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The sky is overcast, with dark gray clouds, and the color palette of the painting consists of earth tones with variations of grey and brown among the white snow.",{"_294":363,"_296":364,"_298":365},"https://img.ochreeditions.com/m/1645.jpg?dl=1","/art/winter-in-the-country-nga-109732","/galleries/style/antebellum-america/winter-in-the-country-nga-109732",{"_290":291,"_292":293},{"_224":358,"_125":359,"_284":360},{"_275":355,"_277":356,"_279":340,"_281":357},107.1,81.0169921875,66.0169921875,{"_286":224,"_123":361,"_154":362,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-george-henry-durrie","George Henry Durrie's contemporaries","https://img.ochreeditions.com/a/1645/480.jpg","https://img.ochreeditions.com/a/1645/960.jpg","https://img.ochreeditions.com/a/1645/1920.jpg",{"_310":379,"_312":380},{"_310":377,"_312":378},{"_310":375,"_312":376},{"_310":373,"_312":374},{"_310":371,"_312":372},"#4c4131",0.1205,"#7b6751",0.1378,"#ccbcb0",0.2361,"#746a68",0.2503,"#a89488",0.2553,"George Henry Durrie","george-henry-durrie","American, 1820–1863",1820,1863,"major-thomas-biddle-nga-1125","Major Thomas Biddle",{"_42":432,"_221":433,"_324":434,"_326":327,"_328":435,"_330":436,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1832","overall: 90.5 x 69.5 cm (35 5/8 x 27 3/8 in.) framed: 122.9 x 102.4 x 11.6 cm (48 3/8 x 40 5/16 x 4 9/16 in.)",69.5,90.5,0.758544921875,[417,418,419,420,421],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.8.31","Thomas Wilcocks Sully painted this in 1832, aged 21. It is now at the National Gallery of Art in Washington, DC.","Major Thomas Biddle, by Thomas Wilcocks Sully, 1832",{"_294":414,"_296":415,"_298":416},"https://img.ochreeditions.com/m/1310.jpg?dl=1","/art/major-thomas-biddle-nga-1125","/galleries/style/antebellum-america/major-thomas-biddle-nga-1125",{"_290":291,"_292":293},{"_224":409,"_125":410,"_284":411},{"_275":406,"_277":407,"_279":408,"_281":392},83.6483154296875,105.5,68.6483154296875,{"_286":224,"_123":412,"_154":413,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-wilcocks-sully","Thomas Wilcocks Sully's contemporaries","https://img.ochreeditions.com/a/1310/480.jpg","https://img.ochreeditions.com/a/1310/960.jpg","https://img.ochreeditions.com/a/1310/1920.jpg",{"_310":430,"_312":431},{"_310":428,"_312":429},{"_310":426,"_312":427},{"_310":424,"_312":425},{"_310":422,"_312":423},"#362320",0.1087,"#936726",0.1315,"#5a3f21",0.1338,"#130d1d",0.1849,"#a79167",0.4411,"Thomas Wilcocks Sully","thomas-wilcocks-sully","American, 1811–1847",1811,1847,"study-of-landscape-delaware-river-si-chndm-1969-121-73","Study of landscape, Delaware River",{"_42":500,"_221":501,"_324":502,"_326":327,"_328":503,"_330":331,"_332":-5,"_333":-5,"_334":504,"_140":99},"ca. 1855","drawing","Drawing","Graphite on paper","38.1 × 54.8 cm (15 in. × 21 9/16 in.)",54.8,38.1,1.4174568965517242,[485,486,487,488,489],{"_220":481,"_221":482,"_42":483,"_303":484},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1969-121-73","William Stanley Haseltine drew this in about 1855, aged 20. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":478,"_479":480},"STUDY OF LANDSCAPE, DELAWARE RIVER",{"_294":475,"_296":476,"_298":477},"https://img.ochreeditions.com/m/1755.jpg?dl=1","/art/study-of-landscape-delaware-river-si-chndm-1969-121-73","/galleries/style/antebellum-america/study-of-landscape-delaware-river-si-chndm-1969-121-73",{"_290":473,"_292":474},{"_224":465,"_125":466,"_284":467},{"_275":462,"_277":463,"_279":445,"_281":464},78.8,62.66078759312756,38.66078759312756,{"_286":224,"_123":471,"_154":472,"_140":99},{"_286":125,"_123":468,"_154":469,"_140":470},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/william-stanley-haseltine","More by William Stanley Haseltine","white","snow","https://img.ochreeditions.com/a/1755/480.jpg","https://img.ochreeditions.com/a/1755/960.jpg","https://img.ochreeditions.com/a/1755/1920.jpg","Sketch of a river with figures fishing.