2e",0.0981,"#8b8a70",0.1246,"#444126",0.1915,"#655a2a",0.2485,"#d6c8a0",0.3373,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","aaron-baldwin-nga-32581","Aaron Baldwin",{"_42":621,"_221":622,"_328":623,"_330":331,"_332":624,"_334":625,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1835","oil on wood","overall: 64.5 x 54.2 cm (25 3/8 x 21 5/16 in.)",54.2,64.5,0.8359375,[606,607,608,609,610],{"_220":547,"_221":548,"_42":549,"_307":550},"1945.11.1","Francis Alexander painted this in about 1835, aged 35. It is now at the National Gallery of Art in Washington, DC.","The image is a portrait painting showing a man's upper body. He is positioned slightly turned to his right, with his head facing the viewer. The man has fair skin, defined cheekbones, and small, bright eyes. His hair is short, neatly combed, and grey or white. He is wearing a dark coat over a white shirt with a high collar, partially visible. The background is a muted, dark color, providing a simple setting that emphasizes the subject. There are no visible jewelry or objects in the image.",{"_295":603,"_297":604,"_299":605},"https://img.ochreeditions.com/m/1466.jpg?dl=1","/art/aaron-baldwin-nga-32581","/galleries/style/antebellum-america/aaron-baldwin-nga-32581",{"_291":377,"_293":378},{"_224":598,"_125":599,"_285":600},{"_275":595,"_277":596,"_279":597,"_281":581},68.91796875,79.5,53.91796875,{"_287":224,"_123":601,"_154":602,"_140":89},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francis-alexander","Francis Alexander's contemporaries","https://img.ochreeditions.com/a/1466/480.jpg","https://img.ochreeditions.com/a/1466/960.jpg","https://img.ochreeditions.com/a/1466/1920.jpg",{"_314":619,"_316":620},{"_314":617,"_316":618},{"_314":615,"_316":616},{"_314":613,"_316":614},{"_314":611,"_316":612},"#dcc472",0.0301,"#7a5f29",0.0318,"#c68e32",0.0495,"#363625",0.3113,"#12161c",0.5773,"Francis Alexander","francis-alexander","American, 1800–1880",1800,1880,"study-of-foliage-si-chndm-1953-179-16","Study of foliage",{"_42":673,"_221":674,"_328":675,"_330":331,"_332":676,"_334":677,"_336":-5,"_338":-5,"_340":-5,"_140":101},"October 25, 1862","15.1 × 22.3 cm (5 15/16 × 8 3/4 in.)",22.3,15.1,1.4374358974358974,[658,659,660,661,662],{"_220":304,"_221":305,"_42":306,"_307":308},"1953-179-16","William Trost Richards drew this (October 25, 1862), aged 29. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":657,"_302":303},"STUDY OF FOLIAGE",{"_295":654,"_297":655,"_299":656},"https://img.ochreeditions.com/m/1751.jpg?dl=1","/art/study-of-foliage-si-chndm-1953-179-16","/galleries/style/antebellum-america/study-of-foliage-si-chndm-1953-179-16",{"_291":292,"_293":294},{"_224":649,"_125":650,"_285":651},{"_275":278,"_277":647,"_279":282,"_281":648},41.392079914377454,17.392079914377454,{"_287":224,"_123":652,"_154":653,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-trost-richards","William Trost Richards's contemporaries","https://img.ochreeditions.com/a/1751/480.jpg","https://img.ochreeditions.com/a/1751/960.jpg","https://img.ochreeditions.com/a/1751/1920.jpg","Sketch of a tree with foliage.",{"_314":671,"_316":672},{"_314":669,"_316":670},{"_314":667,"_316":668},{"_314":665,"_316":666},{"_314":663,"_316":664},"#e5d3bc",0.0518,"#968979",0.0746,"#fef2de",0.0795,"#b19e87",0.2251,"#c3ae93",0.569,"William Trost Richards","william-trost-richards","American, 1833–1905",1833,1905,"soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208","Soldiers felling sapling, and weaving saplings into baskets [verso]",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":53},"graphite on straw paper","sheet: 21.9 × 37.7 cm (8 5/8 × 14 13/16 in.)",37.7,21.9,1.7385398981324278,[708,709,710,711,712],{"_220":547,"_221":548,"_42":549,"_307":550},"1996.121.7.b","Winslow Homer drew this in 1862, aged 26. It is now at the National Gallery of Art in Washington, DC.","Quick pencil sketches catch soldiers at work, felling