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_310":498,"_312":499},{"_310":496,"_312":497},{"_310":494,"_312":495},{"_310":492,"_312":493},{"_310":490,"_312":491},"#bab7b8",0.0743,"#cabca8",0.1059,"#d7c7b3",0.1556,"#cfc3b0",0.2472,"#d3c8b4",0.417,"William Stanley Haseltine","william-stanley-haseltine","American, 1835–1900",1835,"Haseltine was born in Philadelphia, studied at Harvard and trained in Düsseldorf, where he travelled and painted with Albert Bierstadt and Worthington Whittredge.","aaron-baldwin-nga-32581","Aaron Baldwin",{"_42":551,"_221":552,"_324":553,"_326":327,"_328":554,"_330":555,"_332":-5,"_333":-5,"_334":-5,"_140":103},"oil on wood","overall: 64.5 x 54.2 cm (25 3/8 x 21 5/16 in.)",54.2,64.5,0.8359375,[536,537,538,539,540],{"_220":300,"_221":301,"_42":302,"_303":304},"1945.11.1","Francis Alexander painted this in about 1835, aged 35. It is now at the National Gallery of Art in Washington, DC.","The image is a portrait painting showing a man's upper body. He is positioned slightly turned to his right, with his head facing the viewer. The man has fair skin, defined cheekbones, and small, bright eyes. His hair is short, neatly combed, and grey or white. He is wearing a dark coat over a white shirt with a high collar, partially visible. The background is a muted, dark color, providing a simple setting that emphasizes the subject. There are no visible jewelry or objects in the image.",{"_294":533,"_296":534,"_298":535},"https://img.ochreeditions.com/m/1466.jpg?dl=1","/art/aaron-baldwin-nga-32581","/galleries/style/antebellum-america/aaron-baldwin-nga-32581",{"_290":291,"_292":293},{"_224":528,"_125":529,"_284":530},{"_275":525,"_277":526,"_279":527,"_281":511},68.91796875,79.5,53.91796875,{"_286":224,"_123":531,"_154":532,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francis-alexander","Francis Alexander's contemporaries","https://img.ochreeditions.com/a/1466/480.jpg","https://img.ochreeditions.com/a/1466/960.jpg","https://img.ochreeditions.com/a/1466/1920.jpg",{"_310":549,"_312":550},{"_310":547,"_312":548},{"_310":545,"_312":546},{"_310":543,"_312":544},{"_310":541,"_312":542},"#dcc472",0.0301,"#7a5f29",0.0318,"#c68e32",0.0495,"#363625",0.3113,"#12161c",0.5773,"Francis Alexander","francis-alexander","American, 1800–1880",1800,1880,"landscape-with-haywain-cma-148215","Landscape with Haywain",{"_42":609,"_221":610,"_324":611,"_326":327,"_328":384,"_330":612,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1861","Framed: 65.5 x 103 x 12.5 cm (25 13/16 x 40 9/16 x 4 15/16 in.); Unframed: 40.2 x 78 cm (15 13/16 x 30 11/16 in.)",78,40.2,1.9406392694063928,[595,596,597,598,599],{"_220":591,"_221":592,"_42":593,"_303":594},"Courtesy of the Cleveland Museum of Art","1975.20","Worthington Whittredge painted this in 1861, aged 41. It is now at the Cleveland Museum of Art.",{"_118":589,"_479":590},"Landscape with Haywain, by Worthington Whittredge, 1861",{"_294":586,"_296":587,"_298":588},"https://img.ochreeditions.com/m/684.jpg?dl=1","/art/landscape-with-haywain-cma-148215","/galleries/style/antebellum-america/landscape-with-haywain-cma-148215",{"_290":291,"_292":293},{"_224":581,"_125":582,"_284":583},{"_275":578,"_277":579,"_279":561,"_281":580},93,55.19294117647059,40.19294117647059,{"_286":224,"_123":584,"_154":585,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-worthington-whittredge","Worthington Whittredge's contemporaries","https://img.ochreeditions.com/a/684/480.jpg","https://img.ochreeditions.com/a/684/960.jpg","https://img.ochreeditions.com/a/684/1920.jpg","Painted during the first year of the Civil War, this idyllic view of a farm near Dobb's Ferry, New York, proclaimed to Northern viewers the success of an agricultural system in which farmers worked their own land. The American flag hanging beside the homestead subtly alludes to the war.