saplings and weaving them into gabions, the basket-like frames filled with earth that protected artillery positions during sieges.","This is a drawing of various sketches related to woodcutting or carpentry. The drawing features several pencil sketches on tan paper. On the left side, there are depictions of a barrel or basket, and beneath it, several outline sketches of figures engaged in activities involving woodwork. The right side of the drawing shows a figure bent over a large beam or branch. The sketches are simple, with minimal detail, capturing the basic form and movement of the figures and objects involved in woodwork-related activities.",{"_295":705,"_297":706,"_299":707},"https://img.ochreeditions.com/m/1634.jpg?dl=1","/art/soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208","/galleries/style/antebellum-america/soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208",{"_291":292,"_293":294},{"_224":702,"_125":703,"_285":704},{"_275":699,"_277":700,"_279":683,"_281":701},61.7,45.68486328125,21.684863281250003,{"_287":224,"_123":170,"_154":169,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1634/480.jpg","https://img.ochreeditions.com/a/1634/960.jpg","https://img.ochreeditions.com/a/1634/1920.jpg",{"_314":721,"_316":722},{"_314":719,"_316":720},{"_314":717,"_316":718},{"_314":715,"_316":716},{"_314":713,"_316":714},"#bda484",0.0599,"#9a7b58",0.1003,"#b69269",0.2474,"#a6845f",0.273,"#ae8a63",0.3194,"the-united-states-frigate-president-engaging-the-british-squ-nga-195475","The United States Frigate \"President\" Engaging the British Squadron, 1815",{"_42":769,"_221":770,"_328":771,"_330":331,"_332":772,"_334":773,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1850","overall: 71.12 × 106.68 cm (28 × 42 in.) framed: 89.85 × 125.1 × 6.03 cm (35 3/8 × 49 1/4 × 2 3/8 in.)",106.7,71.1,1.502016868353502,[754,755,756,757,758],{"_220":547,"_221":548,"_42":549,"_307":550},"2014.136.82","Fitz Henry Lane painted this in 1850, aged 46. It is now at the National Gallery of Art in Washington, DC.","This painting shows a maritime landscape with an expansive view of the ocean and sky. The horizon is positioned in the lower third of the composition, meeting a clear sky with soft, diffused clouds. Two ships appear to be engaged in a conflict on the green, wave-filled water. One large sailing ship with fully extended sails is near the bottom right corner of the painting. It has two tall masts and multiple white sails, and it flies the flag of the U.S.A in several places. The body of this ship is gray with a wide white stripe, and cannons stick out of small holes across the ship. Small people climb on ropes up into the sails, which are covered in small white and gray dots, perhaps indicating holes. Another ship is visible in the distance on the left side of the painting, and its cannons appear to be firing, with bursts of yellow flame and smoke drifting across the water. This ship flies several flags in shades of red, blue, and white. In the background, the faint gray silhouettes of other ships can be seen across the water. The ocean is depicted with smooth brushstrokes in shades of green and white, and the wide sky is a gradient, with light blue at the top and pale yellow towards the horizon. Faint white clouds drift in the top left corner of the painting.",{"_295":751,"_297":752,"_299":753},"https://img.ochreeditions.com/m/1691.jpg?dl=1","/art/the-united-states-frigate-president-engaging-the-british-squ-nga-195475","/galleries/style/antebellum-america/the-united-states-frigate-president-engaging-the-british-squ-nga-195475",{"_291":377,"_293":378},{"_224":746,"_125":747,"_285":748},{"_275":743,"_277":744,"_279":728,"_281":745},121.7,86.0378173828125,71.0378173828125,{"_287":224,"_123":749,"_154":750,"_140":89},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-fitz-henry-lane","Fitz Henry Lane's