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":607,"_312":608},{"_310":605,"_312":606},{"_310":603,"_312":604},{"_310":601,"_312":602},{"_310":600,"_312":313},"#565047","#c8bead",0.1567,"#76532f",0.1643,"#41351d",0.2287,"#8a857f",0.3376,"Worthington Whittredge","worthington-whittredge","American, 1820–1910",1910,"asian-tea-pots-nga-134159","Asian Tea Pots",{"_42":660,"_221":661,"_324":662,"_326":327,"_328":663,"_330":664,"_332":-5,"_333":-5,"_334":-5,"_140":103},"n.d.","watercolor on paper mounted to paperboard","sheet: 25.72 × 23.5 cm (10 1/8 × 9 1/4 in.) mount: 38.1 × 81.28 cm (15 × 32 in.)",23.5,25.7,0.9208651399491095,[645,646,647,648,649],{"_220":300,"_221":301,"_42":302,"_303":304},"2004.165.5","Henry Farrer painted this (n.d.), aged about 16. It is now at the National Gallery of Art in Washington, DC.","There are two teapots in the image. The larger teapot has a decorative pattern of red leaves and blue curve on an olive-green background, with a white handle. The smaller teapot has a dark brown glossy finish. The color palette consists of earthy tones like browns, olive green, red, and blue. The larger teapot is positioned slightly to the right, behind the smaller one, which is in the foreground on a reflective green surface. The background has a light beige appearance.",{"_294":642,"_296":643,"_298":644},"https://img.ochreeditions.com/m/1659.jpg?dl=1","/art/asian-tea-pots-nga-134159","/galleries/style/antebellum-america/asian-tea-pots-nga-134159",{"_290":473,"_292":474},{"_224":637,"_125":638,"_284":639},{"_275":634,"_277":635,"_279":636,"_281":620},47.66623409669211,49.7,23.66623409669211,{"_286":224,"_123":640,"_154":641,"_140":89},{"_286":125,"_123":468,"_154":469,"_140":470},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henry-farrer","Henry Farrer's contemporaries","https://img.ochreeditions.com/a/1659/480.jpg","https://img.ochreeditions.com/a/1659/960.jpg","https://img.ochreeditions.com/a/1659/1920.jpg",{"_310":658,"_312":659},{"_310":656,"_312":657},{"_310":654,"_312":655},{"_310":652,"_312":653},{"_310":650,"_312":651},"#997749",0.0694,"#433527",0.0959,"#ab9a80",0.1329,"#6c6852",0.2609,"#d1c2a6",0.4409,"Henry Farrer","henry-farrer","American, born England, 1844–1903",1844,1903,"self-portrait-si-saam-2019-6-3","Self-Portrait",{"_42":712,"_221":713,"_324":714,"_326":327,"_328":715,"_330":716,"_332":-5,"_333":-5,"_334":-5,"_140":99},"ca. 1850","oil on tin","4 1/2 x 3 1/8 in.",0.771,[697,698,699,700,701],{"_220":481,"_221":482,"_42":483,"_303":304},"Courtesy of the Smithsonian American Art Museum","2019.6.3","Oliver Tarbell Eddy painted this in about 1850, aged 51. It is now at the Smithsonian American Art Museum in Washington, DC.","Self-Portrait, by Oliver Tarbell Eddy, ca. 1850",{"_294":694,"_296":695,"_298":696},"https://img.ochreeditions.com/m/1998.jpg?dl=1","/art/self-portrait-si-saam-2019-6-3","/galleries/style/antebellum-america/self-portrait-si-saam-2019-6-3",{"_290":291,"_292":293},{"_224":689,"_125":690,"_284":691},{"_275":685,"_277":686,"_279":687,"_281":688},61.26,75,46.26,60,{"_286":224,"_123":692,"_154":693,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/oliver-tarbell-eddy","More by Oliver Tarbell Eddy","https://img.ochreeditions.com/a/1998/480.jpg","https://img.ochreeditions.com/a/1998/960.jpg","https://img.ochreeditions.com/a/1998/1920.jpg",{"_310":710,"_312":711},{"_310":708,"_312":709},{"_310":706,"_312":707},{"_310":704,"_312":705},{"_310":702,"_312":703},"#7b6358",0.0538,"#d0aca0",0.07,"#9f5e41",0.2159,"#723e2a",0.285,"#392924",0.3753,"Oliver Tarbell Eddy","oliver-tarbell-eddy","1799–1868",1799,1868,"mary-and-francis-wilcox-nga-45956","Mary and Francis Wilcox",{"_42":763,"_221":764,"_324":765,"_326":327,"_328":766,"_330":767,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1845","overall: 122 x 101.6 cm (48 1/16 x 40 in.)",101.6,122,0.837890625,[748,749,750,751,752],{"_220":300,"_221":301,"_42":302,"_303":304},"1959.11.2","Joseph Whiting Stock painted this in 1845, aged 30. It is now at the National Gallery of Art in Washington, DC.","The image features two young children standing side by side. The child on the left extends one arm sideways and has the other arm lowered, while the child on the right has both arms relaxed by their sides, one holding a string. Both children have round faces with light complexions; the child on the left has dark brown hair styled in waves down to the shoulders, while the child on the right has light brown hair. The child on the left is dressed in a blue dress with a loosely gathered waist and short sleeves, white stockings, white shoes, and a red beaded necklace. The child on the right wears a green dress with similar design features, white stockings, and black shoes. Near their feet are a toy doll in a red cradle and a small toy house. In the background, there is a plain dark wall, a deep red drapery, a carpet with elaborate patterns, and a small wooden table with a box on top.",{"_294":745,"_296":746,"_298":747},"https://img.ochreeditions.com/m/1511.jpg?dl=1","/art/mary-and-francis-wilcox-nga-45956","/galleries/style/antebellum-america/mary-and-francis-wilcox-nga-45956",{"_290":291,"_292":293},{"_224":740,"_125":741,"_284":742},{"_275":737,"_277":738,"_279":739,"_281":723},117.22265625,137,102.22265625,{"_286":224,"_123":743,"_154":744,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-whiting-stock","Joseph Whiting Stock's contemporaries","https://img.ochreeditions.com/a/1511/480.jpg","https://img.ochreeditions.com/a/1511/960.jpg","https://img.ochreeditions.com/a/1511/1920.jpg",{"_310":761,"_312":762},{"_310":759,"_312":760},{"_310":757,"_312":758},{"_310":755,"_312":756},{"_310":753,"_312":754},"#8d5333",0.1312,"#d4c0a7",0.1409,"#687126",0.1563,"#4e5553",0.2795,"#3b221e",0.2921,"Joseph Whiting Stock","joseph-whiting-stock","American, 1815–1855",1815,1855,"white-mare-cma-135323","White Mare",{"_42":817,"_221":818,"_324":819,"_326":327,"_328":820,"_330":612,"_332":821,"_333":822,"_334":823,"_140":53},"c. 1868","oil on panel","Framed: 32.5 x 45 x 4.5 cm (12 13/16 x 17 11/16 x 1 3/4 in.); Unframed: 20 x 32.6 cm (7 7/8 x 12 13/16 in.)",32.6,20,1.6488845780795345,[802,803,804,805,806],{"_220":591,"_221":592,"_42":593,"_303":594},"1958.33","Winslow Homer painted this in about 1868, aged about 27. It is now at the Cleveland Museum of Art.",{"_118":801,"_479":590},"White Mare, by Winslow Homer, c. 1868",{"_294":798,"_296":799,"_298":800},"https://img.ochreeditions.com/m/624.jpg?dl=1","/art/white-mare-cma-135323","/galleries/style/antebellum-america/white-mare-cma-135323",{"_290":291,"_292":293},{"_224":793,"_125":794,"_284":795},{"_275":790,"_277":791,"_279":774,"_281":792},47.6,34.770941176470586,19.77094117647059,{"_286":224,"_123":796,"_154":797,"_140":53},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/624/480.jpg","https://img.ochreeditions.com/a/624/960.jpg","https://img.ochreeditions.com/a/624/1920.jpg","In August 1868 Winslow Homer, then working as a free-lance illustrator, visited the White Mountains of New Hampshire. As early as the 