contemporaries","https://img.ochreeditions.com/a/1691/480.jpg","https://img.ochreeditions.com/a/1691/960.jpg","https://img.ochreeditions.com/a/1691/1920.jpg",{"_314":767,"_316":768},{"_314":765,"_316":766},{"_314":763,"_316":764},{"_314":761,"_316":762},{"_314":759,"_316":760},"#d0d4b7",0.0409,"#707058",0.0811,"#a09980",0.1555,"#c3baa8",0.3534,"#dbc9ac",0.3691,"Fitz Henry Lane","fitz-henry-lane","1804–1865",1804,1865,"colonel-william-leete-stone-cma-136610","Colonel William Leete Stone",{"_42":820,"_221":821,"_328":822,"_330":331,"_332":823,"_334":824,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1839","Unframed: 91.4 x 73.6 cm (36 x 29 in.)",73.6,91.4,0.8026470588235294,[805,806,807,808,809],{"_220":382,"_221":383,"_42":384,"_307":385},"1961.171","William Page painted this in 1839, aged 28. It is now at the Cleveland Museum of Art.","Colonel William Leete Stone, by William Page, 1839",{"_295":802,"_297":803,"_299":804},"https://img.ochreeditions.com/m/639.jpg?dl=1","/art/colonel-william-leete-stone-cma-136610","/galleries/style/antebellum-america/colonel-william-leete-stone-cma-136610",{"_291":377,"_293":378},{"_224":797,"_125":798,"_285":799},{"_275":794,"_277":795,"_279":796,"_281":780},88.3619411764706,106.4,73.3619411764706,{"_287":224,"_123":800,"_154":801,"_140":89},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-page","William Page's contemporaries","https://img.ochreeditions.com/a/639/480.jpg","https://img.ochreeditions.com/a/639/960.jpg","https://img.ochreeditions.com/a/639/1920.jpg",{"_314":818,"_316":819},{"_314":816,"_316":817},{"_314":814,"_316":815},{"_314":812,"_316":813},{"_314":810,"_316":811},"#e2d4c6",0.0279,"#615449",0.0319,"#b68e7b",0.0478,"#100f0c",0.3799,"#241b14",0.5125,"William Page","william-page","American, 1811–1885",1811,1885,"the-artist-s-wife-sophie-si-chndm-1942-50-2","The Artist's Wife Sophie",{"_42":508,"_221":509,"_328":510,"_330":331,"_332":511,"_334":512,"_336":-5,"_338":-5,"_340":513,"_140":99},"1853","Black and white crayon on brown wove paper, laid down","40.8 x 31.8 cm (16 1/16 x 12 1/2 in.)",31.8,40.8,0.7827768729641694,[857,858,859,860,861],{"_220":304,"_221":305,"_42":306,"_307":308},"1942-50-2","Daniel Huntington drew this in 1853, aged 37. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":856,"_302":303},"THE ARTIST'S WIFE SOPHIE",{"_295":853,"_297":854,"_299":855},"https://img.ochreeditions.com/m/1745.jpg?dl=1","/art/the-artist-s-wife-sophie-si-chndm-1942-50-2","/galleries/style/antebellum-america/the-artist-s-wife-sophie-si-chndm-1942-50-2",{"_291":292,"_293":294},{"_224":850,"_125":851,"_285":852},{"_275":847,"_277":848,"_279":849,"_281":832},55.93729641693811,64.8,31.93729641693811,{"_287":224,"_123":487,"_154":488,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1745/480.jpg","https://img.ochreeditions.com/a/1745/960.jpg","https://img.ochreeditions.com/a/1745/1920.jpg","Portrait of Sophie Huntington showing the left profile of her lowered head.",{"_314":870,"_316":871},{"_314":868,"_316":869},{"_314":866,"_316":867},{"_314":864,"_316":865},{"_314":862,"_316":863},"#e4d5c2",0.0819,"#6d5948",0.1116,"#54473c",0.1128,"#413b34",0.1297,"#866e5a",0.564,"the-landing-of-columbus-nga-59906","The Landing of Columbus",{"_42":919,"_221":920,"_328":921,"_330":331,"_332":922,"_334":923,"_336":924,"_338":925,"_340":926,"_140":95},"c. 1837","overall: 45 x 60 cm (17 11/16 x 23 5/8 in.)",60,45,1.3433912758281403,[904,905,906,907,908],{"_220":547,"_221":548,"_42":549,"_307":550},"1980.62.13","Edward Hicks painted this in about 1837, aged 57. It is now at the National Gallery of Art in Washington, DC.","Columbus and his companions, in plumed helmets and bright red, blue and gold, row towards a palm-fringed shore, one man standing in the prow with a white banner, while their ships wait offshore and the island’s inhabitants watch from the hillside and trees.","The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water. The central boat has around eight men in it, all with