1820s, American artists used the White Mountains as a setting for landscape paintings.",{"_310":815,"_312":816},{"_310":813,"_312":814},{"_310":811,"_312":812},{"_310":809,"_312":810},{"_310":807,"_312":808},"#bdb29a",0.0765,"#53463c",0.1302,"#746c5c",0.2296,"#928975",0.2444,"#301d1b",0.3193,"Winslow Homer","winslow-homer","American, 1836–1910",1836,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","portrait-of-a-child-nga-59907","Portrait of a Child",{"_42":871,"_221":872,"_324":873,"_326":327,"_328":874,"_330":875,"_332":876,"_333":877,"_334":878,"_140":95},"c. 1840","overall: 44.2 x 36.8 cm (17 3/8 x 14 1/2 in.)",36.8,44.2,0.81640625,[856,857,858,859,860],{"_220":300,"_221":301,"_42":302,"_303":304},"1980.62.14","Edward Hicks painted this in about 1840, aged 60. It is now at the National Gallery of Art in Washington, DC.","A small girl in a crimson dress and frothy lace bonnet stands before a dark forest, her large head and solemn face giving her the look of a tiny adult.","A pale-skinned child wearing a short-sleeved red dress and a white bonnet stands before a shadowy green forest under dark clouds in this vertical portrait painting. The child’s over-large head is out of scale with the rest of her body. She looks toward us with brown eyes in her wide, round-jawed face. She has a broad nose, and her pale lips are set in a line. Her lace bonnet lines her black hair like frothy seafoam and is tied with spring-green bows at the top and under her right ear, to our left. The low neckline of her crimson dress is lined with a wide white ruffle. Red fabric covers her hands, which are gathered in front of her waist. Gray clouds sweep over the hazy green forest in the background. A gnarled tree grows up the left side of the painting, framing the girl.",{"_294":853,"_296":854,"_298":855},"https://img.ochreeditions.com/m/1599.jpg?dl=1","/art/portrait-of-a-child-nga-59907","/galleries/style/antebellum-america/portrait-of-a-child-nga-59907",{"_290":291,"_292":293},{"_224":848,"_125":849,"_284":850},{"_275":845,"_277":846,"_279":847,"_281":830},51.085156250000004,59.2,36.085156250000004,{"_286":224,"_123":851,"_154":852,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/edward-hicks","More by Edward Hicks","https://img.ochreeditions.com/a/1599/480.jpg","https://img.ochreeditions.com/a/1599/960.jpg","https://img.ochreeditions.com/a/1599/1920.jpg",{"_310":869,"_312":870},{"_310":867,"_312":868},{"_310":865,"_312":866},{"_310":863,"_312":864},{"_310":861,"_312":862},"#833316",0.1265,"#d1b9a1",0.134,"#786646",0.1541,"#554639",0.2136,"#332320",0.3718,"Edward Hicks","edward-hicks","American, 1780–1849",1780,1849,"Langhorne, Pennsylvania","Newtown, Pennsylvania","Hicks was a Quaker minister in Bucks County, Pennsylvania, who earned his living as a coach and sign painter.","soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208","Soldiers felling sapling, and weaving saplings into baskets [verso]",{"_42":817,"_221":818,"_324":819,"_326":327,"_328":820,"_330":612,"_332":821,"_333":822,"_334":823,"_140":53},"1862","graphite on straw paper","sheet: 21.9 × 37.7 cm (8 5/8 × 14 13/16 in.)",37.7,21.9,1.7385398981324278,[910,911,912,913,914],{"_220":300,"_221":301,"_42":302,"_303":304},"1996.121.7.b","Winslow Homer drew this in 1862, aged 26. It is now at the National Gallery of Art in Washington, DC.","Quick pencil sketches catch soldiers at work, felling saplings and weaving them into gabions, the basket-like frames filled with earth that protected artillery positions during sieges.","This is a drawing of various sketches related to woodcutting or carpentry. The drawing features several pencil sketches on tan paper. On the left side, there are depictions of a barrel or basket, and beneath it, several outline sketches of figures engaged in activities involving woodwork. The right side of the drawing shows a figure bent over a large beam or branch. The sketches are simple, with minimal detail, capturing the basic form and movement of the figures and objects involved in woodwork-related activities.",{"_294":907,"_296":908,"_298":909},"https://img.ochreeditions.com/m/1634.jpg?dl=1","/art/soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208","/galleries/style/antebellum-america/soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208",{"_290":473,"_292":474},{"_224":904,"_125":905,"_284":906},{"_275":901,"_277":902,"_279":885,"_281":903},61.7,45.68486328125,21.684863281250003,{"_286":224,"_123":796,"_154":797,"_140":53},{"_286":125,"_123":468,"_154":469,"_140":470},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1634/480.jpg","https://img.ochreeditions.com/a/1634/960.jpg","https://img.ochreeditions.com/a/1634/1920.jpg",{"_310":923,"_312":924},{"_310":921,"_312":922},{"_310":919,"_312":920},{"_310":917,"_312":918},{"_310":915,"_312":916},"#bda484",0.0599,"#9a7b58",0.1003,"#b69269",0.2474,"#a6845f",0.273,"#ae8a63",0.3194,"the-lackawanna-valley-nga-30776","The Lackawanna Valley",{"_42":972,"_221":973,"_324":974,"_326":327,"_328":975,"_330":976,"_332":977,"_333":978,"_334":979,"_140":95},"c. 1856","overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.) framed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)",127.5,86,1.490538573508006,[957,958,959,960,961],{"_220":300,"_221":301,"_42":302,"_303":304},"1945.4.1","George Inness painted this in about 1856, aged 31. It is now at the National Gallery of Art in Washington, DC.","A figure reclines beneath a tree in a meadow scattered with stumps, looking out over a valley where a steam train puffs across a bridge, leaving behind a roundhouse, smoking chimneys and a church steeple.","We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting. Closest to us, several broken, jagged tree stumps are spaced across the painting’s width. A little distance away and to our left, the person wears a yellow, broad-brimmed hat, red vest, and gray pants. He reclines propped on his left elbow near a walking path beside a tall, slender tree with golden leaves. The green meadow stretching in front of him is dotted with tree stumps cut close to the ground. Beyond the meadow, puffs of white smoke trail behind a long steam locomotive that crosses a bridge spanning a tree-filled ravine, headed to our left. The ravine creates a diagonal line across the canvas, moving subtly away from us to our left. The train has climbed out of the valley, away from a cluster of brick-red buildings. The most prominent structure is a train roundhouse, a large building with a high, domed roof to the right of the tracks. Smoke rises from chimneys on long, warehouse-like buildings, and a steeple and smaller structures suggest a church and homes to our left. Hazy in the distance, a row of mountains lines the horizon, which comes about halfway up the composition. The sky above deepens from pale, shell pink over the mountains to watery, pale blue above. The artist signed the work in tiny letters in the lower left corner: “G. Inness.”",{"_294":954,"_296":955,"_298":956},"https://img.ochreeditions.com/m/1460.jpg?dl=1","/art/the-lackawanna-valley-nga-30776","/galleries/style/antebellum-america/the-lackawanna-valley-nga-30776",{"_290":291,"_292":293},{"_224":949,"_125":950,"_284":951},{"_275":946,"_277":947,"_279":930,"_281":948},142.5,100.53955078125,85.53955078125,{"_286":224,"_123":952,"_154":953,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/1460/480.jpg","https://img.ochreeditions.com/a/1460/960.jpg","https://img.ochreeditions.com/a/1460/1920.jpg",{"_310":970,"_312":971},{"_310":968,"_312":969},{"_310":966,"_312":967},{"_310":964,"_312":965},{"_310":962,"_312":963},"#896f2e",0.0981,"#8b8a70",0.1246,"#444126",0.1915,"#655a2a",0.2485,"#d6c8a0",0.3373,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","the-artist-s-wife-sophie-si-chndm-1942-50-2","The