tan skin and dark hair, dressed in bright garments in shades of red, blue, and gold. Many of them wear plumed helmets and have jewelry or badges adorning them. The boat is heading towards land on the left, and one man stands at the front of the boat, holding a white flag. The land on the left is green, with tall palm trees and a rocky gray mountain. People with dark skin can be seen in on the land in the distance, some climbing the mountain and others standing beneath trees. The sky is a gradient from pinkish-orange near the horizon to light blue at the top of the painting, with a few faint gray clouds.",{"_295":901,"_297":902,"_299":903},"https://img.ochreeditions.com/m/1598.jpg?dl=1","/art/the-landing-of-columbus-nga-59906","/galleries/style/antebellum-america/the-landing-of-columbus-nga-59906",{"_291":377,"_293":378},{"_224":896,"_125":897,"_285":898},{"_275":893,"_277":894,"_279":877,"_281":895},75,59.6630859375,44.6630859375,{"_287":224,"_123":899,"_154":900,"_140":95},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/edward-hicks","More by Edward Hicks","https://img.ochreeditions.com/a/1598/480.jpg","https://img.ochreeditions.com/a/1598/960.jpg","https://img.ochreeditions.com/a/1598/1920.jpg",{"_314":917,"_316":918},{"_314":915,"_316":916},{"_314":913,"_316":914},{"_314":911,"_316":912},{"_314":909,"_316":910},"#bcc3a1",0.128,"#795f21",0.1569,"#7fa188",0.1639,"#cdb47d",0.2078,"#3b2f18",0.3434,"Edward Hicks","edward-hicks","American, 1780–1849",1780,1849,"Langhorne, Pennsylvania","Newtown, Pennsylvania","Hicks was a Quaker minister in Bucks County, Pennsylvania, who earned his living as a coach and sign painter.","end-of-the-march-recto-nga-98212","End of the March [recto]",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":53},"graphite on bristol board","sheet: 9.1 x 12.4 cm (3 9/16 x 4 7/8 in.)",12.4,9.1,1.3657885961987328,[954,955,956,957,958],{"_220":547,"_221":548,"_42":549,"_307":550},"1996.121.4.a","The image displays curved and angular lines creating an abstract composition hinting at humanoid shapes and possible vegetation or trees. The lines suggest motion and activity, with shapes resembling drums and sticks scattered around. The overall impression is of a gathering or event, with figures depicted standing or moving, along with lines indicating movement or sound waves from musical instruments.",{"_295":951,"_297":952,"_299":953},"https://img.ochreeditions.com/m/1635.jpg?dl=1","/art/end-of-the-march-recto-nga-98212","/galleries/style/antebellum-america/end-of-the-march-recto-nga-98212",{"_291":292,"_293":294},{"_224":948,"_125":949,"_285":950},{"_275":278,"_277":946,"_279":282,"_281":947},42.304443359375,18.304443359375,{"_287":224,"_123":170,"_154":169,"_140":53},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1635/480.jpg","https://img.ochreeditions.com/a/1635/960.jpg","https://img.ochreeditions.com/a/1635/1920.jpg",{"_314":967,"_316":968},{"_314":965,"_316":966},{"_314":963,"_316":964},{"_314":961,"_316":962},{"_314":959,"_316":960},"#beaa8f",0.0316,"#dbc9ad",0.0416,"#bd9f7d",0.0947,"#b18d6a",0.2696,"#b99671",0.5625,"landscape-cma-98043","Landscape",{"_42":1015,"_221":1016,"_328":1017,"_330":331,"_332":1018,"_334":1019,"_336":-5,"_338":-5,"_340":-5,"_140":103},"before 1918","Unframed: 34.3 x 59.5 cm (13 1/2 x 23 7/16 in.)",59.5,34.3,1.8640350877192982,[1000,1001,1002,1003,1004],{"_220":382,"_221":383,"_42":384,"_307":385},"1917.67","Jasper F. Cropsey painted this (before 1918), aged about 22. It is now at the Cleveland Museum of Art.","Landscape, by Jasper F. Cropsey, before 1918",{"_295":997,"_297":998,"_299":999},"https://img.ochreeditions.com/m/492.jpg?dl=1","/art/landscape-cma-98043","/galleries/style/antebellum-america/landscape-cma-98043",{"_291":377,"_293":378},{"_224":992,"_125":993,"_285":994},{"_275":989,"_277":990,"_279":974,"_281":991},74.5,46.92,31.92,{"_287":224,"_123":995,"_154":996,"_140":89},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jasper-f-cropsey","Jasper