Artist's Wife Sophie",{"_42":1029,"_221":1030,"_324":1031,"_326":327,"_328":1032,"_330":1033,"_332":-5,"_333":-5,"_334":1034,"_140":99},"1853","Black and white crayon on brown wove paper, laid down","40.8 x 31.8 cm (16 1/16 x 12 1/2 in.)",31.8,40.8,0.7827768729641694,[1014,1015,1016,1017,1018],{"_220":481,"_221":482,"_42":483,"_303":484},"1942-50-2","Daniel Huntington drew this in 1853, aged 37. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1013,"_479":480},"THE ARTIST'S WIFE SOPHIE",{"_294":1010,"_296":1011,"_298":1012},"https://img.ochreeditions.com/m/1745.jpg?dl=1","/art/the-artist-s-wife-sophie-si-chndm-1942-50-2","/galleries/style/antebellum-america/the-artist-s-wife-sophie-si-chndm-1942-50-2",{"_290":473,"_292":474},{"_224":1005,"_125":1006,"_284":1007},{"_275":1002,"_277":1003,"_279":1004,"_281":987},55.93729641693811,64.8,31.93729641693811,{"_286":224,"_123":1008,"_154":1009,"_140":99},{"_286":125,"_123":468,"_154":469,"_140":470},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/daniel-huntington","More by Daniel Huntington","https://img.ochreeditions.com/a/1745/480.jpg","https://img.ochreeditions.com/a/1745/960.jpg","https://img.ochreeditions.com/a/1745/1920.jpg","Portrait of Sophie Huntington showing the left profile of her lowered head.",{"_310":1027,"_312":1028},{"_310":1025,"_312":1026},{"_310":1023,"_312":1024},{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},"#e4d5c2",0.0819,"#6d5948",0.1116,"#54473c",0.1128,"#413b34",0.1297,"#866e5a",0.564,"Daniel Huntington","daniel-huntington","American, 1816–1906",1816,1906,"Huntington studied with Samuel F. B. Morse and Henry Inman in New York and made several journeys to Italy, which shaped his early allegorical and religious pictures, such as Mercy’s Dream.","the-grave-of-william-penn-nga-59905","The Grave of William Penn",{"_42":871,"_221":872,"_324":873,"_326":327,"_328":874,"_330":875,"_332":876,"_333":877,"_334":878,"_140":95},"c. 1847/1848","overall: 60.4 x 75.5 cm (23 3/4 x 29 3/4 in.) framed: 81.4 x 96.5 cm (32 1/16 x 38 in.)",75.5,60.4,1.271654765600745,[1064,1065,1066,1067,1068],{"_220":300,"_221":301,"_42":302,"_303":304},"1980.62.12","Edward Hicks painted this in about 1847/1848, aged about 67. It is now at the National Gallery of Art in Washington, DC.","Herdsmen rest beneath a tree with a dog, a basket and a herd of cows and sheep, while in the distance figures and a wagon gather before a large house on a hill. The setting is Jordans in Buckinghamshire, where William Penn, the Quaker founder of Pennsylvania, was buried in 1718.","This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon. In the bottom right corner, two people sit in the grass under a tree, one dressed in red holding a tall crook and the other wearing a black garment and a yellow hat and petting a large brown-and-white dog. There is a basket on the ground between them, and next to them is a large herd of cows and sheep, all resting on the grass. The landscape includes trees with green leaves and yellow hills in the distance. The sky above is in pastel shades of pink and blue, with fluffy clouds. In the bottom left, a patch of yellow ground has several lines of text written over it.",{"_294":1061,"_296":1062,"_298":1063},"https://img.ochreeditions.com/m/1597.jpg?dl=1","/art/the-grave-of-william-penn-nga-59905","/galleries/style/antebellum-america/the-grave-of-william-penn-nga-59905",{"_290":291,"_292":293},{"_224":1058,"_125":1059,"_284":1060},{"_275":392,"_277":1056,"_279":1040,"_281":1057},74.3714599609375,59.3714599609375,{"_286":224,"_123":851,"_154":852,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1597/480.jpg","https://img.ochreeditions.com/a/1597/960.jpg","https://img.ochreeditions.com/a/1597/1920.jpg",{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},{"_310":1072,"_312":1073},{"_310":1071,"_312":866},{"_310":1069,"_312":1070},"#554a1b",0.1466,"#af8d39","#757933",0.1841,"#2d2b14",0.2088,"#ded6ae",0.3064,"rio-de-janeiro-bay-nga-50281","Rio de Janeiro Bay",{"_42":1125,"_221":1126,"_324":1127,"_326":327,"_328":1128,"_330":1129,"_332":-5,"_333":-5,"_334":1130,"_140":97},"1864","overall: 45.5 x 91.1 cm (17 15/16 x 35 7/8 in.) framed: 70.2 x 115.9 x 12.1 cm (27 5/8 x 45 5/8 x 4 3/4 in.)",91.1,45.5,2.025717111770524,[1110,1111,1112,1113,1114],{"_220":300,"_221":301,"_42":302,"_303":304},"1965.2.1","Martin Johnson Heade painted this in 1864, aged 45. It is now at the National Gallery of Art in Washington, DC.","Waves of bottle-green water break over boulders on a sandy shore, while sailboats dot the bay and hills curve around it beneath a sky glowing from butter yellow to mint green.","Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting. One boulder is at the left edge of the painting; the other is a short distance away, about a quarter of the way across. The water cascades down between those large rocks. Across the rest of the beach, the waves flare up to break toward us in white, foamy surf. The land curves back into view on both sides of the canvas with muted, sage-green hills and, to our left, dark green trees on more craggy boulders. A more distant finger of land to our left stretches nearly halfway across the horizon, which comes about halfway up the composition. Minuscule in scale there, smoke pours out of a chimney, which is surrounded by pale yellow buildings. A mound emerges from the horizon to our right of center. About ten sailboats float on the water. The closest one to us is near the center of the painting, and the tiny forms of people aboard can just barely be made out. The other boats become smaller as they move back to the horizon, and some are only a touch of white or gray on the canvas. White and pale lavender-purple clouds sweep up from the horizon into the sky, which glows butter yellow along the left edge. The sky cools to mint green in the upper right corner. Several white or brown birds fly across the sky or low over the water. The artist signed and dated the lower left, “M. J. Heade 1864.”",{"_294":1107,"_296":1108,"_298":1109},"https://img.ochreeditions.com/m/1531.jpg?dl=1","/art/rio-de-janeiro-bay-nga-50281","/galleries/style/antebellum-america/rio-de-janeiro-bay-nga-50281",{"_290":291,"_292":293},{"_224":1102,"_125":1103,"_284":1104},{"_275":1099,"_277":1100,"_279":1083,"_281":1101},106.1,59.971728515624996,44.971728515624996,{"_286":224,"_123":1105,"_154":1106,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1531/480.jpg","https://img.ochreeditions.com/a/1531/960.jpg","https://img.ochreeditions.com/a/1531/1920.jpg",{"_310":1123,"_312":1124},{"_310":1121,"_312":1122},{"_310":1119,"_312":1120},{"_310":1117,"_312":1118},{"_310":1115,"_312":1116},"#2c2316",0.0912,"#705f31",0.121,"#b9b09c",0.1613,"#95956a",0.2717,"#d5b776",0.3548,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…",{"_1132":-5,"_1133":1134,"_1135":1136,"_1137":8,"_1138":1139,"_1140":8},"user","csrf","dc222d7ec445cf028bd02e61d2965461fc1194ba","cartCount",0,"dropLive","legal",[1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152],"uploadsEnabled",{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]