F. Cropsey's contemporaries","https://img.ochreeditions.com/a/492/480.jpg","https://img.ochreeditions.com/a/492/960.jpg","https://img.ochreeditions.com/a/492/1920.jpg",{"_314":1013,"_316":1014},{"_314":1011,"_316":1012},{"_314":1009,"_316":1010},{"_314":1007,"_316":1008},{"_314":1005,"_316":1006},"#9e9c90",0.097,"#635038",0.1494,"#423627",0.1503,"#27251f",0.1953,"#bdb9ab",0.408,"Jasper F. Cropsey","jasper-f-cropsey","American, 1823–1900",1823,1900,"study-of-seascape-porcupine-islands-bar-harbor-me-si-chndm-1969-121-68","Study of seascape. Porcupine Islands, Bar Harbor, ME",{"_42":1069,"_221":1070,"_328":1071,"_330":331,"_332":1072,"_334":1019,"_336":-5,"_338":-5,"_340":1073,"_140":99},"1859","Graphite on wove paper mounted on board","36.3 x 53.1 cm (14 5/16 x 20 7/8 in.)",53.1,36.3,1.4432176656151419,[1054,1055,1056,1057,1058],{"_220":304,"_221":305,"_42":306,"_307":308},"1969-121-68","William Stanley Haseltine drew this in 1859, aged 24. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1053,"_302":303},"STUDY OF SEASCAPE. PORCUPINE ISLANDS, BAR HARBOR, ME",{"_295":1050,"_297":1051,"_299":1052},"https://img.ochreeditions.com/m/1754.jpg?dl=1","/art/study-of-seascape-porcupine-islands-bar-harbor-me-si-chndm-1969-121-68","/galleries/style/antebellum-america/study-of-seascape-porcupine-islands-bar-harbor-me-si-chndm-1969-121-68",{"_291":292,"_293":294},{"_224":1045,"_125":1046,"_285":1047},{"_275":1042,"_277":1043,"_279":1026,"_281":1044},77.1,60.7927868852459,36.7927868852459,{"_287":224,"_123":1048,"_154":1049,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/william-stanley-haseltine","More by William Stanley Haseltine","https://img.ochreeditions.com/a/1754/480.jpg","https://img.ochreeditions.com/a/1754/960.jpg","https://img.ochreeditions.com/a/1754/1920.jpg","Sketch of a rocky coastline.",{"_314":1067,"_316":1068},{"_314":1065,"_316":1066},{"_314":1063,"_316":1064},{"_314":1061,"_316":1062},{"_314":1059,"_316":1060},"#b0adac",0.0352,"#bdbab9",0.0401,"#beb29c",0.2163,"#c5baa3",0.3448,"#cabaa4",0.3636,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","study-of-landscape-delaware-river-si-chndm-1969-121-73","Study of landscape, Delaware River",{"_42":1069,"_221":1070,"_328":1071,"_330":331,"_332":1072,"_334":1019,"_336":-5,"_338":-5,"_340":1073,"_140":99},"ca. 1855","38.1 × 54.8 cm (15 in. × 21 9/16 in.)",54.8,38.1,1.4174568965517242,[1105,1106,1107,1108,1109],{"_220":304,"_221":305,"_42":306,"_307":308},"1969-121-73","William Stanley Haseltine drew this in about 1855, aged 20. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1104,"_302":303},"STUDY OF LANDSCAPE, DELAWARE RIVER",{"_295":1101,"_297":1102,"_299":1103},"https://img.ochreeditions.com/m/1755.jpg?dl=1","/art/study-of-landscape-delaware-river-si-chndm-1969-121-73","/galleries/style/antebellum-america/study-of-landscape-delaware-river-si-chndm-1969-121-73",{"_291":292,"_293":294},{"_224":1098,"_125":1099,"_285":1100},{"_275":1095,"_277":1096,"_279":1079,"_281":1097},78.8,62.66078759312756,38.66078759312756,{"_287":224,"_123":1048,"_154":1049,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1755/480.jpg","https://img.ochreeditions.com/a/1755/960.jpg","https://img.ochreeditions.com/a/1755/1920.jpg","Sketch of a river with figures fishing.",{"_314":1118,"_316":1119},{"_314":1116,"_316":1117},{"_314":1114,"_316":1115},{"_314":1112,"_316":1113},{"_314":1110,"_316":1111},"#bab7b8",0.0743,"#cabca8",0.1059,"#d7c7b3",0.1556,"#cfc3b0",0.2472,"#d3c8b4",0.417,{"_1121":-5,"_1122":1123,"_1124":1125,"_1126":8,"_1127":1128,"_1129":8},"user","csrf","5baadcff2e8f0594b0ecaaba67d4989375bd89fe","cartCount",0,"dropLive","legal",[1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141],"uploadsEnabled",{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},{"_221":1144,"_20":1145},{"_221":1142,"_20":1143},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]